LOVE AND MONSTERS
Dreama Walker (Compliance)
Michael Blaiklock (Fired Up!)
Eric Andre (2 Broke Girls)
James Van Der Beek (CSI: Cyber)
Ray Ford (Grey’s Anatomy)
Ben Lawson (No Strings Attached)
John Gamberling (Marry Me)
LOVE AND MONSTERS
Ben Lawson (No Strings Attached)
John Gamberling (Marry Me)
America Ferrera (Real Women Have Curves)
Eric Mabius (Resident Evil)
Vanessa Williams (666 Park Avenue)
Michael Urie (Uptown Girls)
Tony Plana (Alpha House)
Ana Ortiz (Devious Maids)
Becki Newton (How I Met Your Mother)
Mark Indelicato (Dead of Summer)
Judith Light (Transparent)
Ashley Jensen (Extras)
Christopher Gorham (Jake 2.0)
Alan Dale (Lost)
Rebecca Romijn (X-Men)
RECURRING / NOTABLE GUEST STARS
Kevin Sussman (The Big Bang Theory)
Gina Gershon (Bound)
Ava Gaudet (Hurt)
Kristen Schaal (Bob’s Burgers)
Salma Hayek (Dogma)
Sarah Jones (Alcatraz)
Rhys Coiro (Straw Dogs)
Ron Canada (Wedding Crashers)
Cleo King (Mike & Molly)
Nicholas Gonzalez (Sleepy Hollow)
Patrick Fabian (Veronica Mars)
Jowharah Jones (The Client List)
Debi Mazar (Goodfellas)
Brett Cullen (Ghost Rider)
Kevin Alejandro (Arrow)
Martha Stewart (2 Broke Girls)
Teddy Sears (The Flash)
Mini Anden (Chuck)
Courtney Ford (Dexter)
Kathleen Munroe (Stargate Universe)
Lucy Davis (Shaun of The Dead)
Octavia Spencer (Mom)
Kathy Griffin (Pulp Fiction)
Bailey Chase (Buffy)
Lucy Liu (Kill Bill)
Jayma Mays (Heroes)
Jerry O’Connell (Sliders)
Max Greenfield (New Girl)
Ivana Milicevic (Casino Royale)
Leslie Jordan (The Help)
AnnaLynne McCord (Excision)
Cristián de la Fuente (Valiant Love)
Rachel Roberts (Simone)
Jonathan Slavin (Free Enterprise)
Dale Dickey (My Name Is Earl)
Kristin Chenoweth (Pushing Daisies)
Illeana Douglas (Ghost World)
Alec Mapa (Marley & Me)
Freddy Rodriguez (Planet Terror)
James Van Der Beek (Dawsons Creek)
John Cho (Flashforward)
Victor Garber (Legends of Tomorrow)
David Blue (Stargate Universe)
Megan Hilty (The Pirate Fairy)
Victoria Beckham (Spiceworld)
Eliza Dushku (Tru Calling)
Candace Kita (Masked Rider)
Annie Potts (Ghostbusters)
Derek Riddell (Micro Man)
Carol Ann Susi (The Big Bang Theory)
Barry Bostwick (Rocky Horror Picture Show)
Gabrielle Union (Bring It On)
Kari Matchett (Cube 2)
Eddie Cibrian (Sunset Beach)
Julian de la Celle (The Fosters)
Lindsay Lohan (Mean Girls)
Val Emmich (30 Rock)
Ralph Macchio (The Karate Kid)
Grant Bowler (Lost)
Sarah LaFleur (Earth: Final Conflict)
Nikki Blonsky (Hairspray)
Kevin Kilner (Dollhouse)
Daniel Eric Gold (Charlie Wilson’s War)
Brennan Brown (Beauty and The Beast)
David Rasche (Burn After Readiing)
Christine Baranski (The Big Bang Theory)
Dreama Walker (Compliance)
Lynn Redgrave (Gods and Monsters)
Yaya DaCosta (In Time)
Kristen Johnston (3rd Rock From The Sun)
Jamie-Lynn Sigler (The Sopranos)
Hamish Linklater (The Crazy Ones)
Adam Ferrara (Rescue Me)
Dylan Baker (Spider-Man 2)
Brooklyn Decker (Battleship)
Lisa Howard (Earth: Final Conflict)
Adam Rodriguez (Roswell)
Christie Brinkley (Parks and Recreation)
Fisher Stevens (Short Circuit)
Patricia Velasquez (The Mummy Returns)
Carol Kane (Gotham)
Dana Ivey (Two Weeks Notice)
Donna Murphy (Spider-Man 2)
Matt Newton (Face To Face)
Ryan McGinnis (Hard Sell)
Bryan Batt (Scream: The Series)
Ugly Betty is a television comedy/drama that airs on ABC. It was produced by Salma Hayek, Silvio Horta, Ben Silverman, Jose Tamez, James Hayman, and Marco Pennette. The show was adapted from the Colombian mini-series “Yo Soy Betty La Fea”. The series is about a plain-old girl who is thrust into the glamorous fashion world and the drama that trails her life and co-workers. It was highly successful during its freshmen season (2006-2007) and nominated eleven times in the 59th Primetime Emmy Awards.
The primary character is Betty Saurez (America Ferrera). Betty is a normal girl from Queens who aspires to be in the fashion business. In the beginning of the series, she is trying to get a job at a fashion magazine. The problem is that no one will even consider her for a job, which is mostly due to the fact she doesn’t physically fit in with the beautiful people. Her life is changed when Bradford Meade (Alan Dale) makes his playboy son Daniel (Eric Mabius) hire her as his assistant. Daniel was recently inducted as editor-in-chief of “Mode” magazine, Meade Publications’ flagship. Bradford hopes that Daniel’s work at Mode will prepare him to take over the company. Unfortunately Daniel’s frat-boy behavior prevents him from focusing on the job. Betty is hired as his assistant, because she is the one girl in New York City he won’t jump in the sack with.When Betty first comes to Mode, Daniel does everything in his power to get rid of her by embarrassing and demeaning her. He soon learns that despite Betty’s looks, she is very capable, intelligent, determined, and an invaluable asset to the company. She plays a vital role in Daniel succeeding as editor-in-chief. Her unique and real outlook on life saves the day on more than one occasion. Challenging Daniel and Betty is Wilhelmina Slater (Vanessa Williams). Wilhelmina is the creative director, who believes should have been given the position of editor-in-chief. She works with a mysterious woman to dethrone Bradford and Daniel and take over the company.
Others in the office include Amanda Tanen (Becki Newton), the Mode receptionist who has an eye of Betty’s job and Daniel’s pants, Marc St. James (Michael Urie), Wilhelmina’s assistant who does all of her dirty work, and Christina McKinney (Ashley Jensen), the Scottish seamstress who is Betty’s one friend in the company. These characters are not as developed as the other main characters, but they still bring quite a lot to the table in drama and comedy.
Outside of the office, there are several key characters from Betty’s home life. They include Ignacio (Tony Plana), Betty’s father who has a shady past and several secrets he hopes are never revealed, Hilda (Ana Ortiz), Betty’s older protective sister who sells weight-loss supplements, and Justin (Mark Indelicato), Hilda’s son who is very “different” than other boys and loves fashion just as much as his aunt Betty.
The show’s supporting characters include Walter (Kevin Sussman), Betty’s boyfriend and serious love interest who cheated on her, Henry Grubstick (Christopher Gorham), a Mode accountant who develops strong chemistry with Betty, Sofia Reyes (Salma Hayek), a new editor-in-chief at Meade Publications who is a love interest for Daniel, and Claire Meade (Judith Light), Daniel’s mother who is a drunk and a key to the season’s biggest story arc.
In Ugly Betty’s first season, there are several storylines that drive it. Even the slightest developments are key and play into a soap opera-worthy story. The writing is done very well and manages to intertwine the storylines to focus on the big picture and character development. This comment is especially worth noting because of the large ensemble cast and the different directions it takes the show. In other words, there is a lot going on, but it is handled and presented in an engaging and entertaining manner that is easy to follow.
Yet for all of Ugly Betty’s strengths, what really keeps the show afloat is Betty. While this character is an imperfect match to the world of high fashion, she is a great fit for this television show. Most of the people working at Mode are overly superficial and fake. Betty, on the other hand, is sincere and real. She is a strong heroine, despite the fact she is constantly tormented and teased by her attractive peers. Her outlandish personality brings something special to everyone at Mode. She is the real strength that drives this show.As an overall series, Ugly Betty does very well with its first season. It offers a very fun show with likable characters, engaging over-the-top drama that feels mature, intricate storylines.
In season two, the characters of Ugly Betty go through a whirlwind of drama and comedy. The whirlwind comes from a variety of new developments that include Betty’s complex romance with Henry and a new character Gio, Alexis losing her memory and rekindling friendship with the family, Daniel struggling to keep control of Mode, Mrs. Meade on the run, Hilda dealing with the loss of Santos, and more. It is a very dramatic season with several tidbits of comedy throughout. Overall, it is enjoyable like the season one.
“How Betty Got Her Grieve Back” is the season two premiere episode. In it, a lot of things happen. The biggest development involves Betty’s love life, or rather lack of. She comes to terms with Henry leaving for Tucsan to take care of the mother of his unborn baby. Later in the season, Harry returns to Mode to finish working. Betty and Henry have a complicated romance, as they try to figure out how they can be together with the unborn baby baggage. Also in the premiere, Amanda finds out her mother is Fey Sommers! Throughout the season, she tries to find answers about her parents. And Marc helps her. Wilhelmina also uses the events from the season one finale to her advantage. With Claire behind bars, she moves on Bradford. Daniel struggles with his personal demons about Alexis’ condition.
In the Saurez household, there are two key subplots introduced. The first is about Hilda, Justin, and Santos. Both Hilda and Justin come to terms with Santos death. Hilda goes through a couple phases, which include being boarded in her room and hanging out with aged widows. Justin goes through a rebellious phase, where he tries to take on qualities of his dad (sports and woman). The other development is about Ignacio still stuck in Mexico. Betty goes against her principles to help him acquire US citizenship.As the season continues, there are a lot of new developments — many of which grow from the seeds planted in the season opener. Betty’s love life with Henry gets more complex in “Betty’s Wait Problem”. A new character and love interest named Gio is introduced. Alexis comes out of the coma without memory of the last two years. Daniel, Bradford, and Wilhelmina take advantage of the situation. Daniel and Alexis also struggle with Wilhelmina, who is still trying to take over Mode. Claire resurfaces after escaping from prison, which complicates Wilhelmina’s diabolical plans. The season developments continue with even more wild escapades.Overall, Ugly Betty’s second season is fun and entertaining. It has a similar light-hearted humorous tone with over the top, soap opera plotlines to season one. The major difference is that Betty is no longer trying to prove herself.
The Third Season of the amazing show “Ugly Betty” shows even further strengthening of the programme- from the very good Season One, the show improved to be excellent in Season Two and this season returns to be truly amazing. There’s brilliant character development this season and the plotlines and ongoing storylines in this season are excellent; with some truly outstanding drama and comedy moments.
Following on from the first two seasons, “Ugly Betty” continues the story of New York underdog Betty who dreams of being an editor for a magazine. The show centres around her adventures as the “ugly” and “fat” girl at America’s top fashion magazine ‘Mode’, working with shallow, stick-thin, martini sipping socialites and arrogant, womanizing men. The characterisation remains to be great, and there is some outstanding character developments during this season- especially Mark, Amanda and Justin who are audience favourites- the former infact finally gets a more front-seat role in this season- Mark has been an excellent character since the first episode and this season it feels like he finally gets the screentime and storylines he deserves.
With better comedy, improved writing and great storylines, fans of the show are sure to adore this season- and for those who are tempted to mingle with the show, this certainly satisfy those appetites. An excellent season; a brilliant show; and I highly recommend this boxset.
After four years and 85 episodes, the braces came off and Ugly Betty, the fish-out-of-water PA from Queens, finally became Betty Suarez, publisher of her own magazine in the UK.
The first nine episodes focussed mainly on self-contained storylines. Betty’s struggles to establish herself in her new role as a junior editor as ex-boyfriend Matt, now her boss, is petty and mean to her. An emotionally vulnerable Daniel Meade is drawn into a cult as he tries to deal with Molly‘s death. A ludicrous murder side-plot involving Nico Slater, which triggers Wilhelmina leaving Mode.
A few ongoing plots are also teed up. Amanda starts to think about her future. Claire Meade sets off in search of the son, Tyler, she had with Cal Hartley but was forced to give away. Hilda hooks up with Bobby Talercio, an old high school flame. Each of these becomes significant down the stretch, but are only touched upon initially.
London Calling, starts to set up the finale, as well as giving us a sentimental excuse to welcome back Christina and ex-boyfriends Gio and Henry.
The final episode gives us the closure we had all been waiting for, and does so with style. Hello Goodbye is as much about discovery as it is about departure, with every character getting their turn to take a final bow. Hilda, married and no longer tied to the Suarez house by her salon, gets her dream move to Manhattan. Justin finds contentment with Austin. Amanda finds her father. Daniel steps down as co-editor-in-chief to pursue the opportunity to find himself. Wilhelmina finds redemption, her lost love Connor and then, suddenly, without the need for scheming, she finally achieves her heart’s desire: Mode – a direct result of her altruistic act of saving Claire. Marc is shown the path to becoming creative director by Wilhelmina, and finds love and the possibility of a real relationship with Troy, after a lovely reversal where Justin returns the favour by turning into his mentor.
There is one touching moment at the farewell party where we linger on Betty, Marc and Amanda – the triumvirate who have always been the beating heart of the show – dancing joyfully together, all previous bitchiness put aside as their friendship is finally affirmed.
It was a fitting end, and one which suited the series better than the ending of its Colombian parent, Betty la Fea, would have done, where Betty marries Daniel’s equivalent, Armando. Betty has come a long way since she first walked through the door at Mode
Dreama Walker (Don’t Trust The B— IN Apartment 23)
Ann Dowd (Garden State)
Pat Healy (Cheap Thrills)
Philip Ettinger (The Maid’s Room)
Ashlie Atkinson (Inside man)
Nikiya Mathis (Knucklehead)
Bill Camp (12 Years a Slave)
After receiving a phone call claiming that one of her employees has stolen money from a customer, manager Sandra takes Becky into the back room, interrogates her, strip searches her and humiliates her, all because the voice on the other end of the phone claims to be a police officer. The film, until the end, is truthful to the events that played out in real life. I can’t fault the film for portraying what literally happened, no matter how inane the people and the requests were. I sat there thinking there is no way in hell that these people are that stupid that they wouldn’t question the voice on the other end of the phone. I think the choice on the filmmakers part that really put me over the edge was having the so called police officer, talk down to them, calling them stupid and to shut up. How, at that point in time does nothing click for you is beyond me.
Competently directed, nothing visual that really stands out, the camera served the story. A young girl being mistreated in a small room. The acting, for the most part felt natural to me. The small things that the actors do reflect real life, awkward laughter at an odd request was something I caught from the husband.
Compliance is a film that shows how stupid and gullible people can be. it shows you need to use common sense and question authority. The only part of the film that is not true is that in the fiom they catch the guy, in real life they never did