Note This incredible science fiction has also been released under the title Children of Dune
Alec Newman (Angel)
Julie Cox (Holby Blue)
Ian MacNeice (Ace Ventura 2)
Steven Berkoff (Red 2)
Daniela Amavia (Tatort)
James mCAvoy (Wanted)
Susan Sarandon (Tammy)
Edward Atterton (Alias)
P.H. Moriarty (Patriot Games)
Alice Krige (Star Trek: First Contact)
Jessica Brooks (Footballer’s Wives)
Twelve years have passed since Paul Atreides had become Emperor at the end of Frank Herbert’s Dune by seizing control of the planet Arrakis and forcing a union with the former Emperor’s daughter, the Princess Irulan. Paul’s Fremen armies have since launched several bloody jihads to solidify his position. Deposed Emperor Shaddam IV and the rest of his family are exiled to Salusa Secundus, where his other daughter Princess Wensicia plots to restore House Corrino to power. The Bene Gesserit, the Spacing Guild, and the Tleilaxu also plot to overthrow Paul’s reign, aided even by rebel Fremen, who hate how Paul’s terraforming project is changing Arrakis and the traditional Fremen way of life. The Tleilaxu present Paul with a ghola in the likeness of his friend Duncan Idaho, killed during the events of Dune, but secretly conditioned to assassinate Paul when triggered by certain words.
Though his prescient abilities reveal the dangers ahead, Paul allows the conspiracies to succeed to avoid even worse consequences. He is attacked with a type of nuclear weapon called a stone burner and blinded, but still manages to “see” by following his prescient visions. Later, Paul’s concubine Chani gives birth to twins at a Fremen sietch but dies soon afterward. In Paul’s absence, his sister Alia purges the imperial city of the enemies of House Atreides. Meanwhile, the Tleilaxu Face Dancer Scytale triggers Duncan’s conditioning; but the trauma of potentially killing Paul breaks his programming, and unlocks the memories of his original incarnation. His plan foiled, Scytale threatens the lives of Paul’s children; whereupon the unique nature of the infants (who, like Alia, were “pre-born”) allows Paul to see through the eyes of his son and kill Scytale. Following the Fremen tradition of abandoning the blind to the sandworms, Paul walks alone into the desert. His legacy secured, the twins and their future empire are now left in the care of Alia. Paul’s and Chani’s children Leto II and Ghanima are now young adults; Princess Irulan has protected their interests as her own. Now married to Duncan, Alia is still regent of Paul’s empire and official guardian of the children. Irulan’s sister Wensicia yearns for a return to power through her son, Farad’n. After a long absence, Paul and Alia’s mother Lady Jessica arrives on Arrakis to visit her family, but Alia fears that Jessica has resumed her allegiance to the Bene Gesserit and may be plotting against her. An individual known as “The Preacher” has surfaced in the capital, speaking against the decline of Muad’Dib’s religion into fear and ritualism; but Alia resists having him killed because she shares the popular belief that he may be a returned Paul.
Alia possesses the memories and personalities of her ancestors due to being pre-born, but has trouble controlling them; her internal struggles against the assertive voices manifest themselves in the form of paranoia and self-destructive behavior. The persona of the evil Baron Vladimir Harkonnen, Alia’s maternal grandfather whom she had herself killed, begins to influence her, and threatens to overtake Alia’s consciousness altogether. Jessica senses that Alia has become dangerous, and advises Irulan to spirit Leto and Ghanima away to safety. Later, after an assassination attempt on her, Jessica seeks sanctuary with Fremen dissidents. Wearing clothes presented to them by Wensicia, the twins escape into the deep desert but are soon cornered in a deadly trap of her devising.
Wensicia’s plot to assassinate the Atreides heirs fails, but provides Leto an opportunity to fake his own death and buy time to overcome Alia. Alia’s madness reaches its peak as Baron Harkonnen’s grip on her consciousness strengthens and a civil war brews with the rebel Fremen. Leto returns from the deep desert, having used sandtrout — the larval form of Arrakis’ sandworms — to acquire the superhuman speed, strength, and invulnerability of the sandworms themselves.
As a means of forcing as-yet-neutral Fremen leader Stilgar to lead the rebels, Duncan murders Alia’s lover Javid in Stilgar’s sietch; Duncan knows that, according to Fremen custom, Stilgar must revenge-kill him, which will force Stilgar into active opposition to Alia. Leto encounters the Preacher, whose identity as his father is revealed. Leto’s prescient visions have convinced him that he must lead mankind along “the Golden Path” to ensure humanity’s ultimate survival.
With a political marriage arranged by Jessica between Ghanima and Wensicia’s son Farad’n, the Corrino heir identifies his mother as the mastermind behind Leto’s apparent death. Alia has Wensicia imprisoned, but Ghanima accepts Farad’n’s gesture as honest. With Stilgar’s forces moving in, father and son return to the capital city of Arrakeen, where the Preacher makes a final speech denouncing Alia and his own religion, and is fatally stabbed by a rebel Fremen. Leto confronts Alia at Ghanima’s wedding and defeats her. Alia then commits suicide rather than be controlled by the Baron. In the final scene, Ghanima tells Farad’n that while he will not be her husband, they may yet fall in love, and how she pities her brother for the pain and suffering he will endure in the long life he must expect.
Children of Dune’s compelling plot is executed with precision by director Greg Yaitanes, who does a bang-up job over his predecessor, John Harrison. As a matter of fact, though Dune Messiah’s story is naturally a bit weaker than Dune’s, the superb execution here makes it superior to any previous adaptations of Dune (it’s at least as good as the terrific miniseries, far better than the horrible Lynch film). The cinematography distinguishes itself with darker colors, while still maintaining the vibrancy the original miniseries had. Brian Tyler’s beautiful score is evocative, particularly during a wonderful montage segment of literal birth and death.