REVIEW: LEGO MARVEL SUPER HEROES: MAXIMUM OVERLOAD

CAST

Adrian Pasdar (Heroes)
Laura Bailey (Justice League vs Teen Titans)
Barry Dennen (Titanic)
Steve Blum (Wolverine & The X-Men)
Greg Cipes (Teen Titans)
Bumper Robinson (Sabrina: TTW)
Troy Baker (Justice League Action)
Drake Bell (Superhero Movie)
Fred Tatasciore (Hulk Vs)
Dee Bradley Baker (American Dad)
Chi McBride (Human Target)
Robin Atkins Downes (Babylon 5)
Grey DeLisle (The Replacements)
Tom Kenny (Superhero Squad)
J.K. Simmons (Whiplash)
Roger Craig Smith (Batman Unlimited)
Travis Willingham (Sonic Boom)
Stan Lee (Avengers Assemble)

lego-marvel-super-heroes-maximum-overload-post-6The mischievous Loki challenges the Marvel Super Heroes yet again. But this time, he’s cast a snowball-themed spell that has Norn Frost in it to “Overload” various villains. At a secret S.H.I.E.L.D. base in New Jersey, Doctor Octopus raids it in order to obtain the Beta Burst Missile. Using the Norn Frost obtained by his Chitauri minion, Loki “overloads” Doctor Octopus. In Manhattan, Nick Fury calls upon Spider-Man to help defeat Doctor Octopus. Before Doctor Octopus can use the Beta Burst Missile on the trapped S.H.I.E.L.D. Agents, Spider-Man arrives and tricks Doctor Octopus into shocking himself on a nearby power generator. The next morning, Spider-Man brings a bound Doctor Octopus back to Manhattan in a truck upon running out of web fluid on the Garden State Parkway. Nick Fury takes Doctor Octopus to be locked up as Spider-Man is left walking back to Queens, New York. Loki is not pleased that his Doctor Octopus “Overload” was defeated and vows that it’s not over.
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Some time later, news articles are shown about the “Overloads” like the rise of the Red Skull “Overload,” the Wizard “Overload” forming the Frightful Sixteen which outnumbers the Fantastic Four, and the Green Goblin “Overload.” J. Jonah Jameson reports on the “Overloads” and claims that Spider-Man is behind this. Loki then uses the Norn Frost on Venom since he is a creature worth overloading. Appearing near the stand of the Hot Dog Vendor, Venom is overloaded as Loki commands Venom to attack Spider-Man. Their fight takes them through the Daily Bugle much to the dismay of J. Jonah Jameson. Spider-Man manages to defeat Venom by getting one of Venom’s tendrils into the Linotype machine where Venom ends up flattened onto a bunch of newspapers. Venom’s body is taken away by Nick Fury, Captain America, and Wolverine. As Spider-Man swings away from the Daily Bugle, J. Jonah Jameson rants about his newsroom getting trashed as he vows to get Spider-Man for this. Spider-Man runs out of web fluid and falls into a dumpster leaving him to walk back to Queens again.
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While reprimanding his Chitauri henchman for sitting in his chair, Loki sees a helicopter carrying Mandarin flying to Tony Stark’s Malibu mansion to attack it. Loki then throws the Norn Frost at Mandarin who then prepares to attack. Iron Man saves Pepper Potts by getting her into an Iron Man armor. Iron Man then begins to fight Mandarin. As Loki plans to overload Mandarin further, his Chitauri minion slips and causes the Norn Frosts to fall into the nearby crevices. Iron Man uses his left glove to knock Mandarin out of his helicopter as he is grabbed by Falcon who takes Mandarin to the Helicarrier. Iron Man is then helped out of the rubble by his left glove before leaving with Pepper to eat out somewhere. Spider-Man suddenly finds himself at an offshore oil platform wondering how he got there. While his Scrying Mirror is getting fixed, Loki reaches out with his mind where he finds Iron Man and Iron Fist looking for Abomination. Loki finds Abomination on top of a passing airplane as he overloads Abomination. Upon Abomination breaking the airplane, Iron Man and Iron Fist rescue the passengers and land them safely on the offshore oil platform while Hulk arrives to fight Abomination. With help from Iron Fist, Hulk knocks Abomination into the ocean. When Loki plans to overload Hulk to serve him, Hulk notices his floating eyes and punches it as Loki feels the pain while getting a black eye.
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Loki declares that his plans are almost complete as his Chitauri minions sweep the floor. On the S.H.I.E.L.D. Helicarrier, Wolverine, Captain America, and Black Widow do a roll-call on the captive supervillains Doctor Octopus, Venom, Abomination, Mandarin, Red Skull, and Wizard. Loki then commands the supervillains to arise as they all end up overloaded again while being ordered to hop. The constant hopping causes the Helicarrier to fall onto Tony Stark’s rebuilt mansion. The supervillains then go on a rampage as Iron Man, Nick Fury, Black Widow, Captain America, Wolverine, and Hulk fight them. Thor arrives with Spider-Man upon finding him whining outside Avengers Tower. Spider-Man claims that he was angsting. Upon taking down Doctor Octopus, Thor traces the Norn Frost back to Loki. Thor brings Iron Man and Spider-Man to Asgard to confront Loki while the others fight the supervillains.
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Upon the Chitauri minions fixing the Scrying Mirror, Loki views it and sees Thor, Iron Man, and Spider-Man approaching his lair. Upon the arrival of Thor, Iron Man, and Spider-Man, Loki eats all the Norn Frost in the possession of one of his Chitauri minions and fights them. After throwing Spider-Man into a wall, Loki states to Iron Man and Thor that he is meddling in the affairs of Earth and take the throne of Asgard (Loki whispered that part which the Chitauri minion said out loud). Upon Loki slipping, Thor throws Mjolnir at Loki as he hangs over the crevasse. Thor then demands that Loki removes his enchantment and vow to never disturb the peace of Midgard under the threat of the hammer noogie. Loki surrenders where the Norn Frost’s enchantment wears off enabling the supervillains to be defeated. Thor then plans to tell Odin what Loki was doing. Loki begs for Thor not to tell their father or to tell him that he was watching the Scrying Mirror since Odin took away his scrying privelages 3 centuries ago. After Thor, Iron Man, and Spider-Man leave, Loki changes the channel on the Scrying Mirror before Hulk can do another attack on him.
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On the S.H.I.E.L.D. Helicarrier, the supervillains are locked up as they plan their revenge. On the deck of the Helicarrier, it was mentioned that Iron Man’s mansion has been repaired and the Helicarrier is back on the air. To get the angst out of Spider-Man, Nick Fury gives Spider-Man a S.H.I.E.L.D. Security Card and a Spider-Bike. As Spider-Man rides the web line off the Helicarrier, the superheroes celebrate their victory. As the Helicarrier takes off, the web line breaks causing Spider-Man and the Spider-Bike to fall. In the post-credits, J. Jonah Jameson is visiting the Hot Dog Vendor’s cart ordering a hot dog from him. Spider-Man lands safely on the nearby streets as his Spider-Bike falls on the Hot Dog Vendor’s cart. Getting mustard on him from the resulting incident, J. Jonah Jameson states that Spider-Man must be responsible as Spider-Man sneaks away.image_39e1ade4The animation is pretty amazing and one of the best Lego films I have seen with great attention to detail the effects are pretty good as well it just nice that they took the time to make the animation work and it’s better when you watch it in High Definition to better enjoy the attention of the art work It just a good film that I think the family would enjoy and fans of Lego and Marvel

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REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

12 DAYS OF CHRISTMAS REVIEW: THE SPECTACULAR SPIDER-MAN: REINFORCEMENT

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CAST
Josh Keaton (Superman/Shazam)
Thom Adcox-Hernandez (Under Siege 2)
Xander Berkeley (Beware The Batman)
Steve Blum (The Boxtrolls)
Clancy Brown (Highlander)
Lacey Chabert (Mean Girls)
John DiMaggio (Futurama)
Robert Englund (The Batman)
Crispin Freeman (Fast Sofa)
Elisa Gabrielli (South Park)
Vanessa Marshall (Star Wars Rebels)
This show does not mess around when it comes to using any and all characters from Spider-Man’s history!  I was very impressed and excited to see fairly obscure criminal underworld characters Blackie Gaxton and Patch appear in this episode.  This episode featured the return of the Sinister Six, albeit in a new configuration, with Mysterio and Kraven standing in for Doctor Octopus and Shocker. With that many villains, it’s not surprising that this was an episode with a ton of action, as it quickly turned into one prolonged chase/fight scene for Spider-Man.I loved how this fight moved from one environment to another, traveling to some very different places, from an ice skating rink to a pier, to a department store. Once again, this show proved to be one of the best on TV when it comes to action scenes, with a ton of visually exciting moments that sometimes are so quick, they beg you to rewind the DVR. Such a moment occurred when Spider-Man jumped to avoid a bunch of hurled tires while fighting Electro – and while he dodged some, he actually contorted himself right through the center of one, in a blink and you miss it moment. This was an episode that really reinforced Spider-Man as a clever and creative sparring partner for any of the villains he takes on. Whether it be using those aforementioned rubber tires to trap Electro, or goading Rhino onto ice not strong enough to hold him, or spraying perfume on the scent-sensitive Kraven, our wall-crawling hero was in top form here and it was incredibly fun to watch.
On a more bizarre but no less entertaining level, you also had the moment where Mysterio unleashed his mechanical bats at Spidey, and they could be heard squeaking stuff like, “Rematch! Rematch!”, clearly eager to get another shot at the guy who had beaten them two episodes ago.
Understandably, an episode this action-heavy was a little light on character moments, but the ones we got were solid. Peter’s already stuck debating between Liz and Gwen, so it was very funny when Mary Jane was trying to give him advice, only for him to begin daydreaming, thinking, “Would you look at her… She’s gorgeous!”

REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

REVIEW: SPIDER-MAN (1981)

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CAST (VOICES)

Ted Schwartz (Transformers)
William Woodson (The Naked Gun 2 1/2)
Mona Marshall (South Park)
Linda Gary (He-Man)
Stan Jones (Little Shop of Horrors)

UntitledWhen I sat down to watch Spider-Man 5000 I was expecting some futuristic Batman Of The Future-type deal, with Spidey zooming into space decked out in weblined silver, led by a computerised spider-sense. In fact, the 5000 refers to an episode numbering system, not a time period. This 1981 animated series is set straight after the ‘60s Spider-Man show, with Peter Parker now attending Empire State University. The villains are contemporary and familiar – The Lizard, Sandman, Dr. Octopus.

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The series does a great job of capturing the ethos of the comic book. Peter Parker is a teenager juggling his love life with work and webswinging. Aunt May fusses over him and there’s a running gag about him slipping into the house without her noticing. Peter’s impatient date Betty Brant gets stood up on a regular basis. Spider-Man’s quips and interior monologues ring true. For example, he calls Magneto “Bucket Head” and “Turret Top”.The series adds its own quirks as well. Peter acts clumsy and cowardly a la Clark Kent. We learn that he prefers The Beatles to disco music, can make armpit web wings to glide from buildings, and isn’t above taking money to guard a million dollar artifact. These all come across more as plot devices than attempts to develop character or build continuity.

Spider-Man 5000 retains the child-friendly, uncluttered look of the ‘60s show but adds texture to its art and storytelling. There are detailed touches like the underwater ripples when Spidey treads water, and sight gags such as a billboard for Spritz Bug Spray. In each 20 minute tale, the hero has time to discover the villain’s plan, get knocked down and get back up again for a rousing finale. The villains come across as greedy, bellowing buffoons who thrive on thievery rather than any grand master plans. Even the Black Cat is a plain burglar here, more Catwoman than Felicia Hardy. This being the early ‘80s, Spider-Man relies on the miracle power of microwaves on more than one occasion to battle the bad guys. Who knew that those reheating waves could turn sand to dust and amplify magnetic power, bouncing it back to its source?  Spidey isn’t the only character who harnesses technology in unusual ways. In the first episode Bubble, Bubble, Oil And Trouble, classic villain Doctor Octopus modifies his terrible tentacles, adding a diamond sawblade and a vibrator. That’s a sonic quartz vibrator, which zaps walls to rubble around Spider-Man. Ock wants to get his protuberances on the world’s oil supply, but before he can thwart the tanker snatcher Peter has to do his homework and compete with rival photographer Mortimer (J. Jonah Jameson’s wonderfully sniveling nephew).16174889_1836004673347908_6687458020023952722_nIn Dr. Doom, Master Of The World, the Latverian dictator forgoes a typical destructive scheme for something more polite. He brainwashes UN representatives so they’ll vote him into absolute power. Questionable tactics aside, this is the Doom we all want to see – creepy and menacing with a Darth Vader voice. Sadly, he’s defeated too easily and he just runs away at the end. Above all, 5000 has some great visual ideas even if they’re not always executed effectively. They’re the kind of ideas that get kids talking in the playground, looking forward to their next Saturday morning episode. We get Doc Ock striding over the skyline with his tentacles extended, The Lizard breeding giant monitors and other zoo lizards in the subway, blocking off the exits with crashed trains, the Black Cat tightrope walking across power lines, and Spidey wrestling a gator in the Everglades, getting magnetized to a satellite and finding himself in other imaginative scrapes.

On the downside, true believers have been up in all eight arms about the transfer quality of these discs. Clear Vision blames it on the age of the material, but the color isn’t so much faded as flickering, as if an old digital generation has been used as the source footage. Cleaning up video frames can be painstaking, but if Clear Vision wants a loyal fan base then it’s going to have to put more work into the other volumes in this series. If you don’t mind the bad flicker and odd black and white frames, this early Marvel Production will surprise you with its joie de vivre, if not its sophistication. As the missing link between the original cartoon and Spider-Man And His Amazing Friends, this is a rare gem.

REVIEW: SPIDER-MAN (1967) – SEASON 1-3

CAST

Paul Soles (Terminal City)
Bernard Cowan (Iron Man 60s)
Paul Kligman (Winnipeg)
Peg DIxon (Strange Paradise)

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48 years before modern audiences oohed and awed over the amazing adventures of a teenager bitten by a radioactive spider, kids were sitting in front of their television, singing “Spider-Man, Spider-Man, does what a spider can, spins a web, any size, catches thieves, just like flies,” all while staring intently at their hero in red tights.

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Thanks to Clear Vision which captures the entire 52 episodes of the animated series on 8 discs, I discovered the exciting superhero escapades kids thrilled over and emulated in the late 1960s. After watching nearly 20 hours of classic Spider-Man, I realized the cartoon is corny, cheesy, unbelievable, and at times, downright laughable. But I loved every minute of it.

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Talk about nostalgia. Watching these DVDs was like walking through a time warp and stepping into a simpler time. And I can’t wait to go back.. I was delighted with Peter Parker’s exploits and I was thrilled at how Spider-Man always outwitted the bad guys. Sure, the adult side of my brain tried to interfere by pointing out that Spidey was swinging over rooftops on a web that wasn’t attached to anything, or that a web could never stop a bullet, or a laser, or whatever cockamamie weapon the crazed super villain happened to be using.

The old Spider-Man cartoon is definitely not Shakespeare. Instead, it’s shear fun. Even for the adults, as long as you’re willing to let your childishness shine through. Maybe it’s the corny nature of the simple plots—which almost always saw a villain trying to rob crabby old J. Jonah Jameson only to be out-smarted by your friendly neighborhood Spider-Man—that makes the show so much fun. Or maybe it’s the always outrageous villains, which included the typical rogues gallery of Scorpion, Electro, Kingpin, and Rhino, but also included interesting characters like ice men from Pluto, spirits in an old theatre, dangerous man-eating plants, and my personal favorite, Dr. Noah Boddy, an invisible man who thinks he’s smarter than the authorities. Even the simplistic art and dated animation style just adds to the shows charm.

These cartoons are all about the action and the usual Peter Parker wit. The first 20 episodes, which aired in the show’s first season, are broken into two 10-minute adventures, so there’s no time for in-depth plots. The show’s writers put Spidey in as many crazy situations as possible, as fast as possible, and found even more ludicrous ways to get him out.

The next 32 episodes, which aired in the second and third seasons, were mostly 21-minute adventures that included a bit more story, a bit more suspense, and sometimes a bit more mystery, yet never lost sight of the show’s heart. Many of these episodes featured more “real life” villains, such as mobsters or bank robbers, but there were plenty of super villains and zany creatures ready to take over New York. Which means even these longer episodes were light on the character development and heavy on the outlandish action scenes.

REVIEW: THE INCREDIBLE HULK (1982)

CAST (VOICES)

Michael Bell (Tangled)
Susdan Blu (Transformers)
William Callaway (Annie Hall)
Hamilton Camp (The Little Mermaid)
Victoria Carroll (In Wax)

6jzYThe Incredible Hulk is an animated television series based on the Marvel Comics character of the same name. The series ran for 13 episodes on NBC in 1982, part of a combined hour with Spider-Man and His Amazing Friends (as The Incredible Hulk and the Amazing Spider-Man).1280x720-6ImUnlike the previous live-action The Incredible Hulk television series from Universal in the 1970s, this series was based upon the Hulk comic books and was able to portray the more fantastical elements of the comics as sticking to his true name and origin as well as featuring the return of the original characters in his life, all of which the live-action series refused to show. It featured stories faithful to the source material from Marvel. In addition, new recurring characters were created for the series including the Hispanic family of father Rio and his youthful daughter Rita.hqdefaultThe series focused on Dr Bruce Banner’s attempts to cure himself of his transformations into the Hulk, and the Hulk defeating various monsters and villains whilst fending off the army’s attempts to subdue and capture him. This was the second Hulk animated series: in 1966, the Hulk appeared in 39 seven-minute segments as part of TV’s The Marvel Super Heroes. The 1982 Incredible Hulk series featured accompanying narration by Hulk co-creator Stan Lee. Some of the same background music tracks were used for Dungeons & Dragons. Boyd Kirkland, who became a writer/director for Batman: The Animated Series and X-Men: Evolution, was one of the layout artists for The Incredible Hulk.nick-furyOut of all the Hulk series ever to hit television, this is the best one. This series usually followed up Spider-Man and his Amazing Friends on Saturday mornings, making for a fantastic viewing hour. It had quality animation, great music.  It was faithful to the comic this series did a great job of showcasing the Hulk.