31 DAYS OF HORROR REVIEW: REMOVAL

CAST

Billy Burke (Twilight)
Mark Kelly (Mad Men)
Oz Perkins (Secretary)
Kelly Brook (Three)
Emma Caulfield (Buffy)
Elliott Gould (Ocean’s Eleven)

screenshot2Cole is a likeable regular guy. Except that ever since he witnessed a gruesome murder-suicide, things haven’t been quite right. His wife left him, he is tormented by hallucinations and his career has nosedived into a blue collar job with a carpet cleaning service. Just when it seems his life has reached bottom, Cole is called out on an all-night cleaning job in an Italianate mansion far from the city. For company he has Henry, the rich, condescending homeowner who seems to take sadistic pleasure in letting Cole think he has just murdered his wife. A reddish stain on the carpet, a knife hacking into baked rabbit, a cell phone that won’t stop ringing – does it add up to murder or is Cole losing his last handhold on his fragile sanity?maxresdefaultIf you like solid, competent, Psychological thrillers and as long as you appreciate good film making, then you should definitely enjoy this movie.  Overall the movie is strong on mood if a bit lighter on substance. Not anything earth-shaking, but a decent, well done, enjoyable Thriller.

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REVIEW: DARKNESS FALLS

CAST

Chaney Kley (Legally Blonde)
Emma Caulfield (Buffy: The Vampire Slayer)
Lee Cormie (December Boys)
Grant Piro (The Condemned)
Sullivan Stapleton (Blindspot)
Steve Mouzakis (Where The Wild Things Are)
Emily Browning (Sucker Punch)

In the town of Darkness Falls, widow Matilda Dixon was adored by the town’s children. She gave them gifts and gold coins when they lost teeth, earning her the nickname Tooth Fairy. A fire in her home left her face disfigured and sensitive to light; she wore a white porcelain mask and only left her house at night. The town’s adults were suspicious of Matilda; they blamed her when two children went missing. They hanged her and exposed her face to light. Dying, Matilda swore vengeance. When the two missing children returned home unharmed, the townsfolk realized their mistake and quickly buried Matilda’s body. The story of Matilda, the Tooth Fairy, became a legend; her dark spirit visits children on the night they lose their last baby tooth. If anyone sees her when she visits, they are marked for her vengeance.

Kyle Walsh, an antisocial teenager befriended by Caitlin Greene (Emily Browning), loses his last baby tooth. That night he sees Matilda and realizes the story is true. Knowing light is her weakness, he shines a flashlight into her face and hides in the brightly-lit bathroom. His mother is killed after seeing Matilda. The next morning, police arrive and Kyle is taken to a mental hospital after mistaken speculations that he killed his mother. Twelve years later, Caitlin (Emma Caulfield) telephones Kyle (Chaney Kley) to ask for his help with her younger brother Michael (Lee Cormie), who refuses to sleep in the dark. Kyle still suffers fear and paranoia from his encounter with Matilda; he has dozens of flashlights and medications for anxiety and depression. Kyle visits Michael at the hospital but denies any relation to his condition and walks away from Caitlin, who believes his story.

Kyle tries to warn others of Matilda but faces ridicule and skepticism, which leads to the death of many townspeople. A lightning storm blacks out the whole town; realizing Michael and Caitlin are in danger, Kyle rushes to the hospital. He rescues them and gains allies as others realize his story is true. Kyle, Michael, and Caitlin hide in the local lighthouse. They are helped by several medical personnel, all of whom are killed by Matilda. During the struggle, Matilda tries to kill Kyle, but before she can do so, the lighthouse lights up. The sudden exposure to light causes her pain; she drops her mask. Kyle sees her disfigured face and realizes she is now vulnerable. She resumes her attack, during which Kyle’s right sleeve catches fire and he kills Matilda by striking her face with it. As the film ends, a boy is being tucked into bed by his parents. He is scared because he has just lost his last baby tooth. He finds his mother replaced the tooth with a gold coin, showing that Matilda and her curse are gone.I cannot believe how bad the ratings are for this film. All this film is, ( And it does’nt pretend to be anything else ) is a simple scary old fashioned horror film with a simple plot. And that is exactly what it is! Except that I would add that the Tooth Fairy I think is brilliantly scary and definately creepy.

 

REVIEW: SUPERGIRL – SEASON 1

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MAIN CAST

Melissa Benoist (Whiplash)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Brake)
Jeremy Jordan (Smash)
David Harewood (Blood Diamond)
Calista Flockhart (The Last Shot)

RECURRING / NOTABLE GUEST STARS

Laura Benanti (Take The Lead)
Dean Cain (Lois & Clark)
Helen Slater (Supergirl 80s)
Owain Yeoman (Troy)
Faran Tahir (Iron Man)
Robert Gant (Popular)
Briana Venskus (Agents of S.H.I.E.L.D.)
Chris Vaance (Prison Break)
Peter Facinelli (Twilight)
Jenna Dewan Tatum (Witches of East End)
Chris Browning (Cowboys & Aliens)
Brit Morgan (True Blood)
Scott Michael Campbell (Push)
Tristin Mays (The Vampire Diaries)
Charles Halford (Constantine TV)
Eric Steinberg (Stargate SG.1)
Hope Lauren (Agent Carter)
Emma Caulfield (Buffy)
Tawny Cypress (Heroes)
Italia Ricci (American Pie: Beta House)
Laura Vandervoort (Smallville)
Sara Gilbert (The Big Bang Theory)
Eddie McClintock (Bones)
Glenn Morshower (Transformers 3)


Warner Bros have had a rocky road when it comes to their superhero characters and although the Christopher Nolan Batman franchise epitomized this character, their other attempts at films like Green Lantern and Batman v Superman: Dawn of Justice met with criticism. Sometimes ‘dark’ does not always work, particularly when it comes to superheroes and if you want an example at this, check out the Marvel Universe of superheroes. However for their TV series (Arrow, Flash, Legends of Tomorrow), they’ve successfully captured the spirit of these characters and the comic universe where they came from and thankfully Superman’s cousin Kara Zor-El (aka Kara Davers) is also part of this success thanks to the excellent TV series Supergirl that stars Melissa Benoist as this intelligent and beautiful Kryptonian. Given that, the entire casting for Supergirl is perfect!

The series is also created by Ali Adler, Greg Berlanti and Andrew Kreisberg who are no strangers to the world of superheroes and compared to the entire DC Comics TV line-up, Supergirl is easily one of my favorite as it doesn’t try to be too dark but rather, uplifting and enjoyable.

Also joining Benoist as Supergirl is Mechad Brooks (Jimmy Olsen), David Harewood (Hank Henshaw or the ‘Martian Manhunter’ known as J’onn J’onzz), Chyler Leigh (Kara’s adopted sister Alex Danvers), Jeremy Jordan (Kara’s sidekick) and also Calista Flockhart who plays Cat Grant, the owner of CatCo Worldwide Media (think a modern version of the Daily Planet). Sure, some of the actors camp it up for the TV series but this campiness actually works well with the characters and the story and once again, continue with the light-hearted nature of the series.

Given that, there are some darker moments in the series but overall and compared to The Flash, Arrow, Legends of Tommorrow, Supergirl is a much more colorful and hopeful story. The series even boasts Helen Slater (who played the original Supergirl in the 1984 movie) as Eliza Danvers as Kara’s adoptive mother plus Dean Cain as her father who played Superman in the classic 1993 TV series, Lois & Clark. This is also what I enjoy about Supergirl is all the cameos and whether that’s from film or the world of DC Comics itself, the creators really cram in quite a few people into the series, many as Easter Eggs.

Although each episode has a ‘villain’, the overarching villain is Laura Benanti as Alura Zor-El who plays the evil twin sister of Kara’s mother. Having additional Kryptonians in the show does increase the jeopardy for our heroine and some of these episodes are considerably darker. Then you have billionaire Maxwell Lord (Peter Facinelli) who is not evil perse but wants the best for the world which of course causes conflict. Once again, some great villains for Supergirl. Kara’s supporting cast include an African American Jimmy Olsen who also provides a love interest for Supergirl plus their geeky tech-head sidekick Winn Schott who together attempt to protect the fictitious National City. Then you have Kara’s sister Alex who works for the DEO (Department of Extra-Normal Operations) that is run by Hank Henshaw, an alien known as J’onn J’onzz disguised as a human in order to protect the world from alien threats. The character of Henshaw also has a great history.

Interestingly, Superman is mentioned in the series and does appear off screen. He will  actually makes a full appearance in Season 2 of Supergirl but the coolest crossover in any TV series was when Grant Gustin from The Flash starred in one episode which had fanboys and fangirls gushing from the coolness factor. With 20 episodes in this collection, Supergirl does end with a cliffhanger and with a second season confirmed (moving to CW) things are looking up for the Girl of Steel.

Supergirl on Blu-ray boasts some exceptional video and audio quality that really highlights the colourful costumes, villains and heroes of this universe. For special features, we get a handful of deleted scenes plus a couple of fun documentaries about J’onn J’onzz and Supergirl. All in all, it’s a great release from Roadshow Warner.

Supergirl is a proof that superheroes don’t need to be dark and moody and this TV series captures the spirit and core of this character that thanks to its creators successfully transforms the comic into a very enjoyable, clichéd and action packed live-action series with lots of world building and character development!. An Excellent series and a must see for all DC fans.

31 DAYS OF HORROR REVIEW: BUFFY: THE VAMPIRE SLAYER – THE HALLOWEEN EPISODES

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MAIN CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brandon (Children of The Corn 3)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
David Boreanaz (Bones)
Anthony Stewart Head (Ghost Rider 2)
Seth Green (Family Guy)
James Marster (Smallville)
Marc Blucas (Red State)
Emma Caulfield (Darkness Falls)
Michelle Tractenberg (Black Xmas)
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GUEST CAST

Robin Sachs (Jurassic Park 2)
Juliet Landau (Ed Wood)
Armin Shimerman (Star Trek DS9)
Larry Bagby (Hocus Pocus)
Kristine Sutherland (Legal Eagles)
Adam Kaufman (Taken)
Lindsay Crouse (Alias)
Walter Jones (Mighty Morphin Power Rangers)
Amber Benson (Ringer)
Amber Tamblyn (Two and a Half Men)

HALLOWEEN

Buffy and Angel finally agree to a date, but Buffy is delayed at Pop’s Pumpkin Patch by a vampire. Another vampire films the fight from hiding. As Angel waits at The Bronze, Cordelia shows up and starts flirting with him. When Buffy finally arrives, she is turned away by Cordelia’s sharp tongue. Cordelia continues to hit on Angel, unaware of his history.The next day, Principal Snyder forces Buffy and her friends to chaperone small children while they trick-or-treat. Buffy would rather take a break during the only slow night for vampires. Later, Larry, the school bully, threatens Xander while asking him about Buffy, who smashes Larry into a soda machine. Xander is angered by the damage that does to his reputation. After Xander leaves, Buffy and Willow’s conversation eventually turns to speculation about Angel’s past. The two decide to sneak into Giles’ office and borrow the passed-down Watchers’ Diary. From this, they hope to learn more about what type of women Angel used to be attracted to as a human. Buffy is slightly mopey after her date with Angel didn’t fly, and is eager for information on how to win him over.  The gang has to dress up for Halloween. They head to Ethan’s Costume Shoppe, where Willow gets a ghost costume and Xander buys a toy gun to go with his army fatigues from home. Buffy and Xander make up, but then she spies the most beautiful pink 18th-century gown—one that matches what she has spied from Giles’ Watcher files on Angel. Ethan Rayne, the proprietor, appears and gives it to Buffy.Spike is reviewing Buffy’s fight. Drusilla comes to tell him that someone will make Buffy weak on Halloween night. Meanwhile, Ethan is chanting to a statue of Janus in the back room of his shop. On Halloween night, Buffy persuades Willow to wear a black miniskirt and a long-sleeved crop top, but Willow’s shyness returns; when Buffy goes to answer the doorbell, she covers up with her ghost costume. Later that night, Ethan’s spell takes effect and everyone wearing a costume from his store turns into the respective persona. Willow becomes a real ghost, able to walk through walls; Xander a soldier; and Buffy an 18th-century noble woman.With Buffy incapable of leading and fighting the threats around them, and Xander armed and skilled in combat because of the spell, Willow is forced to take the lead. She persuades Xander not to shoot the monsters now roaming the streets (as most of them are the trick-or-treaters), and to obey her. They find Buffy disoriented, frightened, and confused by the modern world. Willow rushes them to Buffy’s house, where her mother is conveniently not home. Outside, Cordelia screams and Xander rushes out to save her. They find that Cordelia has not changed into what she is wearing—a cat—because she bought her costume from another store. Willow goes to Giles for help. While Cordelia searches the house, Angel shows up and takes Buffy into the kitchen. As Angel tries to kill a vampire that has sneaked into the house, he reveals his vampire face. Buffy is horrified and runs from the house. Arriving at the library by walking through walls, Willow, after scaring Giles by just showing up where there isn’t a door, tells him about Ethan’s costumes. They head to the shop, where Giles reveals that he knows Ethan. He orders Willow to leave and forces Ethan to tell him how to reverse the spell.Spike is looking for Buffy, who enters an alley and meets Larry, now a pirate. Xander arrives to beat up Larry while Willow shows up to warn them of Spike. The gang tries to barricade themselves inside a warehouse, but Spike’s gang breaks in. Spike is trying to kill Buffy; Willow orders Xander to shoot the vampires with his now-real M16, but just then, Ethan reveals the secret to ending the spell and Giles smashes the statue, breaking the spell. Buffy recovers to defeat Spike and he flees. After being corporeal again, Willow, despite the ordeals, also feels confident, discarding her ghost costume and heading home. Oz sees Willow around town again, asking himself “Who is that girl?” Buffy admits to Angel that she was trying to impress him. He tells her that he hated those people back then. The women were dull; he wanted someone exciting. They kiss. The next day, Giles returns to the store to find a note. Ethan has promised to return soon.Halloween was a superb episode of Buffy The Vampire Slayer’s Second Season. This episode introduced us to a new villian from Giles’s past, and I have a feeling we will be seeing him in the future as well. Chaos was the order of the night, on All Hallows Eve in Sunnydale as people started turning into their costumes. It was fun to watch this episode seeing what people were and how they changed. It was also interesting to note that Oz keeps seeing Willow in different aspects, which is a neat way to build their story line. I think that this was another Classic Episode of Buffy Image result for buffy the vampire slayer fear, itself

FEAR, ITSELF
While carving jack-o’-lanterns in Xander’s basement, the gang discusses plans for Halloween; Buffy continues to mope over her situation with Parker. They decide to go to the Alpha-Delta house for a party. The next day at school, Buffy and Oz both express their concerns for Willow and her use of magic. Buffy spots Parker and immediately runs away. Willow follows her, explaining that she should get over it and have fun at the party that night, but Buffy thinks that Giles will want her to patrol. When Buffy goes to visit Giles, she’s surprised to find him embracing the Halloween spirit. He discourages her from patrolling and encourages her to go party. At the Alpha-Delta house, the members are getting ready for the party. One finds a symbol in an old book to paint on the floor. Anya goes to see Xander, wanting to know where their relationship is heading. He agrees that they’re somewhat dating, inviting her to the party. Buffy, who skipped her psych class, visits the professor and asks for her assignment, but she receives a cold response. Riley, however, gives her the assignment, telling her to have fun on Halloween. Oz and Xander carry a sound system to the Alpha-Delta house, and Oz installs it while one guy paints the symbol from the book. Oz cuts his hand, spilling drops of his blood, which activates the ritual to summon Gachnar. Joyce alters one of Buffy’s old costumes, Little Red Riding Hood, and talks with her about how things used to be. Buffy waits outside the house for her friends, and Xander shows up dressed as James Bond. They run into Willow, dressed as Joan of Arc, and Oz, going as God. Everything at the party starts to go awry as fears begin to become real, and the fake scary objects like plastic spiders and skeletons, become alive. The gang enters the house, but they encounter several obstacles. Later, Anya arrives at the party, dressed as a bunny, but she is unable to get inside because the entrances to the house have become sealed up. She sees a girl screaming at a window, and the window then disappears from the house. Inside, Buffy tells the gang to find a way out and get help. A skeleton attacks her from behind, but after she attacks, it becomes fake again. Buffy and Willow fight over Buffy rejecting help from her friends and pushing them away, as well as Buffy and Oz arguing with Willow about her use of witchcraft. Willow insists she can safely do a guidance spell. Meanwhile, Anya goes to Giles for help.
Xander tries to talk to the gang but finds that he’s become invisible to them. Willow and Oz find a staircase and head up. As they’re walking, Oz begins to change into a werewolf and scratches Willow before running away from her. Xander approaches a mirror, and a head on the table behind him says that he can see him. Oz sits in a bathtub, chanting to himself that he isn’t going to change. Willow conjures her spell. However, it quickly spins out of control, and she screams for help as it attacks her. Buffy, hearing Willow’s cries, tries to get to her, but she falls into the basement where bodies come up from the ground and grab at her. Giles and Anya are unable to find a way inside, so Giles cuts a door using a chainsaw. While fleeing through the house, the gang ends up in the room where the mystical symbol is painted. Giles and Anya break into the room. They determine the sign on the floor to be the Mark of Gachnar, and Buffy and Giles express fear about how scary the demon looks in the illustration. Buffy destroys the symbol before Giles can tell her that destroying the symbol will bring Gachnar forth. But when the demon has manifested, it turns out to be merely a few inches in height. After a laugh at absurdity of giving in to one’s fears, Buffy squashes Gachnar with her shoe. At Giles’ place, the gang eats candy while Giles makes a discovery: the arcane footnote below the illustration of Gachnar in his book reads “Actual Size” .
This is one of the best of season 4. We get a thoroughly entertaining plot, the usual wittiness, useful character insight, and a whole lot of fun. This is a modern version of “Nightmares” (1×10), and the fear demon plot works because the characters have changed and new ground is being covered.  Much of what happens here is further setup for the internal conflicts of the season: Willow’s use of magic and growing power, Oz’s beast coming out and having serious repercussions, Xander feeling that he’s not important in the group, Giles’ aimlessness, and Buffy’s relationship issues.

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ALL THE WAY

It is Halloween and Anya has set the gang to work in the magic shop. She sends Buffy to the basement, where she runs into Spike. At his suggestion, Buffy attempts to leave to go patrol with Spike, but Giles points out that Halloween is an inactive day for most evil creatures, and engages Buffy in helping with bagging products.
An elderly man, Kaltenbach, is seen walking down the street humming “Pop Goes the Weasel” while carrying a bag of what appears to be groceries. He enters his home, peers out of a window at the children in costumes walking by, and says he’s going to give them something “special” this year. He then pulls a large knife out of his kitchen drawer.
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The Magic Box has enjoyed its busiest day ever, to Anya’s delight. Xander decides that the time is right to announce his engagement to Anya, and the group makes its way back to Buffy’s house to celebrate. Back at the Summers home, Willow conjures up decorations for the party, but Tara now shares Giles’s concerns about Willow’s frivolous use of magic. Willow brushes off these concerns. Dawn tells Buffy that she is going to her friend Janice Penshaw’s house, but really meets Janice and two older boys: Justin and Zack. Dawn becomes attracted to Justin. When the foursome stops in front of “old man” Kaltenbach’s house, Dawn, on a dare, walks up to the porch to smash a pumpkin. She is caught by Kaltenbach, who warns her not to mess with them, then laughs and invites them all inside for a “special treat”. Inside, Justin volunteers to help Kaltenbach with his preparations in the kitchen. The old man is about to cut into a baked dish when Justin, now revealed as a vampire, bites and drains him. Justin then returns to the others and announces that they need to flee because he stole the man’s wallet.
Meanwhile, at the Summers home, Xander, who was already nervous in response to Giles’s serious talk with him about his and Anya’s future plans, becomes even more nervous when Anya chatters with Giles, Buffy and Xander about the wedding and plans for children. On patrol, Buffy runs across an accident scene with a corpse that was left behind by Zack while he was stealing a car. While she is tracking the culprit, she encounters Spike, who passes on a message from Giles: Dawn has misled the adults regarding her plans for the night. Now the whole gang is on the case. At The Bronze, Willow wants to use an extremely risky spell to locate Dawn, but Tara stops her, and an angry argument ensues. In the stolen car, Justin drives Dawn and the others out into the forest and stops. Zack and Janice depart, leaving Justin and Dawn alone in the car. Justin kisses Dawn – her first kiss – and then reveals his vampire face. Dawn attempts to escape from Justin, but he catches her. Giles is quickly on the scene to help, but vampires emerge from several cars, ready to fight. As they close in, Spike and Buffy show up to assist. Dawn runs away from the fight, but Justin finds her. He attempts to change her, but as he is leaning in to bite her neck, Dawn stakes him with a crossbow bolt, fired earlier in the melee.
The gang returns home, where Buffy is quick to leave the job of chastising Dawn to Giles, who is unhappy about how Buffy is relying on him so much. Meanwhile, Willow casts a spell on Tara to make her forget their quarrel.

All The Way was a great episode of Buffy the Vampire Slayer. This was a great Halloween episode. Zander finally announces that he and Anya are going to get married, much to every ones surprise! I thought Dawns little adventure was fun, and had some mystery and suspense. This episode definitely had the Classic Buffy feel to it. I think there was some character development here for a few characters like Dawn, Willow, and Tara. Willow has been using magic for every little thing and Tara is getting worried.

REVIEW: BUFFY: THE VAMPIRE SLAYER – SEASON 1-7

Buffy the Vampire Slayer Logo 3840x2160 wallpaper

CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brendon (Children of The Corn III)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
Anthony Stewart Head (The Iron Lady)
Davis Boreanaz (Bones)
Seth Green (Austin Powers)
James Marsters (Caprica)
Marc Blucas (Red State)
Emma Caulfield (Supergirl)
Michelle Tractenberg (17 Again)
Amber Benson (The Killing Jar)

RECURRING / NOTABLE GUEST STARS

Mark Metcalf (Drive me Crazy)
Brian Thompson (Hired To Kill)
Ken Lerner (The Running Man)
Kristine Sutherland (One Life To Live)
Julie Benz (No Ordinary Family)
Eric Balfour (Skylive)
Persia White (The Vampire Diaries)
Mercedes McNab (The Addams Family)
Elizabeth Anne Allen (Bull)
Robin Riker (The Bold and The Beautiful)
Musetta Vander (Stargate SG.1)
Christopher Wiehl (Cold Hearts)
Geoff Meed (Little Miss Sunshine)
Andrew J. Ferchland (The Last Leprechaun)
Jennifer Sky (Cleopatra 2525)
Chad Lindberg (The Fast and The Furious)
Armin Shimerman (Star Trek: DS9)
Dean Butler (Little House on The Prairie)
Clea DuVall (The Lizzie Borden Chronicles)
Robia LaMorte (Spawn)
Michael Bacall (Django Unchained)
Juliet Landau (Ed Wood)
Ara Celi (American Beauty)
Clayne Crawford (Roswell)
Danny Strong (The Prophecy II)
Kavan Smith (Stargate SG.1)
Robin Sachs (Jurassic Park 2)
Larry Bagby (Walk The Line)
Jason Behr (Roswell)
Will Rothhaar (Kingpin)
Julia Lee (A Man Apart)
Bianca Lawson (The Vampire Diaries)
Saverio Guerra (Becker)
John Ritter (8 Simple Rules)
Jeremy Ratchford (Cold Case)
James Parks (Kill Bill)
Vincent Schiavelli (Batman Returns)
Jack Conley (Fast & Furious)
Willie Garson (Stargate SG.1)
Christopher Gorham (Ugly Betty)
John Hawkes (Winter’s Bone)
Meredith Salenger (Lake Placid)
Charles Cyphers (Halloween)
Wentworth Miller (Legends of Tomorrow)
Shane West (Nikita)
Max Perlich (Blow)
Richard Riehle (Office Space)
Carlos Jacott (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
Jason Hall (American Sniper)
K. todd Freeman (The Dark Knight)
Fab Filippo (Guidestones)
Jeremy Roberts (The Mask)
Eliza Dushku (Tru Calling)
Ian Abercrombie (Army of Darkness)
Harry Groener (About Schmidt)
Jack Plotnick (Rubber)
Nicole Bilderback (Dark Angel)
Jeff Kober (New Girl)
Harris Yulin (Training Day)
Dominic Keating (Star Trek: Enterprise)
Michael Cudlitz (The Walking Dead)
Alexis Denisof (Dollhouse)
Christian Clemenson (Lois & Clark)
Ron Rogge (Power Rangers Lightspeed Rescue)
Ethan Erickson (Jawbreaker)
Andy Umberger (Deja Vu)
Katharine Towne (Evolution)
Lindsay Crouse (The Insider)
Phina Oruche (The Forsaken)
Adam Kaufman (Taken)
Walter Jones (Mighty Morphin Power Rangers)
Kal Penn (Van Wilder)
Bailey Chase (Longmire)
Leonard Roberts (Heroes)
Andy Hallett (Chance)
Doug Jones (Hellboy)
George Hertzberg (Too Much Magic)
Alastair Duncan (The Batman)
Rob Benedict (Birds of Prey)
Erica Luttrell (Lost Girl)
Kathryn Joosten (desperate Housewives)
Connor O’Farrell (Lie To Me)
Rudolf Martin (Swordfish)
Tom Lenk (The Cabin In The Woods)
Charlie Weber (Gacy)
Clare Kramer (Bring it On)
Ravil Isyanov (Alias)
Amy Adams (Man of Steel)
Brian Tee (Jurassic World)
Kali Rocha (Buried)
Kevin Weisman (Alias)
Abraham Benrubi (Open Range)
Cynthia LaMontagne (That 70s Show)
Oliver Muirhead (The Social Network)
Shonda Farr (Crossroads)
Adam Busch (Sugar & Spice)
Joel Grey (Cabaret)
Karim Prince (Mighty Morphin Alien Rangers)
Wade Williams (Gangster Squad)
Todd Stashwick (The Originals)
Amber Tamblyn (Two and a Half Men)
Jordan Belfi (Surrogates)
Mageina Tovah (Spider-Man 2 & 3)
Ivana Milicevic (Casino Royale)
Lee Garlington (Flashforward)
Jan Hoag (Scream Queens)
Nicole hiltz (Smallville)
Alexandra Breckenridge (The Walking Dead)
D.B. Woodside (24)
Zachery Ty Bryan (The Fast and the Furious 3)
Sarah Hagan (Freaks and Geeks)
Jonathan M. Woodward (Firefly)
Stacey Scowley (The Brotherhood 2)
Felicia Day (The Guild)
Megalyn Echikunwoke (Arrow)
Ashanti (Resident Evil: Extinction)
Indigo (Broken City)
Nathan Fillion (Firefly)
Dania Ramirez (Heroes)
Julia Ling (Chuck)

Buffy The Vampire Slayer is one of the wittiest, most well developed, and consistent cult fantasy shows on television. Unlike other shows in the genre, it has been able to showcase a wide balance between fantastic character development, humor, topical plotlines, heart wrenching drama, science fiction, and horror- a horn a plenty of styles all in one 44 min episode. While entertaining, everyone probably can’t relate to the technobabble machinations of a Star Trek episode, or the convoluted paranoia of and X-Files episode, but we all went through high school and whether you were average, popular, or an outcast, we know, we remember, all too well, the emotional highs and lows of growing up. Its something everyone can relate to, and its the central fire that keeps Buffy grounded.


But, Buffy began as a humble mid season replacement on a non entity network, and its early days when it was gaining its footing, starting its mythology, seeing how far they could tweek the drama and the horror with a minuscule budget… well, its not nearly the powerhouse it would quickly become in its second season. There are of course, subtle signs of the drama and humor to come, little hints that it was more than a teen show with vampires. And, honestly, if you were going to try and impress someone who had never seen The X-Flies, you certainly wouldn’t show them the first season without saying, “It gets much better.”

KEY EPISODES ARE –


Episode 1: Welcome to the Hellmouth- Buffy Summers, a high school sophomore, transfers to Sunnydale High. There she meets her “Watcher” and learns she cannot escape her true destiny.— Like most pilots, its all about introductions- Buffy the reluctant Slayer, her pals and soon to be Scoobies, spazz with a heart of gold Xander, shy brain Willow, her stuffy Watcher Giles, the mysterious Angel, and the snobbish beauty queen Cordelia. Also, of course, establishes the first main villain, The Master, and the Hellmouth, the demonic portal that would provide the show with its main mythological device keeping the town of Sunnydale infested with all manner of creatures for Buffy to slay

Episode 2: The Harvest:- A Stranger named Angel tells Buffy that if she does not stop the Harvest, the Hellmouth will open and the Master roam free.— Whereas the first episode was focused on introducing the characters and didn’t have much room for tension or action, The Harvest provides a look at Buffy having to accept her role as Slayer as she realizes the deadly consequences if she abandons her destiny.

Episode 5 : Never Kill a Boy on the First Date:

While awaiting the arrival of a warrior vampire called the Anointed One, Buffy’s big date at the Bronze ends with an assault on a funeral home. — Once again, showing Buffy’s attempts to balance a normal life with her secret life as the Slayer. While a little weak and cornball, it also manages to show the villain thread well, how most main Buffy villains will have some sort of evolution, twists and turns to keep the viewer guessing.

Episode 7: Angel: A moment of passion turns to terror as Buffy discovers Angel’s true identity and learns about the Gypsy curse that has haunted him for almost 100 years.— Probably the most weak, ill-defined character early on, this episode finally showcased more about Angel and gave his character some considerable fleshing out. Taking into account the large part his character would play in the Buffyverse, and the leaps and bounds of change he would undergo, his affect on all the characters, particularly Buffy, in one way or another, it makes this one of the seasons better episodes.

Episode 11: Out of Mind, Out of Sight: As Cordelia prepares for Sunnydale High’s May Queen competition, an invisible force starts attacking her closest friends.— Another of the seasons better episodes, and a clever look an always pertinent issue, showing yet another sympathetic foe, those fringe kids who are always ignored, sometimes until it is too late.

Episode 12: Prophecy Girl:

As the Spring Fling dance approaches, Giles discovers an ancient book foretelling the Slayers death at the hands of The Master.— While a tad abrupt, this finale serves up everything one wants, tension, conflict, and turns you don’t quite see coming. Pivotal in the series for all players, but mainly Buffy, showing that she isn’t just an invulnerable buttkicker able to save the day alone, but through banding together her and the Scoobies will take on many a Big Bad to come.

Season 2 of Buffy the Vampire Slayer is quite possibly the best season of the bunch. Season 2 is by definition, where things get darker and more complex, this was the season that really made Buffy an unpredictably smart series.

The season opens with ‘When She Was Bad’ which deals with the fallout of Buffy’s momentary death in the previous year one finale; this episode is appropriately handled and sees Buffy acting rather out of character after returning from her summer away from Sunnydale. The preceding episodes are a fun affair and help the viewer to settle back into the rhythm of the series with various episodes focusing upon certain characters.

The ‘Big Bads’ of the season appear early on and come in the form of Drusilla and Spike, the former being a rather off-her-rocker vampire and the latter a bleached, leather wearing, cocky undead Englishman! As villains they are a lot of fun and help to shape season 2 as something unique and well constructed. However, come the end of the year things are considerably shaken up in terms of ‘the Big Bads’, with the appearance of Angelus.

Willow, Xander and Giles all find themselves venturing into new territory: dating! Cordelia continues to redeem herself and becomes a fully fledged scoobygang member, whilst Buffy and Angel undergo many changes to their relationship which is mostly the driving force of the season. By the middle of the season the episodes gradually become darker and a more coherent storyarc begins to emerge, starting with the events of ‘Surprise (Part 1)’ which culminate in the emotional and incredibly shocking ‘Innocence’ (Part 2). Said episodes are some of the best in the history of the series and set in motion events that help to lead to the end of the season. The circumstances surrounding this two parter does literally change everything once established between Buffy and Angel; and brings into question their future. The continuity, witty one liners, oblique use of language does continue into this season and helps to boost the chemistry between the actors as they discuss, for example the oddness of some TV movies and sore thumbs. These subtle touches give the season a vibrancy and kooky edge; what makes Buffy such an enjoyable show is the warmth and heart it retains, mostly provided by the actors but also by the wonderfully consistent writing.

The two part finale ‘Becoming’ is well set up as a consequence of the episode ‘I Only Have Eyes For You’, which happens to be beautifully moving and tragic respectively. The complexity of the Angelus arc presented here really sets up and supports the actions that lead to the occurrences of the finale. ‘Becoming’ part 1 & 2 with all it’s flashback goodness brings about tumultuous change and throws one through the emotional wringer all the while its still surprising, sad and gut wrenching upon each rewatch. The issues dealt with this season are far more adult and dark than is the usual, and in turn it delivers a wonderfully realized arc which never fails to amaze.


This third season of Buffy the Vampire Slayer contains some of my favourite episodes from the entire run of the show and also has the fewest offbeat episodes. This year Buffy and the gang are in their final year of high school but living on the Hellmouth is never easy and in addition to the usual demons and vampires they must deal with the schemes of the Watchers Council, a new slayer and a politician after even more power.

Buffy has really found its feet with this season and I would say that it is this year that the show reaches its peak. All the regular cast members give their usual brilliant performances but the season is really stolen by the new cast members, specifically Eliza Dushku as Faith the new Slayer and Harry Groener as the eccentrically evil Mayor Wilkins, who is probably my favourite of all the Buffy villains.

It is difficult to choose favorite episodes from this season as it includes so many great ones. `Bad Candy’, `Amends’, `Earshot’ and the two part season finally `Graduation’ are all excellent episodes being both funny and enthralling but my favorite episode has to be `Lover’s Walk’ where a lovesick Spike returns to Sunnydale after breaking up with Drusilla in order to find a way to get her back. James Marsters is truly excellent in this episode and livens up the series brilliantly. Another couple of episodes of note are `The Wish’ and `Doppelgangland’ both of which involve a parallel universe where vampires have taken over and feature a vamped up Willow, brilliantly portrayed by Alyson Hannigan who seems to enjoy the role immensely. Although none of the episodes could truly be considered awful, `Gingerbread’ and `The Zeppo’ are the weakest episodes of this season and are slightly painful to watch in places.

Overall this season is truly great, with brilliant writing and a plot that never ceases to be in turns exciting, funny and touching.

With the loss of David Boreanaz and Charisma Carpenter to the spin-off show, “Angel”, there were voids to be filled in this, the first season out of high school, and Marc Blucas and Emma Caulfield suitably obliged. The fragmentation of the Scooby Gang was for many the core reason why Season Four didn’t match the heights of the previous three: nobody seemed to care enough about each other any more. With Giles out of work, Xander flitting from one deadbeat job to another, and Buffy and Willow settling in to life on campus, there was concern that the old gang would never get back together.


A big risk was taken in introducing a more sci-fi element with the arrival of a secret government demon-hunting operation. But there’s a big difference from other genre shows: the Initiative was never in control of its actions. And that’s the gist of the season: that Buffy and her traditional methods will always be superior, and that it’s through her skills and her friends that evil is defeated, not bureaucracy. Which is why there’s no big finish in episode 22 (the grand climax happens in episode 21), because the most important storyline is about the reaffirmation of friendships, demonstrated in the most bizarre way imaginable in an episode composed almost entirely of dream sequences.


There are some classics (the Emmy-nominated “Hush” was possibly the boldest piece of television attempted before “The Body” the following year). And in the final scene of the season, we get a great setting-up of what’s to come, without knowing any specific details. All in all, a season that left a few minor gripes, but which in the overall scheme of things, has continued the journey of life into adulthood. Now they’re all supposed to be grown up, but the future still holds a great deal of uncertainty, and that can only be good for the show.

Although Season 5  still has comedic moments, it also has many more serious moments. Not to spoil it for those who have not seen the series yet, two major deaths rock the Sunnydale Slayage Crew. These are excellently handled, and in no way seem like they are tying off loose ends.

The episodes are excellent. From fighting Dracula, to multiple Xanders. From a new sister, to an old foe swapping sides. This season is excellent. the first disc houses such gems as the introduction of Dawn, without any back story or any clues into why she is there. These facts are revealed slowly through the next disc, with amusing storylines for Spike, clearly an excellent addition to the principal cast. Anya also comes into her own, and becomes revels in the joys of capitalism.

Through the next disc a departure of a relatively new character, Riley, hurts Buffy tremendously, whilst the appearance of a troll lightens the mood considerably. The fourth disc includes the fun episode where the Watcher’s Council return to Sunnydale, and reveal a shocking secret about the main enemy of this series. Spike also has a choice to make, whether to fall back into the arms of his old flame, Drusilla, or to move on and persue his newest conquest, a source of exasperation for Buffy.

The fifth disc is a solemn affair, with the death of a principal cast member, who had been with Buffy from the beginning. As Buffy and her ‘Scoobies’ attempt to cope, the attacks on them by the villain of the series grow more violent and frequent, leaving a dissuaded Buffy sure that she cannot beat the villain. When his new enemy learns of an importance in the Scooby gang, and this member of the gang get captured, Buffy goes into meltdown. With the help of Willow, Buffy recovers and faces the most terrifying villain ever in the history of Buffy The Vampire Slayer, with a conclusion that is heart wrenching.


“The Gift”, the season five finale, ended with Buffy dead and buried after battling deranged fallen goddess Glory. Dying is kind of old hat for Buffy, and I don’t think I’m giving too much away by revealing that the show’s title character quickly gets over the whole death thing. Although the ensuing gang of biker demons is corny, I thought her return from the grave in the feature-length “Bargaining” hit all the right notes. Her reappearance is heartbreaking and almost horrifying, and it avoids undermining the events that concluded the previous season.

Rather than just toss her back in this mortal coil as if she’d never left, Buffy is distant and depressed, not quite the elated response her friends were expecting to see. The opening of the season offers an evenhanded blend of humor and drama, particularly the early escapades of the Troika. The all-nerd supersquad — robotics whiz Warren (Adam Busch), clumsy sorceror-lite Jonathan (Danny Strong), and summoner Andrew (Tom Lenk). They added a well-needed dose of geeky comedy to the season, which made the bitter pill of the agony Buffy and friends endure later on easier to swallow.

The darker spin the three of them eventually take also resonates more having seen several episodes worth of their giddiness at being supervillains. I also thought the aftermath of Buffy’s return, seen in “After Life”, “Flooded”, and “Life Serial”, worked well as she tried to find her place in the world (and her friend’s worlds) after being plucked from the afterlife. These episodes also manage to strike that perfect balance between humor and drama.

Another early highlight is “Tabula Rasa”, where a spell gone awry robs the Scoobies of their memories.  Of special mention from this chunk of the season, of course, is the musical episode “Once More with Feeling”. The version presented here is the original broadcast, a few minutes lengthier than your average Buffy installment. Although the concept of characters in an established drama singing and dancing for an hour screams ‘gimmick’, it’s not a standalone episode, tying in heavily to the previous episodes of the season and setting up some of what would soon follow. The songs are surprisingly good, particularly impressive considering that they were written by someone without much of a musical background.Image result for buffy once more with feeling

The season closes out with a series of strong episodes. “Hell’s Bells” features the chaos of a wedding between a human raised in a dysfunctional family and his millennia-old former vengeance demon fiancee, the aftermath of which is explored in “Entropy”.

One of the season’s best is “Normal Again”, which questions the reality of what we’ve seen for the past six seasons, and Buffy’s assault on her possibly-delusional friends and family is as chilling as anything seen up to that point on the series. The darkness pervasive throughout much of the season culminates in “Seeing Red”, which has two monstrous turning points. Its fatal closing events lead into the three-episode arc that rounds out the season. Similar to Angelus’ appearances on both Buffy and Angel, the immeasurably powerful antagonist in these final episodes tear down the main characters.

In its final season, Buffy the Vampire Slayer issued a mission statement you might not expect from a series that’s been on the air for seven years: go back to the beginning. After a foray at college and a year spent toiling away in the working world, Buffy’s going back to high school. Several years after its destruction at the hands…or giant coiled tail, whatever…of the ascended Mayor Wilkins, Sunnydale High has been rebuilt from the ground up. The Hellmouth beneath the school happens to lurk directly below the office of Principal Robin Wood (D.B. Woodside), who’s harboring some sort of dark secret that may or may not work to Buffy’s favor. Anyway, Wood continually stumbles upon Buffy as she spirits Dawn off to her first day of school as a freshman and ensuring both Summers girls make the most of the lovingly-crafted Sunnydale High set, Wood offers Buffy a job as a part-time counselor. Holed up in the bowels of Sunnydale High is Spike, who’s been driven mad by a combination of his newly-acquired soul and an entity that’s been haunting him, one that’s soon going to expand its grasp to the rest of the Scooby Gang and the world at large.

These early episodes really do capture the feel of the first few seasons of the series, a very welcome change after the grim year that came before it. This is one of the stronger opening salvos of Buffy. “Him” is played pretty much for laughs, revolving around a football player whose letter jacket makes him irresistible to the fairer sex, compelling Dawn, Buffy, Willow, and Anya to take drastic and wholly over-the-top measures to win his complete adoration.

 

Three of the season’s best episodes run back-to-back. “Same Time, Same Place” follows Willow’s return to the group, still reeling from the near-apocalyptic events of the previous year and further disheartened when she’s apparently abandoned by her friends. Buffy and company really are there for Willow, but the problem is that there are kind of two separate and distinct “there”s. The cannibalistic Gnarl is one of the most effectively creepy creatures of the show’s entire run, and his confrontation with Willow is unsettling and horrifying…and I mean that in the best possible way. “Help” quickly follows, chronicling Buffy’s quest to save the life of an awkward, introverted poet who foretells her own death.

Although I really like all of the first batch of episodes, this season has two particularly strong stand-outs. Following the excellent “Same Time, Same Place” and “Help” is “Selfless”, which features Anya returning to form as a mass-murdering vengeance demon, a decision that awes her demonic coworkers and conflicts her former friends as Buffy must make a difficult decision. The episode makes use of flashbacks from several vastly different time periods and juggles drastically different tones. We see what led young Aud to become the vengeful Anyanka in a hysterical glimpse back at her life with her wench-drenched, troll-hating brute of a husband, Olaf. There’s also a flashback to “Once More, With Feeling”, complete with a new musical number, followed by a brutal, brilliant cut to the present.

The other standout is “Conversations with Dead People”, an inventively structured episode penned by four different writers. The title is a decent enough synopsis, as a number of characters communicate in varying forms with the dearly departed. Buffy allows herself to be psychoanalyzed by a recently-risen Psych major, Dawn is haunted by a poltergeist that takes on a shockingly familiar image, Willow is delivered a message from a lost love one, Spike goes out on the town, and the remnants of last year’s nerdy Troika return to Sunnydale.

In general, season seven feels like Joss Whedon and company had a clear beginning and a clear ending. The Finale does give the show a nice ending, but is left open should the show ever return in any format.