REVIEW: THE KILLER INSIDE ME

CAST

Casey Affleck (Gone Baby Gone)
Jessica Alba (Machete)
Kate Hudson (Gossip)
Ned Beatty (Superman)
Tom Bower (Beverly Hills Cop 3)
Elias Koteas (Crash)
Simon Baker (The Mentalist)
Bill Pullman (Spaceballs)
Brent Briscoe (The Grind)
Matthew Maher (Vulgar)
Noah Crawford (My Name Is Earl)

In 1952, Deputy Sheriff Lou Ford (Casey Affleck) is a pillar of the community in his small west Texas town — patient, dependable, and well-liked. However, he is a sociopath with violent sexual tastes. As a teenager, Lou was caught raping a five-year-old girl by his adopted brother Mike, who pleaded guilty to the crime and served prison time to protect Lou. After being released, Mike was hired by the construction firm of Chester Conway (Ned Beatty). Mike died on the job after slipping and falling off a beam. Lou believes that Conway staged the “accident”.At the request of Sheriff Bob Maples (Tom Bower), Lou visits Joyce Lakeland (Jessica Alba), a prostitute who is having an affair with Conway’s son, Elmer (Jay R. Ferguson). When Joyce objects to Lou’s treatment of her, he violently beats and spanks her until her buttocks are bruised. Joyce enjoys pain, and she and Lou begin a passionate love affair. Joyce suggests that Lou would never leave town with her, but they devise a plot to extort $10,000 from the Conways. Sheriff Maples and Chester Conway ask Lou to oversee the pay-off. But Lou has other plans: he brutally beats Joyce to the point he believes her to be dead, and when Elmer arrives, Lou shoots and kills him. He then plants the gun on Joyce, hoping to make the scene look like the two have killed each other, however Joyce survives the ordeal. Then Conway announces his intention to see her executed for killing Elmer.Lou’s reputation begins to falter: his girlfriend and fiancee Amy (Kate Hudson) suspects him of infidelity, and the county district attorney Howard Hendricks (Simon Baker), who has arrived in town to investigate the murders, suspects that Lou could be the killer. Lou accompanies Sheriff Maples and Conway in taking Joyce to the hospital in Fort Worth; Conway wants her alive so he can interrogate her. Lou waits in a hotel room while the surgery takes place. Maples tells him that Joyce died on the operating table. Lou and Maples return to west Texas. Back at his home, Lou discovers explicit photographs of a woman inside a Bible. The woman was Helene, a housekeeper and babysitter from his youth who bears a resemblance to Joyce. Lou recalls that Helene introduced him to sadomasochism, urging him to strike her. Lou burns the photos.imagesHendricks arrests Johnnie Pappas (Liam Aiken), a local youth whom Lou had previously befriended as a suspect in the murders of Elmer and Joyce. He was found with one of the $20 bills that Elmer was supposed to give to Joyce in the pay-off; Conway had the bills marked in order to blackmail Joyce if she didn’t leave town. Because Lou is close to Johnnie, Hendricks asks Lou to persuade him to confess, but it was Lou himself who had given Johnnie the marked $20 bill as a tip. In the prison cell Lou confesses to Johnnie that he was the one responsible. When they are alone in his cell, Lou hangs Johnnie to make it appear as a though he committed suicide out of guiltimagesJohnnie’s death only makes the town more suspicious of Lou. Journalist and union organizer Joe Rothman (Elias Koteas), who had previously suggested that Conway had Lou’s foster brother Mike killed, implies that he knows that Lou killed Elmer and Joyce. Lou coaxes Amy to elope with him as he proposes to her. To sate Lou’s violent predilections, she acquiesces to his desire to spank her. An alcoholic bum (Brent Briscoe), whom Lou had previously burnt with a cigar, has been trailing Lou and knows that he was responsible for the murders of Elmer and Joyce. He demands $5,000 to keep quiet, to which Lou agrees. On the day which Lou and Amy had planned to elope, Lou beats Amy to death, and when the bum sees her body, he runs for help. Lou chases the bum, shouting that he has murdered Amy. Another deputy, Jeff Plummer (Matthew Maher) opens fire on the bum, and shoots him dead.the_killer_inside_me07The next morning Plummer informs Lou of Sheriff Maples suicide, convinced of Lou’s guilt and heartbroken over his crimes. Hendricks and Plummer try to get a confession from Lou, who cockily refuses. They have a letter that Amy intended to give to him before they eloped, in which Amy begs him to come clean. Lou is arrested, and after a week in prison is sent to an insane asylum. While there, he suffers hallucinations of Amy and Helene. After a few weeks, a slick lawyer named Billy Boy Walker (Bill Pullman) has him released and drives him home. Walker has been hired by Joe Rothman to protect the union man. Lou tells Walker his whole story and concludes that he doesn’t want anyone else to die. Lost in his violent fantasies, Lou douses his home in gasoline and alcohol, arms himself with a knife, and sits in his study to await retribution. As police vehicles and armed policemen arrive, Lou sees a car pull up with Hendricks, Conway, Plummer and the still-alive Joyce. As Joyce tells Lou that she refused to cooperate with the authorities, Lou tells her he loves her, then stabs her in the stomach. Plummer opens fire, hitting both Joyce and Lou and igniting the gasoline in the house. Outside, the approaching policemen see the house engulfed in a huge fireball, which it appears Lou has ignited to kill himself.371266752_640The film has an almost art house feel to it and this is reflected in both Affleck’s unsettling performance and the story itself. You are asked to make some of the conclusions yourself and decide who you think is right or wrong. Ford is charismatic enough that you sometimes like him even though he is evil. This is an impressive thing to pull off and Affleck and Winterbottom should be proud. A dark and powerful film that will not appeal to everyone.

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REVIEW: HIT ME

CAST

Elias Koteas (Crash)
Laure Marasc (Interview With The Vampire)
Jay Leggett (Another Day In Paradise)
Bruce Ramsey (Killing Zoe)
Kevin J. O’ Connor (Van Helsing)
Philip Baker Hall (Bruce Almighty)
William H. Macy (The Closer)
Jack Conley (L.A. Confidential)

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Based on Jim Thompson’s ‘A Swell Looking Babe’, ‘Hit Me’ is about a bellhop – Sonny – getting involved in a scheme to steal $500,000 from high-end, illegal poker players. The swell looking babe is a French girl, Monique, and Sonny thinks his share of the money will allow him to start a new life with her. That isn’t going to come easily. Monique is unreliable, hooked up with the criminals, and has suicidal tendencies. The path of love never does run smooth, does it? As in the book, Sonny is an interesting character, fuelled by three elements – his love of Monique, his hatred of his job, and his refusal to accept help to care for his disabled brother, Leroy. Sonny is over his head in it all, and once the heist goes pear-shaped, he’s frantically scraping around to try a make it clear.MSDHIME EC001Elias Kotsas does a decent job playing Sonny. He looks a lot like Robert De Niro and effectively gets across one of De Niro’s big skills – playing desperate psychosis. At times this can veer into comedy, and it’s unclear whether this is always intentional. Kotsas acts emotions very physically – mock-humping the air before he goes into Monique’s room and pepping himself up by jumping through four different positions before meeting the main poker player. As in Thompson’s novels, ‘Hit Me’ presents a world where no character can be trusted. Even the “good guy” – Sonny – is as shady and money grabbing as the rest, at one stage happily considering becoming a cocaine dealer. It’s film noir taken to its limits… not in terms of visual style but in terms of characterisation.image-w448Stacked up against the beautiful economy of Mamet’s ‘Heist’ or Tarantino’s ‘Reservoir Dogs’, ‘Hit Me’ does drag a little and doesn’t have quite enough twists and turns to merit lasting over two hours. And, whilst shot cleanly and effectively, it lacks cinematic impact. However, there’s a nice undercurrent of philosophising over the nature of survival and, whether you’re a Thompson fan or not, you could do worse than checking out this interesting little movie.

REVIEW: DEVIL’S KNOT

CAST

Reese Witherspoon (Walk The Line)
Colin Firth (The King’s Speech)
Alessandro Nivola (American Hustle)
Bruce Greenwood (Star Trek)
Martin Henderson (The Ring)
Elias Koteas (Shutter Island)
Dane DeHaan (Life After Beth)
Kevin Durand (Dark Angel)
Kristoffer Polaha (Ringer)
Amy Ryan (Gone baby Gone)
Matt Letscher (Legends of Tomorrow)
Stephen Moyer (True Blood)
James Hamrick (Dive)
Seth Meriwether (The Duff)
Kristopher Higgins (In Time)
Mirelle Enos (World War Z)

In 1993, in the working class community of West Memphis, Arkansas, three eight-year-old boys – Stevie Branch, Christopher Byers, and Michael Moore – go missing from their neighborhood. After an extensive search, their bound and beaten bodies are found the next day. The community and the police department are convinced that the murders are the work of a satanic cult, due to the violent and sexual natures of the crime.A month later, three teenagers – Damien Echols, Jason Baldwin, and Jessie Misskelley Jr. – are arrested after Misskelley confesses following approximately 12 hours of interrogation. They are taken to trial, where Baldwin and Misskelley are sentenced to life, and Echols to death, all the while still proclaiming their innocence.Overall, the movie is a good, well-constructed drama and a reasonably fair representation of the case–albeit far from a perfect one. It’s worth seeing and entertaining but not a film for kids to see because of the subject matter.

 

REVIEW: THE HAUNTING IN CONNECTICUT

CAST

Virginia Madsen (Sideways)
Martin Donovan (Ant-Man)
Elias Koteas (Crash)
Kyle Gallner (Smallville)
Amanda Crew (Sex Drive)
Spohpi Knight (Rookie Blue)

In 1987, Sara Campbell (Virginia Madsen) is driving her son Matthew (Kyle Gallner) home from the hospital where he has been undergoing cancer treatments. Sara and her husband Peter (Martin Donovan), a recovering alcoholic, discuss finding a rental house closer to the hospital. On another hospital visit, Sara finds a man putting up a “For Rent” sign in front of a large house. The man is frustrated and offers her the first month free if she will rent it immediately. The following day, Peter arrives with Matt’s brother Billy (Ty Wood) and cousins Wendy (Amanda Crew) and Mary, and they choose rooms. Matt chooses the basement, where there is a mysterious door. After moving in, Matt suffers a series of visions involving an old, bearded man and corpses with symbols carved into their skin. The next day, Peter learns that the house was supposedly a funeral home; the room behind the mysterious door is a mortuary.Matt tells another patient, Reverend Nicholas Popescu (Elias Koteas), about the visions. Nicholas advises him to find out what the spirit wants. Later, Matt finds a burned figure in his room who begins to move toward him. When the family comes home, they find a shirtless Matt with his fingers blood-covered from scratching at the wall.The family begins to crack under the stress of Matt’s illness and bizarre behavior. The children find a box of photographs, which show Jonah, a young man from Matt’s visions, at a séance, emitting ectoplasm. Wendy and Matt find out that the funeral home was run by a man named Ramsey Aickman. Aickman also conducted psychic research and would host séances with Jonah as the medium. At one séance, all those attending, including Aickman, were found dead and Jonah disappeared.Nicholas theorizes that Aickman was practicing necromancy in an attempt to control the dead and bind them to the house. That night, Nicholas finds human remains in the house and removes them. Matt awakens to find Aickman’s symbols carved into his flesh. He is taken to the hospital, where he encounters Jonah. Nicholas and Matt begin to have simultaneous visions. Everyone in the séance is burnt, after a flash of bright light. The barely alive Aickman told Jonah to get out of the house, concerned that the demonic presence will get him next. Jonah uses a dumbwaiter to escape, calling for help. Entering an unknown chamber, Jonah realizes that he has entered the crematory. The spirit traps Jonah in the crematory, and cremates him alive.Peter and Sara learn that Matt’s cancer treatments have had no effect. They then discover that Matt has escaped the hospital. Back at the house, Nicholas leaves a message telling the family to get out of the house immediately – Jonah’s spirit was actually protecting them from the spirits. Matt breaks through the walls in the front room with an axe, revealing the dusty corpses Aickman hid in the walls. He forces Wendy and the children to get out, barricading himself inside and tearing down the other walls, as corpses begin to tumble into the room. The view switches from Matt to Jonah, who seems to be occupying Matt’s body. Matt lights the bodies and the room on fire.As the fire department arrives, Sara and Peter frantically try to get in to save Matt. The spirits, finally freed, disappear. Outside, everyone watches tearfully as the emergency crew attempts to resuscitate a dying Matt. As Matt slips away, he has a vision of himself standing in the graveyard where he sees Jonah, no longer appearing burnt. He seems about to follow Jonah when he hears his mother’s voice.He returns to his body and Jonah’s spirit leaves him. Matt’s cancer disappears, and the house was rebuilt and resold with no further reported incidents of haunting.While there are some questions that may not be answered, the story itself was more than satisfying. Special effects were kept to a minimum but used effectively and when needed. Acting was not Oscar worthy but good enough to make it all seem real. Fun when you want it and scary when you need it.

 

REVIEW: CRASH (1996)

CAST

James Spader (Stargate)
Holly Hunter(Batman V Superman)
Elias Koteas (Teenage Mutant Ninja Turtles)
Deborah Kara Unger (Highlander III)
Rosanna Arquette (Pukp Fiction)
Peter MacNeill (Regression)
David Cronenberg (The Fly)

Film producer James Ballard (James Spader) and his wife, Catherine (Deborah Kara Unger), are in an open marriage. The couple engage in various infidelities but, between them, have unenthusiastic sex. Their arousal is heightened by discussing the intimate details of their extramarital sex. While driving home from work late one night, Ballard’s car collides head-on with another, killing its male passenger. While trapped in the fused wreckage, the driver, Dr. Helen Remington (Holly Hunter), wife of the dead passenger, exposes a breast to Ballard when she pulls off the shoulder harness of her seat belt.While recovering, Ballard meets Remington again, as well as a man named Vaughan (Elias Koteas), who takes a keen interest in the brace holding Ballard’s shattered leg together and photographs it. While leaving the hospital, Remington and Ballard begin an affair, one primarily fueled by their shared experience of the car crash (not only do all of their sexual assignations take place in cars, all of Remington’s off-screen sexual encounters take place in cars as well). In an attempt to make some sense of why they are so aroused by their car wreck, they go to see one of Vaughan’s cult meetings/performance pieces, a re-creation of the car crash that killed James Dean with authentic cars and stunt drivers. When Transport Ministry officials break up the event, Ballard flees with Remington and Vaughan.Ballard becomes one of Vaughan’s followers who fetishize car crashes, obsessively watching car safety test videos and photographing traffic collisions. Ballard drives Vaughan’s Lincoln convertible around the city while Vaughan picks up and uses street prostitutes and, later, Ballard’s wife. In turn, Ballard has a dalliance with one of the other group members, Gabrielle (Rosanna Arquette), a beautiful woman whose legs are clad in restrictive steel braces and who has a vulva-like scar on the back of one of her thighs, which is used as a substitute for a vagina by Ballard. The film’s sexual couplings in (or involving) cars are not restricted to heterosexual experiences. While watching videos of car crashes, Remington becomes extremely aroused and gropes the crotches of both Ballard and Gabrielle, suggesting an imminent ménage à trois. Instead, Vaughan and Ballard eventually turn towards each other and have sex while, later, Gabrielle and Remington have sex with each other.Though Vaughan claims at first that he is interested in the “reshaping of the human body by modern technology,” in fact his project is to live out the philosophy that the car crash is a “fertilizing rather than a destructive event, mediating the sexuality of those who have died with an intensity that’s impossible in any other form.”The film’s climax begins with Vaughan’s death and ends with Ballard being involved in another semi-deliberate car crash, this one involving his wife. Their fetish for car crashes has, ironically enough, had an unusual bonding effect on the Ballards’ marriage. As he caresses her bruised body on the grass median near the crash, Ballard and his wife display affection for each other, ending with Ballard saying, “Maybe the next one,” possibly implying that the logical end result of their extreme fetish is death.

Throughout everything, Cronenberg’s film manages to become a mesmeric masterpiece of unexpected profoundness and dramatic brilliance.

REVIEW: LET ME IN

CAST

Chloe Grace Moretz (Kick-Ass)
Kodi Smit-McPhee (X-Men: APocalypse)
Richard Jenkins (The Cabin In The Woods)
Cara Buono (Happy Accidents)
Elias Koteas (Crash)
Sasha Barrese (The Ring)
Dylan Minnette (Don’t Breathe)
Ritchie Coster (The Dark Knight)
Chris Browning (Agent Carter)

In March 1983, in Los Alamos, New Mexico, a disfigured man is taken to the hospital. An unnamed police detective tries to question him about a recent murder. The detective is called to a phone and told that the man’s daughter was just downstairs. While he is on the phone, the man jumps out of the window, leaving behind a scrawled note that reads “I’m sorry Abby.”Two weeks earlier, Owen, an unhappy and lonely 12-year-old boy who is neglected by his divorcing parents, sees a young girl named Abby and an older man, Thomas, moving in next door and notices that she is barefoot despite the snow. Owen meets Abby one night and asks if she is cold upon seeing no footwear on her feet. Abby states that she doesn’t get cold. Owen and Abby become close friends and start communicating by Morse code through the walls of their apartments. At school, a bully named Kenny and two of his friends, Donald and Mark, constantly terrorize Owen, who lies to his mother about it but tells Abby the truth. Abby encourages him to retaliate.Thomas murders a man and collects the blood, but accidentally spills it. Hungry, Abby attacks a concerned neighbor named Jack to drink his blood, revealing that she is a vampire. On another night, Thomas hides in the back of a teenager’s car, murders the passenger, and tries to flee, but crashes the car and becomes trapped inside. He pours concentrated sulfuric acid on his face, disfiguring himself to prevent his identification. He is taken to the hospital, bringing the story back to the first scene.Abby learns what happened and climbs up the hospital building to see Thomas after speaking to the front desk worker who noticed that Abby is barefoot upon departure and couldn’t find her afterwards. She knocks on the window and he points to his throat, unable to speak, and leans out of the window; Abby drinks his blood. Thomas passes out and falls to his death. That night, Owen is awakened by Abby who insists he verbally invite her in. She spends the night in his bed upon discarding her clothes and agrees to be his girlfriend. The next day, Owen’s class goes ice-skating on the river. Kenny and his friends threaten to throw Owen into a hole in the ice. Emboldened by his relationship with Abby, Owen hits Kenny with a metal pole, splitting his left ear and causing him to scream in pain. At the same moment, several kids spot a body encased in the ice and begin screaming. It is the body of Jack, who Thomas threw into the (then unfrozen) river. Along with the body is Thomas’s bag.Later, Owen sees Abby and hoping to make a blood pact with her, cuts his finger. Unable to control herself, Abby laps up a drop of Owen’s blood revealing her vampire form. Not wanting to hurt Owen, she flees and instead attacks a woman named Virginia upon jumping out of a tree. Virginia’s boyfriend Larry witnesses the attack and calls an ambulance upon chasing her off. The next night, Abby admits to Owen that she is a vampire and that Thomas was not her father. Owen discovers an aged photo of her with Thomas as a young boy. As Thomas continued to age, he posed as Abby’s father while she did not physically age past twelve. In the hospital the next morning, a nurse goes into Virginia’s unit to open the curtains and finds Virginia feasting on her own bloody wrists. She has been turned into a vampire by Abby. As sunlight enters the room, Virginia bursts into flames that quickly spread throughout the unit, killing them both and setting the entire floor on fire.Owen sneaks out to spend the night at Abby’s. The next morning, the detective forces his way into Abby’s apartment and finds her asleep. He begins to uncover a window but is distracted by Owen. Abby wakes and attacks the detective to feed on his blood. The dying detective appeals to Owen for help, but Owen does not intervene. Abby tells Owen she will have to leave town. They share a kiss and he watches tearfully as she enters a taxi and leaves.During Owen’s swim class, Kenny, his sadistic older brother Jimmy, and their friends, are seeking revenge for the injury Owen had inflicted to Kenny’s ear. They ambush Owen and throw him into the pool. Jimmy says that if Owen can hold his breath underwater for three minutes, he will only be cut on the cheek, otherwise Jimmy will poke out one of Owen’s eyes. Owen is forced underwater by Jimmy. After one minute, Kenny and his friends realize this is excessive and try telling Jimmy to stop, but he angrily refuses. But then an unseen assailant breaks through the skylight, attacking the bullies, and Owen sees torn-off limbs sinking into the pool all around him. Owen emerges from pool to catch his breath and then sees a pair of familiar bare feet come near him. He then looks up, faintly smiling to see an off-screen Abby.Owen leaves town in broad daylight on a train, traveling with a large trunk. From inside, a message in Morse code is tapped out. Owen taps out a response and then looks out the window, quietly singing to himself “Eat some now, save some for later,” the jingle of Now and Later candy, which Abby and Owen had shared in an earlier scene.This is complex and multi-layered horror story-telling, and a minor masterpiece. Well worth watching in its own right – and then worth comparing with the original, Let The Right One In, so you can judge for yourself which is the most effective. Unlike many Hollywood remakes of European films, this one really was worth doing

REVIEW: THE CURIOUS CASE OF BENJAMIN BUTTON

CAST

Brad Pitt (World War Z)
Cate Blanchett (The Hobbit)
Tilda Swinton (Doctor Strange)
Taraji P. Henson (Date Night)
Julia Ormond (Resistance)
Jason Flemyng (Rob Roy)
Mahershala Ali (Luke Cage)
Phyllis Somerville (Little Children)
Jared Harris (Lincoln)
Elias Koteas (Crash)
Tom Everett (Die Hard 2)
Elle Fanning (Maleficent)
Josh Stewart (No Ordinary Family)

In 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches; she asks her daughter, Caroline, to read aloud from the diary of Benjamin Button.

From the reading, it is revealed that on the evening of November 11, 1918, a boy was born with the appearance and physical maladies of an elderly man. The baby’s mother died after giving birth, and the father, Thomas Button, abandons the infant on the porch of a nursing home. Queenie and Mr. “Tizzy” Weathers, workers at the nursing home, find the baby, and Queenie decides to care for him as her own.

Benjamin learns to walk in 1925; he declares it a miracle, after which he uses crutches in place of a wheelchair. On Thanksgiving 1930, Benjamin meets seven-year-old Daisy, whose grandmother lives in the nursing home. He and Daisy become good friends. Later, he accepts work on a tugboat captained by Mike Clark. Benjamin also meets Thomas Button, who does not reveal that he is Benjamin’s father. In Autumn 1936, Benjamin leaves New Orleans for a long-term work engagement with the tugboat crew; Daisy later is accepted into a dance company in New York City under choreographer George Balanchine. In 1941, Benjamin is in Murmansk, where he begins having an affair with Elizabeth Abbott, wife of the British Trade Minister. That December, Japan attacks Pearl Harbor, thrusting the United States into World War II. Mike volunteers the boat for the U.S. Navy; the crew is assigned to salvage duties. During a patrol, the tugboat finds a sunken U.S. transport and the bodies of many American troops. A German submarine surfaces; Mike steers the tugboat full speed towards it while a German gunner fires on the tugboat, killing most of the crew, including Mike. The tugboat rams the submarine, causing it to explode, sinking both vessels. Benjamin and another crewman are rescued by U.S. Navy ships the next day.

In May 1945, Benjamin returns to New Orleans and reunites with Queenie. A few weeks later, he reunites with Daisy; they go out for dinner. Upon failing to seduce him afterward, she departs. Benjamin later reunites with Thomas Button, who, terminally ill, reveals he is Benjamin’s father and wills Benjamin his button company and his estate. In 1947, Benjamin visits Daisy in New York unannounced but departs upon seeing that she has fallen in love with someone else. In 1954, Daisy’s dancing career ends when her leg is crushed in an automobile accident in Paris. When Benjamin visits her, Daisy is amazed by his youthful appearance, but, frustrated by her injuries, she tells him to stay out of her life.

In spring 1962, Daisy returns to New Orleans and reunites with Benjamin. Now of comparable physical age, they fall in love and go sailing together. They return to learn that Queenie has died, then move in together. In 1967, Daisy, who has opened a ballet studio, tells Benjamin that she is pregnant; she gives birth to a girl, Caroline, in the spring of 1968. Believing he can not be a proper father to his daughter due to his reverse aging, Benjamin departs after selling his belongings, leaving a bank account book holding the proceeds behind for Daisy and Caroline; he travels alone during the 1970s. Benjamin returns to Daisy in 1980. Now married, Daisy introduces him, as a family friend, to her husband and daughter. Daisy admits that he was right to leave; she could not have coped otherwise. She later visits Benjamin at his hotel, where they again share their passion for each other, then part once more.

In 1990, widowed Daisy is contacted by social workers who have found Benjamin—now physically a pre-teen. When she arrives, they explain that he was living in a condemned building and was taken to the hospital in poor physical condition, and that they found her name in his diary. The bewildered social workers also say he is displaying early signs of dementia. Daisy moves into the nursing home in 1997 and cares for Benjamin for the rest of his life. In the spring of 2003, Benjamin dies in Daisy’s arms, physically an infant but chronologically 84 years of age. Having finally revealed the story of Caroline’s father to her, Daisy dies as Hurricane Katrina approaches.
It is an extremely graceful depiction of life, love, and the things we lose. After so much anticipation I was certainly not disappointed. This movie is probably not for everyone though. It’s not your average drama that spoon feeds it’s audience their emotions. It is something of awe and astonishment, an absolute gem. What makes our lives memorable are the moments we never seem to grasp long enough before letting go. Life in itself is indeed very, very curious and Benjamin Button is no less of a wonder.