REVIEW: THE THING (2011)

CAST

Mary Elizabeth Winstead (10 Cloverfield lane)
Joel Edgerton (The Gift)
Ulrich Thomsen (Festen)
Eric Christian Olsen (Tru Calling)
Adewale Akinnuoye-Agbaje (Thor: The Dark World)
Kristofer Hivju (Game of Thrones)

In 1982, an alien spacecraft is discovered beneath the Antarctic ice by a team from a Norwegian research base: Edvard (Trond Espen Seim), Jonas (Kristofer Hivju), Olav (Jan Gunnar Røise), Karl (Carsten Bjørnlund), Juliette (Kim Bubbs), Lars (Jørgen Langhelle), Henrik (Jo Adrian Haavind), Colin (Jonathan Lloyd Walker), and Peder (Stig Henrik Hoff). Columbia University paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to investigate the discovery.They travel to the Norwegian base, Thule Station, located in Antarctica near U.S. Outpost 31, in a helicopter manned by Carter (Joel Edgerton), Derek (Adewale Akinnuoye-Agbaje), and Griggs (Paul Braunstein). After viewing the spacecraft, Kate, Sander, and Adam are told the group also discovered an alien body from the crash, buried in the ice nearby. In the afternoon the body is brought to the base in a block of ice. That evening, while the team celebrates their find, Derek sees the alien burst from the ice and escape the building. The team searches for the creature and discovers that it killed Lars’ dog. Olav and Henrik find the alien, which then grabs and engulfs Henrik. The rest of the group arrive and set fire to the creature, killing it. An autopsy of the scorched alien corpse reveals that its cells were consuming and imitating Henrik’s own.Derek, Carter, Griggs and a sick Olav take the helicopter to seek help. Kate discovers bloody dental fillings near a blood-soaked shower. She runs outside to flag down the helicopter after it takes off. When it attempts to land, Griggs transforms into the Thing and attacks Olav, causing the helicopter to spin out of control and crash in the mountains. When Kate returns to the shower, she finds the blood is gone. The team decides to send a party to the closest base, but Kate confronts them with her theory that the Thing can imitate them and has likely already done so. They dismiss her claims, but Juliette says she saw Colin leaving the showers. When Juliette and Kate look for the vehicle keys to prevent the others from leaving, Juliette transforms and tries to attack Kate. As Kate flees, she runs past Karl, who is impaled by the creature. Lars arrives with a flamethrower and burns the creature just as it assimilates Karl. At nightfall, they burn the remains of the Juliette-Thing and Karl’s body.That night, Edvard, Kate and Lars find Carter and Derek stumbling into base, half frozen. The team refuses to believe that they could have survived the crash. Kate has them isolated until a test can be prepared to verify they are human. Adam and Sander had started to work on a test, but the lab is set on fire in the few minutes it’s left unattended. Kate proposes another test, believing that the Thing cannot imitate inorganic material. She inspects everyone and singles out those without amalgam dental fillings: Sander, Edvard, Adam, and Colin, while herself, Peder, Jonas and Lars are proven human.Lars and Jonas go to retrieve Carter and Derek for testing, and discover they have broken out. As Lars searches a nearby building, he is suddenly pulled inside. The group hears Carter and Derek breaking into the building and rushes to intercept them. In the middle of a standoff, Edvard orders Peder to burn them. Before he can, Derek shoots Peder dead in self-defense with Lars’ gun, but also punctures the flamethrower’s fuel tank, setting off an explosion that knocks Edvard unconscious. When brought to the rec room, Edvard transforms and infects Jonas and kills Derek before assimilating Adam. Kate torches the infected Jonas and Derek’s body before she and Carter pursue the Thing. While the pair searches, Sander is ambushed by the Thing and Colin hides in the radio room and isn’t seen again. They get separated and the Thing, into which Edvard and Adam are now fused, corners Carter in the kitchen, but Kate burns it before it can kill him. They then see an infected Sander drive off into the blizzard and pursue him in the remaining snowcat. While they are pursuing Sander, Kate notices that Carter is wearing his gold earring, reassuring her that he is still human at this point.They arrive at the spacecraft, where it suddenly activates and its engines begin to melt the ice over it. Kate falls into the ship and is separated from Carter. Kate discovers the source of the radio transmission at the beginning of the film, in the form of a giant glowing cylinder with strange geometric blocks forming and shifting apart, the signal still broadcasting. Confronted by Sander, who has transformed into a larger creature, Kate destroys it with a thermite grenade and the explosion deactivates the ship, shutting down its engines. Kate and Carter escape the ship and Carter suggests driving to a Soviet base about fifty miles away, saying that they’d stashed enough fuel in their snowcat to be just able to cover that distance.As Kate and Carter return to their vehicle, Kate notices that Carter is missing his earring and becomes suspicious. She tells him that she knew he was human earlier because he was still wearing the earring, implying she suspects he may have been assimilated while they were separated in the alien ship. Upon hearing this, Carter realizes that the earring is missing and points to his ear while attempting to explain its disappearance and reassure Kate. When Carter points to the wrong ear, Kate realizes he must have been assimilated and proceeds to burn him. She then retreats to Sander’s snowcat and stares blankly as the screen fades black. As the final credits roll, a helicopter pilot, Matias, arrives by morning at the now destroyed Norwegian outpost. He shouts, looking for any survivors. Colin is shown to have committed suicide in the radio room using a straight razor to slash both his arms and throat to ensure the Thing could never get to him. Matias sees the charred remains of the Adam/Edvard-Thing in the snow.Lars, now revealed to be alive and uninfected, orders Matias at gunpoint to show his dental fillings to prove that he is a human. The Thing, having taken the form of Lars’ deceased dog, runs out of the camp. Lars realizes it’s the Thing and orders Matias to start the helicopter. As the dog flees, the two chase it in the Norwegian helicopter, with Matias piloting and Lars leaning out of the open doorway, trying to shoot it with a scoped rifle, thus leading into the events of the 1982 film.The Thing does have its problems of course. The early talkie helicopter scene is obviously a nod to the very original movie in the 1950s. It’s a sad replacement, the 50s version dialogie was arguably filled with some of the richest dialogue for a horror/sci fi film at the time. Also you can feel that the film steps into remake territory with same as for scenes, although some of these are neatly spun on its head- so in the end there is no blood test etc. The effects are sadly all CGI, but they work quite well. Interestingly it’s the close up shots that work the best. The Thing is pretty much a solid homage to what has gone before and fans will love the end credits so hang around!

Advertisements

REVIEW: PEARL HARBOUR

CAST

Ben Affleck (Batman V Superman)
Josh Hartnett (30 Days of Night)
Kate Beckinsale (Underworld)
Cuba Gooding Jr. (Jerry Magurie)
Tom Sizemore (True Romance)
Jon Voight (Transformers)
Colm Feore (The Sum of All Fears)
Mako (Conan The Barbarian)
Alec Baldwin (Mission Impossible 5)
Jennifer Garner (Alias)
William Lee Scott (Nine Dead)
Ewen Bremner (Black Hawk Down)
Jaime King (Sin CIty)
Michael Shannon (Man of Steel)
Matthew Davis (The Vampire Diaries)
Cary-Hiroyuki Tagawa (Mortal Kombat)
Dan Aykroyd (Ghostbusters)
Scott Wilson (Malone)
Tom Everett (Die Hard 2)
Sara Rue (Mom)
Kim Coates (Sons of Anarchy)
William Fichtner (Teenage Mutant Ninja Turtles)
Eric Christian Olsen (Tru Calling)
David Kaufman (Superman: TAS)
Catherine Kellner (Shaft)
Ian Bohen (Hercules: TLJ)
John Pyper-Ferguson (Caprica)
Lindsey Ginter (Lost)
Sean Faris (The King of Fighters)
Sung Kang (Fast & Furious)

 

In 1923 Tennessee, two young boys, Rafe McCawley (Jesse James) and Danny Walker (Reiley McClendon), play together in the back of an old biplane, pretending to be soldiers fighting the Germans in World War I. After Rafe’s father lands his biplane and leaves, Rafe and Danny climb into the plane and Rafe accidentally starts it, giving the boys their first experience at flight.Eighteen years later, in January 1941, Danny (Josh Hartnett) and Rafe (Ben Affleck) are both first lieutenants under the command of Major Jimmy Doolittle (Alec Baldwin). Doolittle informs Rafe that he has been accepted into the Eagle Squadron (a RAF outfit for American pilots during the Battle of Britain). A nurse named Evelyn (Kate Beckinsale) meets Rafe and passes his medical exam despite his dyslexia. That night, Rafe and Evelyn enjoy an evening of dancing at a nightclub and later a jaunt in New York harbor in a borrowed police boat. Rafe shocks Evelyn by saying that he has joined the Eagle Squadron and is leaving the next day.Danny, Evelyn and their fellow pilots and nurses are transferred to Pearl Harbor. Meanwhile, Rafe flies in numerous dogfights with the RAF against the Luftwaffe, but is shot down over the English Channel and presumed to be killed in action. Danny gives Evelyn the news and she is devastated. Three months later, Evelyn and Danny develop feelings for each other. On the night of December 6, Evelyn is shocked to discover Rafe standing outside her door, having survived his aircraft crash. He goes to the Hula bar where he is welcomed back by his overjoyed fellow pilots. Danny finds Rafe in the bar with the intention of making things right, but the two get into a fight.Early the next morning, on December 7, 1941, the Japanese navy begins its attack on Pearl Harbor. The two pilots drive away in search of a still standing airfield, while Evelyn and the other nurses rush for the hospital. The nurses struggle to give emergency treatment to hundreds of injured. Rafe and Danny manage to get in the air in two P-40s, shooting down seven Japanese Zeros. The next day, President Franklin Delano Roosevelt (Jon Voight) delivers his Day of Infamy Speech to the nation and asks the US Congress to declare a state of war with the Empire of Japan. The survivors attend a memorial service to honor the numerous dead, including fellow nurses and pilots. Later, Danny and Rafe are assigned to travel stateside under newly promoted Lt. Colonel Doolittle for a secret mission. Before they leave, Evelyn reveals to Rafe that she is pregnant with Danny’s child and that she will remain with Danny.Upon their arrival in California, Danny and Rafe are both promoted to Captain and awarded the silver star. Doolittle asks them to volunteer for a top secret mission, which they both accept. During the next three months, Rafe, Danny and other pilots train with specially modified B-25 Mitchell bombers. In April, the raiders are sent towards Japan on board the USS Hornet, and are informed that their mission will involve bombing Tokyo and then landing in China. However, the Japanese discover them early, forcing the raiders to launch from a longer distance than planned. After a successful bombing run against Tokyo, the raiders crash-land on Japanese-occupied territory in China in a rice paddy. The Japanese Army pin down Rafe’s plane, but Danny’s crew flies over and shoots the Japanese patrol before crashing.Danny is shot during the attack by Japanese patrols while the other pilots, Red (Ewen Bremner) and Gooz (Michael Shannon), kill off the remaining Japanese patrolmen. Before dying, Danny tells Rafe that he will have to be the father. Upon his return home, a visibly pregnant Evelyn sees Rafe getting off the aircraft, carrying Danny’s coffin. Afterward, Evelyn and Miller are awarded medals, while Rafe is awarded his medal by President Roosevelt. Rafe and Evelyn, now married, visit Danny’s grave with Danny and Evelyn’s infant son, also named Danny. Rafe and baby Danny then fly off into the sunset in the old biplane that his father had.I really enjoyed the movie, and recommend it to anyone that is looking for a great story. Although if your looking for a historically accurate film then this wont be for you.  

 

 

 

 

REVIEW: THE HOT CHICK

CAST

Rob Schneider (50 First Dates)
Anna Faris (Mom)
Matthew Lawrence (Boy Meets World)
Eric Christian Olsen (Tru Calling)
Robert Davi (Maniac Cop 3)
Melora Hardin (17 Again)
Alexandra Holden (Sugar & Spice)
Rachel McAdams (Mean Girls)
Sandra McCoy (Power Rangers Wild Force)
Jenna Dewan Tatum (Sueprgirl TV)
Adam Sandler (Funny People)

In the palace of the Abyssinian King (Ozman Sirgood) in 50 BC, Princess Nawa (Shazia Ali) uses a pair of enchanted earrings to escape an arranged marriage by swapping bodies with a slave girl (Vivian Corado). When each woman wears one of the earrings, their bodies magically trade places while their minds remain where they were. In the present day, Jessica Spencer (Rachel McAdams) is a popular high school girl in suburban California with her friends April (Anna Faris), Keecia (Maritza Murray), and Lulu (Alexandra Holden). April is Jessica’s best friend, and all four girls are cheerleaders. At school one day, Jessica makes fun of an overweight girl named Hildenburg (Megan Kuhlmann) and a wiccan girl named Eden (Sam Doumit). After that, Jessica and her friends visit the local mall, where Jessica frames her rival Bianca (Maria-Elena Laas) for shoplifting, and finds the earrings in an African-themed store. The earrings are not for sale, so Jessica steals them.

Shortly afterward, a small-time criminal named Clive Maxtone (Rob Schneider) robs a nearby gas station. When Jessica and her friends stop there and mistake him for an employee, he services their car to avoid raising suspicion. Jessica accidentally drops one of the earrings on the ground, and Clive picks it up after the girls drive away. That evening, Jessica and Clive put on their earrings. When they wake up the next morning, each of them is trapped in the other’s body. This is especially difficult for Jessica, who has a cheerleading competition and the school prom coming up soon. While at first difficult, Jessica convinces April, Keecia, and Lulu of her true identity.

The girls write a list of suspects of who could be responsible. They first seek Hildenburg, where Jessica apologizes for humiliating her in front of the entire school during the basketball game earlier, and the two make amends. They soon seek Eden, where Jessica also apologizes for her jealousy of Eden getting the only “A” on a report of the Salem witch trials. Eden reveals an ancient Latin witchcraft called “Santeria”, which originated in Africa, and found its way into Cuba and Brazil. Lulu ties this connection to Bianca, but Eden reveals that only a tattoo of a scorpion on her back could confirm this. While investigating at a dance club called ‘Instant Tang’, Bianca is proven innocent after Jessica rips her shirt to see if she has the tattoo, which she doesn’t. The girls then find a picture of the earrings on the internet, and the girls post fliers all over town. They also get help from Keecia’s awkward mother (Jodi Long) and Venetia and Sissie (Tia Mowry and Tamera Mowry), twin sisters who are on Jessica’s cheerleading squad. The girls tell this to Madame Mambuza (Angie Stone), the owner of the African store at the mall. Madame Mambuza tells the girls the story of Princess Nawa, who, after switching bodies, was unaware that she had to bring the earrings back together. Nawa lived the rest of her life in the slave’s body. Jessica could suffer the same fate if she does not unite the earrings before the end of the Full moon.

Meanwhile, Jessica is hired for two jobs while secretly living with April. At her home, where she works as a gardener named Taquito, her parents tell her about their marital problems and she helps them rekindle their sex life. At school, while cleaning the boys’ locker room as a janitor, she spies on her boyfriend Billy (Matthew Lawrence), who truly loves her and April’s boyfriend Jake (Eric Christian Olsen), who secretly has another girlfriend named Monique (Ashlee Simpson). Faced with Jake’s infidelity, April breaks up with him, and Jessica agrees to take her to the prom. At the cheerleading competition, Jessica signals romantically to Billy while disguised as the school mascot, but when the head of her suit falls off, he becomes confused and leaves with Bianca.

During this time, Clive has been using Jessica’s body to make money from men, including Billy, who gives him his money and car, believing he is Jessica. On the evening of the prom, Hildenburg sees a video of Clive robbing a man on the television news and goes to the scene of the crime. After finding a business card for the club where Clive works as a pole dancer, she informs Jessica at the prom, and the girls go to the club. When they find Clive, Jessica steals his earring and puts it on herself along with the other one. With the two earrings now on the same person, Jessica’s and Clive’s bodies return to their original owners. After Jessica makes up with Billy, the film ends with the school’s graduation ceremony, where Keecia and her mother reconcile. The previous night, Clive, running from the law and still dressed in lingerie, jumps into the car of the same bartender (Scott Dolezal) Jessica encountered in the body of Clive. The bartender, who was led to believe from previous encounters that Clive is homosexual smiles and locks the car door. The movie ends with the car speeding away, and Clive turning around and screaming.

Yes the plot is ridiculous but it is so funny that is does not matter. If you want a movie to have a laugh at and leave you feeling good then get this one

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: NOT ANOTHER TEEN MOVIE

CAST

Chris Evans (Captain America)
Chyler Leigh (Supergirl)
Jaime Pressly (My Name Is Earl)
Eric Christian Olsen (Tru Calling)
Mia Kirschner (The Vampire Diaries)
Deon Richmond (Scream 3)
Eric Jungman (The Faculty)
Ron Lester (Varsity Blues)
Cody McMains (Bring It On)
Sam Huntington (Superman Returns)
Lacey Chabert (Mean Girls)
Samm Levine (Pulse)
Cerina Vincent (Power Rangers Lost Galaxy)
Ed Lauter (The Number 23)
Mr. T (The A-Team)
Randy Quaid (Independence Day)
Molly Rignwald (Pretty In Pink)
Nathan West (The SKulls 2)
Josh Radnor (How I Met Your Mother)
George Wyner (American Pie 2)
Nick Bakay (That 70s Show)
Melissa Joan Hart (Sabrina)
Sean Patrick Thomas (Save The Last Dance)
Riley Smith (Eight Legged Freaks)

In the stereotypical high school community of John Hughes High in Southern California, sexy Priscilla (Jaime Pressly), a popular cheerleader, separates from her football star boyfriend, Jake Wyler (Chris Evans). After Jake discovers that Priscilla is now dating peculiar Les (Riley Smith) just to spite him, one of Jake’s friends, Austin (Eric Christian Olsen), suggests seeking retribution by turning Janey Briggs (Chyler Leigh), a “uniquely rebellious girl”, into the prom queen.

Jake attempts to court Janey’s love, but faces adversity from his own sister, Catherine (Mia Kirshner), who is sexually attracted to him; Janey’s unnoticed admirer and best friend, Ricky Lipman (Eric Jungmann); and memories from his past football career. Catherine eventually assists her brother by slightly altering Janey’s appearance (by simply removing her glasses and ponytail), instantly making her drop dead gorgeous.

Meanwhile, Janey’s younger brother, Mitch (Cody McMains), and his friends, Ox (Sam Huntington) and Bruce (Samm Levine), make a pact to lose their virginity by graduation despite still being in their freshman year. Mitch tries to impress his longtime crush, the beautiful yet perverted Amanda Becker (Lacey Chabert) with a letter professing his love for her. Bruce says that he does not have a chance with her, mockingly stating, “Keep dreaming!”
As the prom draws near, Jake draws infamy among his peers after he fails to lead his football team to victory at the state championship game the year before. The situation is further worsened when Austin tricks Jake into telling Janey about his plan to spite Priscilla by pretending to whisper the secret bet in Janey’s ear, causing her to immediately leave Jake. During prom night, Austin and Janey go together; a jealous Jake and Catherine have a dance-off with Austin and Janey, with Catherine dancing in a sexual manner. Janey runs off crying. Meanwhile, Mitch and his friends are having a lousy time at the prom until Amanda arrives and Mitch gives her the letter and Ox later hooks up with Catherine.

Jake is awarded prom king and the principal reads out that the votes for prom queen are tied. Everyone thinks that it is between Janey and Priscilla, but they are shocked to find that Kara and Sara Fratelli (Samaire Armstrong and Nectar Rose), twins conjoined at the head, win prom queen. During the traditional prom king and queen dance, Janey supposedly left with Austin to go to a hotel.

Jake goes to the hotel room where he finds Austin having wild sex with a girl but is shocked to find that it is Priscilla not Janey while the weird Les videotapes with his pants down supposedly having an erection, Austin tells Jake that Janey “ran home to her daddy”. Jake angrily punches Austin and Priscilla, knocking them out cold, for what they had done to Janey. He then punches Les for “being really weird” (he also punches a plastic bag that happens to be floating next to Les); afterwards he runs to Janey’s house only to learn from her father (Randy Quaid) that she is going to Paris for art school.

Jake arrives at the airport and confronts her before she can board the plane, and uses a plethora of clichéd lines from other movies (such as She’s All That, Cruel Intentions, American Pie, The Breakfast Club, American Beauty, 10 Things I Hate About You, Can’t Hardly Wait, and Pretty in Pink) to convince her to stay in America. His final (and only original) speech suggests they would be better off apart, but Janey mistakenly believes he is quoting The Karate Kid, and she decides to stay with him.

This film is so funny great film very entertaining would recommend to any one if you want a good night in having a laugh

12 DAYS OF CHRISTAMS REVIEW: TRU CALLING: TWAS THE NIGHT BEFORE CHRISTMAS…AGAIN

Image result for TRU CALLING LOGO
CAST
Eliza Dushku (Buffy)
Zach Galifanakis (The Hangover)
Shawn Reeves (Dandelion)
Jason Preistley (Haven)
GUEST CAST
Liz Vassey (Two and a Half Men)
Cotter Smith (Alias)
Eric Christian Olsen (Not Another Teen Movie)
Lizzy Caplan (Mean Girls)
Parry Shen (The New Guy)
Michael Reilly Burke (Mars Attacks)
Sue Cremin (The Tao of Steve)
Image result for TRU CALLING TWAS THE NIGHT BEFORE CHRISTMAS...AGAIN
Befitting the last episode of the formula-breaking second season, “Twas the Night Before Christmas … Again” once again threw Tru into an unknown situation with her case of the week. On the one hand, this further engaged the audience and kept them guessing what would happen because of this new set of circumstances, but on the other hand, it also lowered the stakes for this particular case and created a more mellow episode than what we have grown accustomed to. The series did not go out with a bang, but it did go out on an intriguing note. Overall, this makeshift series finale partially satisfied the audience while still leaving room to imagine what happened next. must give props to the writers for coming up with six consecutive stories this short season that each took a different approach to the victim needing help. Each came with their additional challenges, and each still felt organic to the individual victim. My major note of praise is that these diversions from the first season did not feel like a ploy to attract more audience members or simply shock the already committed audience, but rather they were a natural progression of Tru’s gift.
c4d12a23458e319b62fbf086950edb50-my-stepmother-is-an-alien
Other than the unique nature of the case and watching Tru and Jack team up, the story itself was rather lackluster. The murder of a mistress and her lover being suspected of the crime is a story we have seen time and time again across different procedurals, as well as a child taking revenge against his or her parent’s murderer. At least this episode added another layer of mystery by having both of these common stories piled on top of one another. Although this episode did a sufficient job diverting attention from the true murderer in both cases, the reveals were still not as shocking or unique as they could have been. One wonderful, long-awaited aspect that this episode delved into was mending the relationship between Tru and Jack. While they should not be friends because of their opposite jobs, they should have a mutual respect and understanding that the other is simply trying to carry out that job which he/she has been chosen for. This episode provided minor indications that they were headed in this direction. Tru came closer to understanding that Jack is not the monster she claimed he originally was, and Jack sees that Tru does more good than just saving the victim. Whether it was because of their team up or the holiday season, the episode’s conclusion especially allowed these two rivals to end on a peaceful note. “Twas the Night Before Christmas … Again” concluded Tru Calling in a calm way. It did not leave off on a massive cliffhanger with any character in mortal danger. For the first time in a while, Tru was happy with her friends, family, and love life, while Harrison was making a solid name for himself. Davis was also happy, though it was a false happiness on his girlfriend’s part. Despite these positives, it did leave the audience with several lingering questions, especially regarding the future of Tru’s secret. Having this episode rewind before Harrison could tell Tru about their father’s involvement with Jack gave us a glimpse of a potential future storyline, but ripped it away with no indication if it would in fact come true later down the line.
This episode ended Tru Calling, it’s a decent episode but as a series finale it was lacking but that was not the fault of the writers as the season was meant to have 13 episodes not 6 ,but fox pulled the plug.

REVIEW: LICENSE TO WED

CAST
Robin Williams (The Crazy Ones)
Mandy Moore (The Princess Diaries)
John Krasinski (Jarhead)
Eric Christian Olsen (Tru Calling)
Christine Taylor (Zoolander)
John Flitter (Hide and Seek)
DeRay Davis (Scary Movie 4)
Peter Strauss (XXX 2)
Grace Zabriskie (Norma Rae)
Roxanne Hart (Highlander)
Rachael Harris (Evan almighty)
Wanda Sykes (Clerks 2)
Mindy Kaling (The Office)
Rachael Harris (The Hangover)
Sadie Jones (Mandy Moore) has always longed to marry the man of her dreams in her family church. Though she has found her lifetime companion in Ben Murphy (John Krasinski), Sadie is distressed to learn that St. Augustine’s has only one wedding slot available over the next two years, though after re-checking their planning book, they find that the wedding can be held in three weeks.
While Sadie and Ben do qualify for the slot, the church’s eccentric minister, Reverend Frank (Robin Williams), will not wed the couple until they agree to attend his prenuptial course (shortened, due to the new date, from three months to three weeks). As their wedding date draws near, Sadie and Ben must now follow all of Reverend Frank’s rules, attend his unusual classes, and complete a series of homework assignments designed specifically to irritate one another — in order to get past puppy love and ensure that their union will have a sound foundation.
In one part of the course, the couple has to care for twin “creepy robot” babies. They get on Ben’s last nerve and he destroys one, to the horror of bystanders in a department store. To Ben’s dismay, one of Frank’s rules is no pre-marital sex. On behalf of Frank, his young assistant (Josh Flitter) breaks into the couple’s house and bugs it. Thus, Frank and his assistant can listen to all conversations, though Frank does not let his assistant listen to the adult parts. Ben discovers the microphone/transmitter but does not tell Sadie, for fear she will accuse him of lying and planting the bug himself.
Problems gradually begin to develop between the couple due to the course. Ben begins an investigation into Frank, and eventually discovers that he was once married to a Maria Gonzalez. Shortly before the wedding, Sadie becomes reluctant to have the wedding, among other things because Ben has not prepared marriage vows as Frank instructed them to do, but instead drew a flip cartoon of a truck. Ben then confronts Frank over Maria Gonzalez, believing him to be a hypocrite. Frank reveals that the marriage was done to allow Maria, then an immigrant, and a member of Frank’s congregation, to stay in the U.S. Upset that Ben would waste his time on a “stupid investigation”, Sadie calls off the wedding. On Frank’s advice, Sadie goes on vacation to Jamaica, their slated honeymoon destination.
Ben seeks advice from his friend Joel, who advises him to give up on Sadie, saying that there are other women like her out there. Ben however disagrees with this, and decides to go to Jamaica. Frank and his assistant travel there too. He attempts to call Sadie, but she refuses to listen. Her parents assure her that all marriages have problems, and her friend Carlisle tells her that Ben may just want someone who relies on him, allowing her to forgive Ben more easily. Ben writes his vows on the sands of the beach to impress Sadie and they reconcile, and Frank marries them there
What’s not to like about Robin Williams in comedies like this one