REVIEW: LEPRECHAUN: ORIGINS

CAST

Dylan “Hornswoggle” Postl (Muppets Most wanted)
Stephanie Bennett (Big Eyes)
Andrew Dunbar (Cedar Cove)
Melissa Roxburgh (Star Trek Beyond)
Brendan Fletcher (Bloodrayne 3)
Garry Chalk (Arrow)
Emilie Ullerup (Sanctuary)

untitledA young couple, Catherine and Francois, are attempting to escape from a figure who eventually catches and drags Francois to his death. It also grabs hold of Catherine just before she arrives at a monolith in a grassland. Four American college friends, Sophie, Ben, Jeni, and David are vacationing at an Irish countryside at Sophie’s behest. The driver, Ian, lets them go at the monolith seen in the beginning. Sophie, who is a history bachelor, takes note of the monolith’s symbol before heading to a local bar with the others, where they meet with a friendly old man, Hamish, who tells them about the history of the village: it was formerly a mining center for gold obtained in a nearby cavern, but when the gold ran out, the population dwindled. The four agree to be taken to a cottage where they can begin hitchhiking to the cavern, though they are wary of Hamish and his grumpy son, Sean. untitledThat night, Jeni investigates a ruckus outside and glimpses a figure sprinting past the window. She wakes the others, who discover that Hamish and Sean had locked them up. A figure suddenly enters the cottage through the fireplace and forcibly takes Jeni’s gold earring. After a brief struggle which sees David’s leg being bitten by the monster, the four escape the cottage and race to the village hall, where they hide in the cellar. From a mythology book, Sophie learns that the monster is a Tuatha Dé Danann, also known as the leprechaun, who owns the gold that the villagers sought after. In return for the gold, the villagers have to sacrifice at least two humans each year as “compensation”. The leprechaun lusts after gold, but it can be repelled by a certain symbol, the same one carved into the monolith, which serves as a barrier beyond which the being cannot get out.

The four are confronted by Hamish, who confirms that the villagers sacrifice tourists each year to avoid having to sacrifice themselves, and Sean, who has grown weary of the unjustified sacrifices and eventually lets them go. The four take the offer to escape by an old woman, Mary, who is revealed to be Hamish’ accomplice. The four are then tied to trees as offerings for the leprechaun. The monster arrives and bites Jeni’s tongue, but David manages to break free and releases the other three, though at the cost of his life. The remaining trio head back to the cottage to set a trap to kill the monster, but the leprechaun tricks Sophie and Ben to strike Jeni with their axes, killing her.  Sophie and Ben fetch Hamish’s truck but is cornered by the leprechaun inside the village hall with the keys. The leprechaun eventually gets hold of Ben and kills him by ripping his spine out. Though cornered by Hamish, Sophie is given a free pass by Sean, who pushes Hamish into the cellar where the leprechaun kills him. Meanwhile, Sophie boards Hamish’ truck but crashes midway while trying to avoid the leprechaun. She resumes her escape on foot and when the leprechaun finds her she distracts it with gold coins, then decapitates it using Francois’ knife, which he had left in the prologue. Sophie finally manages to cross the monolith to safety just as a second leprechaun is revealed, before continuing her escape.Image result for leprechaun originsThis really isn’t such a bad movie after all the negativity its pretty much what I expected! This is nothing like the original Leprechaun movies, there’s no comedy,  no green outfits, this is a straight up serious horror slasher about the true origins of the creature. Why they tried to sell the movie with Dylan Postl I don’t know as you would never really ever guess its him! The blood and gore effects are not bad either, the cast is not that bad either just your usual young bait for the kills, this is a small budget film but its still great fun I think, I liked the serious approach and the fact the leprechaun never spoke and is more now a monster! This is one of the more exciting re-boots in a while!

REVIEW: DARK ANGEL -SEASON 1

Starring

Jessica Alba (Machete)
Michael Weatherly (Bull)
John Savage (American Romance)
Valarie Rae Miller (Crank)
J. C. MacKenzie (The Wolf of Wall Street)
Richard Gunn (Hemlock Grove)
Alimi Ballard (Sabrina: TTW)
Jennifer Blanc (The Victim)

Jessica Alba in Dark Angel (2000)

RECURRING / NOTABLE GUEST CAST

Stanley Kamel (Domino)
Kristin Bauer van Straten (True Blood)
Paul Popowich (Rupture)
Douglas O’Keeffe (The Andromeda Strain)
Sarah-Jane Redmond (Smallville)
Lauren Lee Smith (Mutant X)
Kim Hawthorne (Greanleaf)
Stephen Lee (Robocop 2)
Hiro Kanagawa (Heroes Reborn)
Garry Chalk (Arrow)
Eileen Pedde (Juno)
Fulvio Cecere (Valentine)
Robert Lewis (Stargate SG-1)
Natassia Malthe (Elektra)
Steve Makaj (Two for The Money)
Tyler Labine (Tucker and Dale vs Evil)
Alessandro Juliani (Smallville)
Ty Olsson (X-Men 2)
Ryan Robbins (Sanctuary)
Peter Bryant (Legends of Tomorrow)
Emily Tennant (Jennifer’s Body)
Christine Chatelain (Final Destination)
Abraham Benrubi (ER)
Byronn Mann (Arrow)
A.C. Peterson (Shooter)
Tony Perez (Once Upon a Time)
Lisa Rodríguez (Next Friday)
Brenda James (Slither)
William Gregory Lee (Xena)
Rodney Rowland (Veronica Mars)
George Cheung (Rush Hour)
Mike Weinberg (Home Alone 4)
Nicole Bilderback (Clueless)
Robert Gossett (Batman Returns)
Harsh Nayyar (Gandhi)
Brian Markinson (Wolf)
Lucia Walters (Stargate: Atlantis)
James Kidnie (Robocop: The Series)
Patrick Kilpatrick (Eraser)
Alex Zahara (Horns)
Mark Gibbon (Man of Steel)
Jodelle Ferland (Silent Hill)
Zahf Paroo (The Good Doctor)
Susan Hogan (Warehouse 13)
Lawrence Pressman (American Pie)
Samantha Smith (Supernatural)
Rekha Sharma (The Core)
Craig Veroni (Cedar Cove)
Lisa Ann Cabasa (Buffy: TVS)
Rob LaBelle (Watchmen)
Shireen Crutchfield (House Party 3)
Ashley Crow (Heroes)
David Kaye (Siren)
Mark Rolston (Aliens)
Ian Tracey (Sanctuary)
Alex Carter (The Island)
Jensen Ackles (Supernatural)
Robert Floyd (Cold Hearts)
Nana Visitor (Star Trek: DS9)
James Kirk (She’s The Man)
Rainn Wilson (Star Trek: Discovery)
Kevin McNulty (Snakes on a Plane)
Sebastian Spence (First Wave)
Lorena Gale (Traitor)
Steve Bacic (Andromeda)
Kris Pope (Josie and The Pussycats)
Joshua Alba (Alpha Dog)
Nicki Aycox (Jeepers Creepers 2)

Jessica Alba in Dark Angel (2000)Dark Angel stars Jessica Alba (Idle Hands) as Max, a genetically-engineered supersoldier who escaped from an expectedly top-secret government facility as a child. Despite the passing of a full decade, the agents of Manticore, led by Donald Lydecker (John Savage), remain determined to retrieve their multi-million dollar killing machine. Max ekes out a living in a scarcely-recognizable 21st century Seattle, avoiding capture while trying to locate the brothers and sisters that fled from Manticore with her. Max’s search brings her in contact with underground cyberjournalist Logan Cale (Michael Weatherly), and together, they try to make Seattle a more palatable place while unveiling the secrets of Max’s past.Jessica Alba, William Gregory Lee, and Michael Weatherly in Dark Angel (2000)Just as Max is a genetically-engineered hybrid of various people and creatures, Dark Angel has been stitched together from the remnants of various other genre television series and movies. The most obvious point of comparison is Buffy the Vampire Slayer, with its beautiful, sassy, headstrong, ass-kicking female lead, a predominately female supporting cast, and an older male mission-dispensing mentor with an answer to every question and a solution to every problem. Hell, both series have even had a recurring character named Kendra. Similarities can also be drawn to The Pretender, which features a gifted child raised in an isolated institutional setting and pursued in adulthood. Both series take every available opportunity to flash back to childhood and draw parallels to the present. The X-5s also bear a passing resemblance to the powerful young aliens of Roswell. Toss in a dollop of a Mad Max post-apocalyptic future for good measure, and you’re in the general ballpark.Jessica Alba in Dark Angel (2000)By the time I’d waded through the 90-minute pilot and the other two episodes on disc one, I was fully prepared to write Dark Angel off as a loss, resigning myself to wading through another thirteen hours of mediocrity. The feature-length pilot carried a hefty price tag, touted at the time as the most expensive ever produced. I’m not sure how much of that reported $10 million made it on-screen or was siphoned off to line James Cameron’s wallet, but the end result is plodding and dull. Thankfully, Dark Angel improves after these early fumbles, though the quality remains uneven throughout. For every decent episode, there’s one as dismal as Red or Haven. Douglas O’Keeffe has been cast in enough movies and TV series that someone out there seems to think he has some modicum of talent, but not a glimpse of it is on display in his embarrassingly inept performance as Bruno in Red. Bruno isn’t the only carryover from the pilot. A disturbing amount of footage appears in flashback form, making it the most shameless rehash outside of a Silent Night, Deadly Night sequel. Haven consists of 43 of the most painfully boring minutes I’ve spent in front of my television this year, and even the most staunch fans of the series seem to consider it pretty dreadful.Jessica Alba and Douglas O'Keeffe in Dark Angel (2000)Dark Angel was, at least in part, a victim of Fox’s determination to air sci-fi programming on Friday night, a timeslot that has claimed such genre casualties as Firefly, The Lone Gunman, M.A.N.T.I.S., Harsh Realm, Strange Luck, and VR.5. Despite not attracting enough viewers to warrant a third season, Fox’s home video arm has enough confidence in Dark Angel’s fan base to release both seasons of the series in relatively quick succession.Jessica Alba in Dark Angel (2000)Established fans of the series ought to find Dark Angel to be well-worth the modest asking price. As for the uninitiated, I wouldn’t recommend this set as a blind purchase. I’d suggest checking out at least a couple of episodes first, which admittedly might prove to be fairly tough seeing as how Dark Angel has been off the air for years now. If the premise sounds intriguing and you never got around to watching the series during its original run on Fox, I’d recommend this set.

REVIEW: WATCHMEN

 

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

66262-ycoiuhbnkq-1503295178Watchmen was easily the most hotly awaited picture of the first half of 2009, and I’ll readily admit that the dynamic yellow-and-red poster billboards around town generated a charge of anticipation that Savant hasn’t felt in years. That the film was not considered a runaway success doesn’t surprise me. A movie about superheroes that is neither consistently feel-good nor entertainingly funny is a hard sell. Other writers have noted that the Watchmen are relative unknowns in comparison to icons like Spiderman and Superman; there’s less of a built-in audience for them. Describing the Watchmen movie also suggests expressions like “intellectual puzzle” and “non-linear”. Large segments of the audience have little use for narrative complexities and historical irony.

What movie audiences do care about is action, and to compensate Watchmen ratchets up the graphic novel’s considerable violence. Bloody content limited to a single comic panel or two, looks like gore porn when turned into a film sequence.  Even with a few subplots deleted, Watchmen is so complicated that it bears comparison with David Lynch’s noble 1984 attempt to film Dune. Lynch got lost in wall-to-wall exposition and characters reduced to walk-ons. Watchmen avoids the same fate by closely following the original’s highly cinematic structure. Moore and Gibbons’ comic book panels made heavy use of devices familiar to moviegoers — parallel cutting, associative transitions.Watchmen is a multi-generational story of costumed superhero crime fighters. They got their start in the 1940s as “The Minutemen”, later formed another association called “The Watchmen” and then were outlawed in the early 1980s. Most have kept their anonymity in retirement. Nite Owl (Patrick Wilson), Silk Spectre (Malin Ackerman), Rorschach (Jackie Earle Haley), Ozymandias (Matthew Goode) and The Comedian (Jeffrey Dean Morgan) have no super-powers. The one Watchman who does is Dr. Manhattan (Billy Crudup), an “atomic man” who glows a soft blue color. A research scientist transformed into a near demigod by an experiment gone wrong, Dr. Manhattan wins the Vietnam War for Richard Nixon, allowing the President to run for a third term by popular demand. Most of Watchmen plays out as a science fiction alternate history tale, although the film drops a major Sci-Fi element from the final act.In 1985 an unknown assailant murders The Comedian. Defying the ban on costumed vigilantes, Rorschach warns the other Watchmen and puts pressure on the underworld to find out who is responsible. Dr. Manhattan breaks up with Laurie Jupiter (secretly the Silk Spectre) and abandons humanity to meditate on Mars. The Cold War goes into panic mode, as the U.S. and the Soviets are already at the brink of nuclear war, and Dr. Manhattan was America’s defense insurance policy. Laurie and Dan Dreiburg (secretly the Nite Owl) become an item. Frustrated by all the bad news, they ignore the ban and reassume their roles as crime fighters. Laurie and Dan spring Rorschach from prison and begin an investigation that leads to the activities of the millionaire technocrat Adrian Veidt, formerly Ozymandias.That synopsis doesn’t begin to touch the intricacies of Watchmen or its pleasing assortment of superheroes, that collectively flesh out a pantheon of comic book traditions. The Nite Owl is a kinder Batman type, a quiet millionaire who has engineered a flying vehicle and other crime-fighting gadgets. He’s actually following in the footsteps of the original Nite Owl, a two-fisted hero from the 1940s. The Silk Spectre is a Wonder Woman- like beauty with identity issues. She was pushed into her role by her flamboyant mother, the Silk Spectre of the Minuteman years. The corrupt Comedian lost sight of his crimefighting ethics and became a murderer, war criminal, rapist and dirty ops agent for Dick Nixon. The highly intelligent Ozymandias is also a fabulously wealthy international businessman under the name Adrian Veidt; he’s put his crime-fighting past on the public record and even sells Ozymandias toy action figures. Veidt considers himself a modern Alexander the Great.The most interesting Watchman is Rorschach, a seedy misanthrope who wears a strange mask that forms mysterious symmetrical patterns identical to a psychologist’s inkblot test. Now considered an outlaw vigilante, Rorschach keeps a bitter Travis Bickle-like diary and refuses to compromise on his mission to slay criminals. Between them the Watchmen cover numerous approaches to the concept of “masked crusaders” trying to function in a complex world. Director Zack Snyder  epitomizes the modern director who prepares computerized pre-visualization sequences, directs the live action, and waits for his technician-artisans to deliver test composites to critique. Elements that the director once had to make “come together” before a real camera on a real set can now be added, subtracted or altered almost indefinitely; the director of an effects-heavy film now functions as a creative manager. Snyder openly admits that his goal is to faithfully replicate the visions of other artists, which has prompted some to question exactly what he contributes artistically to the show. To the extent that Snyder still casts and directs the actors and decides when and when not to follow the graphic novel, he is actually much more “involved” than were many old-school studio directors. Even the biggest Hollywood names sometimes worked from locked scripts and often had little contact with projects before or after the actual filming. Considering how little opportunity for personal expression the Watchmen assignment afford, Snyder’s done a fine job.In this case, closely following the original was Snyder’s only choice. CGI allows the presentation of almost any visual, and the leagues of Watchmen fans wouldn’t have tolerated detours from their story. Most of Snyder’s adjustments are good ones. The strange sidebar tangent involving a “Black Freighter” horror comic has wisely been spun off into a separate direct-to-video production. To get out from under a mountain of plot complications, Snyder drops Adrian Veidt’s elaborate hoax on humanity that involves murdering an army of technicians that mock up the corpse of a gigantic space alien.Watchmen was somewhat overpowering in the movie theater, precisely because it is so close to the original. Instead of being taken in a new direction, I felt like Snyder was holding the book in front of my eyes and turning the pages for me. But movies of this kind are no longer made to be seen only once, and on a second viewing it was easier to simply watch what was happening, admire the classy designs and marvel at the excellent casting.

REVIEW: NINJA TURTLES: THE NEXT MUTATION

MAIN CAST

Michael Dobson (Dreamcatcher)
Jason Gray-Stanford (Bones)
Kirby Morrow (X-Men: Evolution)
Matt Hill (Street Sharks)
Lalainia Lindbjerg (Disturbing Behavior)
Stephen Mendel (Power Rangers Lost Galaxy)
Christopher Gaze (Dr. Dolittle 4)
fba5dec49673d4754f5c7f0b6abe607a40461ded
RECURRING NOTABLE GUEST CAST

Patrick P. Pon (Live Feed)
Andrew Kavadas (Underworld: Evolution)
John Tench (Watchmen)
Garry Chalk (Dark Angel)
Scott McNeil (Beast Wars)
Lee Tockar (Iron Man: Armored Adventures)
Emmanuelle Vaugier (Two and a Half Men)
Anthony Harrison (The Core)
Kira Clavell (House of The Dead)

lead_720_405

Since their first appearance in a May 1984 one-off comic book funded by monies from a tax return, the Turtles have appeared in three animated series, four feature films, an anime, numerous RPGs and video games, a live concert tour, and of course too many subsequent comic books to count!hqdefaultOf all these incarnations, the most different (and, arguably, the least beloved) would be ‘Ninja Turtles: The Next Mutation,’ a T.V. series that aired for only one season on Fox Kids in the late ’90s. The first proper release of this series on home video in North America by Shout! Factory gives us occasion to look at this footnote of television history again (both literally and figuratively), and decide for ourselves where it fits in the TMNT universe.For starters, the series is non-canonized, and thus officially, does not fit anywhere. Chronologically, it is supposed to take place after the events of the third live-action film. However, a myriad of discontinuities has been pointed out by fans, most notably the fact that The Shredder, who himself mutated into a “Super Shredder,” and was ultimately defeated in the second film, is alive again, and is no longer in his mutated form.

In addition, several concepts were officially included as part of the ‘Next Mutation’ mythos that were incompatible with, if not diametrically opposed to, the larger TMNT establishment. Most famously or infamously, depending on one’s point of view, was the character of a fifth, female turtle named Venus de Milo. Also, in a development stemming from her inclusion, Leonardo is given the occasion to state in an early episode that none of the turtles is biologically related. The writers of the show established this fact right away so as not to rule out a possible romantic relationship between Venus and one of the other four man-sized bipedal tortoises.

The series is equally notable for all the new elements it brought in as well as for all the traditional elements it left out. As far as enemies go, Shredder and The Foot Clan, for all the fuss that was made about them, are given but a minute role to play. The new villainous duties fall on a roughly analogous bunch, Dragonlord and The Rank, along with a host of minor villains, most notably Silver (the last Yeti), Vam-Mi (an ancient, reawakened vampiress from the Far East) and Simon Bonesteel (a rare animal poacher who has grown rather eccentric (read: crazy!) from years of living his isolated lifestyle). And as far as allies go, fans will notice, with disappointment, the absence of April O’Neil and Casey Jones.

Besides the obvious backstory changes, the criticisms most heavily weighed on ‘The Next Mutation’ are the lack of production values, the alternately stiff acting/overacting and the ludicrous dubbing of some of the actors’ voices (most notably, Vam-Mi’s henchmen Bing and Chi Chu). My personal opinion (although I have not yet found a way to confirm it) is that ‘The Next Mutation’ was purposefully filmed (and subsequently produced) in an intentionally “pop art camp” style, similar to the 1960s Batman T.V. series. If so, this would go a long way in explaining why (1) the creative minds behind the show took it so seriously and (2) the public didn’t get it. Ultimately, of course, the show flopped, and was cancelled after a sole season of 26 episodes; too bad, as the writers seemed to promise The Shredder a bigger role in season two, and had at least hinted at the inclusion of April and Casey.

After all is said and done, fan reaction to ‘Ninja Turtles: The Next Mutation’ will always be divided. And the release of the series on DVD is certainly not going to change that. No: if anything, it is just going to add fuel to (both sides of) the fire! But it is important, I think, because it allows Turtles’ fans to re-view the series (and younger fans to see it for the first time) and make up their own minds. Because–whether you love it or loath it–just like the rest of the TMNT universe, it’s here to stay. And, unless something even more left-field comes along (which, I suppose, is conceivable), ‘NT:TNM’ remains the most unique manifestation of what may be the most unique cultural phenomenon of our lifetimes.

REVIEW: GODZILLA (2014)

CAST

Aaron Taylor-Johnston (Kick-Ass 1 & 2)
Elizabeth Olsen (Avengers: Age of Ultron)
Ken Watanabe (Batman Begins)
Bryan Cranston (Argo)
Carson Bolde (Mansfield Path)
Sally Hawkins (Layer Cake)
Juliette Binoche (The English Patient)
David Strathairn (Lincoln)
Richard T. Jones (Terminator: TSCC)
Patrick Sabongui (The Flash)
Garry Chalk (Beast Wars)
Hiro Kanagawa (Heroes Reborn)
Kevan Ohtsji (Dreamcatcher)
Terry Chen (Jessica Jones)
Ty Olsson (War For The Planet of The Apes)
Peter Shinkoda (Daredevil)
Jill Teed (X-Men 2)
Eric Breker (Stargate SG.1)
Aaron Pearl (Man of Steel)

In 1954, Godzilla, an ancient alpha predator, is lured to an island in an attempt to kill it with a nuclear bomb. In 1999, Project Monarch scientists Ishiro Serizawa and Vivienne Graham investigate a colossal skeleton unearthed in a collapsed mine in the Philippines. They find two giant spores; one dormant and one hatched with a trail that leads to the sea. In Japan, the Janjira Nuclear Power Plant experiences unusual seismic activity; Supervisor Joe Brody sends his wife Sandra with a team of other technicians into the reactor. A tremor breaches the reactor, leaving Sandra and her team unable to escape while the plant collapses.Fifteen years later in 2014, Joe’s son Ford, a U.S. Navy explosive ordnance disposal officer, returns from a tour of duty to his family in San Francisco but has to immediately depart for Japan after Joe is detained for trespassing in the Janjira quarantine zone. Joe is determined to find out the cause of the Janjira meltdown, and he persuades Ford to accompany him to their old home in the quarantine zone to retrieve vital data while discovering that the zone is not toxic. They successfully retrieve the data but are discovered by soldiers and taken to a secret facility in the power plant’s ruins. After several power failures, a giant winged creature emerges and escapes, destroying the facility. Joe is severely wounded and dies as he and Ford are taken by helicopter to the U.S.S. Saratoga. The incident is reported around the world as an earthquake.
Serizawa, Graham, and Ford join a U.S. Navy task force led by Admiral William Stenz to search for the creature, called a “MUTO” (Massive Unidentified Terrestrial Organism). Serizawa and Graham reveal to Ford that a 1954 deep sea expedition triggered the appearance of Godzilla and nuclear tests in the 1950s were really attempts to kill him. Project Monarch was established to secretly study Godzilla and other similar creatures such as the MUTO, which traveled from the Philippine mine to Janjira and caused the meltdown, and how they are connected with each other. Ford reveals that Joe had monitored echolocation signals that indicated the MUTO was communicating with something.
The MUTO attacks a Russian submarine and drops it on land in Hawaii to eat the sub’s nuclear material. Godzilla arrives, causing a tsunami in Honolulu and briefly engages the MUTO in battle, until it flees. Meanwhile, a second, larger, wingless MUTO emerges from the other spore in Nevada and devastates Las Vegas. The scientists deduce the second MUTO is female, the female was the one the male was communicating with, and that the two MUTOs will meet to breed in San Francisco. Over the scientists’ objections, Stenz approves a plan to use nuclear warheads to lure and destroy the monsters. Ford returns to the U.S. and ends up joining the team delivering the warheads by train, but the female MUTO intercepts the train and devours most of the warheads. The single remaining warhead is airlifted with Ford to San Francisco and is activated after a confrontation between the military and Godzilla at the Golden Gate Bridge. The male MUTO steals the warhead and takes it to the female, who forms a nest around it in the Chinatown area.
While Godzilla and the MUTOs battle, a strike team, including Ford, enters the city via HALO jump to find and disarm the warhead. Unable to access the timer, the rest of the team sets the warhead on a boat for disposal at sea. The MUTOs are eventually able to get the upper hand, but Ford blows up the MUTO nest, ultimately distracting the MUTOs enough to allow Godzilla to emerge victorious in the end, killing the male MUTO by slamming him with his tail into the side of an office building and the female by firing his atomic breath down her throat, beheading her. Godzilla then collapses on the city shore. With the rest of the team wiped out, Ford uses the last of his energy to get the boat with the warhead out to sea. He is rescued before the warhead explodes and reunites with his family at the Oakland Coliseum emergency shelter the following morning. Godzilla awakens, rising from the destroyed San Francisco, and returns to sea while the media hails Godzilla as “King of the Monsters – savior of our city?”.It’s a good solid and well made big screen action disaster monster movie that deserves multiple viewings.