REVIEW: BATMAN V SUPERMAN: DAWN OF JUSTICE

CAST
Ben Affleck (Argo)
Henry Carvill (Immortals)
Amy Adams (American Hustle)
Jesse Eisenberg (The Social Network)
Diane Lane (Hollywoodland)
Laurence Fishburne (Hannibal)
Jeremy Irons (Lolita)
Holly Hunter (Crash)
Gal Gadot (Fast And Furious 6)
Scoot McNairy (Monsters)
Tao Okamoto (The Wolverine)
Lauren Cohan (The Walking Dead)
Michael Shannon (Boardwalk empire)
Michael Cassidy (Smallville)
Ray Fisher (The Astronaut Wives Club)
Ezra Miller (Trainwreck)
Harry Lennix (Dollhouse)
Joe Morton (Speed)
Jeffrey Dean Morgan (The Losers)
Carla Cugino (Watchmen)
Patrick Wilson (Hard Candy)
Jason Momoa (Stargate Atlantis)
Jena Malone (Saved)
Eighteen months after the destructive attack by General Zod in Metropolis from Man of Steel, Superman has become a controversial figure. Daily Planet journalist Clark Kent, Superman’s alter ego, has moved in with Lois Lane. Bruce Wayne, who has operated in Gotham City as the vigilante “Batman” for nearly two decades, sees Superman as a potential threat to humanity. After learning of Batman’s activities, Superman also views him as a threat, and seeks to stop him via the Daily Planet articles authored by him as Kent.
Wayne learns that Russian weapon-trafficker Anatoli Knyazev has been contacting LexCorp’s mogul Lex Luthor. Meanwhile, Luthor tries to convince Senator June Finch to allow him to import Kryptonite retrieved from the Indian Ocean following the results of Zod’s terraforming attempt, claiming to use it as a “deterrent” against Kryptonians, but she denies the request. He also makes side dealings with Finch’s subordinate and demands access to Zod’s body and the Kryptonian scout ship.
Wayne attends Luthor’s party at LexCorp, where he meets mysterious antiques dealer Diana Prince, and retrieves data from the company’s mainframe. The data drive, however, is stolen by Prince, who later returns it to Wayne after she is unable to decrypt the data. While decrypting the drive at the Batcave, Wayne has a dream of a post-apocalyptic world, where he leads a group of rebels against Superman. He is snapped out of the dream by an unidentified time traveler, who warns him of Lane’s crucial role in the distant future, and urges him to find “the others”. Wayne later realizes that Luthor is not only experimenting with Kryptonite, but also investigating metahumans. One of them is Prince herself, who is an immortal warrior. Wayne admits to Alfred Pennyworth that he plans to steal the Kryptonite to weaponize it, should it become necessary to fight Superman. Batman pursues a convoy carrying the Kryptonite to LexCorp, but Superman interferes and orders him to cease his activities.
Luthor orchestrates a bombing at a congressional hearing where Finch is questioning Superman on the validity of his actions, which have resulted in deaths of civilians. The bomb kills dozens of people, including Finch. Frustrated with failing to save people, Superman goes into self-imposed exile. Batman breaks into LexCorp and steals the Kryptonite, planning to use it to battle Superman by building a powered exoskeleton, and creating a Kryptonite grenade launcher and a Kryptonite-tipped spear. Meanwhile, Luthor enters the Kryptonian ship and learns of its functions, as well as recorded alien worlds.
Luthor kidnaps Martha Kent, Clark’s adoptive mother. He reveals that he has manipulated Superman and Batman by fueling their animosity of each other. Luthor forces Superman to fight and kill Batman in exchange for Martha’s life. Superman tries to reason with Batman, but Batman instigates a fight and ultimately gains the upper hand thanks to the kryptonite grenades. Before Batman can kill Superman with the spear, Superman urges Batman to “save Martha”, whose name is also shared with Wayne’s late mother. Lane arrives and explains the situation, convincing Batman that Superman is not a threat. Upon learning of Luthor’s plan, Batman leaves to rescue Martha, while Superman confronts Luthor on the scout ship.
Surprised at his own defeat, Luthor executes his backup plan, unleashing a genetically-engineered monster with DNA from Zod’s body and his own. However, Diana Prince arrives unexpectedly. Revealing her metahuman nature, she joins forces with them to fight the creature. However, they are soon outmatched by its power, as it is can absorb and redirect energy. Realizing that it is vulnerable to Kryptonite, Superman retrieves the Kryptonite spear and attacks the monster. With Batman and Prince’s help distracting it, Superman impales the creature. As it dies, the creature stabs and kills Superman with one of its bone protrusions.
Luthor is arrested, and while speaking to Batman he gloats that Superman’s death has made the world vulnerable to powerful alien threats. A memorial is held for Superman in Metropolis. Clark is also declared dead and Wayne, Lane, Martha, and Prince attend a private funeral for him in Smallville. Martha gives an envelope to Lane which contains an engagement ring from Clark. After the funeral, Wayne reveals to Prince that he plans to form a team of metahumans, starting with the ones from Luthor’s files, to help protect the world in Superman’s absence. After they leave, a faint heartbeat echoes from Clark’s coffin and the dirt around it begins to levitate.

Once a movie that i was extremely nervous about stepping into, just happened to turn out to be my favorite superhero movie, and probably will for years to come, very interesting aspect of the movie was using the flaws of the first installment of the comic book universe and building upon those mishaps to create a much better and more compelling story. In this Ultimate Edition, there are both Theatrical Version (151 mins, in both 2D and 3D) and the Ultimate Version (extended Cut, 182 mins, only in 2D). I would strongly recommend the Extended Cut, because the extra information is helpful to tie in different events.

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REVIEW: SUPERMAN: RED SON

CAST (VOICES)

David Lodge (Digimon)
Wendee Lee (Masked Rider)
Jim Meskimen (Frost/Nixon)
Cindy Robinson (Sonic Boom)
Kirk Thornton (Ninja Scroll)

In the 1950s, the Soviet Union reveals its newest asset to be Superman. The sudden revelation of a superpowered alien under Soviet control causes panic in the United States, shifting the focus of the Cold War arms race from nuclear weapons to superhumans. CIA agent James Olsen recruits Lex Luthor, a scientist employed by S.T.A.R. Labs, to destroy Superman. Luthor’s first act is to cause Sputnik 2 to plummet towards Metropolis. After Superman diverts the satellite away from the city, Luthor retrieves his genetic material and creates a monstrous clone of Superman whom Lex Luthor officially names Superman 2 when he is unveiled to Olsen.


Meanwhile, Superman meets Wonder Woman at a diplomatic party, and she becomes smitten by him. Pyotr Roslov, the head of the NKVD and Joseph Stalin’s illegitimate son, is angry that Superman has turned his father’s attention away from him and ended his chances of advancement within the Soviet regime. Pyotr shoots a dissident couple in front of their son for printing anti-Superman propaganda. Stalin dies from cyanide poisoning, and Superman initially refuses command of the Communist Party. However, a chance meeting with Lana Lazarenko, his childhood sweetheart, changes his mind. Superman chooses to use his powers for the greater good and turn his country into a utopia.

The U.S. government sends “Superman 2” to engage Superman, and their duel causes an accidental nuclear missile launch in Great Britain. The clone sacrifices itself to save millions. Luthor murders his research staff at S.T.A.R. Labs and founds LuthorCorp, dedicating his life to destroying Superman. By 1978, the United States is on the verge of social collapse whereas the prosperous Soviet Union has peacefully expanded its influence to nearly every corner of the globe. The cost of this progress is an increased infringement on individual liberties, with Superman fast becoming a Big Brother-like figure; a brain surgery technique that turns dissidents into obedient drones, or “Superman Robots”, is in use. Superman now works with Wonder Woman to save lives as well as govern the Soviet state. Wonder Woman has become enamored of Superman, but he considers her simply as a comrade, and is oblivious to her love for him.

Luthor plans to shrink Moscow, but this plan fails when Brainiac, his collaborator, shrinks Stalingrad instead. Superman intervenes and retrieves both Brainiac’s central processing unit and the tiny city, putting an end to the Brainiac-Luthor cooperation. He is unable to restore Stalingrad and its inhabitants to their proper size. This becomes his one failure and a source of great guilt.

Luthor’s third plan involves Batman, who was the boy orphaned by Pyotr. Batman joins forces with LuthorCorp and Pyotr, now head of the KGB. They capture Wonder Woman and use her as bait for Superman, hoping to sap his powers with rays that imitate the light of Superman’s home planet. The plan works, but Superman convinces Wonder Woman to break free of the lasso that she is tied up with and destroy the generators running the lamps emitting the solar rays of Superman’s home planet. She does, severely injuring herself in the process, but the lamps stop running and Superman’s powers return. Scared that Superman was going to lobotomize him and turn him into a robot, Batman kills himself as a martyr to his cause. Pyotr is turned into a Superman robot, and Wonder Woman no longer has feelings for Superman as he shows little to no regard for her injured condition.

Luthor enacts his fourth plan when he finds a mysterious green lantern found in an alien ship that crashed at Roswell, New Mexico. Brainiac is reprogrammed into Superman’s aide, and the construction of a Fortress of Solitude, located in Siberia and referred to as “The Winter Palace”, begins. Superman’s reign continues with no crime, poverty, or unemployment, but with an ever-present state authority. Superman is committed to “winning the argument” with the U.S., and repeatedly refuses Brainiac’s suggestions of an invasion. Stalingrad remains his one failure, now contained within a protective glass “bottle”. The USA elects Luthor and Olsen as President and Vice President. Using his scientific expertise, massive economic capital and dictatorial powers, Luthor returns prosperity to his country. This is only a part of a more general plan to provoke Superman into invading the United States. Luthor shows Olsen two of his greatest discoveries: the Phantom Zone, a place that super-hearing cannot reach; and the Green Lantern Corps.

Luthor confronts Superman in the Winter Palace. Brainiac yanks Luthor deep into the recesses of the Fortress to be converted surgically into a Superman Robot, claiming that Lex would convince Superman to commit suicide in less than fourteen minutes. Superman agrees that his hand has been forced, and prepares to attack. First Lady Lois Luthor visits Paradise Island to forge an alliance with the Amazon empire, now ruled by an embittered and vengeful Wonder Woman. Superman attacks the East Coast, confronting and defeating the Green Lantern Marine Corps, which is led by Colonel Hal Jordan. The Amazon forces, commanded by Wonder Woman, attack Superman but are quickly defeated, along with a collection of “super-menaces” (including Atomic Skull, Parasite and Doomsday) that Luthor has put together over the years. Brainiac’s spaceship cuts the U.S. Pacific fleet to pieces, and the two superbeings meet at the White House. They are greeted by Lois Luthor with the last weapon, a small note written by Lex that reads, “Why don’t you just put the whole world in a bottle, Superman?” Realizing he has meddled in affairs that he had no place in, Superman orders Brainiac to end the invasion. Brainiac, however, reveals it has never been under Superman’s control, and instead attacks Superman with green kryptonite radiation. Brainiac is shut down from inside by Luthor, who evaded surgery. As the singularities powering Brainiac’s ship threaten to collapse, Superman rockets it into space, where it explodes. The Earth is saved, but Superman is apparently dead. The Soviet Union falls into chaos, but is soon brought back under control thanks to the Batmen (resistance members who began wearing the costume after Batman’s death). Lex Luthor integrates many of Superman’s and Brainiac’s ideas into the new philosophy of “Luthorism” and forms a “Global United States”. This becomes the defining moment for mankind’s future as it enters an unprecedented age of peace and stability. A benevolent world government is formed and maintained. Luthor presides over a string of scientific achievements, including the curing of all known disease, and colonization of the solar system. Luthor lives for over one thousand years.

At Luthor’s funeral, it is revealed that Superman survived the explosion of Brainiac’s ship and is apparently immortal. Superman attends the funeral wearing a business suit and thick glasses essentially identical to the appearance of Clark Kent, an identity he never adopted in this timeline. Luthor’s widow, Lois, sees this mysterious figure in the crowd and, other than an eerie sense of deja vu, suspects nothing. Superman walks quietly away from the ceremony, planning to live among humans rather than ruling over them.

Billions of years in the future, Earth is being torn apart by tidal stresses from the sun, which has become a red giant. Luthor’s distant descendant, Jor-L, sends his infant son, Kal-L, rocketing back into the past. The final panels of the comic book depict the landing of Kal-L’s timeship in a Ukrainian collective in 1938, effectively causing a predestination paradox (and, thus, making Superman a descendant of Luthor).

 

Superman Red Son is an animated version of Mark Millar’s graphic novel. The artwork is fantastic and the alternate tale of an infant Superman who crash lands on Earth 12 hours earlier in this Universe and therefore lands in Russia rather than America is just awsome. a Great Motion Comic for DC fans.

REVIEW: SUPERMAN/BATMAN: APOCALYPSE

CAST (VOICES)
Kevin Conroy (Batman: TAS)
Tim Daly (Superman: TAS)
Andre Braugher (The Mist)
Susan Eisenberg (Justice League)
Summer Glau (Firefly)
Julianne Grossman (Spaceballs: TAS)
Edward Asner (Elf)
Tara Strong (Sabrina Goes To Rome)

Weeks after the events that led to Lex Luthor’s arrest, the impeachment of his presidency, and Batman’s success in saving the world from the impact of an arriving meteor, a spaceship lands in Gotham City Harbor. While Batman investigates the sunken craft, a young girl with no knowledge of English or any other human languages emerges from the water and accidentally crashes Batman’s boat. Three longshoremen find her where she attacks two of them in self-defense while the third one just gives up his coat to her in order for her to cover up. She accidentally causes all sorts of havoc with her Kryptonian-like powers until the Dark Knight exposes her to a piece of Kryptonite while Superman gives the blimp that she unknowingly used her heat vision on a water landing.

With Superman’s help, they discover that the girl is Kara Zor-El, the niece of Jor-El and Superman’s biological cousin. While Superman welcomes Kara, teaches her English, and helps her adjust to Earth society, Batman remains suspicious. Tipped off by Batman, Wonder Woman and Lyla ambush Clark Kent and Kara in a park and take Kara to Themyscira, on the basis that only there can she learn to control her powers. Superman reluctantly agrees, but still prefers to watch to Kara himself. Meanwhile on the planet Apokolips, Darkseid learns of Kara’s presence on Earth, and orders Granny Goodness to have her brought to Apokolips as a possible candidate to lead the Female Furies since the departure of Big Barda and the warrior Treasure being a failed candidate.

While Batman and Superman are checking on Kara on Themyscira, Kara was paired up in her training against Artemis. While Kara and Lyla later sneak away for a swim, a horde of Doomsday clones arrive from Apokolips. Superman, Wonder Woman and the Amazonian army fight them for a while until Superman vaporizes all of them with a single blast of his heat vision, but Batman discovers that Kara is missing, and that Darkseid’s Omega Beams have killed Lyla (while trying to prevent Kara’s abduction).

Distraught, Superman vows to avenge her and save Kara. Batman, Superman and Wonder Woman locate and recruit Big Barda to help them find their way on Apokolips. Once there, Superman tears his way to Darkseid’s palace while Wonder Woman and Barda go through the sewers directly into the fighting arena, where Granny Goodness and the Female Furies ambush them. After a long fight, Granny and the Furies are subdued. Batman, meanwhile, makes his way underground and finds the Hell Spores, the source of the fire pits on Apokolips, and activates them.

Superman encounters Darkseid, who sets the brainwashed Kara on him. Kara pummels Superman while Darkseid watches, until Batman confronts Darkseid and informs him that he has activated the Hell Spores, all of which will destroy Apokolips. He issues Darkseid an ultimatum: free Kara and promise to leave her alone and Batman will deactivate the Spores. Intrigued, Darkseid admits his admiration for Batman’s tactics. Acknowledging that neither Superman nor Wonder Woman has the “strength of character” to destroy an entire planet, Darkseid relents. Superman manages to defeat Kara and Barda and Wonder Woman present Darkseid with the subdued Granny. Defeated, Darkseid allows them to leave Apokolips. Back on Themyscira, a funeral is held for Lyra as Kara pays her respects.

With their lives normal again, Clark decides to take Kara to meet his adoptive parents in Smallville. However, Darkseid, who was waiting to kill Superman, ambushes them: he had promised to leave Kara alone, but not Superman or Earth. Darkseid’s Omega Beams blast Superman into orbit, leaving Kara to face the tyrant herself. A lengthy battle ensues with Kara (having received both Amazonian and Apokoliptian training) putting up a respectable fight, but Darkseid eventually overpowers her. Superman recovers and returns to Earth to confront Darkseid again. He gains the upper hand and pummels Darkseid using a combination of punches and heat vision at super speed. Darkseid grabs Superman and begins attacking him with Omega Beams. As Superman’s skin starts to glow red hot from the assault, Kara uses Darkseid’s Mother Box to activate a Boom Tube behind Darkseid. Superman uses the momentary distraction to his advantage and pushes Darkseid through. While Superman anticipates Darkseid’s eventual return from Apokolips, Kara informs him that she changed the coordinates to a random spot in space, leaving Darkseid floating around frozen in ice.

Having saved her cousin’s life and found her place on Earth, Kara decides to use her powers to fight for altruism under the alias of Supergirl. She is met with applause by Wonder Woman, the Amazons, and, finally, Batman. Superman and Supergirl then fly off to Metropolis.

I hugely enjoyed Superman/Batman: Apocalypse, besides of the screenplay, the characters and the awesome action scenes.Bringing in Summer Glau as Supergirl was a masterstroke she is brilliant voicing the character and makes you feel for her.

REVIEW: SUPERMAN DOOMSDAY

CAST
Adam Baldwin (Chuck)
Anne Heche (Spread)
James Marsters (Smallville)
John DiMaggio (Futurama)
Tom Kenny (The Batman)
Swoosie Kurtz (Mike & Molly)
Cree Summer (Inspector Gadget)
Ray Wise (Robocop)
Adam Wylie (The Smurfs 2)
Chris Cox (Ted)
James Arnold Taylor (Star Wars: The Clone Wars)
Townsend Coleman (Batman: The Dark Knight Returns)
Kimberly Brooks (Justice League War)
Kevin Smith (Clerks)

Though not an outright adaptation of the “Death of Superman” comic story arc, this film(the first of Warner Premiere’s direct to video animated movies) does borrow a number of elements from there but ends up carving out its own unique storyline. The PG-13 violence is slightly more brutal than that seen in Justice League Unlimited or the Marvel Animated “Ultimate Avengers”. Where the animation excels in a high frame rate leading to smooth character actions, scene transitions and fight scenes, the level of art detail is painfully low. The artwork in this film is more detailed than in previous DC animated TV series.

From the start, we get into this new portrayal of Lex Luthor. Here he is not a madman obsessed with world domination or a underhanded business mogul. He is a genius who feels threatened by a Superior adversary, Superman. His obsession with defeating the man of steel is not so much because Superman keeps thwarting Luthor’s plans or to be rid of a nuisance. Rather, Luthor just wants to reaffirm his own superiority, that he is the “best of the best”, hence why only he deserves to take down Superman. We also get to see a deep budding romance between Superman and Lois Lane; very well developed love story there that only makes the loss that comes later, all the more tragic.

From there, the second act is where the film truly shines. We get to see how the characters react to his death. Many heart wrenching scenes include Martha Kent having to mourn the death of her son in secret;the son that nobody knows is hers, to Lois Lane’s tough and strong willed exterior finally crumbling into a sense of utter loss. The emotional impact is very clear on the people of Metropolis and translate very well to the viewers. The portrayal of events that take place following Superman’s death is just so believable, with rampant riots and soaring crime rates. Even Lex Luthor is emotionally torn; having been cheated of his dream, and Superman’s robot butler sinks into sorrow as well, having lost the one thing in his existence that gave his existence purpose. A number of good underlying themes such as human psychological nature in dealing with a loss, the question of purpose and shattered hope. The 3rd act is about Supermans Resurrection and the clone Luthor creates.. The theme especially of Superman’s conflicting views on justice and morality, embodied by a very creepy dialogue between him and another Superman, stands out as one of the high points of the act. It is almost as if the entire fight is actually a metaphor for Superman wrestling against himself; his inner doubt and his fears.

Overall, this movie is a very well crafted piece of work. As an adaptation of “Death of Superman”, this film strays very far from the source,  But viewed as a separate piece of work altogether, it allows this movie to truly shine.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1-2

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CAST (VOICES)

Kevin Conroy (Batman: The Killing Joke)
George Newbern (Superman/Shazam)
Susan Eisenberg (Justice League: Doom)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals Barrera (Camp Rock)

Image result for justice league unlimitedRECURRING / NOTABLE GUEST CAST

Kin Shriner (Manhunter)
Nicholle Tom (Gotham)
Dana Delaney (Desperate Housewives)
Mike Farrell (Vanishing Act)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Fanboys)
Dakota Fanning (Taken)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Edward Asner (Elf)
Patrick Bauchau (Panic Room)
Michael York (Logans Run)
Charles Napier (The Silence of The Lambs)
Robert Foxworth (Syriana)
Cree Summer (Batman Beyond)
Billy West (Futurama)
Jeremy Piven (Mr. Selfridge)
Lori Loughlin (Full House)
Robert Picardo (Stargate: Atlantis)
Clancy Brown (Highlander)
John C. McGinley (Highlander II)
Will Friedle (Batman Beyond)
Oded Fehr (The Mummy)
CCH Pounder (Avatar)
Grey DeLisle (The Replacements)
J.K. Simmons (Whiplash)
Michael Beach (The Abyss)
Gina Torres (Firefly)
Ben Browder (Farscape)
Peter MacNicol (Ghostbusters 2)
Adam Baldwin (Chuck)
Nestor Carbonell (The Dark Knight)
Melissa Joan Hart (Sabrina: TTW)
Denis Farina (Get Shorty)
Virginia Maden (Sideways)
Morena Baccarin (Gotham)
Ioan Grufford (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: DS9)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Star Trek: DS9)
Juliet Landau (Buffy)
Alan Rachins (Showgirls)
Robert Englund (A Nightmare On Elm Street)
Jason Bateman (The Ex)
Glenn Shadix (Beetlejuice)
Jerry O’Connell (Sliders)
Nathan Fillion (Slither)
Elizabeth Pena (The Incredibles)
Hector Elizondo (The Princess Diaries)
Jeffrey Combs (Gotham)
Amy Acker (The Cabin In The Woods)
Robert Forster (Dragon Wars)
Lauren Tom (Futurama)
Powers Boothe (Agents of SHIELD)
Seymour Cassel (Rushmore)
James Remar (Flashforward)
John DiMaggio (Futurama)
Malcolm McDowell (Heroes)
Ron Perlman (Hellboy)
Alexis Denisof (Dollhouse)
Mark Hamill (Star Wars)
David Ogden Stiers (Two Guys and a Girl)
Sab Shimono (Teenage Mutant Ninja Turtles 3)
Ted Levine (The Silence of The Lambs)
Michael Ironside (Total Recall)
Daniel Dae Kim (Lost)

The first two seasons of Justice League were fantastic. Packed with action, humor and great storytelling the world of DC’s heroes came to life thanks to the collaborative efforts of the folks behind the rest of Warner Brothers’ successful cartoons. The show focused on the adventures of Superman, Batman, Green Lantern, Wonder Woman, Flash, Hawkgirl and J’onn (the Martian Manhunter). They spent most of their time fighting established villains and trying to save the world from impending doom as you’d expect. When Justice League Unlimited (the show’s sequel series) was released it shook up the formula a bit and quite frankly, really felt like a new show.


The reason behind this different atmosphere was the change in the cast. The main seven characters were still kicking around but their ranks had swelled since the end of the original series. The basic premise was that the Justice League felt they could do better with more members. Many hands make light work and all that. Therefore anyone with superpowers that could do some good was offered a spot on the team.

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Not every character gets their chance in the spotlight but it certainly fleshed out the show with some of DC’s more obscure characters. Most of these episodes focus on the original characters though many of the rookies become involved in the storytelling. Being a longtime comic book fan, seeing more of these characters was definitely a thrill. Getting Green Arrow added to the ranks was probably the best addition to the show in my opinion, but Supergirl, Booster Gold, Captain Atom, Black Canary and The Question definitely helped round things out. In all more characters were added to the series than the show actually featured so you can imagine the insanity that ensues. Many of these characters do get washed out thanks to the lack of coverage, but it’s not handled to the point that they become obscure or disrupt the quality of the show.

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There  are several episodes that made an impression on me. “Fearful Symmetry” was a very solid story that told a tale about Supergirl and really fleshed out her character. In it she is basically cloned and begins to have dreams that mirror the actions of her sinister clone. Green Arrow and Question get involved in order to help her out and we got to see some interesting facets of the DC Universe.


For my money “The Greatest Story Never Told” was probably my favorite episode. It doesn’t have a lot to do with anything and it’s a fairly weak story but it features Booster Gold as its main character. In case you are unfamiliar with Booster he’s basically a smartass guy from the 25th century who travels back in time for fame and fortune. He’s accompanied by a wisecracking robot named Skeets and finds himself not feeling the love from his other JLU teammates. In this episode he’s given the noble duty of crowd control while the League fights to save the world. There’s nothing particularly great about the story it’s just that I love Booster’s character and quite honestly, this episode was hilarious all around.
“Kid Stuff” was another fun episode that featured Morgan la Fey’s son getting his prissy little hands on a powerful amulet. The item makes him more powerful than his mother and he casts a spell that sends all adults to another dimension. In order to set things right Morgan turns Batman, Superman, Wonder Woman and Green Lantern into kids so they can once again enter the world. As their younger selves the heroes start to let their juvenile side out and it’s funny to see Batman and Wonder Woman banter as if they were childhood sweethearts.

Overall Justice League Unlimited was a great show.  Any comic book fan, or viewer who enjoyed Timm’s other series, definitely owes it to themselves to check this set out. This release offers 26 episodes.


Unfortunately, as with all good things, Justice League Unlimited came to end. The show was cancelled before its time but luckily the crew was able to eek out another thirteen episodes before it went off the air. This season’s collection of superhero antics follows an episodic pattern but keeps an ongoing plot bubbling beneath the surface. The two-part adventures from the earlier sessions of Justice League went away with this season but the fact that characters reference previous episodes helps to keep everything connected.

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In the first episode of the final season of Unlimited Lex Luthor is on the run from the law after breaking out of jail. The affects of being joined with Brainiac are still being felt by him and throughout the episode you’ll often see Luthor talk to himself because he sees Brainiac standing next to him. When Gorilla Grodd offers Luthor a piece of Brainiac old baldy finds it hard to resist. He agrees to join Grodd’s Legion of Doom and work together with fellow supervillains to take down the Justice League. This set up continues throughout the season and you’ll find bits and pieces of it in each of the thirteen episodes.

In the second episode of this season the shadow of the Thanagarian conflict lingers as an archaeologist discovers something an Egypt. Shayera (Hawkgirl) is lured there by Carter Hall who tries to convince her that he is Hawkman. This was a nice throwback to the prior season and early Hawkman comic books but was certainly not the best episode in the set.

One of my favorite episodes from his collection easily has to be “Flash and Substance”. Four villains from Flash’s past team up to take down the red blur and they plan on doing it on the opening night of his new museum. Batman and Orion tag along with Flash in order to ensure that he’s ok. The writing in this particular episode was easily the funniest that Justice League ever produced. I particularly enjoyed the villains all sitting around the table at a dive bar talking about making their mortgage payments and whatnot.


Anyone who has ever considered themselves to be a comic book fan at some point in their lives will find something to love about Justice League Unlimited. From the very first season through the last of Unlimited the series offered quality unlike any other. This is a definitive comic book cartoon and stands shoulder to shoulder with WB’s Superman and Batman animated adventures. If you have been collecting the show to date then you’ll be pleased to know that the thirteen episodes featured here are as good, if not better in some cases, as what came before it.

REVIEW: JUSTICE LEAGUE – SEASON 1-2

Image result for JUSTICE LEAGUE  TV LOGO CAST (VOICES)

Kevin Conroy (Batman: The KIlling Joke)
George Newbern (Superman/Shazam)
Susan Eisenberg (Justice League: Doom)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals Barrera (Camp Rock)

Image result for JUSTICE LEAGUE   CARTOONRECURRING / NOTABLE GUEST CAST

Gary Cole (Chuck)
Susan Sullivan (The Incredible Hulk 70s)
Corey Burton (Critters)
Jason Marsden (Full House)
Kevin Michael Richardson (The Cleveland Show)
Rene Auberjonois (Stargate SG.1)
Garrett Morris (New Girl)
Kurtwood Smith (That 70s Show)
Brian George (The Big Bang Theory)
Dennis Haysbert (24)
Scott Rummell (Rugrats)
Xander Berkeley (Kick-Ass)
John Rhys-Davis (Lord of The Rings)
Robert Englund (A Nightmare On Elm Street)
Eric Roberts (The Dark Knight)
William Smith (Conan The Barbarian)
Virginia Madsen (Sideways)
David Ogden Stiers (Two Guys and a Girl)
Powers Boothe (Agents of SHIELD)
Julie Bowen (Lost)
Olivia d’Abo (Conan The Destroyer)
Mark Hamill (Star Wars)
Stephen McHattie (300)
Jeffrey Jones (Howard The Duck)
Michael McKean (This Is Spinal Tap)
Ian Buchanan (Panic Room)
Pam Grier (Jackie Brown)
Tom Sizemore (Heat)
Danica McKellar (Young Justice)
Earl Boen (The Terminator)
Richard Moll (Scary Movie 2)
Dee Bradley Baker (American Dad)
Phil Morris (Smallville)
Patrick Duffy (Dallas)
Robert Picardo (Stargate: Atlantis)
Ted Levine (The Silence of The Lambs)
Michael Ironside (Total Recall)
Ron Perlman (Hellboy)
Michael Dorn (Ted 2)
Tara Strong (Sabrina Down Under)
William Atherton (Die Hard)
Fairuza Balk (Almost Famous)
Peri Gilpin (Frasier)
Dany Delany (Superman: TAS)
Larry Drake (Firefly)
Keith David (The Cape)
Michael Jai white (Arrow)
Brian Doyle Murray (Wayne’s World)
Lauren Tom (Futurama)
Lukas Haas (Inception)
Tracey Walter (Batman)
Enrico Colantoni (Veronica Mars)
Oded Fehr (The Mummy)
Rob Zombie (Super)
Efrem Zimbalist Jr. (Hot Shots)
Arleen Sorkin Duet)
Khary Payton (Teen Titans)
Greg Cipes (Teenage Mutant Ninja Turtles 2012)
Scott Menville (Frozen)
Hynden Walch (The Batman)
Hector Elizondo (The Princess Diaries)
Elizabeth Pena (The Incredibles)

When it comes to comic book related cartoons there are several that have gained mainstream popularity over the years. From Spider-Man to X-Men or Batman to Superman, DC and Marvel have been fighting it out through animation for some time now. One could argue when Bruce Timm brought his talents to the Batman series DC struck gold and they have been on a roll since.

For over a decade Batman and Superman have been mainstays in the world of cartoons thanks to Timm. His unique design breathed new life into the shows that he produced and brought Batman Beyond and Justice League into the spotlight as well. While Batman Beyond may be the most original concept, the Justice League has technically been around since the 60s. There have been many incarnations of the superhero group over the years, though this one feels modern yet somewhat closer to original JLA. Superman, Wonder Woman, Batman, Hawkgirl, Flash, J’onn (Martian Manhunter), and the Green Lantern (John Stewart not Hal Jordan) all come together to form this new team.

If you have been a fan of the previous DC cartoons and haven’t checked this one out then you’ll want to pay attention. Just about everybody from the run that started over 10 years ago is contributing to the Justice League. That’s a lot of consistency and means that if Batman sounds familiar to you when you hear him it’s because Kevin Conroy is still his voice.

As is the case with a lot of productions of this nature you really need to have some basic understanding of what’s going on in order to really appreciate it. In fact a lot of what goes on this season is based on the assumption that the viewer knows certain characters and histories involved with them. Unlike Batman Beyond which basically built its world from scratch, the Justice League tiptoes the type of line that could have fanboys throwing their arms up in frustration. Fortunately even though this first season is a little more action-oriented and oddly paced, it is very successful.

Since there are so many characters and most of them are familiar the series takes its time introducing them to us. This means that character specific episodes are in the mix here but some of the League’s personalities don’t get fleshed out as the season progresses. Most of the attention seems to be paid to Green Lantern, Hawk Girl, Wonder Woman, and J’onn. That’s not to say that Flash, Superman, and Batman don’t get their fair amount of screen time. It’s just difficult to find a perfect balance with so many heroes to focus on. While there isn’t a lot of continuity within the episodes that are featured here the episodes themselves are like mini-arcs. Each story in the first season is split up between two or three episodes. This gives the plot more room to develop and doubles the run time. For the most part each episode in the first season here is pretty good.


Some of my favorite episodes were “The Enemy Below”, “In Blackest Night”, “Metamorphosis”, and “The Savage Time”. In “The Enemy Below” Aquaman’s character is introduced with a plot that involves Atlantis destroying the surface civilization. I always liked Aquaman and the way that he’s portrayed in this episode showcased the strength of his determination. “In Blackest Night” was enjoyable as well and featured Green Lantern being put on trial for the destruction of a planet. Probably the biggest treat for me in this season was “A Knight with Shadows”. In the DC universe The Demon (Etrigan) always struck me as one of the most interesting side characters because of the ties to Arthurian legend. Imagine my surprise when Etrigan and his human form Jason Blood show up muttering about the villainess Morgan le Fay. She’s looking for the Philosopher’s Stone and the Justice League joins Etrigan in an effort to stop her.

The dialogue was much better in the second season as well with more fluid storytelling and greater character interactions. Yes, the creators, actors and writers finally hit their stride with this season and there’s nothing to complain about. These episodes are bigger and bolder than the previous ones. More risks were taken with the storytelling and the franchise tapped into the vast pool of DC resources. The result is a collection of the best that Timm and company have had to offer over the years and something that comic book fans shouldn’t be without.

The way that Justice League tells its tales is in the form of two part episodes instead of stand alone adventures. The first season did the same thing and quite honestly it adds a certain amount of quality to the manner in which the story unfolds. With roughly 45 minutes to bring a plot from point A to B instead of 22 minutes things are allowed more time to flesh out and develop. Sometimes past events even come back so don’t be surprised if you see some things that are referenced to an episode in the first season. In the second season there are quite a few stories worth mentioning because they are simply amazing.

One of my favorite story arcs from this season is one called “Tabula Rasa”. In it the League sends Luthor packing but during his flight he stumbles across an android called AMAZO. It’s a cheesy name for sure, but once AMAZO’s powers are revealed he takes on a life of his own and becomes one of the greatest challenges that the JL has ever faced. His ability is to analyze and mimic the powers of anyone that he comes in contact with. As he squares off against Hawkgirl, Green Lantern, Wonder Woman, Flash, J’onn and eventually Superman he just gets stronger and stronger. The battle not only threatens to destroy Metropolis but the League as well when things get out of control.

“Only in a Dream” was cool because it showed that without Batman the League would probably have been defeated long before now. It’s just ironic that despite all of the super powers that they possess it’s up to Bruce Wayne and his utility belt of toys to save the day. In this particular episode an inmate becomes imbued with psychic powers and can enter people’s dreams. One by one the League falls under his spell and are left in a catatonic state. Batman and J’onn have to team up to take down the bad guy and bring his victims out of their dreamland.

My second favorite adventure in this set has to be “A Better World”. The story starts out in typical fashion with Superman and company taking down Luthor. The twist here is that Luthor is the president and Superman crosses the line between Boyscout and murderer. Two years later the Justice Lords dominate Earth and keep humanity in check to save them from themselves. The super dictatorship seems to be going well and good until the alternative Batman discovers a universe where our Justice League lives. Evil Batman and company capture our heroes and set out to take over their world. The most definitive moment from this episode is when Doomsday comes to town. You’ll remember him as the guy that “killed” Superman in the comic books. Well, the Justice Lord Superman isn’t going to put up with that so when the fight doesn’t go as planned he simply lobotomizes Doomsday and takes him out of the picture completely. This plotline has everything you could ever want from a comic book standpoint and really makes the what if scenario shine.

Several other episodes like “The Terror Beyond”, “Hereafter” and “Wildcards” all prove to be just as exciting though the crown jewel is probably the three part story that ends the season: “Starcrossed”. The hawkpeople from Thanagar arrive on Earth and destroy a Gordanian battleship. They bring news of an impending invasion and form an alliance with Earth to construct a force field to save the planet. It is revealed that Hawkgirl has been a spy for her people all along and is actually betrothed to a high ranking officer. In the meantime Batman discovers that the Gordanian’s aren’t actually attacking Earth and that the invasion was in fact being conducted by the people of Thanagar. The League has to battle for their planet and Shayera Hol (Hawkgirl) has to figure out which side of the fence she is on. This was the perfect way to end this great season and leaves things open for Justice League Unlimited.

To say the second season of Justice League was better than the first would be a gross understatement. Everything in the show was improved for the second year and that was mostly thanks to the big risks taken by the creators. They thought bigger and out of the box and it shows once you finish watching the end result.