REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

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REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

REVIEW: SPIDER-MAN AND HIS AMAZING FRIENDS – SEASON 1-3

 

CAST (VOICES)

Dan Gilvezan (Transformers)
Kathy Garver (Family Affair)
Frank Welker (The Simpsons)
Stan Lee (Avengers Assemble)
Dick Tufeld (Lost In Space)
June Foray (Mulan)
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RECURRING / NOTABLE GUEST CAST

Rino Roamno (The Batman)
Alan Young (The Time Machine)
Michael Ansara (Batman: TAS)
Michael Bell (Rugrats)
Peter Cullen (Transformers)

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Spider-Man, Iceman, and Firestar are fighting crime and protecting the world from villains. As Peter Parker, Bobby Drake, and Angelica Jones, the three heroes are not only teammates, but roommates and friends. As they try to keep Aunt May and Angelica’s dog Ms. Lion in the dark, the Spider-Friends battle enemies from Doctor Octopus and Doctor Doom to Green Goblin and the Red Skull. Fortunately, the Spider-Man, Firestar, and Iceman have allies in Captain America, the X-Men, and other heroes…saving the world is a hard job!

Image result for SPIDER-MAN AND HIS AMAZING FRIENDSSpider-Man and His Amazing Friends ran for three seasons on NBC from September 12, 1981 to September 10, 1983. The series was produced by Marvel Productions and aired with The Incredible Hulk cartoon starting with the second season. Saturday mornings was ruled by the Super Friends. DC Comics had gotten the jump on the super team show and Batman, Superman, Wonder Woman, and the Wonder Twins were already well established when Spider-Man and His Amazing Friends premiered. Despite that,

The series was cheap. There are episodes where there are out and out mistakes (my favorite is “The Origin of Iceman” where a flashback of Iceman’s time with the original X-Men accidentally features two Cyclops in a group shot). You get lots of coloring errors and animation that changes. In addition to that, there are inconsistencies and things like just unknowns about the series…like Wolverine having an Australian accent instead of a Canadian (which would have been a lot easier for Hugh Jackman). It even stole character designs like for Cyberiad in “The X-Men Adventure” who was a complete copy of Legion of Super-Heroes’ Fatal Five enemy Tharok. Surprisingly, the show is loaded with cameos. Characters like  Matt Murdock, Captain America, Iron Man, and others make cameos throughout the series and the series helped introduce the X-Men to a larger audience.

I would say that the best addition to the Marvel Universe from Spider-Man and His Amazing Friends is easily Firestar. Firestar was meant to be the Human Torch who was tied up in legal tape. Firestar was created for the show to look like Mary Jane Watson, but ended up being retconned into the Marvel Universe in Uncanny X-Men #193 (May 1985). I love Firestar and she’s one of the few characters who really transitioned well from “made-for-TV” to comic. pider-Man and His Amazing Friends is a fun series…if you grew up with it. The cheapness of the series probably won’t impress younger viewers, but as a fan from childhood, it is great to revisit the show.

REVIEW: SPIDER-MAN (1981)

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CAST (VOICES)

Ted Schwartz (Transformers)
William Woodson (The Naked Gun 2 1/2)
Mona Marshall (South Park)
Linda Gary (He-Man)
Stan Jones (Little Shop of Horrors)

UntitledWhen I sat down to watch Spider-Man 5000 I was expecting some futuristic Batman Of The Future-type deal, with Spidey zooming into space decked out in weblined silver, led by a computerised spider-sense. In fact, the 5000 refers to an episode numbering system, not a time period. This 1981 animated series is set straight after the ‘60s Spider-Man show, with Peter Parker now attending Empire State University. The villains are contemporary and familiar – The Lizard, Sandman, Dr. Octopus.

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The series does a great job of capturing the ethos of the comic book. Peter Parker is a teenager juggling his love life with work and webswinging. Aunt May fusses over him and there’s a running gag about him slipping into the house without her noticing. Peter’s impatient date Betty Brant gets stood up on a regular basis. Spider-Man’s quips and interior monologues ring true. For example, he calls Magneto “Bucket Head” and “Turret Top”.The series adds its own quirks as well. Peter acts clumsy and cowardly a la Clark Kent. We learn that he prefers The Beatles to disco music, can make armpit web wings to glide from buildings, and isn’t above taking money to guard a million dollar artifact. These all come across more as plot devices than attempts to develop character or build continuity.

Spider-Man 5000 retains the child-friendly, uncluttered look of the ‘60s show but adds texture to its art and storytelling. There are detailed touches like the underwater ripples when Spidey treads water, and sight gags such as a billboard for Spritz Bug Spray. In each 20 minute tale, the hero has time to discover the villain’s plan, get knocked down and get back up again for a rousing finale. The villains come across as greedy, bellowing buffoons who thrive on thievery rather than any grand master plans. Even the Black Cat is a plain burglar here, more Catwoman than Felicia Hardy. This being the early ‘80s, Spider-Man relies on the miracle power of microwaves on more than one occasion to battle the bad guys. Who knew that those reheating waves could turn sand to dust and amplify magnetic power, bouncing it back to its source?  Spidey isn’t the only character who harnesses technology in unusual ways. In the first episode Bubble, Bubble, Oil And Trouble, classic villain Doctor Octopus modifies his terrible tentacles, adding a diamond sawblade and a vibrator. That’s a sonic quartz vibrator, which zaps walls to rubble around Spider-Man. Ock wants to get his protuberances on the world’s oil supply, but before he can thwart the tanker snatcher Peter has to do his homework and compete with rival photographer Mortimer (J. Jonah Jameson’s wonderfully sniveling nephew).16174889_1836004673347908_6687458020023952722_nIn Dr. Doom, Master Of The World, the Latverian dictator forgoes a typical destructive scheme for something more polite. He brainwashes UN representatives so they’ll vote him into absolute power. Questionable tactics aside, this is the Doom we all want to see – creepy and menacing with a Darth Vader voice. Sadly, he’s defeated too easily and he just runs away at the end. Above all, 5000 has some great visual ideas even if they’re not always executed effectively. They’re the kind of ideas that get kids talking in the playground, looking forward to their next Saturday morning episode. We get Doc Ock striding over the skyline with his tentacles extended, The Lizard breeding giant monitors and other zoo lizards in the subway, blocking off the exits with crashed trains, the Black Cat tightrope walking across power lines, and Spidey wrestling a gator in the Everglades, getting magnetized to a satellite and finding himself in other imaginative scrapes.

On the downside, true believers have been up in all eight arms about the transfer quality of these discs. Clear Vision blames it on the age of the material, but the color isn’t so much faded as flickering, as if an old digital generation has been used as the source footage. Cleaning up video frames can be painstaking, but if Clear Vision wants a loyal fan base then it’s going to have to put more work into the other volumes in this series. If you don’t mind the bad flicker and odd black and white frames, this early Marvel Production will surprise you with its joie de vivre, if not its sophistication. As the missing link between the original cartoon and Spider-Man And His Amazing Friends, this is a rare gem.

REVIEW: NEXT AVENGERS: HEROES OF TOMORROW

CAST (VOICES)

Noah Crawford (My Name Is Earl)
Brenna O’Brien (X-men: The Last Stand)
Aidan Drummond (The Collector)
Dempsey Pappion (La La Land)
Adrian Petriw (Iron Man: Armored Adventures)
Tom Kane (Star wars: The Clone Wars)
Fred Tatasciore (9)
Shawn Macdonald (Grave Encounters)
Michael Adamthwaite (Stargate SG.1)
Nicole Olvier (Sausage Party)
Ken Kramer (Little Man)

A battle with Ultron leaves the Avengers defeated, as most of the heroes were killed during the fight, and the world at the mercy of Ultron’s machine army. Captain America tells Iron Man to take the Avengers’ children to a fortified refuge hidden above the Arctic Circle so they’ll be safe from Ultron. The children are James Rogers, the son of Black Widow and Captain America; Henry Pym Jr., the son of Giant-Man and Wasp; Azari, the son of Black Panther and Storm; and Torunn, the daughter of the absent Thor and Sif.
Stark secretly raises and trains the children for over twelve years. One day, The Vision arrives at the refuge after hiding for over a decade from Ultron. He has come to inform Stark that Clint Barton’s son is alive. while the curious children are eavesdropping on Stark and the Vision, James accidentally activates a series of Iron Man-style robots, called the Iron Avengers, that mimic the looks and abilities of Captain America, Hawkeye, Black Panther, Thor, Black Widow and Giant Man. Because they are programmed to defeat Ultron upon activation, they take off to do so, whereupon they are detected by Ultron’s worldwide sensors, revealing the location of the refuge. Ultron then reprograms the Iron Avenger robots to follow his commands, proceeds to the refuge and invades it. Stark, now suited up as Iron Man, stalls Ultron long enough for the children to escape on the Quinjet, but he is eventually subdued and captured. The Vision has them set on a course to the Savage Land, but while the robot is recharging, Pym changes their course to go to Ultra City to rescue Stark, the four young Avengers fight off the city’s security robots and the Iron Avengers. Francis Barton, son of Hawkeye and Mockingbird, helps the kids escape from the Iron Avengers. They decide to team up with the new Hawkeye, and his group of resistance fighters, called the Scavengers, to rescue their guardian. The four infiltrate Ultron’s citadel to save Stark and discover Ultron’s “trophy room”, showcasing his defeat of the original Avengers and countless heroes. The young Avengers locate Stark, but discover that is actually one of Ultron’s traps. After battling the Iron Avengers, the young Avengers and Stark manage to escape. They, along with an older Betty Ross, head to find Bruce Banner. In an effort to submerge the Hulk, Banner has decided to hide out in the desert and keep away from other people for their own safety. After Banner refuses to help them, James comes up a plan to lure Ultron there so he can cause the Hulk to appear and destroy the robot. Torrun recovers her sword after calling for her father for strength. The Iron Avengers arrive and target their younger counterparts. Francis disarms Iron Hawkeye, but the robot simply makes another bow. Iron Giant Man makes Tony fall down a cliff, and James catches him. Pym battles Iron Giant Man while Azari battles the Iron Black Panther. James Rogers’ energy shield device gets destroyed during the battle, so he takes the star shield from Iron Captain America. When Pym knocks down Iron Giant Man, the robot releases Iron Wasps to attack him. James tells to try to awaken the Hulk by somehow making Banner angry. Pym escapes the Iron Wasps and apologetically starts attacking Banner, finally turns into the Hulk and defeats Iron Giant Man and the Iron Wasps. While the young Avengers finish off the Iron Avengers, Ultron attacks the Hulk and defeats him. Ultron attacks the young Avengers, nearly killing them. However, Pym revives the Hulk by making him even angrier against Ultron. The Hulk destroys Ultron, ripping him in two. Then, in a fit of rage, the Hulk begins to turn on Pym, but is subdued by Betty. Finally, to stop Ultron from rebuilding himself, Torrun takes the two halves into space and throws away. She nearly suffocates and freezes in the process, but she is rescued when her father, Thor arrives and explains why he left her on Earth. Thor invites Torunn to join him in Asgard, but Torunn chooses instead to return to her family on Earth. As a parting gift, Thor sends her back to Earth in full Asgardian armor.  With Ultron finally defeated, the five young Avengers prepare to return to Ultra City, to deal with Ultron’s remaining forces and rescue the populace.Next Avengers was an enjoyable movie with themes that are easy to relate to and can be watched by anyone. One of the best Marvel animated films.

 

 

 

 

 

REVIEW: THE INCREDIBLE HULK (1996)

CAST
Lou Ferrigno (Scorpion King 4)
Neal McDonough (Arrow0
Genie Francis (Roswell)
John Vernon (Batman: TAS)
Luke Perry (The Fifth Element)

RECURRING / NOTABLE GUEST CAST
Matt Frewer (Taken)
Mark Hamill (Star wars)
Thom Barry (Cold Case)
Doran Harewood (Earth: Final Conflict)
Clancy Brown (Highlander)
John Rhys-Davies (Lord of The Rings)
Michael Horse (Roswell)
Cree Summer (Inspector Gadget)
Lisa Zane (Freddy’s Dead)
Richard Moll (Scary Movie 2)
Simon Templeman (The Neighbors)
Dawnn Lewis (Futurama)

The 1996 Hulk cartoon started off great, the stories remained focused on the green savage Hulk, the army chasing the hulk, and Banner’s relationship with Betty Ross. The art style is pretty good but the animation is jerky which means it has a low frame rate. The 1982 Hulk cartoon had better art and animation. The second season introduced the Grey Hulk and She-Hulk which quickly turned this cartoon to garbage. I never liked the grey Hulk in the comics and I stop buying Hulk comics in the late 1980s because of it. The grey hulk wasn’t savage and talked way too much. The Hulk is supposed to be a brute savage, the extreme opposite of Banner’s personality and to hear the Hulk talk like he has a college education just doesn’t work.

The She-Hulk should have only appeared in one episode. The writers somehow got the impression that the Hulk couldn’t carry a show by himself (even though he carried a comic series by himself for thirty years). So they rename the show “The Hulk and She-Hulk”… big mistake. She-Hulk has the same problem the grey Hulk has, she talks way too much and gets too much screen time. A better idea (maybe) would have been to have a spin off cartoon for She-Hulk. Anyway watch the first season episodes and forget the rest.

 

REVIEW: FANTASTIC FOUR (2015)

CAST
Miles Teller (Divergent)
Michael B. Jordan (Creed)
Kate Mara (Iron Man 2)
Jamie Bell (King Kong)
Toby Kebbell (Dawn of The Planet of The Apes)
Reg E.Cathey (Seven)
Tim Blake Nelson (The Incredible Hulk)
Dan Castellaneta (The Simpsons)
Friends Reed Richards and Ben Grimm have worked together on a prototype teleporter since childhood, eventually attracting the attention of Professor Franklin Storm, director of the Baxter Foundation, a government-sponsored research institute for young prodigies. Reed is recruited to join them and aid Storm’s children, scientist Sue Storm and the somewhat reckless technician Johnny Storm, into completing a “Quantum Gate” designed by Storm’s wayward protégé, Victor von Doom, who begrudgingly agrees to help due to his unrequited feelings for Sue.
The experiment is successful, and the facility’s supervisor, Dr. Allen, plans to send a group from NASA to venture into a parallel dimension known as “Planet Zero”. Disappointed at being denied the chance to join the expedition, Reed, Johnny, and Victor along with Ben use the Quantum Gate to embark on an unsanctioned voyage to Planet Zero, which they learn is a world filled with otherworldly substances. Victor attempts to touch the green-lava like substance, causing the surface they are on to collapse and the ground to erupt. Reed, Johnny, and Ben return to their shuttle just as Sue brings them back to Earth. Victor is left behind after he falls into the collapsing landscape. The machine explodes, altering Reed, Sue, Johnny, and Ben on a molecular-genetic level, affording them superhuman conditions and abilities beyond their control: Reed can stretch like rubber, Sue can become invisible and generate force fields of energy, Johnny can engulf his entire body in flames and fly, and Ben becomes bigger and develops a rock-like hide which gives him enhanced strength and durability. They are then placed in government custody and confinement to be studied and have their conditions and abilities tested. Blaming himself for the accident, Reed escapes from the facility and tries to find a cure for their changes.
One year later, Reed is now a fugitive and has built a suit that is able to adapt to his body’s plasticity and also helps him control his ability. Hiding in Central America, he is eventually found by the United States military with Sue’s help and captured by Ben, who has become a military asset along with Johnny and Sue. Johnny and Sue have been outfitted with specialized suits designed to help them stabilize and control their abilities. Reed is brought to Area 57, where Dr. Allen conscripts him to open another portal to Planet Zero in exchange for giving Reed the necessary resources to find a cure. Arriving in Planet Zero, Dr. Allen’s explorers find Victor, who has been fused to his spacesuit and can now control the elements, as well as having telekinetic abilities, and bring him back to Earth. Believing the human race needs to be destroyed so he can rebuild Planet Zero in his image, Victor kills scientists and soldiers in the base including Dr. Allen and Professor Storm and returns to Planet Zero using the Quantum Gate, with Ben, Johnny, Reed, and Sue in pursuit.
Now dubbing himself “Doom”, Victor activates a portal on Planet Zero using a structure he made while in the realm, that begins consuming the landscape of the Earth. He is confronted by the four and, after a destructive battle, Ben punches Doom into the portal’s energy beam, disintegrating him, while Johnny closes the portal. Returning to Earth, the group is rewarded for their heroics by being given a new base of operations by the US military. They decide to use their powers to help people and adopt the mantle of the “Fantastic Four”.

It’s certainly different from the comics, so if you go into it with an open mind you may find a better experience than if you want it to remain the same. It’s inventive, there’s an engaging cast, the Marco Beltrami/Philip Glass score is wonderful, but ultimately it goes against a lot of the superhero conventions. The big action setpieces had to be scrapped due to budgetary concerns and it shows. It’s a slow moving film but that doesn’t mean it isn’t worth checking out. It’s notably darker with some elements of Cronenberg-esque body horror, yet it still has elements of humour and the ending isn’t really that bad. Some aspects could have been developed better and some of the reshoots are laughably bad – like with Reed asking Sue if she’s adopted. But it’s definitely worth watching even just to see what aspects didn’t work so well or to see the elements that do work. Because the elements that work are really gripping, and it’s very interesting to see superheroes reduced to test subjects in Area 57 and government stooges. It’s just unfortunate the good elements are often only glimpses. But if you can put up with that it’s a nice contrast to Marvel Studios’ output.