REVIEW: THE RANCH – SEASON 4

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MAIN CAST

Ashton Kutcher (Two and a Half Men)
Sam Elliott (Ghost Rider)
Elisha Cuthbert (The Girl Next Door)
Debra Winger (Rachel Getting Married)

Megyn Price and Dax Shepard in The Ranch (2016)

RECURRING / NOTABLE GUEST CAST

Dax Shepard (Chips)
Megyn Price (Rules of Engagement)
Kelli Goss (The Young and The Restless)
Jim Beaver (Breaking Bad)
Wendie Malick (American Housewife)
Kurtwood Smith (That 70s Show)
Kathy Baker (Picket Fences)
Grady Lee Richmond (Dirty Girl)
Barry Corbin (Anger Management)
Josh Burrow (Shoot Me Nicely)
Ethan Suplee (My Name Is Earl)
Debra Jo Rupp (That 70s Show)
Martin Mull (Sabrina: TTW)
Bret Harirson (V)

Ashton Kutcher and Elisha Cuthbert in The Ranch (2016)There’s going to be a lot of chatter over the way Netflix has decided to end the latest part of “The Ranch.” While this is the fourth season, it’s actually Part 7 of 8 parts in the show’s storyline, with Brad Paisley songs gracing the names of each episode in this part. Coming back to the world of the Bennetts can feel like a family reunion, both fun and bittersweet. This new chapter again features the particular humor the series is known for but with dark reunions and a final, cryptic act. It is this part’s closing moment that is quite bold in many ways.Sam Elliott in The Ranch (2016)Picking up where the last season ended, Colt Bennett (Ashton Kutcher) has been left by his wife Abby (Elisha Cuthbert) over him misleading her about the potential sale of his livestock. Now Colt is on his own and even barred from the Bennett family ranch by his father, Beau (Sam Elliott). Colt’s cousin, Luke (Dax Shepard) has meanwhile gone off to tie the knot in a hasty Vegas wedding with Mary (Megyn Price), who everyone knows has a serious drug problem. When Luke returns he realizes the wrongs he’s done and tries to rebuild a bond with Colt. It’s a moment of crossroads for the family as Colt wonders if he and Abby are truly over, Luke realizes it’s time to actually grow up.Ashton Kutcher and Dax Shepard in The Ranch (2016)“The Ranch” has never lost its homey feel during its four seasons. There have been grand, dramatic moments, like wildfires and the disappearance of Colt’s brother, Rooster (Danny Masterson), but for “Part 7” the writing becomes reflective. The storyline focuses more on where each character is situated and how they will face the future. Colt must face up to the lies he told, not out of malice but because he genuinely believed he was on the cusp of a big business deal. Most of this season finds him doing a delicate, emotional dance with Abby, openly pining for her, giving her alimony and jumping at the first chance to prove his loyalty. Worried about her image as a teacher at a new school, Abby asks Colt for his help in attending a school event so she won’t look like a separated spouse. He almost does it thinking it means they could get back together. As a comedy “The Ranch” has always delivered, but it’s in the subtle drama where it works best. Colt’s feelings towards Abby aren’t funny, but sad and endearing. Yet the show never gets predictable with this storyline and it is refreshing how it treats a breakup without dreamy romanticism, it soberly knows that some couples simply never get back together.Ashton Kutcher and Elisha Cuthbert in The Ranch (2016)The same goes for other relationships, like Luke and Mary’s, which in any other sitcom would be a gag for countless jokes. Instead it leads to real consequences such as Mary having to face the chaos of her existence, and how it affects her daughter, Heather (Kelli Goss). Heather is a bit underused this season, but she has strong scenes where she needs to pick up Mary at the hospital after an overdose, and telling Luke to get lost then accepting his sincere help for paying the mortgage. Luke’s character this season also becomes a person trying to make amends. He buys Colt’s cattle at the auction block, in order to prove he truly wants to be partners with his cousin. Beau is making plans for his new life with fiance Joanne (Kathy Baker), but must first make amends with Colt. It’s family dysfunction written with a particular kind of heartfelt drama, where no one screams or shouts but just say what they honestly feel. When Beau tries to advise Colt on how to treat a potentially ill cattle Colt takes it as an insult, and this is indeed how families actually do argue.Sam Elliott, Kathy Baker, Ashton Kutcher, Megyn Price, Dax Shepard, and Kelli Goss in The Ranch (2016)Colt runs into one issue after another trying to make his ranch sustainable, but he won’t go down easily. In one crisis he tries to buy a new bull to impregnate his heifers from Neumann’s Hill Ranch, who have repeatedly been trying to purchase both Cole’s and Beau’s Iron River Ranch. In another pivotal moment, Cole strikes back at Neumann’s Hill when they try to play dirty. Ashton Kutcher again delivers some of his best work, turning Colt into a man full of both many faults and heart. The great Sam Elliott also elevates the material with that calm demeanor that hides a powerful presence. What Elliott does here with Beau is begin to soften the hard exterior of the patriarch. Now that he has found the love of his life in Joanne he is opening himself to new experiences, like a proposal by Joanne to go to Spain.Sam Elliott and Kathy Baker in The Ranch (2016)In the previous season we saw how he had changed to the point of contemplating selling the farm for the good of his family and in this season he does just that. Even Luke acknowledges he is happy to have met this Beau, a man with an iron will for sure, but now with a more loving outlook, even if at first he still gives Luke a stern talk for his behavior. Essential to Elliot’s performance is the warm presence of Baker’s character, Joanne. With an alzheimer’s diagnosis her character’s engagement to Beau transcends the usual sitcom’s twilight years romance. It’s treated like a special bond between people who have been through much, and are prepared to go through more, together. This is the season where Joanne becomes an even more present and essential character that completes Beau’s life while in a sense completing the Bennett family.Ashton Kutcher and Dax Shepard in The Ranch (2016)While some episodes in season 4 just mosy along, it must be said this is never a boring season. We love to watch the Bennetts deal with their inner traumas and hassles because they feel real. Colt’s predicament with Abby is relatable to anyone who lets a good thing go, Luke embodies the wild child who can prove he’s not a screw up. This is a worthy season for “The Ranch.” The Bennetts grow and reconcile while enduring new challenges. To revisit these characters is like walking into a living family portrait, where everyone has good and bad memories.

REVIEW: GARFIELD (2004)

Starring

Bill Murray (Ghostbusters)
Breckin Meyer (Road Trip)
Jennifer Love Hewitt (I Know What You Did Last Summer)
Stephen Tobolowsky (Groundhog Day)
Evan Arnold (Spider-Man)
Mark Christopher Lawrence (Chuck)
Eve Brent (The Hit List)
Juliette Goglia (Mike & Molly)
Evan Helmuth (Mr. Woodcock)
Alan Cumming (X-Men 2)
Brad Garrett (Christopher Robin)
Debra Messing (Will & Grace)
Richard Kind (Gotham)
Debra Jo Rupp (That 70s Show)
Mel Rodriguez (Little Miss Sunshine)

Breckin Meyer in Garfield (2004)Garfield (voiced by Bill Murray) is a happy, fat, and lazy orange cat who lives with his owner and friend, Jon Arbuckle (Breckin Meyer) in a cul-de-sac in Muncie, Indiana. Garfield passes his time by annoying Jon and mocking a neighbor Doberman Pinscher, Luca. Aside from Jon, Garfield maintains an unlikely friendship with a remarkable mouse, Louis. He also interacts with and occasionally hangs out with his fellow neighborhood cats, including Garfield’s rival Nermal and Garfield’s love interest, Arlene (who are both seen as live-action cats).Garfield (2004)Meanwhile, a local television host, Happy Chapman, known for his cat “Persnikitty” is introduced as supposedly a happy man. In reality he is allergic to cats, jealous of his bad-tempered brother Walter J. Chapman, a news reporter, and wants to outwit him in success wise by performing on TV show Good Day New York. Jon has made a habit of bringing Garfield to the veterinarian, hoping to woo vet Dr. Liz Wilson. Jon tries to ask her out, but due to a misunderstanding, he is given custody of a stray dog, Odie. Regardless, Jon and Liz begin dating. Garfield is displeased at having to share the house with a dog, of whom Jon grows fond. Odie is brought to a canine talent show, where Liz is a judge. Garfield gets involved in a ruckus there with other animals, which moves Odie to the center of the ring, where he begins dancing to “Hey Mama” by The Black Eyed Peas.Jennifer Love Hewitt and Breckin Meyer in Garfield (2004)His impromptu performance is a hit. Happy Chapman, who also is a judge of the dog show is impressed with Odie, and offers Jon a television deal for Odie, but Jon declines leaving Happy to apparently be envious of Odie. After Garfield causes a mess inside Jon’s house in a fit of rage, Jon punishes Garfield by making him sleep outside for one night. Odie comes out to comfort Garfield but Garfield, as selfish as he is, reacts by running inside and locking Odie out. Odie runs away, and is picked up by an elderly woman named Mrs. Baker. A distraught Jon works with Liz to search for him, while the neighborhood animals shun Garfield for what he did to Odie. Meanwhile, Chapman and his assistant find a “lost dog” found poster Mrs. Baker created, of Odie and recognizing the lucrative possibilities, claim Odie as Happy’s own.Garfield (2004)When Garfield sees Odie on television and hears Chapman announce he and Odie are going to New York City by train for a big performance on Good Day New York, Garfield, realizing his selfishness, vows to intervene. Garfield leaves his house on a rescue mission for Odie. Meanwhile, Jon finds out Garfield is missing and he and Liz set out find him. Garfield is able to finally make it to the tower with the help of his friend Louis but sneaks in the air vents which are being worked on. Seen as a blockage from one of the workers’ scanners of the vents, Garfield is blown by the vent air, hitting random walls and it finally ends when he smacks his face on the last wall. At Chapman’s studio at Telegraph Tower, Garfield finds Odie captive in a room; Chapman enters and secures a shock collar to Odie, which, when activated, releases an electric discharge that forces him to perform tricks.Garfield (2004)Chapman heads for the train station, with Garfield in pursuit. However, an animal control officer snags Garfield as a runaway before he can reach Odie. Meanwhile, Jon contacts Mrs. Baker through her poster, and is told Odie’s real owner had already retrieved him. After learning it was Chapman who took Odie, Jon believes Garfield was taken too and he and Liz race to Telegraph Tower and then to the train station, after learning Chapman has left. Garfield is sprung from the pound by Chapman’s abandoned feline star, the boastful Persnikitty who turns out to be actually named as Sir Roland. At the train station, while the P.A. saying that the Texas Eagle is going to Dallas and San Antonio, Texas, Chapman boards the train, with Odie in the luggage car.Garfield (2004)Garfield arrives only to see the train depart. As the train speeds away from the station, and seeing a child with a toy train engine (probably the Flying Scotsman in a different shape and size) makes Garfield remembers that his train set at home is similar, so he sneaks into the control room and attempts to stop Odie’s train. The tracks get rearranged, leading to an impending train wreck. Garfield hits an emergency control and causes Chapman’s train to return, and Garfield frees Odie and they exit the train. However, Chapman notices them walk out and gives chase. Chapman corners the two, and threatens Odie with the shock collar, but is greeted by Garfield’s friends and animals from the pound, led by Sir Roland. They swarm and attack Chapman, allowing for Odie to escape.Garfield (2004)Chapman gets up to find the shock collar has been placed on his own neck, from which he receives two powerful jolts. Jon and Liz arrive to reclaim the animals and find Chapman off-balance. Jon punches Chapman for stealing his pets (although Odie was the only who was taken), and leaves with Liz and the two animals. Chapman is arrested for his supposed involvement with the trains, as well as for abducting Odie and Wendell gives chase to the cops. Garfield regains the trust of his animal friends. Back at home, Liz kisses Jon, while Garfield seems to have learned about friendship, love and not to envy others. He then shoves Odie off his chair repeatedly, and the film closes with Garfield singing and dancing to James Brown’s “I Got You (I Feel Good)”. He does a split and can’t get it back up without help. As the credits roll over still pictures from the film (in black and white), Garfield is heard in the background asking Odie for ice.Garfield is still hilariously funny and you’d have to be incredibly sour not to laugh. The special effects are brilliant – not just the CGI Garfield, but the whole facial animation with the other animal characters. The way that Garfield portrays moral developement is also good and I recommend this as a truly delightful family movie.

 

25 DAYS OF CHRISTMAS REVIEW: THAT 70s SHOW – THE CHRISTMAS EPISODES

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MAIN CAST
Topher Grace (Spider-Man 3)
Mila Kunis (Ted)
Ashton Kutcher (The Butterfly Effect)
Danny Masterson (Yes Man)
Laura Prepon (Karla)
Wilmer Valderrama (Minority Report)
Debra Jo Rupp (Big)
Kurtwood Smith (Robocop)
Tanya Roberts (The Beastmaster)
Don Stark (John Carter)
Lisa Robin Kelly (The Net: The Series)
Tommy Chong (Evil Bong)
Josh Meyers (Bruno)

THE BEST CHRISTMAS EVER

GUEST CAST
Marion Ross (Anger Management)
The episode begins with  the gang hanging out in the basement watching The Grinch Who Stole Christmas. Later, Eric asks if he can have a Christmas party in the basement, and surprisingly, Red says yes. when Eric asks for money for the party (for beer, actually) Red gives him $40 for the Christmas tree and says he can keep what money’s left over. However, the gang decides to chop down a tree at the side of the road in order to spend all the money on beer. At work, Bob asks Red if he’ll stay and work at the store on Christmas Eve. Bob says that since all the other stores are closed, some last-last-minute shoppers might swing by. To Red’s dismay, Kelso ends up being the only one to show up, and he buys a set of hot rollers for Jackie and plays few rounds of Pong with Red, who ends up purchasing that game for himself. Back at the house, a jealous Laurie pours rum in the punch Kitty made for Eric’s party. However, no one drinks it except for Jackie and three of her friends. Upstairs, two state troopers barge in to the party to inform Red and Kitty that their Christmas tree is a stolen one. Red then stops the party downstairs and takes Jackie and her friends home, and kicks everyone else out. Hyde then gives Donna her gift, a picture of the two in 5th grade. A jealous Eric then proceeds to give Donna White Shoulders perfume, the gift Hyde wanted to buy her but couldn’t afford.
A first Christmas for That 70s Show and a classic Eric trying to throw a party using the money he would of spent on a Tree. Laurie spikeing the punch making all the girls drunk and trying to seduce Fez is great.
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HYDE’S CHRISTMAS RAGER

GUEST CAST
Robert Hays (Airplane)
Matt Battaglia (Mike & Molly)
Now Hyde has moved from the over-protective Forman home to his carefree dad, barman Bud, the basement boys look forward to a keg party there, too frat-type for the girls’ taste. Kitty nearly saw trough their ‘Christmas’ preparations aren’t innocent, so the unsupervised drinking games deliver Eric so drunk he pours unprecedented disrespect and vomit all over Red’s shoes. Kitty isn’t interested in punishment, she cares for the utter lack of educational guidance ‘her boy’ Steven gets from his dad, so Red is made against his convictions to go read Bud the parental responsibility riot act.
A Second Christmas for the and another great episode. Hyde trying to bond with his father  whilst being allowed to get away with anything. Red finding the best punishment for Eric is a great highlight. That 70s Show always does great Christmas episodes.

AN ERIC FORMAN CHRISTMAS

GUEST CAST
Kevin McDonald (Epic Movie)
Nick Bakay (Sabrina)
The gang grumbles Christmas isn’t real fun any more, like when they were little kids, except Kelso who looks forward to the traditional X-mas children’s specials, but Jackie won’t let him watch. Kitty gets them to volunteer for pastor Dave’s church pageant, with Eric as director, who has an all too hard time stopping everyone for modernizing their parts most un-biblically. When Dave tries to take over directing and the lead, he is irreverently tied up, enough for Leo to give the sacrilegers heaps. Meanwhile Red is so angry at Bob’s seasonal ‘noise’ that he hides his neighbors’ decorations.
This is one of my all time favorite episodes, the best part is seeing the end result of the church pageant which you get to see over the episodes ending credits.

CHRISTMAS

GUEST CAST
Shannon Elizabeth (American Pie)
Ashley Eckstein (Star Wars: The Clone Wars)
Shonda Farr (Crossroads)
Red is chosen to be Santa claus, instead of Bob who grudgingly accepts to assist as an elf with Kitty, who by signing up the kids for the same duty unknowingly convinced the boys to attend the school dance they had sworn never to join again. Donna is furious when she learns Eric hangs out there and is now popular with a few schoolgirls, so she turns up during her radio show. Fez fears the football team will again lock him up in a locker. Hyde only came for Jackie’s sake. Kelso only went to avoid going to the library as Brooke suggested
 It’s great to see the gang growing up seeing how much they have come along. Red as Santa is creepy and disturbing but that’s what makes it funny. Kelso has some lovely scenes especially when he realises he would rather spend Christmas with Brooke.

WINTER

GUEST CAST
Carolyn Hennesy (Click)
Kelso accidentally took the police department-donated gifts for needy kids, but Eric begs to keep some as Red never gave him any toys, just a rain coat and a hose-down to test it; opening ‘just one’ package leaves nothing unwrapped. The girls are flattered when Kitty invites them to help out the stuck-up ‘Ladies of Point Place’ (LOPPs) with their height of the year, the Christmas party, but angry because the boys couldn’t care less, Jackie is furious Hyde even reneges on his promise to attend in favor of boyish basement toy-games. Posh Patty Ryals marches in to take charge instead of Kitty because of an incident in 1963, ‘Santa’ Bob fondly remembers dating Patty. Red catches the boys playing, but with rare seasonal mildness lets them bring the toys to the community center, forcing him and the gang to stall Kitty.
Kelso stealing the toys is hilarious with out realising they were meant for the needy kids, Red showing surprising Christmas spirit in not turning the kids in.  Poor Eric getting tricked into going down the chimney and landing in a cake shop. Thankfully Donna rescues him.

WHO NEEDS YOU

GUEST CAST
Jud Tylor (Andromeda)
Jim Rash (The Descendants)
Fez almost loses his apartment when Jackie floods it. He’s ready to say “Good day!” to their co-habitation, but Jackie manages to salvage things by bonding with Fenton, the landlord, over shopping, and convincing him to let them stay. Red and Kitty are concerned over the number of arguments that Hyde and Samantha are having. But when they learn the reason for all the fights, it causes some sparks to fly in their own relationship. Donna tries to raise money for charity through her radio show and ends up having to resort to less than considerable ideas to do it.
Not much of a Christmas episode with the exception of Santa showing up at the end but still a great episode in the shows final year

HALLOWEEN OF HORROR REVIEW: THAT 70S SHOW – THE HALLOWEEN EPISODES

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MAIN CAST

Topher Grace (Predators)
Mila Kunis (Family Guy)
Ashton Kutcher (Two and a Half men)
Danny Masterson (Yes Man)
Laura Prepon (Orange Is the New Black)
Wilmer Valderrama (Minority Report TV)
Debra Jo Rupp (Big)
Kurtwood Smith (Robocop)
Tanya Roberts (Sheena)
Don Stark (John Carter)
Lisa Robin Kelly (Jawbreaker)

Halloween
GUEST CAST

Marion Ross (Happy Days)
Jordan Masterson (Last Man Standing)

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HALLOWEEN

The gang is at odds with each other after finding their old permanent records on Halloween night at their old, burned down elementary school. Many secrets are revealed. These include: that Donna used to streak; Kelso had to repeat the first grade; Jackie’s middle name is Beulah; Eric was responsible for the first time Hyde got in trouble; the time Hyde kissed Donna; and Jackie saying that Fez was a better kisser than Kelso. Meanwhile, Red and Kitty reminisce about their first Halloween at Point Place.

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TOO OLD TO TRICK OR TREAT TOO YOUNG TO DIE

The gang share a strange Halloween, complete with comic spoofs of several Alfred Hitchcock movies, including Psycho, The Birds, Rear Window, Vertigo, and North by Northwest. Eric has vertigo after falling off the garage roof, Fez and Hyde spy on the Pinciottis, thinking Bob killed Midge, while Donna wants to prove to Eric that she’s not boring. Meanwhile, Kitty and Laurie have a hard time feeding a neighbor’s birds and a paperboy whom Red forgot to pay mistakes Kelso for someone in the Forman family and stalks him.

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That 7os Show will always be a fun show to watch, and these Halloween themes episodes highlight just how good the show was in it’s prime. These episodes are a must watch for Halloween.

REVIEW: DEATH BECOMES HER

CAST

Meryl Streep (The Devil Wears Prada)
Bruce Willis (Cop Out)
Goldie Hawn (Overboard)
Isabella Rossellini (Earthsea)
Nancy Fish (The Mask)
Mary Ellen Trainor (Roswell)
Mimi Kennedy (Mom)
Debra Jo Rupp (That 70s Show)
Jim Jansen (Water for Elephants)
Carol Ann Susi (The Big Bang Theory)
Sydney Pollack (Will & Grace)

In 1978, narcissistic, manipulative Madeline Ashton performs in a musical on Broadway. Madeline invites long-time rival Helen Sharp, an aspiring writer, backstage along with her fiancé, plastic surgeon Ernest Menville. Ernest is smitten with Madeline, soon breaking off his engagement with Helen to marry her. Seven years later, Helen is in a psychiatric hospital after fixating upon Madeline. Obese and depressed, Helen feigns rehabilitation and is released, plotting revenge on Madeline. After an additional seven years, Madeline lives well in Beverly Hills with Ernest, but they are miserable together. Madeline’s career has faded, and Ernest is an alcoholic reduced to working as a reconstructive mortician. Receiving an invitation to a party celebrating Helen’s new book, Madeline rushes to a spa where she regularly receives extensive facial treatments. Understanding Madeline’s situation, the spa owner gives her the business card of Lisle von Rhoman, a woman who specializes in youth rejuvenation. Madeline dismisses the spa owner’s advice.

Madeline and Ernest attend the party for Helen’s novel Forever Young and discover Helen is thin and youthful. Dumbfounded and depressed by Helen’s appearance, Madeline goes to see her young lover but discovers he is with a woman his own age. Dejected, Madeline drives to Lisle’s home. Lisle is a mysterious, wealthy socialite who claims to be 71, but appears much younger, and reveals to Madeline the secret of her beauty: a potion that promises eternal life and an ever-lasting youthful appearance. Madeline purchases and drinks the potion and is rejuvenated. As a condition of purchase, Madeline must disappear from public life after ten years to keep the existence of the potion secret. Lisle warns Madeline to take good care of her body.

Helen has seduced Ernest and convinced him to kill Madeline. When Madeline returns home, she and Ernest argue, during which Madeline falls down the stairs and breaks her neck. Believing Madeline dead, Ernest phones Helen for advice, not seeing Madeline stand and approach him with her head twisted backwards. Ernest assumes she has a dislocated neck and drives her to the emergency room. Madeline is told she is technically dead and faints. She is taken to the morgue due to her body having no pulse and a temperature below 80°F. After rescuing Madeline, Ernest takes the sign of her “resurrection” as a miracle, returns home with Madeline and uses his skills to repair her body.

 
Helen arrives home, demanding information about Madeline’s situation. Overhearing Helen and Ernest discussing their plot to stage Madeline’s death, Madeline shoots Helen with a double-barreled shotgun. Although the blast causes a gaping hole in her stomach, Helen survives, revealing that she drank the same potion. Fed up with the pair, Ernest prepares to leave but Helen and Madeline convince him to do one last repair on their bodies. They realize their bodies will need constant maintenance and scheme to have Ernest drink the potion to ensure he will always be available.

After bringing Ernest to Lisle, she offers to give him the potion free of charge. Ernest refuses; he would rather live a normal life than spend an eternity with Madeline and Helen. He pockets the potion and flees, but becomes trapped on the roof. Helen and Madeline implore Ernest to drink the potion to survive an impending fall. Ernest refuses and drops the potion to the ground several stories below, but after falling he lands in Lisle’s pool and escapes. After Lisle banishes Madeline and Helen from her group, the pair realize they must rely on each other for companionship and maintenance. Thirty-seven years later, Madeline and Helen attend Ernest’s funeral, where he is eulogized as having lived an adventurous and fulfilling life. The two bicker as they leave Ernest’s funeral. They are parodies of their former selves, with cracked, peeling paint and putty covering most of their grey and rotting flesh. Helen trips and teeters at the top of a staircase. After Madeline hesitates to help her, Helen grabs Madeline and the two tumble down the stairs, breaking to pieces. As their disembodied heads roll and totter together, Helen sardonically asks Madeline, “Do you remember where you parked the car?”

Death Becomes Her is a must watch, simply because it is so out of sync with reality and maintains a strong level of comedy and fantasy that will make your head spin.

REVIEW: SHE’S OUT OF MY LEAGUE

CAST

Jay Baruchel (Fanboys)
Alice Eve (Star Trek Into Darkness)
T.J. Miller (Deadpool)
Mike Vogel (Bates Motel)
Nate Torrence (Get Smart)
Lindsay Sloane (Sabrina: The Teenage Witch)
Kyle Bornheimer (Blades of Glory)
Jessica St. Clair (Bridesmaids)
Krysten Ritter (Jessica Jones0
Debra Jo Rupp (That 70s Show)
Geoff Stults (The Finder)
Hayes MacArthur (Super Tropopers 2)

Kirk Kettner (Jay Baruchel) is a twenty-something TSA officer employed at the Pittsburgh International Airport along with his friends, fellow TSA officer Stainer (T. J. Miller), airline reservations agent Devon (Nate Torrence), and baggage handler Jack (Mike Vogel). Kirk has a poor track record with dating and is hoping to reconcile with his self-centered ex-girlfriend, Marnie (Lindsay Sloane), who despite having broken up with him two years earlier, and having since found a new boyfriend Ron (Hayes MacArthur), has remained close with Kirk’s parents (Debra Jo Rupp and Adam LeFevre), brother Dylan (Kyle Bornheimer), and pregnant sister-in-law-to-be Debbie (Jessica St. Clair).
At work one morning, an attractive young woman, Molly McCleish (Alice Eve), arrives at the passenger terminal to board a flight to New York City. While proceeding through the TSA security checkpoint, Molly’s striking looks attract unwanted attention from several male TSA officers who try flirting with her awkwardly. Kirk is the only TSA officer to treat Molly courteously. On the airplane, she realizes that she accidentally left her cellphone in the airport security area. Calling up her phone, Kirk answers and arranges a time to meet the following evening so that Kirk can return it. When Devon and Kirk arrive at the Andy Warhol Museum, where Molly, a lawyer-turned-event planner, is managing an event, Kirk collides with Molly’s sister, Katie (Kim Shaw) and spills his drink on the museum director. Kirk takes the blame for the incident to protect Katie, after which a grateful Molly offers Kirk tickets to a Pittsburgh Penguins hockey game at the Mellon Arena. When Kirk and Stainer meet Molly and her best friend Patty (Krysten Ritter), who develops an immediate mutual loathing with Stainer (he subsequently refers to her as “The Hamburglar”), at the game, Kirk, still convinced Molly is not interested in him, assumes Molly meant to set him up with Patty, until Patty explicitly tells him of Molly’s interest.
The two begin to date after this, with Kirk confiding in her his dream of becoming a pilot someday, though Stainer predicts their relationship will fail as he deems Molly a “10” in a scale of attractiveness, and Kirk only a “5”, telling him a girl he loved once broke up with him for this very reason. Patty, for her part, believes Molly had only chosen Kirk because he was a “safe” choice after being hurt by her last boyfriend, Air Force pilot Cam (Geoff Stults), who assumes Kirk is a waiter and attempts to order drinks from Kirk when they first meet, and then believing Kirk to be a homosexual friend of Molly’s.
Molly then invites herself to Kirk’s family lunch, where she charms his family and even Ron after highly intimidating the men of the house with her looks. Molly’s attentions to Kirk stir jealousy in Marnie, who feels upstaged by Molly’s attractiveness, and takes a sudden interest in Kirk again.
After returning to Molly’s apartment, Kirk ejaculates prematurely in his pants when things start to heat up, just as Molly’s parents (played by Alice Eve’s real-life parents, Sharon Maughan and Trevor Eve) arrive for a surprise visit. Desperate to conceal the stain on his pants, Kirk seems discourteous by avoiding to stand up and shake hands, and quickly leaves Molly’s apartment. Molly grows cool to Kirk after this, believing he fled to avoid meeting her parents. At Jack’s urging, Kirk admits the true reasons for his leaving, and their relationship resumes. During a date, Kirk suggests to Molly that she throw a birthday party for Katie (with music provided by Stainer’s Hall & Oates tribute band, “Adult Education”). Kirk is troubled, when Molly is intentionally vague about Kirk’s line of work to her parents. To add to his troubles, Molly’s macho ex-boyfriend Cam shows up and messes with Kirk by deliberately alluding to Molly having some sort of “defect”.
After the party, both of them go back to Molly’s apartment and make out where Kirk discovers Molly’s “defect” is slightly webbed toes, which Kirk considers so minor that he decides that she is indeed too perfect for him. Molly is upset that Kirk is so insecure that he felt he could only be with her if something was wrong with her. After telling Kirk that she and Cam had broken up because of his own insecurities, with him even cheating on her, she admits she had indeed asked Kirk out because she considered him safe and breaks up with him. Kirk leaves and later resumes his relationship with Marnie, planning on a family trip to Branson. Stainer and Patty realize their mistake in telling Kirk and Molly it wouldn’t work out; Stainer tells Kirk that he is a “10” too. They pull Kirk off his plane as the aircraft prepares to depart to Branson as he tries to leave with his family and Marnie, while Patty brings Molly to the airport. Kirk rejects Marnie during an unorthodox airport pursuit and meets Molly in the airport where she tells him that he is out of shape and she asked him out because she thought he was safe and wouldn’t hurt her. She then continues to tell him that she doesn’t care what he is employed as and that she misses him and wants to be together with him. Kirk and Molly then make up and resume their relationship, even if their friends don’t approve it.
Later, as a surprise, Kirk is seen walking on the airport Tarmac with Molly where he takes Molly on a trip in a small plane, with him as the pilot. The couple are last seen happily together in a small plane taking off from Pittsburgh airport.
She’s Out of My League is essentially a rom-com aimed more at a male audience than your Sex and the City crowd and to do that, it does its best to avoid a conventional route. Of course, with this being your typical “boy girl fall in love against the odds” movie, it is impossible to avoid some of the usual scenes that fill this genre. Thankfully however, the cast, which includes Jay Baruchel, Alice Eve and Krysten Ritter, are well suited for their roles and there is a good mix of characters with Nate Torrance’s Devon of particular note. Dialogue is funny throughout, if nothing new, and their are some funny situation