REVIEW: CONTAINMENT (2016)

MAIN CAST

David Gyas (Cloud Atlas)
Christina Marie Moses (Starship: Rising)
Chris Wood (Supergirl)
Kristen Gutoskie (The Vampire Diaries)
Claudia Black (The Originals)
George Young (In The Room)
Hanna Mangan-Lawrence (Spartacus: Venegance)
Trevor St. John (One Life To Live)

RECURRING / NOTABLE GUEST CAST

Elyse Levesque (Stargate Universe)
Sandra Ellis Lafferty (The Hunger Games)
Zachary Unger (Billions)
Charles Black (Need for Speed)
Nadine Lewington (Holby City)
Tiffany Morgan (Green Lantern)
Gregory Alan Williams (Terminator: Genisys)
Robin Spriggs (Revolution)

I actually really enjoyed this show – I blitzed it over the course of a week.If i’m not grabbed by the first few episodes I never stick it out. This show kept me till the end. The show is very well done with the storyline of the virus outbreak and containing everyone, and it really gets you thinking of how people would really react in a situation like that.  Loved ones separated during the quarantine, ones being isolated in rooms and going crazy, I don’t want to spoil anything but the way the virus outbreak affects people in this series is the way it’d affect people in real life.
All in all the only thing that disappointed me was the ending. Too many loose ends. I expected the book to be closed but they have left it open ended.  They could have had another season now that the Corden has a new addition and see how that played out while they try to refine the cure.  Still I really enjoyed the show and have recommended it to all searching for a new show to watch.

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REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: THE ORIGINALS – SEASON 1 & 2

MAIN CAST

Joseph Morgan (Hex)
Daniel Gillies (Young Hercules)
Claire Holt (Mean Girls 2)
Phoebe Tonkin (Bait)
Charles Michael Davis (The Game)
Daniella Pineda (The Detour)
Leah Pipes (Sorority Row)
Danielle Campbell (Prison Break)

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RECURRING / NOTABLE GUEST CAST

Nathaniel Buzolic (Significant Mother)
Shannon Kane (Brooklyn’s Finest)
Eka Darville (Power Rangers RPM)
Callard Harris (Dallas)
Sebastian Roche (Odyssey 5)
Malaya Rivera Drew (The L Word)
Steven Krueger (Goosebumps)
Raney Branch (Ringside)
Todd Stashwick (Gotham)
Shannon Eubanks (The Patriot)
Yasmine Al-Bustami (Nashville)
Michael Trevino (The Vampire Diaries)
Elyse Levesque (Stargate Universe)
Peta Sergeant (Winners and Losers)
Chase Coleman (Boardwalk Empire)
Nathan Parsons (The Roommate)
Natalie Dreyfuss (2 Broke Girls)
Yusuf Gatewood (The Interpreter)
Daniel Sharman (Immortals)
Nishi Munshi (Bones)
Sonja Sohn (The Wire)
Colin Woodell (XOXO)
Alice Evans (102 Dalmations)
Lloyd Owen (Apollo 18)
Riley Voelkel (Prom)
Maisie Richardson-Sellers (Legends of Tomorrow)
Keri Lynn Pratt (Veronica Mars)
Nina Dobrev (The Vampire Diaries)
Meg Foster (Masters of The Universe)
Claudia Black (Stargate SG.1)

The Originals is a spin-off series based upon characters created and introduced in The Vampire Diaries, and it is a creation of writer Julie Plec, who is the head-writer and showrunner of both series. The concept of the show revolves around a group of characters referred to as being the ‘originals’ – i.e. the first vampires to ever exist. They also happen to be family. These original vampires have existed for centuries and have the longest history of all: a complex back-story which unfolds over the course of the series storytelling, which alternates back and forth with telling the long-running back-story of these original vampires while focusing on a modern day setting in New Orleans.The world of television has spawned an immensely high number of series that take on some sort of science fiction or supernatural aspect, and one of the most popular staples has been found in vampire tales: Buffy the Vampire Slayer, True Blood, and The Vampire Diaries being popular series chiefly placed amongst the pop culture echelon. Then there’s the fact that vampires are popular in films, too (including the teen-sensation series Twilight). Can another show join a lineup of other successful vampire-lore creations? It seems so, as The CW network has once again teamed with the creative mind behind The Vampire Diaries for another successful and entertaining entry in the genre’s growing list of successes.The cast consists of Klaus (Joseph Morgan), Elijah (Daniel Gillies), Hayley (Phoebe Tonkin), Marcel (Charles Michael Davis), Camille (Leah Pipes), Davina (Danielle Campbell), Sophie (Daniella Pineda), and Rebekah (Claire Holt).

The basic plot of the series is to revolve around the story of the original vampire family after they decide to return to their former home in New Orleans. Upon returning, the originals find that the land they once knew has changed a great deal and their home and rule has been replaced by a character they once considered their own: Marcel. Meanwhile, there is also a war is brewing between vampires and witches and things complicate with Marcel working with a powerful young witch named Davina, who has abilities that could pose a threat to all the vampires.

Image result for the originals house of the rising sunKlaus, Elijah, and Rebekah are the main characters of The Originals. They are each returning characters from the Vampire Diaries universe. Klaus continues to make things difficult for everyone with his typical brooding self getting into the way of other vampire’s own agendas. Klaus finds a friend in Camille, a psychologist major who starts to have an unlikely connection to him. Meanwhile, Klaus’s blood-line as a werewolf/vampire hybrid (and his one-night stand with Hayley) results in Hayley’s pregnancy and a cult following for a baby born to a vampire. Elijah acts as if a guardian vampire of sorts who keeps his word (but who can also go totally vampire-bananas at times, as “necessary”), and Rebekah is a insecure and lonely vampire who gets into lots of mischief, causing problems for the originals (amongst others), but who really just wants a friend by her side and to be a normal human again. Of course, these characters (and their back-stories) lead to lots of surprising revelations and storytelling detours over the course of the show.

Marcel is a past connection to the original vampires who is now calling himself ‘the king’ and is ruling over New Orleans vampires as a sort of leader-vampire who calls the shots and has a big company of “minions” working for him (so to speak). Marcel makes vampires do his bidding to keep New Orleans a vampire-safe haven. Vampires will do his bidding to try and earn ‘daylight rings’, which allow for a select few to live in the day. There’s a big history between Marcel and Kalus, too, as Klaus raised him when he was a boy.

Aside from the pilot, which combines too much footage found in the “backdoor pilot” produced on The Vampire Diaries Season 4 under the title “The Originals”, the series finds a distinct and interesting creative voice. The first episode is a bit disappointing for fans of both series as it had borrowed so much (some scenes were basically “copy and paste” versions already featured upon the former), The Originals is interesting, original, and well-made with quality writing/directing. Assembling a hugely talented group of people for the production, the series reunites many of the same behind-the-scenes crew who made The Vampire Diaries a huge success, from some of the cinematographers, to the costume designer, o the composer to the production designer. It’s a big family of creative talents who united to create this compelling drama series.

The Originals has many things in common with its predecessor – starting with the fact that the characters that predominately reside are many of the same characters featured on The Vampire Diaries, but now with expanded roles – and that the group of writers and directors responsible for making the program are largely from the same creative pool. Yet it’s still a standalone series that newcomers who aren’t as familiar to previous lore should be able to discover. It offers a slightly different storytelling approach, though stylistically it shares a lot in common. If one can like The Vampire Diaries then they will surely enjoy The Originals, and vice-versa, so there’s certainly room for the show to both be followed by longtime fans of the characters and perhaps by new audience members.

There have been so many vampire series and films that the market seems flooded with them and it can be a bit frustrating to see so many stories being told simultaneously with this concept. It’s certainly a concept that has been done again and again, and shows no signs of going anywhere. Yet the good news is that there are still writers who are telling vampire stories with writing of note, who are drawing forth more interesting elements by focusing on the dramatic elements more than anything else. This is a perfect example of what is happening here: the writing is elementally the main key to the quality of the program, and in this case, that’s a good thing. The writing here is solid. Fans of quality storytelling who have an inclination towards the supernatural genre will find this to be a well-produced, written, directed, and acted program. Without a good storyline backdrop, one could easily see The Originals being a faltering series. Yet there was more than enough storytelling potential for the core group of characters as seen in the storyline its parent series offered, and the writers have expanded on that universe of ideas so that a fully-fledged program can exist. This is a series well worth seeing out as one of the more interesting programs currently on air. Television viewers who enjoy a well told story will find much to appreciate.

Now that The Originals has made it to season two, the writers aren’t wasting any time with formalities. “Rebirth” brings back some familiar names with brand spanking new faces. This episode doesn’t really introduce viewers to the returning characters, as it makes the broad generalization that you’re already familiar with them from The Vampire Diaries – despite their dramatic new looks. Instead, it delves right into the setting the stage for a reunion that is sure to be memorable.

The Originals branded its second season a family reunion, and that’s exactly what the season premiere sets into motion. The Guerreros are out, and once again the Mikaelson’s are back in – all of them. It’s only a matter of time before Rebekah (Claire Holt) is lured back to New Orleans, and then the fun will really begin. In the meantime, Klaus (Joseph Morgan) has both parents and all his other siblings to occupy his schedule – good thing he doesn’t have changing diapers to distract him from whatever is coming.

Having Claire Holt leave the show full-time was hard last year, but there was a definite sense that she would be coming back, if only for an episode here and there (as has been the case). Now, that’s not a feeling The Originals mid-season finale leaves you with – Claire Holt is no longer occupying the role of Rebekah Mikaelson, and it seems that the whole body-jumping plotline was just leading us to this point.

Rebekah has been around since season three of The Vampire Diaries and, while she never got as much of the spotlight as Klaus, she has been a huge presence ever since. I wrote last week that Claire Holt gives the character something that can’t be replaced, and I honestly don’t know if the show can make me accept another actress as the face of Rebekah. It’ll be hard to keep an open mind, even I’m a little ashamed to admit it.But the episode Map of the Moments was great, with vintage moments for every single character. The long-awaited reunion between Hayley, Klaus and baby Hope didn’t disappoint, for starters, and provided a brief moment of happiness and contentment for a family so often at loggerheads. The moment in which they took a family photo mere moments before having to burn it should have been jarring and ridiculous, but it was actually the highlight of the hour. Looking back on that knowing what would happen to Rebekah by the end makes it even more heartbreaking, and a little bit of sunshine and happiness, albeit still tinged with sadness, was welcome in a show.The Revelation about Freya (the other Mikaelson Sister) being alive was a brilliant revelation along with Esthers sister Dahlia who is hellbent on taking baby hope. this leads to a series of events that brings us to the finale of season 2 . Season two of The Originals puts to rest the oldest family war and instills in its place a familiar mark between warring siblings. Lullabies are spoken and promises are made for the good of innocence and the threat of new evil likely to rear its head in New Orleans come the fall. All in all, the king of wolves and vamps settles in, ready to settle into fatherhood unaware of the future, but believing he has control of it.

There was some gorgeous imagery that fit in quite nicely upon the climax of “Ashes to Ashes.” The episode stood on its own and provided a much needed finality to the old generation of Mikaelsons and their sophisticated rival, Dhalia. The most fascinating aspect was of course how the battle played itself out, leaving the final segments as all too familiar approaches to goodbyes and promises of sardonic revenge. In many ways, it was the highlight of the season saving the best for last.

After linking with Dalia, Klaus stabs himself with the dagger and the two are returned to torpor. Elijah recovers Hope with Freya as Rebekah returns to her original body as a vampire once more. Convinced of Klaus’s plan, Elijah burns the body of their original mother and swaps the ashes with Kol’s when Davina attempts to user her “one time” ability to harness the coven’s power and use resurrection. Instead of Kol, Esther is brought back and captured immediately by the Mikaelsons. Dalia, still possessing power, melts the dagger in Klaus, awakens, steals Freya, and escapes. Klaus, Elijah, and Rebekah later confront Dalia but are subdued by splinters of the white oak stake being ingested through Dalia’s power. Esther distracts Dalia long enough for Klaus to impale the two of them finally killing them both. In a final scene with the pair as their younger selves, Esther relents that she should have stayed by Dalia’s side. The two forgive each other and perish together. Later, during the full moon, Hayley makes Elijah promise to look after Hope even though he had no intention to remain at Klaus’s side. Freya magically heals Rebekah’s human body and Rebekah once more inhabits it with plans to decide which she intends to stay in at a later time. Klaus and Camille share a drink as both are essentially still awkward around each other but later, Klaus settles in with Hope in his arms, commenting on a new chapter in their lives.I had fun watching this season and it leaves you wanting me, with season 3 shapeing up to just as fun, it shows that a spin-off can work.

REVIEW: STARGATE: UNIVERSE – SEASON 1 & 2

Cover of entertainment to Facebook

MAIN CAST

Robert Carlyle (Once Upon A Time)
Louis Ferreira (Bates Motel)
Brian J. Smith (Sense8)
Elyse Levesque (The Originals)
David Blue (Ugly Betty)
Alaina Huffman (Smallville)
Jamil Walker Smith (General Hospital)
Ming-Na Wen (Agents of SHIELD)

stargateuniverse43RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Amanda Tapping (Sanctuary)
Ona Grauer (Arrow)
Peter Kelamis (The Cabin In The Woods)
Mark Burgess (Scooby Doo 2)
Gary Jones (Highlander: The Series)
Martin Christopher (Night at The Museum)
Bill Dow (The Big Year)
Bradley Stryker (Smallville)
Christopher McDonald (Fanboys)
Lou Diamond Phillips (Young Guns)
Jennifer Spence (Continuum)
Julia Benson (Death Do Us Part)
Agam Darshi (Sanctuary)
Anna Galvin (Caprica)
Dominic Zamprogna (Odyssey 5)
Ryan Kennedy (Smallville)
Raquel Riskin (Supernatural)
Reiko Aylesworth (Lost)
Vincent Gale (Battlestar Galactica)
Louise Lombard (Grimm)
William MacDonald (Slither)
Kathleen Munroe (Fitzgerald)
Sean Blakemore (Bones)
Rhona Mitra (Doomsday)
Julie McNiven (Mad Men)
Robert Knepper (Izombie)
Camille Sullivan (The Birdwatcher)
Michelle Harrison (The Flash)
French Stewart (Mom)
Victor Garber (Legends of Tomorrow)
Robert Picardo (Star Trek: Voyager)
David Hewlett (Cypher)
Greyston Holt (Bitten)

The stargate itself–an artificially created wormhole through which one can instantly travel to different worlds light-years away–is still around, but much else has changed. Gone, for the most part, are the rough-and-tumble adventures that were the specialty of SG-1 and Stargate Atlantis, SGU‘s popular predecessors. Gone, too, are insouciant but charismatic and intrepid leaders like SG-1‘s Col. Jack O’Neill (Richard Dean Anderson does make several cameo appearances in that role in the course of these 20 episodes, offered here on six discs) and Atlantis‘s Col. John Sheppard.In their places, in addition to a new ongoing story line, is a rather less conventional approach, featuring a more minimalist vibe and an entirely fresh cast of earnest, intense, mostly youthful characters battling personal demons and complex interpersonal relationships, along with a myriad of technical issues more typical of sci-fi shows. If this all sounds very serious, well, these folks have a lot to be serious about. Very early on, the “Icarus Base” is under alien attack, forcing military and civilian personnel alike to escape through the stargate. They end up aboard Destiny, a massive ship that’s millions of years old and was once the property of the omniscient master race known as the Ancients. Not only do our characters barely know how to operate the ship, they also have no idea where they are, except that it’s billions of light-years from Earth. It’s the responsibility of the two main men, Col. Everett Young (Justin Louis) and scientist Dr. Nicholas Rush (Robert Carlyle), to figure out how to get everyone home safely, a task that dominates the series’ overall arc. That dicey proposition is complicated considerably by ceaseless internecine conflict on the ship, much of it between soldiers and civilians (typified by Young and Rush, both of whom are self-righteous, utterly humorless, and not especially likable).Much of the action takes place on Destiny, but there are occasional excursions to various planets in search of water and other supplies; there are also trips to Earth made possible by magical “communication stones” that allow users to exchange bodies with folks on the other end. As is the case with many new programs, SGU takes a while to hit its stride, but when that happens about a third of the way into the season, the results are often quite exciting; SGU may not be as much fun as the earlier shows, but it’s still well written and entertaining, with excellent production values, good special effects.

The Stargate franchise has literally run its course, some may feel. While others feel, similar to the “Star Trek” franchise, there are many stories that can still be told.From “Stargate SG-1′ to the animated series “Stargate Infinity” and then “Stargate Atlantis”, here we are with the final season of “Stargate Universe”, a series that met with fans who were split on whether they enjoyed or disliked the series. Unfortunately, for this series which began in 2009, there was no renewal for a third season and thus the second season ended with a cliffhanger, just when the series had made some major changes and had gotten better.nup_135385_0206x1Should Stargate Universe had a chance to prove itself? Afterall, even the popular syndicated series “Star Trek: The Next Generation” had its haters and also didn’t do well initially in the ratings, but given the chance to make the series better, it became one of the best “Star Trek” spinoff.I’m sure that this will be a debate in which these split fans will continue to have varying opinions but the fact is, “Stargate” is over and in April 2011, “Stargate” producer announced that any plans for continuation of “Stargate” have been cancelled and that he had officially packed his desk. 17 years of “Stargate” on television and it looks as if this was the final nail on the popular franchise.ursini1I do dislike when a series never receives its full run and in this case, ending with a cliffhanger but still, the creators and the fans did all they can to keep the series going. But for the fans who stuck with this series from beginning to end. perhaps one day the franchise will be brought back in some shape or form.