REVIEW: PERCY JACKSON & THE LIGHTNING THIEF

CAST

Logan Lerman (Fury)
Brandon T. Jackson (Fast & Furious)
Alexandra Daddario (Texas Chainsaw)
Jake Abel I Am Number Four)
Sean Bean (Game of Thrones)
Kevin McKidd (Dog Soldiers)
Steve Coogan (Tropic Thunder)
Melina Kanakaredes (CSI: NY)
Rosario Dawson (The Denfendors)
Dylan Neal (Arrow)
Erica Cerra (Power Rangers)
Stefanie von Pfetten (Decoys)
Ona Grauer (V)
Serinda Swan (Smallville)
Conrad Coates (Tron Legacy)
Ray Winstone (Elfie HOpkins)
Uma Thurman (Kill BIll)
Joe Pantoliano (The Matrix)
Pierce Brosnan (The World’s End)
Julian Richings (Cube)
Catherine Keener (8mm)
Annie Ilonzeh (Arrow)
Bonita Friedericy (Chuck)
Marie Avgeropoulos (The 100)
Natassia Malthe (Elektra)
Chelan Simmons (Final Destination 3)
Maria Olsen (Paranormal Activity 3)

In New York City, Zeus and Poseidon meet at the top of the Empire State Building, where Zeus reveals that his master lightning bolt has been stolen and accuses Poseidon’s demigod son, Percy Jackson, of the theft. Poseidon reminds him that Percy is unaware of his true identity, but Zeus declares that unless his master bolt is returned to Mount Olympus before the summer solstice, in two weeks’ time, war will be waged between all the gods.Percy is a 16-year-old boy who appears to his peers to be dyslexic and has a unique ability to stay underwater for a long time. While on a school trip to the local museum, Percy is attacked by Alecto, a Fury disguised as his substitute teacher, Mrs. Dodds who demands the lightning bolt. Percy’s best friend, Grover Underwood, and his Latin teacher, Mr. Brunner — both of whom appear disabled — help Percy and scare off the fury using a pen from Brunner. Grover tells Percy to use the pen, and Percy discovers it is a sword. Upon learning of the Fury’s reason for the attack, Brunner has Grover take Percy and his mother Sally to Camp Half-Blood, leaving behind Sally’s abusive husband, Gabe Ugliano. However, the three are attacked by a minotaur that appears to kill Sally, who is unable to enter the camp. He uses his sword to fight the Minotaur, without initial success. Percy kills the minotaur with its own horn, then faints from shock.Three days later, Percy wakes up in the camp. He learns he is the son of Poseidon, Grover is a satyr and his protector, and Brunner is the centaur Chiron, also initially disguised. Chiron suggests that Percy go to Mount Olympus to convince Zeus of his innocence. Percy begins training to use his demigod powers, which include water manipulation and using water to heal. He also meets other demigods, including Annabeth Chase, daughter of Athena; and Luke Castellan, son of Hermes. Percy is visited by a fiery apparition of his uncle Hades, who reveals that Sally is with him in the Underworld and that he will return her safely if Percy hands over the lightning bolt. Defying Chiron’s orders, Percy decides to go to the Underworld, joined by Grover and Annabeth. They visit Luke, who gives them a map showing the location of three pearls belonging to Hades’ wife, Persephone, which they can use to escape the Underworld. They are also given a pair of winged sneakers Luke stole from his father and a shield Luke describes as his favourite.The trio heads out, locating the first pearl at an old garden center before they suddenly encounter Medusa, who tries to kill them until decapitated by Percy; they take her head with them for later use. They locate the second pearl in the Parthenon in Nashville; Percy uses the winged shoes to take it from a statue of Athena. However, they are then confronted by the Hydra, which Grover turns to stone and kills using Medusa’s head. The third pearl is located at the Lotus Casino in Las Vegas, where the three eat lotus flowers and forget their reason for being there. They stay in the casino for five days until Poseidon speaks in Percy’s mind, helping Percy return to his senses. Percy frees Grover and Annabeth from the effects of the flowers and they flee, discovering that the casino is run by the Lotus-Eaters, and they had been keeping people captive since ancient times. With all three pearls, Percy, Grover, and Annabeth head into the Underworld, the portal to which is located in Hollywood.In the Underworld, they meet Hades and Persephone. Though Percy tells Hades that he does not have the lightning bolt, Hades finds it hidden inside Luke’s shield, revealing that Luke is the lightning thief. Persephone knocks Hades unconscious with the lightning bolt to get her revenge on him for imprisoning her for all eternity and hands the bolt to Percy. However, because they only have three pearls, Grover remains with Persephone to allow Percy’s mother to leave. Percy, Annabeth, and Sally teleport to the Empire State Building but are attacked by Luke, who wants to destroy Mount Olympus to secure the demigods’ place as the new rulers of Western Civilization. After a fight across Manhattan, Percy defeats and apparently kills Luke and returns the lightning bolt to Zeus, who forgives Percy and allows Poseidon to briefly speak with his son. The film ends with Percy and Annabeth reuniting with Grover, furloughed from Hades and sporting a new pair of small horns that designate his promotion to senior protector. Percy and Annabeth are reunited, and they nearly kiss but Annabeth tricks Percy and they continue to train. In the post credits-scene, Ugliano is kicked out of the apartment. He decides to get a beer but finds a note from Percy saying that he should not open the refrigerator. He breaks the lock anyway and is turned to stone and killed by Medusa’s head inside, though this occurs off-screen as the movie fades to black.A fun movie,  I  enjoyed the plot, action, fabulous cast and special effects, looking forward to watching the second one.

 

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REVIEW: RELIC HUNTER

 

MAIN CAST

Tia Carrere (True Lies)
Christien Anholt (Adventures Inc)
Lindy Booth (Odyssey 5)
Tanja Reichert (Poltergeist: The Legacy)

RECURRING / NOTABLE GUEST CAST

Tony Rosato (Real Gangsters)
Damon D’Oliveira (Earth: Final Conflict)
Michelle Nolden (Red)
Ron Gabriel (To Die For)
Cynthia Preston (Carrie)
Don Francks (La Femme Nikita)
Dylan Bierk (Andromeda)
Thomas Kretschmann (Avengers: Age of Ultron)
Mark Lutz (Angel)
Louis Mandylor (The Quest)
Douglas O’Keeffe (Sanctuary)
Adrian Hough (X-Men: The Last stand)
Romona Milano (Due South)
Katheryn Winnick (Vikings)
Carlo Rota (Jane The Virgin)
Anthony Lemke (Mutant X)
Malin Akerman (Watchmen)
Hugh Dancy (Hannibal)
Greg Bryk (Bitten)
Jane March (Clash of The Titans)
James Faulkner (X-Men: First Class)
Blu Mankuma (Tin Man)
Robert Joy (Amityville 3)
Philip Akin (Highlander: The Series)
Noam Jenkins (Earth: Final Conflict)
Nigel Bennett (Andromeda)
Andrew Gillies (Mutant X)
Peter Mensah (Sleepy Hollow)
John Novak (Wishmaster 3 & 4)
Daniel Kash (Goosebumps)
Peter Stebbings (Never Cry Werewolf)
Peter Williams (Stargate SG.1)
Nazneen Contractor (How I Met Your Mother)
Adrian Paul (Highlander: The Series)
Claudia Christian (Babylon 5)
Dylan Neal (Arrow)
Fulvio Cecere (Valentine)
Roger Cross (First Wave)
Chyna (Sabrina: TTW)
Noah Danby (Bitten)
Louis Ferreira (Stargate Universe)
James Callis (Battlestar Galactica)
Ian McNeice (Dune)

Sydney Fox is a professor but primarily a globe-trotting “relic hunter,” looking for ancient artifacts to return to museums and/or the ancestors of the original owner. She’s aided by her linguistic assistant Nigel, and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money.

I needed to watch several episodes of this show to decide its qualities and I’m glad I waited as my initial response was not a favourable one.It takes a while to buy Tia Carrere as adventuress extraordinaire Sidney Fox but it did not take long for this beautiful and talented actress to make the role her own and she has superb chemistry with her excellent foil Christien Anholt who brings much of a Hugh Grant type persona to his part as the hapless Nigel.Their globe-trotting adventures are the stuff of 30’s serials and are highly derivative but handled in a never over-played tongue in cheek fashion which makes the series ever more enjoyable as it progresses. May not be the best show in the world, but is sure as hell fun.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: STARGATE: ATLANTIS – SEASON 1-5

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MAIN CAST

Joe Flanigan (Thoughtcrimes)
Torri Higginson (Highlander: THe Raven)
Rachel Luttrell (Arrow)
Rainbow Sun Francks (Defiance0
David Hewlett (Rise of The Planet of The Apes)
Jason Momoa (Game of Thrones)
Paul McGillion (V)
Amanda Tapping (Sanctuary)
Jewel Staite (Firefly)
Robert Picardo (Star Trek: Voyager)

RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (Macgyver)
Michael Shanks (Smallville)
Garwin Sanford (The Fly 2)
Andee Frizzell (Andromeda)
Craig Veroni (Dark Angel)
Christopher Heyerdahl (Sanctuary)
Robert Patrick (Terminator 2)
Ben Cotton (30 Days of Night: Dark Days)
David Nykl (Arrow)
Agam Darshi (Sanctuary)
Courtenay J. Stevens (Ripper)
Dominic Zamprogna (Odyssey 5)
Callum Worthy (Samllville)
Alan Scarfe (Andromeda)
Dean Marshall (2012)
Colm Meaney (Star Trek:DS9)
Erin Chambers (Standoff)
Ryan Robbins (Arrow)
Corey Monteith (Glee)
Leonor Varela (Blade 2)
Matthew Walker (Highlander: The Series)
Chuck Campbell (Jason X)
David Orth (The Lost World)
Clayton Landey (Scary Movie 5)
Ellie Harvie (The New Addams Family)
Mitch Pileggi (The X-Files)
Kavan Smith (Sanctuary)
Jaime Ray Newman (Bates Motel)
Claire Rankin (Rogue)
Brenda James (Slither)
Chris Gauthier (Watchmen)
Pascale Hutton (Sanctuary)
Anne Openshaw (Narc)
Aaron Abrams (Hannibal)
Chad Morgan (The Purge 2)
Peter Flemming (Replicant)
William MacDonald (Slither)
Chelan Simmons (Final Destination 3)
Peter Woodward (Crusade)
Sonja Bennett (Blade: The Series)
Connor Trinneer (Star Trek: Enterprise)
Brandy Ledford (Andromeda)
Tamlyn Tomita (Heroes)
Brent Stait (Andromeda)
Richard Kind (Gotham)
John O’Callaghan (Clutch)
David Ogden Stier (Two Gusy and a Girl)
Alan Ruck (Speed)
Kate Hewlett (A Dog’s Breakfast)
Patrick Sabongui (The Flash)
Megan Leitch (IT)
Panou (Flash Gordon)
Bill Dow (Legends of The Fall)
Robert Davi (The Bad Pack)
Leela Savasta (Black Xmas)
Laura Harris (Dead Like me)
Michael Beach (The Abyss)
Beau Bridges (My Name Is Earl)
Sharon Taylor (Legends of Tomorrow)
Christopher Judge (The Dark Knight Rises)
Aleks Paunovic (Mortal Kombat Legacy)
Mark Dacascos (Kamen Rider Dragon Knight)
Jill Wagner (Blade: The Series)
Danny Trejo (Machete)
Gary Jones (Highlander: The Series)
Steven Culp (Jason Goes To Hell)
Jodelle Ferland (Kingdom Hospital)
Crystal Lowe (Poison Ivy 4)
David Richmond-Peck (V)
Emma Lahana (Power Rangers Dino Thunder)
Dylan Neal (Arrow)
Michelle Morgan (Heartland)
Nicole de Boer (Star Trek: DS9)
Janina Gavankar (The Vampire Diaries)
Christina Cox (Arrow)
Mike Dopud (Man of Steel)
Jonathan Young (Sanctuary)
Daniella Alonso (Wrong Turn 2)
Sarah Deakins (Andromeda)
Alan Blumenfeld (Heroes)
Anna Galvin (Caprica)
Dawn Olivieri (The Vampire Diaries)
Neil Jackson (Sleepy Hollow)
Ona Grauer (Arrow)

Stargate : Atlantis is far more than just a spin-off from the successful Stargate SG1 series. It stands on its own two feet as a clever, dramatic, funny, entertaining, well-crafted show. In some ways it even surpasses the original, benefiting as it does from the producers’ and crew’s 8+ years of experience in writing and producing the SG1 series. Continuing the mythology of the original show, but with the added twist of a whole new galaxy to explore, this show has something for everyone.

The mix of characters is great and the core cast – and also the regular recurring cast – boasts some excellent actors. Production values are consistently high and, while some episodes are always stronger than others, the writing in season 1 has also been excellent. The first season got things off to a great start, introducing the new team, new allies.. and a new enemy.5195S6CTB0LThere is a great mix of humour and drama in this series and stand-out episodes for me include 38 Minutes, Brotherhood, The Defiant One and the excellent mid-season 2 parter, The Storm and The Eye.

Season one not only established this show as a unique rival to its fellow series `Stargate: SG-1′, but also set the bar very high for a second season with this new breed of adventurers continuing to battle Wraith and other foe in the far-removed Pegasus Galaxy.

Just as with its sister series, `Atlantis’ is adept at balancing a large season story-arc while at the same time providing its audience with inventive one-off stories that act both to attract new viewers to the show and also give the loyal fan-base a break from the on-going threat of the Wraith. This second season is no exception.

The Siege Part III – As last season closed, the cliffhanger had Atlantis under siege by the Wraiths and things were not going well. Atlantis was ready to self destruct and Maj. Shephard was on the way to a suicide mission. As is customary in such situations, the cavalry arrives just in the nick of time in the form of the Earth Ship Daedelus. It has some advanced Asgard technology on board which saves Shepherd and helps to destroy the hive ships attacking Atlantis. Some manage to get away and they are heading back with reinforcements. While the cleanup is going on, a lieutenant is rescued but he has been severely damaged by the wraith. He is irrational and jumpy about the others who do not fully trust him. As the enlarged wraith fleet arrives, Atlantis decides to gamble on deceiving them that a self destruct has really taken place. This occurs just as the damaged lieutenant steals a puddle jumper and flees through the gate.


Runner – A team from Atlantis is investigating a planet with extremely high solar radiation. While there, they find a dead Wraith. There is evidence that he was killed by Lt. Ford, the guy who fled in the first episode of the season. The team heads back to try and get him to come back. They find a surprise. There is another human on the planet who has had a transmitter mounted in his back so that he can be the guest of honor in a sort of trophy hunt. He has managed to elude the Wraith for 7 years before being captured. He is set free by Lt. Ford who is deranged. Now it is a 3 way manhunt with nobody trusting anyone else.

Instinct – While investigating a new planet, the Atlantis team comes across a village that is intermittently plagued by a Wraith. The team agrees to hunt it down but finds something unexpected. They find a local scientist who has been raising a juvenile female Wraith as his daughter. He swears that it is not her who is terrorizing the village. He also maintains that there is another Wraith out there. The science types at Atlantis think they might be able to use the girl to develop a vaccine to fight the virus that causes humans to become Wraiths. It might even turn Wraiths back into humans. The research is promising until the young Wraith girl jumps the gun causing no end of problems.

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Conversion – At the close of the previous episode, LTC Shepherd was injured by the Wraith girl who had tried the experimental virus. Some of their blood mingled. Now he is infected with the parasitic virus that produces Wraiths. Now the race is one to capture an alien bug, get some stem cells and find a cure. The col. is going stir crazy while this happens and is getting more and more volatile. The Lost Boys – The team is following up on a tip and is captured. They are quickly taken to another planet where they find that they have been captured by a force led by the AWOL Lt. Ford. He has been on a rampage and has been taking Wraith “enzyme” from all of his victims. He feeds the enzyme to his followers to give them super strength. He thinks that is the way for humanity to defeat the Wraith. The enzyme prevents him from thinking straight. And, by the way, this one is a cliffhanger.

The Hive – Lt. Ford’s plan to prove the worth of the enzyme is simple. They use a stolen dart and use it to blow up a hive ship. That’s what they were doing at the end of the last episode when they got captured. Remember, Ford doesn’t think all that well under the influence of the enzyme. After the capture, all grow through withdrawal from the enzyme. The longer it has been used, the worse the withdrawal. Help comes from an unexpected source from the least likely hero. Critical Mass – Stargate Command on Earth and Atlantis are plunged into chaos when it is revealed that a Goa’uld operative is hidden in Atlantis. The operative has orders to set a bomb to blow up Atlantis when the Stargate is used to dial Earth. They apparently want to destroy Atlantis to keep the Wraith from getting anywhere near them. The mole is very highly placed.


Michael – Something is not quite right. The episode begins with a man in sick bay. As he is awoken, all of the command staff is notified to be there. He has amnesia and cannot remember anything. He is told that he was a member of a team captured by the Wraith and recaptured by Atlantis. That is not quite the truth which is quite a bit uglier. He was a Wraith upon whom an experimental retrovirus had been tried. The experiment threatens the existence of Atlantis itself.

Allies – A Wraith hive ship arrives. Instead of opening fire, the Wraith ship opens communication. It is being led by Michael, the Wraith upon whom experiments were conducted. He is offering all sorts of Wraith military secrets…for a price. They want the retrovirus used to create Michael. They believe that will give them supremacy over other Wraith. They are a slimy group though and hidden agendas are not beyond the realm of possibility. The alliance is not what it seems. Earth is in trouble in this season ending cliffhanger.


I’ve watched Stargate Atlantis  from the beginning and have more or less enjoyed it from the start.  I really like Joe Flannigan as Sheppard and David Hewlett as Rodney. This season Some help is on the way. We know that Amanda Tapping and her character Samantha Carter will be moving over from the Stargate – SG.1 to become the new head of the Atlantis project. I think she will bring more strength to the role.

Atlantis has emerged as the name not of a location that cannot be moved, but of a truly mobile city that can relocate .  well, to anywhere. The season ends with the city blasting off into space. Season  Three had some great moments. The season finale . was splendid. And the season featured what may be my favorite episode of the entire series so far in “Common Ground,” in which the Genii kidnap Sheppard and enclose him with a wraith who is allowed to feed on no one else.

Christopher Heyerdahl has played the wraitht in this episode he was allowed to give this particular wraith a dignity and complexity not allowed any other wraith with the exception of Michael. He gradually drains the life out of Sheppard out of sheer necessity before the two of them, cooperating as human and wraith never have before, manage to escape from the Genii. Then, in a moment that could lead to interesting plot developments in the future, we discover that the wraiths cannot only drain another creature of life, they can also imbue them with it, and as a sign of comradeship he heals Sheppard.

Season 3 sets up many changes that carry over into the fourth season, with becketts death in Sunday and Wier leaving the show, and Amanda Tapping taking over, its a great season leaving leaving things on a cliffhanger to be resolved in season 4.

Stargate Atlantis ups its game with season four. But it’s not with particularly clever or imaginative stories that the shows writers and producers manage to bring about this change; it’s actually in the areas of character development and action that this season really excels. With the (implied) deaths of inarguably my favourite two characters in season three, I wasn’t expecting their replacements to integrate perfectly, or right away into the Atlantis team, but both actors are given such great material to work with that it’s impossible not to be engaged with their individual story-arcs.

Sam carter is (of course) as brilliant as always, but unlike Doctor Weir, doesn’t appear in nearly as many episodes, or seem to be involved as deeply in the decision-making processes on the base. She just feels like any other member of the team and fits right in almost immediately. Doctor Keller is initially unconvincing in her role as chief medic, but before long she too blossoms into a really intriguing and multi-layered character.


While there are more than a handful of solid Replicator and Wraith-based episodes to enjoy in this twenty-episode season, it’s the character-based stories that stand-out for me as the best examples of this season. Episode 7- `Missing’ , episode 13- `Quarantine’  and episode 16- `Trio’  are each so gripping. The final stand-out story for me would be the concluding episode- `The Last Man’, which  breaks out of the mould of the finale’s of previous seasons and doesn’t involve an unprovoked attack on the city, or a multi-episode build-up. It’s pretty self-contained on the whole and mixes well themes of time-travel, action and season four’s despicable mystery nemesis.

Carson Beckett is back for no less than five episodes, and despite heavy use of the Wraith ship set, the stories are good and justify it. The characters are as well written as ever, I really felt the writers stepped it up a notch this season.


Robert Picardo is back as Richard Woolsey and promoting him to the role of Commander was a stroke of genus. No disrespect to Commander Weir and Colonel Carter, but in Richard Woolsey, Stargate Atlantis had finally cast its ideal leader. There are also a couple of deadpan in-jokes about his holographic Doctor character hidden in the dialogue, which are extremely funny when you spot them.

Despite the technology getting more and more advanced, there is less of a reliance on the technology itself selling the story. There is more focus on the characters than before and all the characters get at least one episode where they take centre stage in the story – for example, David Hewlett puts in an incredibly moving performance in The Shrine where McKay is struck down with a fast acting Pegasus equivalent of Alzheimer’s. Very good use is made of the popular Wraith characters Michael and Todd, and the budding relationship between McKay and Keller is a refreshing antidote.

REVIEW: HUMAN TARGET – SEASON 1 & 2

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MAIN CAST

Mark Valley (Zeo Dark Thirty)
Chi McBride (Pushing Daisies)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montogomery (Black Swan)

RECURRING / NOTABLE GUEST CAST

Tricia Helfer (Powers)
Donnelly Rhodes (Battlestar Galactica)
Adrian Hough (Underworld: Evolution)
Danny Glover (Lethal Weapon)
Ali Liebert (Legends of Tomorrow)
Courtney Ford (The Big Bang Theory)
Alessandro juliani (Smallville)
David Nykl (Arrow)
Aleks Paunovic (Mortal Kombat: Legacy)
Sean Maher (Firefly)
William Mapother (Powers)
Peter Bryant (Dark Angel)
Emmanuelle Vaugier (Two and a Half Men)
Sam Huntington (Superman Returns)
Kristin Lehman (Andromeda)
William B. Davis (The X-Files)
Chris Mulkey (Whiplash)
Dylan Neal (Arrow)
Brandon Jay McLaren (Power Rangers SPD)
Ted Whittall (Beauty and The Beast)
Mitch Pileggi (Stargate: Atlantis)
Leonor Varela (Blade II)
Kim Coates (Silent Hill)
Autumn Reeser (Sully)
Samantha Ferris (Along Came A Spider)
Lennie James (The Walking Dead)
Grace Park (Battlestar Galactica)
Peter Wingfield (Caprica)
Moon Bloodgood (Terminator Salvation)
Kavan Smith (Stargate: Atlantis)
Christopher Heyerdahl (Sanctuary)
Mackernzie Gray (Man of Steel)
Armand Assante (The Odyssey)
Christina Cole (Hex)
Robert Lawrenson (Underworld: Awakening)
Amy Acker (Angel)
Timothy Omundson (Xena)
Lee Majors (Ash vs Evil Dead)
Tahmoh Penikett (Dollhouse)
M.C. Gainey (Lost)
Cameron Daddo (Andromeda)
Tracie Thoms (Cold Case)
John Michael Higgins (Still Waiting)
David Orth (The Lost World)
Marie Avgeropoulos (The 100)
Tony Hale (Chuck)
Carlo Rota (Stargate Universe)
James Remar (Flashforward)
Nicole Bilderback (Buffy)
Steven Brand (The Scorpion King)

Christopher Chance (Mark Valley, Boston Legal), is a bodyguard for hire. His clients come to him as a last resort because their lives are in serious danger and they have no other alternatives. Chance’s mysterious past is only partially revealed as the season progresses–much of it in the season finale. What is known about him is that he’s probably a genius, he can hold his own in a fight, he’s a super-thief, he’s a crackshot with a gun, and the ladies love him.

In each episode, Chance typically assumes a cover to stay close and protect the client. He uses the client as bait to uncover the killer’s identity. In these episodes, Chance assumes a multitude of identities ranging from a prize fighter to a monk. Beyond Batman-like fighting skills, Chance’s best tools are his intelligence and charismatic personality; he holds his own in a conversation on any topic and masterfully fits in with any group of people. Joining Chance are Winston (Chi McBride, Boston Public, Pushing Daisies), his straight-laced handler, and Guerrero (Jackie Earle Haley, Watchmen), a computer hacker with questionable methods, but indisputable loyalty.Human Target is a throwback to the action series of the 80’s. While an intriguing backstory develops across the entire show, each episode is self-contained and follows a specific case from beginning to end. Viewers can practically jump in on any episode and not miss a beat. This is due in part to the swashbuckling, tongue-in-cheek script that never takes itself too seriously. It is also partly due to the brilliant performances by the main actors, Mark Valley, Chi McBride, and Jackie Earle Haley. The three play off each other extremely well. You can’t help but watch this show with a smile on your face as straight-man and former detective, Winston cringes at yet another action by Christopher Chance or Guerrero that gets the job accomplished, but is probably not entirely legal. Guerrero, especially, has morally ambiguous moments that cause those around him to be hysterically uncomfortable. When he makes his appearance on-screen, you know that hilarity and awesomeness are about to ensue. It’s similar to the height of Kramer’s heyday in Seinfeld where the studio audience would erupt when he appeared and he’d completely steal the scene. Laughs are guaranteed with Guerrero and his antics are accentuated into priceless gems by Winston’s reactions.The over-the-top action in each episode is wonderfully shot and rivals the quality of some Hollywood films. The outlandishness of the action is offset by the fact that the actors revel in the absurdity and take all the events in stride. No matter how desperate the situation, Christopher Chance always flashes a wry grin. His antics and expressions are reminiscent of Harrison Ford’s performances as Han Solo or Indiana Jones. The action is intense, but Christopher Chance can handle it and make you laugh while he does.Another testament to the excellent writing is that not a single episode is wasted. Obviously, some episodes are better than others, but all are highly watchable and re-watchable, action-packed, mysteries. Even the product placements are great and fit in with the spirit of the show. In the Tanarak episode, one of the most blatant product placements of all time occurs with a Camaro. It’s done with such blithe satire, instead of feeling the need to bathe after watching more advertisers nauseatingly snake their way into television, you just laugh at the silliness.In every episode, without requiring any background information, you are brought into the characters’ circle and get an immediate feel for their relationships. However, more information could have been provided earlier about Christopher Chance and his cohorts’ origins. Some of the information that was dumped in the final episode of this set could have been dispersed throughout the previous episodes. Instead you are left to fill in massive blanks with assumptions about the characters’ pasts. This is not a huge misstep by the writers because the characters’ mysterious origins are a large part of what makes the show so accessible.  This show is just pure fun to watch unfold and will appeal to practically anyone. Pop a bag of microwave popcorn, kick back, relax, and enjoy the ride.In season 2, with Matt Miller (Chuck) taking on executive producer-writer-show runner duties, he promised to flesh things out a bit without changing much of the original allure, which was good news. Mostly, he brought in Indira Varma  (Luther, Rome) as Ilsa Pucci, a widowed billionaire who takes a liking to the boys. And Janet Montgomery (Entourage) as a thief who also gets reluctantly entangled with the trio. So you can see the note Fox put on the show: Let’s leaven the testosterone a bit.And yet, nothing’s really changed. The escapism is sky high. Valley remains as charismatic as ever, with McBride’s disdainful asides and Haley’s chilly creepiness intact. It would be unfortunate if Human Target somehow got soapy or dumber, because good popcorn is rare.

 

REVIEW: 40 DAYS AND 40 NIGHTS

CAST

Josh Hartnett (30 Days of Night)
Shannyn Sossamon (Sleepy Hollow)
Paul Costanzo (Royal Pains)
Adam Trese (Silent House)
Emmanuelle Vaugier (Human Target)
Lorin Heath (Elf)
Monet Mazur (Just Married)
Christine Chatelain (Final Destination)
Keegan Connor Tracy (Bates Motel)
Vinessa Shaw (Eyes Wide Shut)
Stanley Anderson (Spider-Man)
Griffin Dunne (After Hours)
Terry Chen (Sanctuary)
Chris Gauthier (Watchmen)
Mary Gross (Sabrina: TTW)
Maggie Gyllenhaal (The Dark Knight)
Dylan Neal (Arrow)
Natassia Malthe (Bloodrayne 2 & 3)

As soon as Matt Sullivan (Josh Hartnett) makes a vow to stay celibate for the “40 Days and 40 Nights” of Lent, that he is going to meet the love of his life. That would be Erica Sutton (Shannyn Sossamon), who fate throws him together with at the local laundry mat. Matt knows that he is being tested. The problem is that pretty much everyone he knows is in on the cosmic joke.


Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out he sees this as the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last.

this film is charming in a sexual, occasionally vulgar way, but it is also laugh-out-loud funny and a relatively realistic display of a couple falling in love. Without the sex.

REVIEW: VAMPIRE BATS

CAST

Lucy Lawless (Ash vs Evil Dead)
Dylan Neal (Arrow)
Liam Watts (Ghosts of Mars)
Timothy Bottoms (The Girl Bext Door)
Craig Ferguson (Hot In Cleveland)
Brett Butler (Anger Management)
Tony Plana (Ugly Betty)
Jessica Stroup (Ted)
Bobby Campo (Scream: The Series)

Image result for vampire bats lucy lawless

In a Louisiana city, near a bayou, a plague of genetically Mutaed Bats begin to kill the people, then the Doctor Maddy Rierdon and her students from colleges work together to kill the bats before the whole city is destroyed.The film begins with an abandoned house, inhabited by a group of vampire bats, which seem to be mutations of the local population. Later, in the forests nearby, people begin to find many dead corpses of deer and local animals, with multiple bites on their bodies and their blood completely drained. While the corpses are studied, one student from the class of Physician/Doctor Maddy Rierdon (Lucy Lawless) gets chased in the forest by something that knocks him down and kills him. When he is found, his blood has been drained. Police suspect two of his friends of being the killers and put them under arrest. The case causes Maddy’s attention, as she wants to prove her students’ innocence. She soon finds out that her dead student must have been killed by something that moves in a pack and is very fast.At night, two more fishermen are attacked and killed while fishing on their boat. The next morning, police find the drained bodies and, with Maddy’s presence at the scene, they are able to recognize some excreta of bats. They then change their opinion and started to believe that bats were the cause of these deaths. The police send out many agents to search around the city for signs of the vampire bats. After several negative events, including a teenage girl who gets bitten by a bat during sleep and acquires rabies, and a party on board a ship, which is attacked by the bats, Maddy begins to think that the bats have mutated somehow, which she reports to group of agents she is working with. She states that the bats could have been affected by some artificial environmental impacts. To verify her statement, she arrives at the river where the fishermen were killed to set a trap with the help of some of her students. They successfully capture some bats using nets, and Maddy realizes that this population of vampire bats has developed eight upper-jaw fangs instead of two, which makes them hungrier for blood and able to drink more blood every time they bite. They bring the other trapped bats back to the lab, where Maddy informs the police of this mutation. Suggestions are given as how to exterminate these killer bats, and one of them is to spray poisons over the captured bats and release them after sticking GPS locators onto their bodies, letting them fly back to their habitats; the bats will infect each other by licking and grooming. The plan works successfully, but it only kills a small group of them. The other groups remain unaffecteded. Meanwhile, one more student is killed in the pool by the bats. Maddy rushes to find a solution while learning that the bats’ mutation is an indirect result of toxic waste that contaminated the local water source, creating mutations in the deer that the bats feed on, thus making the bats too mutants.

Meanwhile another group of bats is found in a church (yet still not the whole population.) Maddy’s students accidentally find out that the bats are attracted to loudspeakers or anything that emits sounds similarly, as they mistake those sounds as reflected ultrasounds. They decide to set a trap in the underground basement of their school, intending to lure the bats in and heat them to death by sending in all the heat from the school’s exhausts. As the plan commences, the bats are lured to the area by loudspeakers. A problem is encountered as Maddy is attacked in the underground by one of the policeman, who turns out to be an agent working for the company which has been contaminating the water sources and is therefore responsible for the bats’ mutation. He tries to kill Maddy in order to eliminate witnesses of his company’s work, but Maddy knocks him out instead and escapes when the bats fly into the underground; they devour the agent just before they get heated to death.

Three months later, Maddy is married and sitting with her children in front of the house where they eliminated the first population of the vampire bats. She suddenly looks nervous and seems to be scared by something, but she quickly turns back to play with her kids.

Vampire is the sequel to Locusts, with Lucy Lawless once again returning.If you are looking for a well done movie normally found on cable look no further. This movie was made for Halloween and they didn’t have the biggest budget.  There were fairly, thought out and great scenes that carried this movie in a singular directions This was more psychologically scary with minimal bloody cheap shot scenes, one quickly knows the major cause and evil are man drinking blood suckers i.e. the vampire bats, hence the movie name.