REVIEW: HUSH LITTLE BABY

CAST

Diane Ladd (Joy)
Geraint Wyn Davies (Cube 2)
Wendel Meldrum (K-9)

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The story is about the reunion of an adopted daughter (Susan) and her biological mother (Edie). All seems fine and much too perfect when they get closer but Edie gets jealous of everyone who is near Susan. There is the babysitter and house-girl, Susan’s son, her husband and the parents who adopted her. Nobody knows at this time that Edie spent several years in a mental hospital and prison for murder. So you can imagine what will happen… Well, I didn’t like the ending very much, it was too cheesy and looked a bit cheap done, the only bad thing in “Hush little baby”.
firestarter
Diane Ladd gives a great performance as Edie Landers. She is so believable and also when she tries to come on to Susan’s husband Martin (Geraint Wyn Davies). And she is so perfect playing this mental disturbed character.Wendel Meldrum needed a while to give a good performance. She acts a bit shy and helpless at the beginning but then turns out very good. The storyline between mother and daughter is played very believable.
screen-shot-2014-12-11-at-9-54-08-am Despite being a TV-Movie this is quite good.

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12 DAYS OF CHRISTMAS REVIEW: JOY

CAST
Jennifer Lawrence (American Hustle)
Bradley Cooper (Serena)
Robert De Niro (Silver Linings Playbook)
Dascha Polanco (Orange Is The New Black)
Virginia Madsen (Highlander 2)
Isabella Rossellini (Death Becomes Her)
Elisabeth Rohm (Heroes)
Diane Ladd (Kingdom Hospital)
Melissa Rivers (First Daughter)
Jimmy Jean-Louis (Heroes Reborn)
In 1989, Joy Mangano is a divorced mother of two, working as a booking clerk for Eastern Airlines. She lives with her two young children, her mother, Terri, her grandmother, Mimi, and her ex-husband, Tony in working-class, Quogue, New York. Her parents are divorced, and her mother and father fight whenever her father shows up at her home. Joy’s older half-sister, Peggy, is an overachiever who constantly humiliates Joy in front of her children. Peggy and Joy’s father Rudy are very close. Terri spends all day lying in bed watching soap operas as a means of escape from her life, leaving Joy to run the household. Only Joy’s grandmother and her best friend Jackie encourage her to pursue her inventing ambitions and become a strong successful woman.
After divorcing his third wife, Joy’s father starts dating Trudy, a wealthy Italian widow with some business experience. While on Trudy’s boat, Joy drops a glass of red wine, attempts to mop up the mess, and cuts her hands on the broken glass while wringing the mop. Joy returns home and creates blueprints for a self-wringing mop. She builds a prototype with help from the employees at her father’s shop. She then convinces Trudy to invest in the product. They make a deal with a company in California to manufacture the mop’s parts at a low price. In order to avoid a potential lawsuit, Joy also pays $50,000 in royalties to a man in Hong Kong who supposedly has created a similar product. When the company repeatedly bills Joy for faulty parts they create, Joy refuses to pay the fees and tells her father, Trudy, and Peggy not to pay them.
Joy needs a quick, easy way to advertise her product, and is able to meet with QVC executive Neil Walker. Neil is impressed and shows Joy his infomercials, where celebrities sell entrepreneur’s products through a telethon system. Neil tells Joy to manufacture 50,000 mops. Joy is advised by Trudy to take out a second mortgage on her home, in order to pay her costs. The first infomercial fails, but when she goes on QVC, Joy and her product become an overnight success. Things look up for the family, with the mop earning thousands of dollars on QVC, and Terri falls for Toussaint, a Haitian plumber Joy hired earlier in the film to fix up a leak in Terri’s bedroom.
Joy’s grandmother dies suddenly. Rudy and Trudy send Peggy to California to conduct Joy’s company business. Afterwards Peggy tells Joy that she paid excessively raised production fees. Joy is angry and travels to California to meet with the manufacturer, who refuses to pay her back. Joy also discovers that the manufacturer is about to fraudulently patent her design. Her lawyer reveals that there is nothing they can do to prevent this, and Joy is forced to file for bankruptcy. Joy discovers that the manufacturers have been defrauding her the entire time she has dealt with them. She confronts the owner, and forces him to pay her back.
Several years later, Joy is wealthy and runs a successful business. She continues to take care of her father, even though he and Peggy had unsuccessfully sued her for ownership of the company. Terri is the only family member who does not live off Joy, finally finding stability through her relationship with Toussaint. Jackie and Tony remain Joy’s most valued advisers, and the film ends with her helping a young mother develop a new invention.
Based loosely on the life and career of Joy Mangano this is the story of her fight to keep her home and her very dysfunctional family together on the way to inventing the miracle mop. In other hands this could make a very bland lifetime movie but steered by David O Russell and headed by a terrific performance from Lawrence, who is proving herself to be superior to any other female actor, Joy is a great experience. It’s worth noting that both Cooper and DeNiro are superfluous in this movie, it is Jennifer Lawrence who carries it from first to last.

REVIEW: KINGDOM HOSPITAL

CAST
Andrew McCarthy (Mulholland Falls)
Bruice Davison (High Crimes)
Meagen Fay (The Big Bang Theory)
Ed Begley, Jr. (Veronica Mars)
Sherry Miller (Bitten)
Allison Hossack (Stargate SG.1)
Julian Richings (Highlander: The Raven)
Diane Ladd (Raging Angels)
Jack Coleman (Heroes)
Jodelle Ferland (Dead Like Me)
Kett turton (Blade: Trinity)
Recurring Cast / Guest Stars
Christopher Heyerdahl (Sanctuary)
Ryan Robbins (Arrow)
Alan Scarfe (Andromeda)
Callum Keith Rennie (Flashforward)
William B. Davis (The X-Files)
Christine Willes (Dead Like Me)
Like the best of Stephen King’s works, “Kingdom Hospital” draws its inspiration from a combination of another work and autobiographical details of his own life, in this case, Lars von Trier’s “Riget,” and King’s own 1999 experience being struck by a drunk driver in a hit-and-run accident. King wrote 8 of the 13 episodes himself and shares writing credit with his wife Tabitha on a 9th. The remaining 4 were scripted by his co-producer, National Book Award finalist Richard Dooling.
“Kingdom Hospital” is not “Riget” and does not pretend to be. A straightforward remake of “Riget” would not have played well to mainstream American audiences, besides being redundant and unnecessary. If you want to see “Riget,” you can rent “Riget,” but don’t look for it here. Instead, “Kingdom Hospital” uses “Riget” as the framework for a motherlode of subtext. From a modern re-telling of the Egyptian Anubis myth, to questions of Christian faith, from forays into the horrors of experimental medicine to frequent pot shots at American popular culture, from an exploration of obsessive attraction to biting commentary on the ways children have been treated historically–all of these things combine to tell a fascinating, multi-layered tale.
While the villain, Dr. Stegman, is rather one-dimensional in his obsessions and hubris, he serves as a mirror to the more fascinating Dr. Hook, a man so haunted by his own internal demons and guilt that he strives to be better. Stegman’s lack of guilt serves as his downfall, while Hook’s guilt and mistakes define him. Peter Rickman serves as the mirror to Stephen King, as he realizes he has defined himself by his craft (he is an artist), and just as King revealed in his memoir “On Writing” how writing ultimately healed him, so does Rickman’s artwork (he’s so defined by it that he uses drawings to communicate while comatose) set the stage for his own healing, and, ultimately, the “healing” of Kingdom Hospital. “It’s what I do,” he says at the story’s climax. “It’s solid.”
“Kingdom Hospital” is much better suited to viewing on DVD without the endless commercial interruptions that slowed the narrative during its prime-time run. On television the story was slow to build and often seemed to take pointless, meandering side trips, but watched in a single sitting, it takes on a new life, and those side trips pay off marvelously in end. This is fascinating stuff, great character studies. A definite must-see!