REVIEW: HAIL, CAESAR!

CAST

George Clooney (The Ides of March)
Josh Brolin (Jonah Hex)
Alden Ehrenreich (Beautiful Creatures)
Ralph Fiennes (Red Dragon)
Scarlett Johansson (Lucy)
Frances McDormand (Fargo)
Tilda Swinton (Doctor Strange)
Channing Tatum (21 Jump Street)
Alison Pill (Scott PIlgrim vs The World)
Emily Beecham (Bon Voyage)
Heather Goldenhersh (The Class)
Wayne Knight (3rd Rock From The Sun)
Jonah Hill (Cyrus)
Christopher Lambert (Highlander)
Fred Melamed (The Dictator)
Patrick Fischler (Old School)
David Krumholtz (Mom)
Fisher Stevens (Hackers)
Clancy Brown (Sleepy Hollow0
Robert Pciardo (Stargate: Atlantis)
Natasha Bassett (Britney Ever AFter)
Dolph Lundgren (Arrow)
Robert Trebor (Hercules: TLJ)
Michael Gambon (Harry Potter)

In 1951, Eddie Mannix (Josh Brolin) is the head of physical production at Capitol Pictures and also works as a “fixer” to keep the scandalous behavior of its stars out of the press. He often has to fend off inquiries from Thora and Thessaly Thacker (both played by Tilda Swinton), twin sisters and rival gossip columnists. The Lockheed Corporation has been courting him with an offer of a high-level executive position, but he is unsure about taking it. When unmarried synchronised swimming actress DeeAnna Moran (Scarlett Johansson) becomes pregnant, Mannix arranges for her to put the baby in foster care, and then adopt it without revealing herself as the mother. The studio’s major production is Hail, Caesar! A Tale of the Christ, an epic set in ancient Roman times and starring Baird Whitlock (George Clooney). During a shot, Whitlock drinks from a goblet of wine that was drugged by an extra (Wayne Knight); he passes out while rehearsing lines by himself behind the soundstage and is abducted. A ransom note soon arrives, written by a group calling itself “The Future,” demanding $100,000. Mannix arranges to get the money from the studio’s Accounting Department, as “petty cash.”
Whitlock awakens in a beach house and finds his way into a meeting of The Future, a Communist cell. The members, who introduce themselves as mostly writers in the motion picture industry, explain their doctrine to him and begin to win him over to their cause. At the same time, Thora threatens Mannix by stating she will release an article about a scandal involving the earlier film On Wings As Eagles, which gave Whitlock his break-out role. Mannix successfully negotiates for her to postpone the story by a day in exchange for information about the romantic life of singing Western film star Hobie Doyle (Alden Ehrenreich). Doyle is cast in a period drama helmed by posh director Laurence Laurentz (Ralph Fiennes) in an attempt by the studio to broaden his appeal. After Doyle’s initial performance is hopelessly incompetent, Laurentz visits Mannix and asks him to remove Doyle from the project so that Laurentz can preserve his artistic vision for the film. Mannix informs Laurentz that Doyle’s role is non-negotiable and convinces him to coach the young actor to give a better performance. Doyle comes to Mannix’s office and admits that he feels the part is too far outside his comfort zone. Mannix reassures him that he has the needed acting abilities and tells him about Whitlock’s kidnapping.
That evening, Doyle attends the premiere of one of his own Westerns with starlet Carlotta Valdez (Verónica Osorio), per instructions from Mannix. Doyle is initially disappointed that his lone singing scene is depicted in a comedic manner, rather than as heartfelt as he intended. However, after seeing the audience react positively to the scene, Doyle warms to it himself. Doyle and Valdez visit a nightclub, where the pair are genuinely developing chemistry until they are interrupted by both Thacker sisters, each looking to get a scoop on their relationship. Doyle suddenly spots the briefcase containing the ransom money, recognizing it because he had lent Mannix his belt to keep it closed. It is being carried by Burt Gurney (Channing Tatum), the star of a sailor musical comedy depicted earlier in an elaborate dancing scene. Mannix and Moran meet with a surety agent, Joseph Silverman (Jonah Hill), an average man whom the studio has used to solve public problems; he has a solid reputation as completely dependable, reliable, and discreet. He will agree to provide foster care for Moran’s child, preserving her image. Moran, who expressed frustration with her previous two marriages with a mobster and a Hollywood type, finds herself strongly attracted to Silverman.
Doyle follows Gurney to the beach house in Malibu but, after walking in the front door, finds only Whitlock inside. The rest of The Future’s members have rowed a boat containing Gurney offshore so that he can rendezvous with a Soviet submarine and defect to Russia. The members of The Future give him the money for the Communist cause. As Gurney boards the submarine, his dog jumps into his arms, causing him to drop the briefcase, which sinks into the ocean. Doyle takes Whitlock back to the studio just before the police arrive at the beach house to arrest the group, after Mannix’s investigation led him to the house. Whitlock tries to explain his new-found Communist leanings to Mannix, who cuts him off sharply, slapping his face numerous times, and orders him to finish his role in Hail, Caesar!; the actor is chastened, but encouraged by a final directive from Mannix to be a movie star.
Mannix is notified the next morning that Moran married Silverman who will adopt the child with her. Mannix announces he has decided to reject the Lockheed offer and continue working at Capitol. Thora then meets with Mannix and informs him that the column she plans to publish about On Wings As Eagles will reveal that Whitlock got his major role in the film by having sex with Laurentz. However, Mannix has deduced that Gurney is her source for the piece and persuades her to not run the story since Gurney is a Communist who has defected—which would cause her own reputation to suffer by association. Mannix leaves the worried-looking Thora, secure in his station in life.I think that you need to be something of a film buff to really enjoy this Coen Brothers offering, which is an affectionate homage to the history of Hollywood. There are references to the influence of McCarthyism and nods to many genres, from the ‘B’ Western to the biblically based epic. Most of the comedy is gentle and occasionally subtle, not to say understated. It is both easily worth 5 stars and thoroughly recommended.

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REVIEW: TOMORROWLAND: A WORLD BEYOND

CAST

George Clooney (Ocean’s Eleven)
Hugh Laurie (House)
Britt Robertson (The Secret Circle)
Raffey Cassidy (Dark Shadows)
Tim McGraw (The Blind Side)
Kathryn Hahn (Anchorman)
Keegan-Michael Key (Due Date)
Chris Bauer (The Devil’s Advocate)
Judy Greer (Jurassic World)
David Nykl (Arrow)
Garry Chalk (Dark Angel)
Paul McGillion (Stargate: Atlantis)
Tom Butler (Blade: The Series)
Patrick Sabongui (The Flash)
Michael Rowe (Arrow)

An adult Frank Walker and Casey Newton relate to the audience their experiences, beginning with Frank’s visit to the 1964 New York World’s Fair as a child. In the flashback, he meets David Nix, an official who is unimpressed with Frank’s prototype jet pack. Frank does draw the attention of a young girl named Athena. Seeing his potential, Athena gives Frank a pin embossed with a “T” symbol and tells him to follow her aboard the fair’s “It’s a Small World” attraction. Frank sneaks onto the ride, where his pin is scanned and he is transported into a futuristic cityscape known as Tomorrowland. He falls from a ledge, but straps on his jet pack in mid air and lands safely before Nix and Athena.

The narration then shifts to the present, where Casey Newton sneaks into a decommissioned NASA launch pad in Cape Canaveral, where her father Eddie is an engineer. She sabotages the machines that are dismantling the launch pad and returns home, where Athena, who hasn’t aged a day since 1964, sneaks another pin that is programmed to Casey’s DNA into Casey’s motorcycle helmet. The next night, Casey attempts to break into the NASA compound again, but is arrested. At the police station, she sees the pin among her personal items, and discovers that upon contact, the pin instantly shows her a view of Tomorrowland that only she can see. She briefly explores the vision until the pin’s battery runs out.

Assisted by her brother Nate, Casey finds a Houston memorabilia store related to the pin. Upon meeting the two owners, Hugo (named for early science fiction publisher Hugo Gernsback) and Ursula, Casey is questioned about it, and when she says she knows nothing else about it, they attack her. Athena bursts in and fights Hugo and Ursula, who are both revealed to be robots. The two girls escape as the robots self-destruct, destroying the store. After stealing a car, Athena reveals that she is an Audio-Animatronic robot, and the one who gave Casey the pin, revealing that she needs her help to save the world. Athena drives Casey to Frank’s home in Pittsfield, New York and leaves her there.

The reclusive Frank declines Casey’s request for an audience, but she manages to lure him out of the house and sneak in, locking him out. Frank re-enters through a secret tunnel and tells her angrily that he was thrown out of Tomorrowland and cannot go back. He also asks if she would like to know the exact moment of her death. Casey ponders whether accepting the truth about her time of death would actually be the cause of it, and while she admits that she would like him to tell her, says that she probably would not believe him, preferring to make her own destiny. When she says this, a monitor showing the probability of the end of the world changes its reading from 100% to 99.9994%, which startles Frank. Robot agents appear at Frank’s house ordering him to turn over Casey or be killed.

After evading the robots and reuniting with Athena, the trio uses a teleportation machine that Frank invented, and transport themselves to the Eiffel Tower in Paris. They enter a room with mannequins of Gustave Eiffel, Jules Verne, Nikola Tesla, and Thomas Edison. Frank explains that the four men were the founders of Plus Ultra, a group of inventors dedicated to finding other dreamers and inventors who shared the hope of shaping a better future, which eventually led them to discover a new dimension where Tomorrowland was founded. The trio enter a rocket hidden underneath the tower, which launches into outer space and travels to another dimension, arriving at a now-desolate Tomorrowland. Nix appears to greet them, and takes them to a building linked to a tachyon machine designed by Frank that can show images from the past and future, from which Casey learns that a worldwide catastrophe will happen in the near future. Because of this discovery, Frank lost all hope and was banished from Tomorrowland. Casey does not accept that the world is destined to end, and the future slightly changes as a result, a fact that Frank glimpses, but which Nix ignores before ordering them arrested.

As they await being sent back to Earth, Casey realizes that when the tachyon machine tells the public that the world is coming to an end, it causes the people to accept the apocalypse. This in turn makes the end of the world all the more possible, creating a self-fulfilling prophecy. Destroying the device could avert the apocalypse. Nix opens a portal to an uninhabited, uncharted island, attempting to exile them to live out the last days of the world there, but Frank refuses, seeing that Nix has simply given up on Earth and intends to allow the apocalypse to happen. A fight ensues and Frank tries to use a bomb to blow up the machine. Mistakenly, the bomb goes off outside the portal and the explosion pins Nix’s leg under debris. Nix retrieves a plasma gun and aims at Frank. Athena, who was able to see it happening beforehand due to the tachyon images, jumps in front of him and is damaged beyond repair, which activates her self-destruct sequence. In her last moments of consciousness, Athena instructs Frank to take her to the machine and reveals that she loved him. Her self-destruction bomb destroys the machine, which kills Nix as well.

Back in the present, Frank and Casey’s audience are revealed to be androids like Athena, who are entrusted with new pins and instructed to bring other “dreamers” to Tomorrowland.This is a great, ambitious, original sci-fi blockbuster from Brad Bird, with a strong vision. It’s a throw back to when the summer blockbuster wasn’t just a glorified advert. A time when summer blockbusters took ordinary people on extraordinary adventures. Adventures to other dimensions, other places and other ‘lands’.

 

12 DAYS OF CHRISTMAS REVIEW: A VERY MURRAY CHRISTMAS

https://upload.wikimedia.org/wikipedia/en/c/cc/AVeryMurrayChristmas_poster.jpg

CAST

Bill Murray (Ghostbusters)
Michael Cera (Youth In Revolt)
George Clooney (The Monuments men)
Miley Cyrus (Two and a Half Men)
Rashida Jones (Cop Out)
Amy Poehler (Vlades of Glory)
Chris Rock (Dogma)
Maya Rudolph (Grown Ups)
Jason Schwartzman (Funny People)
Julie White (Transformers)

4x17-a-very-crappy-christmas-south-park-21651796-500-375On December 24, Bill Murray waits in his hotel suite at the Carlyle gradually realizing that a massive snowstorm has caused most of the guests for his live Christmas special to cancel. As time runs out his two producers, Liz (Amy Poehler), and Bev (Julie White), coerce him into going on with the show as he is financially on the hook if he cancels. With minimal crew Murray goes live but in the middle of singing a song he begins to weep and then flees the studio. While trying to leave the hotel he sees Chris Rock whom he forces into performing “Do You Hear What I Hear?” with him. During a power outage Rock flees and the producers inform Murray that as the power outage is considered an Act of God the special can now be cancelled.
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Filled with relief Murray goes to the Carlyle bar where he sings a song with an anonymous waitress (Jenny Lewis). After they hear the chefs shouting they go to investigate and realize that the French chefs (Phoenix) are overwhelmed as the fridges have stopped working and the food is about to go bad. Murray encourages them to bring the food to the bar so that the few patrons can eat it all. On his way back to the bar he passes a weeping bride (Rashida Jones) who informs him that her wedding was called off due to the cold and who is also upset because she has fought with her fiancé, Elliot.
A Very Murray Christmas
The French chefs sing “Alone on Christmas Day”, followed by the lounge singer (Maya Rudolph) performing “Christmas (Baby Please Come Home)”. Afterwards the bride comes out wheeling a cake and asks Bill Murray about his theory of love. He asks Elliot and the bride to look at one another and think of the moment when they fell in love with each other. The couple sing “I Saw the Light” and become re-engaged. At 12:01 the remaining guests at the hotel wish each other a merry Christmas and then sing “Fairytale of New York” together. At the end of the song, Murray, who had been drinking heavily, passes out.
nedvmzemhebahl_1_bWhile unconscious Murray dreams that he awakens on a beautiful set in the middle of his Christmas special. In his dream he is joined by George Clooney and Miley Cyrus. As Clooney prepares martinis, Cyrus and Murray sing “Sleigh Ride” together. After a few more musical numbers between himself, Cyrus and Clooney, Murray reawakens in his suite at the Carlyle where he realizes it is still Christmas.A Very Murray ChristmasA Very Murray Christmas is a slight chore to get into, but once it relaxes, it’s actually an enjoyably somber affair. Murray never quite overcomes the “Christmas Blues” he feels at the outset, but that’s all part of the sad sack selling point.

REVIEW: BURN AFTER READING

CAST

Brad Pitt (Killing Them Softly)
George Clooney (The Ides of March)
Frances McDormand (Fargo)
John Malkovich (Red)
Tilda Swinton (The Chronicles of Narnia)
Richard Jenkins (The Cabin In The Woods)
J.K. Simmons (Whiplash)
David Rasche (Ugly Betty)
Kevin Sussman (The Big Bang Theory)
Dermot Mulroney (New Girl)

Faced with a demotion at work due to a drinking problem, Osbourne Cox angrily quits his job as a CIA analyst and resolves to write a memoir about his life and career. When his pediatrician wife Katie finds out, she sees it as a justifiable opportunity to file for divorce and continue her adulterous affair unimpeded. Taking her lawyer’s advice, she copies financial records and several other files from her husband’s computer onto a CD. These files contain a rambling, meaningless diatribe by Cox on purported CIA activities.
When the CD gets left on the locker room floor of Hardbodies, a local gym, by a careless law firm employee, it falls into the hands of dim-witted personal trainer Chad Feldheimer and his co-worker Linda Litzke, who mistakenly believe the numerical data in the Coxes’ bank records, and especially, Cox’s diatribes, to be highly sensitive government information. After getting the data traced back to Osbourne, who thinks his memoirs have been stolen, Chad and Linda plan to give the disc back to him for a reward, with Linda planning to use the money to pay for plastic surgery. When a phone call and subsequent meeting with Osbourne provoke a furious reaction and go horribly wrong, Chad and Linda turn over the disc to the Russian embassy, offering more information in return for monetary compensation. With no other data to give them, Linda persuades Chad to sneak into the Coxes’ home to get more files from their computer.
Meanwhile, Osbourne’s increasingly erratic behavior, aggravated in part by his encounters with Chad and Linda, prompt Katie to move ahead with the divorce proceedings. She changes the locks on their house, forcing Osbourne to move onto the sailboat they have docked on the Chesapeake Bay. With her husband out of the picture, Katie invites her lover, Harry Pfarrer, to move in. A womanizing, multi-adulterous deputy U.S. Marshal, Harry is coincidentally also secretly seeing Linda. Harry finds Chad, whom Linda sent to find more files on Osbourne, hiding in a wardrobe in the Coxes’ home, panics, and fatally shoots Chad.
Two days later at the CIA headquarters, Palmer Smith, Osbourne’s former superior, and his director learn that information from Osbourne has been given to the Russian Embassy. The two men are perplexed, given Osbourne’s low-level security clearance, the material delivered to the Russians being of no importance to anyone, and the apparent motive of all involved parties remaining unknown. Smith is told to maintain observation until the situation “makes sense.” Harry, burdened by keeping the day prior’s events secret, gets into an argument with Katie and decides to leave the house. On his way out, he spots a man who has been trailing him for the past several days. After tackling him to the ground, Harry finds out that the man is a private detective hired by his wife Sandra “Sandy” to gather evidence for impending divorce proceedings. Sandy is shown to be having an extramarital liaison of her own. Harry is devastated and goes to see an agitated Linda, who confides in Harry that Chad is missing. Harry agrees to help find Chad.
The next morning, Harry and Linda meet in a park. Linda spots a former date on a nearby bench (ostensibly waiting to meet another online dating hookup), who has also noticed her and is clearly looking in her direction. Harry notices this and asks Linda if she knows the man. Linda, embarrassed to admit to a previous assignation, denies knowing him, which makes Harry suspicious. Linda provides him with more information about Chad’s disappearance. When Linda mentions the name “Osbourne Cox,” Harry figures out that Chad is the man he shot. He panics, realizes that there are strange men in the park (most likely the CIA people trailing Linda) and flees, assuming Linda is a spy. Linda then turns to Ted Treffon, the kindhearted manager of Hardbodies, who has unrequited feelings for her and has been critical of Linda and Chad’s scheming thus far. In her frustration, Linda exclaims that she hates Ted, which devastates him. Believing the Russians have kidnapped Chad, he agrees to go to the Coxes’ home to search Osbourne’s computer. Unemployed and having spent the past several days living on a small boat, Osbourne becomes unhinged when he finds out that Katie has emptied his bank accounts and, no longer having keys, decides to break into the house to get some of his personal belongings. Finding Ted in the basement, Osbourne initially takes him to be Katie’s lover. He soon realizes Ted’s affiliation with Linda and what he refers to as the “league of morons” he feels that he has been struggling against his whole life and kills Ted.
At CIA headquarters a few days later, Palmer and his director try to understand what exactly happened. It is revealed that while trying to board a flight to Venezuela, Harry was detained because his name was on a hot list and that the CIA is holding Linda, who is promising to “play ball” and “sit on it” if they will pay for her plastic surgery. A CIA agent shot Osbourne during his assault on Ted and the bullet has put Osbourne in a coma. The director instructs Palmer to let Harry fly to Venezuela (as that country has no extradition treaty with the US and therefore will not send him back) and pay for Linda’s surgery. The director and Palmer conclude that despite their oversight and the unusual events that have unfolded, there appears to be no lesson for the agency to have learned, be it moral, espionage or otherwise. “I guess we learned not to do it again,” the director concludes (despite not knowing exactly what they did) and closes his file. Meanwhile, staff at the Russian embassy have dismissed the contents of Cox’s ramblings in the files from his computer—arguably the one factor that started off the entire chain of events—as “drivel”.The writing is brilliant and the Coens weave the story in such a way that it reminds me of their previous movie, The Big Lebowski. In the end, as J.K. Simmons character sums it up himself, nothing really happens, but while watching it all unfold, you can’t help but laugh at the absurdity.

REVIEW: OUT OF SIGHT

CAST

George Clooney (The Ides of March)
Jennifer Lopez (Jersey Girl)
Ving Rhames (Mission Impossible)
Don Cheadle (Iron Man 2)
Catherine Keener (Captain Phillips)
Dennis Farina (Saving Private Ryan)
Steve Zahn (Roadkill)
Alber Brooks (Drive)
Luis Guzman (Boogie Nights)
Isaiah Washington (Ghost Ship)
James Black (Kick-Ass 2)
Viola Davis (Suicide Squad)
Nancy Allen (Robocop)
Samuel L. Jackson (The Legend of Tarzan)
Michael Keaton (Birdman)

A career bank robber, Jack Foley, and a U.S. Marshal, Karen Sisco, are forced to share a car trunk during Foley’s escape from a Florida prison. After he completes his getaway, Foley is chased by Sisco while he and his friends—right-hand man Buddy and unreliable associate Glenn—work their way north to Bloomfield Hills, a wealthy northern suburb of Detroit. There they plan to pay a visit to shady businessman Ripley, who foolishly bragged to them in prison years before about a cache of uncut diamonds hidden in his home.
A vicious criminal named Maurice Miller, who also spent time in jail with Jack and Ripley, is planning on hitting up Ripley’s mansion with his own crew, including Kenneth and White Boy Bob. A romantic interlude between Foley and Sisco takes place in a Detroit hotel, but the question of whether she is really pursuing Foley to arrest him or for love ends in a showdown during the robbery at Ripley’s home and adds to “the fun” Foley claims they are having.Out of Sight is one of those rare films that can boast of having class in every department. The direction, script, cinematography, design and costumes display such an acute and almost natural flair for bringing Elmore Leonard to the screen that it should be made illegal to film any of his novels without these people. But the acting is in a world of its own. Farina, Keaton, Rhames, Cheadle and Zahn all bring depth, comedy and intelligence to their roles

REVIEW: SOUTH PARK – SEASON 1

MAIN CAST

Trey Parker (Tales From The Crapper)
Matt Stone (Orgazmo)
Isaac Hayes (Dr. Dolittle 2)

RECURRING / NOTABLE GUEST STARS

George Clooney (The Ides of March)
Frank Welker (Transformers)
Natasha Henstridge (Species)
Jay Leno (The Simpsons)


For many years cartoons were harmless. Yes there were some really funny ones (especially from the 90’s) but they were all family friendly. They were aimed to satisfy as many people as possible. Even the Simpsons was like that for many years. But in 1997 South Park came along and changed everything. Here was a cartoon that contained foul language…and lots of it. It also contained violence, and we’re talking blood, gunshots, impalement, body limbs being cut off, and more. South Park rung in a new era of attitude in cartoons and animated comedy that clearly inspired other shows. Futurama took a whole bunch of celebrities and stuck their heads in jars. Family Guy came along and showed no respect to Hollywood or any kind of celebrity club. Drawn Together featured cartoon violence and a long list of cartoon character parodies. Even the Simpsons started to get more lippy towards celebrities from around 2000 onwards.

highlights include . “Cartman Gets An Anal Probe” sees Kyle having problems with aliens and Cartman dealing with a strange device implanted in his nether regions. “Weight Gain 4000” sees Cartman Gain A LOT of weight whilst the town gets excited about the appearance of Kathy Lee Gifford, the first of many celebrities I learned the existance of thanks to this show. “Pinkeye” is a great Halloween episode that contains a lot of zombies; and in “Mecha-Streisand” the towns people rip right into Barbra Streisand.

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In this season you also get to see the origins of the ideas that made South Park a great show; including Chef’s singing about inappropriate stuff, Cartman’s catchphrase “Screw you guys, I’m going home.” and Kenny being brutally killed off episode after episode after episode.South Park is a fantastic show. South Park Season 1 is a fantastic season.

REVIEW: THE DESCENDANTS

CAST

George Clooney (The Ides of March)
Shailene Woodley (Divergent)
Amara Miller (1600 Penn)
Nick Krause (Boyhood)
Beau Bridges (My Name Is Earl)
Robert Forster (Heroes)
Matthew Lillard (Scream)
Judy Greer (Jurassic World)

Matthew “Matt” King (George Clooney) is a Honolulu-based attorney and the sole trustee of a family trust of 25,000 pristine acres on Kauai island. The land has great monetary value, but is also a family legacy. While Matt has always ably managed his own finances, most of his cousins have squandered their inheritances. With the trust expiring in seven years due to the rule against perpetuities, the King clan is pressuring Matt to sell the land for hundreds of millions of dollars. Amidst these discussions, a boating accident has rendered Matt’s wife, Elizabeth, comatose.
With Elizabeth hospitalized, Matt is forced to cope with his two troubled daughters, 10-year-old Scottie (Amara Miller) who seeks attention by bullying other children, and 17-year-old Alex (Shailene Woodley) who has a history of substance abuse and is away at a private boarding school on the Big Island. Doctors determine that Elizabeth’s coma is irreversible and her living will directs all life support to be discontinued. When Matt tells Alex, she reveals that Elizabeth was having an affair at the time of the accident, causing a major rift between mother and daughter.
Two close family friends tell Matt that Elizabeth was unhappy and wanted to leave him for her lover, Brian Speer (Matthew Lillard), a real estate agent. After Matt arranges for friends to bid Elizabeth goodbye, he decides Speer should also have an opportunity. He and the girls, and also Alex’s slacker boyfriend Sid (Nick Krause), travel to Kauai to find Brian. While there, Matt’s cousin, Hugh (Beau Bridges) mentions that Brian is brother-in-law to Don Hollitzer, the developer to whom the family wants to sell the land. Brian stands to make a small fortune from the sales commission.
Matt confronts Brian and informs him Elizabeth is dying and offers him an opportunity to see her one last time. Brian declines, admitting that although Elizabeth was in love with him, it was only a fling to him; he loves his wife, Julie (Judy Greer) and their children, then apologizes to Matt for the pain he caused. When Elizabeth is disconnected from life support, her father, Scott (Robert Forster) admonishes Matt for not being a more generous and loving husband. Choosing not to disclose the details of her affair to Scott, Matt agrees, but Sid and Alex both unexpectedly defend Matt.
At the King family meeting, Matt overrules the majority of his cousins who favor selling to Hollitzer. Matt decides to keep the land and look for a different solution to the problem posed by the Rule Against Perpetuities. Shocked, Hugh tells Matt that he and the other cousins will take legal action if Matt refuses to sell, but Matt is undeterred. Julie, after learning of Brian’s affair with Elizabeth and realizing that he will not visit, comes to the hospital, partly feeling that decency obliges her to. She tearfully admits to Elizabeth that she wants to hate her for “trying to destroy” her family, but that she forgives her.

Matt finally comes to terms with his wife’s betrayal and her impending death. He tenderly kisses her goodbye, followed by Alex and Scottie, and later, scatter Elizabeth’s ashes in the ocean off Waikiki. The film concludes with the three at home sitting together sharing ice cream and watching television, all wrapped in the Hawaiian quilt Elizabeth had been lying in.

A Very interesting, multi-faceted film about life, basically. In parts funny,tearful, tragic and angry. Each actor portraying their character superbly. A uniquely understated performance from Clooney. Some really nice music and the Hawaiian location is wonderful. It’s not a romance or a comedy, it’s just a very thoughtful film.