REVIEW: THE FLASH – SEASON 4

 

The_Flash_season_4_poster_-_Let_the_Mind_Games_Begin

Starring

Grant Gustin (Glee)
Candice Patton (The Guest)
Danielle Panabaker (The Crazies)
Carlos Valdes (Vixen)
Keiynan Lonsdale (The Turning)
Neil Sandilands (The 100)
Tom Cavanagh (Scrubs)
Jesse L. Martin (Injustice)

Grant Gustin in The Flash (2014)

Recurring / Notable Guest Cast

Kim Engelbrecht (Dominion)
Danielle Nicolet (Central Intelligence)
Britne Oldford (God Friended Me)
Jessica Camacho (Watchmen: The Series)
Dominic Burgess (The Good Place)
Richard Brooks (The Crow: City of Angels)
Sugar Lyn Beard (Sausage Party)
Violett Beane (God Friended Me)
Chelsea Kurtz (Scandal)
Hartley Sawyer (The Young and The Restless)
Vito D’Ambrosio (Bones)
Danny Trejo (Machete)
Emily Bett Rickards (Brooklyn)
Katee Sackhoff (Battlestar Galactica)
Stephen Amell (Arrow)
Victor Garber (The Orville)
John Wesley Shipp (Dawson’s Creek)
Caity Lotz (The Pact)
Morena Baccarin (Gotham)
Chyler Leigh (Not Another Teen Movie)
Franz Drameh (See)
Paul Blackthorne (The InBetween)
Jeremy Jordan (The Last Five Years)
Juliana Harkavy (Last Shift)
Melissa Benoist (Whiplash)
Wentworth Miller (Underworld)
Russell Tovey (Being Human)
Max Adler (Into The Dark)
Patrick Sabongui (Power Rangers)
Kendrick Sampson (Relationship Status)
Mark Valley (Human Target)
Corinne Bohrer (Tellers)
Devon Graye (13 Sins)
Bill Goldberg (Santa’s Slay)
Jessica Parker Kennedy (Cam)
Derek Mears (Swamp Thing)
Kendall Cross (Another Life)
Paul McGillion (Stargate: Atlantis)
Leonardo Nam (Westworld)
Bethany Brown (The 100)
Kevin Smith (Clerks)
Jason Mewes (Mallrats)
Arturo Del Puerto (For All Mankind)
Katie Cassidy (Taken)
Ryan Alexander McDonald (Izombie)
Mark Sweatman (Uncut)
David Ramsey (Dexter)

Grant Gustin in The Flash (2014)For the last three years, “The Flash” has proven itself to be one of the very best  superhero shows on television. With its incredible mix of compelling characters, intricate storytelling, and tense thrills, it has continued to deliver a wonderful blend of drama, comedy, action, and even a little romance. Heading into season four, the show has shown no signs of slowing down, and coming off of a particularly excellent season, expectations remain quite high. Now, at last, it’s time to see if “The Flash” continues its “streak” of greatness, or if the show has at last run its course.Neil Sandilands in The Flash (2014)At the end of season three, Barry Allen/The Flash (Grant Gustin) found himself with no other choice but to go into the speed force itself to save Central City. This left the rest of Team Flash, including Iris (Candice Patton), Cisco (Carlos Valdes), and Wally (Keiynan Lonsdale), to pick up the slack in regards to fighting crime in the city. However, they find that not only do they miss Barry, but that their team just isn’t the same without him, which eventually leads Cisco to devise a way to free him from the speed force.Grant Gustin and Hartley Sawyer in The Flash (2014)Their happiness at being reunited is short-lived however, as they quickly discover that the rift they opened to free Barry also unleashed a massive amount of dark matter that changed a dozen civilians into meta-humans with extraordinary powers. Meanwhile, a new brilliant foe by the name of Clifford DeVoe, aka “The Thinker” (Neil Sandilands) has emerged with a mysterious plan that involves collecting the powers of these recently-created meta-humans. It’s up to Team Flash (including new team member Ralph Dibney/”The Elongated Man” (Hartley Sawyer)) to discover how all of it is connected, and what DeVoe’s ultimate goal is before he can carry it out, all while trying to protect the people of Central City from the continuous onslaught of criminals.One of the most impressive things about “The Flash,” aside from everything mentioned so far, has been the remarkable ability of the writing staff to fill its lengthy 23-episode season. In an age where TV shows are moving away from the older model of having epic-sized seasons of 20+ episodes and moving towards more streamlined lengths of about 10-13 episodes, it’s quite something to see a show continue to utilize so many AND be able to actually fill it with quality material. Sure, some episodes aren’t an actual part of the season’s main arc, but even when they don’t further the main plot, the writers usually still manage to deliver consistently fun and exciting episodes.Grant Gustin in The Flash (2014)It’s rather satisfying to say that season four is no exception. Once again, we have a compelling storyline that sees the entire city put in danger, forcing our group of heroes to use every means at their disposal to take down “The Thinker.” That actually brings us right to the main reason this season stands out as being particularly special: for once, the villain is not an evil speedster, but rather a man with an insanely-advanced intellect. In the first three seasons, we saw our heroes go up again The Reverse Flash, Zoom, and Savitar, but now, in a refreshing change of pace, we have a villain who uses sheer brainpower (and eventually several neat powers) to challenge Flash and co., literally forcing them to have to try and out-think their foe.Kim Engelbrecht and Neil Sandilands in The Flash (2014)In the same vein, the showrunners have also made the wise decision to get rid of certain characters that hadn’t been working particularly well. Most notably, Wally West leaves early on, and actually joins the Legends on “Legends of Tomorrow.” His character never really found a satisfying place on “The Flash,” so it made perfect sense to put him with other b-characters on one of the weaker superhero shows on the network. He still pops in every now and again for important events, but for the most part, he’s been removed. It’s also worth noting that this season doesn’t feature an appearance from the silliest villain in the show’s repertoire, Gorilla Grodd. Perhaps after the misguided arc in the previous season, they’ve finally learned that the character was just a bad idea.Grant Gustin and Violett Beane in The Flash (2014)As far as complaints about this latest season, I suppose the somewhat simple ending was a little bit of a drawback. After all of the buildup, it seemed a little too easy to get to the end result, but still, it worked well enough for the show’s purposes. That being said, it hardly seems worth mentioning with everything that went so well this season. Once again, we had 23 episodes that flew by at top speed, delivering everything that fans have come to expect from this fast-paced and remarkably entertaining show. As usual, we’re left with another cliffhanger that shows that yet another wild season will probably be in store for Team Flash. What kind of villain will we get this time? Another speedster? Another brainiac of sorts? Or will it be something entirely new and surprising? Just like everyone else, I can’t wait to find out.

 

REVIEW: THE FLASH – SEASON 1

 

Starring

Grant Gustin (Glee)
Candice Patton (The Guest)
Danielle Panabaker (The Crazies)
Rick Cosnett (The Vampire Diaries)
Carlos Valdes (Vixen)
Tom Cavanagh (Scrubs)
Jesse L. Martin (Injustice)

Recurring / Notable Guest Cast

Michelle Harrison (Tru Calling)
Chad Rook (Timeless)
Patrick Sabongui (Power Rangers)
Al Sapienza (Suits)
John Wesley Shipp (Dawson’s Creek)
Stephen Amell (Arrow)
Fulvio Cecere (Dark Angel)
Olivia Cheng (Warrior)
Jennifer Cheon Garcia (Van Helsing)
Brendon Zub (Batwoman)
Logan Williams (When Calls Your Heart)
William Sadler (Iron Man 3)
Robbie Amell (The Duff)
Anthony Carrigan (Gotham)
Wentworth Miller (Underworld)
Emily Bett Rickards (Brooklyn)
Dominic Purcell (Prison Break)
Kelly Frye (Criminal Minds)
Clancy Brown (Highlander)
Greg Finley (Izombie)
Robert Knepper (Cult)
Morena Baccarin (Deadpool)
David Ramsey (Dexter)
Paul Anthony (Blade: Trinity)
Anna Hopkins (Shadowhunters)
Amanda Pays (Max Headroom)
David Milchard (Sanctuary)
Roger Howarth (One Life To Live)
Andy Mientus (Gone)
Tom Butler (Blade: The Series)
Victor Garber (The Orville)
Malese Jow (The Shanara Chronicles)
Britne Oldford (Blindspot)
Bill Dow (Izombie)
Isabella Hofmann (Burlesque)
Katie Cassidy (Black Christmas 2006)
Chase Masterson (Star Trek: DS9)
Liam McIntyre (The Legend of Hercules)
Nicholas Gonzalez (Sleepy Hollow)
Peyton List (Gotham)
Paul Blackthorne (Arrow)
Mark Hamill (Star Wars)
Matt Letscher (Her)
Bre Blair (Game of Silence)
Vito D’Ambrosio (Bones)
Devon Graye (13 Sins)
Emily Kinney (The Walking Dead)
Brandon Routh (Superman Returns)
Danielle Nicolet (3rd Rock From The Sun)
Peter Bryant (See)
Doug Jones (Star Trek Discovery)
Ciara Renée (The Big Bang Theory)

 

The Flash was unique in its first season in the sense that it never really needed to find itself or grow into something better. It simply started strong and continually got better over the course of seven months. Much of the credit rests with the fact that the Flash was hardly starting from scratch. This show is the first spinoff of Arrow and its growing superhero universe. It features many of the same producers as Arrow and several writers responsible for Arrow’s stellar second season. Not only did The Flash not have to waste much time establishing its universe, it didn’t even have to introduce viewers to its protagonist. Grant Gustin debuted as a pre-speedster Barry Allen midway through Arrow’s second season, culminating with the accident that created the Flash. By the time this show came around, viewers already knew Barry, what made him tick and what fueled his particular quest.Gustin rapidly grew into the role of Barry Allen once the spotlight was placed on him. Gustin brought a winning blend of youthful energy, latent pathos and Peter Parker-esque awkwardness to the table. He gave us a Barry Allen that’s impossible not to connect with. Barry is immensely likable. He’s less intense than Stephen Amell’s Oliver Queen. He’s driven by tragedy but anchored by a small family unit. He’s faithful to the comic book Barry Allen. One of the main reasons for The Flash’s success, though, was its supporting cast. So much of the drama and the emotional core of the show centered around Barry’s ties to his core circle of friends, family and allies.Kelly Frye and Grant Gustin in The Flash (2014)There was his adoptive father, Joe West (Jesse L. Martin). There was his adoptive sister/unrequited love, Iris (Candice Patton), a dichotomy that never came across as creepy or incest-y as it could have. There was his newfound father figure/mentor in Dr. Harrison Wells (Tom Cavanagh). There were his new friends/partners in metahuman-busting, Dr. Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes). And rounding out the core cast was Eddie Thawne (Rick Cosnett), Barry’s colleague and sometimes rival/sometimes ally.The show exploited these various relationships to great effect. Above all, the father/son relationships between Barry/Joe and Barry/Wells were the source of great drama. Martin and Cavanagh were the MVPs among the cast. Martin brought a crucial warmth to his role as a concerned father and a man simply baffled by the increasingly bizarre state of life in Central City. Cavanagh, meanwhile, helped mold Wells into the show’s most captivating figure. It quickly became apparent that Wells was far more than he seemed, eventually emerging as the primary antagonist of Season 1.Grant Gustin in The Flash (2014)But thanks to Cavanagh’s performance, it was always apparent that Wells cared for Barry even as he plotted and schemed and tormented the hero.Caitlin and Cisco became increasingly compelling characters in their own right as the season progressed. Caitlin, initially cold and a little haughty, grew as her relationship with Barry blossomed and her past relationship with Ronnie Raymond (Robbie Amell) came to light. Cisco was largely a comic relief character at first. And while he remained the show’s most reliable source of comedy, he too was fleshed out and developed a father/son connection to Wells of his own.Iris and Eddie were a little more uneven when it came to their respective roles within the show. At times it was easy to forget about Eddie given his tendency to drop out of view. However, he definitely became an integral player in the final couple months of the season.Stephen Amell and Grant Gustin in The Flash (2014)I appreciated how the writers never took a one-note approach with Eddie. He may have been Barry’s romantic rival, but he was never written as a bully or a jerk, just a guy with his own set of hopes and desires. As for Iris, there were some episodes where she filled what seemed to be a mandatory quota as far as superhero relationship drama. The Barry/Iris/Eddie love triangle definitely had its moments, but some weeks it came across as pointless filler. The big offender was “Out of Time,” which featured a terrifically epic climax but dull build-up. The premiere episode, did a fine job of laying out the cast of characters and basic status quo for the show. The idea that the STAR Labs particle accelerator created a new wave of metahumans alongside the Flash offered an easy way to start building a roster of villains and put Barry’s growing speed powers to the test. Luckily, it wasn’t long before The Flash began moving away from the “villain of the week” approach and building larger, overarching storylines. Bigger villains like Captain Cold (Wentworth Miller) and Heat Wave (Dominic Purcell) were introduced, paving the way for the Flash.The show played its part in expanding the CW’s superhero universe, introducing Firestorm and crossing paths with Arrow at several points. The mid-season finale, “The Man In the Yellow Suit,” offered the full introduction of the Reverse-Flash and set the stage for a conflict that would drive the show all the way until the season finale. As that conflict developed, the question of just who Dr. Wells was and what he had planned for Barry became paramount. Wells symbolized just how much the show was willing to play with expectations and shake up the traditional comic book mythology. I noted in my review of the premiere episode that the show was showing signs of being too predictable for seasoned comic book readers. It wasn’t long before that concern faded away.Looking back at these overarching conflicts and how they were developed over the course of the season, it’s clear that The Flash succeeded because it managed to adopt the serialized nature of superhero comics so well. Each new episode offered its fair share of twists and surprises, culminating in a dramatic cliffhanger that left viewers craving the next installment.Grant Gustin in The Flash (2014)It served as a reminder that, in many ways, TV is an inherently better medium for superheroes than film. A weekly series can do serialized storytelling in a way a couple superhero movies every year can’t. The show started out big with the premiere episode, pitting Barry against the first Weather Wizard and a massive tornado. Even that was chump change compared to later conflicts. Barry’s battle with the second Weather Wizard culminated with the hero stopping a tidal wave at supersonic speed. But the most impressive technical accomplishment was more subtle. The late-season episode “Grodd Lives” introduced viewers to Gorilla Grodd, a completely computer-animated villain who looked far more convincing than we had any right to.Mark Hamill in The Flash (2014)Perhaps one of the strongest episode of Season 1 was “Tricksters.” That episode paid terrific homage to the short-lived 1990 Flash series as Mark Hamill reprised the part of the prank-obsessed villain the Trickster and former Flash John Wesley Shipp was given his most in-depth role as Barry’s father, Henry. Not only was “Tricksters” a fun love letter to the old show, it proved that this series can venture into full-on camp territory without losing sight of itself.Ultimately, though, it’s the finale episode that stands out as the crowning moment of Season 1. The show bucked the usual trend by getting the physical confrontation with Reverse-Flash out of the way in the penultimate episode (via a team-up between Flash, Firestorm and the Arrow, no less). “Fast Enough” wasn’t concerned with the visceral element of the Flash/Reverse-Flash rivalry so much as the psychological one. The finale was intensely emotional, forcing Barry to decide just how much he was willing to sacrifice to save his mother. Just about every actor delivered their best work of the season. It was a tremendous payoff to a year’s worth of build-up.Jesse L. Martin in The Flash (2014)The finale ended the season with a big question mark of a cliffhanger. The great thing about the way the season wrapped is that now the door is open for practically anything. The finale touched on the idea of the multiverse – other worlds inhabited by other Flashes like Jay Garrick. The Flash didn’t suffer from the familiar freshman growing pains most new shows experience in their first season. This show built from the framework Arrow laid out and made use of an experienced writing and production team, a great cast, and a clear, focused plan for exploring Barry Allen’s first year on the job. The show was never afraid to delve into the weird and wild elements of DC lore, but it always stayed grounded thanks to a combination of humor and strong character relationships.

REVIEW: BONES – SEASON 4

Starring

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Yellowstone)
Tamara Taylor (Lost)
T. J. Thyne (Ghost World)
John Francis Daley (Game Night)

David Boreanaz, Michaela Conlin, John Francis Daley, Emily Deschanel, Tamara Taylor, and T.J. Thyne in Bones (2005)

Recurring / Notable Guest Cast

Eugene Byrd (Heroes)
Sean Blakemore (Star Trek Into Darkness)
Andrew Buchan (All The Money In The World)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Scoot McNairy (Argo)
Elizabeth Lackey (Heroes)
Jill Wagner (Blade: The Series)
Michele Greene (LA Law)
Brennan Elliott (Curse of Chucky)
Richard Gant (Rocky V)
Dean Norris (Breaking Bad)
Devon Graye (The Flash)
Adam Rose (Veronica Mars)
Demetrius Grosse (Rampage)
Eric Millegan (Phobic)
Michael Grant Terry (Grimm)
Joel David Moore (Avatar)
David Gallagher (Super 8)
Ryan Cartright (Alphas)
Bruce Thomas (Army of Darkness)
Blake Shields (Heroes)
Thor Knai (The Outpost)
Patricia Belcher (Jeepers Creepers)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (lost)
Brendan Fehr (Roswell)
William R. Moses (JAG)
Ryan O’Neal (Love Story)
Gina Torres (Firefly)
Molly Hagan (No Good Nick)(
Aisha Hinds (Cult)
Sterling Beaumon (The Killing)
Mageina Tovah (Spider-Man 2)
Stephen Lee (Robocop 2)
Andy Richter (Scary Movie 2)
Bianca Lawson (Buffy: TVS)
Nathan West (Not Another Teen Movie)
Noel Fisher (Teenage Mutant Ninja Turtles)
Deirdre Lovejoy (The Blacklist)
Marisa Coughlan (Super Troopers)
Oliver Muirhead (Like Crazy)
Betsy Rue (Halloween II)
Zachary Knighton (Flashforward)
Christine Lakin (Hollywood Darlings)
Spencer Breslin (The Happening)
Pej Vahdat (Arrow)
Kayla Ewell (The Vampire DIaries)
Dana Davis (Prom Night)
Eric Nenninger (The Flash)
Audrey Wasilewski (Red)
John Pyper-Ferguson (Caprica)
P.J. Byrne (Black Lightning)
Mayim Bialik (The Big Bang Theory)
Stephen Fry (V For Vendetta)
Tania Raymonde (Lost)
Brian Tee (Jurassic World)
Ally Maki (Cloak & Dagger)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)
Rick Peters (Dexter)
Edwin Hodge (The Purge)
Lorna Raver (Drag Me To Hell)
Jeff Yagher (V)
Seth MacFarlane (Family Guy)

David Boreanaz, Emily Deschanel, Indira Varma, and Andrew Buchan in Bones (2005)World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.David Boreanaz and Emily Deschanel in Bones (2005)Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.Emily Deschanel and Cesar Millan in Bones (2005)Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.David Boreanaz and Emily Deschanel in Bones (2005)There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.” which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.David Boreanaz and Emily Deschanel in Bones (2005)Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.The-Critic-in-The-Cabernet-Screencaps-bones-10968392-653-435In “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

REVIEW: I DON’T FEEL AT HOME IN THE WORLD ANYMORE

CAST

Melanie Lynskey (Heavenly Creatures)
Elijah Wood (Lord of The Rings)
Gary Anthony Williams (The Internship)
Jane Levy (Don’t Breathe)
Devon Graye (Dexter)
Jeb Berrier (Grimm)
Christine Woods (Flashforward)
Lee Eddy (Day 5)
Robert Longstreet (Take Shelter)
Michelle Moreno (No Postage Necessary)
Jana Lee Hamblin (Portlandia)
Derek Mears (Friday The 13th)

I Don’t Feel at Home in This World Anymore (which honestly needs a new title) stars the endlessly charming Melanie Lynskey  as Ruth, a woman who is fed up with people being assholes. It’s that simple. One day, she comes home to find that her house has been broken into, with the thieves having stolen her laptop, a set of silver she inherited from her grandmother, and some prescription medication for depression and anxiety. When it becomes clear that the police are basically doing nothing to help her, she decides to take matters into her own hands.

Ruth doesn’t go on this adventure alone though. You see, one of the assholes that Ruth was fed up with was Tony (Elijah Wood), a guy who lives in her neighborhood and constantly lets his dog shit in her yard without cleaning it up. This is a guy with tinted prescription sunglasses, a rat tail, and a keen interest in martial arts weapons. But with no one else willing to help her, Tony is all she has. So off they go, tracking down the shady criminals who stole all of Ruth’s stuff. What follows is darkly funny thriller in the same vein of the Coen Brothers, with flairs of The Big Lebowski and Fargo, and an array of violence that is on par with Saulnier’s Blue Ruin and Green Room. The odd humor mixed with the surprisingly brutal violence creates an interesting dichotomy that is never boring, though it is occasionally jarring. The film as a whole is not quite as polished or refined as the grim but amusing thrillers of Joel & Ethan Coen, but the combination of comedy and brutality is clearly intentional and purposeful, even if it doesn’t always mesh well.What makes the film work better than it otherwise might be is the eclectic cast. Melanie Lynskey is always outstanding, and this movie is no exception. The turn of Ruth from jaded nurse to vigilante seems like an outlandish one, but Lysnkey brings such a genuine performance to the table that the movie never feels overtly goofy. Elijah Wood as her peculiar sidekick is quite the scene stealer, coming through with some impressive physical comedy to accompany his masterful characterization of Tony. And the three criminals played by Devon Graye, Jane Levy and David Yow are endlessly creepy without becoming caricatures.

I Don’t Feel at Home in This World Anymore acts as a parable that beckons for people to just stop being so shitty to each other. But it also cautions us to think harder about how we choose to deal with toxic people who would treat us so poorly. And if society’s perpetual carelessness for how we treat each other results in the same kind of brutally, bloody climax on display in this movie, we should probably heed Macon Blair’s warning.

REVIEW: 13 SINS


CAST

Mark Webber (Green Room)
Devon Graye (Dexter)
Tom Bower (Die Hard 2)
Rutina Wesley (Hannibal)
Ron Perlman (Hellboy)
Pruitt Taylor Vince (Heroes Reborn)
George Coe (The Entity)
Richard Burgi (Chuck)

Elliot Brindle, a meek salesman, loses his job despite his debt and the people who depend on him: Michael, his mentally handicapped brother; Shelby, his pregnant fiancee; and an unnamed, abusive father. Elliot receives a mysterious phone call that offers him $1,000 to assertively kill a fly that has been harassing him. After Elliot checks his bank account online and sees that he has been credited, he accepts the next challenge: to eat the dead fly. The caller explains that he will be offered a series of thirteen challenges, each of which will result in greater rewards. If he fails to complete any of them, interfere in the game, or reveals the game, he will forfeit all the money.

The next few challenges attract police attention: making a child cry, arson, and scamming a homeless person. When the child identifies Elliot in the police station based on wanted posters, Detective Chilcoat takes over the case. Shelby becomes concerned about Elliot’s secretive and odd behavior, and he explains that he is planning a surprise. For his sixth challenge, Elliot is forced to take a corpse out for coffee. Given a strict deadline, Elliot panics and brazenly steals a cup of coffee from a police officer. Elliot is credited with two challenges for his bold behavior after he threatens to file a complaint about the officer’s public intoxication.

After he flees the scene, the caller tells Elliot that he has left behind evidence; however, if he wins the game, his record will be purged. At the same time, Chilcoat tracks a conspiracy theorist that has been investigating the game. Paranoid, the man flees Chilcoat but advises him to kill Elliot at his first opportunity. For his next challenge, Elliot receives no instructions and is taken to a rural motel. There, a man identifies himself as a former childhood bully, and the caller tells Elliot to sever the man’s right arm with a surgical saw, an action which the man has apparently consented to. Elliot initially refuses, believing the man to be coerced by the caller, but the man deliberately provokes Elliot into cutting off his arm below the elbow. After driving the man to the hospital, Elliot savagely beats the man’s brother, who was also involved in bullying Elliot and Michael, and once urinated on Michael’s face. As a result, he is credited with two more completed challenges.

When the police arrive at the banquet hall where Elliot and Shelby are having their rehearsal dinner, Elliot is surprised to discover that they are interested in Michael. In order to give Michael time to escape, he accepts his next challenge, to destroy the banquet hall while singing The Internationale. Disappointed in his reluctance to break social norms, the caller instructs Elliot to surrender to the police, from whom Elliot learns that another person has been playing the game. Elliot takes and accidentally wounds a hostage in order to escape and complete the game before the other competitor. As he escapes, he leaves behind his cell phone. Desperate, he takes an old woman hostage when she shows up, sure that she is involved in his next challenge.

After feigning ignorance, the old woman reveals his next challenge: to set a stainless steel wire across the road. Elliot is horrified when he realizes that a group of bikers have been instructed to speed down the road. Although he disarms the trap in time, the other competitor rearms the trap, and the cyclists are decapitated. Disgusted, Elliot quits the game, and, when he returns home, discovers that Michael is the other competitor. Michael reveals that the final challenge is to kill a family member. Although Elliot originally tries to talk Michael out of killing their father, Elliot becomes homicidal when their father reveals he won the game by killing their mother. To prevent his sons from experiencing the horror of winning the game, their father commits suicide.

However, Michael refuses to stop playing the game and attempts to kill Elliot. Elliot kills Michael in self-defense, though he is stabbed multiple times. Elliot is credited for his final challenge, but he forfeits all the money when he interferes with the game by killing Chilcoat, who has murdered the conspiracy theorist and has now arrived to clean up the crime scene. In the final scene, Elliot learns that Shelby has declined to play the game, and he collapses laughing, but in the next shot it is revealed that she in fact killed the fly but refused to eat it for six thousand dollars, stating that it is “vile” and is shown throwing it into the trash.13 Sins  was totally unexpected. While it’s not a comedy per se, it certainly has an element of dark humour to it, but don’t let that mislead you. It’s grisly, it’s gruesome, it’s great and gory fun, with a wonderfully tense atmosphere. There are scenes of extreme and outrageous violence. The ending was unexpected too and a nice and tidy finish to an enjoyable but bumpy ride. Horror lovers should love it.