REVIEW: FREDDY VS JASON

CAST

Robert Englund (A Nightmare On Elm Street)
Ken Kirzinger (Stan Helsing)
Kelly Rowland (Empire)
Monica Keena (The Devil’s Advocate)
Jason Ritter (Girls)
Chris Marquette (Fanboys)
Brendan Fletcher (News Movie)
Katharine Isabelle (American Mary)
Lochlyn Munro (Little Man)
Kyle Labine (Grand Star)
Tom Butler (Blade: The Series)
David Kopp (Romeo Must Die)
Zack Ward (Transformers)
Garry Chalk (Arrow)
Evangeline Lilly (Lost)
Chris Gauthier (Earthsea)

Freddy Krueger is trapped in Hell, it’s 2003 and 4 years after the events and time of the sixth film and due to the fact the teenage residents of his town of Springwood, Ohio have forgotten about him, rendering him powerless, he can no longer return to Springwood, because there’s no fear of him left in the entire town. He “can’t come back if nobody’s afraid”, so, under the guise of Jason Voorhees’ mother, Freddy manipulates Jason, who he’d been looking for over a period of time to do so, into killing the teenage residents of Springwood, hoping the mass fear will restore his powers. Since the residents of Springwood were terrorized by him and not Jason, Freddy reasons, the fear will be directed towards him, giving him more power than ever hoped for. His plan succeeds and Freddy is allowed to return.

Lori Campbell now lives with her widowed father at 1428 Elm Street. Her friends Kia, Gibb, Trey, and Blake, spend the night, and Jason kills Trey by stabbing him in the back, before folding him in half with the mattress. The gruesomeness of the murder and the fact it happened in bed cause police to speculate Freddy was responsible. Later, Blake has a nightmare about Freddy, and awakens to find his beheaded father sitting beside him before Jason appears and kills Blake as well. The next day, the police blame the murders on Blake, who they say committed suicide.
Lori’s ex-boyfriend Will Rollins and his friend Mark Davis, are patients at Westin Hills Psychiatric Hospital, forced to take Hypnocil to suppress their dreams. After seeing a news report on the murders, Mark devises a plan, and the two escape. He and Will return to Springwood, where Mark informs Lori and the others about Freddy. Mark later learns of the city’s plan to erase Freddy by making the population forget about him and realizes he may have ruined their plan. That night, Lori and the others attend a rave at a cornfield. A drunken Gibb believes she sees Trey and follows him to a silo, which turns out to be a dream trap set by Freddy. As Freddy is about to kill Gibb, Jason, who has arrived at the rave to slaughter partygoers, kills her in the real world. An enraged Freddy realizes Jason will not stop stealing his potential victims.

Linderman, a classmate who has a crush on Lori, and stoner Freeburg escape the rave unharmed along with Lori, and Kia. Lori confronts her father about her mother’s death and traps him in a lie. She and Will go to Mark’s house, only to find him being attacked by Freddy, who slashes his face with his bladed gloves. Deputy Stubbs suspects there is a copycat of Jason murderer, but his suspicions fall on deaf ears. He approaches Lori and her friends, who piece together Freddy’s plan. Learning of the Hypnocil, they decide to steal some from Westin Hills, but Freddy possesses Freeburg and disposes of the drugs. After electrocuting Stubbs, Jason is tranquilized by the Freddy-possessed Freeburg, whom Jason cuts in half before succumbing to the drugs.

The teens devise a plan to pull Freddy from the dream world and force the two killers to battle each other. They take the unconscious Jason to Crystal Lake; and should he defeat Freddy there, he’ll already be back home and will not come after the teens. Meanwhile, Freddy battles Jason in the dream world, and upon discovering Jason’s fear of water uses it to pull him into a nightmare of his drowning as a child. Lori enters the dream world to retrieve Freddy, saving Jason in the process. Enraged, Freddy attacks Lori, and reveals he was the one who killed her mother. In the real world, Jason awakens and chases the others into a cabin. Jason pushes Linderman into a shelf bracket and he is mortally wounded. The cabin catches fire, and Lori’s hand is dragged through flames, causing her to wake up and pull Freddy from her dream into the real world. Jason begins to fight Freddy while the others escape, and throws Freddy through the roof of another cabin.

Linderman dies, and Lori, Will and Kia encounter Freddy. Kia taunts him, but Jason kills her by slamming her into a tree with his machete. As Lori and Will escape, the two begin their final battle. An attempt to ram a mine cart into Jason goes wrong and both of them are hit and land on the boardwalk. Lori and Will igniting propane tanks that blow Freddy and Jason into the lake. Freddy makes one final attempt to kill Lori and Will; however, Jason saves them by using Freddy’s own arm to impale him through the chest, before falling back into the lake. Lori decapitates Freddy while Jason sinks below the water. Finally at peace with their past, Lori and Will leave Crystal Lake together. Later, Jason emerges from the lake holding Freddy’s severed head, which winks and laughs.

This is a brilliant film especially if you grew up watching these two maniacs before they both fought on the big screen in the same film. It does not disappoint and leaves you wondering who will win the fight between two of the cinemas most notorious killers.

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12 DAYS OF CHRISTMAS REVIEW: LOST – THE CONSTANT

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MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Jeremy Davies (Hannibal)
Rebecca Mader (Iron Man 3)

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RECURRING / NOTABLE GUEST CAST

Anthony Azizi (Eagle Eye)
Alan Dale (Ugly Betty)
Kevin Durand (X-Men Origins)
Jeff Fahey (Planet Terror)
Fisher Stevens (HAckers)
Sonya Walger (Flashforward)
Graham McTavish (The Hobbit)

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Desmond, Sayid and Lapidus experience turbulence while flying the 130 kilometers (about 80 miles) distance from the island where they were stranded to Lapidus’ team’s freighter, the Kahana. Desmond’s consciousness travels back eight years to 1996, when he is serving with the British Army’s Royal Scots Regiment. Moments later, when his consciousness returns to the present day, he neither knows where he is nor recognizes his companions, and has no memory of his life since 1996. After the helicopter lands, Desmond continues to jump between 1996 and 2004. He is taken to the sick bay, where a man named Minkowski is strapped to a bed because he is experiencing similar problems. Minkowski explains that someone sabotaged the radio room two days earlier and that Desmond’s ex-girlfriend Penny Widmore (Sonya Walger) has been trying to contact the freighter. Sayid uses the satellite phone to contact Jack Shephard (Matthew Fox) on the island and explains that Desmond appears to have amnesia. Daniel Faraday (Jeremy Davies), a physicist from the freighter, asks Jack whether Desmond has recently been exposed to a high level of radiation or electromagnetism. Jack is unsure, and so Daniel speaks to Desmond and asks him about his situation. Desmond responds that he believes that he is in 1996 and is serving with the Royal Scots. Faraday understands and tells Desmond that when he returns to 1996, he needs to go to the physics department of The Queen’s College, Oxford University in England to meet with Daniel’s past self, and gives Desmond some mechanical settings to relay, along with an extra phrase that Daniel assures him will convince Daniel’s past self that the story is legitimate.lost-constantDesmond’s flashbacks become more frequent and longer. In 1996, Desmond tracks down a younger Faraday at Oxford, who takes Desmond into his laboratory where he is experimenting with a time machine. Setting his electromagnetic device with the settings that Desmond has given him, Daniel places his laboratory rat, Eloise, in a maze and exposes her to electromagnetic energy. The rat appears to become comatose, then awakens and runs the maze. Daniel becomes excited because he had just built the maze and had not yet taught Eloise how to run it. Desmond realizes that, like the rat, he is caught in a time warp that is moving his consciousness between two different bodies at two different points in time and space. Eloise dies of a suspected brain aneurysm brought on by the exposure to the time lapse. Desmond becomes worried that he will die like Eloise, and Daniel instructs him to find something or someone—a constant—who is present in both times and can serve as an anchor for Desmond’s mental stability. Desmond decides that Penny can be the constant; however, he must make contact with her in 2004. To find out where she lives, Desmond gets her address from her father Charles (Alan Dale), who is at an auction buying a journal owned by Tovard Hanso written by a crew member of the 19th century ship called the Black Rock. hqdefaultIn 1996, Desmond finds Penny, who is still distraught over their break-up and is not willing to see him. However, he gets her telephone number and tells her not to change it because he will call her on Christmas Eve 2004. In 2004, Sayid, Desmond, and Minkowski escape the sick bay and begin to repair the broken communications equipment. Meanwhile, Minkowski enters into another flashback, and dies. Showing signs of suffering the same fate as Minkowski, Desmond telephones Penny, who tells Desmond that she has been searching for him for the past three years and they reconcile before the power is cut off. Having made contact with his “constant”, Desmond stops alternating between 1996 and 2004. Back on the island, Daniel flips through his journal and discovers a note that he had written, “If anything goes wrong, Desmond Hume will be my constant.”676

No other episode since the beginning has touched on this many of the themes of Lost. Rather than the showing the present with the flash-forward/backward tying in symbolically, which is the shows usual template, this episode ties the present to the flash in a very real and deadly way, also revealing a big, nay, gigantic clue as to the island’s origins. Or at least lets us in on a part of the big secret.

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REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: THE HURT LOCKER

CAST
Jeremy Renner (The Bourne Legacy)
Anthony Mackie (Million Dollar Baby)
Brian Geraghty (When A Stranger Calls)
Guy Pearce (Prometheus)
Ralph Fiennes (Red Dragon)
David Morse (The Rock)
Evangeline Lilly (Ant-Man)
The Hurt Locker opens with a quotation from War Is a Force That Gives Us Meaning, a best-selling 2002 book by Chris Hedges, a New York Times war correspondent and journalist: “The rush of battle is a potent and often lethal addiction, for war is a drug.”
Sergeant First Class William James (Jeremy Renner), a battle-tested veteran, arrives as a new team leader of a U.S. Army Explosive Ordnance Disposal (EOD) unit in the Iraq War,replacing Staff Sergeant Matthew Thompson (Guy Pearce), who was killed by a radio-controlled 155mm improvised explosive device (IED) in Baghdad. His team includes Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty).
James’ maverick methods and attitude lead Sanborn and Eldridge to consider him reckless, and tensions mount. When they are assigned to destroy some explosives in a remote desert area, James returns to the detonation site to pick up his gloves. Sanborn openly contemplates killing James by “accidentally” triggering the explosion, making Eldridge very uncomfortable, but Sanborn does nothing.
Returning to Camp Victory in their Humvee, the team encounters five armed men in traditional Arab garb standing near the men’s Ford Excursion, which has a flat tire. After a tense encounter, the men reveal themselves to be private military contractors and British mercenaries. They have captured two prisoners featured on the most-wanted Iraqi playing cards. The entire group suddenly comes under fire, and when the prisoners attempt to escape in the confusion, the leader of the mercenaries (Ralph Fiennes) remembers the bounty for them is “dead or alive” and shoots them. Enemy snipers kill three of the mercenaries, including the leader. Sanborn and James borrow a Barrett .50 cal to dispatch three attackers, while Eldridge kills a fourth.
During a raid on a warehouse, James discovers the body of a young boy, in which a live bomb has been surgically implanted. James believes it to be “Beckham” (Christopher Sayegh), an Iraqi youth he had previously befriended. During evacuation, Lieutenant Colonel John Cambridge (Christian Camargo), the camp’s psychiatrist and a friend of Eldridge’s, is killed in an explosion; Eldridge blames himself for the Colonel’s death. Later, James leaves the military compound seeking revenge for Beckham and breaks into the house of an Iraqi professor, but his search reveals nothing and he leaves.
Called to a petrol tanker detonation, James decides on his own to hunt for the insurgents responsible, guessing they are still in the immediate area. Sanborn protests, but when James heads out, he and Eldridge reluctantly follow. After they split up, insurgents capture Eldridge. James and Sanborn rescue him, but accidentally shoot him in the leg. The following morning, James is approached by Beckham, who James believed was dead. The young boy tries to play soccer with James and sell him more DVDs, but the soldier walks by without saying a word. Before being airlifted for surgery elsewhere, Eldridge angrily blames James for his injury.
James and Sanborn’s unit is called to another mission in their last two days of their rotation. An innocent Iraqi civilian man has had a bomb vest strapped to his chest. James tries to cut off the locks to remove the vest, but there are too many to undo in the time available before the bomb will detonate. He has to abandon the man, who is killed when the bomb explodes. Sanborn is left distraught by the man’s death. He confesses to James that he can no longer cope with the pressure, and he wants to return home and have a son.
After Bravo Company’s rotation ends, James returns home to his ex-wife, Connie (Evangeline Lilly) and their infant son who both still live with him in his house. However, he is bored and disconnected from routine civilian life, with its ordinary tasks of shopping at the supermarket and family dinners. One night, James confesses to his son that there is only one thing that he knows he loves. Shortly thereafter, he starts another tour of duty serving with Delta Company, U.S. Army EOD unit as they are starting their 365-day rotation.
Fully deserving of its Oscar and BAFTA awards Kathryn Bigelow’s The Hurt Locker is an ambitious, intelligent, unsentimental attempt to present the experience of war from the perspective of ordinary soldiers.

REVIEW: WHITE CHICKS

CAST
Marlon Wayans (Dungeons and Dragons)
Shawn Wayans (Scary Movie)
Jaime King (Sin City)
Frankie Faison (The Silence of The Lambs)
Lochlyn Munro (Freddy vs Jason)
John Heard (The Lizzie Borden Chronicles)
Busy Philipps (The Smokers)
Terry Crews (Get Smart)
Brittany Daniel (That 80S Show)
Jennifer Carpenter (Limitless tv)
Evangeline Lilly (Lost)
The plot begins in a convenience store where two FBI agents and brothers, Kevin Copeland and Marcus Copeland (Shawn and Marlon Wayans), try to capture members of an organization that sells drugs inside ice cream boxes, posing as dominican clerks. Unfortunately, the first arrival turns out to be a genuine ice cream delivery, and the actual drug dealers manage to get away. The situation is worsened by the fact that Kevin and Marcus have decided to resolve this bust by themselves.
The FBI supervisor, Elliott Gordon (Frankie Faison), gives the two agents a last chance to remain in the FBI by giving them the duty of protecting the mega-rich billionaire cruise line heiresses Brittany and Tiffany Wilson (Maitland Ward and Anne Dudek), who are arriving in town for a beauty competition, from a kidnapping plot (known as the socialite kidnappings). When the Wilson sisters get minor facial cuts in a car accident, they refuse to leave the hotel. Kevin and Marcus then disguise themselves as Wilson sister look-alikes in order to save their jobs.
At the Hamptons hotel, Kevin and Marcus meet Brittany and Tiffany’s three best friends, Karen, Tori and Lisa, and their rivals Megan and Heather Vandegeld. They also encounter Karen’s abusive boyfriend, Heath, a broke, out of work actor. John “where am I” Lydon shows an interest in the news reporter Brett Porter, but the affair becomes more and more complicated as the two agents must now repeatedly switch between their gender roles. Marcus’ wife Gina, whose relationship is already troubled, becomes an additional complicating factor as she gets suspicious when she hears a woman’s voice in the background during a phone conversation with Marcus. The woman is actually Kevin pretending to be female, but Gina does not know and assumes that Marcus is conducting an affair. Meanwhile, Latrell Spencer (Terry Crews) takes an interest in Marcus, thinking that he is Tiffany and white. A date with Marcus/Tiffany is then sold off to Latrell during a charity dinner. Kevin takes advantage of the situation and asks Denise out on a date, pretending that he is Latrell, as Denise has a history of dating rich men. When Marcus goes on his date with Latrell, Kevin steals the keys to his car and house. When Kevin and Denise arrive at Latrell’s house, they are confronted by Latrell’s foreign housekeeper. Because she does not speak English, Kevin pretends that he understands her and locks her out of the house claiming that she works too hard. Eventually, Kevin gets mauled by Latrell’s giant dog, generally ruining his date.
At a nightclub, Karen drinks heavily and unintentionally let’s slip that Mr. Vangergeld is penniless, and has only recently paid Karen’s own father back for loans he has lent him. The next day, the real Brittany and Tiffany see their faces on a magazine, and they realize that two people are impersonating them. They go to the hotel their ‘clones’ were seen in, and two agents, thinking that they are Kevin and Marcus after searching their room through suspicion, undress them. This leads to the chief finding out that Marcus and Kevin have been impersonating Brittany and Tiffany. Because of this, the chief fires the both of them. Later on, Kevin and Marcus find out that due to his bankruptcy Mr. Vandergeld, along with Heath, has been behind the socialiate kidnappings in order to save himself and his family from poverty. They manage to capture Mr. Vandergeld before he succeeds in his plan. Latrell takes a hit from a bullet shot by Mr. Vandergeld to protect Marcus, but he is alarmed and enraged to discover that Marcus is black (He did not seem to mind that Marcus was male). Marcus apologizes to Gina, after realizing that being a female is a hard task, and because he had been ignoring Gina for his job. Denise falls for Kevin, after Kevin saves her from a bullet. The movie ends with Tori, Lisa, Karen, Kevin and Marcus making a pact to stay together and go shopping.
Very funny film that cant fail to have you laughing aloud

REVIEW: THE LIZZIE McGUIRE MOVIE

CAST
Hilary Duff (Agent Cody Banks)
Adam Lamberg (Radiant City)
Hallie Todd (Sabrina: The Teenage Witch)
Robert Carradine (Timecop 2)
Jake Thomas (A.I.)
Alex Borstein (Family Guy)
Jody Racicot (Flash Gordon 2007)
Ona Grauer (Izombie)
Aaron Douglas (Battlestar Galactica 2004)
Evangeline Lilly (Lost)
The film begins as Lizzie McGuire (Hilary Duff) prepares for her junior-high graduation with her best friend, David “Gordo” Gordon (Adam Lamberg). During the ceremony, Lizzie trips onstage and accidentally brings the curtain down on her fellow graduates; this causes her to be teased by her ex-best friend, Kate Sanders (Ashlie Brillault), and her younger brother Matt (Jake Thomas). After graduation, Lizzie and her class embark on a trip to Rome chaperoned by their future high school principal, Angela Ungermeyer (Alex Borstein). To their dismay, Lizzie and Kate are assigned to the same hotel room.
Their class visits the Trevi Fountain, where Lizzie is approached by an Italian pop star named Paolo (Yani Gellman) who mistakes her for his singing partner, Isabella (also played by Duff). Paolo asks Lizzie to meet him at the fountain the next day, and she feigns illness to sneak away. He explains that he and Isabella are booked for the Italian Music Awards, but she left Italy after their breakup. Paolo tells Lizzie that Isabella lip syncs, and begs her to pose as Isabella for the concert. Although she reluctantly agrees, she begins to enjoy the life of an Italian pop star: designer clothes, dance rehearsals, and adoration from fans.
Lizzie continues to fake being ill to prepare for the concert, but Kate quickly figures out her secret. To Lizzie’s surprise, Kate agrees to help her and the two become friends again. Lizzie begins to fall in love with Paolo, to Gordo’s dismay. Ethan suspects Gordo is jealous of Paolo, though he insists otherwise. Meanwhile, Ms. Ungermeyer interrogates the students to learn who has been sneaking out. Gordo takes the blame, and is sent back home as punishment. Lizzie is shocked when Kate says that Gordo sacrificed himself to protect her.
At the airport Gordo meets Isabella, who has returned for the concert and is upset to hear that Lizzie is impersonating her. She and Gordo realize that Paolo is planning to cut Lizzie’s microphone at the concert, demonstrating to the crowd that Isabella is a fake. Paolo is planning on ruining Isabella’s career and embarrassing Lizzie again. Gordo and Isabella rush to the concert to stop him. Back home, Matt browses the Internet and finds Italian gossip sites with pictures of Lizzie as Isabella. When he tells his parents, the family flies to Rome. Ms. Ungermeyer realizes that Lizzie is missing again, and Ethan accidentally reveals that she is at the Italian Music Awards. The class rushes to the concert to find Lizzie; Gordo and Isabella find her backstage preparing for the show, and warn her about Paolo’s scheme. Lizzie refuses to believe them at first, but Isabella insists that Gordo can be trusted and Paolo is using her.
During the performance Isabella and Gordo expose Paolo by turning on his microphone, revealing his real voice. Embarrassed, Paolo runs off and is ambushed outside by paparazzi. His bodyguard, Sergei (Brendan Kelly), tells him it is time to face reality and quits. Sergei flirts with Ms. Ungermeyer, who has gotten the class and Lizzie’s family into the concert by beating up the bouncers. Isabella introduces Lizzie to the crowd, and has her sing “What Dreams Are Made Of”. As a singer, Lizzie gains a newfound confidence. Later, they celebrate at the hotel’s after party. Ms. Ungermeyer rescinds Gordo’s punishment, and Lizzie’s parents tell her she is grounded for the rest of the summer. Lizzie and Gordo sneak away from the party to go up to the roof. They promise to never let things change between them. The two kiss and rejoin the party.
This film is okay for kids who like Lizzy McGuire. I don’t think it will be watched over and over like some of our films, it is nice to see Evangeline Lilly before she did Lost.

 

 

REVIEW: ANT-MAN

CAST

Paul Rudd (The Shape of Things)
Michael Douglas (Traffic)
Evangeline Lilly (Real Steel)
Corey Stoll (The Bourney Legacy)
Bobby Cannavale (Paul Mart Mall Cop)
Anthony Mackie (The Hurt Locker)
Judy Greer (Dawn of The Planet of The Apes)
Michael Pena (American Hustle)
Hayley Atwell (Cinderella)
John Slattery (Ted 2)
Martin Donovan (Insomnia)
Stan Lee (Avengers Assemble)
Chris Evans (The Losers)
Sebastian Stan (Spread)

 In 1989, scientist Hank Pym resigns from S.H.I.E.L.D. after discovering their attempt to replicate his Ant-Man shrinking technology. Believing the technology is dangerous, Pym vows to hide it as long as he lives.In the present day, Pym’s estranged daughter, Hope van Dyne, and former protégé, Darren Cross, have forced him out of his company, Pym Technologies. Cross is close to perfecting a shrinking suit of his own, the Yellowjacket, which horrifies Pym. Upon his release from prison, well-meaning thief Scott Lang moves in with his old cellmate, Luis. While visiting his daughter Cassie unannounced, Lang is rebuked by his former wife Maggie and her police-detective fiancé, Paxton, for not providing child support. Unable to hold a job because of his criminal record, Lang agrees to join Luis’ crew and commit a burglary. Lang breaks into a house and cracks its safe, but only finds what he believes to be an old motorcycle suit, which he takes home. After trying the suit on, Lang accidentally shrinks himself to the size of an insect. Terrified by the experience, he returns the suit to the house, but is arrested on the way out. Pym, the homeowner, visits Lang in jail and smuggles the suit into his cell to help him break out.At his home, Pym, who manipulated Lang through an unknowing Luis into stealing the suit as a test, wants Lang to become the new Ant-Man to steal the Yellowjacket from Cross. Having been spying on Cross after discovering his intentions, van Dyne helps Pym train Lang to fight and to control ants. While van Dyne harbors resentment towards Pym about her mother Janet’s death, he reveals that Janet, known as the Wasp, disappeared into a subatomic quantum realm to disable a Soviet nuclear missile. Pym warns Lang that he could suffer a similar fate if he overrides his suit’s regulator. They send him to steal a device that will aid their heist from the Avengers’ headquarters, where he briefly fights Sam Wilson.Cross perfects the Yellowjacket and hosts an unveiling ceremony at Pym Technologies’ headquarters. Lang, along with his crew and a swarm of flying ants, infiltrates the building during the event, sabotages the company’s servers, and plants explosives. When he attempts to steal the Yellowjacket, he, along with Pym and Hope, are captured by Cross, who intends to sell both the Yellowjacket and Ant-Man suits to Hydra, led by former S.H.I.E.L.D officer Mitchell Carson. Lang breaks free and he and Hope dispatch most of the Hydra agents, though Carson is able to flee with a vial of Cross’ particles. Lang pursues Cross as he escapes, while the explosives detonate, imploding the building.Cross dons the Yellowjacket and attacks Lang before Lang is arrested by Paxton. His mind addled by the imperfect shrinking technology, Cross takes Cassie hostage to lure Lang into another fight. Lang overrides the regulator and shrinks to subatomic size to penetrate Cross’ suit and sabotage it to shrink uncontrollably, killing Cross. Lang disappears into the quantum realm but manages to reverse the effects and returns to the macroscopic world. In gratitude for Lang’s heroism, Paxton covers for Lang to keep him out of prison. Seeing that Lang survived and returned from the quantum realm, Pym wonders if his wife is alive as well. Later, Lang meets up with Luis, who tells him that Wilson is looking for him.

In a mid-credits scene, Pym shows van Dyne a new Wasp prototype suit and offers it to her. In a post-credits scene, Wilson and Steve Rogers have Bucky Barnes in their custody. Unable to contact Tony Stark because of “the accords”, Wilson mentions that he knows someone who could help.One of my favorite Marvel films. But in reality, one of my favorite films, period! It’s laugh out loud funny, with heart, and with good special effects! It is a film I definitely recommend! I really hope a second film is green lit as long as they make it fresh as this film was fresh
One of my favorite Marvel films. But in reality, one of my favorite films, period! It’s got great humor, with heart, and with good special effects!