REVIEW: JUSTICE LEAGUE: DARK

CAST

Matt Rayan (Constantine)
Jason O’Mara (Agents of S.H.I.E.L.D)
Camilla Luddington (The Pact 2)
Nicholas Turturro (Zookeeper)
Ray Chase (Kingslaive)
Enrico Colantoni (Veronica Mars)
JB Blanc (Breaking Bad)
Roger Cross (Arrow)
Colleen Villard (The Avengers: EMH)
Jerry O’ Connell (Sliders)
Rosario Dawson (Sin City)
Jeremy Davies (Sleepy Hollow)
Alfred Molina (Spider-Man 2)
Fred Tatasciore (Hulk Vs)

All over the world, people suddenly begin panicking as they start to see everyone around them as demonic monsters and end up killing innocents before members of the Justice League stop them. Deliberating about this strange outbreak, most of the League’s members come to the conclusion that magic must be involved in this. Despite his own past experiences with magic, Batman expresses his skepticism and walks out; but as he returns to Wayne Manor to rest, he finds the word “Constantine” written all over the walls.
In a flashback, occultist John Constantine and Jason Blood – engaged the Demons Three in a poker game in Las Vegas for high-end stakes, even offering his home, the House of Mystery, as his part of the pool in exchange for a box of artifacts, including one called the Dreamstone. However, both parties cheated at the game, and when Constantine exposed the Demons’ trickery, they attacked him. Constantine unleashed Jason’s alter ego, the demon Etrigan, who defeated the Demons Three, but not before they swore revenge on him.
Batman visits Zatanna after one of her performances and begins to ask about Constantine. Deadman possesses Batman and tells Zatanna she needs to see John. Zatanna brings Batman to Constantine. The trio narrowly manage to get inside John’s house in time where they are joined by Black Orchid. The group gathers to share information, and after a quick discussion and some argument between John and Zatanna, form a team to investigate the cause and reason for these supernatural occurrences.
The heroes visits a friend of Constantine and Zatanna’s named Ritchie Simpson, but outside the house they find shroud spirits of Death waiting to collect Ritchie’s soul upon his upcoming demise. The team is granted entry by Simpson, who is suffering from a magical cancer and resentful of Constantine for abandoning him to his fate but loans them the Keshanti Key. Constantine and Zatanna look through a man’s memories for the cause of his frenzy, and discover that he was possessed. Batman, Deadman, Constantine, and Zatanna narrowly manage to escape from a conjured beast as the creature consumes its victim, and Zatanna proceeds to destroy the monster.
Returning to Ritchie’s home to identify the ring from the man’s memory, the team finds him about to die with Blood nearby. Batman revives Ritchie with an adrenaline shot to the chest, but he quickly falls into a coma. After being brought to the House of Mystery for interrogation, Blood tells the team that he did not attempt to hurt Ritchie, but was looking for a way into the House of Mystery to find the Dreamstone; created by a sinister magician naming himself Destiny. Ritchie awakens and names Felix Faust as his assailant before falling back asleep.
The group locate Faust’s observatory with help from Swamp Thing. When they infiltrate Faust’s lair, the wizard battles the team, but is ultimately defeated by Zatanna; however, Faust is found to have no involvement in hurting Ritchie. Ritchie awakens and is revealed to have the other piece of the Dreamstone; using it to keep his cancer in remission, but then he is seemingly killed when the Dreamstone brings Destiny back to life. Destiny declares himself a god, destroys the House and departs to sink the United States into chaos; Zatanna saves the group, but passes out from the exertion. The Justice League tries to fight Destiny, but he makes them perceive each other as demonic threats. Etrigan attacks Destiny, but is separated back into Jason Blood and Etrigan. Constantine summons Swamp Thing, who agrees to fight Destiny, while Batman and the recovered Zatanna disable the Justice League.
Constantine tricks Destiny into bringing him and Deadman within his protective shield, allowing Deadman to wound Destiny, before Constantine, Batman, and Blood destroy the Dreamstone and Destiny’s body, leaving Ritchie, whose soul is dragged to Hell by the shroud spirits. Right afterwards, Blood succumbs to his mortal wound from centuries before. Zatanna, Constatine and Etrigan bury Blood’s body near the place of his old village, before Etrigan leaves for parts unknown. Zatanna agrees to join the Justice League, while Constantine declines (knowing Batman won’t approve if he did). The two return to the now-rebuilt House of Mystery, taking a first tentative step to restoring their fractured relationship, and Deadman likewise joins the restored Black Orchid as her soulmate.It’s refreshing to see a simpler, more straightforward, yet still effectively intriguing story-telling pace set by DC’s animated feature titles. JLD continues the trend of it’s predecessor, excelling at brief but complete introductions to some of DC’s more obscure characters, bringing them out of the shadows. The use of the overly popular Batman is very fitting here and die-hard and new fans should find a bunch to like. Animation is solid, the voice-casting is even better.And it’s great to see Matt Ryan back as Constantine.

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REVIEW: JUSTICE LEAGUE: THE FLASHPOINT PARADOX

CAST (VOICES)

Justin Chambers (Grey’s Anatomy)
C. Thomas Howell (The Amazing Spider-Man)
Kevin McKidd (Kingdon of Heaven)
Dee Bradley Baker (American Dad)
Steve Blum (Wolverine and The X-Men)
Kevin Conroy (Batman: TAS)
Sam Daly (Red Tails)
Dana Delany (Desperate Housewives)
Cary Elwes (The Princess Diaries)
Nathan Fillion (Firefly)
Grey Griffin (Ultimate Avengers)
Jennifer Hale (Batman Beyond)
Danny Huston (The Number 23)
Danny Jacobs (Futurama)
Vanessa Marshall (The Zeta Project)
Ron Perlman (Hellboy)
Hynden Walch (The Batman)
James Patrick Stuart (Batman: The Brave and The Bold)

MV5BMTQ3NDQxOTc4NV5BMl5BanBnXkFtZTgwNjYxNTEwMDE@._V1_SX1777_CR0,0,1777,999_AL_The early sequence in Justice League: The Flashpoint Paradox is nothing but bright, vivid, four-color superheroics. The Rogues are pretty much harmless goofballs with Silver Age gimmicks. Professor Zoom’s genocidal agenda casts a darker pall onto what could otherwise play like an episode of Challenge of the Super-Friends, but the dialogue is still gleefully comic book-y. ” The rest of the Justice League swoops in just in the nick of time, It’s a big, triumphant display of Saturday morning superheroics, but one snide little comment Professor Zoom made before being dragged over to a holding cell at S.T.A.R. Labs keeps rattling around in Barry Allen’s head. The Flash runs towards the screen at impossible speed. Barry Allen is startled awake in the forensics lab, halfway-glancing at a PC with some ominous headline splattered across the screen. He catches wind of some villainy that only the Flash can handle, makes a mad dash towards the front door, strikes his usual heroic pose, and…stumbles down a few steps and falls flat on his face on the pavement. Before Barry can even try to make sense of whatever it is that just happened, he looks up and sees his his mother smiling down on him. She’s there for her birthday dinner with her baby boy, and she doesn’t even mind that it apparently slipped Barry’s mind. It’s not that Barry forgot, exactly; it’s that his mother had been brutally murdered decades earlier.
MV5BMjcwOTI3NjM3NF5BMl5BanBnXkFtZTgwNzYxNTEwMDE@._V1_Everything has changed. A war between Atlantis and Themyscira has claimed more than a hundred million lives. The only ‘Man of Steel’ most anyone has heard of is Cyborg, someone most cape-‘n-cowl types sneer at as the President’s lapdog. Batman looks to be a hell of a lot older, gunning down costumed freaks atop the Wayne Casino with a semi-automatic pistol in each hand. The power of Captain Marvel…errr, Captain Thunder is wielded by six children. Someone or something has tampered with the past, and everything Barry Allen knows is wrong. His memories of the world he once knew are beginning to fade, and the post-apocalyptic wasteland that’s taken its place may not be around long enough for the former Flash to find a way back home.
I’m astonished by how effective Justice League: The Flashpoint Paradox is. this readily ranks among one of the best animated DC animated movies. I love the contrast between the classic superheroics that open the movie and the bleak, dystopian world that soon takes its place.The acting weaves together established talent in DC animation with several new voices, with the ensemble cast featuring Kevin Conroy, Dana Delany, Nathan Fillion, Justin Chambers, Vanessa Marshall, Kevin McKidd, James Patrick Stuart, Cary Elwes, Ron Perlman, and Michael B. Jordan, among many others. The performances are generally outstanding. The anime-influenced character designs look incredible, especially when animated with such polish and fluidity. It’s a daunting challenge to effectively realize the Flash’s impossible speed on a direct-to-video budget, but the animators at Studio 4C do a brilliant job with this as well, especially throughout the awe-inspiring final moments of the film. The Atlantean/Themysciran war is addressed in a far superior way here than in the core “Flashpoint” comics.The Flashpoint Paradox is genuinely horrifying. Heroes we once looked up to now murder one another without hesitation, and the body count is staggering. Aquaman skewers a freedom fighter with his trident. A severed head is held up as a trophy. Wonder Woman strangles a spy, and the movie doesn’t turn away from the sight of his neck snapping and blood spurting from his mouth. This may be the single most brutal superhero movie I’ve ever experienced, animated or live-action. There’s an emotional core to the story that transcends the hero-trapped-on-an-alternate-Earth premise, delivering levels of joy, hope, determination, and heartbreak that are remarkably powerful. That Flashpoint takes place outside of established continuity allows it to better explore these characters — or what we’ve come to think of these characters — in an entirely different context. Because there are no concerns about marketing to kids, how anything that happens here will impact the next installment in the franchise, or whatever else, these twisted reinterpretations of iconic heroes can kill and be killed.the-losers-1280There are stakes that go far beyond what’s generally felt in direct-to-video superhero animation. The Flashpoint Paradox is unnervingly intense, and yet it’s hardly masturbatory brutality or grim and gritty just for the sake of being grim and gritty.file_204535_4_Black_Moon_Rising_Tommy_Lee_Jones

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1-2

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CAST (VOICES)

Kevin Conroy (Batman: The Killing Joke)
George Newbern (Superman/Shazam)
Susan Eisenberg (Justice League: Doom)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals Barrera (Camp Rock)

Image result for justice league unlimitedRECURRING / NOTABLE GUEST CAST

Kin Shriner (Manhunter)
Nicholle Tom (Gotham)
Dana Delaney (Desperate Housewives)
Mike Farrell (Vanishing Act)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Fanboys)
Dakota Fanning (Taken)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Edward Asner (Elf)
Patrick Bauchau (Panic Room)
Michael York (Logans Run)
Charles Napier (The Silence of The Lambs)
Robert Foxworth (Syriana)
Cree Summer (Batman Beyond)
Billy West (Futurama)
Jeremy Piven (Mr. Selfridge)
Lori Loughlin (Full House)
Robert Picardo (Stargate: Atlantis)
Clancy Brown (Highlander)
John C. McGinley (Highlander II)
Will Friedle (Batman Beyond)
Oded Fehr (The Mummy)
CCH Pounder (Avatar)
Grey DeLisle (The Replacements)
J.K. Simmons (Whiplash)
Michael Beach (The Abyss)
Gina Torres (Firefly)
Ben Browder (Farscape)
Peter MacNicol (Ghostbusters 2)
Adam Baldwin (Chuck)
Nestor Carbonell (The Dark Knight)
Melissa Joan Hart (Sabrina: TTW)
Denis Farina (Get Shorty)
Virginia Maden (Sideways)
Morena Baccarin (Gotham)
Ioan Grufford (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: DS9)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Star Trek: DS9)
Juliet Landau (Buffy)
Alan Rachins (Showgirls)
Robert Englund (A Nightmare On Elm Street)
Jason Bateman (The Ex)
Glenn Shadix (Beetlejuice)
Jerry O’Connell (Sliders)
Nathan Fillion (Slither)
Elizabeth Pena (The Incredibles)
Hector Elizondo (The Princess Diaries)
Jeffrey Combs (Gotham)
Amy Acker (The Cabin In The Woods)
Robert Forster (Dragon Wars)
Lauren Tom (Futurama)
Powers Boothe (Agents of SHIELD)
Seymour Cassel (Rushmore)
James Remar (Flashforward)
John DiMaggio (Futurama)
Malcolm McDowell (Heroes)
Ron Perlman (Hellboy)
Alexis Denisof (Dollhouse)
Mark Hamill (Star Wars)
David Ogden Stiers (Two Guys and a Girl)
Sab Shimono (Teenage Mutant Ninja Turtles 3)
Ted Levine (The Silence of The Lambs)
Michael Ironside (Total Recall)
Daniel Dae Kim (Lost)

The first two seasons of Justice League were fantastic. Packed with action, humor and great storytelling the world of DC’s heroes came to life thanks to the collaborative efforts of the folks behind the rest of Warner Brothers’ successful cartoons. The show focused on the adventures of Superman, Batman, Green Lantern, Wonder Woman, Flash, Hawkgirl and J’onn (the Martian Manhunter). They spent most of their time fighting established villains and trying to save the world from impending doom as you’d expect. When Justice League Unlimited (the show’s sequel series) was released it shook up the formula a bit and quite frankly, really felt like a new show.


The reason behind this different atmosphere was the change in the cast. The main seven characters were still kicking around but their ranks had swelled since the end of the original series. The basic premise was that the Justice League felt they could do better with more members. Many hands make light work and all that. Therefore anyone with superpowers that could do some good was offered a spot on the team.

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Not every character gets their chance in the spotlight but it certainly fleshed out the show with some of DC’s more obscure characters. Most of these episodes focus on the original characters though many of the rookies become involved in the storytelling. Being a longtime comic book fan, seeing more of these characters was definitely a thrill. Getting Green Arrow added to the ranks was probably the best addition to the show in my opinion, but Supergirl, Booster Gold, Captain Atom, Black Canary and The Question definitely helped round things out. In all more characters were added to the series than the show actually featured so you can imagine the insanity that ensues. Many of these characters do get washed out thanks to the lack of coverage, but it’s not handled to the point that they become obscure or disrupt the quality of the show.

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There  are several episodes that made an impression on me. “Fearful Symmetry” was a very solid story that told a tale about Supergirl and really fleshed out her character. In it she is basically cloned and begins to have dreams that mirror the actions of her sinister clone. Green Arrow and Question get involved in order to help her out and we got to see some interesting facets of the DC Universe.


For my money “The Greatest Story Never Told” was probably my favorite episode. It doesn’t have a lot to do with anything and it’s a fairly weak story but it features Booster Gold as its main character. In case you are unfamiliar with Booster he’s basically a smartass guy from the 25th century who travels back in time for fame and fortune. He’s accompanied by a wisecracking robot named Skeets and finds himself not feeling the love from his other JLU teammates. In this episode he’s given the noble duty of crowd control while the League fights to save the world. There’s nothing particularly great about the story it’s just that I love Booster’s character and quite honestly, this episode was hilarious all around.
“Kid Stuff” was another fun episode that featured Morgan la Fey’s son getting his prissy little hands on a powerful amulet. The item makes him more powerful than his mother and he casts a spell that sends all adults to another dimension. In order to set things right Morgan turns Batman, Superman, Wonder Woman and Green Lantern into kids so they can once again enter the world. As their younger selves the heroes start to let their juvenile side out and it’s funny to see Batman and Wonder Woman banter as if they were childhood sweethearts.

Overall Justice League Unlimited was a great show.  Any comic book fan, or viewer who enjoyed Timm’s other series, definitely owes it to themselves to check this set out. This release offers 26 episodes.


Unfortunately, as with all good things, Justice League Unlimited came to end. The show was cancelled before its time but luckily the crew was able to eek out another thirteen episodes before it went off the air. This season’s collection of superhero antics follows an episodic pattern but keeps an ongoing plot bubbling beneath the surface. The two-part adventures from the earlier sessions of Justice League went away with this season but the fact that characters reference previous episodes helps to keep everything connected.

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In the first episode of the final season of Unlimited Lex Luthor is on the run from the law after breaking out of jail. The affects of being joined with Brainiac are still being felt by him and throughout the episode you’ll often see Luthor talk to himself because he sees Brainiac standing next to him. When Gorilla Grodd offers Luthor a piece of Brainiac old baldy finds it hard to resist. He agrees to join Grodd’s Legion of Doom and work together with fellow supervillains to take down the Justice League. This set up continues throughout the season and you’ll find bits and pieces of it in each of the thirteen episodes.

In the second episode of this season the shadow of the Thanagarian conflict lingers as an archaeologist discovers something an Egypt. Shayera (Hawkgirl) is lured there by Carter Hall who tries to convince her that he is Hawkman. This was a nice throwback to the prior season and early Hawkman comic books but was certainly not the best episode in the set.

One of my favorite episodes from his collection easily has to be “Flash and Substance”. Four villains from Flash’s past team up to take down the red blur and they plan on doing it on the opening night of his new museum. Batman and Orion tag along with Flash in order to ensure that he’s ok. The writing in this particular episode was easily the funniest that Justice League ever produced. I particularly enjoyed the villains all sitting around the table at a dive bar talking about making their mortgage payments and whatnot.


Anyone who has ever considered themselves to be a comic book fan at some point in their lives will find something to love about Justice League Unlimited. From the very first season through the last of Unlimited the series offered quality unlike any other. This is a definitive comic book cartoon and stands shoulder to shoulder with WB’s Superman and Batman animated adventures. If you have been collecting the show to date then you’ll be pleased to know that the thirteen episodes featured here are as good, if not better in some cases, as what came before it.

REVIEW: JUSTICE LEAGUE – SEASON 1-2

Image result for JUSTICE LEAGUE  TV LOGO CAST (VOICES)

Kevin Conroy (Batman: The KIlling Joke)
George Newbern (Superman/Shazam)
Susan Eisenberg (Justice League: Doom)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals Barrera (Camp Rock)

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Gary Cole (Chuck)
Susan Sullivan (The Incredible Hulk 70s)
Corey Burton (Critters)
Jason Marsden (Full House)
Kevin Michael Richardson (The Cleveland Show)
Rene Auberjonois (Stargate SG.1)
Garrett Morris (New Girl)
Kurtwood Smith (That 70s Show)
Brian George (The Big Bang Theory)
Dennis Haysbert (24)
Scott Rummell (Rugrats)
Xander Berkeley (Kick-Ass)
John Rhys-Davis (Lord of The Rings)
Robert Englund (A Nightmare On Elm Street)
Eric Roberts (The Dark Knight)
William Smith (Conan The Barbarian)
Virginia Madsen (Sideways)
David Ogden Stiers (Two Guys and a Girl)
Powers Boothe (Agents of SHIELD)
Julie Bowen (Lost)
Olivia d’Abo (Conan The Destroyer)
Mark Hamill (Star Wars)
Stephen McHattie (300)
Jeffrey Jones (Howard The Duck)
Michael McKean (This Is Spinal Tap)
Ian Buchanan (Panic Room)
Pam Grier (Jackie Brown)
Tom Sizemore (Heat)
Danica McKellar (Young Justice)
Earl Boen (The Terminator)
Richard Moll (Scary Movie 2)
Dee Bradley Baker (American Dad)
Phil Morris (Smallville)
Patrick Duffy (Dallas)
Robert Picardo (Stargate: Atlantis)
Ted Levine (The Silence of The Lambs)
Michael Ironside (Total Recall)
Ron Perlman (Hellboy)
Michael Dorn (Ted 2)
Tara Strong (Sabrina Down Under)
William Atherton (Die Hard)
Fairuza Balk (Almost Famous)
Peri Gilpin (Frasier)
Dany Delany (Superman: TAS)
Larry Drake (Firefly)
Keith David (The Cape)
Michael Jai white (Arrow)
Brian Doyle Murray (Wayne’s World)
Lauren Tom (Futurama)
Lukas Haas (Inception)
Tracey Walter (Batman)
Enrico Colantoni (Veronica Mars)
Oded Fehr (The Mummy)
Rob Zombie (Super)
Efrem Zimbalist Jr. (Hot Shots)
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Khary Payton (Teen Titans)
Greg Cipes (Teenage Mutant Ninja Turtles 2012)
Scott Menville (Frozen)
Hynden Walch (The Batman)
Hector Elizondo (The Princess Diaries)
Elizabeth Pena (The Incredibles)

When it comes to comic book related cartoons there are several that have gained mainstream popularity over the years. From Spider-Man to X-Men or Batman to Superman, DC and Marvel have been fighting it out through animation for some time now. One could argue when Bruce Timm brought his talents to the Batman series DC struck gold and they have been on a roll since.

For over a decade Batman and Superman have been mainstays in the world of cartoons thanks to Timm. His unique design breathed new life into the shows that he produced and brought Batman Beyond and Justice League into the spotlight as well. While Batman Beyond may be the most original concept, the Justice League has technically been around since the 60s. There have been many incarnations of the superhero group over the years, though this one feels modern yet somewhat closer to original JLA. Superman, Wonder Woman, Batman, Hawkgirl, Flash, J’onn (Martian Manhunter), and the Green Lantern (John Stewart not Hal Jordan) all come together to form this new team.

If you have been a fan of the previous DC cartoons and haven’t checked this one out then you’ll want to pay attention. Just about everybody from the run that started over 10 years ago is contributing to the Justice League. That’s a lot of consistency and means that if Batman sounds familiar to you when you hear him it’s because Kevin Conroy is still his voice.

As is the case with a lot of productions of this nature you really need to have some basic understanding of what’s going on in order to really appreciate it. In fact a lot of what goes on this season is based on the assumption that the viewer knows certain characters and histories involved with them. Unlike Batman Beyond which basically built its world from scratch, the Justice League tiptoes the type of line that could have fanboys throwing their arms up in frustration. Fortunately even though this first season is a little more action-oriented and oddly paced, it is very successful.

Since there are so many characters and most of them are familiar the series takes its time introducing them to us. This means that character specific episodes are in the mix here but some of the League’s personalities don’t get fleshed out as the season progresses. Most of the attention seems to be paid to Green Lantern, Hawk Girl, Wonder Woman, and J’onn. That’s not to say that Flash, Superman, and Batman don’t get their fair amount of screen time. It’s just difficult to find a perfect balance with so many heroes to focus on. While there isn’t a lot of continuity within the episodes that are featured here the episodes themselves are like mini-arcs. Each story in the first season is split up between two or three episodes. This gives the plot more room to develop and doubles the run time. For the most part each episode in the first season here is pretty good.


Some of my favorite episodes were “The Enemy Below”, “In Blackest Night”, “Metamorphosis”, and “The Savage Time”. In “The Enemy Below” Aquaman’s character is introduced with a plot that involves Atlantis destroying the surface civilization. I always liked Aquaman and the way that he’s portrayed in this episode showcased the strength of his determination. “In Blackest Night” was enjoyable as well and featured Green Lantern being put on trial for the destruction of a planet. Probably the biggest treat for me in this season was “A Knight with Shadows”. In the DC universe The Demon (Etrigan) always struck me as one of the most interesting side characters because of the ties to Arthurian legend. Imagine my surprise when Etrigan and his human form Jason Blood show up muttering about the villainess Morgan le Fay. She’s looking for the Philosopher’s Stone and the Justice League joins Etrigan in an effort to stop her.

The dialogue was much better in the second season as well with more fluid storytelling and greater character interactions. Yes, the creators, actors and writers finally hit their stride with this season and there’s nothing to complain about. These episodes are bigger and bolder than the previous ones. More risks were taken with the storytelling and the franchise tapped into the vast pool of DC resources. The result is a collection of the best that Timm and company have had to offer over the years and something that comic book fans shouldn’t be without.

The way that Justice League tells its tales is in the form of two part episodes instead of stand alone adventures. The first season did the same thing and quite honestly it adds a certain amount of quality to the manner in which the story unfolds. With roughly 45 minutes to bring a plot from point A to B instead of 22 minutes things are allowed more time to flesh out and develop. Sometimes past events even come back so don’t be surprised if you see some things that are referenced to an episode in the first season. In the second season there are quite a few stories worth mentioning because they are simply amazing.

One of my favorite story arcs from this season is one called “Tabula Rasa”. In it the League sends Luthor packing but during his flight he stumbles across an android called AMAZO. It’s a cheesy name for sure, but once AMAZO’s powers are revealed he takes on a life of his own and becomes one of the greatest challenges that the JL has ever faced. His ability is to analyze and mimic the powers of anyone that he comes in contact with. As he squares off against Hawkgirl, Green Lantern, Wonder Woman, Flash, J’onn and eventually Superman he just gets stronger and stronger. The battle not only threatens to destroy Metropolis but the League as well when things get out of control.

“Only in a Dream” was cool because it showed that without Batman the League would probably have been defeated long before now. It’s just ironic that despite all of the super powers that they possess it’s up to Bruce Wayne and his utility belt of toys to save the day. In this particular episode an inmate becomes imbued with psychic powers and can enter people’s dreams. One by one the League falls under his spell and are left in a catatonic state. Batman and J’onn have to team up to take down the bad guy and bring his victims out of their dreamland.

My second favorite adventure in this set has to be “A Better World”. The story starts out in typical fashion with Superman and company taking down Luthor. The twist here is that Luthor is the president and Superman crosses the line between Boyscout and murderer. Two years later the Justice Lords dominate Earth and keep humanity in check to save them from themselves. The super dictatorship seems to be going well and good until the alternative Batman discovers a universe where our Justice League lives. Evil Batman and company capture our heroes and set out to take over their world. The most definitive moment from this episode is when Doomsday comes to town. You’ll remember him as the guy that “killed” Superman in the comic books. Well, the Justice Lord Superman isn’t going to put up with that so when the fight doesn’t go as planned he simply lobotomizes Doomsday and takes him out of the picture completely. This plotline has everything you could ever want from a comic book standpoint and really makes the what if scenario shine.

Several other episodes like “The Terror Beyond”, “Hereafter” and “Wildcards” all prove to be just as exciting though the crown jewel is probably the three part story that ends the season: “Starcrossed”. The hawkpeople from Thanagar arrive on Earth and destroy a Gordanian battleship. They bring news of an impending invasion and form an alliance with Earth to construct a force field to save the planet. It is revealed that Hawkgirl has been a spy for her people all along and is actually betrothed to a high ranking officer. In the meantime Batman discovers that the Gordanian’s aren’t actually attacking Earth and that the invasion was in fact being conducted by the people of Thanagar. The League has to battle for their planet and Shayera Hol (Hawkgirl) has to figure out which side of the fence she is on. This was the perfect way to end this great season and leaves things open for Justice League Unlimited.

To say the second season of Justice League was better than the first would be a gross understatement. Everything in the show was improved for the second year and that was mostly thanks to the big risks taken by the creators. They thought bigger and out of the box and it shows once you finish watching the end result.

REVIEW: BATMAN: THE BRAVE AND THE BOLD – SEASON 1-3

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MAIN CAST

Diedrich Bader (Vampires Suck)

RECURRING / NOTABLE GUEST STARS

Dee Bradley Baker (American Dad)
Will Friedle (Batman Beyond)
Jason Marsden (Full House)
James Arnold Taylor (Star Wars: The Clone Wars)
Marc Worden (Ultimate Avengers)
Grey DeLisle (The Replacements)
John Dimaggio (Futurama)
Tom Kenny (Super hero Squad)
Kevin Michael Richardson (The Cleveland Show)
Corey Burton (Critters)
R. Lee Ermey (Full Metal Jacket)
Scott Menville (Teen Titans)
Vyvan Pham (Generator Rex)
Bumper Robinson (Sabrina: TTW)
Mikey Kelley (TMNT)
Michael Rosenbaum (Smallville)
Will Wheaton (Powers)
Xander Berkeley (Kick-Ass)
Loren Lester (Batman: TAS)
Phil Morris (Smallville)
Jeff Bennett (James Bond Jr.)
Oded Fehr (The Mummy)
Ellen Greene (Pushing Daisies)
Armin Shimmerman (Star Trek: DS9)
Tara Strong (Batman: The Killing Joke)
Tom Everett Scott (Scream: The Series)
Billy West (Futurama)
Jeffrey Tambor (The Hangover)
Paul Reubens (Gotham)
Diane Delano (Jeepers Creepers II)
Peter Woodward (Crusade)
Neil Patrick Harris (How I Met Your Mother)
James Remar (Flashforward)
Jeffrey Combs (Gothman)
Ioan Grufford (Ringer)
J.K. Simmons (Whiplash)
William Katt (Carrie)
Clancy Brown (Highlander)
Tress MacNeille (Futurama)
Hynden Walch (The Batman)
Kevin Conroy (Batman: TAS)
Mark Hamill (Batman: The Killing Joke)
Adam West (BAtman 60s)
Julie Newmar (Batman 60s)
Dana Delany (Body of Proof)
Tony Todd (Chuck)
Peter Scolari (Gotham)
Cree Summer (Batman Beyond)
Steve Blum (Wolverine and Thje X-Men)
John Wesley Shipp (The Flash)
Alan Tudyk (Firefly)
Olivia D’Abo (Conan The Destroyer)
Mae Whitman (Independence Day)
Fred Tatasciore (Hulk Vs)
Vanessa Marshall (Star Wars: Revels)
John Michael Higgins (Still Waiting)
Michael Jai White (Arrow)
Morena Baccarin (Gotham)
Tippi Hedren (The Birds)
Gary Owens (That 70s Show)
Ted McGinley (Highlander 2)
Henry Winkler (Happy Days)

There’s a gloriously meta moment in the back half of this season of Batman: The Brave and the Bold where the show’s producers are raked over the coals at Comic-Con. One of the twentysomethings in the crowd grouses and groans about how the Caped Crusader in the cartoon isn’t his Batman, and…well, he’s not wrong. DC’s comics anymore are joylessly grim and gritty…22 monthly pages of misery and scowling and torture and dismemberment and death and high collars and way too much crosshatching. Batman: The Brave and the Bold, meanwhile, is defined by its vivid colors and clean, thick linework. It’s a series whose boundless imagination and thirst for high adventure make you feel like a six year old again, all wide-eyed and grinning ear to ear.


You know all about The Dark Knight’s war on crime, and in The Brave and the Bold , he’ll duke it out against any badnik, anywhere. He doesn’t go it alone, either, with every episode pairing Batman up with at least one other DC superhero. Heck, to keep it interesting, The Brave and the Bold shies away from the obvious choices like Superman and Wonder Woman. Instead, you get more interesting team-ups like Blue Beetle (more than one, even!), Elongated Man, Wildcat, Mister Miracle, Kamandi, and B’wana Beast.
Other animated incarnations of Batman have been rooted in something close enough to reality. Sure, you might have androids and the occasional Man-Bat, but they tried to veer away from anything too fantastic. The Brave and tbe Bold has free reign to do just about whatever it wants. One week, maybe you’ll get an adventure in the far-flung reaches of space with a bunch of blobby alien amoebas who mistake Batman for Blue Beetle’s sidekick. The next might offer up Tolkien-esque high fantasy with dragons and dark sorcery. Later on, Aquaman and The Atom could play Fantastic Voyage inside Batman’s bloodstream, all while the Caped Crusader is swimming around in a thirty-story walking pile of toxic waste. He could be in a Western or a post-apocalyptic wasteland or a capes-and-cowls musical or even investigate a series of grisly something-or-anothers alongside Sherlock Holmes in Victorian England.

Batman has markedly different relationships with every one of those masked heroes. There’s the gadget geekery with an earlier incarnation of the Blue Beetle. With the younger, greener-but-still-blue Beetle, Batman takes on more of a mentor role.

More of a stern paternal figure for Plastic Man, and a rival for Green Arrow. Sometime it might not even be the most pleasant dynamic, such as a decidedly adult Robin who doesn’t feel like he can fully step outside the long shadow that Batman casts.

There are some really unique takes on iconic (and not so iconic!) DC superheroes here, and far and away the standout is Aquaman. This barrel-chested, adventure-loving braggart is my favorite incarnation of the king of the seven seas, and if Aquaman ever scores a cartoon of his own, I hope he looks and acts a lot like this. Oh, and The Brave and the Bold does a spectacular job mining DC’s longboxes for villains too, and along with some of the familiar favorites, you get a chance to boo and hiss at the likes of Kanjar Ro, The Sportsmaster, Kite Man, Gentleman Ghost, Chemo, Calendar ManKing, Crazy Quilt, and Shrapnel. The Brave and the Bold delivers its own versions of Toyman, Vandal Savage, and Libra while it’s at it, the latter of whom has the closest thing to a season arc that the series inches towards.

Batman: The Brave and the Bold is every bit as fun and thrilling as you’d expect from a series where every episode’s title ends with an exclamation point. Each installment is fat-packed with action, and the series has a knack for piling it on in ways I never saw coming. Even with as imaginative and off-the-walls as The Brave and the Bold can get, it still sticks to its own internal logic, so the numerous twists, turns, and surprises are all very much earned.

The majority of the episodes have a cold open not related to the remainder of the episode. Despite its episodic nature, if you’re expecting a big storyline in these 26 episodes, you’re going to be pretty disappointed as the extent of an overarching story in the season is the occasional villain that appears more than once, like Starro, but that’s really the only connecting bridge between episodes.

Season 2 contains one of my favorite episodes of not only this particular season, but probably in the entire series, “Chill of the Night!”, which goes back to Batman’s origins as Bruce Wayne learns more about the man who murdered his parents, turning him into the crime-fighter he would become, it’s one of the most well known origin stories in media, ever, but it’s done so well here. Another reason I love this episode is my blinding nostalgia for the voice cast.

The original 1960’s Batman, Adam West, guest stars as Batman’s father, Thomas Wayne, while Julie Newmar, who starred opposite of West as Catwoman from the original Batman TV show, plays Batman’s mother, Martha Wayne. My favorite Batman of all time, theatrical or not, Kevin Conroy, the voice of Batman from Batman: The Animated Series and various other series/movies/games, voices the Phantom Stranger. Lastly, the baddie of the episode, The Spectre, is voiced by none other than Mark Hamill, the definitive voice of the Joker.

The Episodes in season 3 are wildly imaginative; so much so that purists will probably be put off, at least initially. They range from “Night of the Batmen”, where batman is incapacitated and it is up to Aquaman, Green Arrow, Captain Marvel, and Plastic Man to don the cowl, and keep gotham safe. As weird as that may sound, this episode is pure fun, and a joy to watch. Other stand outs are the never before seen in the states “The Mask of Matches Malone”, “Shadow of the Bat”, “Scorn of the Star Sapphire”, and “Powerless”.

Special mention has to be made of the final episode of the series however, “Mitefall”. In this meta episode, Batmite does a fantastic job breaking down why the series is ending, and the disconnect of the so-called “purists”, whose baseless, closed minded, ignorance eventually doomed this excellent series.

When all is said and done, we received three outstanding, and criminally underrated, seasons and it is a joy to see.

REVIEW: BATMAN: THE ANIMATED SERIES – VOLUME 1-4

Image result for batman the animated series logoMAIN CAST (VOICES)

Kevin Conroy (Batman: The Killing Joke)
Loren Lester (Flashforward)
Efrem Zimbalist, Jr. (Hot Shots)
Bob Hastings (General Hospital)
Robert Costanzo (Dick Tracy)
Melissa Gilbert (Zoya)
Tara Strong (Sabrina Goes To Rome)
Mathew Valencia (Lawnmower Man 2)Image result for batman the animatedRECURRING / NOTABLE GUEST CAST

Adrienne Barbeau (Swamp Thing)
Kate Mulgrew (Star Trek: Voyager)
Neil Ross (Centurions)
Frank Welker (The Simpsons)
Richard Moll (Scary Movie 2)
Lloyd Bochner (Point Blank)
Marc Singer (V)
Rene Auberjonois (Star Trek:DS9)
Meredith MacRae (Petticoat Junction)
Michael Ansara (The Message)
Mark Hamill (Star Wars)
Mari Devon (Howl’s Moving Castle)
Brock Peters (To Kill A Mockingbird)
Ed Begley Jr. (Veronica Mars)
Ron Perlman (Hellboy)
Edward Asner (Up)
Josh Keaton (Green Lantern: TAS)
Arleen Sorkin (Days of Our Lives)
Diane Pershing (Centourions)
Ingrid Oliu (Real Women Have Curves)
Henry Polic II (Webster)
Tim Curry (IT)
Diana Muldaur (Star Trek: TNG)
Alan Rachins (LA Law)
Linda Gary (He-Man)
John Vernon (Dirty Harry)
Lindsay Crouse (Buffy)
Paul Williams (Adventure Time)
Aron Kincaid (Freakazoid!)
Heather Locklear (Return of Swamp Thing)
Roddy McDowall (Planet of The Apes)
John Rhys-Davies (Lord of The Rings)
Adam West (Batman 60s)
Treat Williams (The Phantom)
Seth Green (Family Guy)
Brian George (The Big Bang Theory)
Harry Hamlin Clash of The Titans)
Peter Scolari (Gotham)
William Sanderson (Blade Runner)
Leslie Easterbrook (The Devil’s Rejects)
John Glover (Smallville)
Ernie Hudson (Ghostbusters)
David Warner (Teenage Mutant Ninja Turtles)
Helen Slater (Supergirl)
Michael York (Logans Run)
George Dzunda (Crimson Tide)
John De Lancie (Star Trek: TNG)
Matt Frewer (Watchmen)
Robert Picardo (Stargate: Atlantis)
Maurice LaMarche (Futurama)
Julie Brown (Earth Girls Are Easy)
Vincent Schiavelli (Batman Returns)
Michael Gross (Familt Ties)
Elisabeth Moss (Mad men)
Jean Smart (Designing Women)
Earl Boen (The Terminator)
Vernee Watson (The Big Bang Theory)
Marica Wallace (The Simpsons)
Marilu henner (Two and A Half Men)
LeVar Burton (Star Trek: TNG)
Nichelle Nichols (Star Trek)
Stephanie Zimbalist (The Story Lady)
Dick Miller (Gremlins)
Henry Silva (Ocean’s Eleven)
Jason Marsden (Full House)
Tress MacNeille (Futurama)
Andrea Martin (Anastasia)
Grant Shaud (Murphy Brown)
Bruce Weitz (Hill Street Blues)
Hector Elizondo (The Princess Diaries)
Jeffrey Jones (Howard The Duck)
Roy Dotrice (Beauty and The Beast)
Corey Burton (Critters)
Cree Summer (Batman Beyond)
Lauren Tom (Futurama)
Jeffrey Combs (Gotham)
Billy Barty (Masters of The Universe)
Tippi Hedren (The Birds)
Bumper Robinson (Sabrina: TTW)
Billy Zane (Zoolander)
Mark Rolstan (Alias)
Michael Ironside (Total Recall)
Michael McKean (Smallville)
Nicholle Tom (Gotham)
Lori Petty (Tank Girl)
Linda Hamilton (Chuck)
Billy West (Futurama)

Debuting on Fox in 1992, Batman: The Animated Series was immensely successful, garnering immense critical praise, taking home an Emmy for Outstanding Animated Program, and continuing in various forms for several years and well over a hundred episodes.First, the series is written and produced by people with a fundamental understanding of what makes the comics work, particularly during its peak in the ’70s under Dennis O’Neal and Neal Adams. As a long-time comics fanatic, it’s always welcome to see names like Gerry Conway and Marv Wolfman flash across the screen, and in the intervening years, Paul Dini and Bruce Timm have made their own impact on the four-color world. The tone is dark but not hopelessly grim, and the scripts don’t inundate viewers with patently obvious exposition or villainous cackling. It’s intelligently written and, while appropriate for a wide range of ages, doesn’t pander to a younger audience. I started watching Batman when it first debuted on Fox in 1992, and I appreciate it every bit as much now as a 34-year-old adult. The writers don’t shackle themselves to comic continuity, and their revisions are frequently more compelling than any other form in which we’ve seen Batman’s rogue’s gallery. Third-stringers like the Clock King and Clayface are given heavily revised origins and almost unrecognizable characterizations that are far more interesting than any other take on them.Batman boasts visuals that are as strong as the writing behind them. It’s incredibly dark; despite its Saturday morning/weekday afternoon origins, this is a series that greatly benefits from being watched at night with the lights off. The character designs are angular and exaggerated, in contrast to the rounded, ’40s-inspired props and backgrounds that further establish the distinctive, timeless look of the show. The detail and fluidity of the animation vary from episode to episode, but the better installments are almost jaw-dropping.

Following the visuals of the series, the next obvious subject to tackle is how it sounds. For me, Batman’s tone is one of the elements that really sets it apart from most every other animated series, and contributing greatly to that is the orchestral score in each episode. The series also has a phenomenal roster of talent contributing its voices. The main group — Kevin Conroy as the definitive Batman, Efrem Zimbalist Jr. as Alfred, Bob Hastings as Commissioner Gordon — just nail their parts with complete perfection. Very recognizable names also contribute to villains and assorted supporting characters. A complete list would be prohibitively long, but some of the more notable actors and actresses from these episodes are Michael Ansara, Ed Asner, Adrienne Barbeau, Ed Begley Jr., Mark Hamill, David L. Lander, Heather Locklear, Kevin McCarthy, Roddy McDowall, Richard Moll, Kate Mulgrew, Ron Perlman, Alan Rachins, Marc Singer, Jeffrey Tambor, John Vernon, Adam West, and Paul Williams. The campy live action series from the ’60s also drew heavily from established Hollywood talent, but the difference here is that the actors don’t draw attention to themselves as stars.

This set has the show at the absolute top of its form. There isn’t a lame show in the bunch, and many of the episodes in this set are destine to become classics. Prechance to Dream, the second show in the set, is a wonderful look at what might have happened if Bruce Wayne’s parents hadn’t been killed. After being knock out while chasing some crooks, Bruce wakes up at home, uncertain as to how he got there. He’s surprised to find that the entrance to the Batcave is blocked, but even more astonished to discover that his mother and father are still alive. Bruce must figure out what going on, but in doing so, he knows he’ll ruin the happiness that he’s discovered.AlmostGot ‘im, probably my favorite show of the series. This story takes place during a “villain’s night out” where Batman’s main enemies aren’t committing crimes. They are all sitting around a table in a bar playing poker, relaxing. While talking, the conversation turns to Batman of corse. Like a group of fisherman swapping stories, each crook takes a turn telling the time that they were closest to killing Batman. The little vignettes were all full of action, and the framing story was very funny. A great combination, with an excellent ending line.
The Batman’s background story takes is fleshed out in a couple of episodes too. His early training plays an important part in Night of the Ninja, and I Am the Night introduces Dr. Leslie Thompkins who is an important person from when Bruce was young. Viewers get to find out just where the Batmoblie came from in The Mechanic, a great show that explains some aspects of Batman’s world that usually gets glossed over. Robin’s origin is recounted in Robin’s Reckoning, a two part story which won an Emmy. This story examines the bond between Batman and Robin, and why the Dark Knight agreed to raise a young boy.
The writing on the show is top notch. The show doesn’t dumb itself down to appeal to a young audience, the creators thought that if you have well written intelligent stories, kids would be attracted. They were right but the show also appeals to adults for the same reason.

One of the things Batman: The Animated Series does particularly well is infuse its villains with personality. They’re not a rotation of thugs with a different gimmick and costume each week — the writers go to great lengths to humanize these characters, and although they’re still unambiguously the bad guys, they still manage to be sympathetic at times. “His Silicon Soul”, following up on the two-part “Heart of Steel” from the previous collection, features a robotic duplicate of Batman unable to come to grips with the realization that he’s a machine.

The title character of “Baby-Doll” was created especially for the series. Think Webster with the race and gender reversed; Mary Louise Dahl was in her twenties but looked like a three-year-old, and she cashed in on that rare disability with a successful and hopelessly bland sitcom. An ill-advised career move derailed her as an actress, and a decade later, she’s systematically kidnapped all of her former co-stars in an attempt to reclaim those happy years. Again, as outlandish as the premise might sound, it really does work. You might smirk at reading about a teary-eyed Baby Doll attempting to fire an already-emptied doll-shaped pistol into a funhouse mirror, but the immeasurably talented writers are gifted enough to eke more pathos than I ever would have thought possible out of that.

Redemption, whether seized or tossed aside, is also frequently touched upon. “Sideshow” opens with a grueling chase between Batman and an escaped Killer Croc, who manages to stumble upon a remote farm that’s home to a group of former sideshow acts. They offer Croc a chance at an honest life, but old habits die hard. Another example is “House and Garden”. When a poisonous plant-creature starts a reign of terror in Gotham, Batman naturally turns his sights towards the recently-released Poison Ivy. She insists that she’s rehabilitated, and by all accounts, Ivy is happily married and living the mundane suburban life. The investigation continues to point back to her, and the final revelation involves some of the creepiest imagery ever seen in the series.

Harley Quinn is also featured in a couple of episodes centered around her attempts to stick with the straight ‘n narrow. She’s a fan favorite for a reason, and these appearances are some of the most memorable episodes in this collection. “Harlequinade” is a chaotic team-up with Batman in an attempt to track down The Joker, who’s managed to get his hands on a bomb that’ll turn Gotham into a smoldering mushroom cloud. “Harley’s Holiday” documents her release from Arkham Asylum, and even though she’s determined to leave that life of crime behind her, an attempt to legitimately buy a pretty pink dress at a store spirals into a bad day…a really, really bad day, culminating in being chased by Batman.

It’s particularly great to see the villains interact with one another. That’s part of the fun of “Trial”, which has a reluctant prosecutor attempting to defend Batman in an insane trial when the inmates take over the asylum. The flipside of that coin is seen in “Lock-Up”, when a cruel jailer’s overzealousness gets him fired from Arkham and compels him to hunt down the left-leaning scum he blames for the state of the world. Another stand-out is “A Bullet for Bullock”, an episode in which the slovenly detective is rattled by death threats and reluctantly teams with Batman, and the ending is just one example of how clever the show’s writers can be. “Clever” is also the first word that instantly springs to mind for “Make ‘Em Laugh”, an episode where The Joker co-opts a fellow criminal’s technology to create a small army of fumbling costumed criminals with inane gimmicks.

These episodes introduce a couple of recurring villains ripped from the pages of the comics. Most notable among them is Ra’s al Ghul, who makes his first appearance in a two-parter penned by Len Wein and Denny O’Neil, familiar names to longtime readers of Batman’s four-color incarnation. The centuries-old Ra’s has virtually unlimited resources at his disposal, equally intrigued by Batman’s boundless skills as a detective as he is frustrated by his foe’s determination to disrupt his machinations. Ra’s often lends a Saturday morning serial flavor to the show, from the globe-trotting in his first few appearances to the flared pants of “Avatar”. The charismatic character has such a presence that he’s able to carry “Showdown” largely by himself in an episode that barely features Batman or Robin in any capacity. “Showdown” is set during the westward expansion of the mid-1800’s as Ra’s’ opposition to the sprawling railroads is pitted against scarred bounty hunter Jonah Hex (one of the few DC characters not connected with the Batman mythos to appear on the show). The other noteworthy recurring villain is The Ventriloquist, a fairly timid-looking middle-aged man who seems more likely to be a CPA than a ruthless crimelord. Taken by himself, that seems to be the right impression, but when he has his puppet Scarface on the end of his arm… The Ventriloquist’s first appearance, “Read My Lips”, is one of my favorites of the season, and he returns twice after that.
Several other characters from the comics briefly appear, including Maxie Zeus, the back-breaking, Venom-fueled Bane, and the fairly obscure masked criminals of The Terrible Trio. The majority of Batman’s rogue’s gallery is present and accounted for, with The Penguin, Killer Croc, Poison Ivy, The Mad Hatter, The Joker, Harley Quinn, The Clock King, Catwoman, The Riddler, The Scarecrow, Two-Face, and Mr. Freeze all wreaking havoc throughout Gotham City at some point or another. Even with the opening titles shifting on disc three from Batman: The Animated Series to The Adventures of Batman and Robin, there’s no discernable drop in quality.

After Batman: The Animated Series wrapped up its long, successful run on Fox, a revised version of the series — with most of the same talent in tow — popped up as part of the animation block on Kids’ WB. This half of The New Batman/Superman Adventures, Although the general look of Batman: The Animated Series is still in place, many of the character designs have been revamped, making them sharper, more angular, and somewhat stripped down. Sometimes the changes worked; The Scarecrow is a much more ominous, disturbing figure now, and I like the exaggerated, deranged look of The Mad Hatter. Others didn’t fare so well, especially the much blander looking Riddler, and I have mixed feelings about the older, frailer Jim Gordon and the beady-eyed look of the Joker. One of the more distinctive changes is that the yellow moon on Batman’s chest is gone, an alteration that makes it easy to distinguish one of these episodes from the previous animated incarnation.

One aspect of Batman: The Animated Series that has always impressed me is that even though it was a weekday afternoon cartoon based on a popular comic book character, it didn’t pander to a younger audience. Rewatching the box sets Warner has issued over the past year and a half, I find myself as engaged by them now in my mid-thirties as I was when I first saw them half a lifetime ago.

The New Batman Adventures is a odd mix because even though many of the stories seem geared towards a younger audience, the censors have lightened up, so the villains can use words like ‘murder’ and ‘kill’ more freely, its female characters (especially Harley Quinn) are less subtle with the sexual innuendo, and there’s even a little blood. Over the Edge, one of my favorite episodes of any of Batman’s animated incarnations, with batman hunted by  by Commissioner Gordon as his men spray gunfire throughout the Batcave in a frantic chase against Batman and Robin. It’s a dark, unflinchingly brutal story about loss and betrayal, showing the Dark Knight at his lowest point with his identity exposed and facing greater adversity than he ever has before.

It’s not all dark and dour, though. Another favorite is “Joker’s Millions”, which opens with the Joker struggling with his finances. Robots, hyena chow, Joker venom, and overly elaborate death traps aren’t cheap, but he gets an unexpected windfall when a dead mobster leaves the flat-broke Joker a quarter-billion dollars in his will. The Joker goes on a spastic spending spree, bribing everyone in sight into wiping his criminal record clean, but…whoops. There’s a catch, of course, and the Joker’s not the one who gets the last laugh.

the Joker also take center-stage in “Mad Love”, an episode penned by Paul Dini that was later spun off by DC into a graphic novel. “Mad Love” takes a look at how ambitious, straightlaced psychiatrist Harlene Quinzel could become infatuated with a psychotic madman like the Joker. The Joker’s far more interested in cobbling together some sort of complicated trap to knock off Batsy than fooling around with his eager-to-please henchwoman, so she tries to get her puddin’s attention by rehashing one of his unused schemes and getting rid of Batman once and for all. This is the sort of character-centric episode that I thought really defined Batman: The Animated Series, and “Mad Love” ranks with the best of the series.
“Legends of the Dark Knight” is another personal favorite, paying homage to some of Batman’s different incarnations over the decades. Dick Sprang gets the first nod in a segment with Batman duking it out with the Joker in a music museum with all of the puns, oversized props, and four-color action you’d expect from a Golden Age comic, followed up by a deeply impressive segment with Frank Miller’s hulking, fifty-something Batman squaring off against an army of mutants in the future. The side story with a few kids getting tangled up in an arson-for-hire gig with Firefly doesn’t stack up to the rest of the episode, but who cares?
There are a few other episodes worth pointing out. “Girls’ Night Out” is set with both Batman and Superman out of town, leaving Batgirl and Supergirl to square off against Harley, Poison Ivy, and electrifying Supes-villain Livewire.Dick Grayson, the original Robin, has struck out on his own as Nightwing, and he’s highlighted several times — first in “You Scratch My Back”, which teams him with Catwoman, much to Batman’s chagrin, and again in “Old Wounds”, where Grayson tells Batgirl why he could no longer fight alongside the Dark Knight. The episodes on this box set also introduce The Creeper, the demon Etrigan, and Firefly to the animated series,  Villains like Two Face, The Mad Hatter, Catwoman, Clayface, Mr. Freeze, The Scarecrow, The Ventriloquist, Bane, Killer Croc, Baby Doll, and, briefly, The Riddler also return to torment Gotham again.