25 DAYS OF CHRISTMAS REVIEW: ROSWELL – A ROSWELL CHRISTMAS CAROL

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MAIN CAST

Jason Behr (Dragon Wars)
Shriri Appleby (Swimfan)
Katherine Heigl (Killers)
Majandra Delfino (Traffic)
Brendan Fehr (Bones)
Colin Hanks (King Kong)
Nick Wechsler (Tru Calling)
Emilie De Ravin (Lost)
William Sadler (Wonderfalls)

A ROSWELL CHRISTMAS CAROL

GUEST CAST

Desmond Askew (GO)
Garrett M. Brown (Kick-Ass)
Mary Ellen Trainor (Ghostbusters 2)
Diane Farr (Two and a Half Men)

It is nighttime in a downtown Roswell Christmas tree lot. Max is measuring a tree because he has orders from Isabel (AKA the Christmas Nazi) to pick out the perfect tree. She has supplied him with a diagram and specific parameters of height, circumference, color and density of foliage. Michael is trying to get him to hurry up because he is cold and he wants to get to the hardware store before it closes, to get Maria’s present. Max suggests that, since she expects something significant this year, perhaps he should rethink the hardware store. Their attention is drawn to t! he sound of screeching tires. They look in time to see a father throw his daughter to safety, out of the path of an oncoming car, only to be hit himself. There is a sickening crunch as he hits the windshield, rolls to the ground, and lies very still. A crowd gathers around him; a man calls out for an ambulance; a woman says “He’s still breathing.”; the little girl keeps calling for her father. Max and Michael look on, distressed. Max is torn with indecision, but chooses to walk away when Michael tells him “Let’s go.” Cut to the next morning in the Evans kitchen. Diane’s news paper headline reads “Father of Two Dies Heroically in Tragic Accident”. Diane and Phillip commiserate over the family’s loss.2Phillip asks Max ‘Where’s the Christmas Nazi?” and Max replies that she is checking the lights on the house. Isabel comes in from the back door, dragging a small Christmas tree behind her, berating Max with “This is, by far, the most pathetic Christmas tree, I have ever seen. Did you even refer to my diagram?” Max apologizes, saying something came up so he had to run out that morning to get it and the choices were limited. Isabel is disgusted with him and says, had she known he couldn’t handle it, she would have squeezed it in herself, between the Hunger Drive and Christmas dinner at the nursing home. Diane brings up the family of the deceased father and, as Isabel mentions that she and others are considering organizing a vigil, Max notices the father sitting on top of the washing machine in the laundry room. Shocked, he walks over to him. Isabel starts telling Phillip about burned out lights and, turning to Max for his input, notices that he is standing in front of the washing machine. She does not see the father and sarcastically comments “Great, he’s doing laundry now.” Max stares at the father with uncertainty, then whispers “I’m sorry.” The father looks disdainfully at Max and says “How could you let me die?”f4d5d859641fc072At the Crashdown, Michael is trying to convince Maria to give him more time to get her gift, asking what difference it makes if he doesn’t have it until, say the 27th, instead of the 25th. Maria feels it makes a big difference and tells him “You give me that damn present on De! cember 25th or I’ll never speak to you again.” She then takes off to deliver Brody his lunch. Cut to the UFO Center. Brody tells her that he will be away for the next few days so she shouldn’t bother bringing his lunch. He is obviously down spirited but tells her everything’s fine when she asks. She reluctantly leaves, wishing him a Merry Christmas. At the Valenti home, Jim and Kyle are watching a football game on TV. After a disappointing play, Kyle says “His mind and body are in deep conflict. When one’s heart and one’s mind are not in balance, one’s body is the first to fail.” Disconcerted, Jim replies “I’m very concerned that you’re starting to make sense to me.” Tess comes in from outside, complaining about the day she had, amongst crazy Christmas shoppers. She sits on the ottoman, directly in front of the TV. They sway back and forth, trying to watch the game around her, as she tells her tale. Therefore, they are at an angle when a touchdown occurs and t! hey both execute a sideways cheer. They are only half paying attention to Tess as she tries to find out how they celebrate Christmas, without revealing her own interest. She learns that they have a plastic Christmas tree in the garage but they haven’t bothered to bring it in these past few years. Kyle adds “We like it in the garage. I use it to dry my socks.” She brings up Christmas dinner, and they say they have Christmas dinner at the Crashdown; all you can eat for $7.95. Clearly disappointed, Tess bravely smiles and says “Great! You know, I don’t celebrate Christmas anyway.” Jim replies “Great.” then he and Kyle cheer another play, not noticing Tess’ disappointment.
Image result for roswell A ROSWELL CHRISTMAS CAROLAt a store, Isabel discourages Michael from getting Maria an electric toothbrush for Christmas. She tells him “Think about all that you and Maria have shared, all that she means to you. Then start coming up with some ideas. OK? A Christmas gift should be personal, thoughtful, and something someo! ne would never get herself.” She tells him she has to go, rattling off a list of all the things she still has to do (rehearsal for the holiday pageant, dinner at the nursing home, wrapping presents) and complaining that she now has to add getting a Christmas tree to it. Michael hails the Christmas Nazi, as she leaves and she stops, turns and says “What did you say.” He pretends he said nothing but she knows otherwise. That evening, Maria and her friends are going to the homes of those experiencing misfortune, to sing Christmas carols. Max is watching, as they sing in front of the home of the father that was killed. His widow and two children are somber but appreciate the thought. The father, John, appears before Max and says “What are YOU doing out here?” Max replies “I just wanted to make sure they’re all right.” John responds “They’re not all right.” Max explains “If I had exposed myself last night, there are people I would have put at risk.”91d6d8965dd5bc4b1da7b0.80964457_John counters with “But it was OK for you to heal Liz Parker?” Max asks how he knows about that and he replies that he knows everything in Max’ mind, heart and soul. Max promises to watch out for his children. John asks for how long and Max replies “Until they’re OK.” Angry, John spits out “They’ll never be OK, Max! Don’t you understand that? They lost their father last night!” Max is visibly distressed and has no reply. Cut to the Crashdown, where Max reminds Liz that they had agreed to be friends and tells her “I think I need a friend.” Cut back to Maria and her friends going to the last house on the list – a 5 year old girl with cancer. The little girl comes out when she hears the singing and calls to her daddy to come out too. Maria is shocked when she sees Brody appear behind the little girl. He too is surprised to see her. Cut back to Max and Liz on her balcony. Max is telling her about seeing John get hit by the car, and that he could have healed him but didn’t. She tells! him he can’t hold himself responsible for that man’s life, that if he had healed him he would have risked exposing Michael, Isabel and Tess. John appears on the balcony and says “Well that was the sugar coated version, Max. Now tell her what you were really thinking.” Max cringes then, with a strained voice, says “I wasn’t thinking about Michael, Isabel and Tess. I was thinking about myself, in the White Room, and being tortured. I didn’t heal that man, because I was protecting myself. Why couldn’t I trade my life for his?” Liz tries to console him, but he is distracted by John, who is singing “Amazing Grace”, while he walks along the top of the balcony railing. Liz does not see John and is confused by his behavior. Scared, he tells her that John is haunting him – that he actually sees him. As he says “I have to do something.”, John falls backward off the railing. Max runs to him, reaching out to catch him, but nothing is there. John appears back on the balcony, s! aying “You need to restore the balance, Max.” Max says to Liz “I need to restore the balance.”
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The next day, Maria meets Brody outside his home. She learns that Brody’s daughter, Sydney, has inoperable bone marrow cancer. He tells her she’s with him for a few days, for Christmas. He apologizes for not mentioning her before but explains it’s hard to talk about. She tells him “If there’s anything I can do, anything at all…” He tells her she did enough just coming by the night before and compliments her singing voice. Sydney comes out, dressed as a princess, to tell Brody she’s having trouble with her crown. He explains that she is participating in the holiday pageant that day. Maria introduces herself to Sydney. She is quite taken with her and watches admiringly, as Brody helps Sydney with her crown. At his apartment, Michael explains to Isabel how a dirty, old, car bumper, he got for Maria’s Jetta, meets all her criteria: He personally knows how upset she is about how much they screwed up her car, it was Thoughtful of him to go to the junkyard to get it, and, it’s something she’d never get herself. Isabel sighs, then says she’s going to adjust her schedule to take him shopping and rectify this situation. Perturbed, Michael replies that he is not going to obsess over this present and make everyone else around him miserable.

 

Miffed, Isabel replies “What are you saying? That I get obsessed and make everyone around me miserable?” Michael replies “I didn’t say that.” Ranting, and pacing the room, Isabel says “You know, is it too much to ask, that ONE day a year, I can be like a NORMAL human being, with a normal life, and have a Merry Christmas ?” Michael replies under his breath “No, Mein Fuhrer.” Isabel whirls around saying “WHAT?” Michael pretends he said nothing but cringes waiting for the ax to fall. Isabel smiles knowingly, then as she prepares to leave, asks if she can leave some of her presents there, while she continues shopping. He says sure and breathes a sigh of relief when she leaves.At the grocery store, Jim tells Kyle to “go long” and tosses frozen dinner boxes to him, backing up into Amy’s cart in the process. They are VERY pleased to see each other. She not ices Tess and says “Oh my God, this must be the famous Tess; my daughter Maria has told me so much about you!” Smiling, Tess replies “I deny everything!” Amy praises Jim for living the Christmas spirit, by opening up his home to Tess. She tells him “This must be a very special year for all of you. You have a new member of your family!” It’s obvious that Jim hadn’t thought of it that way before, but he readily agrees with Amy. As Amy collects her turkey, she says “Remember Jim, if you ever want to stop by, there’ll always be a DeLuca Christmas pie waiting.” Jim replies “Thanks, Amy.” Tess has been observing their flirting with interest. At the park, Maria is telling Liz about Brody and Sydney. She’s been crying all day and tells Liz that she wants to BE with them, because Brody is such a good man, and Sydney needs a mother: Liz realizes that Maria is talking about marriage and reins her in by reminding her that she’s only 17 and that she can’t just step in and be! come someone’s mother. Maria realizes she’s acting crazy and Liz tells her she just cares too much but she should leave them alone and let Brody and Sydney have this time together. Maria replies “It’s so wrong. It’s Christmas. Christmas is supposed to have happy endings and miracles. Liz notices Max and gets an idea. Then hugs Maria to comfort her. Cut to Isabel, who is addressing an audience, welcoming them to Roswell’s 23rd Annual Holiday Pageant. She points out that they may know her as the Director of the Pageant, or as the President of the Hunger Drive or even as the Christmas Nazi. She looks pointedly at her parents, Max and Michael as she says the last. She then introduces the children, who all come out in various holiday costumes. Brody applauds enthusiastically as Sydney comes out. Liz runs up to Max and whispers in his ear. He looks up at Sydney on stage, then glances at Brody, then back at Sydney. John comes up behind Max and Liz and says “Looks like we have a plan.”

At Michael’s apartment, Max is telling Michael, Isabel and Tess about Sydney. Michael, repairing the bumper for Maria’s Jetta, angrily bangs on it as he reminds Max that healing Sydney will leave a silver hand print, which will act as a calling card to the FBI. Max disagrees, saying Nasedo destroyed all records so no one will make a connection. He realizes that he’s asking a big favor, that there are a million reasons not to do this, and only one reason to do it – he needs to. Isabel and Tess say they are behind him. Michael accepts that he is the “odd man out” and adds “We are here for a reason, Max. So, call me a selfish jerk, but I don’t think we should risk everything just so you can feel a little bit better about yourself for Christmas. It’s three against one, I’m voted down anyways.” Max tries to placate him but Michael interrupts with “You made your decision before you walked through that door. I know you did, I could hear it in your voice.  So, why don’t you just go do what you’re gonna do, and make sure you don’t screw up. That evening, at the Valenti home, Kyle and Jim are watching TV as Tess makes final preparations for their dinner. The home is very festive with all the Christmas decorations she has put up. She asks Kyle to get two more chairs for the dining room and is shocked to learn that there are no others. Jim tells her they usually eat in front of the TV so they had no need for more chairs. Upset, Tess responds “I have been cooking for 20 hours, while you two have been sitting back on the couch like two beached whales, not even noticing or caring that I am living here. tumblr_lvav9sne0M1qguk32o1_400OK, I am here! HELLO! Hello? So, since I’m LIVING here, I should have a DAMN chair to SIT in!” Jim and Kyle are shocked and chagrined by her outburst. Jim quietly says to Kyle “We could bring my desk chair over.” Kyle quietly responds “Good idea.” Tess asks where Amy will sit. This is the first Jim and Kyle are hearing ! that Tess invited Amy to dinner. Looking frightened, Jim asks when she’s coming. The doorbell rings and he goes into panic mode as he tries to sweep away the mess he and Kyle have made in the living room, and straighten up his own appearance, all the while yelling at Tess for inviting someone over without telling him first. He takes a deep breath, opens the door and greets Amy with a big smile. She’s all smiles too, thanks him for the note, inviting her over, says “I miss you too.” and steps into the house. Meanwhile, Max enters Brody’s home and sees John sitting in a living room chair. He tells Max he’s too late, Sydney was rushed to the hospital, and adds “Boy, do you have a dilemma.” Cut to Max knocking on Michael’s door. He tells Michael he’s going to the Phoenix hospital. He realizes it’s a little more dangerous and thought he should know. Related imageMichael responds “I’m going with you. I just want to keep you from getting us all killed.” Cut back to the Valenti hom! e. The four of them are all laughing and enjoying the evening immensely. Amy and Jim start reminiscing about their past, as Tess is bringing in the food from the kitchen. Kyle is especially pleased that Tess has prepared his favorite dish – 3 cheese potato gratin, with bacon on the bottom. He follows her into the kitchen and asks if she needs help carving the turkey. She smiles, says “I got it.”, and waves her hand over the turkey, creating perfect slices. He thanks her for putting the whole thing together, saying “This is the best Christmas dinner we’ve had in a long time. I mean two guys living alone, we just never really had the Christmas spirit.” They both notice how much Jim is enjoying Amy’s company and Tess says “Well, it looks like he’s got the spirit now!” Kyle smiles and says “That’s a really great gift that you gave him. To both of us, I mean.” Tess replies “This is a great gift to me too.” and proceeds to carry the turkey into the dining room, where it is! well received. Kyle watches her and smiles appreciatively.
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At the hospital, as they are approaching the door to the children’s ward, Michael arranges a signal with Max – “three knocks means we’re screwed.” Max goes into the room and kneels by Sydney’s bed. She awakens and asks “Who are you?” He gently tells her it’s OK, he’s just a dream and she should go back to sleep. She closes her eyes and he passes his hands over her body. Then he places his hand on her stomach. He breathes in sharply from the strain of the healing. We see flashes of her past – Brody holding her as a baby, running happily about her home as a toddler, etc. Weakened, Max stands up, then pauses when he sees the little boy in the next bed. John appears beside him and smiles, knowingly. Cut to the other side of the door, where Michael is standing guard and a nurse is becoming suspicious. Michael knocks three times. Max hears, but goes to the little boy anyway. The nurse approaches Michael a! nd says “Excuse me, I’m supposed to check this ward.” Michael responds “I’ll save you the trouble. Someone just checked it.” Cut back to the ward. Max is healing each child in the ward. One child awakens and asks “Are you an angel?” Max is getting weaker and weaker, his vision is impaired and he is stumbling from one bed to another. Cut to outside the door. The nurse has notified security and they are approaching. Michael goes into the room and locks the door behind him. He discovers that Max has collapsed and runs to him. Security is trying to break down the door. Michael looks to the heavens and says “If there’s a God, please help us now.” Cut to security and the nurse bursting through the door to discover the children all awake and playing on their beds. The window is open. christmas naziThe next day, in the Evans kitchen, they are all watching a news broadcast as one of the mother’s of the healed children is interviewed. She tells everyone that her son was cured of his cancer. Max is very pensive. Diane calls it a “miracle” and Phillip reminds her that all the children were undergoing experimental treatment. Diane thinks the imprint of the hand on the children should be enough to convince anyone that God was involved, eve n Max, who she hopes will join them for the midnight service. At Michael’s apartment, he is polishing the bumper (which now looks new), when Maria comes in. He quickly covers it. She tells him she heard about what he did for Sydney and the other children. He tells her it was Max, not him. She says “This whole thing with Sydney has made me realize how stupid I’ve been about this gift thing. I don’t need a gift.” He tells her he already got her one and she gets as excited as a child. She notices the smell from the polishing solvent and pulls off the cover. He tells her it’s not dry yet. She asks if it’s a Jetta bumper and he says “Not yet, but it’s gonna be.” She looks at him sweetly and says “Michael, that is so thoughtful!” He is pleased that she appreciates his effort, kisses her on the cheek and says “Merry Christmas.” She says “Thank you, Michael. Thank you.” Then she playfully swats him on the arm and says “So, do you want to exchange gifts now?” She po! ints to the wrapped presents Isabel left behind and asks if one is for her. Michael now realizes she expects more than the bumper as a gift, so he lies and says “Yes. I’ll go and get it.” He walks over to the gifts, not knowing how he is going to get out of this. He tells her not to look, as he picks through the boxes. He notices a note from Isabel attached to one that reads “Michael, just in case, Love, The Christmas Nazi.” Michael smiles, removes the note and sees a tag that says “To Maria Merry Christmas Love From Michael”. He hands her the gift and all excited she says “What is it? What is it?” Sitting in a chair, under his breath he replies “That’s a good question.” Not sure what’s inside will please her, he reminds her that he was in Phoenix saving lives, so he was strapped for time and then silently prays to God. She is astonished to find real pearl earrings. He is too. Sitting in his lap, she says “Oh my God, this must have cost you a fortune!” He replies! “I’m sure they will.” She tells him “These are the most beautiful earrings I’ve ever seen. But I don’t need this gift. This year, my gift is you.” and kisses him. Hopeful, he replies “So you don’t want the earrings then?” Dashing his hopes she replies “Oh no, I’ll keep the earrings.” and hugs him. He breathes a sigh of relief and shakes his head.

 

That evening, Max taps on Liz’ bedroom window. He thanks her for telling him about Sydney. She asks if he’s still haunted and he replies “I don’t think so.” She asks why he healed all the children. He replies “How could I not? How could I not use my gift?” She gently responds “As beautiful as that is Max, you can’t keep doing it. I know it seems like there’s no reason for those kids to have cancer, or for a father to get killed saving his child, or for any of it, but maybe there is. Maybe there is someone, or something out there that’s planning all of this. And maybe you have to respect it. You’re not God, Max. ! You’re the one who told me that. Will you come to midnight service?” He replies “I’d like to, but I don’t believe in God.” Her disappointment shows. He wishes her a Merry Christmas as he leaves. She shuts the window and resignedly says “Merry Christmas, Max.” Cut to Max and John walking outside John’s home. John assures Max that his family will be OK, because his wife is pretty remarkable. Max vows to be there for them if they ever need him. He tells Max he should go be with his loved ones now. He walks through the closed door of his home, then disappears.roswell2x10_0189Cut to Max at home alone, using his powers to fix a burned out Christmas light. Michael comes in. Max is surprised he is going to the midnight service saying “You don’t believe in anything.” Michael says he’s hedging his bets, since his prayers were answered twice in the past two days. He asks Max about his powers. Max replies that they are starting to return. Michael tells him he’s pissed that he didn’t hav! e the ability to help the kids in the hospital that Max couldn’t get to. He brings him to Brody’s house so Max can see Sydney and Brody snuggled together by the Christmas tree in their living room. Cut to the midnight service, being held outside; the choir is singing Christmas carols. Jim, Tess and Kyle are sitting together holding candles. Amy, Maria and Michael are in the row behind them. Jim and Amy smile at one another. Maria is wearing her new earrings and Isabel, a couple of rows ahead, notices and motions to Michael that he “owes” her. Diane and Phillip smile when they see Max approach. He kisses Diane then moves further down the row to sit next to Liz. She smiles at him and teasingly says “I thought you didn’t believe in God?” He takes her hand in his and replies “I believe in you.” It gently begins to snow.roswellOne of the most memorable episodes of the entire series and such a heart warming story for the holidays.

25 DAYS OF CHRISTMAS REVIEW: SANTA’S SLAY

Starring

Douglas Smith (The Bye Bye Man)
Emilie de Ravin (Lost)
Robert Culp (I Spy)
Bill Goldberg (The Flash)
Dave Thomas (Rat Race)
Saul Rubinek (Warehouse 13)
James Caan (Elf)
Fran Drescher (Hotel Transylvania 2)
Rebecca Gayheart (Dead Like Me)
Chris Kattan (Undercover Brother)
Alicia Lorén (Dawg)
Annie Sorell (Cruel Intentions 2)

Bill Goldberg in Santa's Slay (2005)On Christmas Eve, the Masons, a wealthy yet dysfunctional family, are sitting down to Christmas dinner when Santa Claus (Bill Goldberg) comes down the chimney and kills them all in a variety of ways. The cast for the opening scene includes bit roles by several famous Jewish actors.Santa's Slay (2005)Riding on his sleigh driven by his “hell-deer”, Santa arrives at Hell Township and decimates the locals in various holiday-themed ways. In one of his kills, Santa slaughters the occupants of a local strip club, frequented by Pastor Timmons (Dave Thomas), a crooked minister, who manages to survive the massacre. Later, Santa murders the local Jewish delicatessen owner Mr. Green, (Saul Rubinek), using his own menorah.Santa's Slay (2005)Meanwhile, teenager Nicholas Yuleson (Douglas Smith) is living with his crazy grandfather (Robert Culp), a crackpot inventor who has built a bunker in their basement to survive Christmas. When Nicholas asks Grandpa why he hates Christmas, he is shown “The Book of Klaus”, which reveals the origins of Santa Claus. Apparently, Santa was the result of a virgin birth produced by Satan (just as Jesus was the result of a virgin birth produced by God–meaning that Santa is somewhat of an Antichrist). Christmas was “The Day of Slaying” for Santa until A.D. 1005, when an angel defeated him in a curling match and sentenced him to deliver presents on Christmas for 1000 years. This means that Santa is free to kill again in 2005.Santa's SlayUpon arriving at the delicatessen, Nicholas is taken to the police station for questioning about Mr. Green’s murder. He is bailed out by his girlfriend Mary “Mac” Mackenzie (Emilie de Ravin), just before Santa arrives and kills all of the officers. Santa pursues Nicholas and Mac in a police car, but they are able to escape, thanks to a shotgun left in Mac’s truck by her gun-crazed father (Jeff Hanna). They flee to Mr. Yuleson’s bunker, with Santa still in pursuit. Nicholas and Mac manage to escape, care of Grandpa’s snowmobile; but Grandpa is run over by Santa’s “hell-deer” and killed.santas-slay-bill-goldberg-dave-thomasThe two teens hide in a local high school, hoping that Santa’s powers will end once Christmas ends; but they are eventually forced to confront him in the gym. They are almost killed by Santa on a Zamboni but are saved by Grandpa, who is actually the angel who originally defeated and sentenced Santa. With Christmas over and his powers gone, Santa flees in his sleigh; but his “hell-deer” are shot down by Mac’s father with a bazooka. Pastor Timmons is found dead in a Santa suit and is presumed to be the killer, while, in fact, the real killer Santa Claus is boarding a flight from Winnipeg to the North Pole. After the credits, Santa is seen looking over his Naughty List, when he looks into the camera and says “Who’s Next?”santas-slay-1A movie never meant to be taken seriously, but oh so enjoyable if you’ve a mind to. I mean, come on, GOLDBERG is SANTA!!! If you’re looking for a friendly, family-oriented Christmas movie, do NOT watch this. A carnage filled Christmas delight. Goldberg has some great one liners and I have to say that I look forward to seeing him in other films because of this one. An actor or a film that doesn’t take itself too seriously is what we need more of these days. People take themselves too seriously. And apparently this is too short to post. Death. Mayhem. Santa. Satan’s offspring.

HALLOWEEN OF HORROR REVIEW: THE HILLS HAVE EYES (2006)

 

CAST

Aaron Stanford (X-Men 2 & 3)
Kathleen Quinlan (Apollo 13)
Vinessa Shaw (Eyes Wide Shut)
Emilie De Ravin (Lost)
Dan Byrd (Heroes)
Tom Bower (Die Hard 2)
Billy Drago (Children of The Corn 8)
Robert Joy (Land of The Dead)
Ted Levine (The Silence of The Lambs)
Desmond Askew (Roswell)

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A group of scientists are killed by a mutant named Pluto (Michael Bailey Smith). Later, Bob Carter (Ted Levine) and his wife, Ethel Carter (Kathleen Quinlan) are traveling from Cleveland, Ohio to San Diego, California for their silver anniversary. With them are their teenage children Bobby (Dan Byrd), and Brenda (Emilie de Ravin), eldest daughter Lynn (Vinessa Shaw), Lynn’s husband Doug Bukowski (Aaron Stanford), their baby daughter Catherine (Maisie Camilleri Preziosi), and their German Shepherds, Beauty and Beast. In the New Mexico desert, they meet a gas station attendant named Jeb (Tom Bower), who tells them of a short-cut through the hills. After taking the supposed short-cut, their tires are punctured by a hidden spike strip. Doug and Bob go look for help, while the rest of the family stays behind.
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Bobby chases a panicked Beauty into the hills and finds her mutilated body; frightened, he runs and accidentally falls, knocking himself unconscious. A young female mutant named Ruby (Laura Ortiz) finds him and protects him from her brother Goggle (Ezra Buzzington). Bob goes back to the gas station for help, and upon investigation finds news clippings detailing various disappearances that have occurred in the area. He realizes the attendant purposefully led them to danger by suggesting they take an alternative route through the hills. When Bob exits he finds the hysterical Jeb, who commits suicide in front of him. In fear, Bob attempts to flee, but is attacked by the mutant leader, Papa Jupiter (Billy Drago), and dragged into the mining caves by Jupiter, Jupiter’s eldest son Lizard (Robert Joy), and Pluto. Bobby returns to the trailer, but doesn’t mention Beauty’s death not wanting to frighten the rest of the family. Later that night, the family is awakened by Bob’s screams, and they all rush from the trailer, except for Brenda and the baby, who are left behind. Outside they find Bob being burned alive on a stake and frantically try to save him, but to no avail. Meanwhile, Pluto and Lizard use the distraction to ransack the trailer, where Lizard beats and rapes Brenda. When Lynn returns to the trailer she is greeted by Lizard and Pluto, and forced to let Lizard drink from her breasts while her baby is held at gunpoint. When Ethel returns she is shot by Lizard, and Lynn stabs Lizard in the leg, prompting Lizard to shoot Lynn in the head. Lizard and Pluto flee with the baby after Lizard attempts to shoot Brenda.

Doug and Bobby return to the trailer and discover Lynn and Ethel, who die shortly afterward. Goggle, who is watching the Carters with a pair of binoculars, is attacked by Beast, who tears his throat out, killing him. The next morning, Doug and Beast set off to rescue Catherine. Doug finds an abandoned nuclear testing village, and is knocked unconscious by Big Mama (Ivana Turchetto) during his search. Upon awakening, he escapes an ice box filled with human body parts and continues his search, only to encounter Big Brain (Desmond Askew). After Big Brain tells him the mutants’ origins, Doug is attacked by Pluto, who severs two of his fingers with an axe. Pluto almost kills Doug, but Doug manages to gain the upper hand while Pluto is distracted, and kills him with his own axe. Outside, Doug kills the mutant Cyst (Gregory Nicotero) and continues to search for Catherine. After ordering Lizard to kill Catherine, Big Brain is mauled to death by Beast. Lizard takes a cleaver and prepares to kill Catherine, but finds that Ruby has taken her. Doug sees Ruby running through the hills with Catherine and follows her. At the trailer, Brenda and Bobby prepare an explosive trap, which destroys the trailer, apparently killing Papa Jupiter.

Doug catches up with Ruby, but before she can return Catherine, Lizard attacks him. Lizard and Doug fight, and Lizard is presumed dead. When Doug turns his back Lizard aims a shotgun at him, but Ruby tackles Lizard off a cliff, killing them both. Bobby and Brenda find that Papa Jupiter managed to survive their trap, and Brenda finishes him off. They are then reunited with Doug, Catherine and Beast. As they celebrate their apparent victory, an unknown mutant watches them through binoculars from the hills.

Very much following the marker set by Craven’s original, is actually what stops this from truly breaking the mould. It lacks freshness to go with it’s willingness to set bloody parameters. But, and it’s a good but, this is still one fine and squeamish little ride, one that lingers even after you watched the film.

HALLOWEEN OF HORROR REVIEW: CARRIE (2002)

CAST

Angela Bettis (May)
Patricia Clarkson (Lars and the Real Girl)
Rena Sofer (Traffic)
Kandyse McClure (Sanctuary)
Emilie de Ravin (Lost)
Tobias Mehler (Disturbing Behavior)
Meghan Black (Elf)
Jesse Cadotte (Elektra)
Chelan Simmons (Final Destination 3)
Katherine Isabelle (Hannibal)
David Keith (Daredevil)
Jodelle Ferland (The Cabin In The Woods)
Erin Karpluk (Dark Angel)
Michael Kopsa (Fantastic Four)
Steve Byers (Immortals)
Bill Dow (Stargate: Atlantis)

MV5BMTc0MzY1ODc2Ml5BMl5BanBnXkFtZTYwMTkxMzY2._V1_Several people are being interviewed in a police station, including a high school student, Sue Snell (Kandyse McClure) and gym teacher Miss Desjarden (Rena Sofer). Detective John Mulcahey (David Keith) is investigating the disappearance of high school student Carrie White (Angela Bettis). These interviews are interspersed with flashbacks to previous events. The film then features a flashback to two weeks before the prom at Ewen High School. Carrie is a shy and withdrawn girl tormented by the popular girls; Christine “Chris” Hargensen (Emilie De Ravin) and Tina Blake (Katharine Isabelle) are especially vicious. After gym class, Carrie has her first period in the shower, and she panics. The other girls swarm the shower and taunt her. Hearing the commotion, Ms. Desjarden comes into the shower, and comforts Carrie as a light bulb shatters above them. Later, Principal Morton (Laurie Murdoch) decides to send Carrie home, but calls Carrie the wrong name. Carrie corrects him repeatedly, finally yelling as his desk suddenly moves several inches. As Carrie gathers her belongings to leave, she is the victim of a practical joke at her locker. On her way home, Carrie is accosted by a boy on a bicycle, whose joke goes wrong when he seemingly flies off his bike and crashes into a tree. When she reaches home, Carrie has a flashback to her own childhood before entering the house. Carrie’s fanatically religious mother, Margaret White (Patricia Clarkson), who considers menstruation a sign of sexual sin, locks Carrie in her “prayer closet” as punishment. The next day, Ms. Desjarden gives the girls a week’s detention for their bullying. If they skip the detention, they face suspension and refusal of their prom tickets. Chris storms out in protest. After Chris’ father John Hargensen, a lawyer, unsuccessfully attempts to get her prom ban rescinded, Chris enlists her boyfriend Billy Nolan to get revenge on Carrie. Meanwhile, Carrie discovers she has telekinesis, the ability to move or control objects with her mind. Carrie has a telekinetic episode in class and, when she goes home, practices her rediscovered talent. Sue, trying to atone for tormenting Carrie, asks her boyfriend, Tommy Ross (Tobias Mehler), to take Carrie to the prom. After some hesitation, Carrie agrees. When Carrie tells her mother about the prom invitation, Margaret forbids her to go; Carrie uses her powers to finally confront her mother, and Margaret seemingly gives in.

As prom night approaches, Chris and Billy prepare their revenge on Carrie when they find out that Carrie is on the Prom Queen ballot. On the day of the prom, Tina switches the ballots, and Carrie and Tommy are declared the Prom King and Queen winners. As Tommy and Carrie take their place onstage, Chris, who has been hiding with Billy in the rafters, pulls a rope to tip a bucket, sending a wave of blood onto Carrie. Chris and Billy run; when Chris releases the rope, the bucket falls on Tommy’s head, killing him. Carrie goes into a shock-induced trance and telekinetic mayhem ensues. She locks everyone inside the gym and sets fire to it. She kills Tina by crushing her, and then electrocutes most of the remaining students, including Roy and Helen, killing everyone except for a few students, including Norma, who escape through a vent with Ms. Desjarden. Carrie then leaves the burning gym, unleashing a wave of destruction in town. Chris and Billy see her walking in the road. Billy tries to run her down but Carrie tosses their truck into a pole, thus killing them.

When Carrie arrives home, she gets into a bathtub, where she finally snaps back to herself but cannot remember what happened. Margaret comes into the bathroom and drowns Carrie in the tub. With her last ounce of strength Carrie stops her mother’s heart. Sue finds Carrie near death and manages to revive Carrie with artificial respiration. At Sue’s suggestion, Carrie fakes her death and Sue sneaks Carrie out of town to Florida. As the two drive off, Carrie has a nightmarish vision of her mother. When Carrie wakes, she looks at Sue and hallucinates Chris lunging at her. Noticing this, Sue asks her if she wants to stop for a moment. Carrie sighs and Sue keeps driving.

Its a little too long in places, and it could have easily been trimmed to the 100 minute mark, but its watchable, and Bettis is wonderful.

REVIEW: LOST – SEASON 6

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Evangeline Lilly (Ant-Man and The Wasp)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Emilie de Ravin (Roswell)
Jeff Fahey (Texas Rising)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

Josh Holloway and Elizabeth Mitchell in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Brad William Henke (Bright)
Kimberly Joseph (Hercules: TLJ)
Fredric Lehne (Amityville 4)
Elizabeth Mitchell (V)
Dominic Monaghan (Flashforward)
Mark Pellegrino (13 Reasons Why)
Daniel Roebuck (Final Destination)
Ian Somerhalder (The Vampire Diaries)
Sean Whalen (Twister)
Greg Grunberg (Alias)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heores)
Hiroyuki Sanada (Westworld)
William Mapother (Anotehr Earth)
Jeff Kober (New Girl)
Katey Sagal (Futurama)
Veronica Hamel (Cannonball)
Dylan Minnette (13 Reasons Why)
Andrea Gabriel (2 Broke Girls)
Kevin Durand (Swamp Thing)
Anthony Azizi (Eagle Eye)
Rob McElhenney (Wonder Boys)
William Atherton (Ghostbusters)
Alan Dale (Ugly Betty)
Jon Gries(Taken)
Tania Raymonde (Texas Chainsaw)
Neil Hopkins (The Net 2.0)
Rebecca Mader (Iron Man 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Titus Welliver (The Town)
Andrew Divoff (Wishmaster)
Chad Donella (Smallville)
Jeremy Davies (Hannibal)
Fionnula Flanagan (The Others)
Sonya Walger (Flashforward)
Fisher Stevens (Hackers)
Harold Perrineau (Constantine)
Cynthia Watros (Titus)
François Chau (The Tick)
Kevin Tighe (My Bloody Valentine)
Allison Janney (Mom)
Mira Furlan (Babylon 5)
Michelle Rodriguez (The Fast and The Furious)
Maggie Grace (The Fog)
John Terry (Full Metal Jacket)
John Pyper-Ferguson (Caprica)

Nestor Carbonell and Terry O'Quinn in Lost (2004)Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners DamonLindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective.Josh Holloway in Lost (2004)The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.Jeff Fahey, Michael Emerson, Yunjin Kim, and Zuleikha Robinson in Lost (2004)Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.Josh Holloway and Elizabeth Mitchell in Lost (2004)“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale.Matthew Fox and Jorge Garcia in Lost (2004)He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale.Terry O'Quinn in Lost (2004)Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.Josh Holloway in Lost (2004)The Man in Black tests the survivors like never before. Offering them freedom, survival and even answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season. )Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series.Naveen Andrews and Hiroyuki Sanada in Lost (2004)All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: LOST – SEASON 4

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Elizabeth Mitchell (V)
Evangeline Lilly (Ant-Man and The Wasp)
Jeremy Davies (Hannibal)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Michael Emerson (Arrow)
Rebecca Mader (Iron Man 3)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Harold Perrineau (Sabotage)

Jorge Garcia and Dominic Monaghan in Lost (2004)

Recurring / Notable Guest Cast

Dominic Monaghan (Flashforward)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Michael Cudlitz (The Walking Dead)
Mira Furlan (Babylon 5)
Tania Raymonde (Texas Chainsaw)
Lance Reddick (John Wick)
Fisher Stevens (Hackers)
John Terry (Full Metal Jacket)
Marsha Thomason (White Collar)
Zoë Bell (The Hateful Eight)
Jeff Fahey (Texas Rising)
Thekla Reuten (Highlander 5)
Beth Broderick (Sabrina: TTW)
Shawn Doyle (Impulse)
Anthony Azizi (Eagle Eye)
Alan Dale (Ugly Betty)
Kevin Durand (Swamp Thing)
Sonya Walger (Flashforward)
Graham McTavish (The Hobbit)
Andrea Roth (Cloak & Dagger)
M.C. Gainey (Breakdown)
Grant Bowler (Harrow)
George Cheung (Rush Hour)
Cynthia Watros (Titus)
Galyn Görg (Robocop 2)
Malcolm David Kelley (Detroit)
Faran Tahir (Iron Man)
Andrea Gabriel (2 Broke Girls)
April Parker Jones (Supergirl)
Nestor Carbonell (Bates Motel)
Doug Hutchison (Punisher: War Zone)
Amanda Carlin (Friends)
Michelle Forbes (True Blood)
Veronica Hamel (Cannonball)
Cheech Marin (Coco)

Jeff Fahey in Lost (2004)After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.Mira Furlan, Michael Emerson, Josh Holloway, Terry O'Quinn, and Rebecca Mader in Lost (2004)The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings.Michael Emerson in Lost (2004)Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.Michael Emerson in Lost (2004)Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Henry Ian Cusick in Lost (2004)Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.Elizabeth Mitchell in Lost (2004)Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

 

REVIEW: LOST – SEASON 3

Starring

Evangeline Lilly (Ant-Man and The Wasp)
Matthew Fox (Alex Cross)
Josh Holloway (Colony)
Elizabeth Mitchell (V)
Henry Ian Cusick (Hitman)
Dominic Monaghan (Flashforward)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Jorge Garcia (How I Met Your Mother)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Terry O’Quinn (The Rocketeer)
Emilie de Ravin (Operation: Endgame)
Rodrigo Santoro (300)
Kiele Sanchez (A Perfect Getaway)
Adewale Akinnuoye-Agbaje (Suicide Squad)

Josh Holloway in Lost (2004)

Recurring / Notable Guest Cast

Julie Adams (Code Red)
Brett Cullen (Ghost Rider)
M.C. Gainey (Breakdown)
William Mapother (The Mentalist)
Julie Bowen (Modern Family)
John Terry (Full Metal Jacket)
Michael Bowen (Kill Bill)
Tania Raymonde (Texas Chainsaw)
Rob McElhenney (Wonder Boys)
Paula Malcomson (The Hunger Games)
Ian Somerhalder (The Vampire Diaries)
Chris Mulkey (Whiplash)
Justin Chatwin (War of The Worlds)
Kim Dickens (Gone Girl)
Bill Duke (Black Lightning)
Adetokumboh M’Cormack (Gods & Heroes)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
François Chau (The Tick)
Nathan Fillion (Firefly)
Fredric Lehne (Men In BLack)
Zeljko Ivanek (Heores)
Nestor Carbonell (Bates Motel)
Robin Weigert (Jessica Jones)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)
Shishir Kurup (Coneheads)
Fionnula Flanagan (The Others)
Bai Ling (The Crow)
Diana Scarwid (Wonderland)
Cheech Marin (Coco)
Kimberley Joseph (Hercules: TLJ)
Sung Hi Lee (The Girl Next Door)
April Grace (A.I.)
Shaun Toub (Iron Man)
Gabrielle Fitzpatrick (MMPR: The Movie)
Kevin Tighe (My Bloody Valentine)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Andrew Connolly (Heroes)
Marsha Thomason (White Collar)
Jon Gries (Welcome To The Jungle)
Doug Hutchison (Punisher: War Zone)
Samantha Mathis (American Psycho)
Carrie Preston (True Blood)
Sterling Beaumon (The Killing)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Andrea Gabriel (2 Broke Girls)
Neil Hopkins (The Net 2.0)
Tracy Middendorf (Scream: The Series)
Lana Parrilla (Once Upon A Time)
Malcolm David Kelley (Detroit)
James Lesure (Las Vegas)
Fisher Stevens (Hackers)
Mira Furlan (Babylon 5)

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others.Evangeline Lilly in Lost (2004)The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season.Terry O'Quinn in Lost (2004)Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke.Evangeline Lilly in Lost (2004)Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.