REVIEW: HUNT TO KILL

CAST

Steve Austin (Damages)
Eric Roberts (The Dark Knight)
Gary Daniels (Deadly Target)
Marie Avgeropoulos (50/50)
Gil Bellows (Sanctuary)
Emilie Ullerup (Leprechaun: Origins)
Michael Eklund (Bates Motel)
Donnelly Rhodes (Battlestar Galactica)
Michael Hogan (Red Riding Hood)
Adrian Holmes (Elysium)
Brent Stait (Andromeda)

7116_7_screenshotFour years ago, border patrol agent Jim Rhodes (Steve Austin) was stationed in Texas. Jim and his partner, his longtime friend Lee Davis (Eric Roberts), are staking out what looks like an empty trailer. As a gift, Lee gives Jim a watch that has a band made from climbing rope. The band can be unraveled and used in case of emergency. After Jim calls for backup, Jim and Lee decide to go in. What they find is a meth lab that looks abandoned. But two men come up from a door that was built into the trailer’s floor, and they open fire, shooting Lee. Jim kills the two men, and another man opens fire from under the trailer. Jim makes the man come up through the same door the other two came through, and the man sets the trailer on fire. Lee kills the man, and Lee tells Jim to run, just before Lee dies. Reluctantly, Jim leaves Lee behind, running out of the trailer as it explodes because of the highly volatile chemicals used for producing meth.CrossbowNow, Jim and his rebellious teenage daughter Kim (Marie Avgeropoulos) are living in the mountains in Lowery, Montana. In Reno, Nevada, a man named Lawson (Michael Hogan) and his crew of thieves have just robbed the Hotel Palacio casino. Lawson takes the millions of dollars in bearer bonds they stole, and leaves a bomb behind in a warehouse to kill the rest of the thieves, who include his psychopathic right-hand man Banks (Gil Bellows). Banks defuses the bomb, and with the help of a tracking device, Banks thinks he knows exactly where Lawson is going. Banks and the other thieves—Jensen (Gary Daniels), Geary (Michael Eklund), Crab (Adrian Holmes), and Dominika (Emilie Ullerup)—vow to find Lawson and get the bonds back.grave-encounters-2-2012-ghost-girl-chase-scene-reviewIn Montana the next day, Kim says she’s going to her friend Megan’s house to help Megan pack for a trip. Later, Jim gets a call from Sheriff Westlake (Donnelly Rhodes), who says he has Kim in his office for shoplifting. Jim goes to Westlake’s office, and finds Banks and his crew there, beating Westlake up. Banks believes that Lawson is in Montana, and is planning to cross into Canada by foot. Banks wants to find Lawson and get the bonds, and Banks says that Westlake is not being very accommodating. Banks kills Westlake. Banks wants Jim to guide them through the mountains, to find Lawson. In order to make Jim do it, Banks takes Kim hostage. Banks tells Jim that if Jim screws up in any way, Kim dies.htk2In the mountains, it’s a grueling trek. At one point, Crab tries to rape Kim, and Jim beats Crab up, breaking several of his bones. After that, Jensen fatally shoots Crab. After they find Lawson and the money, and Dominika fatally shoots Lawson, Banks sends Jim plunging off a cliff, and leaves him to die. Jim survives, and while Banks is forcing Kim to guide him and his crew, Jim carves some sharp points into some branches to make spears out of them, and finds a bag with a crossbow in it. Jim starts hunting Banks and his crew, who have left a wounded Geary behind after Banks beat Geary up for arguing with him. Jim shoots Geary three times with the compound bow. Geary tells Jim that Banks has taken over Lawson’s plan to go into Canada. As Geary begs Jim not to shoot again, Jim shoots an arrow into Geary’s chest, killing Geary. Next, Jim tracks the others down and confronts Jensen, who is a martial arts expert. Jim ends the grueling fight by fatally stabbing Jensen with a broken tree branch.maxresdefaultBanks wonders where Jensen is at, and Banks is feeling uneasy. Dominika, who is using a rope to hold on to Kim so she does not get away, tells Banks that they have to keep moving. Jim tracks them down, and throws one of the wooden spears he carved. Banks jumps out of the way, and the spear hits Dominika, killing her. That infuriates Banks. Kim tries to escape, but Banks doesn’t let her. Taking Kim with him, Banks finds an outpost where there are three Canadian cops, and three ATVs. Banks kills the three cops, punches Kim and knocks her down, and then takes off on one of the ATVs. Jim finds Kim, and he tells her to take one of the remaining two ATVs and go for help while Jim goes after Banks with the other one. Jim chases Banks down, and they fight. Jim chases Banks down a hill and into what looks like an abandoned factory. Banks even fires a flare gun at Jim. They try to hit each other with shovels. Banks hits Jim a couple of times, and then Jim beats Banks up and hits Banks in the face with a shovel, knocking Banks down.image.pngJim thinks it’s over, but Banks gets back up and tries to shove Jim through the nearby catwalk’s guard rail. Jim turns the tables, and shoves Banks down onto the pile of wooden skids below. Jim, taking the bonds with him so he can return them, goes outside and sees Kim, who says she couldn’t leave him. Banks stumbles outside, and he says “Did you think you could take my money?” Jim tells Kim to get back, and Jim gets on one of the ATVs. Banks says “You can’t kill me!” Jim says “When I hunt, I hunt to kill.” And then Jim floors it, and rams the ATV right into Banks, pinning Banks up against a wall just inside the building, and gas is leaking from the ATV. Jim starts walking away. Again, Banks says “You can’t kill me!” Kim urges Jim to kill Banks for what he’s done. Jim fires the flare gun at the ATV, causing an explosion that kills Banks. Jim and Kim are glad they’ve survived, but they know they have a long walk home.250947_originale_bgAll in all, bar decent production values and a cracking lead in Austin this one ain’t gonna set your world on fire, It’s a film that you need to shut your brain off to watch, but if you have a slow night it passes the time.

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REVIEW: BLIND HORIZON

CAST

Val Kilmer (Batman Forever)
Neve Campbell (Scream)
Sam Shepard (Swordfish)
Faye Dunaway (Supergirl)
Noble Willingham (Chinatown)
Amy Smart (Just Friends)
Gil Bellows (Sanctuary)
Giancarlo Esposito (Malcolm X)

The film begins in the outskirts of rural New Mexico where an unconscious Frank Kavanaugh (Kilmer) is discovered by two local ranch hands. Suffering from a gunshot wound to the head, he is rushed to a nearby hospital in a small town called Black Point. Due to the extent of his injuries, Kavanaugh is placed in an intensive care unit under the care of a trauma nurse named Liz (Amy Smart). After regaining consciousness, Kavanaugh is interviewed by Sheriff Kolb (Shepard), however, because of his head injuries, he is unable to explain what has transpired due to a case of temporary amnesia. Given his condition, Kavanaugh is ordered to stay in the hospital for closer observation.Much to their dismay, Sheriff Kolb and his deputies are unable to find any clues as to what might have happened to Kavanaugh. After a thorough search of the crime scene, Sheriff Kolb returns to the hospital to find that Kavanaugh, in a violent and confused state, is claiming to have knowledge of a possible assassination attempt on the president of the United States. Dr. Conway (Gil Bellows) persuades Kavanaugh to remain calm and later explains to Sheriff Kolb that his paranoia stems from a delusional side effect of the amnesia. Amongst the added confusion, Kavanaugh experiences a myriad of images that could be pure fantasy or actual pre-amnesiatic memories. The most vivid image, one in which a dark, shadowy figure is seen talking with a mysterious woman named Ms. K (Dunaway), hints at various details of a possible assassination attempt involving key government parties. However, because of Kavanaugh’s deranged state, he is unable to differentiate between reality and fantasy.Sheriff Kolb believes that there is some credibility to Kavanaugh’s story and continues to question him. To further complicate matters for Kavanaugh, his fiancée, Chloe (Campbell), arrives at the hospital and makes arrangements for his immediate release. It is then revealed through Chloe that she and Kavanaugh are actually from Chicago and that Kavanaugh works for the IRS. She produces documentation that verifies Kavanaugh’s employment with the government, and further explains to Sheriff Kolb that she and Kavanaugh were in New Mexico on vacation. She also produces a seaside photo of Kavanaugh and herself walking on a beach as further proof that she is his fiancée. Kavanaugh still strongly believes in an imminent attempt on the President’s life and later calls the US Secret Service and warns them of an assassination plot that will occur in Black Point within the next few days. Distraught over his situation, Chloe convinces Kavanaugh to leave the hospital with her, and she drives him back to the motel they had checked into a few days earlier. Incidentally, recent news updates reveal that the President and his campaign team have been touring the Southwest and will arrive in New Mexico within the next few days.As the President arrives and prepares to address the public, Kavanaugh attempts to follow what evidence he has to warn the authorities and avert the assassination. While he views the President from a nearby building, he discovers a set of sniper’s equipment, including a rifle, which he instinctively assembles. Taking aim out of the window, he sights the President through the scope of the rifle, and realizes that he, in fact, is the assassin, and that his flashbacks are of all the preparation leading up to the date of the event. He notices another assassin taking aim at the President with his sniper rifle from the other side. Understanding that he has the power to change the course of events, Kavanaugh aims at the other assassin through his scope and shoots him, killing him and averting the assassination.The directing was well-placed. There were other stories to tell for such a small town and this movie showed them all without leaving the central theme. The mystery unravels bits and pieces at a time; like it should and you never really know for sure what’s going to happen next. Terrific film.

REVIEW: PURSUED

CAST

Christian Slater (True Romance)
Gil Bellows (House at The End of The Street)
Estella Warren (The Cooler)
Michael Clarke Duncan (The Finder)
Conchita Campbell (The 4400)
Kevin McNulty (Stargate SG.1)
Tyler Labine (Rise of The Planet of The Apes)
Sarah Strange (Men In Trees)
Chelah Horsdal (Hell of Wheels)
Saul Rubinek (Memory Run)
Camille Mitchell (Caprica)
Kirsten Robek (Elektra)

2628467,VwhFldAt9VSesTlQO1wAKSzAvqPs01Lbqbf5kCRIWjxM1xxB7m5A6C93P67YzOOjlZaKygcQDjJaG9r5Npl0GQ==Wall Street’s leading headhunter Vincent Palmer isn’t just extremely good in finding the ideal executives for corporate top jobs and offering them a deal hard to resist. His special knack is making them sign even if they really don’t want to. Such a hard nut is Benjamin ‘Ben’ Keats, who invented a brilliant persons tracking device and is committed to his partners and staff to use it to launch their firm VizTrack on the stock exchange. Vincent pulls all seductive stops with Ben, his wife and daughter, in vain. Then he hints even murder is in his repertoire. Ben checks out that’s true but decides ti fight back.

The-Stickup-2002Pursued is a good mystery\thriller with some silly moments. Christian Slater  does such a excellent job, you root for him.  The other main character is Ben Keats, played by Gil Bellows. Unfortunately, Ben is a two dimensional character who is a little too laid back. There are a couple of plot missteps like Ben getting a speech about secret cameras that could be in a pen and then the next scene is Ben getting a pen and he doesn’t check for a camera. It’s like he forgot the whole speech. The climax is exciting but a tad goofy. In the end: It’s worth seeing for a great, hyped up performance by Christian Slater and a lot of other tension filled moments.

REVIEW: SOLDIER OF VENGEANCE

CAST

Steven Seagal (Kill Switch)
Sarah Lind (Blade: The Series)
Lochlyn Munro (Scary Movie)
Jesse Hutch (Arrow)
Tanaya Betty (The Night Shift)
Adrian Holmes (Elysium)
Steve Bacic (Andromeda)
Gil Bellows (Sanctuary)
Ben Cotton (Stargate: Atlantis)
Adrian Hough (Underworld: Evolution)
Zak Santiago (Caprica)
Mackenzie Gray (Man of Steel)
Peter Kent (Total Recall)
Mike Dopud (Arrow)

147164_jpg-r_640_360-f_jpg-q_x-xxyxxSteven Seagal reprises his role as Seattle undercover cop Elijah Kane in this action thriller from the True Justice series. In this instalment, Kane is recruited by the CIA, who want to use his former sniper skills on a top secret mission to assassinate a high profile target. But what should have been a fairly straightforward mission soon becomes complicated when Kane and his team start taking fire from the members of a heavily armed street gang. maxresdefaultAlthough labelled a movie it’s just 2 episodes of season 2 of True Justice put together as a movie. Because it’s a 2 episode edit instead of a real movie, it doesn’t have much closer when you get to the end, if you seen the show then it makes sense, but for someone to pick it up who hasn’t it makes for a confusing viewing.True-Justice-2

 

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

31 DAYS OF HORROR REVIEW: HOUSE AT THE END OF THE STREET

CAST
Jennifer Lawrence (The Hunger Games)
Elisabeth Shue (Hollow Man)
Max Thierot (Bates Motel)
Gil Bellows (Smallville)
Eva Link (American Descent)
Nolan Gerard Funk (X-Men 2)
Krista Bridges (Narc)
A young, psychotic girl murders her parents with a hammer in the middle of a stormy night.
Four years later, a newly divorced woman, medical doctor Sarah Cassidy (Elisabeth Shue), and her 17-year-old daughter Elissa (Jennifer Lawrence) move to a small upscale town. Their house is near the house where the massacred family lived. As told by the neighbors, four years prior a young girl named Carrie Anne Jacobson killed her parents, then fled into the forest and was never seen again, leaving her brother Ryan (Max Thieriot) as the sole survivor. Ryan now lives alone and is hated by his neighbors; Bill Weaver (Gil Bellows), a local police officer, appears to be Ryan’s only supporter.
The mother-daughter relationship becomes rocky and Elissa starts dating Ryan against her mother’s wishes, finding Ryan to be lonely but a sweet boy. Ryan confides in her that he accidentally injured Carrie Anne by allowing her to fall from a swing when they were little; he was supposed to be watching her while their parents were getting high on drugs. The resulting brain damage from the accident made her extremely aggressive, leading to their parents’ murder. It is revealed that Ryan has secretly been taking care of a seemingly now-grown Carrie Anne (Eva Link) in a hidden room. When Carrie Anne escapes, Ryan accidentally kills her while trying to hide her. In grief, he goes to the diner, where he meets a kind waitress named Peggy (Jordan Hayes).
Later, some unruly high school boys pick a fight with Ryan and he flees, Elissa drives to his house and subdues a fire the boys started. She finds tampons in the kitchen garbage and suspiciously explores the house until she finds the secret room and is attacked by Carrie Anne, who is revealed to actually be Peggy. Ryan restrains “Carrie Anne” while frantically screaming at Elissa to leave. Elissa finds blue contact lenses and Peggy Jones’s wallet in the kitchen. It is revealed that Ryan has kidnapped the waitress and attempted to make her look like Carrie Anne. When Elissa tries to leave, Ryan knocks her out with chloroform.
Elissa wakes to find herself tightly tied to a chair. Ryan reveals that Carrie Anne actually died during the swing accident. He says his parents punished him for it and implies that he was the one that killed them. He explains that he wants Elissa, but needs Carrie Anne and cannot have both. Officer Weaver goes to Ryan’s house to look for Elissa but Ryan stabs him to death. Elissa frees herself and tries to escape but Ryan subdues her and traps her in his car trunk with Peggy’s body. Sarah arrives and is also stabbed by Ryan. Elissa struggles out and ultimately shoots Ryan with Weaver’s gun. When she approaches him, he suddenly wakes up and grabs her wrist. When Ryan attempts to stab Elissa with the knife, Sarah strikes him in the head with the hammer. Elissa and Sarah move out; Ryan is placed in a psychiatric ward. A flashback shows young Ryan about to blow out birthday candles. His mother calls him “Carrie Anne” and when Ryan protests that his name is Ryan, not Carrie Anne, she slaps him violently; it is revealed that his parents forced him to dress and act like Carrie Anne after she died and most likely abused Ryan when he refused to go along with their fantasy, thus setting Ryan on his troubled path.
The plot was not what I was expecting it to be at all. I was expecting this to be a straight up horror film but it is really more of a thriller with jumpy parts more than anything else. There are so many twists and turns in the plot that I didn’t see most of them until the moment they happened. I loved how much this film surprised me in the way of the plot. There are exciting parts, strange and mysterious parts and also some really creepy bits all mixed in together.While House At The End Of The Street was not at all what I thought it was going to be, I loved every minute of it.

REVIEW: SANCTUARY – SEASON 1-4

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)

RECURRING / NOTABLE GUEST CAST

Ryan Robbins (Arrow)
Kavan Smith (Stargate: Atlantis)
Kandyse McClure (Battlestar Galactica)
Peter Shinkoda (Masked Rider)
Chuck Campbell (Jason X)
Michael Adathwaite (Tru Calling)
Ellie Harvie (The New Addams Family)
Panou (Flash Gordon 2007)
Leah Cairns (Interstellar)
Laura Mennell (Thirteen Ghosts)
Peter Bryant (Dark Angel)
Peter Outerbridge (Earth: Final Conflict)
Alex Zahara (The Stickup)
Mackenzie Gray (The Net: The Series)
Matthew Walker (Highlander: The Series)
Sarah Strange (White Noise)
David Nykl (Arrow)
Kirsten Robek (Cats & Dogs)
Katharine Isabelle (Hannibal)
Jonathon Young (Antitrust)
Gabrielle Rose (Jennifer’s Body)
Jim Byrnes (Highlander: The Series)
Lynda Boyd (Power Rangers In Space)
Rekha Sharma (The Core)
Peter Wingfield (Caprica)
Christine Chatelain (40 Days and 40 Nights)
Alex Diakun (Androemda)

Being a big fan of Stargate SG-1 in general and Amanda Tapping in particular, I was quite excited to hear that the actress had signed up to play the lead in (and was executive producer of) a web-based series entitled Sanctuary.  I had meant to download the 8 15-minute webisodes but with one thing and another, never got around to it.  Based on the strength of those shorts, the series was picked up by the horribly named cable network Syfy, had a successful first season, and was renewed for a second (that is scheduled to begin in October.)  E1 Entertainment has now released Sanctuary Season One on DVD in a nice four disc set that fans of SF should consider picking up, especially if you gave up on the series while it was airing after a few episodes.

Dr. Will Zimmerman (Robin Dunne) is a profiler for a local police force in an unnamed metropolitan city.  Being very observant in a Monk-like way, he puts together clues that others often miss and follows them to their logical conclusions, even if those conclusions sound crazy.  He was kicked out of the FBI for his hair-brained hypotheses, and is pretty much shunned by the policemen he works with for the same reason.

While investigating the dead of a civilian and two police officers Zimmerman crosses paths with Dr. Helen Magnus (Amanda Tapping).  She runs the Sanctuary, a privately funded large gothic building in the middle of town that is host to, Will eventually discovers, a wide assortment of bizarre creatures called ‘abnormals’.  Basically all of Zimmerman’s theories have been correct, there are odd being roaming the world in secret and Magnus’ group helps those that they can and hunts down the ones that are dangerous to humanity.Will signs up and joins the Sanctuary team that includes Magnus, who turns out to be much, much older than she looks, Helen’s kick-ass daughter Ashley (Emilie Ullerup), tech geek Henry Foss (Ryan Robbins) and butler and extra muscle when needed Bigfoot (Christopher Heyerdahl).  Searching the globe for abnormals the group discovers mermaids, ancient witches, a human-like race that can compact their bodies to squeeze through the smallest spaces, a vampire, people who can shoot heat rays from their eyes, and even the basis for Sherlock Holmes and the real Jack the Ripper (who just happens to be Magnus’ ex-lover.) Every great team needs a suitable enemy too, and Sanctuary has one in the form of the Cabal, a super-secret, well funded, organization that also investigates abnormal sightings, but they have sinister motive behind what they’re doing and consider the Sanctuary their sworn enemies.
In the second half we’re introduced to Nikola Tesla  who used to be a friend of Magnus’ way back when and who is a vampire.  An intriguing character and easily my favorite in the show, viewers are never sure if he’s lying or telling the truth and whose side he’s really on.  The show picks up for there, no longer being a ‘monster of the week’ program; it starts telling a larger story and is more careful how the plots unravel.  The faux witty banter is toned down considerably and small incidental details actually make sense at this point.  They also go back and correct some of their earlier mistakes such as Magnus’ education.  In the first episode they stated that she attended Oxford in the mid 1800’s, a time when women weren’t allowed to enroll, but in episode 12 a character reveals that she only audited classes at that time, something that makes much more sense. The acting in the program is generally good with Amanda Tapping stealing the show.  She’s playing a character similar to Dr. Samantha Carter, the person she portrayed on Stargate SG-1, but Tapping went out of her way to create a totally different personality for this new character.  Physically she dyed her hair and she also sports a British accent (that sounds pretty good actually.  She was born in England, I guess that helps more than a bit.)  Magnus is also more careful than Dr. Carter and has a totally different demeanor.  I was always enamored of Tapping’s role in SG-1 (she reminded a lot of my wife,) but while watching her here I never thought of her as “that gal from SG-1,” a testament to how well she did in crafting a new individual.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Jonathon Young (Antitrust)
Christine Chatelain (Riese)
Lynda Boyd (Final Destination 2)
Hiro Kanagawa (Heroes Reborn)
Jason Schombing (Mutant X)
Chuck Campbell (Jason X)
Chris Gauthier (Watchmen)
Robert Lawrenson (Underworld: Awakening)
Nicole Munoz (Pathfinder)
Anne Marie Deluise (Highlander: The Raven)
Colin Cunningham (Elektra)
Erica Cerra (Blade: Trinity)
Colin Lawrence (X-Men 2)
Michael Shanks (Stargate SG.1)
Aleks Paunovic (I Spy)
Jason Bryden (Marmaduke)
Ryan Kennedy (Poison Ivy 4)
Chad Rock (The Flash)
Meghan Ory (Once Upon A Time)
Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)

Season 2 carried on from where season 1 left off. Dr Helen Magnus and team Sanctuary are trying to discover what happened to Ashley Magnus (Emilie Ullerup) and why she would betray her family and friends and join the Cabal, all while trying to save and protect “abnormals” from those who would do them harm. The main cast of Amanda Tapping (Dr Helen Magnus), Dr Will Zimmerman (Robin Dunne), John Druitt (Christopher Heyerdahl), Henry Foss (Ryan Robbins) and Bigfoot (Christopher Heyerdahl, again) all return for the second season.

There is also new girl Kate Freelander (Agam Darshi).  Who was created to replace Ashley (who is killed in the opening two epiosdes), Although Ashley was a popular characterKate does grow on you more and more with each episode, by seasons end shes is more rounded out character.


I Enjoyed this season even more than season 1 . In this case the stories seem much stronger and have more depth to them than those in the first season. Instead of a season long battle with the Cabal, that story line gets wrapped up in two episodes. Which lets season two create new stories that enrich the characters more.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)
Robert Lawrenson (Underworld: Awakening)
Jim Byrnes (Highlander: The Seroes)
Chasty Ballesteros (Final Destination 5)
Raquel Riskin (Killer Bash)
Gary Jones (Stargate SG.1)
Peter Flemming (Replicant)
Jonathon Young (Antitrust)
Michael Rogers (Duets)
Jorge Vargas (Power Rangers Ninja Storm)
Martin Christopher (Stargate: Atlantis)
Chris Gauthier (Watchmen)
Pauline Egan (Elysium)
Allison Hossack (Kingdom Hospital)
Adrian Hough (Underworld: Evolution)
Ian Tracey (Bates Motel)
Peter Wingfield (Highlander: The Series)
Vincet Gale (Big Eyes)
Pascale Hutton (Ginger Snaps 2)
Polly Walker (Caprica)
Jody Thompson (Flash Gordon 2007)
Francoise Yip (Andromeda)
Tinsel Korey (The Lookout)
Peter Deluise (21 Jump Street)
Aliyah O’Brien (Smallville)
Sean Rogerson (Bitten)
Douglas O’Keeffe (Dark Angel)
Richard De Klerk (Reign)
Jordana Largy (Flashpoint)
Barclay Hope (Final Destination 5)
Adam Copeland (Highlander: Endgame)
Tom McBeath (Stargate SG.1)
Greyston Holt (Bitten)
David Milchard (The Eye)

Season three sees Sanctuary taking a big step forward,and for the most part being very successful. instead of the previous two seasons 13 episode runs,this has 20 episodes,something which allows the writers to expand storylines and explore things further,bringing more depth to this seasons story arc. As always the acting from the entire cast is first rate .There is also plenty of Jonathan Young as Nikola Tesla,whos presence always lifts any episode he appears in,and guarantees some sharp dialogue.This series looks better as well,and steps out of,whenever possible,the confines of a cgi generated world,something which I always believed limited it far too much.Season three sees Sanctuary setting itself up as a major league player,and staking a claim as a show to be taken seriously,and it does it very well.Giving you more than it has before,while leaving you with the impression that there is much more to come,and the desire to find out what.The Sanctuary team deal with the aftermath of the gigantic tidal wave released by Big Bertha while Will’s life remains in balance but soon the errand comes to an end once Will leads one final plea to “Kali” A.K.A. Big Bertha in his near death experience to stop the destruction. Following Will’s return to life two abnormals appear to him to rekindle his memory and in doing so Will remembers an important message that Gregory sent for Helen to find an underground city with great technology and secrets.Later Nikola sends an SOS call and after his rescue continues to help Helen in discovering the secrets of the city which eventually leads them to a Hollow Earth atlas. Soon Adam Worth, a former acquaintance, tricks Helen and causes radiation poisoning (that should kill both Helen and Adam in a few weeks) so that she may show Adam the Hollow Earth. Upon Adam’s interference Helen, Will, Henry and Kate enter the city to save Gregory and find a cure for the poisoning but only to be executed immediately when caught while Adam imprisons John, leaving Tesla and Big-Guy alone in the mysteries. Magnus is then revived by Ranna for answering and Magnus finds out that she needs her to help an abnormal from the events of ‘KALI’, thereby Magnus and the gang is revived and she given the cure and is reunited with her father, together Gregory and Helen save the abnormal and reach the surface back again while John kills Adam. The show returned to its original format, featuring a new short story for every episode until Tesla and Magnus discover a Praxian Stronghold. This is revealed to have been taken by Vampires and as such was a Vampire Stronghold where a whole army of Vampires and their queen were buried to be awakened someday. Magnus views this as a threat and destroys the stronghold, but not before restoring Tesla to a Vampire again.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)

RECURRING / NOTABLE GUEST CAST

Agam Darshi (Bates Motel)
Peter Wingfield (Highlander: The Series)
Ian Tracey (Man of Steel)
Pascale Hutton (Flash Gordon 2007)
Francoise Yip (Robocop: Prime Directives)
Tom McBeath (Stargate SG.1)
Robert Lawrenson (Human Target)
David Milchard (The Eye)
Greyston Holt (Bitten)
Adam Copeland (Highlander: Endgame)
Pauline Egan (Ambrosia)
Brian Markinson (Izombie)
Lara Gilchrist (Battlestar Galactica)
Mig Macario (Once Upon A Time)
Sandrine Holt (Terminator Genisys)
Carlo Rota (Stargate Universe)
John Novak (Wishmaster 3 & 4)
Martin Cummins (Dark Angel)
Tora Hylands (Primeval: New World)
Charlie Carrrick (Reign)
Jonathon Young (Antitrust)
Zak Santiago (Caprica)
Adam Greydon Reid (Cult)
Caroline Cave (Saw VI)
Al Sapienza (Margin Call)
Brent Stait (Blade: The Series)
Jodi Balfour (Final Destination 5)
Jim Byrnes (Highlander: The Series)
Kurt Evans (Watchnmen)
Brenda Campbell (Orphan)
Gil Bellows (Flashforward)
Gerard Plunkett (Andromeda)

At the end of the last season things were getting pretty hairy on a couple of different fronts. The subterranean abnormals who live inside the Earth have decided that they want their chance in the sun and three armies march out of caves in different parts of the planet. If that wasn’t bad enough, Magnus is battling an old companion, Adam Worth, who manages to open up a hole in time and slip back to the 1800’s with the aim of curing his terminally ill daughter. This will change the time stream irrevocably, so Magnus follows him on his one-way journey into the past in order to stop him.

This season opens with Magnus in 19th Century London, following Worth. He manages to wound her and escape, so she turns to one person she knows she can trust, he husband at the time, James Watson  Together they have to stop Worth, but even if they do, how will Magnus manage to return to the 21stCentury? She does manage it, but it takes a very long time. Meanwhile Will has been put in charge of the New York Sanctuary by the Sanctuary Network, that mysterious body that runs the various abnormal shelters around the world. He’s having a rough time, as the US military wants to actually  attack the invading army, especially after there’s a revolt in the refugee compound that’s housing several Hollow Earth abnormals in which the subterranean creatures take hostages and threaten to kill them. No one in authority will take Will’s calls, and with Magnus MIA he’s clearly out of his depth.

After that crisis, and Magnus’ return, things are different. The government is very leery of abnormals and they create a department, SCUI, to hunt down the Hollow Earth creatures that are still on the surface. Either imprisoning the abnormals that they capture or using them for experiments it’s a race between the bad military and the saintly Sanctuary to see who can locate and capture the renegade abnormals first.There are some very good episodes in this season. Monsoon, where Magnus is held hostage by some abnormal crooks while in an airport in Africa was a high point. Seeing the unarmed Magnus take out a group of ex-military super-humans was delightful.

The series does wrap up (though there is room for more adventures)  It was nice that the show did get a coda. All in al lSanctuary was an excellent show that lasted four seasons and left room for more stories to be told shold Syfy every decide to bring it back.