Paul Soles (Terminal City)
Bernard Cowan (Iron Man 60s)
Paul Kligman (Winnipeg)
Peg DIxon (Strange Paradise)
48 years before modern audiences oohed and awed over the amazing adventures of a teenager bitten by a radioactive spider, kids were sitting in front of their television, singing “Spider-Man, Spider-Man, does what a spider can, spins a web, any size, catches thieves, just like flies,” all while staring intently at their hero in red tights.
Thanks to Clear Vision which captures the entire 52 episodes of the animated series on 8 discs, I discovered the exciting superhero escapades kids thrilled over and emulated in the late 1960s. After watching nearly 20 hours of classic Spider-Man, I realized the cartoon is corny, cheesy, unbelievable, and at times, downright laughable. But I loved every minute of it.
Talk about nostalgia. Watching these DVDs was like walking through a time warp and stepping into a simpler time. And I can’t wait to go back.. I was delighted with Peter Parker’s exploits and I was thrilled at how Spider-Man always outwitted the bad guys. Sure, the adult side of my brain tried to interfere by pointing out that Spidey was swinging over rooftops on a web that wasn’t attached to anything, or that a web could never stop a bullet, or a laser, or whatever cockamamie weapon the crazed super villain happened to be using.
The old Spider-Man cartoon is definitely not Shakespeare. Instead, it’s shear fun. Even for the adults, as long as you’re willing to let your childishness shine through. Maybe it’s the corny nature of the simple plots—which almost always saw a villain trying to rob crabby old J. Jonah Jameson only to be out-smarted by your friendly neighborhood Spider-Man—that makes the show so much fun. Or maybe it’s the always outrageous villains, which included the typical rogues gallery of Scorpion, Electro, Kingpin, and Rhino, but also included interesting characters like ice men from Pluto, spirits in an old theatre, dangerous man-eating plants, and my personal favorite, Dr. Noah Boddy, an invisible man who thinks he’s smarter than the authorities. Even the simplistic art and dated animation style just adds to the shows charm.
These cartoons are all about the action and the usual Peter Parker wit. The first 20 episodes, which aired in the show’s first season, are broken into two 10-minute adventures, so there’s no time for in-depth plots. The show’s writers put Spidey in as many crazy situations as possible, as fast as possible, and found even more ludicrous ways to get him out.
The next 32 episodes, which aired in the second and third seasons, were mostly 21-minute adventures that included a bit more story, a bit more suspense, and sometimes a bit more mystery, yet never lost sight of the show’s heart. Many of these episodes featured more “real life” villains, such as mobsters or bank robbers, but there were plenty of super villains and zany creatures ready to take over New York. Which means even these longer episodes were light on the character development and heavy on the outlandish action scenes.