REVIEW: RAW DEAL

CAST

Arnold Schwarzenegger (The Terminator)
Kathryn Harrold (The Slender)
Darren McGavin (Riverboat)
Sam Wanamaker (Wild Justice)
Paul Shenar (Scarface)
Steven Hill (The Firm)
Joe Regalbuto (Murphy Brown)
Robert Davi (Maniac Cop 2)
Sven-Ole Thorsen (Mallrats)
Ed Lauter (Cujo)
Dick Durock (Swamp Thing)
Leon Rippy (Stargate)

On December 16, 1985, in a remote wooded cabin, a mob informant is under protection by the FBI. They are ambushed by a hit squad who brutally slaughter the bodyguards and the witness. One of the agents killed is Blair Shannon, son of FBI Agent Harry Shannon (Darren McGavin), who vows revenge. After capturing a man posing as a motorcycle cop, small-town sheriff Mark Kaminsky (Arnold Schwarzenegger) goes home to his alcoholic wife Amy (Blanche Baker), who resents what their lives have been reduced to and in a drunken fit throws a cake at him. Kaminsky once worked for the FBI, but five years ago he brutally beat a suspect who “molested, murdered, and mutilated” a young girl. He was given the option to “resign or be prosecuted” by ambitious prosecutor Marvin Baxter (Joe Regalbuto), who is now Special Federal Prosecutor heading up a committee investigating the dealings of Luigi Patrovita (Sam Wanamaker), the strongest of the Chicago Outfit Dons.Shannon calls Kaminsky in with an unsanctioned and possibly illegal assignment: to infiltrate Patrovita’s organization and “tear it up”. Harry cannot do anything officially, and the FBI has a leak who has been getting agents killed, which is why Kaminsky must go in secret. Harry dangles the prospect of Kaminsky being reinstated with the FBI, leading to Kaminsky faking his own death in a chemical plant explosion and posing as convicted felon Joseph P. Brenner. He manages to get an audience with Patrovita’s right-hand man Paulo Rocca (Paul Shenar), and convinces them of his worth by harassing Martin Lamanski (Steven Hill), a rival mob boss who is trying to move in on his former boss Patrovita’s territory. While at Patrovita’s casino, hidden in a basement level of a high class hotel, he makes the acquaintance of Monique (Kathryn Harrold), who works for Rocca’s top lieutenant Max Keller (Robert Davi).Kaminsky continues to work his way into the good graces of the Patrovita family, including devising a plan that recovers $100 million of heroin and cash seized by the feds from one of Patrovita’s hideouts and simultaneously assisting in Lamanski’s assassination. Keller isn’t convinced that ‘Brenner’ is who he says and manages to find proof of the deception, showing Kaminsky’s photo to a police informant who previously arrested the real Brenner. The leak the FBI has been looking for is revealed to be Baxter, who is forced to stay close to Patrovita. Kaminsky accompanies Keller to a cemetery for a hit job, but discovers that the target is Harry Shannon, which causes him to blow his cover. Kaminsky and Shannon manage to kill Keller and another hit man, but Shannon is severely wounded in the exchange.Kaminsky escapes, assisted by Monique (who has grown fond of him). He tells her to go to the airport and wait for him. He then suits up, gathers an arsenal of firearms and raids one of Patrovita’s gravel pits, killing everyone (to the tune of “Satisfaction” by the Rolling Stones) and stealing a large amount of drug money. He then sets off for Patrovita’s casino, where he embarks on a killing spree, single-handedly wiping out all his soldiers, including the men directly responsible for the murder of Blair and his fellow FBI agents. Rocca and Patrovita retreat to a back room, but Rocca is cut down in a barrage of gunfire. Patrovita flees into an office pleading for his life, but Kaminsky mercilessly guns him down. On his way out, he encounters a whimpering Baxter and offers him a gun with the same line Baxter gave him five years earlier: “Resign, or be prosecuted. Any way you want it.” Kaminsky starts to walk off, and when Baxter attempts to shoot him, Kaminsky turns and shoots Baxter dead in self-defense. After driving to the airport, Kaminsky hands a duffel bag containing $250,000 in cash to Monique and gets her on a chartered plane, telling her she is free and can start a new life with no obligations to anyone.The epilogue shows Kaminsky visiting Shannon, who was crippled as a result of the gunshot wound to his back and has been refusing any therapy or rehabilitation. Kaminsky has been reinstated into the FBI, and his reunion with Amy has now led to her being pregnant. Kaminsky wants Shannon to be godfather to the child, but only if Shannon will attempt to walk. Shannon cannot walk easily at first and angrily asks Kaminsky to leave him be, but then Kaminsky tells Shannon he must show the same strength that made him a good father to Blair. Inspired by the love for his son and his gratitude to Kaminsky, Shannon makes a strong effort and eventually manages to walk a few feet on his own, embraced by a smiling Kaminsky.ttytytytyty.pngThis movie gives you everything you want to see in a true action movie from the Hero at his weakest to his strongest. Typically, action movies aren’t awarded Oscars because the character development is poor. Most of the characters die before you really get to know them in some of the films we see. In this film, Arnold accomplishes character development as well as action in the same movie. Although, some of the characters are stereotypical gangsters, his interaction with them helps solidify their presence in the movie. The movie does rank in the same category as Commando but if you love watching his movies, then this one should be a real treat!

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REVIEW: STAR TREK: THE ORIGINAL SERIES – SEASON 1-3

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MAIN CAST

William Shatner (3rd Rock From The Sun)
Leonard Nimoy (Transformers)
DeForest Kelley (Gunfight at the O.K. Corral)
James Doohan (Some Things Never Die)
Nichelle Nichols (Heroes)
George Takei (Heroes)
Walter Koenig (Babylon 5)
Grace Lee Whitney (60s Batman)
RECURRING / NOTABLE GUEST CAST

Jeffrey Hunter (King of Kings)
Susan Oliver (Peyton Place)
Majel Barrett (Spider-Man 90s)
Malachi Throne (It Takes a Thief)
Meg Mylie (Lipstick)
Robert Walker Jr. (The War Wagon)
Eddie Paskey (Mission: Impossible)
Gary Lockwood (2001: A Space Odyssey)
Sally Kellerman (Meatballs III)
Roger C. Carmel (Transformers)
Sherry Jackson (Batman 60S)
Ted Cassidy (The Addams Family)
Kim Darby (True Grit)
Michael J. Pollard (Superboy)
Phil Morris (Smallville)
Morgan Woodward (Cool Hand Luke)
Marianna Hill (Messiah of Evil)
Ricardo Montalban (Fantasy Island)
Madlyn Rhue (A Majority of One)
Arnold Moss (Gambit)
John Astin (The Addams Family)
Mark Lenard (Planet of The Apes TV)
Emily Banks (Gunfight in Abilene)
Elisha Cook Jr. (Rosemary’s Baby)
Diana Muldaur (The Survivors)
John Colicos (Battlestar Galactica)
Joan Collins (60s Batman)
Michael Forest (Power Rangers Lightspeed Rescue)
David Soul (Starsky and Hutch)
Billy Curtis (The Terror of Tiny Town)
Julie Newmar (60s Batman)
William Schallet (Innerspace)
William Campbell (Dementia 13)
Stanley Adams (The Great Gundown)
Michael Pataki (Rocky IV)
Frank Gorshin (60s Batman)
Charlie Brill (Bloodstone)
Ned Romero (Children of The Corn III)
Teri Garr (Tootsie)
Jack Donner (Stigmata)
Dick Durock (Swamp Thing)
Lee Meriwether (Batman: The Movie)
Charles Napier (The Silence of The Lambs)

The original Trek series established, within it’s brief 3-year span, the panorama of an ever-expanding Federation of planets & civilizations, of which Earth was, in the 23rd century, a founding member (tho the audience never saw Earth during this run, except in time travel stories back to our 20th century). This series also presented mankind as, first & foremost, explorers, embodied by the trio of dynamic captain James T. Kirk (Shatner), his number two, science officer Spock (Nimoy) and irascible but kindly Dr.McCoy (Kelley) – but Spock was, of course, an alien (a Vulcan), an example of the alliances Earth held with many extraterrestrial races. They operated from a magnificent starship, Enterprise (one of several such ships in Starfleet), with a crew of about 400. Creator Roddenberry used the series as a platform to address many social & political concerns of the time. The general consensus of most familiar with the show is that the 1st & 2nd years were superior; the 3rd suffered in the writing & budget dept’s.

The best episodes: “City on the Edge of Forever”-Kirk almost sacrifices Earth’s history for the love of a woman. Almost, and he might’ve done so had he known her a little longer; “Mirror,Mirror”-4 members of the crew switch places with their counterparts in a parallel universe, where the Federation is a hostile Empire; “Space Seed”-the crew awaken Khan, an old-time conqueror boosted by eugenics, who returned in the 2nd Trek film(“The Wrath of Khan”); “Arena”-Kirk battles a lizardian captain of an unfriendly race on a desolate asteroid; “The Naked Time”-the crew lose their inhibitions, back when this was original; “This Side of Paradise”-another one with everyone affected emotionally and forgetting their mission; “The Trouble With Tribbles”-hugely entertaining romp on a space station; “Shore Leave”-another romp on a weird planet; “Journey to Babel”-Enterprise hosts ambassadors, Spock’s parents included, dealing with intrigue & politics; “Where No Man Has Gone Before”-the 2nd pilot which green-lit the series and the 1st with normal humans acquiring godlike powers; “The Enemy Within”-examines duality of human nature; “The Doomsday Machine”-space epic about a huge alien weapon destroying planets; “Amok Time”-detailed look into Vulcan customs; “Balance of Terror”-warships testing each other in space,introducing the aggressive Romulan race; “What Are Little Girls Made Of?”-answering all questions on androids; and “The Devil in the Dark”-which shows you cannot judge monsters by appearance.
As the list above demonstrates, all the concepts we have come to know in later films and series (Next Generation,Deep Space 9,Voyager) were laid out just fine in the late ’60s by some inventive writing (the first film to follow this, for example, merely reworked the episode “The Changeling” with a $50 million budget). The 2nd season also ended with a pilot for an unrealized spin-off “Assignment:Earth” which would have focused on human agent of aliens ‘Gary-7’ in the present day. It was back then, also, that omnipotent beings, such as “The Squire of Gothos” and the Organians (“Errand of Mercy”-which introduced Klingons) popped up to work miracles. The final 3rd season show ended things on a hysterical note as Kirk’s body was taken over by an unbalanced woman – quite unPC these days but nonetheless intriguing & entertaining. The series was followed 4 years later by an animated version, which took place during the same mission. Yes, the original is still the best, and it’s easy to see why. Image result for star trek the original series

REVIEW: SWAMP THING: THE SERIES

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CAST

Dick Durock (The Enforcer)
Mark Lindsay Chapman (Lois & CLark)
Jesse Zeigler (Captiva Island)
Carrell Myers (Problem Child 2)
Scott Garrison (Xena)
Kari Wuhrer (Eight Legged Freaks)
Kevin Quigley (Sheena)
Anthony Gaide (Just One of The Guys)

RECURRING / NOTABLE GUEST STARS

Martha Smith (Animal House)
Marc Macaulay (Monster)
Roscoe Lee Browne (Babe)
Jacob Witkin (Hail, Caesar!)
Summer Phoenix (The Faculty)
Sandahl Bergman (Red Sonja)
Patrick Neil Quinn (Days of Our Lives)
David Ackroyd (After Mash)
Kevin Nash (The Punisher)
Christie Lynn Smith (Bones)
Elizabeth Fendrick (Vacation)
Janet Julian (King of New York)
Heather Thomas (The Fall Guy)
Tyne Daly (Cagney & Lacey)
Ray Wise (Agent Carter)
Cheryl Hines (The Ugly Truth)

I enjoyed the Swamp Thing films but didn’t know what to expect of a weekly show that would have a small budget. Looking back, I feel the series succeeded as often as it failed.

The best episodes were those that focused on Swamp Thing (or ‘Alec’ as he was referred to by the people who knew him). The series started out on shaky footing, and had Swamp Thing act out of character. In the first episode he turns a bad guy into a tree until the writers establish that he would never take a human life. Any episode that had him turn back human was well done.

Most of the episodes made him a Rod Serling of the swamp, taking a back seat to the action. A lot of these weren’t too bad. These boiled down to two plots: bad guys hide out in the swamp, only to have to face their crimes in a nightmareish way, or people with problems wander in the swamp, to become better by facing their fears. The best of these was when Ray Wise (Dr. Holland from the original movie) guest starred as someone who might be an alien and almost kills Swamp Thing.

I enjoyed the show Although it could have been so much more, it was certainly better than many other shows or movies based on comic books.

REVIEW: THE RETURN OF SWAMP THING

 

CAST

Louis Jourdan (Octopussy)
Dick Durock (Stand By Me)
Heather Locklear (Spin City)
Sarah Douglas (Superman 1 & 2)

The Return of Swamp Thing sees evil scientist Dr. Anton Arcane (Louis Jordan) trying to reverse the extreme ageing that he is undergoing as a result of his experiments. Meanwhile in Los Angeles his stepdaughter Abigail (Heather Locklear) decides to visit him to find out more about her late mother & the events surrounding her sudden death. It turns out that Abigail has the exact genetic make-up that Arcane needs to complete his experiments & give himself eternal life. Arcane also needs a sample of Swamp Thing’s (Dick Durock) DNA to complete the process but getting a sample isn’t going to be as easy as Arcane hoped for as Swamp Thing sets out to put an end to Arcane’s evil experiments…

I have to say that I really liked The Return of Swamp Thing & for my money just about the best thing Wynorski has ever done (which isn’t saying much in itself). A direct sequel to Wes Craven’s Swamp Thing (1982) it is never actually explained how Arcane survived the events during the climax of the original although it turns out he is suffering from the process that saved him which forms the basis of the plot as he sets out to find a cure & doesn’t care how many people he kills to do just that. Based on the dark Gothic DC comic book character the script by Neil Cuthbert & Grant Morris hasn’t got too much to it & is rather simplistic & underdeveloped but is good fun all the same & you suspect that what the production team were aiming for, a good solid entertaining light hearted fun comic book superhero flick which I think it succeeds at being but like most things in life it’s down to personal opinion. At a little over 90 minutes it’s relatively short, it moves along like a rocket & I was never bored with it which is always a good thing to be able to say. There are one or two half decent action set-pieces but considering the production team had a budget smaller than the Wes Craven original you could say they worked minor miracles. The character’s are fun although not particularly deep, the dialogue is often amusing & packed full of one-liners & doesn’t take itself too seriously either with Locklear’s character referring to the TV show T.J. Hooker (1982 – 1986) in which she starred. All in all much, much better than I expected & a film that I really liked. Keep watching after the end actor credits as the two kids get an extra little scene.

One very impressive aspect of The Return of Swamp Thing is the special make-up effects which are of a very high standard. The Leechman in particularly looks great although he disappears about halfway through, there’s a elaborate Cockroachman & an Elephantman. The Swamp Thing suit is also much better than seen in the original, it’s far more leafy & slimy & more representative of a what a half man half Georgia swamp creature may look like. The Dr. Rochelle mutation at the end also looks good but is dispatched too easily by Swamp Thing & doesn’t put up much of a fight. There are some good fight scenes as well along with a couple of impressive explosions.

If you’re a fan of B-movies, as I am, you’re likely to enjoy this. There are plenty of laughs, both intentional and unintentional. The acting is what you would expect, and the effects are really quite good for its day. It’s simply a good Comic Book Movie that will past the time.

REVIEW: SWAMP THING (1982)

 

CAST

Louis Jourdan (Octopussy)
Adrienne Barbeau (The Fog)
Ray Wise (Agent Carter)
David Hess (Smash Cut)
Nicholas Worth (Darkman)
Dick Durock (Stand By Me)

In the swamps of Louisiana, Dr. Alec Holland works with his sister Linda on a top-secret bio-engineering project to create a plant/animal hybrid capable of thriving in extreme environments. Government agent Alice Cable arrives just as Holland makes a major breakthrough, and begins to develop feelings for him. However, a paramilitary group led by the evil Dr. Anton Arcane, who is obsessed with immortality, kills Linda while trying to steal the formula for their own purposes.

During the attack, Alice escapes and Alec is covered in chemicals, caught on fire, and runs screaming in the swamp, presumably to die. However, he returns as a monstrously mutated plant creature. As the Swamp Thing, Holland battles Arcane’s forces to protect Cable, and eventually takes on Arcane himself, also mutated by the Holland formula.

Swamp Thing doesn’t take itself too seriously but it’s not too tongue-in-cheek to make it look like a camp parody. The production values tend to be a flaky but Swampy’s costume doesn’t look too bad. At the heart of Swamp Thing is a doomed romance which can never fully blossom and the film does have some substance. It’s certainly not a rubbish film and fans of the genre will find that this is a stronger film than many others. Swamp Thing himself is an interesting character, a disfigured genius who is very much aware of his sad situation, he isn’t just a green rage machine, he has depth and is a monster capable of great tenderness

REVIEW: THE INCREDIBLE HULK (1977-1982)

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MAIN CAST

Bill Bixby (Goodnight, Beantown)
Lou Ferrigno (The Scorpion King 4)
Jack Colvin (Child’s Play)


RECURRING / NOTABLE GUEST CAST

Susan Sullivan (Castle)
Ted Cassidy (Mackenna’s Gold)
Lara Parker (Dark Shadows)
William Daniels (Girl Meets World)
Gerald McRaney (Mike & Molly)
Martin Kove (The Karate Kid)
Loni Anderson (Nurses)
Pamela Susan Shoop (Halloween II)
Julie Gregg (The Godfather)
Jennifer Darling (Aladdin)
Andrew Robinson (Hellraiser)
Julie Adams (Murder, She Wrote)
Sheila Larken (The X-Files)
Rosalind Chao (Star Trek: DS9)
Lance LeGault (Stripes)
Mickey Jones (V)
James Daughton (Blind Date)
Ned Romero (Children of The Corn II)
Sally Kirkland (JFK)
Mako (Conan The Barbarian)
Marc Alaimo (Total Recall)
Brion James (Blade Runner)
Kerrigan Mahan (Power Rangers)
Christine Belford (Ruffian)
Billy Green Bush (Critters)
Ernie Hudson (Ghostbusters)
Austin Stoker (Assault on Precint 13)
Carol Baxter (A Chorus Line)
Fred Ward (Tremors)
Sherman Hemsley (The Jeffersons)
Kim Cattrall (Big Trouble In Little China)
Morgan Woodward (Dallas)
Gary Graham (Alien Nation)
Charles Napier (The Silence of The Lambs)
Ray Walston (Star Trek: Voyager)
Bob Hastings (Batman: TAS)
Diana Muldaur (Star Trek: TNG)
Reed Diamond (Dollhouse)
Mark Lenard (Planet of The Apes)
Anne Lockhart (Buried)
Stanley Kamel (Domino)
Melendy Britt (She-Ra)
Henry Polic II (Webster)
Dennis Haysbert (24)
Dick Durock (Swamp Thing)
Brett Cullen (Ghost Rider)
Faye Grant (V)

The first season of The Incredible Hulk premiered with its pilot in 1977 and went on to run for eleven additional episodes. This is the one that started it all and in the opening moments of the series we are given a glimpse at Dr. David’s origins and how he came to possess the abilities of the Hulk. With the introduction out of the way the first season more or less hits the ground running as it established itself with some strong episodes and character development. Granted there are a few clunkers in between the good parts, but all around it was a solid start for Hulk.

“Death in the Family” is the first episode after the pilot and it’s a nice way to get the series going as it establishes the formula early on. This episode sees Banner making his way through California only to stop and help a handicapped girl after she faints in an orchard. It leads to David getting into the middle of a plot to kill the girl, so naturally only he and the Hulk can save her. When he’s done with California, David hitches his way to a new city where he befriends a wannabe boxer involved with some shady dealings. After that he moves on to working in a zoo in an episode that actually features the Hulk fighting a gorilla. Both of these episodes were kind of weak after the pilot and “Death in the Family”, but the season gets much better from here on out.

One of the strongest notes comes from the fifth episode, “Of Guilt, Models, and Murder”. I found this episode entertaining due to the way it played with David’s amnesia after he becomes the Hulk. The episode starts out with the doctor waking up in a room with some dead fashion models, and naturally his mind heads down dark, guilty paths as he blames the Hulk for killing them. The rest of the episode sees him investigating the murders and trying to get the bottom to find out whether or not he was actually involved.

From then on the first season has some ups and downs as it makes its way through the remaining seven episodes. Of the better episodes, “Terror in Times Square” stands out as it features David helping out an arcade owner who is being pressured by some people for “protection”. What better protection could you ask for than having the Hulk on your side for some good ‘ol fashion smashing? “The Hulk Breaks Las Vegas” was a great episode as well. I mean, just think about it, the Hulk running through the streets and casinos of Vegas! After these episodes the only other one that stands out in this season is “Earthquakes Happen” which has David /the Hulk attempting to stop a meltdown after a massive earthquake.

The second season of the Hulk starts out with David heading to Hawaii and getting married to a woman named Carolyn. Of course, being cursed as he is, things naturally don’t end well for the doctor. In the end though, this “Married” episode was interesting because it was more or less two parts and presented itself as a much larger story than we had become accustomed to. The thing with The Incredible Hulk is that most every episode followed a strict formula and you could basically expect the same structure over and over again. Due to that fact it is always a nice thing when the mold is broken, which did happen from time to time with the series.

That “mold” is broken again later in this season with a two-part episode entitled “Mystery Man”. This storyline features the very definition of a close call when David is involved in a car accident that renders him with amnesia. It is bad enough he doesn’t remember what happens when he’s the Hulk, but now he just plain doesn’t know what’s going on. Because of the accident his face is bandaged and he winds up spending a lot of time with McGee when they are involved in a plane crash together. You’re left wondering throughout the episode whether or not the reporter will actually put two and two together.

Aside from these two breaks from the standard set by the first season, the rest of this year’s batch of Hulk episodes are formulaic. It works for many episodes, but there are others which just aren’t quite as sharp. “The Antowuk Horror”, “Alice in Disco Land”, “Killer Instinct”, and “Stop the Presses” all stand out as prime examples of the show at its best, while “Wild Fire”, “Vendetta Road”, and “The Disciple” are a few of the lower points.

All in all, the second season of The Incredible Hulk was much better than the first, but then again in the opening year the show was just finding its footing. We still see a little bit of that here though it’s safe to say that the show handles this material better than most science fiction programs of the era. Many of these episodes and plots are cliché beyond reason, but the series handles them seriously and with a hefty flare for the dramatic. This was definitely one of the feathers in the Hulk’s cap and because of that the series retains much of its entertainment value some thirty years later.

For the third season no multi-part episodes were included, so there really wasn’t much continuity here by comparison to the previous year. That serious tone that helped the series out in the second season was back for this one, but there were still some bits that just didn’t feel right. Having the Hulk freak out on an acid trip, party at a disco, and David fight his moustache wearing evil twin proved to be moments that were really hard to take. Little bits and pieces like this invaded just about every episode and some of the plots get downright ridiculous. Even so there were still some good episodes all around this season, but they were slightly harder to find.

Of the good stuff “Homecoming” definitely stands out as one of the best here. In this episode David goes home to his family for Thanksgiving. While there he spends a little time trying to help out with a problem on the farm, but that’s not what makes this episode so entertaining. For the entire time we’ve known David, we haven’t really learned much about his history prior to being big and green. This episode provides plenty of opportunity for the writers to explore his character and some of his background.

Another solid episode from this season include “The Snare” which has David being invited to an island where he’s hunted by a madman. “The Psychic” is an interesting episode that puts David’s morality on the line when he learns that Jack McGee is going to die. David’s life sure would be a heck of a lot easier if the nosey reported wasn’t around, but could he live with that? This episode really got into David’s head and we got a nice glimpse at how he ticks. Aside from these episodes, most of the other ones here are simply passable. In all honesty it seemed as though by this point the show had already begun to slip though it still retained most of the quality.

Up through the third season the thing that really kept The Incredible Hulk going was solid character development. Though each tale was more or less episodic, traveling with David every week provided a much needed amount of humanity to counterbalance the hulking insanity. The third year started a slide in quality with more gonzo episodes leading the way. Unfortunately that trend continues with the eighteen episodes included in this season.

Despite the overall lacking nature of the fourth season, there are still plenty of enjoyable adventures for David and his big angry friend. The most notable episode here is the season opener which is a two-part story that has David getting stuck mid-transformation. The military gets involved as they think David is actually an alien so they take him back to the lab for further examination. Another two-part episode in this season sees David tracking down another “monsters”. This one has plenty to appreciate for fans of the show and it even offers the Hulk something other than a thug, brick wall, or car to beat up on! Other than the extended episodes here this season more or less splits right down the middle in terms of quality.

After watching the fourth season it’s not too difficult to see why the series was cancelled early on in the fifth. With only seven episodes to its name, the final year is a sore spot compared to the earlier ones, which featured many highlights. The episodes here simply weren’t very entertaining, most were poorly written, and even the actors didn’t seem as invested in it. It’s a shame that the series couldn’t have found a suitable ending and that it ended with such a whimper, but while it lasted it was a comic lovers dream come true.

Even if you weren’t into the comic, The Incredible Hulk was quite a show for the time it was released. The dark nature of the program coupled with Bixby’s acting skills and some “decent” writing presented a unique television experience that became an icon. While the later seasons of the show definitely weren’t the best, the first three seasons were rock-solid entertainment. Tuning in each week to see David turn into the Hulk was a hoot and reliving the show again thirty years later proves to be a nice nostalgic trip into the history of everyone’s favorite green giant.