REVIEW: 16 BLOCKS

CAST
Bruce Willis (Armageddon)
Mos Def (The Italian Job)
David Morse (Proof of Life)
Jenna Stern (Hitch)
Casey Sander (The Big Bang Theory)
Cylk Cozart (Eagle Eye)
David Zayas (Gotham)
Sasha Roiz (Caprica)
Peter McRobbie (Daredevil)
Jack Mosley (Bruce Willis) is an alcoholic, burned-out N.Y.P.D. detective. Despite a late shift the night before, his lieutenant orders him to escort a witness, Eddie Bunker (Mos Def), from local custody to the courthouse 16 blocks away to testify on a police corruption case before a grand jury at 10 a.m. Bunker tries to be friendly with Mosley, telling him of his aspirations to move to Seattle to become a cake baker with his sister whom he has never met, but Mosley is uninterested, and stops at a liquor store. They are suddenly ambushed by a gunman, and Mosley drags Bunker to a local bar to take shelter and call for backup. Mosley’s former partner, Frank Nugent (David Morse), and several other officers arrive. Nugent and his men have ulterior motives, telling Mosley that Bunker is not worth defending as his testimony will likely out several officers, including Nugent, who are involved in the corruption scheme, and they try to frame Bunker for firing at an officer before they kill him. Mosley intervenes, rescuing Bunker and fleeing.
Mosley briefly stops at his sister Diane’s (Jenna Stern) apartment to retrieve guns and ammo, and learns the police have already approached her about his activities today. He and Bunker take steps to further elude the police, and Mosley is wounded in the process. They become cornered in a run-down apartment building as Nugent and his men search floor by floor. Mosley calls the district attorney to arrange for help, but purposely gives the wrong apartment number, suspecting there is a mole involved. Mosley and Bunker are able to escape onto a passenger bus, and as the police follow them, Mosley is forced to treat the passengers as hostages. The bus crashes into a construction site and is soon surrounded by the ESU. Aware that Nugent will likely order the ESU to raid the bus, risking the safety of the passengers, Mosley allows the passengers to go free, using their cover to allow Bunker to sneak off the bus in the confusion. Mosley finds a tape recorder in the discarded possessions on the bus, and prepares a farewell message to Diane.
To his surprise, Bunker returns to the bus; while Nugent is ready to fire on him, Nugent is made to stand down by a superior officer. Bunker has come to see Mosley as his friend and wants to be there for him to see this through. Bunker’s tenacity convinces Mosley to get to the courthouse, and he manages to drive the bus into an alley, temporarily blocking the police from following them. He finds that Bunker has been wounded, and calls Diane, a Paramedic, to bring an ambulance around to help, despite knowing she will be followed. Diane cares for Mosley and Bunker’s wounds, though Bunker still needs further treatment at a hospital. As Diane’s ambulance drives away, the police stop her but discover the ambulance is empty; she had a second ambulance pick up Mosley and Bunker that would not be under similar surveillance. Meanwhile, Mosley reveals to Bunker that should he testify, not only will Nugent be convicted but so would Mosley as one of the corrupt cops. Mosley gets off a block from the courthouse and wishes Bunker luck with his bakery. Bunker promises to send him a cake on his birthday.
Mosley continues to the courthouse, where the police and ESU are waiting for him, as well as the district attorney. Mosley enters the courthouse building through the underground garage, encountering Nugent alone, who tries unsuccessfully to dissuade him from testifying in Bunker’s place. Mosley enters the courthouse proper, where one of Nugent’s men (David Zayas) tries to shoot Mosley but is killed by one of the ESU snipers. Mosley informs the district attorney that he will testify in exchange for Bunker having his record expunged, also revealing that he had recorded the conversation with Nugent in the garage on the tape recorder, which he submits as evidence. Two years later, Mosley is freed from prison from his reduced sentence, while Nugent and others wait out longer sentences. He celebrates his birthday with Diane and other friends, and is surprised to find that the cake had indeed come from Bunker, who has been successful in starting “Eddie & Jack’s Good Sign Bakery” in Seattle.
From Lethal Weapon and The Omen director, Richard Donner, a tough and bitter crime plot with an excellent Bruce Willis playing a tired cop who fights despite everything, in a cinical and merciless world. Quite dark and enjoyable

REVIEW: GOTHAM – SEASON 1

CAST

Ben McKenzie (Batman: Year One)
Donal Logue (Ghost Rider)
David Mazouz (Touch)
Zabryna Guevara (All Good Things)
Sean Pertwee (Dog Soldiers)
Robin Lord Taylor (Another Earth)
Erin Richards (The Quiet Ones)
Camren Bicondova (Girl House)
Corey Michael Smith (Carol)
Jada Pinkett Smith (Collateral)
John Dorman (The Wire)
Victoria Cartagena (Salt)
Andrew Stewart -Jones (Beauty and The Beast)
Drew Powell (Straw Dogs)
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RECURRING / NOTABLE GUEST CAST

Richard Kind (Stargate)
Grayson McCouch (Armageddon)
Brette Taylor (Rescue Me)
Clare Foley (Win Win)
Lili Taylor (The Conjuring)
Carol Kane (The Princess Bride)
David Zayas (Dexter)
Jeremy Davidson (Roswell)
Margaret Colin (Independence Day)
Susan Misner (The Forgotten)
Kim Director (Blair Witch 2)
Christopher James Baker (Sanctum)
Todd Stashwick (The Originals)
Nicholas D’Agasto (Final Destination 5)
Makenzie Leigh (The Slap)
Lesley-Ann Brandt (Spartacus: Blood and Sand)
Morena Baccarin (Firefly)
Christopher Heyerdahl (Sanctuary)
Peter Scolari (The Polar Express)
Dash Mihok (Silver Linings Playbook)
Anthony Carrigan (The Flash)
Julian Sands (Smallville)
Maria Thayer (Hitch)
Cameron Monaghan (The Giver)
Jeffrey Combs (Star Trek: DS9)
Colm Feore (Thor)
Milo Ventimiglia (Heroes)
Willa Fitzgerald (Scream: The Series)
Chris Chalk (12 Years a Slave)

MV5BNTQ4MDU3NDQ5Nl5BMl5BanBnXkFtZTgwNjc0OTM3MjE@._V1_SY1000_CR0,0,1445,1000_AL_Gotham City has an old, relatively vague history independent of when Thomas and Martha Wayne were shot down in an alleyway, usually the first and primary thing that comes to mind about the motivation that drives Batman: the crime that got so bad that it took his good-natured parents away from him. The surroundings responsible for the billionaires’ murder weren’t created overnight, though, and intensified in response to their death, a time period that often goes unaddressed unless a detail about Bruce Wayne’s transformation into the brooding hero needs mentioning. As a response to the character’s unrelenting popularity the folks at DC aim to use that largely unexplored space to provide an origin story for the city’s violence and corruption, an attempt to recapture the magic of Smallville in a darker environment. The result is Gotham, a blend of crime-case procedure and mobster politics that also fills in the gaps between the orphaning of Bruce Wayne to where Batman begins.Taking pages out of the playbook of the comic-book series “Gotham Central”, the show largely focuses on the interworking parts of the Gotham City Police Department, notably the arrival of rookie detective Jim Gordon in the midst of rampant corruption. The OC star Ben McKenzie brings initiative and fire to the character, a war veteran and straight-laced servant of the law who’s thrown together with a dirty partner in Harvey Bullock, whose sympathetic flaws are marvelously embodied by Donal Logue. Their first case together? The murder of Thomas and Martha Wayne, later revealed to be connected to the city’s organized crime activity. In their investigation, Gordon quickly gets introduced to key players pulling the strings in Gotham, notably a swanky nightclub operator in Fish Mooney (Jada Pinkett Smith) and her aging, rational boss, Carmine Falcone (John Doman). Then, there’s Oswald Cobblepott (Robin Lord Taylor), an attendant to Fish whose wavering allegiances also come to the surface in response to Gordon and Bullock’s investigation, working him into a position of persistent danger and upward mobility if he plays his cards right.Against the backdrop of a Gotham City that combines Tim Burton’s gothic vision with Christopher Nolan’s stark approach into a relatively timeless metro area, Gotham comes in hard and fast with its nods to the DC universe, eliminating any early concerns about how much of the mythology it’ll incorporate. In fact, the show actually suffers from an oversaturation of these references, especially in how many of the classic villains have benign links to the GCPD in their pasts and, quite simply, how many have already shown up and taken shape into their well-known personalities. There’s nothing inherently wrong with that, nor with tweaking what’s known about the universe into its own continuity, but it does detract from the production succeeding as a credible prequel to the age of Batman — touted early on as a selling point for the show.It’s fascinating to see the riddlesome Edward Nygma (Cory Michael Smith) as an awkward, morbid Dexter-like puzzle-solver working in the precinct, and to see a young Catwoman giving prowler pointers to a young Batman not long after she witnessed the infamous Wayne murder.The areas where Gotham works are within the politics of the GCPD and the evolving criminal element, and, by association, the origin stories of Jim Gordon’s fight against the department and The Penguin’s ascent up the crime ladder. Elevated by Gordon’s furious diligence against the powers-that-be who keep him from properly doing his job. Gotham is in a comfort zone while exploring maneuverings of Robin Lord Taylor’s brilliantly grimy performance as Oswald Cobblepott. Combining the knowledge that he’ll eventually become a massive player in Gotham with the unpredictable, volatile nature of his younger self exemplifies what a prequel can accomplish.Gotham really exposes the crux of its issues in the origin story of Bruce Wayne, built around the young orphaned billionaire developing the gumption and skill to investigate his parents’ murder, planting the seeds for his growth into the Caped Crusader. As Gotham grows in it’s first season it becomes fascinating show dealing with the city before Batman came along and as it heads into it’s second season who can truly see the show has found it’s footing and will hopefully be around for sometime to come.