REVIEW: BATTLESTAR GALACTICA: THE PLAN

 

CAST

Edward James Olmos (The Green Hornet)
Dean Stockwell (Dune)
Michael Trucco (Wishmaster 4)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Aaron Douglas (The Flash)
Callum Keith Rennie (Flashforward)
Kate Vernon (Heroes)
Rick Worthy (The Vampire Diaries)
Lymari Nadal (American Gangster)
Matthew Bennett (Stargate SG.1)
Rekha Sharma (V)
Tricia Helfer (Two and a Half Men)
Alisen Down (Smallville)

The opening scenes of The Plan occur just prior to the destruction of the Twelve Colonies in the televised miniseries, Battlestar Galactica. Humanoid Cylon John Cavil is shown leading the planning for the genocidal attack on the human race. The seven known Cylons are present in the control room of the main Cylon base. Two versions of Cavil are shown in a Resurrection Ship, with the “Final Five” Cylons in stasis in resurrection chambers. The two versions of Cavil briefly discuss their plans for “teaching a lesson” to their creators, the Final Five. One version of Cavil announces his intention to witness the destruction of humanity on the ground. This version of Cavil travels to the planet Picon, where he encounters Ellen Tigh. Other characters from the series are also depicted: Gaius Baltar has a final meeting with Caprica Six; Samuel Anders is shown at his Pyramid team’s training camp along with the team doctor, who is Number Four/Simon; and Tory Foster (Rekha Sharma) is shown driving to an airport.
The destruction of the Twelve Colonies is depicted in a series of new special effects shots, with the Cylon Hybrid narrating the destruction with oblique poetry. Almost all of the planets of the Twelve Colonies are depicted in short scenes. Ellen Tigh is severely wounded in the nuclear attack on Picon. Cavil helps her leave the planet aboard a Colonial Fleet rescue ship. Aboard a civilian transport, Cavil torments the half-conscious woman with descriptions of his intent to destroy humanity. Tory Foster survives the nuclear attack as well, but is wounded when her car flips over in the blast Anders helps console his teammates in the mountainous region where they were training. Several scenes from the television miniseries are edited into The Plan.
skeletyi-v-shkafuCavil later boards the Galactica, calling himself “Brother Cavil,” and takes over the Galactica’s chapel. The creation of Galactica’s “wall of remembrance” is depicted, where survivors posted pictures and mementos of their dead or missing loved ones. Using religious fliers which talk about a “plan”, Cavil covertly gathers the seven known cylons. Cavil tells them that he intends to continue his plan to utterly destroy the human race. He also tells them that there is a sleeper agent aboard the Galactica, a Number Eight, whom he also plans to use. Back on Cylon-occupied Caprica, Sam Anders and his teammates have fled their training center for safer quarters. They spot Cylon Centurions collecting the parts of their fallen comrades. Later, Sam and his companions launch their first attack on the Cylons, losing several people in a successful attack. Sam and Jean Barolay later observe several Number Fives burying numerous dead human bodies, realize that Cylons have taken humanoid form, and resolve to attack them. They do so later, while a Cavil version supervises the Fives’ work. Cavil plays dead and survives the attack unharmed. Mistakenly believing Cavil to be a human being, Sam and his friends take the priest with them back to their camp. Cavil is clearly shocked to see Anders, because he is one of the original Final Five. 5YRYRYRTBack on the Galactica, the events of the first season episodes unfold from the Cylon’s perspective. Brother Cavil triggers the original Cylon programming of the Number Eight known as Sharon “Boomer” Valerii. She plans a bombing of the ship’s water storage facilities. As she tries to implement her plan, Boomer becomes increasingly distraught because she has fallen in love with Chief Galen Tyrol (Aaron Douglas). Cavil becomes angry when the Number Five known as Aaron Doral is exposed as a Cylon, and demands that he attempt to kill Commander Adama. The Number Two, meanwhile, listens in on Colonial Fleet communications, and becomes convinced that Kara “Starbuck” Thrace (Katee Sackhoff) holds some special purpose for the humanoid Cylons. He begins to paint the nebula depicted in Season Three episodes. Cavil, realizing that the Number Two known as Leoben Conoy has had his identity compromised, demands that the Number Two turn himself over to the humans and attempt to deceive or kill them. When Boomer’s plan to deprive the Fleet of water fails (and Boomer ironically helps the Galactica locate more water), Cavil demands that she kill Commander Adama. She first attempts suicide, and later purposefully botches the assassination attempt.battlestar-galactica-the-plan-boomerCavil, worried about Dr. Baltar’s attempt to develop a Cylon detection machine, orders the Number Six known as Shelly Godfrey to frame Baltar for treason. She does so, but her attempt fails when her evidence is exposed as a sham by Lieutenant Gaeta. Cavil orders the Six into an airlock and kills her. Cally Henderson’s assassination of Boomer is depicted as well. Cavil also orders the Number Four known as Simon to destroy the ship on which he lives with his family. Simon commits suicide rather than kill the family he has grown to love. In the aftermath of Simon’s suicide, Simon’s wife Giana tries to convince everyone that he wasn’t a Cylon. She seeks solace from Chief Tyrol, who is beginning to suspect that he himself might be a Cylon.
Meanwhile, back on Cylon-occupied Caprica, the other version of Cavil has ingratiated himself with Sam Anders. Cavil has ordered the Number Four to attempt to kill members of Sam’s team, but none have died and Cavil criticizes the Four’s actions. Starbuck returns to Caprica and meets the stranded Colonial pilot Karl “Helo” Agathon. Cavil makes a failed attempt to trick Sam into thinking they are Cylons and attacking them. Helo and Starbuck join them and attack a local Cylon base. Starbuck is wounded, taken captive by the Cylons, and subjected to various breeding experiments. Anders, Helo, and the others rescue her, discovering that Simon is a Cylon in the process. Later, Cavil tries to assassinate Starbuck and Anders but finds that he cannot pull the trigger, because he cannot stop thinking about Anders’ comment that death wouldn’t make him love these people any less. When the Cylon Centurions attack, Cavil is forced to hide with the rest of the humans. That night, Cavil meets with a Number Six who informs him that the Cylons have agreed to end their attacks on the human race. Cavil, who has changed his mind about humanity, agrees to pass on the message to the humans. Cavil returns to the human camp, and the humans leave the next day for the Galactica.

Meanwhile, the Brother Cavil on the Galactica is bedeviled by the repeated appearance of a young boy named John (Alex Ferris) in his chapel. Their various interactions finally end when the fake priest offers the boy an apple and then stabs him to death. The Plan ends with “Caprica Cavil” arriving aboard the Galactica, and exposing himself and Brother Cavil as humanoid Cylons (as depicted in scenes from the second season episode “Lay Down Your Burdens”). We realize from the Cylon perspective that he does this on purpose to stop Brother Cavil’s plans.  Brother Cavil is brought to the brig protesting that he is not a Cylon until he sees Caprica Cavil already in the brig, at which point he stops pretending. Caprica Cavil announces that the Cylons have voted to give the humans “a reprieve” because they have decided that their attempts at genocide were an error. They have left the colonies and will stop hunting the humans.The two Cavils argue while on their way to the airlock. Brother Cavil is in disbelief that the Cylons have decided to leave the humans alone, and continues to argue for their destruction. But Caprica Cavil asserts that Brother Cavil does not understand the nature of love. He says that the Final Five loved humanity, and that Brother Cavil is jealous of this love. Brother Cavil, he claims, does not understand that God and the Final Five will love humanity even more if the human race is extinguished. As they are escorted to the airlock, the Cavils see all of the Final Five Cylons watching them. They admit that this wasn’t the reunion they had expected. The two Cavils are then forced into the airlock. Caprica Cavil quietly tells his other self that he knows how terrifying death can be, and offers his hand, which Brother Cavil takes. The two are ejected, and float out past the fleet. The film ends with this scene overlaid with John Cavil’s fourth-season tirade lamenting his human-like body and desiring to be more like a machine so that he could “see gamma rays, hear x-rays, smell dark matter…and feel the solar wind of a super-nova” flowing over him.The Plan features very little to no extra scenes for the major crew members of Galactica, save Boomer, Anders and Tyrol. Olmos does a great job of directing but due to the story cutting between the work of many directors, it is hard to judge his individual style. The fact that it is stylistically seamless is a credit in itself. This is recommended for fans of the show, and a must-have for anyone interested in the Cylons and their motivations.

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 4 (PART 2)

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Alessandro Juliani (Smallville)

Michael Hogan and Tricia Helfer in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Lucy Lawless (Ash vs Evil Dead)
Callum Keith Rennie (Impulse)
Rekha Sharma (V)
Kate Vernon (Heores)
Jen Halley (Red Riding Hood)
Don Thompson (Slither)
Sonja Bennett (The Fog)
Richard Hatch (InAlienable)
Donnelly Rhodes (Legends of Tomorrow)
Keegan Connor Tracy (Bates Motel)
Bodie Olmos (Walkout)
Sebastian Spence (First Wave)
Mike Dopud (Arrow)
Ty Olsson (War For The POTA)
Leah Cairns (Interstellar)
Colin Lawrence (Watchmen)
Vincent Gale (Bates Motel)
Craig Veroni (Dark Angel)
Mark Sheppard (Doom Patrol)
Michael Trucco (Sabrina: TTW)
Adrian Holmes (Skyscraper)
Dean Stockwell (Quantum Leap)
Roark Critchlow (V)
G. Patrick Currie (Stargate SG.1)
Torrance Coombs (Reign)
Leela Savasta (Stargate Atlantis)
Rick Worthy (The Vampire Diaries)
Tobias Mehler (Young BLades)
Kevin McNulty (Elektra)
Sarah Deakins (Andromeda)
Tiffany Lyndall-Knight (I, Robot)

 

Wrapping up a beloved TV series with an enormous cult following is no easy task. Sci-Fi devotees like me can be tough to please since we’re deeply invested in the characters and the final trajectories their lives take. Fortunately, thanks to the Gods (plus executive producers David Eick, Ronald D. Moore, and a top-notch cadre of actors, writers, directors, and production staff), ardent followers of the outstanding series, Battlestar Galactica, are provided satisfying closure with the must-see release of Season 4.5.
Based on the original series, created by Glen Larson and first aired in 1978, the re-imagined Battlestar Galactica (abbreviated as BSG or Galactica) began as a three-hour miniseries in 2003 and ran for four seasons ending in 2009. Its premise: a civilization of humans, who inhabit the Twelve Colonies, develop a cybernetic race (Cylons) to serve as workers and soldiers. The Cylons, who become sentient and monotheistic, eventually rebel, opening a can of nuclear-style whoop-ass on their sinful creators. With billions of people annihilated, the remaining 50,000 or so survivors are on the run, led by the last remaining warship, the battlestar Galactica. Humanity’s hope is to reach the fabled Thirteenth Colony (Earth) before the Cylons wipe them out.Jamie Bamber and Aaron Douglas in Battlestar Galactica (2004)In Season 4.5, the wounds of New Caprica (a would-be refuge overrun by the Cylons at the end of Season 2) fester among humans and Cylons alike. Trust and betrayal take center stage for both sides as new, tenuous alliances are formed and mutinous elements take hold. As with previous seasons, it’s evident that Larson’s Mormon beliefs, the post-9/11 War on Terror, and Moore’s agnostic, humanist views influence Season 4.5’s, context, characters, and events. The result is thought-provoking stories that make this sometimes passive viewer sit up, take notice, and consider how the show’s religious, political, and ethical issues are critically relevant today. For folks who prefer not to delve too deeply into the storytelling – no worries. The visuals (both actual and CGI) are frakkin’ amazing. The menacing, mechanical, chrome Cylons send shivers up my spine and several of the human-looking, “skin-jobs” are, well… really HOT! Throw in some heart-stopping CGI space battles and its hands down the best looking show I’ve ever seen.Not to be outdone by the special effects are the stellar performances. Edward James Olmos (Galactica’s Commander William Adama) and Mary McDonnell (President Laura Roslin), both 2009 Saturn Award winners, are outstanding in their respective roles as strong but flawed leaders who support and deeply love one another. With all the May – December romances depicted in film and television, it’s refreshing to see a strong, yet tender relationship between age/power-equivalent adults over 50. Katee Sackhoff (Captain Kara ‘Starbuck’ Thrace) is terrific as the hot-headed, ace viper-pilot who’s grappling with her past familial dysfunction and current romantic and identity crises. Sackhoff effectively and realistically balances the opposing sides to her character: the confident feminist action heroine and the abandoned, damaged woman. Jamie Bamber (Lee Adama), James Callis (Dr. Gaius Baltar), and Tricia Helfer (Number Six) all give remarkable performances as well. Also, since the series was filmed in Vancouver, British Columbia, I was pleasantly surprised to see other standout Canadian actors added to the Season 4.5 cast; especially Darcie Laurie (who played the chief lieutenant and down-to-earth henchman Bob in the series Intelligence).Battlestar Galactica expertly tells the tales of complex, flawed characters; however, Season 4.5 is not without its own faults. For example, I found the flashbacks in the two-part series finale, “Daybreak” to be needlessly slow and irrelevant in advancing the plot. The purpose might have been to further round-out the characters, but the few added details given are misplaced at a time when viewers are seeking answers to larger questions. In addition, some may be frustrated that Season 4.5 doesn’t solve all of BSG’s mysteries. But life rarely reveals all its secrets, and the closure that’s provided will likely be sufficiently satisfying to most.

 

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 4 (PART 1)

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Nicki Clyne (Saved!)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Alessandro Juliani (Smallville)

Aaron Douglas, Grace Park, and Michael Trucco in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Rekha Sharma (V)
Ryan Robbins (Sanctuary)
Keegan Connor Tracy (Bates Motel)
Leah Cairns (Interstellar)
Jen Halley (Red Riding Hood)
Leela Savasta (Stargate Atlantis)
Callum Keith Rennie (Impulse)
Rick Worthy (The Vampire Diaries)
Matthew Bennett (Stargate SG.1)
Sebastian Spence (First Wave)
Dean Stockwell (Quantum Leap)
Bodie Olmos (Walkout)
Tiffany Lyndall-Knight (I, Robot)
Eileen Pedde (Juno)
Donnelly Rhodes (Legends of Tomorrow)
Richard Hatch (InAlienable)
Colin Lawrence (Watchmen)
Don Thompson (Slither)
Michael Trucco (Sabrina: TTW)
Laara Sadiq (Arrow)
Alisen Down (Smallville)
Lori Triolo (Smallville)
Nana Visitor (Star Trek: DS9)
Craig Veroni (Dark Angel)
Lucy Lawless (Ash vs Evil Dead)
Vincent Gale (Bates Motel)
Sonja Bennett (The Fog)
Kate Vernon (Heores)

Jamie Bamber and Grace Park in Battlestar Galactica (2004)For the Season 4.0, Universal has included the ten episodes that made up the first half of the final season: “He That Believeth in Me”, “Six of One”, “The Ties That Bind”, “Escape Velocity”, “The Road Less Traveled”, “Faith”, “Guess What’s coming to Dinner”, “Sine Qua Non”, “The Hub”, and “Revelations”. Those episodes are presented across three discs, but for some reason they have also included the unrated extended edition of Razor in this set as well. Its position in the boxed set promotes itself as the first disc, though in all frankness Razor doesn’t have a whole heck of a lot to do with these episodes. It feels out of place with regards to the continuity of the series and in all honesty, Battlestar fans probably already have it in their collections. I get that the episode was released in between seasons three and four, but even so it’s already on the market. Mary McDonnell, Jamie Bamber, and Rekha Sharma in Battlestar Galactica (2004)Regardless of Razor’s inclusion, it’s worth noting that it’s a damn fine episode. In case you’re unfamiliar with it, Razor takes place during season two with a story revolving around the Battlestar Pegasus and Admiral Cain. It’s a compelling episode that brings about the Cylon hybrid in a way the series hasn’t quite presented it yet. It also brings us some nice flashbacks with a younger Adama on a recon mission during the first Cylon War. Michael Hogan and Tahmoh Penikett in Battlestar Galactica (2004)Battlestar’s fourth year has several themes that run through its ten episodes, but four big ones emerge during the course of the season. Of course there is still the quest for Earth, the hatred between Cylons and humans continues, Roslin is still dying of cancer, and all around there is talk of prophecy and religious visions. There are many familiar elements in this season, but there are some unfamiliar ones as well. Some startling revelations come about in these ten episodes as humanity and the Cylons march towards annihilation on the way to Earth.Aaron Douglas and Rekha Sharma in Battlestar Galactica (2004)One of the first things introduced in the opening episode “He That Believeth in Me” actually comes from the final moments of “Crossroads Part II” from the third season. Starbuck has returned from the dead and Lee soon realizes that it’s not just a hallucination. It seems to actually be her, but naturally since she’s been presumed deceased for months everyone thinks it’s a Cylon trick. She arrives on the Galactica spouting about how she found Earth and she knows the way, however, everyone on board thinks she’s not who she says she is and the fact that her ship seems brand new doesn’t help matters. This is compounded by her behavior because with every jump away from their previous location she screams and whimpers that they’re going the wrong way. She’s eventually given a ship with her own dysfunctional command and ordered to go find Earth. They don’t find exactly what they were looking for, but let’s just say it’s almost as interesting as their objective.Probably the biggest event to come about in the fourth season is the Cylon Civil War. The skin-job models are split right down the center, with the Ones, Fours, and Fives wanting to lobotomize the Raiders and the Sixes, Sevens, and Eights wanting to keep them the way they are. There are also some debates between them regarding the Final Five and what they should do with the D’Anna model. The shots fired are the sparks that ignites all-out war and it brings the power of the Cylons down a peg.Tahmoh Penikett and Katee Sackhoff in Battlestar Galactica (2004)The splintered Cylon faction winds up coming into contact with humanity’s fleet and naturally there is a lot of distrust between them. Toss in the reactivation of the D’Anna models, a mission to destroy their resurrection hub, and Starbuck hanging out with Leoben again and you have one heck of a situation. Things only get worse with Tigh, Tyrol, Tory, and Sanders exploring what it means for them to be Cylons. Their relationships suffer, they are having a crisis of identity, and they also fear what they will become. Tory gets power hungry, Tyrol deals with a tragic loss, Sanders is confused, and Tigh struggles with his sense of duty, friendship, and who he is. These four are starkly different from the known Cylon models and it’s fascinating how the show portrays their emergence.Edward James Olmos and Michael Hogan in Battlestar Galactica (2004)And of course let us not forget about Gaius Baltar. In this season he finds himself a new little home with a cult of mostly women who want to follow his teachings about the one god. His visions allow for some near prophetic moments and he becomes an emissary of sorts to the cult which grows over the course of the season. Gaius still has some interesting roles to play in the show and I’m definitely interested in the path they are bringing his character down. Those are the major events that shape things to come, but even so there are plenty of little snippets of life among the Colonial Fleet. Each episode is packed with plot exposition yet the writers still found time to add in some solid character development as well. I won’t divulge the nitty-gritty details of what transpires here, but let’s just say that the writing and acting is every bit as solid as you’d expect it would be. Battlestar’s cast is one of the best on television and whether you’re a lover of drama or science fiction you’re going to be on the edge of your seat.Edward James Olmos in Battlestar Galactica (2004)Each episode of this season is seamlessly weaved together as the show begins a breakneck sprint towards the finale. All roads lead to Earth and each episode in the fourth season is full of climaxes and building pressure. Sitting through all ten episodes is an exhausting, yet rewarding, experience that will leave you salivating for January 16th and the beginning of the final episodes. Hopefully all of our unanswered questions will be resolved, but that seems like kind of a tall order to fill. Battlestar Galactica is a show that constantly raises the bar for itself and let’s just say that by the end of this boxed set that bar is pretty damn high. Consider this set highly recommended.

 

REVIEW: BATTLESTAR GALACTICA: RAZOR

 

CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Michelle Forbes (Powers)
Stephanie Jacobsen (Terminator: TSCC)
Nico Cortez (Hacksaw Ridge)
Matthew Bennett (Stargate SG.1)
Steve Bacic (Andromeda)
Fulvio Cecere (The Tortured)
Vincent Gale (Van Helsing)
Graham Beckel (Pearl Harbor)
Eileen Pedde (Juno)
Peter Flemming (Stargate SG.1)
Shekhar Paleja (Sanctuary)
Peter Bryant (Legends of Tomorrow)
Emily Hirst (Blade: The Series)
Ben Cotton (Staragte Atlantis)
Stefanie von Pfetten (Cracked)

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Razor straddles two stools. On the one hand, it is a balls-to-the-wall action story with huge, epic CGI battle sequences and lots of emotional intensity which is designed to appeal to newcomers as well as established fans. On the other, it features a lot of fan-pleasing asides and references to the original series. This is a somewhat odd idea (going for newbies and hardcore fans at the same time) but just about works, with the new character of Kendra providing a worthwhile ‘in’ to this story and universe for new viewers but at the same time allowing established fans to see stuff they’ve wanted to see since the series began.Image result for battlestar galactica RAZOR
The TV movie lives or dies on the performance of actress Stephanie Jacobson as Kendra Shaw and thankfully she delivers a competent performance. The actress has a great rapport with Katee Sackhoff and Michelle Forbes, and in these scenes she is extremely good. The other actors are as trusty and reliable as ever.Image result for battlestar galactica RAZOR
Overall, Razor  an enjoyable slice of Battlestar Galactica. The DVD edition is extended over the TV cut by some 15 minutes and features a lengthy flashback to the First Cylon War (complete with another huge battle sequence) as well as other new scenes, plus a writer and producer’s commentary.

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 3

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Nicki Clyne (Saved!)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Alessandro Juliani (Smallville)

Callum Keith Rennie and Katee Sackhoff in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Donnelly Rhodes (Legends of Tomorrow)
Rekha Sharma (V)
Lucy Lawless (Ash vs Evil Dead)
Michael Trucco (Sabrina: TTW)
Callum Keith Rennie (Impulse)
Kate Vernon (Heores)
Matthew Bennett (Stargate SG.1)
Dean Stockwell (Quantum Leap)
Luciana Carro (Helix)
Leah Cairns (Interstellar)
Dominic Zamprogna (Stargate Universe)
Colin Lawrence (Watchmen)
Richard Hatch (InAlienable)
Rick Worthy (The Vampire Diaries)
Amanda Plummer (The Hunger Games)
Eileen Pedde (Juno)
Ty Olsson (War of TPOTA)
Ryan Robbins (Sanctuary)
Jen Halley (Red Riding Hood)
Erica Cerra (Power Rangers)
Emilie Ullerup (Sanctuary)
Bodie Olmos (Walkout)
Alisen Down (Smallville)
Sebastian Spence (First Wave)
Tiffany Lyndall-Knight (I, Robot)
Rachel Hayward (12 Rounds 2)
Carl Lumbly (Supergirl)
Aleks Paunovic (Van Helsing)
Don Thompson (Slither)
G. Patrick Currie (Stargate SG.1)
Bruce Davison (X-Men)
Gabrielle Rose (Dark Angel)
Lucinda Jenney (Rain Man)
Samantha Ferris (Shattered)
Jerry Wasserman (Watchmen)
Bryce Hodgson (X-Men)
Georgia Craig (Catch and Release)
Mark Sheppard (Doom Patrol)
Chelah Horsdal (You Me Her)
Keegan Connor Tracy (Bates Motel)

 

Mary McDonnell, Edward James Olmos, Jamie Bamber, James Callis, Michael Hogan, Grace Park, Tahmoh Penikett, and Tricia Helfer in Battlestar Galactica (2004)When we left Adama and crew in the second season things had turned upside down to say the least. “One Year Later” took on a whole new meaning as the survivors of the Cylon attack settled down on a humble world that came to be known as New Caprica. The election of Baltar as President of the Colonies proved to be a rather large mistake as it was his own ineptitude that brought about the appearance of the Cylon fleet. The second season ended with the Cylons imprisoning mankind and the Adamas jumping away with both Battlestars. To say that the outlook was bleak would be an understatement and through much of the third season the show explores what life was like under Cylon rule.Jamie Bamber in Battlestar Galactica (2004)When season three begins it’s quite evident that this was a very different Battlestar Galactica. For one thing Admiral Adama had a killer moustache, Apollo got chunky presumably from eating too many Twinkies, and just about everyone else we cared about was stuck on the planet (aside from Helo and Dee, though we really don’t care about Dee). I didn’t think it was really possible considering the human race has been on the run from extinction but if the tone of Galactica could have gotten any more somber; New Caprica did the trick.Edward James Olmos, Grace Park, and Tahmoh Penikett in Battlestar Galactica (2004)Starbuck, Tigh, Anders, Tyrol, Cally, Roslin, Gaeta, and yes, even Baltar were all stuck on the surface with the rest of the colonies. They became an encampment under Cylon supervision though they were still allowed to congregate and kind of, sort of live out a normal life. At least as normal as possible with an artificially intelligent gun pointed at your head. For some strange reason the Cylons chose to use their resources to keep humanity alive. Their goal was never truly made clear but it certainly seemed that they’d rather have humanity under their metallic boots than erased out of the food chain.Mary McDonnell and Richard Hatch in Battlestar Galactica (2004)As the New Caprica storyline progresses there are some revelations that have resounding effects throughout the rest of the season. One of the biggest things to come about from all of this involves Gaius Baltar. As president of the colonies he has been forced into servitude by the Cylons and does all manner of unscrupulous things during his administration. The people loath him and they want him dead but little do they know that he did most of his devious acts at the wrong end of a pistol. He becomes a pariah before long and has found himself reluctantly siding with the Cylons.Grace Park and Eileen Pedde in Battlestar Galactica (2004)To be quite honest, so much happens on New Caprica that it would be difficult to discuss everything here. I will say that as interesting, and I suppose necessary, as this aspect was it did change the dynamic of the show. It was no longer the show that people had come to expect thanks to it being landlocked. Sure the characters were still the same and it allowed a lot of room for development but there’s no getting around the fact that it felt different, even if it only lasted for a couple of episodes. I guess it was designed that way so that the inevitable rescue of the colonies in “Exodus” was as climactic as it was. Trust me on this one, if you haven’t seen it this was one of the best moments EVER in Galactica.Edward James Olmos, Michael Hogan, and Grace Park in Battlestar Galactica (2004)From there the show returns to some form of normalcy. The people are trying to fit into their old roles from over a year ago and they struggle on many personal levels to accept what happened. The characters are scarred from the past and it’s enjoyable to watch as Galactica delves into that pain as the show moves forward. One episode that explores that is “Unfinished Business” which pits the crew of Galactica against each other in a boxing ring. This is essentially Battlestar’s version of Fight Club but it works on so many levels. Likewise towards the end of the season the two-part “Crossroads” takes a look at Baltar and the crimes he orchestrated against humanity. Without giving away details I will say that this episode features one of the greatest monologues ever delivered in a science fiction series. I got goosebumps watching this particular scene the first time and every time after it was just as satisfying.Mary McDonnell, Edward James Olmos, James Callis, Michael Hogan, and Tricia Helfer in Battlestar Galactica (2004)In between “Exodus” and “Crossroads” there are plenty of other episodes that stand out and explore interesting components of daily life aboard the colonies. “Hero” brings a figure from the past to light and delivers some interesting tidbits regarding Adama’s actions prior to the Cylon attack. “The Eye of Jupiter” is fascinating as it delves deeper into the prophetic writings of the founding colony. “Dirty Hands” examines societal issues and class structure among the survivors in a very interesting way. And finally “Maelstrom” was definitely a great look at the character of Kara Thrace. Now, as with the previous season of Galactica there are many storylines that run through these individual episodes. The aforementioned New Caprica angle is probably the most prominent but others that play a role include Sharon and Helo’s child Hera, Roslin’s struggle with cancer (again), and the ever frustrating Lee and Starbuck relationship.James Callis and Tricia Helfer in Battlestar Galactica (2004)As much as I didn’t like Lee and Dee getting together, I must admit that the way Galactica played Lee and Starbuck got obnoxious after a while. Due to Kara’s personal issues she closes up and becomes standoffish at all of the wrong moments. I suppose it’s a testament to the writing that you’ll feel the anger and frustrating that Lee does when this happens, but it’s annoying just the same. “Unfinished Business” was definitely a nice way for these two to work out their issues and resolve some feelings. I particularly liked the way Anders responded to their fight as it basically mirrored what I was thinking at the time.Edward James Olmos in Battlestar Galactica (2004)After the escape from New Caprica, the colonies and Cylons kind of go their separate ways. They are both still clamoring for Earth and seeking out clues of its existence and location but they spend a great deal of time away from each other. This kind of dulls the senses a bit and takes some of the core out of the series though some episodes towards the middle of the season and the end reunite these enemies gloriously. So much of the Cylon existence is called into question and you’ll be left scratching your head trying to unravel the mystery. It stands as a testament to the writing of Battlestar Galactica that this clue searching never gets old. That being said not every episode in this season stands out unfortunately. Some of the standalone tales such as “The Passage” and “A Day in the Life” falter at times and fail to delivery the familiar payoff we’re used to with this show. “Woman King” also comes across as somewhat weaker than the others but it does give Helo’s character a chance to shine. As with any show it’s necessary at times to flesh out the secondary characters and though it slows the series down somewhat, these moments still hold some merit.Lucy Lawless and James Callis in Battlestar Galactica (2004)Right up until the end, the third season is one that will keep you guessing and that’s a good thing. This is a series that makes you think and draws emotion out of you. There are many powerful moments scattered throughout these twenty episodes and to be quite honest when compared to the previous seasons, I feel that the third is the strongest. This is one of the finest science fiction productions ever to grace television and I applaud Ron Moore, David Eick, and the rest of the team for their creative vision.

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 2

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Nicki Clyne (Saved!)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Paul Campbell (Knight Rider)
Alessandro Juliani (Smallville)

Tahmoh Penikett and Katee Sackhoff in Battlestar Galactica (2004)Recurring / Notable Guest Cast

Samuel Witwer (Smallville)
Donnelly Rhodes (Legends of Tomorrow)
Rekha Sharma (V)
Callum Keith Rennie (Impulse)
Lucy Lawless (Ash vs Evil Dead)
Matthew Bennett (Stargate SG.1)
Dean Stockwell (Quantum Leap)
Rick Worthy (The Vampire Diaries)
Richard Hatch (InAlienable)
Lorena Gale (The Exorcism of Emily Rose)
Michael Trucco (Sabrina: TTW)
Michelle Forbes (Powers)
Graham Beckel (The Loft)
Leah Cairns (Interstellar)
Bodie Olmos (Walkout)
Luciana Carro (Helix)
Kate Vernon (Heores)
Alonso Oyarzun (Reindeer Games)
Jen Halley (Red Riding Hood)
Ty Olsson (War of TPOTA)
Aleks Paunovic (Van Helsing)
Malcolm Stewart (Jumanji)
Dominic Zamprogna (Stargate Universe)
James Remar (BLack Lightning)
Patricia Idlette (Ginger Snaps 2)
Benjamin Ayres (The Vampire Diaries)
Don Thompson (Watchmen)
Fulvio Cecere (Valentine)
John Pyper-Ferguson (Caprica)
Sebastian Spence (First Waves)
Mike Dopud (Arrow)
Vincent Gale (Bates Motel)
Colm Feore (Thor)
David Richmond-Peck (Sanctuary)
Claudette Mink (Paycheck)
Bill Duke (Black Lightning)
Christopher Jacot (Slasher)
John Heard (Home Alone)
Kavan Smith (Staragte Atlantis)
Stefanie von Pfetten (Cracked)
Erica Cerra (Power Rangers)
Alisen Down (Smallville)
David Kaye (Beast Wars)
Colin Lawrence (Watchmen)

Some cynical individual, at some time, blurted out that “there’s always room for improvement” about an accomplishment or achievement that was fine in its own right. In the spectrum of film and television, it’s true that all material can be tightened, focused, and made even more compelling with practice; but oftentimes creative teams fall back into comfort zones and neglect to spit-shine where improvement is needed. Ronald Moore and David Eick, the creators of the reimagined Battlestar Galactica series, understand this concept. They accomplished something intriguing, thrilling, and dramatically magnetic with their initial 2003 miniseries and, later, a full subsequent season that grappled the structure of the three-hour introduction — characters, mythos, and stunning production merits through striking photography and convincing computer effects — and ran with it. However, there’s always room for improvement, and Battlestar Galactica’s second season finds a deeper focus and more thrill-inducing pace that fully ratchets the series into the stratosphere of superb science-fiction creations.Nicki Clyne and Aaron Douglas in Battlestar Galactica (2004)The first season constructs a “reboot” of the highest accord, taking the original content from the 1978 television series and shaping it into an edgy and modern production in the vein of “West Wing … in space”. Grecian mythology, military-heavy hierarchal bickering, and the relationships between people on the space ship Galactica — both tender and volatile — are all sparked into action when the Cylons, humanity’s slave-like machines evolved into enlightened yet vengeful beings, attack their creators after 40 years of recoiled hibernation. These attacks, which left around 50,000 humans alive, wiped out sixteen of the individuals in-line for the presidency over the “colonies”, which left Secretary of Education Laura Roslin (Mary McDonnell, Dances With Wolves) as the next in line. Somehow, this all gyrates around the weasel-like scheming of Dr. Gaius Baltar (James Callis, Bridget Jones’ Diary), who inadvertently fell for the whims of a blonde-haired Cylon (Tricia Helfer) and revealed humanity’s defense secrets — and, now, follows orders from the sultry “machine” in the confines of his own mind, with her as little more than an illusion reminding him of his “importance” as one of God’s pawns. Monotheistic God, not polytheistic, but that’ll become important later on.After its thrilling two-part miniseries and a handful of tense cat-and-mouse episodes at the start, the first season (which should be viewed before continuing this review, as the context here relies on the fact that you’ve seen the first season) coasts along a stream of dynamic back-and-forths between Galactica’s Commander Bill Adama (Edward James Olmos, Blade Runner) and President Roslin — leading to a point where Adama is stretched out on the ship’s command center deck, bleeding from gunshot wounds incurred by an assassination attempt. Season Two picks up directly after the shooting, showing how the military hierarchy moves its pieces around Adama’s incapacitation. His XO (second in command) Saul Tigh (Michael Hogan) wrestles with his alcohol addiction as he tries to juggle an unwanted leadership position, shrug off his wife Ellen’s (Kate Vernon) passenger-seat manipulation of the Galactica’s workings, and make the colonies understand why President Roslin has been arrested for subordination. On top of that, we’re also watching the way Adama’s ailment affects his son, Captain Lee Adama (Jamie Bamber), as his allegiance to the Colonial fleet sways between loyalty to his father and his belief in what the theologically-focused President Roslin is trying to accomplish.Richard Hatch and Michael Hogan in Battlestar Galactica (2004)But, as Battlestar Galactica veterans know, that core quarrel really only scoops up the top layer of the conflicts that lie underneath the Colonial fleet’s hunt for a safe, habitable planet — whether it be the fabled planet Earth, the newly-discovered planet of Kobol, or beyond. Season Two also finds a deeper focus on Kara Thrace (Katee Sackhoff, “Nip/Tuck”), aka Starbuck, as more than a novel imitation of the classic series’ character, concentrating on the depth of her belief in the gods, her bull-headedness giving way to a need for deeper connections with others, and a particular point where she’s, dare I say it, made hopelessly vulnerable in the episode “The Farm”. This happens on Cylon-occupied Caprica, the colonies’ once-thriving central metropolis, where she and Lieutenant ‘Helo’ Agathon (Tahmoh Penikett, “Dollhouse”) are attempting to locate a way off the planet and back to Galactica with the “Arrow of Apollo” in their possession. There, they interact with a second version of the “Sharon” model of Cylon (Grace Park), pregnant with Helo’s child and rebellious against her kind. Along those same lines, we also see how the cluster of Colonial soldiers stranded on Kobol — deck chief Galen Tyrol (Aaron Douglas) and his “knuckledragger” subordinates, as well as Vice President Baltar — find a way to survive until they’re able to make an escape attempt.Mary McDonnell and Katee Sackhoff in Battlestar Galactica (2004)Though the introductory season of Battlestar Galactica triumphs for establishing the storyline’s intricacies, a broad spectrum of characters, and suspenseful density, Ron Moore and David Eick still had a handful of creaks in the series’ bow that needed repair — such as tighter concentration on the political banter and more focused balancing between space warfare and non-CIC dramatics. Though intriguing to some, including myself, those elements also tended to bog down the pacing to a degree that could deter some from its deliberate concentration on policy. It’s important, and necessary, for a lengthy story to grow beyond its limitations, and the Moore / Eick team hone the introductory season’s successes into a poised, pulsating blend of drama and thrills that bolsters its initial successes forward two-fold. Everything that underscores the series’ quality — superb, straight-faced acting, slickly detailed cinematography ranging from cold and dark to acidic and overblown, and some of the best music on television, period — persists into the second season, now attached to a sense of obvious plot refinement.Jamie Bamber and Katee Sackhoff in Battlestar Galactica (2004)

does it differ? Well, this season knows when and how to play its cards, where the initial season struggles in knowing exactly what to do with the substantially impressive content that it’s generating. The thematic density that it crams into this season is staggering; the complications of martial law (military control of the government), delicateness around following an idealist (dying) leader with religion as their driving force, technology’s advancement and control over our everyday activity, the necessity of black market trade, and, eventually, the power of government-mandated control over population control. All of these elements are timely and meaningful, even allegorical to conflicts present in modern society, and they’re handled with a specific panache in this second season that remains vigilant throughout. But they’re not overtly heavy-handed; sly incorporation allows us to view these elements merely on the surface for service of the story or as deeper insights — whichever suits the viewer.James Remar and Jamie Bamber in Battlestar Galactica (2004)On top of that, Moore and Eick have set sights on how to tie these heady elements in with the bustling activity of operatic space battles, and they’ve succeeded in a way that maintains the series’ accessibility. The hyper-elaborate technobabble prevalent in other series — such as bits and pieces about a ship that “made the Kessel Run in less than twelve parsecs” and about “trionic initiators in the warp coil” — gets tossed aside to allow for a direct focus on human interactions, such as ebbs and flows between father and son in authoritative positions, the fear and fatigue within a crew that’s never given much of a chance to relax, and an affinity with Laura Roslin as she succumbs to terminal breast cancer. Emotion-heavy episodes, such as the excellent “Flight of the Phoenix” where Chief Tyrol finds distraction and a sense of hope in building a new fighter ship from scraps, are there solely for that purpose. They even work in cliché taglines like, “They can run, but they can’t hide”, and hokey plot points like a bona-fide love triangle to convincing degrees — well, with their own spins on the material. In that, the creators rope us into the emotional fabric as if we’re members of the crew, sharing their plights. We’re not forced to try and comprehend scientific jargon, aside from a few scattered discussions about firewalls, viruses, and FTL drives, but instead asked to unswervingly, and powerlessly, hold our focus on the shifts in power aboard the Galactica.Mary McDonnell, Edward James Olmos, Jamie Bamber, and Katee Sackhoff in Battlestar Galactica (2004)Then, with a flick of the writers’ wrists, they change the way that we perceive just about everything in the series with the episode “Pegasus”. Out of nowhere, another one of the colonial fighter bases, the Battlestar Pegasus, arrives unexpectedly within the proximity of Galactica’s location. Once both have confirmed that they’re friendly ships, we’re introduced to Admiral Helena Cain (Michelle Forbes) — a strong, bloodthirsty woman with a very tight, dictatorial grip on her ship. Unlike the Galactica, the Pegasus is competitive, hardened, chauvinistic and far more stringent on policy, which creates a world of conflict once the two commanders begin comparing notes on Galactica’s personnel issues, power rankings, and the lenience in handling a Cylon prisoner. More importantly, Admiral Cain is Adama’s superior officer, and her iron-fist reclaim of power decidedly tears the fleet apart. In a matter of forty-some-odd minutes, the entire power structure of Battlestar Galactica is rearranged and tossed into volatile disarray, left for our characters to plot around and sort out. And it makes for thoroughly gut-swelling television because of it, stretching over an impressive three-episode arc (“Pegasus”, “Resurrection Ship” Parts One and Two).Lucy Lawless and Patrick Harrison in Battlestar Galactica (2004)It’s at this point, once the dust clears from the Pegasus incidents, that Battlestar Galactica begins to really claim a place in the annals of science-fiction as one of its finest creations — even with a few stumbling blocks that it still fights against. Ellen Tigh’s manipulation of Saul while he’s in command of the Galactica borders on the unbelievable, though one can certainly understand the swaying power of a significant other. A few character moments feel shoehorned into the mix, such as Lee’s character history revelations in “Black Market”, where the desire to beef up each and every character overreaches their bounds. And, quite simply, one or two of the episodes still fall a tad flat, whether they’re because of an unattractive character coming into focus, such as the hot-rod stem junkie pilot Kat in the ho-hum filler ep “Scar”, or the show simply attempting to do things that it can’t pull off, like the meandering MTV reality show style footage in “Final Cut”. Each of these faults are minor blemishes on otherwise successful, and thought-provoking, installments into the story arc, proving that even weak Battlestar Galactica episodes can be compelling to a middling degree.James Callis and Tricia Helfer in Battlestar Galactica (2004)With its continual and newly-sprung ideas bubbling at the cusp, Moore and Eick reach a conclusion to the second season, the masterful two-parter “Lay Down Your Burdens”, that focuses on the much-anticipated presidential race alluded to in the first season. Restoration of complete democracy and humanization become the weighty element at play, as the candidates — surprises aplenty — duke it out with the fleet’s concerns of safe planetary habitat and population boom as key driving forces. The interplay between all of the individuals is brilliant; however, it’s the outcome, and the legitimately shocking twist at the end of the finale, that’ll likely send one on a contemplative tailspin. With no less than three cliffhanger episodes in this season, it’s only expected that the finale in itself would be a weighty one, and Syfy’s heavy-hitting series doesn’t disappoint in that regard. It’s a brilliant way to swirl the entire season together, even if everything is turned upside down once again. That’s part of Ron Moore and David Eick’s game, a sci-fi neo-political chessgame that’s well worth playing.

 

REVIEW: BATTLESTAR GALACTICA (2004) – SEASON 1

Starring

Edward James Olmos (Blade Runner)
Mary McDonnell (Donnie Darko)
Katee Sackhoff (Riddick)
Jamie Bamber (Marcella)
James Callis (Flashforward)
Tricia Helfer (Powers)
Grace Park (Hawaii Five-0)
Michael Hogan (Red Riding Hood)
Aaron Douglas (Chaos)
Tahmoh Penikett (Dollhouse)
Kandyse McClure (Mother’s Day)
Paul Campbell (Knight Rider)
Alessandro Juliani (Smallville)
Samuel Witwer (Smallville)

Mary McDonnell, Edward James Olmos, Jamie Bamber, James Callis, Aaron Douglas, Michael Hogan, Grace Park, Katee Sackhoff, and Tricia Helfer in Battlestar Galactica (2004)

Recurring / Notable Guest Cast

Nicki Clyne (Saved!)
Donnelly Rhodes (Legends of Tomorrow)
Callum Keith Rennie (Impulse)
Matthew Bennett (Stargate SG.1)
Richard Hatch (InAlienable)
Kate Vernon (Heores)
Lorena Gale (The Exorcism of Emily Rose)
Leah Cairns (Interstellar)
Bodie Olmos (Walkout)
Luciana Carro (Helix)
Alonso Oyarzun (Reindeer Games)
Connor Widdows (X-Men 2)
Brent Stait (Blade: The Series)
Jill Teed (Godzilla)
Tobias Mehler (Disturbing Behavior)
Terry Chen (Jessica Jones)
Dominic Zamprogna (Stargate Universe)
Eric Breker (Stargate SG.1)
Camille Sullivan (Unspeakable)
Robert Wisden (Highlander: The Series)
David Kaye (Beast Wars)
Alex Zahara (Horns)
Patrick Gallagher (Glee)
Malcolm Stewart (Jumanji)
Jen Halley (Red Riding Hood)

Edward James Olmos and Michael Hogan in Battlestar Galactica (2004)When you try to reinvent a popular TV icon one of two things can happen. It will fly, or crash and burn. Back in 2003 the SciFi Channel took a huge gamble and aired a mini-series that took the original Battlestar Galactica concept and turned it on its head. It was a risky undertaking considering how revered the 1978 version is by science fiction fans. Would they accept it? Would this new show find a following? The answer was yes.Jamie Bamber and Richard Hatch in Battlestar Galactica (2004)SciFi’s gamble paid off big time and the new Battlestar Galactica has provided the best ratings numbers that the network has ever seen. It has become an icon for science fiction yet again and the new series stands shoulder to shoulder with other giants in the genre. When it originally aired cult followers of the franchise were critical about the differences between the two (of which there are many), but to the untrained eye there was little to gripe about. The basic concept of the original show, Cylons and Humans fighting against each other in a never ending war, is still intact. You still have the same 12 colonies, same major characters, same Battlestar. Everything else has been overhauled to the nth degree.Edward James Olmos and Jamie Bamber in Battlestar Galactica (2004)In a far distant quadrant of space, the war between Cylons and humans has been over for forty years. Every year, humans send an ambassador to a remote space station to meet with the Cylons and sign a peace treaty, but nobody ever shows up. Then one year they finally appear and begin the eradication of the human species. The twelve colonial home worlds are nuked into oblivion and all that is left of mankind are those that were lucky enough to be somewhere else on a ship. All together, less than 50,000 people.Grace Park and Tahmoh Penikett in Battlestar Galactica (2004)Fortunately for those remaining, the Battlestar Galactica is still functioning and even though it’s archaic, it is up to the task of protecting those who escaped. Led by Commander William Adama (Edward James Olmos) the military takes control of the fleet and begins the necessary steps to ensure the survival of our race. He can’t lead the people alone though so he reluctantly teams up with the new President, Laura Roslin (Mary McDonnell). The two characters are at odds almost immediately and while Adama wants to storm into battle with guns blazing, Roslin, who before her battlefield promotion was the Secretary of Education, would prefer to make a run for it and start having babies.Katee Sackhoff in Battlestar Galactica (2004)The future of mankind is also put in the hands of Galactica’s officers such as the alcoholic Colonel Saul Tigh (Michael Hogan), the tomboyish Lt. Kara Thrace “Starbuck” (Katee Sackhoff) and Commander Adama’s son Lee (Jamie Bamber) who goes by the call sign Apollo. Every character adds something to this show even the treacherous Dr. Gaius Baltar (James Callis) who sees visions of a human/Cylon model Number 6. Fans of the original will also be pleased to know that Richard Hatch (the original Apollo) makes an appearance on the show as a political terrorist known as Tom Zarek.Edward James Olmos and Jamie Bamber in Battlestar Galactica (2004)This ragtag group of survivors teeters on the brink of annihilation throughout the entire season. As if dangers like running out of fuel, death by dehydration, or suicide bombers aren’t enough, the Cylons are never far behind. But throughout the course of this season we do see characters grow closer together and we learn more about their previous lives. There are so many personal conflicts that put everything on the line and you can almost cut the tension with a knife at times. The biggest change in the new Galactica is that the Cylons have “evolved” themselves and now appear completely human. The old “toaster” models are still kicking around (with a slick CGI upgrade) but the human models are the ones pulling all of the strings and carrying out the orders of God. This little change adds huge elements of distrust and paranoia to a show that is already weighed down by overwhelming obstacles.James Callis in Battlestar Galactica (2004)Several minor details in the show have also been tweaked including the forty years of peace to updated weaponry and vehicles. Several character changes have come about as well in SciFi’s new creation. The character of Adama is more militaristic and his relationship with his son Apollo is more than a little rocky. Starbuck and Boomer have gone through sex changes and are now female characters in this new version. Overall many personality traits are true to the original characters but there are quite a few disparities.After undergoing such radical changes, it’s understandable how fans of the original may have been skeptical when the show first started airing. However, it is quite clear this show was careful constructed to appeal to both die hard fans of the original and those looking for a new spin on an old concept. It is important to keep in mind that this version is a reinvention of the classic instead of a continuation. That means that a new audience can get into it without being lost in the mythology. In fact, the only way you will get lost in this new Battlestar Galactica is if you miss an episode or the introductory miniseries. Those of you who have already purchased the miniseries when it was released (like I did) may be a little irritated with the double-dip here, but it’s essential in order to understand what’s going on in the show.James Callis and Tricia Helfer in Battlestar Galactica (2004)It’s very rare in a show that every actor clicks with the material but that is defiantly the case here. The team that was responsible for casting deserves a big pat on the back because they nailed every character perfectly. Of course the real heart and soul of a show comes from the script. That’s another area that Battlestar Galactica has covered thanks to a team of veteran writers. The developer of the show, Ronald Moore (of Trek fame), was responsible for penning the mini-series as well as some of the tenser episodes of the first season. His scripting talent sets up the beginning of the season and closes it on such a high note that it will leave you dying for more.Grace Park and Tahmoh Penikett in Battlestar Galactica (2004)In the case of this show, the visual aspect has a big impact on the overall mood. Everything is cast with stark contrast between light and shadow which keeps the dark tone front and center. Another interesting look comes from the filming technique since the camera is constantly in motion. Angles are slightly skewed and there is a sense of urgency to the picture even during the simplest of conversations. This is undoubtedly one of the more unique looking sci-fi shows around and trust me when I say that’s a good thing.Everything about Battlestar Galactica proves that it is the anti-Star Trek. There is no exploration, first contact or light hearted comedy episodes. Daily problems on board Galactica include finding food, finding power sources, and constantly running from an enemy that outnumbers and out guns them at every turn. Even on Star Trek’s worst day they never had it as bad as the team on Galactica. This is easily one of the darkest science fiction tales I have encountered as nothing seems to go right for our heroes. They are dogged at every turn by the Cylons, are forced to make difficult decisions for the good of their race and treachery threatens to tear the fabric of their very existence. But make no mistake, this is quality television that fans of the original or science fiction in general should definitely not miss out on.