The Alpha and the Omega (2019)


Cameron Cuffe (The Halcyon)
Georgina Campbell (His Dark Materials)
Shaun Sipos (The Vampire Diaries)
Elliot Cowan (The Spanish Princess)
Ann Ogbomo (Wonder Woman)
Aaron Pierre (Britannia)
Rasmus Hardiker (Cockneys vs Zombies)
Wallis Day (The Royals)
Blake Ritson (Da Vinci’s Demons)
Ian McElhinney (Game of Thrones)
Colin Salmon (Resident Evil)
Hannah Waddingham (Les Misérables)

Colin Salmon in Krypton (2018)

Recurring / Notable Guest Cast

Emmett J Scanlan (Guardians of The Galaxy)
Sonita Henry (Star Trek)
Kae Alexander (Bad Education)
Aoibhinn McGinnity (Love/Hate)
Staz Nair (Game of Thrones)
Toni O’Rourke (Cold Courage)
Staz Nair (Supergirl)

Shaun Sipos, Emmett J Scanlan, and Cameron Cuffe in Krypton (2018)This is a very interesting take, from the point of view of an earthling stuck out of time “Adam Strange” from the DC universe.Blake Ritson in Krypton (2018)It features a lot of overlap with themes of economic and political divides around personal freedom verses submitting to an authoritarian system developing on Krypton under the Zod family; it’s quite fascinating and parallels a lot of today’s issues in politics worldwide.Ian McElhinney, Hannah Waddingham, and Wallis Day in Krypton (2018)When you decide on if a series is good or not, stop looking at the real world people playing the characters, and start looking at the characters and the world being built, the story being told. If you can’t get out of your own world when you watch storytelling, then you shouldn’t even be watching let alone offering your ‘expert opinion on why a series should be cancelled or renewed. Plot twists ensue! Season 2 had GREAT writing which tugged at the viewer heartstrings more than once. I love how we get to see another side of the Zod family, a commonly misunderstood Krypton family that was often thought of as nothing but tyrants and conquerors in the superman saga. We also see a darker side of the El heritage.Krypton (2018)Superman is only here in NAME, this is not a series about Superman, but the father of his father (Jor-el’s father, Jor-el’s early life may become part of the series as he was not even born until season 2)


Charlotte Hope in The Spanish Princess (2019)



Charlotte Hope (Game of Thrones)
Georgie Henley (The Chronicles of Narnia)
Alicia Borrachero (Terminator: Dark Fate)
Laura Carmichael (Downtown Abby)
Daniel Cerqueira (The Woman In Black)
Aaron Cobham (Cold Feet)
Elliot Cowan (Krypton)
Philip Cumbus (Girlfriends)
Alba Galocha (Néboa)
Angus Imrie ((The Kid Who would be King)
Stephanie Levi-John (Diversion)
Alan McKenna (Blessed)
Alexandra Moen (.357)
Ruairi O’Connor (Teen Spirit)
Nadia Parkes
Richard Pepper (The Same Sky)
Jordan Renzo (Class)
Olly Rix (Of Kings and Prophets)
Harriet Walter (Mindhorn)

Charlotte Hope in The Spanish Princess (2019)Historical queen Catherine of Aragon finally takes center stage in Starz’s lush miniseries about the woman who would become the first of Henry VIII’s six wives. Catherine of Aragon is best remembered as the pious intellectual wife Henry VIII humped-and-dumped for a younger, livelier wit who promised to bear him the future king. (Catherine’s only child, whom Henry tried to name his bastard, still became England’s first ruling queen — the Catholic zealot commonly known as Bloody Mary.) Eventually, the interloping Anne Boleyn lost her head and Henry moved on to four other wives, but Catherine’s pop cultural legacy remains shrouded in shame: a woman so drab, barren and intolerable that a tyrant king had to create an entirely new religion just so he could defy the Pope and divorce her.Alicia Borrachero and Charlotte Hope in The Spanish Princess (2019)Surprisingly, few screen adaptations of Henry’s blue bearding feature Catherine beyond her tragic disposal, and nearly all overlook her fascinating early years as the youngest child of Spain’s ruthless monarchs Isabella and Ferdinand, pawned to the Tudors as a toddler and widowed at age 16 almost immediately after wedding the English royal heir. As our taste for queen content grows, Starz’s delicious (and dubious) new miniseries, The Spanish Princess, seeks to rectify this with amplified pathos and fictionalized historiography. Here, teenage Catherine finally takes center stage, though now characterized less as a loyal and patient political servant than a sword-happy firebrand hellbent on fulfilling her messianic “destiny” to unite England and Spain under Christendom. Charlotte Hope in The Spanish Princess (2019)Based on novels by popular historical fiction writer Philippa Gregory, The Spanish Princess is the threequel to Starz’s enthralling miniseries The White Queen (2013) and The White Princess (2017), which each follow the heroines of England’s War of the Roses. The newest series picks up little more than a decade after The White Princess left off, its protagonist Elizabeth of York (previously played by Jodie Comer and replaced by Alexandra Moen here) now planning for the arrival of her future daughter-in-law, Catherine. Nadia Parkes, Charlotte Hope, and Stephanie Levi-John in The Spanish Princess (2019)Charlotte Hope, best known for playing Ramsay Bolton’s sadistic lover Myranda on Game of Thrones, stars as young Catherine, sent by her warrior queen mother to ally sunlit, affluent Spain with dreary, destitute England by marrying the delicate teenage son of King Henry VII. (In reality, Catherine technically had a better legitimate claim to the English throne than her father-in-law, thanks to ancient bloodlines.) However, her gentle husband soon succumbs to illness and she’s left to be brokered once again by the monarchs, diplomats and sycophants laboring to maintain their own agendas. But she won’t accept defeat.Charlotte Hope in The Spanish Princess (2019)Luckily for her, her departed husband’s passionate and impetuous young brother, the future Henry VIII, is hot — and easily manipulable. Now she must convince everyone at court, and especially the Vatican, that she and wan Prince Arthur (Angus Imrie) never actually consummated their brief marriage, a lie that could undo her potential union with dopey redhead Prince Harry (Ruairi O’Connor). Hope is fiery, with a thin but believable Spanish accent — to layman’s ears, at least — and her Catherine is an Iberian fish out of water in cold, gray England, unused to the rigid social dogma and cultural homogeny of Northern Europe. Her entourage includes Lina (Stephanie Levi-John), an African-Iberian noblewoman whose family was forced to give up Islam during the Spanish Reconquista, and Lina’s forbidden love, Oviedo (Aaron Cobham), a devout crypto-Muslim guardsman.Charlotte Hope and Ruairi O'Connor in The Spanish Princess (2019)Some of the brightest moments in the first four episodes include broad scenes of culture shock from both sides of the new peace: her in-laws’ dismay at her daily baths requiring expensive and exotic herbs to soak in; and Catherine’s horror at realizing she’ll spend the rest of her days in dismal, damp castles after a childhood glorying in the Mediterranean splendor of the Alhambra. Far from an imperial doormat, the sharp-tongued Spaniard spits back just as much acid as she gets from Arthur’s grieving and mistrusting relatives.Charlotte Hope and Ruairi O'Connor in The Spanish Princess (2019)Catherine steps into the viper’s nest the moment she sets foot in England, but her greatest enemy (and scene partner) is the king’s intractable mother, Lady Margaret Beaufort (Harriet Walter), a godly woman who devoted her life to ensuring her son, an unlikely inheritor, would one day be crowned. In their best and most hilariously bitter scene together, Lady Margaret ambushes Catherine in a hallway following the death of her grandson, desperate to know if the girl is pregnant with the future English sovereign. “I have no news for you,” Catherine declares with not-so-hidden disdain, and without warning, Lady Margaret grabs at the girl’s breasts to check if they’re swollen, unrelenting even when a shocked Catherine pushes her away. Walter’s malevolence is pitch-perfect here, as she maintains light amusement even while assaulting a vulnerable opponent.Charlotte Hope in The Spanish Princess (2019)As with The Spanish Princess’ predecessors, the most compelling storylines don’t revolve around the glamorous protagonists, but the peripheral and often powerless women who encircle their orbits. Walker is a worthy successor to The White Queen’s Amanda Hale and The White Princess’ Michelle Fairley, who each played the martinet Lady Margaret with empathetic thorniness. She’s a classic Monstrous Mother-in-Law, but simultaneously a relatable scorned woman. In a misguided attempt to comfort her distressed adolescent granddaughter Meg (Georgie Henley) about the girl’s impending marriage to the Scottish king, she reminds her that long ago she, too, had been a political asset who became a wife at age 12, and then a mother and widow at 13. (Them’s the breaks, I guess.)Charlotte Hope and Ruairi O'Connor in The Spanish Princess (2019)If you can push yourself through some laughable feminist-baiting scenes, such Catherine’s attempt appeal to Prince Harry’s innate brutality with an outlandish seduction-by-swordplay tête-à-tête, or the tedious, shoehorned romance between star-crossed attendants Lina and Oviedo, you’ll find a worthy story about a sly young woman trying to marry her duty and her desire.


Colin Farrell (Phone Booth)
Anthony Hopkins (The Silence of The Lambs)
Rosario Dawson (Daredevil TV)
Angelina Jolie (Tomb Raider)
Val Kilmer (Kiss Kiss Bang bang)
Christopher Plummer (Up)
Brian Blessed (Flash Gordon)
Jared Leto (Requiem For a Dream)
Joseph Morgan (The Originals)
Jonathan Rhys Meyers (Dracula)
Neil Jackson (Blade: The Series)
Rory McCann (Game of Thrones)
Toby Kebbell (Dawn of The Planet of The Apes)
Fiona O’Shaughnessy (Nina Forever)
Elliot Cowan (The Spanish Princess)
Ian Beattie (Game of Thrones)
The film is based on the life of Alexander the Great, King of Macedonia, who conquered Asia Minor, Egypt, Persia and part of ancient India. Shown are some of the key moments of Alexander’s youth, his invasion of the mighty Persian Empire and his death. It also outlines his early life, including his difficult relationship with his father Philip II of Macedonia, his strained feeling towards his mother Olympias, the unification of the Greek city-states and the two Kingdoms (Macedonia and Epirus) under the Hellenic League,[4] and the conquest of the Persian Empire in 331 BC. It also details his plans to reform his empire and the attempts he made to reach the end of the then known world. The story begins 40 years after 323 BC, around 283 BC, with Ptolemy I Soter, who narrates throughout the film. We see Alexander’s daily life and the strained relationship between his parents. Alexander grows up with his mother Olympias and his tutor Aristotle, where he finds interest in love, honour, music, exploration, poetry and military combat. His relationship with his father is destroyed when Philip marries Attalus’s niece, Eurydice.
After Philip is assassinated, Alexander becomes King of Macedonia. Ptolemy mentions Alexander’s punitive campaign in which he razes Thebes and burns Persepolis, then gives an overview of Alexander’s west-Persian campaign, including his declaration as the son of Zeus by the Oracle of Amun at Siwa Oasis, his great battle against the Persian Emperor Darius III in the Battle of Gaugamela and his eight-year campaign across Asia.
Also shown are Alexander’s private relationships with his childhood friend Hephaestion and later his wife Roxana. Hephaestion compares Alexander to Achilles, to which Alexander replies that, if he is Achilles, Hephaestion must be his Patroclus (Achilles’ best friend and lover). When Hephaestion mentions that Patroclus died first, Alexander pledges that, if Hephaestion should die first, he will follow him into the afterlife. Hephaestion shows extensive jealousy when he sees Alexander with Roxana and deep sadness when he marries her, going so far as to attempt to keep her away from him after Alexander murders Cleitus the Black in India.
After initial objection from his soldiers, Alexander convinces them to join him into his final and bloodiest battle, The Battle of Hydaspes. He is severely injured with an arrow but survives and is celebrated. Later on, Hephaestion succumbs to an unknown illness either by chance or perhaps poison, speculated in the movie to be Typhus carried with him from India. Alexander, full of grief and anger, distances himself from his wife, despite her pregnancy, believing that she has killed Hephaestion. He dies less than three months after Hephaestion, in the same manner, keeping his promise that he would follow him. On his deathbed, Bagoas grieves as Alexander’s generals begin to split up his kingdom and fight over the ownership of his body.
The story then returns to 283 BC, where Ptolemy admits to his scribe that he, along with all the other officers, had indeed poisoned Alexander just to spare themselves from any future conquests or consequences. He, however has it that it just be recorded that Alexander died due to illness compounding to his overall weakened condition. He then goes on to end his memoirs with praise to Alexander. The story then ends with the note that Ptolemy’s memoirs of Alexander eventually burned, lost forever with the Library of Alexandria.
An absolute epic. From the critical ravaging of the original release to this glorious masterpiece, it is an essential film for any serious film lover and DVD collector. Brilliant.