REVIEW: APPALOOSA

CAST

Ed Harris (Westworld)
Viggo Mortensen (Lord of The Rings)
Renée Zellweger (Jerry Maguire)
Jeremy Irons (Justice League)
Lance Henriksen (Aliens)
Adam Nelson (The Abyss)
Timothy Spall (Harry Potter)
Ariadna Gil (Talk of Angels)
James Gammon (Urban Cowboy)
Tom Bower (Out of The Furnace)
Rex Linn (Young Sheldon)

Ed Harris, Jeremy Irons, and Viggo Mortensen in Appaloosa (2008)In 1882, the small town of Appaloosa, New Mexico, is being terrorized by local rancher Randall Bragg (Jeremy Irons), who killed the town’s marshal, Jack Bell, and two deputies when they came to Bragg’s ranch to arrest two men. The town hires lawman and peacekeeper Virgil Cole (Ed Harris) and his deputy Everett Hitch (Viggo Mortensen) to protect and regain control of the town. The pair agrees on one condition: that the town follow Cole’s law and essentially cede control to him. The lawmen begin by confronting four of Bragg’s men who are causing a disturbance in the saloon. Three men refuse to allow themselves to be arrested, forcing Cole and Hitch to kill them. The fourth man surrenders and leaves the saloon. Bragg has a meeting with Cole and Hitch, initiating a standoff.Viggo Mortensen in Appaloosa (2008)Hitch sees a woman, Allie French (Renée Zellweger), who just came to the town and immediately takes an interest in her. He follows her to the diner where Cole is having a breakfast. They make acquaintance with her and observing Cole and Allie are getting together well, Hitch keeps his silence. Soon, Cole and Allie begin a romantic relationship and buy a house together. However, Allie attempts to seduce Hitch when they are alone but Hitch refuses her advances out of his loyalty to Cole.Ed Harris in Appaloosa (2008)When one of Bragg’s men tells Cole and Hitch that he will testify against Bragg on the triple murder case, they arrest Bragg and keep him locked up until the trial in spite of the attempts of Bragg’s gang to free him. The trial finds him guilty and sentences him to death. Cole, Hitch and several deputies transport Bragg via train to the prison where he was to be hanged but when they stop for refueling over a bridge, hired guns Ring and Mackie Shelton (Lance Henriksen and Adam Nelson), old acquaintances of Cole, appear with Allie at gunpoint, forcing Cole to release Bragg to them.Ed Harris and Jeremy Irons in Appaloosa (2008)Cole and Hitch catch up with the outlaws and see Allie and Ring Shelton frolicking naked together in a stream. When the outlaws are attacked by Chiricahua Apache, Cole and Hitch force the Indians away. Hitch tells Cole that Allie’s promiscuity is the result of her insecurity and she really likes Cole. They then turn Bragg over to the sheriff of Beauville; unbeknownst to Cole, the sheriff is a cousin of the Shelton brothers. Knowing that Cole is determined to bring Bragg to the gallows, the Sheltons and the sheriff free Bragg and engage Cole and Hitch in a gunfight. Cole and Hitch are wounded but manage to kill Ring, Mackie and the sheriff. Bragg escapes on horseback and Cole and Hitch return to Appaloosa with Allie.Renée Zellweger and Ed Harris in Appaloosa (2008)After some time, Bragg is granted a full pardon by President Chester Arthur (whom he previously claimed to have known) and returns to Appaloosa in an attempt to publicly reform himself. He buys the hotel and ingratiates himself with the locals. Privately he brags before Cole and Hitch to infuriate them over their failure to hang him. Cole tells Hitch that he still wants to be with Allie, despite her fickleness. Hitch decides to leave the town to make some money and resigns as deputy. Later he discovers that Allie is having a relationship with Bragg and challenges Bragg to a duel. Cole attempts to stop him, but Hitch remains steadfast and asks Cole to permit the gunfight to occur. Hitch manages to fire first just before Bragg fires but Bragg’s shot misses, and Hitch hits Bragg in the throat, killing him. Hitch leaves town, seeing that Allie and Cole are together; his parting thoughts express his hope that Cole can find happiness with Allie and for him, he gladly walks into uncertainty in hope of finding adventure and fortune.Renée Zellweger, Ed Harris, Jeremy Irons, and Viggo Mortensen in Appaloosa (2008)Appaloosa is a subtle film, both in story and as a technical production. Beal’s score is unobtrusive, while Semler’s photography manages to deliver that old fashioned feel that Harris was after (the low lighting for the interiors is particularly on the money) . Harris’ direction is smooth and unhurried in pace, with the odd inspired bit thrown in for good measure (check out the up-tilt camera work during a train on a bridge sequence). While the production design can’t be faulted. All that and you got the likes of Henriksen and Timothy Spall in the support cast too. A lovely film that is as tight as the friendship at its core.

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REVIEW: PAIN & GAIN

 

CAST

Mark Wahlberg (Contraband)
Dwayne Johsnon (Fast & Furious 8)
Anthony Mackie (The Hurt Locker)
Tony Shalhoub (Teenage Mutant Ninja Turtles)
Ed Harris (The Truman Show)
Rob Corddry (W.)
Rebel Wilson (Grimsby)
Ken Jeong (The Hangover)
Bar Paly (Non-Stop)
Michael Rispoli (Kick-Ass)
Tony Plana (Tony Plana)
Emily Rutherfurd (Van Wilder)
Peter Stormare (Arrow)
Brian Stepanek (Young Sheldon)

Mark Wahlberg, Tony Shalhoub, and Dwayne Johnson in Pain & Gain (2013)In 1995, schemer Daniel Lugo (Mark Wahlberg) is a recently released convict who had served time for Medicare fraud. Sun Gym owner John Mese (Rob Corddry) hires him to increase membership and make the gym more fitness-based. Lugo increases the gym’s membership by 75% within six weeks and befriends trainer Adrian Doorbal (Anthony Mackie), a bodybuilder rendered impotent due to his steroid use. Lugo soon lusts after the earnings and lifestyle achieved by Victor Kershaw (Tony Shalhoub), a sleazy new member he begins to train, who Lugo believes is a crook. Inspired by motivational speaker Jonny Wu (Ken Jeong), Lugo decides to be a “do-er” and hatches a plan to extort Kershaw for his assets by kidnapping and torturing him.Mark Wahlberg and Anthony Mackie in Pain & Gain (2013)Lugo recruits accomplices Doorbal and Paul Doyle (Dwayne Johnson), a recently released, cocaine-addicted convict who has turned to Christianity. Though Doyle is reluctant to join the team, he soon acquiesces after a violent altercation with his priest. This “Sun Gym gang” unsuccessfully attempts to kidnap Kershaw at home, and a second time in public, but later incapacitates him with a taser outside his deli and takes him to a small warehouse he owns (which is stocked with sex toys). The kidnappers wear masks and Lugo disguises his voice, but Kershaw identifies Lugo from his distinctive cologne. The scheme goes as planned otherwise: Kershaw makes calls, under duress, to provide false explanations for his disappearance, gets his family to move out of state, and signs the documents that transfer his assets to Lugo. Lugo even bribes John Mese to notarize documents in Kershaw’s absence, by presenting documents signed by Kershaw and using Kershaw’s money to sponsor the Sun Gym.Dwayne Johnson and Bar Paly in Pain & Gain (2013)The Sun Gym gang is able to collect Kershaw’s money and assets, but they realize releasing him is a bad idea. Therefore, Lugo concocts a plan to kill Kershaw by forcing him to drink liquor and crash his BMW, making it appear like a drunk driving accident. When Kershaw survives the crash, the gang burns the car with Kershaw in it. Kershaw escapes the blazing vehicle, so the gang runs over his body, twice, and leave him for dead. Unbeknownst to them, Kershaw survives and is hospitalized. The Sun Gym gang members spoil themselves with Kershaw’s riches. Lugo takes over Kershaw’s car and his home in a ritzy Miami suburb; Doorbal marries the nurse who has been treating his impotence, Robin (Rebel Wilson), and uses his cut to purchase penile erection treatments; and Doyle abandons his restraints of religion and sobriety, and blows away his money on cocaine and his new stripper girlfriend. Kershaw reports what happened to the police, but they are turned off by his unpleasant manner and do not believe his bizarre story even when he gives them Daniel Lugo’s name, particularly because of Kershaw’s blood alcohol level, and the fact that Kershaw was born in a South American country well known for its involvement in the drug trade. He then contacts Ed Du Bois, III (Ed Harris), a retired private investigator – who declines to take the case but warns Kershaw to quickly leave the hospital before the gang returns to kill him. Kershaw takes his advice and hides in a cheap motel. Upon reflection, Du Bois takes Kershaw’s case and tails the Sun Gym gang. He visits the Sun Gym and meets with Lugo, who becomes suspicious after Du Bois mentions Kershaw’s name.Mark Wahlberg, Dwayne Johnson, and Anthony Mackie in Pain & Gain (2013)When Kershaw furiously calls Mese about his stolen money, Lugo, Doyle, and Doorbal *69 the call, thereby identifying where it originated, and go to the motel to kill Kershaw; however, they arrive too late, as he has checked himself out and is hiding at an abandoned baseball stadium. When Lugo and Doorbal discover that Du Bois is paying for Kershaw’s room using his own credit card, they plan to kidnap Du Bois at his home. They arrive at the house, but the plot is thwarted when the police stop by to drop off Du Bois. In order to evade arrest, Lugo and Doorbal run and jump off Du Bois’ dock into the water. Du Bois gets a message from Kershaw and goes to the stadium to take him home. Meanwhile, Doyle (who has wasted all of his share of the spoils) attempts to rob an armored car. However, dye packs planted in the money bag explode, and he narrowly escapes the police, getting his toe shot off in the process. He and Doorbal (who depleted his share on payments for treatments, his and Robin’s wedding, and a new home) explain to Lugo they need more money, and the gang plans another kidnapping.Mark Wahlberg, Dwayne Johnson, and Anthony Mackie in Pain & Gain (2013)They target the wealthy Frank Griga (Michael Rispoli), who owns a phone sex operation. After a promising discussion at Griga’s mansion, the gang invites Griga and his wife Krisztina Furton (Keili Lefkovitz) to Doorbal’s home to propose an investment scheme. Griga insists on meeting with someone more senior and questions Lugo’s amateurish business savvy. This angers Lugo, who attacks Griga and accidentally kills him. Krisztina discovers this and tries to shoot Lugo, but Doorbal injects her with a potent horse tranquilizer. Lugo and Doyle try to use the combination obtained from a heavily sedated Krisztina to open a safe at her and Griga’s home, but the combination does not work. When Krisztina rouses and tries to escape, Doorbal gives her a second injection, accidentally causing her to fatally overdose. Lugo and Doorbal purchase equipment to dismember and dispose of the bodies and dump the parts in oil drums (which they sink in a secluded swamp outside Miami), while Doyle incinerates their hands on a barbecue grill to eliminate their fingerprints. Doyle, perturbed by the violence he committed, leaves the gang and returns to the priest’s church. The police learn of Griga and Krisztina’s disappearances, and with evidence from Du Bois, they set a plan to arrest the Sun Gym gang.Mark Wahlberg, Dwayne Johnson, and Anthony Mackie in Pain & Gain (2013)The film returns to June 17: the police arrest Doyle at the church, Doorbal at home, and Mese at the Sun Gym. Lugo, also at the gym, spots the approaching police force and flees. Although struck by a police cruiser, he escapes and heads out by sea in Kershaw’s speedboat. Kershaw and Du Bois deduce Lugo is going after the former’s hidden bank account in Nassau, Bahamas and accompany the police to capture him. Lugo’s pursuers catch up with him, and he attempts to escape. Du Bois shoots Lugo, Kershaw chases him in a car and incapacitates him, and the authorities arrest him. Lugo is brought back to the United States and stands trial with Doyle, Doorbal, and Mese. At the trial, Doyle rolls over on Doorbal and Lugo with a full confession, and meanwhile Robin has divorced Doorbal the night before and testifies against him. Ultimately, the four are convicted.Mark Wahlberg, Dwayne Johnson, and Anthony Mackie in Pain & Gain (2013)

The end credits reveal the fates of the main characters:

Daniel Lugo was sentenced to death, plus 30 days for “being an asshole” to a guard.
Adrian Doorbal was sentenced to death.
Paul Doyle, for his full confession, was sentenced to 15 years, served seven years, was released, tried to apologize, and converted back to Christianity.
John Mese was sentenced to 15 years and died in prison.
Victor Kershaw’s name was changed in the film to protect the survivor.
Sorina Luminita’s name was changed in the film to protect the survivor. She’s currently not a movie star.

The movie ends with Lugo’s saying: “That’s the American dream”.Mark Wahlberg, Dwayne Johnson, and Anthony Mackie in Pain & Gain (2013)Wahlberg and Johnson, what’s not to like! A lot of controversy about this film, but I don’t think they make light of the deaths of those people. It’s quite dark and gory in places, and you kind of feel sorry for Johnson’s character but his character doesn’t actually exist in real life, rather he is a conglomerate of several people. I think you have to remember that its just a movie and that the real people who committed the crimes were sick and very stupid and were given the death penalty. I think it’s an interesting take on a real life story.

REVIEW: MOTHER!

CAST

Jennifer Lawrence (American Hustle)
Javier Bardem (Vicky Cristina Barcelona)
Ed Harris (Westworld)
Michelle Pfeiffer (Batman Returns)
Domhnall Gleeson (Star Wars: The Force Awakens)
Brian Gleeson (Assassin’s Creed)
Kristen Wiig (Girl Most Likely)
Stephen McHattie (300)

Javier Bardem and Jennifer Lawrence in Mother! (2017)In a house recently burned by fire, Him, an acclaimed poet struggling with severe writer’s block, places a crystal object on a pedestal. The house then suddenly morphs to look newly renovated. In bed, Mother wakes up, wondering aloud where Him is. She starts seeing things around the house that unsettle her, including visualizing a beating heart within the walls.Jennifer Lawrence in Mother! (2017)One day, Man turns up at the house, asking for a room. Him readily agrees, and Mother reluctantly follows suit. During his stay, Man is seen with an open wound in his side. The next day, Man’s wife, Woman, also arrives to stay. Mother is increasingly frustrated with her guests, while Him begs her to let them stay, telling Mother that the guests are fans of his work and that the male guest is dying, and wanted to meet Him. However, when Man and Woman accidentally break and shatter the crystallized object, Mother decides to kick them out.Jennifer Lawrence in Mother! (2017)The couple’s two sons arrive and start to fight over the will left by their father. The Oldest Son, who is willed nothing, mortally injures his Younger Brother and apparently flees, while Him, Man, and Woman take the injured son to get help. Mother is left alone in the house, where she discovers the furnace’s oil tank hidden behind the basement walls. Upon returning, Him informs Mother that the son has died. Dozens of people begin arriving at the house following the death of the son. More people arrive, and behave in a way that bothers Mother; she becomes angrier and eventually snaps when they flood the house. She kicks everyone out. Angry with Him for allowing into the house so many people for his pleasure and ignoring her, she berates him before the two engage in sex.Jennifer Lawrence in Mother! (2017)The next morning, Mother announces that she is pregnant. The news leaves Him elated and inspires him to finish his work. A few months later, Mother prepares for the arrival of their child and reads Him’s beautiful new poem. Upon publication, the edition immediately sells out. In celebration, Mother prepares dinner. Meanwhile, a group of fans arrives at the house. As she barricades herself, more fans arrive and begin to enter the house to use the bathroom. Their behavior devolves into disrupting the environment and stealing their belongings as keepsakes. An increasingly disoriented Mother makes her way around the house as each room devolves into chaos. Him’s publisher, the Herald, takes part in the madness. Military men with guns arrive to help Mother, but a cult of devoted fans forms around Him; they start to engage in rituals.Javier Bardem and Jennifer Lawrence in Mother! (2017)Mother goes into labor and finds her husband. Him takes her to his study, where she gives birth. The havoc outside subsides as he tells Mother that the massive crowd wants to see the baby. Refusing, she holds on tight to her son. When she falls asleep, however, he takes the baby outside to the crowd. The crowd proceeds to pass the baby around recklessly, breaking his neck. Devastated, Mother makes her way to the front of the crowd where she sees the hacked corpse of her baby and witnesses the crowd eating his flesh. Furious, she begins stabbing at them with a shard of glass. They turn on her, beginning to strip and beat her until Him intervenes and stops it. Calling Him and the crowd murderers, Mother escapes their hold and makes her way to the cellar and the furnace oil tank. Her husband pleads but Mother alights the oil, destroying the crowd, the house, and the surrounding garden and trees.Jennifer Lawrence in Mother! (2017)Both Mother and Him survive. However, Mother suffers horrific burns while Him remains unscathed. He asks her for the love she has left for him, and she allows Him to take it. He tears open her chest, and removes her heart. As his hands open the heart, a new crystal object is revealed. He places the object on a pedestal. Once again, the house changes from a burnt-out shell to being renovated. In a bed, a new Mother forms and wakes up, wondering aloud where Him is.Jennifer Lawrence in Mother! (2017)I find the film to be amazing in scope, like Cloud Atlas or A’s The Fountain. Like I said earlier, if you don’t appreciate films like these, or even Black Swan don’t bother. It’s simply not your brand. I feel the film is an amazing encapsulation of our existence performed in very unique fashion. The message here is strong. I prefer the avant-garde probably because I’ve seen so many films. I need to view films that present something new, and this one certainly does. For me, it is a masterpiece. Aren’t artists allowed to target their audience? They all can’t have happy endings.

 

 

 

REVIEW: WESTWORLD – SEASON 1

MAIN CAST

Evan Rachel Wood (Thirteen)
Thandie Newton (Crash)
Jeffrey Wright (The Hunger Games: Catching Fire)
James Marsden (X-Men)
Ingrid Bolsø Berdal (Hercules)
Luke Hemsworth (Neighbours)
Sidse Babett Knudsen (Borgen)
Simon Quarterman (the Scorpion King 2)
Rodrigo Santoro (Lost)
Shannon Woodward (Raising Hope)
Ed Harris (The Abyss)
Jimmi Simpson (Date Night)
Angela Sarafyan (The Promise)
Anthony Hopkins (The Silence of Tue Lambs)
Ben Barnes (Dorian Gray)
Clifton Collins Jr. (Pacific Rim)
Tessa Thompson (Thor: Ragnarok)

RECURRING / NOTABLE GUEST CAST

Louis Herthum (Longmire)
Leonardo Nam (He’s Just Not That Into You)
Talulah Riley (St. Trinians)
Oliver Bell (Salem)
Currie Graham (Agent Carter)
Steven Ogg (The Escort)
Michael Wincott (The Doors)
Eddie Rouse (I’m Still Here)
Brian Howe (Catch Me If You Can)
Demetrius Grosse (Saving Mr. Banks)
Kyle Bornheimer (The D Train)
Gina Torres (Firefly)
Bojana Novakovic (Drag Me To Hell)
Eddie Shin (That 80s Show)
Ptolemy Slocum  (Hitch)

As many sci-fi fans will know, the show ‘Westworld’ is based on the 1973 feature film of the same name (written and directed by the late, great Michael Crichton), and the premise is basically the same as it was then: In a future where technological possibilities are seemingly endless, a highly sophisticated theme park offers rich clients the chance to visit the long gone era of the Old West .

The show does a great job pulling the viewer immediately into Westworld. Within 10 minutes of the first episode, the basic rules of the theme park are established: paying guests called “newcomers” get to interact with androids called “hosts” (which to the naked eye are indiscernible from the guests) in a world dressed up like the Old West – and in this world, the guest truly is king. The rules are brutally simple: the visitors get to do whatever they like with – or to – the androids. They can have a friendly chat with them, flirt with them or embark on a spontaneous (or scripted) adventure with them – but they can also shoot them, rape them, torture them and kill them at will.

The androids, on the other hand, are constructed and programmed in a way that is supposed to inhibit them from physically harming “living” creatures. At the beginning of the show – thanks to an interesting choice of storytelling – we get to experience Westworld from the perspective of the androids, which reveals a cruel detail about their nature: they apparently experience emotions. Artificial or not, they do feel pain and fear – as well as affection and anger, and they have no idea that they don’t count as “real” people (at least not to those who call themselves real people). And while that detail certainly makes the “game” even more thrilling and more realistic for the visitors, it means that the shocking abuse some of the androids have to suffer is harrowingly real to them.

The way the show is constructed  it immediately confronts the viewer with very uncomfortable questions. How do we as humans behave towards creatures we consider non-human? How excessive do we become and how thin does our layer of morality turn out to be if we’re allowed to live out all our fantasies without having to fear any consequences for our actions? And at what point should a creature have rights similar to those we demand for ourselves? How do we define “sentient”? How do we define “human”? And how well do we actually understand – and how well are we able to control – the amazing technology our species seems to have acquired so suddenly?

As an avid film fan, I found ‘Westworld’ immediately intriguing; not only because it dares to challenge the viewer with fascinating philosophical questions and scientific concepts, but also because its premise offers the chance to explore a wide range of film genres: sci- fi, western, drama, horror – to name but a few.As for the non plot related aspects of the show: production design, music and effects are fantastic – as we’ve come to expect from HBO’s high concept productions  and with the impressive ensemble of high caliber actors do a great job at bringing their respective characters to life (artificial and otherwise).

A special mention needs to go to Ed Harris and Anthony Hopkins: their charismatic screen presence is once more just impossible to ignore and they simply own every scene they’re in.  Given the amount of talent involved, anything else actually would have been surprising. Produced by J.J. Abrams, created by Jonathan Nolan and Lisa Joy Nolan based on a concept by the late – great – Michael Crichton; directed by Neil Marshall and Vincenzo Natali (among others), and with a cast most shows would kill for, the stars really seem to have aligned for ‘Westworld’.

My overall verdict so far: ‘Westworld’ is intelligent science fiction for adults (some scenes are very graphic) which offers more than just eye candy and is full of mysteries for the patient viewer to uncover. It provides a powerful metaphor for oppression and exploitation of other beings – and it shows how quickly we tend to lose our “humanity” when given ultimate power over those we somehow consider less “human”.  With a great cliffhanger season keeps you salivating for the second season which wont air till 2018.

REVIEW: THE FIRM

CAST

Tom Cruise (The Mummy)
Jeanne Tripplehorn (Basix Instinct)
Gene Hackman (Superman)
Hal Holbrook (Lincoln)
Terry Kinney (Billions)
Wilford Brimley (Cocoon)
Ed Harris (Westworld)
Holly Hunter (Batman V Superman)
David Strathairn (The Blacklist)
Gary Busey (The Gungerdead Man)
Tobin Bell (Saw)
Dean Norris (Breaking Bad)

Mitch McDeere (Tom Cruise) is a young man from an impoverished background, but with a promising future in law. About to graduate from Harvard Law School near the top of his class, he receives a generous job offer from Bendini, Lambert & Locke, a small, boutique firm in Memphis specializing in accounting and tax law. He and his wife, Abby (Jeanne Tripplehorn), move to Memphis and Mitch sets to work studying to pass the Tennessee bar exam. Avery Tolar (Gene Hackman), one of the firm’s senior partners, becomes his mentor and begins introducing Mitch to BL&L’s professional culture, which demands complete loyalty, strict confidentiality, and a willingness to charge exceptional fees for their services. Seduced by the money and perks showered on him, including a house and car, he is at first totally oblivious of the more sinister side of his new employer, although Abby has her suspicions.Mitch passes the bar exam and begins working long hours that put a strain on his marriage. Working closely with Avery, Mitch learns that most of the Firm’s work involves helping wealthy clients hide large amounts of money in off-shore shell corporations and other dubious tax-avoidance schemes. While on a trip to the Cayman Islands on behalf of a client, Mitch is seduced by a local woman and cheats on Abby. Actually this encounter is a photographed set-up made for the firm’s sinister security chief, Bill DeVasher (Wilford Brimley), who later uses Mitch’s beach tryst with that woman as blackmail to keep him quiet about such tax evasions and whatever illegal financial transactions.Mitch realizes he is now trapped, but after two associates of the firm die under mysterious circumstances, he is approached by FBI agents who inform him that while some of BL&L’s business is legitimate, their biggest client is the Morolto Mafia family from Chicago. The firm’s partners, as well as most of the associates, are all complicit in a massive tax fraud and money laundering scheme. The two associates who died learned about the firm’s dark side, and were killed to keep them from talking. They warn Mitch that his house, car, and office have probably all been bugged. The FBI pressures Mitch to provide the Bureau with evidence they can use to go after the Moroltos and bring down BL&L. Mitch knows he faces a stark choice. If he works with the FBI, he believes that even if he stays alive, he will have to disclose information about the firm’s legitimate clients—thus breaking the attorney–client privilege and risking disbarment. However, the FBI warns him that if he stays with the firm, he will almost certainly go to jail when the FBI takes down both the firm and the Moroltos. Either way, his life as he knows it is over, and he agrees to cooperate with the FBI in return for $1.5 million and the release of his imprisoned brother Ray in Arkansas.Desperate to find a way out, Mitch inadvertently stumbles on a solution when one of his clients reveals that he was billed for extra five hours fees, for the Firm’s money laundering services for the Moroltos. However, mailing these illegal bills to their clients is considered as mail fraud, and it exposes the Firm to RICO charges. Mitch begins secretly copying the Firm’s billing records. However, he is unmasked when a prison guard on the Moroltos’ payroll alerts DeVasher. Evading DeVasher and his thugs, he finds the Morolto brothers and, offering himself as a loyal attorney looking out for his clients’ best interests, leads them to believe that his contact with the FBI and files copying were merely an attempt to expose and eliminate such illegal overbilling. Mitch asks the Moroltos to turn over their billing invoices in order to help the FBI make their case against the firm. He assures them that as long as he is alive, any other information he knows about their legal affairs is covered under attorney-client privilege and will never be revealed. Convinced thus, the Moroltos agree to guarantee Mitch’s safety and let him give the FBI all the evidence they need to destroy the Firm. Since the attorney-client privilege doesn’t apply when a lawyer knows about ongoing criminal activity, Mitch is able to keep his status as a lawyer. The film ends as the McDeeres leave their house in Memphis and return to Boston, driving the same car in which they arrived there.Better than the book with regard to its resolution and plot development. Still looks and feels good.

REVIEW: MAN ON A LEDGE

CAST

Sam Worthington (Avatar)
Elizabeth Banks (Power Rangers)
Jamie Bell (King Kong)
Anthony Mackie (Captain America: The Winter Soldier)
Génesis Rodríguez (Hours)
Ed Harris (Westworld)
Kyra Sedgwick (The Woodsman)
Edward Burns (One Missed Call)
Titus Welliver (Gone Baby Gone)
Felix Solis (The West Wing)
William Sadler (Iron Man 3)

In New York City, Nick Cassidy (Sam Worthington) checks into the Roosevelt Hotel under the false name of Walker, goes to his hotel room on the 21st floor, and climbs on the ledge, ready to commit suicide. The crowd below calls the police, with Dante Marcus (Titus Welliver) controlling the crowd, while Jack Dougherty (Edward Burns) tries to talk with Nick. However, Nick will only speak to negotiator Lydia Mercer (Elizabeth Banks), who is on a leave of absence, after failing to save a suicidal policeman. Lydia arrives at the hotel room and manages to acquire Nick’s fingerprints from a cigarette they share. Dougherty has them analyzed and discovers that Nick is an ex-policeman, arrested for stealing the $40 million Monarch diamond from businessman David Englander (Ed Harris). Nick was given a 25-year sentence but escaped from the Sing Sing Correctional Facility one month earlier, after being allowed to attend his father’s funeral. Nick, however, maintains his innocence and accuses Englander of framing him for the theft of the diamond, as Englander lost his fortune and was too proud to sell the diamond.Unknown to the police, Nick is merely distracting them while his brother, Joey (Jamie Bell), and Joey’s girlfriend, Angie (Génesis Rodríguez), break into Englander’s vault across the street, to steal the diamond and prove Nick’s innocence. Meanwhile, Dougherty informs Marcus of Nick’s identity, and Marcus orders the jewelry store’s security to check the vault. Joey and Angie are able to evade them but do not find the diamond. They set off the alarms, tricking Englander into retrieving the diamond and ambush him, stealing the diamond at gunpoint. Meanwhile, Nick’s ex-partner, Mike Ackerman (Anthony Mackie), arrives at the hotel with evidence that Nick is planning something and demands to be allowed into the hotel room. Lydia does not trust him, and Dougherty backs her up. Ackerman claims he has found bomb schematics in a storage unit Nick rented and is convinced that he will detonate an explosive somewhere. While the crowd is evacuated by the bomb squad, Lydia, believing in Nick’s innocence, calls Internal Affairs and discovers that three of the cops employed by Englander were suspected of being corrupt: Ackerman, Marcus and a deceased officer called Walker.Joey and Angie enter the hotel and hand the bag containing the diamond to the hotel concierge (William Sadler). The concierge pockets the diamond. Englander calls Marcus, one of the men who helped him frame Nick, and has him capture Joey and Angie. Nick begins to make his escape through the hotel, at one point being aided by the concierge who tells him “everyone is rooting for you, kid,” while handing him a disguise (and the diamond). Marcus chases Nick to the roof, where he has Lydia arrested for obstruction. Englander brings Joey and Angie, threatening to throw Joey off the roof, if Nick does not give him the diamond. Nick turns it over, and Englander leaves. Meanwhile, Lydia escapes custody and rushes back to the roof. Marcus attempts to force Nick to jump off the roof, but Ackerman arrives and shoots Marcus, who wounds Ackerman. Nick rushes to Ackerman’s side, who apologizes and reveals that he had no idea that Englander would frame Nick for stealing the diamond. Marcus survives, as he is wearing a bulletproof vest, and is preparing to kill Nick, when Lydia shoots him, but does not kill him. Nick jumps from the roof onto an airbag set up earlier by the police, catches up to Englander, beats him and pulls the diamond he had only just recently given him from his jacket, proving Nick’s innocence in front of both the police and public, resulting in Englander being arrested.Later, Nick is cleared of all charges and released from custody and meets Joey, Angie, and Lydia at a bar. There it is revealed that the hotel concierge is in fact Nick and Joey’s father, Frank Cassidy, who had faked his own death in order to help Nick break out of prison and prove his innocence. Joey proposes to Angie with a diamond ring presumably stolen from Englander’s vault. She accepts and they all celebrate together.Man on a ledge is a good film, and if you stick with it & follow it’s threads you will find it worthy of your time.

REVIEW: A HISTORY OF VIOLENCE

CAST

Viggo Mortensen (Lord of The Rings)
Maria Bello (The 5th Wave)
Ed Harris (Gravity)
William Hurt (The Incredible Hulk)
Ashton Holmes (Revenge)
Peter MacNeill (CrasH)
Stephen McHattie (300)
Greg Bryk (Bitten)
Kyle Schmid (The Covenant)

Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom’s relationships with his family become strained.
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Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that “Joey” return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
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At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty’s men, she saw “the real Joey” that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
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After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn’t go to all this trouble if they weren’t sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
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Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.

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There is violence, and there is sex, but all tightly controlled and more tense than graphic, and all carefully crafted to service the story. The ending will disappoint you if you tackle this as a mere action movie.. but if you want a real kick off into the whole subject of the influence and effects of violence, then this is a perfect place to start.