George Reaves (Gone With The Wind)
Noel Neill (Campus Sleuth)
Jack Larson (Flighter Squadron)
John Hamilton (Captain Ameirca 1944)
Robert Shayne (The Flash 90s)



Aline Towne (Highway 301)
Vera Marshe (The Crimson Key)
Jonathan Hale (The Saint Strikes Back)
Sterling Holloway (Alice In Wonderland 1951)
Yvette Duguay (Domino Kid)
Ruta Lee (Seven Brides for Seven Brothers)
Leonard Penn (Mysterious Island)
Elisha Cook Jr. (Rosemary’s Baby)
Pierre Watkin (Bill Cracks Down)
Judy Nugent (There’s Always Tomorrow)
Allene Roberts (The Red House)

the-adventures-of-superman-george-reevesA warm nostalgia drives the enduring popularity felt by an aging generation of Baby Boomers for Adventures of Superman, the 1952-57 series that ended only with the tragic and still-mysterious death of its star, George Reeves. Cheaply-produced and generally unambitious, the program never lived up to its full potential, even taking into account its budgetary and technical limitations. By the end of its run Adventures of Superman (there’s no “The” in the title) had further de-evolved into a silly, trivial children’s show; it ran out of steam and Reeves had aged noticeably.adventures-of-superman-five-minutes-to-doom-john-hamilton-george-reeves-noel-neill-jack-larsonBut for children growing up in the 1950s (and several generations thereafter, who caught up with the program in reruns), Adventures of Superman was a 30-minute tonic of thrills and adventure. The audio commentary supplied by Gary Grossman on the First Season DVD set is more fannish than informative, but he nails precisely the excitement children felt watching the show when it was new. (You can read DVD Savant’s first season review here.) Like the first season, episodes play like single-chapter serials, crammed with action, mystery and intrigue. Superman (Reeves) “fights a never-ending battle for truth, justice, and the American Way” with the help of his alter-ego, “mild-mannered” reporter Clark Kent (also Reeves), who works for gruff Daily Planet editor Perry White (John Hamilton) and alongside perky Lois Lane (Noel Neill) and cub reporter Jimmy Olson (Jack Larson).the-adventures-of-superman-e2809cthe-man-who-could-read-mindse2809d-jack-larson-noel-neillAdventures of Superman – The Complete Second Season is much like the first. Compared with those that followed, Year Two is in black and white (the next season would be in color), and is slightly more adult in terms of content. The big difference from the first season is the series’ single major cast change: Noel Neill replaced Phyllis Coates in the pivotal role of Lois Lane. Neill had played Lois before, in two 15-chapter Superman serials produced by Columbia: Superman (1948) and Atom Man vs. Superman (1950). Unlike Coates, Neill has remained very actively involved in Superman fandom after the show ended, appearing at comic book conventions and making cameos in the 1978 Superman movie, and again this year in Superman Returns.MV5BOWI3NDljZjUtNTQ0My00OTAwLTljNjktZTAyMjU2N2Y5NmE2XkEyXkFqcGdeQXVyMjcxMDczNTU@._V1_SY1000_CR0,0,1333,1000_AL_Considering how little Reeves’ appearance changes from Clark Kent to Superman, why Lois and Jimmy don’t instantly recognize Clark as Superman is one of television’s great mysteries. Season two shows, however, broach this subject now and then. In one episode Clark and Lois are involved in a car accident; his suit is torn, revealing his Superman costume underneath, requiring some fast-thinking on the superhero’s part. In another good show a criminal tries to blackmail Superman with a photograph showing Clark changing into Superman in an alley. How this is resolved is cleverly handled. Season two boasts an incredible line-up of great character actors in guest parts, including Dabbs Greer, Hugh Beaumont, Lawrence Dobkin, Billy Gray, Leon Askin, Philip Van Zandt, George Chandler, Percy Helton, Sterling Holloway, Peter Brocco, Roy Barcroft, Leonard Penn, Elisha Cook, Jr., Paul Fix, Robert Wilke, Denver Pyle, Virginia Christine, and John Doucette.capture51Adventures of Superman can be a very entertaining show if you’re willing to suspend your disbelief and watch it from an early-1950s perspective. It’s a show of its time, from a simpler era, but still loads of fun.