HALLOWEEN OF HORROR REVIEW: JENNIFER’S BODY

CAST

Megan Fox (New Girl)
Amanda Seyfried (Ted 2)
Johnny Simmons (The Spirit)
Adam Brody (Scream 4)
Christ Pratt (Jurassic World)
Kyle Gallner (Verronica Mars)
J.K Simmons (Terminator Genisys)
Cynthia Stevenson (Dead Like Me)
Lance Henriksen (Legends of Tomorrow)
Amy Sedaris (Elf)
Eve Harlow (Heroes Reborn)
Genevieve Buechner (Caprica)
Adrian Hough (The Fog)
Gabrielle Rose (If I Stay)
Bill Fagerbakke (How I Met Your Mother)
Joel Swetow (The Orville)
Valerie Tian (Izombie)

Anita “Needy” Lesnicki, once an insecure and bookish teenager living near Devil’s Kettle, Minnesota, is now a violent mental inmate who narrates the story as a flashback while in solitary confinement. She has been friends with a selfish and popular cheerleader, Jennifer Check, since childhood, despite having little in common. One night, Jennifer takes Needy to a local dive bar to attend a concert by indie rock band Low Shoulder. A suspicious fire engulfs the bar, killing several people, and Jennifer, who is in shock, agrees to leave with the band despite Needy’s protests. Later that evening, Jennifer, covered in blood, appears in Needy’s kitchen and proceeds to eat food from the refrigerator. Unable to digest the matter, she vomits a trail of black, spiny fluid and then leaves in a hurry as Needy calls after her.

The next morning at school, Jennifer appears fine and shrugs off Needy’s concerns. While the whole town is devastated by the deaths caused by the fire, Jennifer seduces the school’s football captain in the woods and then kills him; his disemboweled corpse is later found. Meanwhile, the members of Low Shoulder gain popularity due to their rumored heroism during the fire and offer to make a charity appearance at the school’s spring formal.
A month later, Jennifer is beginning to look pale, and accepts a date with school goth/emo Colin, whom she brutally kills that night. While Needy and her boyfriend, Chip, have sex, Needy senses something dreadful has happened. She leaves in a panic and almost runs over Jennifer, drenched in blood. She rushes home and finds Jennifer in her bedroom. Jennifer kisses her, initiating a brief makeout session, and soon explains what happened after the fire: Low Shoulder took her into the woods and offered her as a virgin sacrifice to Satan in exchange for fame and fortune. Although the sacrifice and greedy exchange were a success, Jennifer was in fact not a virgin, and when the lead singer Nikolai murdered her, the ritual backfired and a demonic spirit took over her body. Unbeknownst to Needy, Jennifer also encountered the Indian exchange student Ahmet after the fire and, upon hearing that no one knew he had survived, took him into the woods and ate him, rendering him her first victim. Jennifer states that she can withstand virtually any injury without pain and is rather difficult to kill.
The next day at school, as the town is stunned by Colin’s death, Needy goes to the school library’s occult section and surmises that Jennifer is a succubus; she is weakest when she is hungry, and must feed on flesh in order to sustain her life and appearance. Needy tells Chip about her discoveries and warns him not to attend the school dance. He does not believe her and she subsequently breaks up with him in order to protect him. Chip goes to the dance, hoping to meet with Needy, but is instead intercepted by Jennifer, who seduces him and takes him to an abandoned pool house. Needy arrives there and finds Jennifer feeding on Chip. Needy tries to drown Jennifer but Jennifer, hovering in the air, attacks her. She is then stabbed by Chip with a pool skimmer. Jennifer escapes while Needy watches her boyfriend die.

Needy decides she must kill Jennifer for the common good. She goes to Jennifer’s home and sees Jennifer picking out her next victims in her yearbook. Crashing through the window, Needy engages in a fight with Jennifer wielding a box cutter. Culminating with a stab to the heart, Needy finally destroys the demon and kills her. Jennifer’s mother enters and finds Needy with the box cutter on top of her daughter’s body. Soon after, Needy is brought to an asylum. Since she was bitten non-fatally by Jennifer, she has obtained some of Jennifer’s supernatural powers, such as the ability to hover in the air. Set upon revenge for what was done to Jennifer and her, she escapes the mental facility and hitchhikes a ride to the hotel where Low Shoulder are staying; there, she slaughters the members, whose killings are later discovered by local authorities.

A fun quirky film that is greatly underrated

 

REVIEW: CAPRICA – PART 2

 

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)

Caprica (2009)

Recurring / Notable Guest Cast

Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Andrew Airlie (Fifty Shades of Grey)
Hiro Kanagawa (Izombie)
Panou (Flash Gordon)
Zak Santiago (Shooter)
Bridget Hoffman (Darkman)
Scott Porter (Speed Racer)
John Pyper-Ferguson (The Last Ship)
Anita Torrance (Smallville)
Genevieve Buechner (The Final Cut)
Ben Cotton (Stargate: Atlantis)
Teryl Rothery (Stargate SG.1)
Patton Oswalt (Veronica Mars)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Calum Worthy (American Vandal)
Tom McBeath (Stargate SG.1)
Aleks Paunovic (Van Helsing)
Elisabeth Rosen (Cult of Chucky)
Sina Najafi (Stargate SG.1)
Carmen Moore (Flash Gordon)
Mike Dopud (Arrow)

Esai Morales in Caprica (2009)Nothing would’ve made me happier than to deem Syfy’s decision to cancel Caprica a grave and unwarranted one, but that’s something which simply can’t happen. Bear with me now, because there’s a reason for saying this. As a defender of the series when it was on the brink of cancellation, there’s no joy in stating that it’s easy to see why Ron Moore and David Eick’s offshoot from Battlestar Galactica received the axe when it did. Though far from faultless, the first half of the series established a fine foundation for a world rife for exploration: the mechanics of a society that would ultimately create a sentient lifeform, robots which would rebel and eventually annihilate most of the human race. But concept’s only part of the journey, and Caprica saw tonal and storytelling issues that shaped it into a rough, erratic exploration of those ideas, reaching an especially stagnant point at the beginning of this second half. It’s a shame, then, that the writers and producers finally discover their rhythm in the last five-and-a-half episodes, as it truly becomes the series I had hoped it’d become.Paula Malcomson in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Magda Apanowicz in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Eric Stoltz and Paula Malcomson in Caprica (2009)Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break (read: they shelved the episodes), leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. Already, the series wasn’t on the strongest of legs; as mentioned before, it establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica. Yet it wasn’t all gelling together as of yet, only improving as the series went along but ultimately lacking the joie du vivre that pumped its inspiration forward.Eric Stoltz in Caprica (2009)Therefore, when Caprica’s second half starts off sluggish and overbearingly dour, it’s almost like a death toll. Let’s be perfectly honest here: the first three installments following a seven-month hiatus end up being misfired glut, something the series couldn’t withstand at that point. Starting with a jump-forward in time that echoes the end of Battlestar Galactica’s second season, it throws the story in a pit of depression, despair, and cutthroat politics surrounding Daniel that bloats beyond its boundaries. When the Ha’la’tha use killing one’s mother — someone unassociated with the crime syndicate — as a sign of loyalty, when the STO enact murderous power moves over their religious heads, or when Zoe’s avatar is bludgeoned to near-death for simply looking like the STO terrorist she’s perceived to be, the tone gets molasses-level thick and fairly objectionable. It’s as if Moore and Eick are overcompensating so their audience knows they’re not pulling any punches, while the output they produce leans toward ham-handed and hard-faced discomfort — and extremely awkward in “Things We Lock Away”, a sloppily glued-together hodgepodge of poorly-orchestrated arena brawls in New Cap City and intent Lacy/STO development.Esai Morales in Caprica (2009)None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). The faces of Caprica are what keep the series afloat, both during the well-executed and bungled stretches in the show.Still from CapricaReally, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists — which, by the way, the STO material’s fairly bland and oddly-executed during that stretch. In essence, it starts to go down a fairly generic path of aggressive human drama, leaving the intrigue behind Zoe’s presence somewhat alone for a two-hour burst. It’s pretty clear that the minds behind the show tinkered with some new (and time-weathered) ideas to try and wrangle together a new audience. And it didn’t really pan out as such.Caprica with Eric StoltzFortunately, the creative team seems to have had an inclination towards this. Starting with “False Labor”, Caprica begins to see an awakening, as if they both discover where their weaknesses lie and resurrect the spirit of Battlestar Galactica — which carries over in “Blowback”, marking the first of five episodes that Syfy shelved around the time of cancellation. In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration. In short, it gets good. Really, really good.With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming, losing its abandon in a furious, gripping rush that certainly echoes to Battlestar Galactica’s aptitude in 11th-hour intensity. It hits the accelerator and really doesn’t stop until an unquestionably finite conclusion, bringing together Daniel’s hunt for Zoe’s avatar in V-World and the unsavory connections between Graystone Industries and the Tauron mob to a very fine, robust head. Moreover, the content surrounding Lacy’s presence in the STO finally reaches a meaningful point, instead of evoking the sensation that it’s a time-killing subplot like it did at first. But, much like the conclusion of Battlestar Galactica, it also ditches some sensibility in lieu of excitement, breaking some of its own rules and established character mannerisms just to find a definite close. When it all melts together, though, it’ll be worth gritting one’s teeth through a few questionable moments.Those who’ve watched Caprica and cashed in their chips owe it to themselves to check out the tense follow-through, with the knowledge that the tone’s anything but consistent. There’s only a handful of great moments scattered within; however, there are assuredly some really great moments, ones that ensnare the type of essence I’d hoped would resonate in a depiction of the pre-Cylon world. In the middle of that, along with blatant reflection on the current climate of terrorism, it also provokes thought about the extents that some might go to preserve the memories and essence of those they love, and whether the recreation of an individual would push the boundaries of their belief structure. Caprica’s an intelligent show at its core, one with a complex network of emotion buttons that simply never properly learned how and when to push them. What’s a shame is that the show reveals a few glimmers at the end that suggest it might’ve found out how, ones that likely hadn’t even been seen by those that made the decision to power down this tale of the pre-war Cylon race.

REVIEW: CAPRICA – PART 1

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)Eric Stoltz and Paula Malcomson in Caprica (2009)

Recurring / Notable Guest Cast

William B. Davis (The X-FIles)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Izombie)
Genevieve Buechner (The Final Cut)
Anna Galvin (Unspeakable)
Karen Elizabeth Austin (The Eye)
Scott Porter (Speed Racer)
Avan Jogia (Shaft)
Françoise Yip (The Predator)
Anita Torrance (Smallville)
James Pizzinato (Godzilla)
Michael Eklund (Bates Motel)
Patton Oswalt (Veronica Mars)
Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Helix)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Panou (Flash Gordon)
Eve Harlow (Bitten)
James Marsters (Buffy: TVS)
John Pyper-Ferguson (The Last Ship)
Leah Gibson (Jessica Jones)
Richard Harmon (The 100)
Patrick Sabongui (The Flash)
Jill Teed (Battlestar Galactica)
Zak Santiago (Shooter)
Ryan Robbins (Sanctuary)
Kacey Rohl (Hannibal)

 

Paula Malcomson in Caprica (2009)Creators Ronald Moore and David Eick relied on three key components for their hit SyFy series, Battlestar Galactica, to stay fresh and compelling for as long as it did: complex ideas behind evolved sentient lifeforms, religious parables, and the fondness for the characters’ home worlds — especially that of Caprica. The characters all look back at their previous lives almost as ghosts; Admiral Bill Adama painfully drudges up memories of his ex-wife and lawyer father, while Kara “Starbuck” Thrace carries memories of her small, ramshackle apartment and Samuel Anders yearns for the thrill of a sports stadium. Seems like such a rich mythos created just to be the ruminants of a past life, doesn’t it? The Moore-Eick team also sees this potential, now capitalizing on the gap left by Battlestar Galactica’s end to create the appropriately-titled Caprica. Though it moves slowly at first while constructing an involved narrative framework in its predecessor’s shadow, this mythos-rich offshoot eventually finds the footing needed to fall in-line with the original series’ current of storytelling.Patton Oswalt in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Hiro Kanagawa in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Alessandra Torresani in Caprica (2009)Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.Eric Stoltz and Esai Morales in Caprica (2009)Upon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Esai Morales and Sasha Roiz in Caprica (2009)Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Polly Walker and Magda Apanowicz in Caprica (2009)Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.

 

REVIEW: IZOMBIE – SEASON 2

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MAIN CAST

Rose McIver (Power Rangers RPM)
Malcolm Goodwin (The Bellman)
Rahul Kohli (Happy Anniversary)
Robert Buckley (Killer Movie)
David Anders (Alias)

RECURRING / NOTABLE GUEST CAST

Steven Weber (2 Broke Girls)
Molly Hagan (No Good Nick)
Nick Purcha (Cold Zone)
Adam Rose (IUp In The Air)
Leanne Lapp (Grace Encounters 2)
Bryce Hodgson (Kid Cannabis)
Carmen Moore (Arrow)
Robert Knepper (Cult)
Justin Prentice (13 Reasons Why)
Carrie Anne Fleming (Supernatural
David Starzyk (Veronica Mars)
Brian Markinson (Tribal)
Aly Michalka (Two and a Half Men)
Serge Houde (50/50)
Ona Grauer (V)
Lucia Walters (Stargate Atlantis)
Anne Marie DeLuise (Smallville)
Raphael Sbarge (Once Upon A Time)
Jessica Harmon (The 100)
Robert Salvador (Arrow)
Eddie Jemison (Waitress)
Steven Williams (21 Jump Street)
Rick Fox (Oz)
Kevin McNulty (Timecop)
Natalie Brown (Bitten)
Emy Aneke (The Predator)
Greg Finley (The Flash)
Brooke Lyons (2 Broke Girls)
Anna Galvin (Tin Man)
Ben Lawson (No Strings Attached)
Lee Garlington (Cobra)
Daniella Alonso (The Hills Have Eyes II)
Fiona Vroom (Power Rangers)
Kristen Bell (The Good Place)
Colin Lawrence (Watchmen)
Patrick Gallagher (Glee)
Bradley Stryker (Smallville)
Michael Kopsa (Fantastic Four)
Enrico Colantoni (Veronica Mars)
Kacey Rohl (Arrow)
Genevieve Buechner (Caprica)
Ali Liebert (Wonder)
Zak Santiago (Shooter)
Chasty Ballesteros (The Internship)
Sarah Grey (The Order)
Wesley MacInnes (Power Rangers)
Andrea Savage (Veep)
Ken Marino (Agent Carter)

Consistently offering clever, witty and fun episodes, iZombie solidified itself as one of the most entertaining series on TV in its second season. Rob Thomas and Diane Ruggiero-Wright had already created an offbeat yet inviting world in Season 1 and in Season 2 they built upon it, putting the characters into more intense and involving situations, all while still maintaining the show’s crucial, knowing sense of humor.The cast continue to be one of the most likeable you’ll find, anchored by the excellent Rose McIver. Okay, it’s one of the show’s reaches that pretty much every brain Liv eats is a very focused, specific type of person, but that’s just part of the deal here. And it gives McIver so much to work with, as she goes all in playing Liv taking on personas as varied as a coach, a stalker, a costumed vigilante or a tough stripper. Every week, McIver is given something different to play and she consistently nails it, with ongoing mileage gotten out of how out there and uncharacteristic Liv gets, depending on her latest brain meal.After his heartbroken ex-fiancé character take a surprising (and awesome) turn at the end of Season 1, Robert Buckley’s Major got a great storyline in Season 2, as he found himself working for Vaughn Du Clark (Steven Weber), tasked with assassinating zombies – all while actually locking them up instead, which put him in a very precarious position both with Du Clark and the cops and the FBI, who were getting closer and closer to him for his actions in both Season 1 and 2.The fact that those investigating Major’s crimes were Clive (Malcolm Goodwin) and his FBI partner/love interest Dale Bozzio (Jessica Harmon) only increased the tension, even while Clive and Dale made a great pairing – with Harmon effortlessly fitting in on the show, as the somewhat goofy Dale provided a great foil for the somewhat stoic Clive. And in the midst of this, having Clive begin to slowly notice the things that were off about Liv was continually intriguing, since it was inevitable that Clive would one day find out The Secret.Blaine (David Anders) in the meantime had to adjust to life as a human again – for awhile at least, as he never kept his nose clean and eventually became one of the undead again, with Anders always bringing a wonderfully quirky/funny approach to the character. McIver and Rahul Kohli continued to be a delightful duo in all the scenes between Liv and Ravi and Kohli shined throughout the season, though I do hope Season 3 can perhaps give Ravi more of his own storyline at some points beyond the ongoing search for a cure or the burgeoning love triangle between Ravi, Peyton (Aly Michalka) and Blaine. The end of the season, as Ravi began to suspect Major was up to no good – and their big confrontation about it – showed how strong it can be to use the usually comic presence of Ravi in a dramatic manner that would be interesting to explore again.As Season 2 progressed, one really strong element was how it began to bring together several storylines. We began to see Major’s growing interaction with Blaine begin to bring him even more in focus as a suspect for Dale and Clive, while Peyton’s return — it was good to see Michalka, who also fits in great with this cast, get more to do — had her wrapped up with Blaine (in more ways than one) and helping lead us to a new villain on the show, Stacey Boss (Eddie Jemison).

Best of all, the “brain of the week” storylines began to becoming increasingly tied into the main stories as well. And yes, this meant sometimes you had to accept a bit more coincidence on the show, but it still was exciting and gratifying to see how all the different elements were intersecting in different ways and how Liv could learn new info thanks to a new murder victim connected in ways that were sometimes not apparent on the surface.When it came to Big Bads, Vaughn Du Clark certainly delivered. Stephen Weber seemed to be having a ball in the role and was delightfully awful as the energetic, confident mega-douche of a sports drink company CEO. He was also given a great foil in Gilda (Leanne Lapp), his daughter, who was just as corrupt as her dad. Gilda has no qualms about manipulating Major, Liv or anyone else and Lapp brought just the right attitude to the character – even as we saw just how awful Du Clark was as a dad, giving us a tinge of sympathy, or at least understanding, about why she was the way she was, even as it was clear she needed to be stopped. The season also ended in an epic, satisfying manner, with Clive finally finding out the truth, an all-out “Romero Zombie” attack and both Du Clark and Gilda being taken out – all while we met a huge new player on the scene that looks to be upending the show in a huge way.Nearly every week, iZombie continued to deliver in its second season and the show easily overcame any sophomore slump worries. The creators and cast seem to know exactly the right  tone to go for here, offering up a show that has a fun, accessible vibe but can get suitably intense, dramatic and gory when need be. When the CW gave all of their series early renewals last year, iZombie was one of the ones I know I was celebrating the most. Bring on Season 3!