REVIEW: WOLVERINE AND THE X-MEN

MAIN CAST (VOICES)

Steven Blum (Marvel Anime)
Susan Dalian (Ultimate Avengers 2)
Jennifer Hale (Biker Mouse From Mars)
Danielle Judovits  (The Batman)
Tom Kane (Spider-Man: TAS)
Yuri Lowenthal (Bleach)
Nolan North (Young Justice)
Liam O’Brien (Sailor Moon Crystal)
Roger Craig Smith (Batman Unlimited)
Fred Tatasciore (Hulk Vs)
Kieren van den Blink (Anywhere but Here)
Kari Wahlgren (Last Exile)
Jim Ward (Wall-E)

RECURRING / NOTABLE GUEST CAST

Charlie Adler (Transformers)
Tamara Bernier Evans (As You Like It)
Clancy Brown (Highlander)
A.J. Buckley (Happy Feet)
Corey Burton (Jutsice LEague Unlimited)
Grey DeLisle (Megas XLR)
Alex Désert (The Flash)
Richard Doyle (Ben 10)
Chris Edgerly (Dr. Dolittle 3)
Crispin Freeman (Hellsing)
Kate Higgins (Eureka Seven)
Mark Hildreth (V)
Michael Ironside (Total Recall)
Phil LaMarr (Free Enterprise)
Gabriel Mann (Dominion)
Graham McTavish (The Hobbit)
Phil Morris (Smallville)
Kevin Michael Richardson (The Cleveland Show)
Tara Strong (Batman: TAS)

The story begins with Rogue and Wolverine having an argument about him leaving. When Wolverine goes to Charles and Jean Grey get headaches. An explosion occurs, and Charles and Jean disappear. The resulting trauma caused the X-Men team to disband and go their separate ways, leaving Xavier’s once highly revered league of mutant peace preservers out of commission. Due to the loss of the Professor, Jean, and severe damage to the mansion, many of the X-Men have withered in their faith towards the stability of their former team and have since detached themselves from their former community. Some examples include Cyclops’ subsequent isolation resulting from Jean’s disappearance, Storm’s relocation back to her home continent of Africa, and Iceman’s move back into his parents’ home in the quiet suburbs.
One year later, the MRD (short for the Mutant Response Division), a government-supported organization created for the detainment and subsequent registration of existing mutants, begins capturing mutants from all over the country in response to the countless human protesters determined to protect the safety of humankind. This course of action causes Wolverine and Beast to ally and resolve to bring the once defunct X-Men team back together again. Meanwhile, Rogue is in the street and attacked by the Brotherhood of Mutants. They trick her into joining them, and she later smiles devilishly as she enters their base, appearing to have switched allegiance to become an evil mutant. Thanks to the generosity, wealth, and resourcefulness of Angel, the slowly reforming X-Men team begins to see a promising return to its former glory with the rejoining of junior members Iceman, Shadowcat and Forge along with the reconstruction of the previously demolished Xavier Institute. Unfortunately, without the necessary capabilities of a competent telepath to operate Cerebro, the possibility of locating some of the more globally scattered X-Men members along with the missing Charles Xavier and Jean seems all but a pipe dream.
Fortunately, this problem does not last for very long when Emma Frost, the beautiful former Headmistress of a now inactive mutant school of her own in Massachusetts, makes a surprising appearance on the doorstep of the Mansion with an interesting proposal: membership with the X-Men in exchange for utilizing her telepathy to pinpoint the missing Xavier’s whereabouts. Upon the team’s – and particularly Wolverine’s – reluctant acceptance of the offer, Emma’s efforts prove successful as she is able to locate a comatose Charles on the shores of Genosha in the care of Magneto. After their arrival on Genosha and a short confrontation with the Master of Magnetism himself, Magneto eventually permits the X-Men to take his old friend’s body back to the sanctity of the Mansion where he is certain that Xavier will be placed in proper care. Upon their return, Xavier telepathically contacts the X-Men twenty years from the present in an alternate dystopian future and informs Wolverine that he is to lead and reunite the X-Men if they wish to successfully prevent the inevitable war that will cause the world to fall under the domination of Master Mold and the Sentinels.
Throughout the course of the entire season, Emma’s role as the X-Men’s primary acting telepath enables the team to relocate the rest of the other members in the hopes of reforming once again and assisting in Xavier’s cause. While some were met with initial hesitancy such as with Nightcrawler, others such as Storm were more than willing to accept the offer once Xavier’s vision had been put into perspective. The X-Men overcome many hardships and obstacles along the way upon achieving their ultimate goal of relocating Jean and finally revealing the truth surrounding the mystery of the Mansion’s cause for explosion along with Xavier and Jean’s subsequent disappearances. Meanwhile, Magneto welcomes new mutants to Genosha, amongst whom is Nightcrawler. Magneto claims that Kenosha is a safe and secure area for mutants, rather than a threat. At first Nightcrawler believes this, but upon closer inspection Genosha is exposed as a method used by Magneto to use mutant’s powers. Nightcrawler escapes, but is captured by Mystique when he arrives back at the mansion.

Next, Wolverine had some sights of the past and with the help of Emma, he went to unveil the truth of his sightings. In the course, he met a lone mutant girl, and a past friend Sabretooth and finally unleash the truth of his past to a certain extent. In next, Cyclops has sad past about Jean, and he always thought that she is still alive. So, with the help of Emma, he went along Mister Sinister. The heavy fight between X-Men and Mister Sinister finished without the actual goal. Wolverine takes an oath from Cyclops to be in the X-Men and not to search for Jean. In the last scenes, Jean wakes up in a hospital after months in a coma.
It is later revealed in the three-part first season finale “Foresight” that the previously assumed attack on the Mansion was not from the efforts of a third party, but rather from the result of Jean who unwittingly releases the immense and highly destructive strength and power of the Phoenix Force, that originally lay dormant deep within her subconscious, in an attempt to halt an oncoming telepathic attack led by Emma (who was secretly working as a double agent for the Inner Circle and the Stepford Cuckoos). Along with Sebastian Shaw, Selene, Harry Leland, and Donald Pierce, it was the Inner Circle’s utmost duty to not only obtain the power of the Phoenix Force by abducting Jean from the protection of Xavier and the Mansion, but to also obliterate the ancient being’s existence before it could fully mature and consequently bring forth unparalleled destruction onto the world as it had done numerous times in the past throughout Earth’s history. However, in a move that was completely unknown to Emma at the time, the rest of the Inner Circle members all shared an entirely different and more sinister vision than Frost had initially believed: to control and manipulate the power of the Phoenix Force and have it cater to their own hidden agenda.Upon realizing the error of her ways, Emma betrays the Inner Circle and attempts to redeem herself in the eyes of the X-Men by not only rescuing Jean but, by also following through with her original plan of destroying the cosmic entity before it could mature. Unfortunately, her actions result in her apparent death. Rogue apologizes to Wolverine, and finally rejoins the X-Men for good. The now fully reformed X-Men are praised for their actions by Professor Xavier, but are warned of a new danger approaching: the Age of Apocalypse.Wolverine and the X-Men was a quite underrated animated series, which certainly deserved much more success than it got. I mean, this series at least deserved to have another season, but sadly it was cancelled too soon, despite having a high level of quality, good animation.

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REVIEW: CHERRY FALLS

CAST

Brittany Murphy (Just Married)
Jay Mohr (Go)
Gabriel Mann (Dominion)
Michael Biehn (The Terminator)
Jesse Bradford (Bring It On)
DJ Qualls (Road Trip)
Kristen Miller (Team America)
Candy Clark (Amityville 3)
Zachary Knighton (Flashforward)

In the woods outside of Cherry Falls, Virginia, a teenage couple, Rod Harper (Jesse Bradford) and Stacy Twelfmann (Bre Blair) are getting romantic in a car when a black-haired female appears and murders them both. Meanwhile, in town, teenager Jody Marken (Brittany Murphy), the daughter of the local sheriff, is with her boyfriend, Kenny (Gabriel Mann), who thinks it is time to go “see other people.” Jody goes back home to find her father, Brent (Michael Biehn), upset that she is out past her curfew. Brent and his deputies begin to investigate the murders the next day. They see that the killer carved the word “virgin” into both victims. At school, Brent sees English teacher Mr. Marliston (Jay Mohr), who urges him to divulge more details of the murder to students and the town so as to eliminate the possibility of secrets.

Annette Duwald, also a virgin, is killed in the same fashion of the last night’s events. Concerned for the town’s safety, Brent holds a meeting at the high school to tell parents the nature of the crimes. No students are invited, but Jody and her friend Timmy, who stayed after school, witness the meeting. Timmy asks to borrow Jody’s cell phone, and goes into the stairwell to make a call. Jody goes downstairs to find him, and discovers his dead body in a locker room. She is confronted by the killer who attacks her, but she manages to escape. At the police station, Jody describes the killer to an officer, who draws a composite. Brent confides with an old friend, Tom Sisler, (the current high school principal) that the suspect looks like “Lora Lee Sherman.” The two are both visibly nervous, and Jody listens in on their conversation.

Later at school, Jody and Kenny reconcile, and later Jody learns from her mother about the tale of Lora Lee. Twenty-five years ago, Lora Lee was a high school loner. She claimed that four popular boys at school, including Brent and the high school principal, raped her one night. Her cries fell on deaf ears and she left the city for the rural outskirts, where she was rarely seen or heard from again. After Jody discovers the truth, disappointed with the hypocrisy of her parents, she visits Kenny at his house. They talk, and Jody being upset with her parents, tries to pressure sex on Kenny. He refuses, pushing her away.

After catching news of the killer’s targeting of virgins, the high school students in town congregate at an abandoned hunting lodge to indulge in a mass orgy. Brent goes to the school to meet Sisler only to find the principal dead in his office with the words “virgin not” carved into his forehead. Before Brent can react he is knocked out by the killer. Jody, who has refused to attend the orgy with Kenny, is out riding her bike when she cycles by Mr. Marliston’s house and witnesses him dragging a heavy trunk inside. Suspicious, Jody sneaks into the house and opens the trunk. She recoils as she finds the beaten and bloody body of her unconscious father inside, before she too is knocked unconscious. At the orgy, Kenny is about to have sex with a girl when he has second thoughts and leaves to find Jody. He drives around trying to find her but is puzzled to see her bicycle outside of Marliston’s house.

Downstairs in his house, Marliston puts on a wig and makeup to “become” Lora Lee Sherman. Marliston reveals that he is Lora Lee Sherman’s illegitimate son, and asks Brent to retell the story of what happened that night 25 years ago. Brent reveals that the four boys, including himself, did indeed rape Lora Lee. Marliston says his mother became an abusive “psycho” after the rape and that one of the rapists is his father; there is an implication that Brent is in fact Marliston’s biological father. By frightening virgins, Marliston anticipated a large high school orgy, which would thereby rob all the wealthy parents of their precious children’s virginity.
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Kenny enters the house and frees Jody as Brent fights with Marliston, who manages to brutally kill him. Jody and Kenny flee to the orgy with Marliston in furious pursuit, killing a deputy en route. He bursts inside wielding an axe and mass panic erupts. After wildly stabbing panicking students and then trying to escape, Marliston fights both Jody and Kenny, with Kenny being severely wounded during the melee. Eventually, Marliston is pushed off a balcony by Jody and impaled on fence posts. At first he seems to be dead, before reviving briefly only to be promptly shot dead by Deputy Sheriff Mina, who unloads two pistols into him. The next day, Jody and her mother head away from the police station. As they leave, Jody sees someone resembling Lora Lee Sherman disappear behind a moving bus. The film ends with a shot of the waterfalls outside town turning red.

Image result for CHERRY FALLSAll in all Cherry Falls is an ok entry to the Slasher genre with a modern twist story line helped along with slick acting.

REVIEW: DOMINION – PREQUEL TO THE EXORCIST

CAST

Stellan Skarsgård (Thor)
Gabriel Mann (Cherry Falls)
Clara Bellar (American Dreams)
Billy Crawford (A Second Chance)
Ralph Brown (Alien 3)
Julian Wadham (The English Patient)

In order to understand just what exactly this movie is, a little back story is probably necessary. A few years ago, director Paul Schrader (director of Hardcore and writer of Taxi Driver) was brought on board at Warner Brothers to helm what was to be the fourth film in the Exorcist franchise. The film was to be a prequel and it would tell the story of what happened to Father Merrin when he was in Africa and fill us in on the events that are hinted at in William Friedkin’s original film.

Schrader went off and made his movie, but when the suits at Warner Brothers/Morgan Creek got their first chance to check it out, they were not at all impressed with the direction that Schrader had taken the story. His was a very dark and very thought provoking film and it would seem that the studio wanted a more commercially viable option, one that was, for lack of a nastier term, dumbed down a bit for broader mass appeal with more blood and gore to satiate what the studio likely considered the typical horror movie crowd. To get what they wanted out of their investment, Warner Brothers hired Finnish action movie director Renny Harlin (of Deep Blue Sea and Cutthroat Island), to shoot some new material, re-cut the movie, and basically, in this reviewers opinion, turn it into a dumb action horror movie. The reception, both at the box office and in terms of critical acclaim, to Harlin’s film was unimpressive and seeing as they already had a finished film from Schrader, Warner Brothers opted to give Schrader’s film a chance on DVD.

The film begins when a younger Father Lankaster Merrin (Stellan Skarsgard) is in his native Holland, currently under Nazi occupation. A Nazi soldier has been found dead and now the commanding officer has got the townspeople lined up to answer for it. He asks Merrin to save the majority of them by pointing out to him the murderer – after all, he should know as he takes confession from everyone in town. Merrin refuses, and instead of killing the one man responsible for it, the Nazis shoot a woman in cold blood, forcing Merrin to pick nine more people from the population of the town to die. Skip ahead a few years and Merrin finds himself assigned to an archeological dig in South Africa. The events that took place in Holland have shaken his faith pretty hard, and he’s not the optimistic young man of God that he used to be. The Church teams him up with a young priest named Father Francis (Gabriel Mann) where they work with the natives out of a local mission. The dig unveils a gorgeous old building that looks like an antiquated Catholic Church, but once Merrin and Francis explore a little more, the find that there’s a chamber underneath that was once used as a sacrificial ceremonial chamber to an evil deity of ancient lore.

While the priests are trying to figure out what to make out of the discovery, tensions are growing between the occupying British army forces and the natives. While some natives have converted to Christianity, many of them resent having a religion different then their own presented to them and because of this, the two opposing parties don’t always get along. When two would be bandits in the employ of the Queen wind up dead inside the uncovered church, the army is hell-bent on punishing the natives who did it despite the fact that Merrin insists that given the nature of the Christian symbolism behind the killings, it wasn’t one of them. To complicate matters, a young man who was unfortunately born a crippled named Cheche (Billy Crawford) has been taken into the mission hospital to recover from a beating. His recovery is speedy and Francis believes it to be a miracle, evidence of God’s hand working in Africa. Merrin isn’t so sure, and neither is Rachel (Clara Bellar), the Jewish doctor who works alongside the priests. Merrin will soon find out what it is exactly that’s causing the changes in Cheche, and when he does, what he learns will affect him for the rest of his life.

Dominion is a much smarter, tense film than Renny Harlin’s version. Harlin’s had it’s moments – there were some good jump scares, some genuine moments of tension, and considerably more traditional horror movie elements in there but it felt empty – Schrader’s film is anything but. It is definitely a slower film and it’s not as traditionally horrific as Harlin’s, but it is a much smarter story that gets into your head and sticks with you a bit as opposed to the disposable shocks of the alternate version. There are also some huge differences in terms of not only how the story plays out but also in terms of what characters are involved (there are some that are in Schrader’s version that aren’t in Harlin’s at all and vice versa) and to what extent their involvement affects the out come. The character development that happens in this film is stronger and more human, the opening scene with the Nazi executions plays out differently and because of that does a better job of explaining where Merrin is at once he gets to Africa, and the subplot with Father Francis is a nice contrast to Merrin’s story (and one that was more or less left out of Harlin’s film completely). The way that the story points involving Major Granville in this version also make a lot more sense and are handled with a much stronger sense of realism here than in the other movie.
Image result for dominion prequel to the exorcistThe biggest flaw in the film is in the special effects. There are some extremely noticeable moments where very poor CGI rendering takes you right out of the atmosphere that the film creates and most of the time, it could have been avoided. The more obvious instances involve a snake and some hyenas – why real animals weren’t used here is a mystery, because the fake ones look like just that – fake animals. Other than that, Schrader turns in a very mature and subtle supernatural movie that doesn’t really function on the same level as Harlin’s flashier go for the gore approach. Both movies work for different reasons, but this one will stick with you longer and make you think about the concepts of true good and evil and the concepts of faith and the existence of God – something Harlin’s film doesn’t even try to do.

REVIEW: LIVE VIRGIN

CAST

Mena Survari (American Pie)
Gabriel Mann (Cherry Falls)
Robert Loggia (Independence Day)
Bob Hoskins (Hollywoodland)
Sally Kellerman (Prêt-à-Porter)
Octavia Spencer (Insurgent)
Michael Cudlitz (Standoff)
Freda Foh Shen (Dude, Where’s My Car?)
Esai Morales (Caprica)

This film features the daughter of a porn magnate with a boy friend she once trusted who appears to have strayed from the straight path of love. In a mixture of despair and retaliation she agrees to be the first star (victim?) on a new TV series which once every month will feature a virgin experiencing her first sexual liaison on camera. The film creates a parody of pornographic movie makers interested only in the audience such a program will achieve, and this is deliberately exaggerated to the point of being grossly overdrawn. Ultimately, it culminates in a pure slapstick sequence where the boy friend manages to penetrate her dressing room on the eve of the performance and convince her that he did not stray in the way she thought – she then tells the producers of the show that she is quitting, with the obvious results.

The film ends after the TV connections have been severed by a sword leaving the happy couple able to consummate their liaison in relative peace. This parody of the porn industry displays promoters trying to bring their new series to screen in a very unkind light, whilst simultaneously providing some quite sharp satire. I did not feel it was as bad as some of people suggest; but the aim of the film makers appears to have been simply to create easily achieved comedy sequences – not to make a film with any social significance – and as a result much of this satire can readily be lost leaving a very cheap and tawdry residue.

The  film provided a classic example of a lost opportunity; and that, despite its challenging subject matter, it is unfortunately not worth repeated viewings.

REVIEW: JOSIE AND THE PUSSYCATS

 

CAST
Rachael Leigh Cook (Blow Dry)
Tara Reid (American Pie)
Rosario Dawson (Daredevil TV)
Gabriel Mann (Cherry Falls)
Paulo Costanzo (Road Trip)
Missi Pyle (Dodgeball)
Alan Cumminmg (Tin Man)
Parker Posey (Superman Returns)
Tom Butler (Blade: The Series)
Carson Daly (Pauly Shore is Dead)
Justin Chatwin (War of The Worlds)
Katherine Isabelle (Hannibal)
Zak Santiago (Caprica)
Hiro Kanagawa (Heroes Reborn)
Wyatt Frame (Alan Cumming) is an executive with record label MegaRecords. The label, headed by the trend-conscious and scheming Fiona (Parker Posey), manufactures faddish pop bands for consumption by the teenage market. Conspiring with the United States government, they add subliminal messages under the music to brainwash teens into buying their records and other consumer products, creating “a new trend every week”. The Government’s plan is to build a robust economy from the “wads of cash” teenagers supposedly earn from babysitting and minimum wage jobs. When a member of Wyatt’s wildly successful boy band, Du Jour, uncovers one such message and asks Wyatt about it aboard their private jet, Wyatt and the pilot (Harry Elfont) parachute out of the plane, leaving it to crash and kill the band members.
Wyatt lands just outside the town of Riverdale, and meets an unappreciated rock band, the Pussycats: vocalist/guitarist Josie McCoy (Rachael Leigh Cook), drummer Melody Valentine (Tara Reid), and bassist/backup vocalist Valerie Brown (Rosario Dawson). Because they are struggling financially, the Pussycats accept Wyatt’s lucrative record deal despite its implausibility. They are flown to New York City where they are renamed “Josie and the Pussycats”, much to the girls’ discomfort. All goes well and their first single climbs rapidly to the top of the charts, but Valerie grows increasingly frustrated that all media attention is focused on Josie rather than the band as a whole. Melody, too simple to notice the undue attention Josie receives, uses her uncanny behavioral perception and becomes suspicious of Fiona and Wyatt.
Before Valerie and Melody’s suspicions can reveal the conspiracy, Fiona orders Wyatt to kill them. He sends them without Josie to a fake television appearance on the MTV show Total Request Live, where an obviously fake Carson Daly impersonator and the real Carson Daly assault them with baseball bats. The girls survive due to their attackers’ incompetence. Meanwhile, Wyatt prevents Josie from attending a gig by Alan M (Gabriel Mann), Josie’s love interest, by telling her it was canceled. Instead, Josie listens to a remix of their latest single. The remix contains a subliminal message track designed to brainwash her into desiring a solo career, and into seeing Valerie and Melody are impediments to that goal. After an argument with her band mates, Josie realizes that the recording caused the fight. Her suspicions are confirmed when she uses a mixing board to make the subliminal track audible, but she is caught by Fiona.
MegaRecords have organized a giant pay-per-view concert, whereby they plan to unleash their biggest subliminal message yet. They force Josie to perform solo on stage by holding Melody and Valerie hostage. The badly injured members of Du Jour—who survived by grounding their plane, but landed in the middle of a Metallica concert where they were severely beaten by Metallica fans—appear just in time to stop Wyatt and Fiona from launching the message. In the resulting fight, Josie destroys the machine used to generate the messages. The new subliminal message is revealed not to promote the band, the label, or a corporate sponsor, but to make Fiona universally popular. Fiona suffers a breakdown and reveals that she had been a social outcast in high school. Wyatt reveals that his appearance is a disguise—that he went to the same high school as Fiona, but was a persecuted and unpopular albino. Fiona and Wyatt immediately fall in love. The government agents colluding with Fiona arrive, but because the conspiracy is exposed, they arrest Fiona and Wyatt as scapegoats to cover-up the government’s involvement in the failed scheme.
Josie, Valerie, and Melody perform the concert together, and for the first time their fans are able to judge the band on its merits, free of subliminal persuasion. Alan M arrives and confesses his love for Josie on stage, and she returns his feelings. The audience roars their approval as the film comes to a close.
Criminally overlooked at the box office on its release, this really is a no-brain comedy gem. Even if you’re not familiar with the comic/cartoon from the 70s there’s plenty to offer everyone here. The 3 leading ladies are excellent and there is admirable support from Parker Posey and the UK’s very own Alan Cumming.

REVIEW: THE BOURNE SUPREMACY

CAST
Matt Damon (Good Will Hunting)
Franka Potente (Blow)
Karl Urban (Red)
Julia Stiles (A Guy Thing)
Brian Cox (Rise of The Planet of The Apes)
Gabriel Mann (Josie and The Pussycats)
Joan Allen (Manhunter)
Marton Csokas (Alice In Wonderland)
Michelle Monaghan (Mission Impossible III)
Karel Roden (Hellboy)
Chris Cooper (American Beauty)

Two years after the events of the first film, Jason Bourne and Marie Kreutz are now in Goa, India. Still experiencing flashbacks about his former life as a CIA assassin, he records them in a notebook.
In Berlin, CIA agents subordinate to Deputy Director Pamela Landy are paying US$3 million for the “Neski files”, documents on the theft of $20 million in allocation money seven years prior. Kirill, an agent for Russia’s Federal Security Service, plants Bourne’s fingerprint to frame him, kills the agents, and steals the files and money for delivery to Russian oil oligarch Yuri Gretkov. Kirill travels to Goa to kill Bourne, but Bourne spots him and flees with Marie. As the couple drive away, Kirill attempts to shoot Bourne, but kills Marie by mistake. Their vehicle goes off a bridge and into a river; Kirill assumes that Bourne is dead.
Bourne survives and leaves for Naples, Italy, with money and passports. After finding the fingerprint Kirill planted, Landy learns that it belongs to Bourne and subsequently asks Deputy Director Ward Abbott about Operation Treadstone, the defunct CIA program to which Bourne belonged. Landy tells Abbott that the CIA agent who stole the $20 million was named in the Neski files. Some years previously, Russian politician Vladimir Neski was about to identify the thief when he was supposedly murdered by his wife in a Berlin hotel. Landy believes that Bourne and Treadstone’s late supervisor, Alexander Conklin, were somehow involved. She also believes that Bourne killed her two agents. Both Abbott and Landy go to Berlin to capture Bourne.
In Naples, Bourne allows himself to be identified by security. He subdues his CIA interrogator, copies the SIM card from his cell phone, and learns from a subsequent phone call about Landy and what she thinks Bourne did. Bourne goes to Munich to visit the only other remaining Treadstone operative, Jarda, who informs Bourne that Treadstone was shut down after Conklin’s death. Jarda tries to incapacitate Bourne before an incoming CIA team arrives, but Bourne kills him, blows up his house, and escapes. Bourne follows Landy and Abbott as they meet former Treadstone support technician Nicky Parsons to question her about her past experience with him. Believing that the CIA is hunting him again, Bourne calls Landy from a nearby roof and is told that he is being pursued because he killed two people in Berlin. He demands a meet-up with Nicky and indicates to Landy that he can see her in the office, shocking the entire CIA team.
Bourne kidnaps Nicky at the Alexanderplatz, and learns from her that Abbott was the head of Treadstone, not Conklin. He remembers that he murdered Neski in Berlin, but Nicky knows nothing about it, so he lets her go. Bourne then visits the hotel where the killing took place and remembers more of his mission—he killed Neski on Conklin’s orders, and when Neski’s wife showed up, he shot her to make it look like a murder–suicide. Abbott kills Danny Zorn (Conklin’s assistant) when he suspects a conspiracy against Bourne; he (Bourne) breaks into Abbott’s hotel room and records a conversation between him and Gretkov that incriminates them in the theft of the money. Abbott confesses to ordering the assassination in Goa, Neski’s murder by Bourne, and the murder of the agents by Kirill, for which Bourne was to be framed. When Landy suspects Bourne’s innocence and confronts Abbott, he commits suicide by shooting himself in the head. Bourne sends the tape of the confession to Landy, vindicating himself.
Bourne goes to Moscow to find Irena Neski, the daughter of Vladimir Neski. Kirill, tasked once again by Gretkov with killing Bourne, finds him and shoots him in the shoulder from a distance. Bourne steals a taxi and Kirill chases him. A long high-speed chase also involving many police cars ends after Bourne forces Kirill’s vehicle into a concrete divider. After finding that Kirill is mortally wounded, he lowers his gun and walks away. Bourne locates Irena Neski and confesses to murdering her parents. Gretkov is arrested.
Some time later, in New York City, Landy receives a phone call from Bourne; she expresses her thanks for the tape of Abbott’s confession before telling Bourne that his real name is David Webb and he was born 4/15/71 in Nixa, Missouri. Bourne then says “Get some rest Pam, you look tired”, indicating once again that he can see her, before hanging up and fading into a New York crowd.
This really is an excellent spy thriller, with plenty of high quality car chases and escapes included too. The storyline is believeable within the context of the world of global espionage,, the film moves at a great pace and nicley sets up the third installment, The Bourne Ulitimatum.

 

REVIEW: THE BOURNE IDENTITY

CAST

Matt Damon (Oceans Eleven)
Franka Potente (Creep)
Chris Cooper (The Muppets)
Clive Owen (Sin City)
Brian Cox (Manhunter)
Adewale Akinnuoye-Agbaje (Lost)
Gabriel Mann (Josie and The Pussycats)
Julia Stiles (10 Things I Hate About You)
Jimmy Jean-Louis (Joy)
In the Mediterranean Sea, Italian fishermen rescue an unconscious American man (Matt Damon) floating adrift with two gunshot wounds in his back. They tend to his wounds, and when the man wakes, they find he suffers from dissociative amnesia: he has no idea of his identity but is aware of advanced combat skills and fluent in several languages. The skipper finds a tiny laser projector under the man’s skin that, when activated, gives a number of a safe deposit box in Zürich. Upon landing, the man heads to investigate the box. Arriving at the bank, the man finds the box contains a large sum of money in various currencies, numerous passports and identity cards, and a handgun; the man takes everything but the gun, and leaves, opting to use the name on the American passport, Jason Bourne.
A bank employee contacts Operation Treadstone, a CIA black operation program after Bourne’s departure. Treadstone’s head, Alexander Conklin (Chris Cooper), contacts CIA Deputy Director Ward Abbott (Brian Cox) about the reappearance of Bourne. Abbott warns that Bourne, a CIA agent, had been assigned to silently assassinate exiled African dictator Nykwana Wombosi (Adewale Akinnuoye-Agbaje), but the attempt failed, and Bourne must be dealt with. Conklin activates three agents to take down Bourne: Castel (Nicky Naude), Manheim (Russell Levy), and the Professor (Clive Owen), while also issuing alerts to local police to capture Bourne.
Bourne attempts to get more information from the U.S. consulate, but he is discovered by guards. He evades capture, leaves the embassy, and gives a German woman, Marie Helena Kreutz (Franka Potente), $20,000 to drive him to an address in Paris listed on his French driving license. At the address, an apartment, he hits redial on the phone and reaches a hotel. He inquires about the names on his passports there, learning that a “John Michael Kane” had been registered but died two weeks prior in a car accident. Castel ambushes them in the apartment, but Bourne gets the upper hand. Instead of allowing himself to be interrogated, Castel throws himself out a window to his death. Kreutz finds wanted posters of Bourne and herself, and agrees to continue to help Bourne.
Meanwhile, Wombosi approaches the police about the attempt on his life. Conklin, having anticipated this, had planted a body in the Paris morgue to appear as the assailant, but Wombosi is not fooled and threatens to report this. The Professor assassinates Wombosi on Conklin’s orders. Bourne, posing as Kane, learns about Wombosi’s yacht, and that the assailant had been shot twice during the escape; Bourne now considers himself to have been the assailant. He and Kreutz take refuge at the French countryside home of her ex-lover Eamon (Tim Dutton) and his children. Conklin tracks their position and sends the Professor there, but Bourne is able to mortally wound him. The Professor reveals their shared connection to Treadstone before dying. He sends Kreutz, Eamon and his children away for their protection, and then contacts Conklin via the Professor’s phone to arrange a meet. From a rooftop near the arranged location in Paris, Bourne sees Conklin has brought backup, so abandons the meeting but uses the opportunity to place a tracking device on his car, leading him to the Treadstone’s safe house.
Bourne breaks in and holds Conklin and logistics technician Nicolette “Nicky” Parsons (Julia Stiles) at gunpoint. Bourne starts to fully recall the assassination attempt through successive flashbacks. As Kane, and working under orders from Treadstone, Bourne infiltrated Wombosi’s yacht but could not bring himself to kill Wombosi while Wombosi’s children were present, and instead fled, being shot at during his escape. Bourne announces he is resigning from Treadstone and not to be followed. As agents descend on the safehouse, Bourne fights his way free. Meanwhile, when Conklin goes to leave the safe house, he is killed by Manheim, who was ordered to terminate Treadstone by Abbott.
Abbott reports on the dismissal of Treadstone before an oversight committee but announces a new project codenamed “Blackbriar”. Some time later, Bourne finds Kreutz renting out scooters to tourists on Mykonos, and the two reunite.
This edition is the best one to have.  Well acted, well scripted, and filmed at real European locations make this movie really enjoyable