REVIEW: STARGATE: ATLANTIS – SEASON 4

Starring

Joe Flanigan (Thoughtcrimes)
Amanda Tapping (Sanctuary)
Jason Momoa (Aquaman)
Rachel Luttrell (A Dog’s Breakfast)
David Hewlett (Rise of TPOTA)

David Nykl in Stargate: Atlantis (2004)
RECURRING / NOTABLE GUEST CAST

Torri Higginson (Dark Waters)
Jewel Staite (Firefly)
David Nykl (Arrow)
Claire Rankin (Taken TV)
Michael Beach (Aquaman)
Bill Dow (Izombie)
Yee Jee Tso (Antitrust)
Chuck Campbell (Jason X)
David Ogden Stiers (Two Guys and a Girl)
Sharon Taylor (Smallville)
Christopher Judge (The Dark Knight Rises)
Aleks Paunovic (Van Helsing)
Mark Dacascos (Kamen Rider Dragon Knight)
Kavan Smith (Mission to Mars)
Jill Wagner (Blade: The Series)
Michael Cram (Flashpoint)
Brenda James (Slither)
Niall Matter (The Predator)
Danny Trejo (Machete)
Christopher Heyerdahl (Sanctuary)
Kimberley Warnat (Freddy vs Jason)
Robert Picardo (The Orville)
Kate Hewlett (A Dog’s Breakfast)
Steven Culp (Jason Goes To Hell)
Brendan Penny (The A-Team)
Michelle Morgan (Deep Six)
Mitch Pileggi (The X-Files)
Andee Frizzell (Flash Gordon)
Jodelle Ferland (Kingdom Hospital)
David Richmond-Peck (V)
Crystal Lowe (Black Xmas)
Kari Wuhrer (Eight Legged Freaks)
Emma Lahana (Cloak & Dagger)
Dylan Neal (Arrow)
Rob LaBelle (Dark Angel)
Ben Cotton (Bates Motel)
Gary Jones (Chilling Adventures of Sabrina)
Connor Trinneer (Star Trek: Enterprise)
Paul McGillion (The Flash)
Patrick Sabongui (Power Rangers)

David Hewlett in Stargate: Atlantis (2004)Stargate Atlantis ups its game with season four. But it’s not with particularly clever or imaginative stories that the shows writers and producers manage to bring about this change; it’s actually in the areas of character development and action that this season really excels. With the (implied) deaths of inarguably my favourite two characters in season three, I wasn’t expecting their replacements to integrate perfectly, or right away into the Atlantis team, but both actors are given such great material to work with that it’s impossible not to be engaged with their individual story-arcs.Amanda Tapping in Stargate: Atlantis (2004)Sam carter is (of course) as brilliant as always, but unlike Doctor Weir, doesn’t appear in nearly as many episodes, or seem to be involved as deeply in the decision-making processes on the base. She just feels like any other member of the team and fits right in almost immediately. Doctor Keller is initially unconvincing in her role as chief medic, but before long she too blossoms into a really intriguing and multi-layered character.Rachel Luttrell and Jewel Staite in Stargate: Atlantis (2004)While there are more than a handful of solid Replicator and Wraith-based episodes to enjoy in this twenty-episode season, it’s the character-based stories that stand-out for me as the best examples of this season. Episode 7- `Missing’ , episode 13- `Quarantine’ and episode 16- `Trio’ are each so gripping. The final stand-out story for me would be the concluding episode- `The Last Man’, which breaks out of the mould of the finale’s of previous seasons and doesn’t involve an unprovoked attack on the city, or a multi-episode build-up. It’s pretty self-contained on the whole and mixes well themes of time-travel, action and season four’s despicable mystery nemesis.

REVIEW: HUMAN TARGET – SEASON 1

Starring

Mark Valley (Zero Dark Thirty)
Chi McBride (Hawaii Five-O)
Jackie Earle Haley (Watchmen)

Jackie Earle Haley, Chi McBride, and Mark Valley in Human Target (2010)

RECURRING / NOTABLE GUEST CAST

Tricia Helfer (Battlestar Galactica)
Donnelly Rhodes (Tron: Legacy)
Adrian Hough (The Fog)
Danny Glover (Lethal Weapon)
Adrian Holmes (smallville)
Hiro Kanagawa (Heores reborn)
Peter Kent (Total Recall)
Alvin Sanders (Riverdale)
Courtney Ford (Legends of Tomorrow)
Ali Liebert (Wonder)
Alessandro Juliani (Man of Steel)
David Nykl (Arrow)
Sean Maher (Firefly)
Emmanuelle Vaugier (Two and a Half Men)
Aleks Paunovic (Van Helsing)
Alex Fernandez (Devious Maids)
Christie Laing (Izombie)
Sam Huntington (Superman Returns)
William Mapother (Lost)
Peter Bryant (Legends of Tomorrow)
Sarah Smyth (Supergirl)
Kristin Lehman (The Loft)
William B. Davis (The X-Files)
Chris Mulkey (Cloverfield)
Dylan Neal (Arrow)
Brandon Jay McLaren (Power Rangers SPD)
Ted Whittall (Suicide Squad)
Kevin Weisman (Runaways)
Autumn Reeser (Sully)
Zak Santiago (Caprica)
Mitch Pileggi (Stargate: Atlantis)
Leonor Varela (Blade II)
Kris Marshall (Love Actually)
Kim Coates (Goon)
Samantha Ferris (The Tall Man)
Lennie James (The Walking Dead)
Eric Breker (X-Men Origins)
Dash Mihok (Gotham)
Kenneth Welsh (Miracle)
Grace Park (Hawaii Five-0)
Peter Wingfield (Highlander: The Series)
Ken Kirzinger (Freddy vs Jason)
Moon Bloodgood (Termiantor: Salvation)
Ty Olsson (Battlestar Galactica)
Vincent Gale (Bates Motel)
Daniel Bacon (Stargate SG.1)
Steve Makaj (Arrow)
Craig Veroni (Dark Angel)
Christina Cole (JHex)
Erick Avari (Stargate)
Kavan Smith (When Calls The HEart)
Christopher Heyerdahl (Sanctuary)
Mackenzie Gray (man of Steel)
Lee Majors (Ash vs Evil Dead)
Amy Acker (The Gifted)
Timothy Omundson (Xena)
Armand Assante (Judge Dredd)
Fiona Vroom (Power Rangers)

Mark Valley and Emmanuelle Vaugier in Human Target (2010)Human Target was definitely one of the most surprising new series this season. Comic book stories don’t often translate well to the small screen, but this one bucked all the trends and exceeded expectations by consistently producing hot action, fascinating characters, and a good number of laughs too.Mark Valley in Human Target (2010)It started out with a pilot episode that wasted no time getting into the action. Fast paced events on a runaway train got things started with a bang. Right away, the series showed the kind of amazing action scenes that would make it an exciting watch every week. The second episode, “Rewind”, kept the pedal to the metal in an episode that had high-flying action on a plane, although things did get a little ridiculous with the plane flying upside down for an extended time.Peter Bryant and Mark Valley in Human Target (2010)The main characters quickly became fan favorites, thanks to witty dialogue and excellent acting work by the great trio of Mark Valley, Chi McBride, and Jackie Earle Haley. While Chance takes the lead in these episodes, his buddies (with shady pasts of their own) do a lot in their supportive roles. Winston and Guerrero have unique skills that are always employed in clever ways in the series, and they have a special kind of friendly-yet-combative relationship that provided most of the comedy relief in the show. The series also featured a number of intriguing guest stars, including many familiar faces from the sci-fi world. We saw Battlestar Galactica stars Tricia Helfer, Alessandro Juliani, Grace Park, and Donnelly Rhodes, along with two stars from The X-Files – Mitch Pillegi and a surprising appearance from William B. Davis (the infamous Cigarette Smoking Man).Mark Valley in Human Target (2010)At first, Human Target focused on a string of unrelated stories that followed the same effective formula—show the client, show the bad guys, have Chance and his pals save the day. But, although the standalone stories were entertaining, the “rescue of the week” routine quickly started to get tired, and the show often made heavy use of TV tropes and cliches (hot babes of the week, one dimensional antagonists, and slow motion explosions just to name a few). Fortunately, the show’s producers were aware of the limits of their plot devices and developed an overarching mythology that started to be revealed a few episodes into the season.Mark Valley in Human Target (2010)The story slowly started to turn into a tale of redemption, friendship, and life choices as the show gradually revealed bits and pieces of the backgrounds of the characters. In the beginning, there were just casual mentions of what the cast of main characters used to do. Then, in “Sanctuary”, the series mythology kicked into full gear with a side-story featuring Guerrero spying around in Chance and Winston’s files for a mysterious employer. This plot accomplished two things: it revealed a serious threat to Chance, and displayed Guerrero as ruthless when it comes to his job and his friends. Guerrero in general is a very different take on the “geeky computer spy” role, and his moment in the spotlight at the end of that episode really helped define the character. It’s a standout role that Jackie Earle Haley nailed every time.Further character development came in the form of a “bromance” between Winston and Chance that was detailed in “Corner Man”, and a personal vendetta with a former friend, coworker, and assassin named Baptiste that gave us our deepest look yet into what personally drives Chance.All of this buildup led us perfectly into the season finale, which exposed the history of the Christopher Chance name, and revealed all the players behind Chance’s past work and his change of heart. This was a well-crafted story that ended with a great cliffhanger. It’s a great setup for a second season, and let there be no doubt that this series does indeed deserve to be renewed. It’s interesting, exciting, and if it continues to improve, it could become a prime candidate to replace 24 as Fox’s top action show.

REVIEW: SMALLVILLE – SEASON 9

Starring

Tom Welling (Lucifer)
Allison Mack (Wilfred)
Justin Hartley (This Is Us)
Erica Durance (Supergirl)
Cassidy Freeman (The Vampire Diaries)
Callum Blue (Dead Like Me)

Callum Blue in Smallville (2001)

Recurring / Notable Guest Cast

Brian Austin Green (Terminator: TSCC)
Terence Stamp (Superman II)
Akessandro Juliani (Chilling Adventures of Sabrina)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Adrian Holmes (Arrow)
Mike Dopud (Stargate Universe)
Stephen Lobo (Painkiller Jane)
Ryan McDonell (The Crossing)
Cameron Bancroft (Legends of Tomorrow)
Jody Thompson (The 4400)
Chris Gauthier (Watchmen)
Steph Song (War)
Elise Gatien (Ghost Wars)
Emilie Ullerup (Sanctuary)
Michael Adamthwaite (Stargate SG.1)
Sahar Biniaz (Blade: The Series)
Julian Sands (Gotham)
David Gallagher (Super 8)
Allison Scagliotti (The Vampire Diaries)
Dylan Neal (Arrow)
Anita Torrance (Caprica)
Steve Bacic (Andromeda)
Pam Grier (Jackie Brown)
Phil Morris (Doom Patrol)
Brent Stait (Andromeda)
Michael Shanks (Stargate SG.1)
Britt Irvin (Hot Rod)
Wesley MacInnes (Power Rangers)
Jim Shield (Cold Pursuit)
Erica Carroll (Apollo 18)
Serinda Swan (Inhumans)
Crystal Lowe (Final Destination 3)
JR Bourne (Stargate SG.1)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Elysia Rotaru (Arrow)
Jonathan Walker (Red)
Gil Bellows (Sanctuary)
Blu Mankuma (Robocop: The Series)
Mark Gibbon (Man of Steel)
Annette O’Toole (The Punisher)
Michael McKean (This Is Spinal Tap)

Brian Austin Green in Smallville (2001)Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society.Chris Gauthier and Tom Welling in Smallville (2001)This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.Tom Welling and Erica Durance in Smallville (2001)The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!Callum Blue, Adrian Holmes, Tom Welling, Erica Durance, and Cassidy Freeman in Smallville (2001)Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.Michael Shanks in Smallville (2001)Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular.Phil Morris, Tom Welling, and Justin Hartley in Smallville (2001)Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.Britt Irvin and Brent Stait in Smallville (2001)This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

REVIEW: 40 DAYS AND 40 NIGHTS

CAST

Josh Hartnett (30 Days of Night)
Shannyn Sossamon (Sleepy Hollow)
Paul Costanzo (Royal Pains)
Adam Trese (Silent House)
Emmanuelle Vaugier (Human Target)
Lorin Heath (Elf)
Monet Mazur (Just Married)
Christine Chatelain (Final Destination)
Keegan Connor Tracy (Bates Motel)
Vinessa Shaw (Eyes Wide Shut)
Stanley Anderson (Spider-Man)
Griffin Dunne (After Hours)
Terry Chen (Sanctuary)
Chris Gauthier (Watchmen)
Mary Gross (Sabrina: TTW)
Maggie Gyllenhaal (The Dark Knight)
Dylan Neal (Arrow)
Natassia Malthe (Bloodrayne 2 & 3)
Stefanie von Pfetten (Cracked)
Michelle Harrison (The Flash)

thumbAs soon as Matt Sullivan (Josh Hartnett) makes a vow to stay celibate for the “40 Days and 40 Nights” of Lent, that he is going to meet the love of his life. That would be Erica Sutton (Shannyn Sossamon), who fate throws him together with at the local laundry mat. Matt knows that he is being tested. The problem is that pretty much everyone he knows is in on the cosmic joke.MV5BMTU5MzcyMDUyMF5BMl5BanBnXkFtZTYwMTc1NTE3._V1_Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out he sees this as the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last. this film is charming in a sexual, occasionally vulgar way, but it is also laugh-out-loud funny and a relatively realistic display of a couple falling in love. Without the sex.

REVIEW: VAMPIRE BATS

CAST

Lucy Lawless (Ash vs Evil Dead)
Dylan Neal (Arrow)
Liam Watts (Ghosts of Mars)
Timothy Bottoms (The Girl Bext Door)
Craig Ferguson (Hot In Cleveland)
Brett Butler (Anger Management)
Tony Plana (Ugly Betty)
Jessica Stroup (Ted)
Bobby Campo (Scream: The Series)
Josh Segarra (Arrow)

Image result for vampire bats lucy lawless

In a Louisiana city, near a bayou, a plague of genetically Mutaed Bats begin to kill the people, then the Doctor Maddy Rierdon and her students from colleges work together to kill the bats before the whole city is destroyed.The film begins with an abandoned house, inhabited by a group of vampire bats, which seem to be mutations of the local population. Later, in the forests nearby, people begin to find many dead corpses of deer and local animals, with multiple bites on their bodies and their blood completely drained. While the corpses are studied, one student from the class of Physician/Doctor Maddy Rierdon (Lucy Lawless) gets chased in the forest by something that knocks him down and kills him. When he is found, his blood has been drained. Police suspect two of his friends of being the killers and put them under arrest. The case causes Maddy’s attention, as she wants to prove her students’ innocence. She soon finds out that her dead student must have been killed by something that moves in a pack and is very fast.hello-kitty-vibrator-2396fg2At night, two more fishermen are attacked and killed while fishing on their boat. The next morning, police find the drained bodies and, with Maddy’s presence at the scene, they are able to recognize some excreta of bats. They then change their opinion and started to believe that bats were the cause of these deaths. The police send out many agents to search around the city for signs of the vampire bats. After several negative events, including a teenage girl who gets bitten by a bat during sleep and acquires rabies, and a party on board a ship, which is attacked by the bats, Maddy begins to think that the bats have mutated somehow, which she reports to group of agents she is working with. She states that the bats could have been affected by some artificial environmental impacts. To verify her statement, she arrives at the river where the fishermen were killed to set a trap with the help of some of her students. They successfully capture some bats using nets, and Maddy realizes that this population of vampire bats has developed eight upper-jaw fangs instead of two, which makes them hungrier for blood and able to drink more blood every time they bite. They bring the other trapped bats back to the lab, where Maddy informs the police of this mutation. Suggestions are given as how to exterminate these killer bats, and one of them is to spray poisons over the captured bats and release them after sticking GPS locators onto their bodies, letting them fly back to their habitats; the bats will infect each other by licking and grooming. The plan works successfully, but it only kills a small group of them. The other groups remain unaffecteded. Meanwhile, one more student is killed in the pool by the bats. Maddy rushes to find a solution while learning that the bats’ mutation is an indirect result of toxic waste that contaminated the local water source, creating mutations in the deer that the bats feed on, thus making the bats too mutants.560x315mv

Meanwhile another group of bats is found in a church (yet still not the whole population.) Maddy’s students accidentally find out that the bats are attracted to loudspeakers or anything that emits sounds similarly, as they mistake those sounds as reflected ultrasounds. They decide to set a trap in the underground basement of their school, intending to lure the bats in and heat them to death by sending in all the heat from the school’s exhausts. As the plan commences, the bats are lured to the area by loudspeakers. A problem is encountered as Maddy is attacked in the underground by one of the policeman, who turns out to be an agent working for the company which has been contaminating the water sources and is therefore responsible for the bats’ mutation. He tries to kill Maddy in order to eliminate witnesses of his company’s work, but Maddy knocks him out instead and escapes when the bats fly into the underground; they devour the agent just before they get heated to death. Three months later, Maddy is married and sitting with her children in front of the house where they eliminated the first population of the vampire bats. She suddenly looks nervous and seems to be scared by something, but she quickly turns back to play with her kids.Vampire is the sequel to Locusts, with Lucy Lawless once again returning.If you are looking for a well done movie normally found on cable look no further. This movie was made for Halloween and they didn’t have the biggest budget.  There were fairly, thought out and great scenes that carried this movie in a singular directions This was more psychologically scary with minimal bloody cheap shot scenes, one quickly knows the major cause and evil are man drinking blood suckers i.e. the vampire bats, hence the movie name.

 

REVIEW: LOCUSTS: DAY OF DESTRUCTION

 

CAST

Lucy Lawless (Ash vs Evil Dead)
John Heard (Home Alone)
Dylan Neal (Arrow)
Mike Farrell (Vanishing Act)
Gregory Alan Williams (Remember The Titans)
Natalija Nogulich (Red Widow)

 

Lucy-Locusts-lucy-lawless-37131768-850-709

For a TV movie, it clocks in nicely at just under 90 minutes  and doesn’t hang about getting going. CGI swarms are used in short glances but often and there’s enough mini set pieces to keep everything ticking over. Of course, nothing screams TV movie more than green text boldly being stamped across the bottom in tv movie font. The sheer lack of blood or violence in general means this PG release is disaster-lite too, however what’s here is good fun, if a bit on rails.

Lucy Lawless is clearly a talented a lady and this leads to her vastly out acting the other larger names around her. The other two male leads fail to get out of second gear when it comes to the more emotive scenes and although their acting is far from offensive – it does feel a bit like they’re coasting. Aside from that, the whole premise is hilariously silly and the end result where all of America needs to turn off their electric to save the world is laughable and reeks of heavy handed environmentalism. In addition to that, the best line in the film is “You screw with Nature and Nature will screw with you!” and you’ve got yourself a preacher. The script isn’t awful, its just by delivering all these clangers from nowhere feels a bit random on occasion.

The Locusts are well done, especially the camera work done for when you’re meant to be flying with them. It’s less cheesy than it sounds. The biggest special effect is a plane crash which is also done very well and the artistic direction of it masks the low budget with ease. If there were one let down on effects it would be that in some scenes after the initial layer of locusts are shown, behind them is just fuzzy black smudges moving about… clearly not insects!

Locusts… is not a bad film. I was entertained! Its short and doesn’t outstay its welcome, the acting in general is good, the melodrama is classic disaster movie and its a PG and so rates as a good place to start getting your youngsters into disaster movies! Lucy Lawless is always watchable.

 

REVIEW: ARROW – SEASON 1 & 2

CAST

Stephen Amell (The Vampire Diaries)
Katie Cassidy (Black Xmas)
Colin Donnell (Chicago Med)
David Ramsey (Pay It Forward)
Willa Holland (Legion)
Susanna Thompson (Dragonfly)
Paul Blackthorne (The Dresden Files)
Emily Bett Rickards (Brooklyn)
Manu Bennett (Spartacus)
Colton Haynes (Teen Wolf)

RECURRING / NOTABLE GUEST CAST

Colin Salmon (Limitless TV)
Jamey Sheridan (The Ice Storm)
Annie Ilonzeh (Beauty and The Beast)
Brian Markinson (Izombie)
Derek Hamilton (Disturbing Behavior)
Hiro Kanagawa (Heroes Reborn)
Kelly Hu (The Vampire Diaries)
Ty Olsson (X-Men 2)
Byron Mann (Dark Angel)
Roger Cross (First Wave)
Euegen Lipinski (Goosebumps)
Michael Rowe (Tomorrowland)
John Barrowman (Reign)
Currie Graham (Agent Carter)
Kyle Schmid (The Covenant)
Sarah-Jane Redmond (V)
Jessica De Gouw (Dracula)
Jeffrey Nordling (Tron: Legacy)
Tahmoh Penikett (Battlestar Galactica)
Sebastian Dunn (The Other Half)
Andrew Dunbar (Leprechaun: Origins)
Danny Nucci (Eraser)
Ben Browder (Stargate SG.1)
Christie Laing (Scary Movie 4)
Patrick Sabongui (The Flash)
David Anders (Izombie)
Ona Grauer (V)
Adrian Holmes (Smallville)
Agam Darshi (Sanctuary)
James Callis (Battlestar Galactica)
Rekha Sharma (Dark Angel)
Chin Han (The Dark Knight)
Janina Gavankar (True Blood)
Alex Kingston (Flashforward)
Anna Van Hooft (Flash Gordon)
Celina Jade (The Man with The Iron Fists)
Seth Gabel (Salem)
J. August Richards (Angel)
Summer Glau (Firefly)
Dylan Bruce (Heroes Reborn)
Caity Lotz (The Machine)
Michael Jai White (The Dark
Valerie Tian (Izombie)Knight)
Kevin Alejandro (Ugly Betty)
Bex Taylor-Klaus (Scream: The Series)
Teryl Rothery (Stargate SG.1)
Audrey Marie Anderson (The Unit)
Jimmy Jean-Louis (Heroes)
Cle Bennett (Flashpoint)
Dylan Neal (Sabrina: TTW)
Cynthia Addai-Robinson (Spartacus)
David Nykl (Stargate: Atlantis)
Sean Maher (Firefly)
James Kidnie (Robocop: The Series)
Katrina Law (Chuck)
Michael Eklund (Bates Motel)
Nicholas Lea (V)
Robert Knepper (Cult)
Tara Strong (Batman: The Animated Series)
Lochlyn Munro (Little Man)
Jorge Vargas (Power Rangers Ninja Storm)
Carlos Valdes (The Flash)
Navid Negahban (Legion)
Danielle Panabaker (Sky High)

Image result for arrow pilotAfter turning the story about Clark Kent’s evolution from humble teenager to world’s greatest hero into one of the most successful science fiction TV series of all time, what exactly do you do for an encore? The obvious answer would be a series about a young Bruce Wayne. Or maybe a crime procedural starring the men and women of the Gotham City Police Department. Instead, The CW gave us Arrow, a series that simultaneously explores Oliver Queen’s first months as a vigilante hero and the painful hero’s journey he undertook while stranded on a remote island. Even considering Green Arrow’s popularity in Smallville and Justice League Unlimited, it wasn’t the most obvious choice. Nor was it the choice many DC fans wanted. But ultimately, it was a choice that paid off.

To their credit, they succeeded. Even right off the bat, there were many notable elements that he writers introduced into the Green Arrow mythos. Generally a loner in the comics, here Ollie was given a full family and circle of allies. Some were inspired by characters from the comics, while others were entirely new creations. Probably the most successful new addition was John Diggle as Ollie’s personal bodyguard-turned-ally in his war on crime. Watching the dynamic between Ollie and Diggle morph from cold and hostile to warm camaraderie was a treat. And the two sequences featuring Diggle in the costume rather than Ollie suggested that this show could have a life beyond that of its lead character.Image result for arrow pilotAmell’s performance grew stronger over time, and the subtle ways in which he distinguished his performances during the present-day and flashback scenes stood out.With other characters, it was more a question of the scripts shedding light on motivation and relationships before they really came into their own. This was certainly the case with Moira Queen (Susanna Thompson), who was a bit of a hard sell as a sympathetic mother figure until viewers came to understand her role in “The Undertaking.” Similarly, Tommy Merlyn (Colin Donnell) came across as a fairly flat and unimportant character at first. But by the end of the season, Tommy had emerged as the emotional heart of the series and Donnell’s one of the strongest performances.Jessica De Gouw in Arrow (2012)Felicity Smoak (Emily Bett Rickards) was endearing, her instant charm made fans fall in love with her making her a regular was the best choice when they headed into season 2. As Laurel, Katie Cassidy was excellent as future Black Canary, dealing with her emotions of seeing her former boyfriend back from the dead and the lost of her sister.  Structurally, the season started out strong and finished even stronger. The writers managed to weave together an overarching narrative as Ollie slowly uncovered the truth of The Undertaking and his own parents’ involvement while contending with various smaller villains and conflicts. Anchoring the series throughout were the frequent flashbacks to Ollie’s five years on the island. The pilot episode offered a tantalizing glimpse of what had transpired over the course of those five years with the Deathstroke mask discarded on the beach. Various plot twists revealed just how complicated that story is, teaming Ollie with Slade Wilson (Manu Bennett) and Shado (Celina Jade) in an ongoing guerrilla war against mercenary leader Edward Fyers (Sebastian Dunn). Particularly once Slade entered the picture and his bond with Ollie became a major focal point, the flashbacks emerged as one of the strongest elements of the show.

Everything in Season 1 culminated in two climactic episodes as Ollie fought for the survival of Starling City in the present and to stop Fyers from sparking an international incident in the past. These episodes offered a satisfying blend of big action scenes and emotional character showdowns. In particular, the final scene between Ollie and Tommy that closed out the season was perhaps the best the show has delivered so far.

Right off the bat, “City of Heroes” set the tone and direction for Season 2. We saw a despondent Ollie still crushed by the death of his best friend, Tommy, and having retreated to the island in a self-imposed exile. Though Colin Donnell only briefly reprised his role as Tommy this season, his character was very much a lingering presence driving the actions of Ollie and Laurel throughout the year. And his death formed the crux of Ollie’s renewed mission. It was right there in the revised opening sequence – “To honor my friend’s memory, I can’t be the killer I once was.” And that, more than Ollie’s battles with Slade Wilson or Sebastian Blood or Isabel Rochev, was the core conflict of the season. It’s easy enough to fight criminals by shooting them dead. But could Ollie muster the strength and the courage not to kill, even if it meant putting himself, his family, and his city in greater danger? It was a struggle, but the most satisfying element of the finale was the way Ollie definitively answered that question and established himself as a better class of vigilante.Manu Bennett in Arrow (2012)Overall, Season 2 was a good showcase for Stephen Amell’s acting talents.  Ollie was haunted by demons and shouldering heavy burdens throughout the year. He suffered more often than he succeeded, and Amell conveyed that pain well. Most impressive was the way Amell was so capable at portraying Ollie at different periods in his life. We saw plenty more of Ollie’s life on the island in the various flashback scenes. Having already spent a year fighting for his life against men like Edward Fyers and Billy Wintergreen, flashback Ollie was closer to the man he is in the present, but not all the way there. And we even caught glimpses of a pre-island Ollie, most significantly in “Seeing Red.” More than the changes in hairstyle or fashion, it was Amell’s purposeful shifts in vocal intonation and body language that differentiated the different versions of Ollie.Having established himself as one of the better supporting players in Season 1, it was very gratifying to see Manu Bennett step fully into the spotlight and become the big antagonist of Season 2. That’s despite him not even being revealed as the secret mastermind of Brother Blood’s uprising until the mid-season finale, “Three Ghosts.” But it was crucial that the show spend so much time, both this season and last, in building up the brotherly bond between Ollie and Slade and the island. We needed to feel the pain of seeing them broken apart and Slade become a vengeful villain hellbent on tearing his former friend’s life down. And it wasn’t until much later still that we saw how that rift occurred and Slade turn his wrath against Ollie. It’s a testament to both the writing and Bennett’s acting that the character never quite lost his aura of sympathy even as he murdered Ollie’s mother and tried to do the same to Felicity. This was a man driven half-mad by the loss of the woman he loved and an injection of a super-steroid. But conversely, I appreciated how the finale took pains to establish that it wasn’t just the Mirakuru fueling Slade’s anger. Even now, super-strength gone and exiled back to the island, Slade is a clear and present danger to Ollie’s world.Three GhostsThe show introduced Sebastian Blood and Isabel Rochev as Slade’s subordinates, with Blood serving as the most visible villain for much of the season. I really enjoyed Kevin Alejandro’s portrayal of Blood. Alejandro’s Blood was so disarmingly charming that it was often difficult to reconcile him with the masked man kidnapping drug addicts and turning street thugs into super-soldiers. Ultimately, Blood became the sort of villain who does the wrong things for the right reasons. He had an honest desire to make Starling City a better place. And when it became clear to him that Slade Wilson wouldn’t leave a city left for him to rule, Blood did the right thing and aided Team Arrow.Most of the increasingly large supporting cast were given their moments to shine in Season 2. I was often disappointed that Diggle wasn’t given more to do, but at least he was able to take a starring role in “Suicide Squad.” Diggle’s backseat status was mainly the result of Sara Lance stepping into the limelight early on and eventually becoming the fourth member of Ollie’s vigilante crew. The Arrow had his Canary finally. Sara’s own struggles with the desire for lethal force and reuniting with her family often made for good drama. But among Team Arrow, it was often Felicity Smoak who often had the best material.  Emily Bett Rickards had much better material to work with this year, whether it was her unrequited love for Ollie, her burgeoning relationship with Barry Allen, or her desire to pull her weight alongside her more physically capable allies. The final three episodes all featured some standout moments for Felicity as she established herself as a force to be reckoned with.
Elsewhere, Roy Harper was often a focus as he transitioned from troubled street punk to superhero sidekick. Roy’s temporary super-strength powers were a welcome story swerve and a fitting physical manifestation of his inner rage. His character arc received a satisfying conclusion in the finale when he proved himself worthy and received his own red domino mask, but lost Thea as a result.As for the various women in Ollie’s life, Felicity and Sara aside, Season 2 was a little more uneven. Moira definitely had an interesting ride. She started out Season 2 fighting for her life while on trial for her role in the Undertaking. Then, in an unlikely turn of events, she was spurred to run for mayor. And finally, her life did end when she became a pawn in Slade’s cruel game. It was a terrific finish for Moira, proving once and for all that, whatever wrongs she committed, she was only ever trying to ensure her children’s survival. Thea was more up and down throughout the season. She was often underutilized, but received a boost late in the season when she learned the truth about her parentage. Laurel’s character  had her own crucible this season, spiraling into into drug and alcohol addiction and losing her job before hitting bottom, rebounding, and playing her part in saving Starling City.The Mirakuru drug served as a plausible, pseudo-scientific way of introducing super-strength and allowing Slade to transform into Deathstroke. And even when it came time to introduce the Flash midway through the season, Barry Allen never felt too out of place alongside the more grounded characters. Season 2 really opened the floodgates as far as drawing in characters and elements from other DC properties. Barry Allen’s debut was the most high-profile, but we also saw plenty more of Amanda Waller and A.R.G.U.S. “Professor Ivo became a recurring villain, along with a very different take on Amazo. And in a welcome twist, it turned out that even the Batman franchise is fair game with this show. Early on we learned of Sara Lance and Malcolm Merlyn’s connection to the League of Assassins. Nyssa al Ghul appeared in a couple of episodes, and we know her father is out there in the world, leading his shadowy organization in the hidden city of Nanda Parbat. Even Harley Quinn had a brief cameo.And beyond the introduction of all these new elements, the scope of Arrow really opened up in Season 2. The action was bigger and better choreographed. The scale of the conflicts was bigger. The producers simply seemed to have more money to throw around. And whether that was actually the case or just the result of experience and planning, the end result was the same. Arrow became a bigger, more cinematic TV series this season.