REVIEW: THE TERMINATOR

CAST

Arnold Schwarzenegger (Maggie)
Michael Biehn (Cherry Falls)
Linda Hamilton (Chuck)
Paul Winfield (Star Trek II)
Lance Henriksen (Aliens)
Earl Boen (Marked For Death)
Bess Motta (New Monkees)
Rick Rossovich (Top Gun)
Dick Miller (Gremlins)
Bill Paxton (True Lies)
Brian Thompson (Hired To Kill)
Marianne Muellerleile (Thank You For Smoking)

In 1984 Los Angeles, a cyborg assassin known as a Terminator arrives from 2029 and steals guns and clothes. Shortly afterward, Kyle Reese, a human soldier from 2029, arrives. He steals clothes and evades the police. The Terminator begins systematically killing women named Sarah Connor, whose addresses he finds in the telephone directory. He tracks the third Sarah Connor to a nightclub, but Kyle rescues her. The two steal a car and escape with the Terminator pursuing them in a police car.As they hide in a parking lot, Kyle explains to Sarah that an artificial intelligence defense network, known as Skynet, will become self-aware in the near future and initiate a nuclear holocaust. Sarah’s future son John will rally the survivors and lead a resistance movement against Skynet and its army of machines. With the Resistance on the verge of victory, Skynet sent a Terminator back in time to kill Sarah before John is born, to prevent the formation of the Resistance. The Terminator is an efficient killing machine with a powerful metal endoskeleton and an external layer of living tissue that makes it appear human.Kyle and Sarah are apprehended by the police after another encounter with the Terminator. Criminal psychologist Dr. Silberman concludes that Kyle is paranoid and delusional. The Terminator repairs his body and attacks the police station, killing many police officers in his attempt to locate Sarah. Kyle and Sarah escape, steal another car and take refuge in a motel, where they assemble pipe bombs and plan their next move. Kyle admits that he has been in love with Sarah since John gave him a photograph of her, and they have sex.The Terminator kills Sarah’s mother and perfectly impersonates her when Sarah, unaware of the Terminator’s ability to mimic victims, attempts to contact her via telephone. The Terminator thus deduces their location, and when they realize he has reacquired them, they escape in a pickup truck. In the ensuing chase, Kyle is wounded by gunfire while throwing pipe bombs at the Terminator. Enraged‚ Sarah knocks the Terminator off his motorcycle but loses control of the truck, which flips over. The Terminator hijacks a tank truck and attempts to run down Sarah, but Kyle slides a pipe bomb onto the tanker, causing an explosion that burns the flesh from the Terminator’s endoskeleton. It pursues them to a factory, where Kyle activates machinery to confuse the Terminator. He jams his final pipe bomb into the Terminator’s abdomen, blowing the Terminator apart, injuring Sarah, and killing Kyle. The damaged Terminator reactivates and grabs Sarah. She breaks free and lures it into a hydraulic press, crushing it. Months later, a pregnant Sarah is traveling through Mexico, recording audio tapes to pass on to her unborn son, John. She debates whether to tell him that Kyle is his father. At a gas station, a boy takes a Polaroid photograph of her which she purchases—the same photograph that John will eventually give to Kyle.The Terminator was the film that cemented Arnold Schwarzenegger’s place in the action-brawn firmament, and both his and the movie’s subsequent iconic status are well deserved. He’s chilling as the futuristic cyborg that kills without fear, without love, without mercy. James Cameron’s story and direction are pared to the bone and are all the more chillingly effective for it. But don’t overlook the contribution of Linda Hamilton, who more than holds her own as the Terminator’s would-be victim, Sarah Connor, thus creating–along with Sigourney Weaver in Alien–a new generation of rugged, clear-thinking female action stars. The film’s minimalist, malevolent violence is actually scarier than that of its far more expensive, more effects-laden sequel.

HALLOWEEN OF HORROR REVIEW: THE HOLE (2009)

CAST

Chris Massoglia (The Matchbreaker)
Haley Bennett (The Girl on The Train)
Nathan Gamble (The Dark Knight)
Teri Polo (Meet The Parents)
Bruce Dern (Nebraska)
Peter Shinkoda (Daredevil TV)
Dick Miller (Gremlins)
John DeSantis (Arrow)
Wade Williams (Gangster Squad)

17-year-old Dane Thompson, his 10-year-old brother Lucas, and their mother, Susan, move from Brooklyn to the quiet town of Bensenville where Dane and Lucas befriend their next door neighbor, Julie. While exploring their new home, Dane and Lucas discover a trapdoor with several locks along each side in the basement. Opening the trapdoor reveals a hole which appears to be bottomless. Over the next few days, each child experiences strange events. Lucas, having a fear of clowns, discovers a jester puppet on his bed, as well as other locations, as if it is following him. Julie begins to see an injured girl who bleeds from her eyes. Dane starts to see shadowy figures of a large man. Eventually, all three witness the injured girl together at the boys’ home where they follow her to the basement and watch as she crawls into the hole.Julie suggests they seek help from the previous owner of the house, Creepy Carl, who now lives in an abandoned glove factory surrounded by hundreds of lights and lamps. When the kids tell him that they have opened the hole, he berates them for releasing the evil inside stating that it will come for them and kill Dane. Later that night, Carl is seen scribbling in a sketchbook, almost blacking out entire pages. Carl screams, “I’m not done yet!” as the light bulbs around him pop. The sketchbook turns out to belong to Dane, who returns to the factory to retrieve it. He finds his sketchbook in the darkness; Creepy Carl is gone. Julie decides to get the group relaxed and throws a pool party. While under the water, Dane sees a shadowy figure of a giant man standing above. Once out of the pool, he notices a trail of muddy footprints which he and Julie follow, leaving Lucas alone in the pool. They hear Julie’s pet dog, Charlie, barking and return to see Lucas drowning. Lucas tells them that the jester puppet had pulled him under.Later that night, while Lucas is asleep, Dane sees a hand-shaped bruise on Lucas’ leg. He discovers that it is identical to a hand that Creepy Carl had drawn in the sketchbook. As he flips through the sketchbook, he realizes that each page is a puzzle piece. While working on the puzzle, Dane hears someone whistling. When he walks into the kitchen, he sees an envelope addressed to him from the New Jersey State Penitentiary. A note inside reads ‘HELLO BOY’. He rushes upstairs to Lucas and tells him that someone is in the house. While Dane investigates, Lucas meets a police officer standing at the bottom of the stairs. The officer shows Lucas a picture of two little girls and asks if he has seen one of them and points to the girl whom Julie first encountered. The police officer leaves the picture with Lucas and turns to leave revealing the back of his head is missing. Lucas fetches Dane and the pair watch the cop return to the basement and climb into the hole.Next door, the girl then appears in Julie’s room. Julie climbs out of her window and meets the boys where she reveals to Dane that she and her best friend Annie were playing on the tracks of an old roller coaster which resulted in an accident where Annie fell to her death. In an attempt to help Julie, a police officer had also fallen and was killed. She decides to return to the amusement park where the accident occurred stating “I know what I need to do now.” Dane goes after her telling Lucas to stay at home.Julie finds her friend sitting on the same spot from which she fell. After Julie helps Annie understand that she had tried to save her, Annie disappears and is pleased that Julie is no longer scared. Meanwhile, Lucas hears Dane calling him to the basement. Confused, he follows the voice to discover the jester puppet mimicking Dane’s voice. The puppet attacks Lucas but is outwitted and eventually destroyed. Dane and Julie return and Lucas announces that he is no longer afraid of clowns. Dane then tells them of a theory that once you look into the hole it somehow knows you and creates whatever you are afraid of. When asked what he’s afraid of, Dane replies that he is not afraid of anything.91Z5dqalWHL__SL1500_Julie then invites Dane and Lucas to stay at her place for the night. As Lucas is gathering his things, Dane shows Julie the puzzle he had been working on. They solve the puzzle together and see a boy being grabbed by a giant man. Dane rushes upstairs to find that Lucas is gone. Dane finally reveals that he is afraid of his father, who had abused the entire family and is now in prison. Realizing that his father has taken Lucas into the hole, Dane jumps into the hole as well. Dane finds Lucas hiding in the closet of a twisted version of a home. Their father, who has become a giant, discovers them and starts to break through the door. They turn around and discover the shelving seems to be a ladder. Dane tells Lucas to start climbing. Dane starts to follow, when his father drags him back down. As Dane fights him off, the giant father slowly returns to his actual size as Dane starts to confront his fear, seeing him for what he really is. Their surroundings begin to crumble and the floor falls away leaving Dane and his father trapped on an island under a ceiling fan. Having taken his father’s belt, Dane pulls himself onto the fan and gives the crumbling floor one final blow with the belt buckle causing the floor to break apart and the father to fall.Bo22_U_00_53_49_00007

Dane emerges from the hole where Julie and Lucas are waiting. They close the hole, just as their mother comes down to the basement. She sees the trapdoor and opens it, revealing a shallow crawl space below. As the group heads upstairs, Lucas asks his mom if she is afraid of anything. She replies that she was afraid of a monster under her bed when she was a little girl. Lucas says, “Uh oh,” as the trapdoor blows opens again revealing the darkness has returned.Bullet-DIBefore watching this I’d seen a few bad reviews, but now I don’t know why; it’s a good family horror. There’s no massive scares, but the plot is good, delving into the fears of the characters well. The beginning is done well, leaving you guessing as to what is down the hole, but after that I can’t say I was ever bored through it either, I think it is a good length and filmed well, keeping you in suspense throughout.

HALLOWEEN OF HORROR REVIEW: BURYING THE EX

CAST

Anton Yelchin (Star Trek)
Ashley Greene (Twilight)
Alexandra Daddario (Texas Chainsaw)
Oliver Cooper (Project X)
Archie Hahn (This Is Spinal Tap)
Mark Alan (Magic Hour)
Gabrielle Christian (American Gun)
Mindy Robinson (Iron Man 3)
Dick Miller (Gremlins)

Nice guy and horror fanatic Max (Anton Yelchin) is dating the beautiful-but-manipulative Evelyn (Ashley Greene). Evelyn is an extreme environmentalist working for a blog company that promotes “going green”, while Max works a dead-end job at the local horror shop named Bloody Mary’s. In many situations, Max often finds himself trapped trying to do whatever he can to keep Evelyn happy, including changing his diet and selling his old car. In addition to this, Max dreams of opening up a horror memorabilia shop of his own in the future, much to Evelyn’s dismay. One day at the shop, Max unloads the latest shipments and finds a Satan Genie, an object that claims it can grant anyone’s wants or desires. Believing it to just be another silly item for the shop, Max places it on the shelf in the storage room and dismisses it. Later that night, he and Evelyn have sex in the shop and make a promise to each other that they’ll be together forever. Shortly thereafter, Max has Evelyn move in with him. Max and Evelyn initially decide to celebrate this new development in their relationship by grabbing a bite to eat. Wanting Evelyn to try something he enjoys for a change, Max suggests they go to I-Scream, a malt hot-spot run by Olivia (Alexandra Daddario). Evelyn is immediately unkind to Olivia and believes her and Max were flirting with each other. As Max pleads his case to her, Evelyn tearfully admits that she doesn’t want to lose him and that he’s the only thing in her life that has made her happy since her mother’s death.

All seems to be great until Max comes back home to discover that Evelyn has redecorated their entire apartment to what she feels is aesthetically pleasing and has put away all of Max’s collectables and posters, ruining their price values. This leads to an argument where Max states that he and Evelyn should be making decisions together instead of her taking the reins on every little thing all the time. Feeling that Evelyn’s overbearing nature will lead him to be unhappy for the duration of their relationship, Max plans to break up with her but is too scared to do so. Max turns to his slacker half-brother Travis (Oliver Cooper) for advice. Travis suggests that Max break up with Evelyn in a public place so he can make a quick getaway and have everyone present see her for the control freak she truly is. However, the plan backfires when Evelyn accidentally gets hit by a bus on her way to the park. She dies in the middle of the road as a tearful Max watches.A couple weeks go by and Max has shut himself off emotionally, feeling responsible for Evelyn’s death. Travis swings by his place and, after seeing the funk he’s in, encourages him to get back out and move on. Max eventually runs into Olivia again and starts to hit it off with her. As the night progresses, Max and Olivia learn that they both share the same fascination for horror. But when Max and Olivia visit the Hollywood Forever Cemetery, Evelyn is shown to have risen up from the dead and has dug herself up out of the ground. After Olivia walks Max back home, he’s quickly greeted by an undead Evelyn at the door. Evelyn is overjoyed and believes hers and Max’s love is being given a second chance and thinks they’re still dating. Frightened, Max realizes that the Satan Genie from the shop made their wish of being “together forever” come true and has brought Evelyn back from the dead. Still wanting to pursue Olivia, Max actively attempts to hide Evelyn from her. He’s also left to ponder how exactly he’s going officially dump Evelyn. Max presumes that the answer to his problems lie with the Satan Genie, only to have it shatter on the ground when he loses his footing. For his backup plan, Max then researches the occult/spell books the shop has available in the hopes of finding something that will send Evelyn back to her grave. He tries these techniques, but to no avail; as they have no effect on Evelyn whatsoeverTravis stumbles upon Max with a drunken Evelyn, and is reluctant to help him. He soon has a change of heart and tells Max that the only true way he can get rid of Evelyn is to decapitate her with a machete. Max tries to accomplish this but backs out at the last minute. The day before Halloween, Olivia drops by the shop to visit Max. It’s later interrupted by a phone call from Evelyn. Olivia (who still doesn’t know that Evelyn’s a zombie) thinks Max still hasn’t gotten over her just yet, but offers him an invitation to a screening of Night of the Living Dead at the cemetery. Travis steps up to the plate and offers to kill Evelyn so Max can meet Olivia at the movie. Travis shows up at the apartment under the guise of searching for an old DVD Max never returned to him and intentionally prolongs his stay, annoying Evelyn. She then develops a sudden craving for brains and ends up eating Travis. Meanwhile, Max and Olivia are enjoying each other’s company and end up having sex in the back of Olivia’s car.Upon Max’s return, he discovers Travis’s corpse in the living room. Knowing that Evelyn is now determined to kill anyone who gets in her way, Max tricks her into drawing a hot bubble bath for themselves in order to barricade the bathroom door and trap her inside. He rushes out of the apartment to get the police but leaves his cell phone behind. Evelyn doesn’t take too long to break free and escapes. She then kidnaps Olivia after she’s read the texts between her and Max. Having had no luck with the police, Max hears through one of the police scanners about someone knocking over a malt shop and realizes Olivia’s in trouble. Back at the apartment, Max sees Olivia tied up and Evelyn threatens to kill her. A battle ensues between Max, Evelyn, and Olivia, ending with Travis (now revealed to be a zombie himself) fatally stabbing Evelyn through the chest with the machete. With Evelyn finally gone, Max and Olivia take her body back to the cemetery and bury her. One year later, Max and Olivia’s relationship is still going strong. Max has long since quit his job at Bloody Mary’s, became business partners with Olivia—having joined his horror memorabilia store and her malt shop as an enterprise of their own—and is now truly happy. Max then surprises Olivia with an engagement ring, which she gladly accepts. And Travis, still in his zombie form, is shown sign-spinning outside the shop.A brilliant movie and definitely one to watch more than once

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

MV5BMTk2NzY1NTU5OF5BMl5BanBnXkFtZTgwMjIwOTM2MjE@._V1_

Recurring / Notable Guest Cast

Kin Shriner (Manhunter)
George Eads (CSI)
Eric Robert (The Finder)
Dana Delany (Tombstone)
Mike Farrell (Patch Adams)
Shelley Fabares (Coach)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Happy Gilmore)
Dakota Fanning (War of The Worlds)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Sheryl Lee Ralph (Fam)
Fred Savage (The Princess Diaries)
Jason Hervey (Back To The Future)
Edward Asner (Elf)
Michael York (Logan’s Run)
Patrick Bauchau (Panic Room)
Rachel York (One Fine Day)
Jack Carter (McCloud)
Jeffrey Combs (Re-Annimator)
Robert Foxworth (Transformers)
Charles Napier (The Silence of The Lambs)
Sam McMurray (Raising Arizona)
Cree Summer (Voltron)
Tom Everett Scott (Because I Said So)
Billy West (Futurama)
Lori Loughlin (Full House)
Jeremy Piven (Old School)
Robert Picardo (Star Trek: Voyager)
Clancy Brown (Highlander)
Will Friedle (Batman Beyond)
John C. McGinley (Scrubs)
Oded Fehr (V)
Scott Rummell (Six)
Tim Matheson (The West Wing)
Grey Griffin (The Book of Life)
CCH Pounder (Avatar)
J.K. Simmons (Whiplash)
Michael Beach (Aquaman)
Gina Torres (Firefly)
Peter MacNicol (Veep)
Adam Baldwin (Chuck)
Nestor Carbonell (Bates Motel)
Mindy Sterling (Austin Powers)
Melissa Joan Hart (Sabrina: TTW)
Dennis Farina (Get Shorty)
Morena Baccarin (Gotham)
Virginia Madsen (Better Watch Out)
Ioan Gruffudd (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: TNG)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Buffy: TVS)
Juliet Landau (Ed Wood)
Alan Rachins (Showgirls)
Robert Englund (2001 Maniacs)
Wayne Knight (3rd Rock From The Sun)
Jason Bateman (Office Christmas Party)
Susan Sullivan (Castle)
Michael T. Weiss (The Pretender)
Amy Acker (Angel)
Glenn Shadix (Beetlejuice)
Steve Schirripa (Must Love Dogs)
Jerry O’Connell (Sliders)
Lisa Edelstein (House)
Nathan Fillion (Serenity)
Elizabeth Peña (The Incredibles)
Hector Elizondo (The Princess Diaries)
Robert Forster (Jackie Brown)
Corey Burton (Critters)
Hynden Walch (The Batman)
Lauren Tom (Bad Santa)

MV5BMTk4NTc5Mzg3Nl5BMl5BanBnXkFtZTgwMTc5ODM2MjE@._V1_Fantasy now runs your life? Comic books become your vice? And your best friends still have their virginities? Then look no farther, friends, because this collection of episodes is so good you don’t need friends, significant others, or a single reason to emerge from your Geekdrome. But you know what the best part is? It’s not just for geeks – Justice League Unlimited stands tall as the best collection of American action/adventure animation you’re likely to find. While there is, of course, a certain geek charge some may get out of seeing characters like Powergirl and Green Arrow in action (not to mention an episode featuring Nathan Fillion voicing Vigilante and Gina Torres voicing Vixen – come on, how cool is that?), these episodes will entertain because of good characters, good humor, and good storytelling, even if you don’t know your Booster Golds from your Blue Beetles.MV5BMTA3OTAzMDYwMjdeQTJeQWpwZ15BbWU4MDMzMDkzNjIx._V1_While the first two seasons of Justice League nicely expanded upon the world first established in the early ’90s with Batman: The Animated Series, it wasn’t until this, the show’s third season (or first, depending on how you look at it) that the format and structure was perfected for the genre. It was an interesting experiment having the previous seasons’ episodes run for one-hour, but with JLU the format is scaled back to stand-alone half-hour stories and, ironically, it fits like a bat-glove. It’s strange, but these shorter episodes actually manage to pack in more than the double-length ones. A lot more. And what a roster of characters to fill a show with! You’ll see everyone from The Atom to Elongated Man. Because this is a full-blown, all-star take on these characters, each character can shine their brightest. When you get Superman, you get the best of Superman. Wonder Woman? The best of Wonder Woman. B’wana Beast? Uh… well, I guess this is the best he’s ever been.MV5BMjIwOTMxMzk2MF5BMl5BanBnXkFtZTgwOTU5ODM2MjE@._V1_The surplus of great characters is fun, but what really sells the show are the stories. Or, more specifically, story. No doubt borrowing a page from the work of Joss Whedon – showrunner Bruce Timm admits in a commentary that Whedon was a big influence – these episodes highlight a large and complex season-spanning plot that actually has meaning in today’s world. This is certainly the most mature and thoughtful storytelling you’re likely to get from a cartoon of this type. What elevates the show from great to brilliant is its ability to tell stories that are exciting and also manage to propel the larger narrative forward. For example, Dark Heart – penned by famous comic book scribe Warren Ellis – manages to mix a great science fiction plot (a self-replicating AI) with humor (Wonder Woman, needing both hands to fight, rests The Atom in a very interesting holding place) and its plot still manages to play a part later on down the road in the season’s climax.MV5BMjAwMTU4NDI0NV5BMl5BanBnXkFtZTgwNzIwOTM2MjE@._V1_The writing is the best the show has ever seen, no doubt a result of staff writer Dwayne McDuffie coming into his own; his versatility with the characters is fantastic. Comic book writers Warren Ellis and J.M. DeMatteis join in on the fun, and new series director Joaquim Dos Santos infuses the episodes with a dynamic energy that allows the show to compete with the best of today’s cutting-edge, anime-inspired programming. It’s like the entire DC animated universe has been supercharged in the best way possible.MV5BMTk3NjM3NzI3Ml5BMl5BanBnXkFtZTgwNjQwOTM2MjE@._V1_This collection contains two seasons, and both season finales are just fantastic. The Once and Future Thing is an exciting time romp (with a great Western segment) and Divided We Fall is a showstopper of epic proportions. Either finale would make for a better DVD movie than any of what has been released thus far. Then there’s Epilogue – just brilliant. It manages to tie in the entire DC animated universe – including films Mask of the Phantasm and Return of the Joker! – and still say something meaningful about a very important character. The episode isn’t just great animation, it’s great television.MV5BMTk1MDgzMTYzN15BMl5BanBnXkFtZTgwMTUwOTM2MjE@._V1_There really is nothing bad to say about these episodes. The new rock-inspired opening credits do ring a bit too much of cheesy ’80s electronica, but you get used to it, and, after a while, it fits. Of course, the fact remains that if you aren’t into cartoons in the first place you probably won’t be willing to hop on the bandwagon no matter how cool a series is. But if you consider animation to be a legitimate and respectable medium, then this is the pinnacle of the form.  While there are bigger and more influential cartoon shows out there – namely, comedies like The Simpsons – Justice League Unlimited is still one of the best American animated programs you’ll find. With this show the genre has been perfected – it’s fun, exciting, and thoughtful. In other words, this is exactly what superheroes should be.

REVIEW: BATMAN: THE ANIMATED SERIES – VOLUME 3

Starring

Kevin Conroy (Justice League Doom)
Loren Lester (Red Eye)
Bob Hastings (General Hospital)
Robert Costanzo (Total Recall)
Efrem Zimbalist Jr. (Hot Shots)

MV5BYjkxZjgzYmItMGIwMC00NjBkLTk5MzUtN2IzNmYzMjgwMWVmXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_SY1000_CR0,0,1368,1000_AL_

Recurring / Notable Guest Cast

Mari Devon (Digimon)
Melissa GIlbert (House on The Prairie)
John Vernon (Animal House)
Richard Moll (Scrry Movie 2)
Tim Matheson (The West Wing)
Diana Muldaur (Star Trek: TNG)
Lloyd Bochner (Point Blank)
Jeff Bennett (Enchanted)
Paul Williams (Battle For TPOTA)
John de Lancie (Star Trek: TNG)
Manu Tupou (Payback)
Helen Slater (Supergirl)
David Warner (The Lost world)
Frank Welker (Transformers)
George DiCenzo (She-Ra)
William Sanderson (Blade Runner)
Pat Fraley (Teenage Mutant Ninja Turtles)
Steve Susskind (Star Trek V)
Vernee Watson (The Big Bang Theory)
Bess Armstrong (Jaws 3D)
George Dzundza (Crimson Tide)
Earl Boen (The Terminator)
Neil Ross (Back To The Future – Part II)
Marilu Henner (Taxi)
Roddy McDowall (Planet of The Apes)
LeVar Burton (Star Trek: TNG)
Aron Kincaid (Transformers)
Brad Garrett (Ratatouille)
Jeffrey Jones (Howard The Duck)
Gregg Berger (Transformers)
Mark Hamill (Star Wars)
Arleen Sorkin (Days of Our Lives)
Stephanie Zimbalist (A Timeless Love)
Diane Pershing (Gotham Girls)
Nichelle Nichols (Star Trek)
Megan Mullally (Will & Grace)
Peter Scolari (Gotham)
Bill Mumy (Lost In Space)
Hector Elizondo (The Princess Diaries)
Dick Miller (Gremlins)
Alan Rachins (Dharma & Greg)
Alan Oppenheimer (He-Man)
Tress MacNeille (Futurama)
Roscoe Lee Browne (Logun’s Run)
Henry Silva (Above The Law)
Diane Michelle (Robotech: The Movie)
Alison La Placa (Fletch)
Adrienne Barbeau (Swamp Thing)
Jason Marsden (A Goofy Movie)
Robbie Rist (Teenage Mutant Ninja Turtles)
Alan Young (The Time Machine)
Kate Mulgrew (Star Trek: Voyager)
Malcolm McDowell (Halloween 2007)
Michael Bell (Transformers: The Movie)
Elizabeth Montgomery (Bewitched)
Bill McKinney (First Blood)
John Glover (Smallville)
Peter Mark Richman (Friday The 13th 8)
William Katt (Carrie)
Linda Gary (He-Man)
Nicholas Guest (Trading Places)
Henry Polic II (Mighty Max)
Bruce Weitz (Half Past Dead)
Andrea Martin (SCTV Network)
Michael Ansara (The Message)
Dan O’Herlihy (Robocop)
Edward Asner (Elf)

MV5BYzBmZjM1MzItNzU2Ny00MzcxLTg2YWYtZmM1NWQ4NzExMmE0XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_One of the things Batman: The Animated Series does particularly well is infuse its villains with personality. They’re not a rotation of thugs with a different gimmick and costume each week — the writers go to great lengths to humanize these characters, and although they’re still unambiguously the bad guys, they still manage to be sympathetic at times. “His Silicon Soul”, following up on the two-part “Heart of Steel” from the previous collection, features a robotic duplicate of Batman unable to come to grips with the realization that he’s a machine. It’s surprisingly moving.MV5BYTFiODEyZDQtNmRmZi00ZjlhLWE1NDQtOTY3OWE2ODM0OWQ3XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_The title character of “Baby-Doll” was created especially for the series. Think Webster with the race and gender reversed; Mary Louise Dahl was in her twenties but looked like a three-year-old, and she cashed in on that rare disability with a successful and hopelessly bland sitcom. An ill-advised career move derailed her as an actress, and a decade later, she’s systematically kidnapped all of her former co-stars in an attempt to reclaim those happy years. Again, as outlandish as the premise might sound, it really does work. You might smirk at reading about a teary-eyed Baby Doll attempting to fire an already-emptied doll-shaped pistol into a funhouse mirror, but the immeasurably talented writers are gifted enough to eke more pathos than I ever would have thought possible out of that.MV5BOTEwMmFhM2MtN2NmOC00ZGQ2LThmMGMtYTc4YWFjOTllOTY5XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_SY1000_CR0,0,1344,1000_AL_Redemption, whether seized or tossed aside, is also frequently touched upon. “Sideshow” opens with a grueling chase between Batman and an escaped Killer Croc, who manages to stumble upon a remote farm that’s home to a group of former sideshow acts. They offer Croc a chance at an honest life, but old habits die hard. Another example is “House and Garden”. When a poisonous plant-creature starts a reign of terror in Gotham, Batman naturally turns his sights towards the recently-released Poison Ivy. She insists that she’s rehabilitated, and by all accounts, Ivy is happily married and living the mundane suburban life. The investigation continues to point back to her, and the final revelation involves some of the creepiest imagery ever seen in the series.MV5BY2U0ZTAwZDYtNjZjNC00YzVhLWJjMGItZDg5MTMzYTM1MjhjXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_SY1000_CR0,0,1334,1000_AL_Harley Quinn is also featured in a couple of episodes centered around her attempts to stick with the straight ‘n narrow. She’s a fan favorite for a reason, and these appearances are some of the most memorable episodes in this collection. “Harlequinade” is a chaotic team-up with Batman in an attempt to track down The Joker, who’s managed to get his hands on a bomb that’ll turn Gotham into a smoldering mushroom cloud. “Harley’s Holiday” documents her release from Arkham Asylum, and even though she’s determined to leave that life of crime behind her, an attempt to legitimately buy a pretty pink dress at a store spirals into a bad day…a really, really bad day, culminating in being chased by Batman, an underground gambling kingpin, Detective Bullock, and…gulp!…the military.MV5BMWNjYWJmNjQtNzQ3Ny00ZGQ2LTkzNjEtNmQ5OTcyM2EwYzBkXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_It’s particularly great to see the villains interact with one another. That’s part of the fun of “Trial”, which has a reluctant prosecutor attempting to defend Batman in an insane trial when the inmates take over the asylum. The flipside of that coin is seen in “Lock-Up”, when a cruel jailer’s overzealousness gets him fired from Arkham and compels him to hunt down the left-leaning scum he blames for the state of the world. Another stand-out is “A Bullet for Bullock”, an episode in which the slovenly detective is rattled by death threats and reluctantly teams with Batman, and the ending is just one example of how clever the show’s writers can be. “Clever” is also the first word that instantly springs to mind for “Make ‘Em Laugh”, an episode where The Joker co-opts a fellow criminal’s technology to create a small army of fumbling costumed criminals with inane gimmicks.MV5BMmIzZTQ4NmItMjRlMS00ZDBiLTllNzktNDUwZTAyNjI3MWI3XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_These episodes introduce a couple of recurring villains ripped from the pages of the comics. Most notable among them is Ra’s al Ghul, who makes his first appearance in a two-parter penned by Len Wein and Denny O’Neil, familiar names to longtime readers of Batman’s four-color incarnation. The centuries-old Ra’s has virtually unlimited resources at his disposal, equally intrigued by Batman’s boundless skills as a detective as he is frustrated by his foe’s determination to disrupt his machinations. Ra’s often lends a Saturday morning serial flavor to the show, from the globe-trotting in his first few appearances to the flared pants of “Avatar”. The charismatic character has such a presence that he’s able to carry “Showdown” largely by himself in an episode that barely features Batman or Robin in any capacity. “Showdown” is set during the westward expansion of the mid-1800’s as Ra’s’ opposition to the sprawling railroads is pitted against scarred bounty hunter Jonah Hex (one of the few DC characters not connected with the Batman mythos to appear on the show). The other noteworthy recurring villain is The Ventriloquist, a fairly timid-looking middle-aged man who seems more likely to be a CPA than a ruthless crimelord. Taken by himself, that seems to be the right impression, but when he has his puppet Scarface on the end of his arm… The Ventriloquist’s first appearance, “Read My Lips”, is one of my favorites of the season, and he returns twice after that.MV5BMjI2OTQ0NTMwNF5BMl5BanBnXkFtZTgwNTM4MTg3MjE@._V1_Several other characters from the comics briefly appear, including Maxie Zeus, the back-breaking, Venom-fueled Bane, and the fairly obscure masked criminals of The Terrible Trio. The majority of Batman’s rogue’s gallery is present and accounted for, with The Penguin, Killer Croc, Poison Ivy, The Mad Hatter, The Joker, Harley Quinn, The Clock King, Catwoman, The Riddler, The Scarecrow (though only as a supporting character; no “fear!” episodes this time around), Two-Face, and Mr. Freeze all wreaking havoc throughout Gotham City at some point or another. Even with the opening titles shifting on disc three from Batman: The Animated Series to The Adventures of Batman and Robin, there’s no discernable drop in quality.MV5BNGI1YTBiYzYtODI2ZS00NzUzLThkMjktMDhkMzI3Yzk5ODAxXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_Batman: The Animated Series does everything right. It doesn’t dumb itself down or resort to hyperkinetic editing to try to appeal to a younger crowd. The retro-styled art design and dark visuals contribute immeasurably to the overall tone of the show, as does the award-winning music. The writing’s consistently impressive, avoiding falling into some formulaic “villain of the week” trap, and the casting choices for its voice actors is incredibly inspired. Henry Silva, LeVar Burton, Dick Miller, Megan Mullally, Brad Garrett, Bill Mumy, David Warner, Elizabeth Montgomery, Jeffrey Jones, Adam Ant, William Katt, and Robert Pastorelli are just a few of the familiar voices contributing to the series for the first time, joining the usual favorites like Paul Williams, Mark Hamill, and Roddy McDowall. These three collections are required viewing for anyone with an interest in Batman, and fans who have picked up the first two collections should certainly consider buying this third set as well.

REVIEW: BATMAN: MASK OF THE PHANTASM

CAST (VOICES)
Kevin Conroy (Batman: TAS)
Dana Delaney (Desperate Housewives)
Hart Bochner (Urban Legends: Final Cut)
Stacy Keach (W.)
Abe Vigoda (The Godfather – Part II)
Mark Hamill (Star Wars)
Efrem Zimbalist, Jr. (The Deep Six)
Robert Costanzo (Total recall)
Bob Hastings (The Tall Man)
Dick Miller (Gremlins)
Arleen Sorkin (Days of Our Lives)
During a conference of crime bosses held in a Gotham City skyscraper, gangster Chuckie Sol is killed by a mysterious cloaked figure, shortly after Batman bursts in on the meeting. Due to the killer’s resemblance to Batman, the Dark Knight is blamed for Sol’s death. Councilman Arthur Reeves tells the media that Batman is a public menace (despite Commissioner Gordon’s protests), then later attends a party at the mansion of billionaire Bruce Wayne, Batman’s secret identity. Reeves teases Bruce about his bad luck with women and for having allowed an old girlfriend, Andrea Beaumont, to get away.
In a flashback to 10 years before, Bruce meets Andrea in a cemetery while visiting his parents’ grave. That night, in one of his first crime-fighting attempts, Bruce foils an armored car robbery while disguised in a black ski-mask and leather jacket. Though he succeeds, he is discouraged that the criminals did not fear him. Around the same time, he begins a romance with Andrea. Eventually, Bruce decides to abandon his plan to become a crime-fighting vigilante and proposes marriage to Andrea. Soon afterward, however, Andrea mysteriously leaves Gotham with her father, Carl Beaumont, ending her engagement to Bruce in a Dear John letter. Believing that he has lost his last chance of having a normal life, Bruce dons the mask of Batman for the first time.
The mysterious killer finds and murders another gangster, Buzz Bronski. Around the same time, Batman discovers that Andrea has returned to Gotham for the first time in 10 years, and she ends up finding out that Bruce is Batman. Batman soon finds evidence linking Andrea’s father with gangster Salvatore Valestra, for whom both Sol and Bronski once worked as enforcers. When he visits Andrea to try and get more answers, she rebuffs him over the choices that he made while she was away. The killer later targets Valestra, who turns to the Joker for help. The killer arrives at Valestra’s house, and finds the gangster already dead at the Joker’s hands; the house explodes, with the killer barely escaping. Batman pursues the killer, but is interrupted by the police, who try to arrest Batman. Andrea rescues Batman in her car, and they spend the night together at Wayne Manor. Andrea explains to Bruce that she and her father had left Gotham and had been hiding in Europe from the Valestra mob, to whom he owed a lot of money. Batman comes to suspect that Andrea’s father may be the killer, but later gets Reeves (who was told of Batman’s innocence by the Joker before being poisoned by him, as he believed the Councilman to be the killer) to confess that he told the Valestra mob where Beaumont was hiding in return for campaign contributions, and that the mob ordered Beaumont’s death.
The killer tracks the Joker to his hideout — an abandoned world’s fair amusement park — and removes its ominous costume: the killer is Andrea, intent on avenging her father’s death at the hands of the Joker, who is revealed to be the last surviving member and professional hitman of the Valestra mob. Having already deduced her identity, and ready for her attack, the Joker fights her. Just before he can kill Andrea, Batman arrives and saves her from the Joker, and begs Andrea to give up her quest for revenge. She refuses, stating that the mob ruined her life by taking away her future with him; she tells Batman that he himself is driven by revenge before disappearing. Batman battles with the Joker, a struggle that ends in a stalemate. Moments later, Andrea returns and seizes the Joker, bidding Batman goodbye before vanishing with the maniacally laughing clown in a cloud of smoke as the entire amusement park erupts in a series of rigged explosions. Batman barely escapes by falling into a waterway and being swept away to safety by the current.
Alfred later consoles a heartbroken Bruce, telling him that no one could have helped Andrea. Bruce finds a locket containing a picture of himself and Andrea left behind in the Batcave. Meanwhile, Andrea is shown standing alone on the deck of a departing ocean liner. In the final scene, Batman stands alone on the top of a Gotham building; when the Bat-Signal appears in the sky, he swings off into the night to continue his war on crime.
A film noir atmosphere, gothic design concept, a tragic romantic sub-plot this movie has it all. Gangsters, guns, gadgets intrigue and mystery. Kevin Conroy and Mark Hamil are on top form as usual and Shirley Walker’s musical score should have even Danny Elfman muttering with jealousy. In short a must have for any self respecting batman fan!

REVIEW: V – THE FINAL BATTLE

Starring

Marc Singer (Beastmaster)
Faye Grant (Drive Me Crazy)
Jane Badler (One Life To Live)
Robert Englund (A Nightmare on Elm Street)
Michael Durrell (Sister Act)
Peter Nelson (Die Hard 2)
Michael Ironside (Total Recall)
David Packer (Robocop)
Neva Patterson (An Affair To Remember)
Blair Tefkin (Greenburg)
Michael Wright (The Interpreter)
Denise Galik (Two For The Money)
Jason Bernard (Liar Liar)
Frank Ashmore (Airplane!)
Andrew Prine (The Road West)
Viveka Davis (Timecode)
Jenny O’Hara (Mystic River)
Sarah Douglas (Superman 1 &2)
Mickey Jones (Sling Blade)
Dick Miller (Gremlins)
Diane Carey (Ugly Betty)

Jane Badler, Marc Singer, and Faye Grant in V (1984)Kenneth Johnson’s miniseries V was a huge May Sweeps success for NBC back in ’83. His story of alien invaders was a smartly veiled allegory for the unspeakable tyranny of the Nazi regime and the corrupting influence of power. But when the network clamoured for a longer sequel on a tighter budget and timetable, well, Johnson opted out and, sadly, it shows. V: The Final Battle (1984, 267 minutes) revels in constantly ripping off the lizards’ phony human faces and showing them tossing live critters down their gullets, while dramatically upping the gunplay, explosions and, in turn, the body count. Sure there’s some lip service paid to the not-so-niceness of fascism, the moral dilemma of abortion and especially relevant today, the sobering horrors of biological warfare.Jane Badler, Richard Herd, Peter Nelson, and Andrew Prine in V: The Final Battle (1984)When last we saw Julie and Donovan (Faye Grant and Marc Singer) they’d led their rag-tag resisters through a successful Visitor scale tanning, thus providing some measure of hope for an end to E.T. tyranny. Well, not so fast. There’s nearly five more hours to fill. This produces three cliffhanger’d together episodes of our plucky human heros cooking up and executing schemes to rain on the reptilian parade. First up, they decide to expose the alien conspiracy by yanking off Supreme Commander John’s doughy mug mid-press conference (Richard Herd). Later, they attack a pumping station that’s sucking the Earth’s oceans aboard the Visitor mothership. Then, as the title implies, there’s the final battle involving red talcum powder.Marc Singer and Frank Ashmore in V: The Final Battle (1984)New comer Michael Ironside stomps into the resistance group with the subtlety of a drunken Clydesdale and takes to telling everyone what clueless yahoos they are. And he’s RIGHT most of the time! As Ham Tyler, his checkered, mercenary past and gaggle of TNT-happy goons provide Julie’s neuvo-guerillas some much needed education in carnage creation.Jane Badler, Sarah Douglas, and Andrew Prine in V: The Final Battle (1984)There’s also the inevitable return of Robert Englund as Willie, everyone’s favorite cuddly value-sized iguana, who still can’t quite grasp the English language. Lizard Queen Diana (Jane Badler) now spends much of her time honing her bitchery by making humans wear unflattering white tights whilst subjecting them to her riotously absurd Brainwash-O-Tron. But the biggest jaw dropper of the miniseries is Robin (Blair Tefkin) offered herself up in the original as a one-woman welcoming party and got herself knocked up with a space-alien baby. When Ms. Horny Toad sprouts ghastly scales around her neck, it’s a pretty goldang strong indication the delivery ain’t gonna be anywhere near a Hallmark moment!

REVIEW: FREDDY’S NIGHTMARES – SEASON 1 & 2

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MAIN CAST

Robert Englund (Wishmaster)

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RECURRING / NOTABLE GUEST CAST

Lar Park-Lincoln (Friday The 13th – Part VII)
Yvette Nipar (Robocop: The Series)
Lori Petty (Tank Girl)
Mariska Hargitay (Law & Order: SVU)
Shiri Appleby (Roswell)
Joyce Hyser (The Flash 90s)
Sarah Buxton (Little Children)
George Lazenby (Winter Break)
Andrew Prine (V)
Jeremy Roberts (Hercules: TLJ)
Brad Pitt (Fight Club)
Bill Moseley (Army of Darkness)
Jeffrey Combs (Gotham)
Eva LaRue (CSI: Miami)
Dick Miller (Gremlins)
Jeff Conaway (Babylon 5)
Charles Cyphers (Halloween)
Anne Lockhart (Battlestar Galactica)
Kyle Chandler (Supoer 8)
Tracey Walter (Batman)
Jeff Yagher (V)
Marc Alaimo (Star Trek: DS9)
Sherman Howard (Superboy)
Christine Belford (Wonder Woman TV)
Sandahl Bergman (Conan The Barbarian)
Clifton Collins Jr. (Westworld)
Morris Chestnut (Kick-Ass 2)
Penny Johnson Jerald (Star Trek: DS9)
Raymond Cruz (My Name Is Earl)
Paul Ben-Victor (Daredevil)
Ellen Albertini Dow (Wedding Crashers)
Brett Cullen (Joker)
Tamara Glynn (Halloween 5)
Leland Crooke (Angel)
Timothy Bottoms (The Paper Chase)
David Kaufman (Superman: TAS)
Dick Gautier (Transformers)
Wings Hauser (Rubber)
Richard Eden (Robocop: The Series)
Robert F. Lyons (Death Wish II)
Fabiana Udenio (Austin Powers)
Clayton Landey (Sully)
Tim Russ (Star Trek: Voyager)

MV5BNTIzODY4NjMtZGE0NC00NTI1LWE1OTktYjNkZjkzZGNhMDA2XkEyXkFqcGdeQXVyNzQ1NjgzOTA@._V1_Based on the popular horror series, Freddy’s Nightmares was a Tales From The Crypt style anthology/spin off which focused on a series of events that people would find themselves in when they went to sleep from embarrassing situations to terrifying blood curdling nightmares, which they sometimes did not wake up from.Image result for FREDDY'S NIGHTMARESThe master behind all these nightmares was none other than Freddy himself, who would narrate every now & then throughout the episodes, an interesting theme & idea the series had which lifted it up above many similar anthologies, was to basically have two episodes in one, in which the the survivor of the first half of the episode would meet his or her death in the second half, usually friends or family members of the characters that have died in the first half. While other episodes featured characters from another episode popping up in others (most of which met their demises in the follow up episodes).

MV5BYmQ0MThmZGItYzhkOC00ZTIzLTliZWMtN2VjNWZjMTIwZmMzXkEyXkFqcGdeQXVyNzQ1NjgzOTA@._V1_Despite his many brief pop up appearances, Freddy was the main focus of a few episodes such as The pilot episode No More Mr. Nice Guy(Directed by Texas Chainsaw Massacre’s own Tobe Hooper!! & my personal favorite out of all the ones Freddy was in) which was a prequel set before the original Nightmare on elm Street,  where Freddy due to an unjust law system was set free after murdering a series of  little children, outraged, the parents decide to take the law into their own hands including a police officer, who’s twin daughters were on the verge of death when he saved them & arrested Freddy. Burned alive in his boiler room, he returned as a badly burned boogeyman to kill & torture some of those responsible for his execution, this episode was very entertaining bringing back the creepy nightmarish monster of the original, rather than the jokey character he later became in parts 3 & up. It’s second half, Sisters Keeper was also pretty decent, other episodes Freddy appeared in were, Freddys Tricks & Treats, Safe Sex, Photo Finish, Dreams Come True, It’s My Party & You’ll Die If I Want You Too!Image result for FREDDY'S NIGHTMARESThe last episode I mentioned which was both scary & hilarious when Freddy decides to attend his class reunion, killing off all of his graduating class including the pretty girl who stood him up & best of all we even got to see Freddy’s nerdish pal from high school!. Another great thing about the series was it’s many familiar acting faces such as Brad Pitt, Dick Miller, and many others.  All in all if you ever get a chance to view the episodes, I do recommend them. A lot of them weren’t great, but unlike Friday The 13th: The Series, at least this had the character from the movies in them & connected to the movies, rather than being in name only, with the humorous Freddy character actually playing better on the small screen than he did on the big screen & a few episodes were actually better than many of the Nightmare sequels!

REVIEW: AMITYVILLE 1992: IT’S ABOUT TIME

CAST

Stephen Macht (Graveyard Shift)
Shawn Weatherly  (Baywatch)
Megan Ward  (Dark Skies)
Jonathan Penner  (Coneheads)
Nita Talbot (Puppet Master II)
Dick Miller (Gremlins)

bountykiller01Jacob Sterling brings home a mysterious clock from the infamous Amityville house, not knowing that it’s haunted by demonic spirits. zkq6yucmcaahnufnopsb9r27cthAfter the special effects heavy ‘3-D,’ the hokiness of ‘The Evil Escapes,’ and the barely related ‘The Amityville Curse,’ the haunted house series that started in 1979 either needed a permanent rest or a shot of life in the arm. In 1992 Republic Pictures released the sixth installment straight to video and after the blandness that was the previous installment I don’t imagine it was met with much enthusiasm. And lets be honest, the world really didn’t need another ‘Amityville’ sequel did it? But to the surprise of some viewers this sequel was actually not too bad. In fact it’s actually rather good; more than it has any right to be.145458_5409_feat-770x433It has some of the best writing in the series. Strong performances from everyone involved. A really nice score from Daniel Licht, who kind of made a career out scoring direct-to-video sequels in the 90s. Moves at a fine pace. Some creative and graphic death scenes. Excellent work on the special and make-up effects. A couple really intense and scary sequences. Predictable is not a word I would use when describing this film. Cool twist ending. Though not a bad directing job it’s nothing spectacular, especially compared to Tony Randel’s work on ‘Hellbound: Hellraiser II.’ The finale is exciting, but also maybe a bit too over-the-top. Lacks the feeling of dread and sharp scares of the first two.1473859680893Final thoughts: I’d always enjoyed the first four films in this series, but never thought that highly of them. I also never expected this sequel to be as good as it is. Nowadays the majority of sequels that go straight to the video store shelf aren’t watchable and a complete waste of time and money, but ‘Amityville 1992’ is one of those rare examples of one done right.

REVIEW: UNLAWFUL ENTRY

 

CAST

Kurt Russell (Big Trouble In Little China)
Madeleine Stowe (12 Monkeys)
Ray Liotta (Killing Them Softly)
Roger E. Mosley (Stay Hungry)
Ken Lerner (Buffy: The Vampire Slayer)
Deborah Offner (Love Field)
Carmen Argenziano (Stargate SG.1)
Dick Miller (Gremlins)
Djimon Hounsou (Shazam)
Sonny Carl Davis (Evil Bong)

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Steve Makaj (Arrow)Michael and Karen Carr (Kurt Russell and Madeleine Stowe) are a couple living in an upscale part of Los Angeles, and their peace of mind is upset by an intruder coming in through their skylight one night. The intruder briefly takes Karen as a hostage, before dumping her in the swimming pool and making his escape. The Carrs call in the police, one of whom, Pete Davis (Ray Liotta), takes extra interest in the couple’s case. He cuts through department red tape and expedites speedy installation of a security system in the Carrs’ house.  When Michael expresses an interest in getting revenge on the intruder, Pete invites him on a “ride-along” with his partner, Roy Cole (Roger E. Mosley). After dropping Cole off, Pete takes Michael out to arrest the man who broke into the Carrs’ house, offering Michael a chance to take some revenge using Pete’s nightstick. Michael declines, but Pete administers a vicious beating to the intruder, leaving Michael deeply suspicious of Pete’s mental stability. He suggests that Pete get some professional help and, especially, stay far away from him and Karen in the future.
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Pete takes neither suggestion. Instead, he begins to stalk the couple, particularly Karen, with whom he’s obsessed. Pete even appears in the couple’s bedroom one night while they are making love, just to “check that everything’s okay”. When Michael files a complaint against Pete’s unwanted attentions, Pete uses his police connections to destroy Michael’s business reputation. Encountering bemused apathy from Pete’s superiors in the LAPD, Michael turns to Cole, who orders his partner to cease his obsessing, see a shrink or face suspension. Pete then murders Cole, blaming it on a known criminal. Pete then frames Michael on drug charges by planting a supply of cocaine in the Carrs’ house, leaving the way clear for him to move in on Karen. Putting his attorney’s finances on the line, Michael gets out on bail and takes matters into his own hands. Back at the Carr house, after finding that Pete has brutally murdered her friend, Karen rejects a now distraught Pete, who, on branding her a tease for leading him on and kissing him, goes berserk and tries to rape her. Michael returns home which leads to a confrontation between the two men and ends in Michael shooting Pete dead with his own side arm in self-defense.919NuAZvl-L._SL1500_Unlawful Entry is a suspenseful thriller with a brilliant cast of Ray Liotta, Kurt Russell and Madeleine Stowe. I should point out that Liotta’s performance as a physchotic police officer is one of the best of his roles. What makes the film outstanding is the sense of struggle, intensity and emotion found in both Liottas and Russells characters.