REVIEW: STARGATE SG.1 – SEASON 7

Starring

Richard Dean Anderson (MacGyver)
Amanda Tapping(Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Twin Peaks)
Michael Shanks (Smallville)

Michael Shanks in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Corin Nemec (Parker Lewis Can’t Loose)
George Touliatos (This Means War)
Kevan Ohtsji (Elektra)
David Palffy (Blade: The Series)
Michael Adamthwaite (Supergirl)
Eric Breker (Scary Movie 3)
Cliff Simon (Project Eden)
Adrian Hough (the Fog)
Michael Welch (All The Boys Love Mandy Lane)
Tony Amendola (Annabelle)
Odi Ndefo (Angel)
David Richmond-Peck (V)
Christopher Heyerdahl (Sanctuary)
Peter LaCroix (Atomic TTrain)
Tiffany Lyndall-Knight (I, Robot)
James Parks (Kill BIll)
Michael Rooker (Guardians of The Galaxy)
Steven Williams (Jason Goes To Hell)
Alex Zahara (Horns)
Kavan Smith (Mission To Mars)
G. Patrick Currie (Dark Water)
Scott MacDonald (Jack Frost)
Peter Kelamis (Stargate Universe)
Benjamin Ayres (Saving Hope)
Patrick McKenna (Robocop: The Series)
Christine Adams (Black Lightning)
Jolene Blalock (Star Trek: Enterprise)
Kirsten Zien (Elektra)
Carmen Argenziano (House)
Bill Dow (Izombie)
Teryl Rothery (Arrow)
Zak Santiago (Caprica)
Enrico Colantoni (Veronica Mars)
Ingrid Kavelaars (Dreamcatcher)
John Novak (War)
Sasha Pieterse (Pretty Little Liars)
Craig Veroni (Dark Angel)
Emily Holmes (Paycheck)
Anna-Louise Plowman (Black Sails)
David DeLuise (Wizards of Waverly Place)
Sebastian Spence (First Wave)
Nels Lennarson (The Cabin In The Woods)
Saul Rubinek (True Romance)
Mitchell Kosterman (Smallville)
David Lewis (Man of Steel)
Adam Baldwin (Chuck)
Ronny Cox (Robocop)
Jim Byrnes (Highlander: The Series)
Kristen Dalton (Jack Reacher)
Brad Greenquist (Ali)
William Devane (Interstellar)
James McDaniel (Sleepy Hollow)
Robert Picardo (Star Trek: Voyager)
Jerry Wasserman (Alive)
Jessica Steen (Chaos)

Richard Dean Anderson in Stargate SG-1 (1997)That is the season when Daniel Jackson (Michael Shanks) returns from being an ascended being, albeit on an alien world without his memory (“Fallen”). This required getting rid of Jonas Quinn (Corin Nemec) to get the old gang back together again, which happens when Anubis download Jonas’ memory and the Goa’uld attack Kelowna (“Homecoming”). Wisely, this is not the last appearance of Jonas for the season (“Fallout”) as he becomes another one of recurring guest characters that are a major strength of the series.Don S. Davis, Amanda Tapping, and Michael Welch in Stargate SG-1 (1997)There are several Daniel Jackson stories that make a point of giving the actor interesting things to do, such as “Lifeboat,” where his mind becomes a resting place for a bunch of alien minds, “Enemy Mine,” which requires Jackson to show diplomatic skills, and big time flashbacks in “Chimera,” to before Daniel first saw the Stargate.Amanda Tapping in Stargate SG-1 (1997)Overall, Season 7 is really Samantha Carter’s season and Amanda Tapping has several episodes where she pretty much goes it alone. “Space Race” has her joining an alien pilot for a little intergalactic competition, while “Death Knell” finds Carter being hunted by the supers soldiers of Anubis after an attack on Earth’s secret off-world base. In “Grace” Carter literally ends up alone when the Prometheus is attacked and she wakes up to find herself the only one on a ship drifting in deep space. The other characters show up as the angels of her better nature, which is the only way that Sam and Jack are ever going to have an honest conversation.Richard Dean Anderson, Christopher Judge, Michael Shanks, and Amanda Tapping in Stargate SG-1 (1997)The whole Anubis/Lost City bit ends up being equal parts time to beat another bigger and badder system lord and find a fitting end point for the series that can also work as a transition to the spinoff.

REVIEW: SMALLVILLE – SEASON 8

Starring

Tom Welling (Lucifer)
Allison Mack (Wilfred)
Justin Hartley (This Is Us)
Erica Durance (Supergirl)
Aaron Ashmore (Veronica Mars)
Cassidy Freeman (The Vampire Diaries)
Sam Witwer (Supergirl)

Alaina Huffman, Justin Hartley, and Alan Ritchson in Smallville (2001)

Recurring / Notable Guest Cast

Phil Morris (Doom Patrol)
Alaina Huffman (Stargate Universe)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Ari Cohen (IT)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Flash)
Mike Dopud (Arrow)
Charlotte Sullivan (Mary Kills People)
Bill Mondy (Blade: The Series)
David Lewis (Childs Play)
Kyle Schmid (Six)
Laura Vandervoort (Bitten)
Terence Stamp (Superman II)
James Marsters (Runaways)
Ryan Kennedy (Caprica)
Alexz Johnson (Final Destination 3)
Calum Worthy (Ameircan Vandel)
David Paetkau (Flashpoint)
Ty Olsson (Battlestar Galactica)
Alessandro Juliani (Man of Steel)
Ted Whittall (Suicide Squad)
Chris Gauthier (Watchmen)
Teryl Rothery (Stargate SG.1)
Stephen Lobo (Continuum)
Laura Mennell (Van Helsing)
Serinda Swan (Inhumans)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Horns)
Brendan Fletcher (Arrow)
Kyle Gallner (Veronica Mars)
Monique Ganderton (American Ultra)

Tom Welling and Cassidy Freeman in Smallville (2001)Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.Justin Hartley and Cassidy Freeman in Smallville (2001)Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become. The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.Charlotte Sullivan and Tom Welling in Smallville (2001)The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.Tom Welling and Erica Durance in Smallville (2001)It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

REVIEW: SMALLVILLE – SEASON 2

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Sam Jones III (Glory Road)
Allison Mack (Wilfred)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Kristin Kreuk and Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

Tom O’Brien (The Accused)
Rekha Sharma (Star Trek: Discovery)
Julian Christopher (Elysium)
Jerry Wasserman (Watchmen)
Krista Allen (Feast)
Mitchell Kosterman (Stargate SG.1)
Sarah-Jane Redmond (Disturbing Behaviour)
Joe Morton (God Friended Me)
Andrew Jackson (Earth: Final Conflict)
Michael Kopsa (Fantastic Four)
Sara Downing (Roswell)
Garwin Sanford (Arrow)
Sean Faris (Never Back Down)
Gwynyth Walsh (Star Trek: Generations)
Richard Moll (Batman: TAS)
Maggie Lawson (Santa Clarita Diet)
George Coe (The Stepford Wives)
Jesse Hutch (Arrow)
Fulvio Cecere (Valentine)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Blair Brown (Space Cowboys)
Ryan Kelley (Teen Wolf)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Mark Gibbon (The 6th Day)
Jonathan Taylor Thomas (Home Improvement)
Emmanuelle Vaugier (Two and a Half Men)
Robert Wisden (Highlander: The Series)
David Richmond-Peck (V)
Amara Zaragoza (Perfect Stranger)
Gordon Tootoosis (Lone Star)
Eric Johnson (Flash Gordon)
Lizzy Caplan (Cloverfield)
Byron Mann (Arrow)
Colin Cunningham (Elektra)
Jill Teed (Godzilla)
Eileen Pedde (Juno)
Jason Connery (Wishmaster 3)
Eric Keenleyside (Dreamcatcher)
Barclay Hope (Paycheck)
Rob LaBelle (Jack Frost)
Shaun Sipos (Texas Chainsaw)
Haig Sutherland (The Flash)
Luciana Carro (White Chicks)
Paul Wesley (The Vampire Diaries)
Craig Veroni (Dark Angel)
Christopher Reeve (Superman)
Anson Mount (Inhumans)
Michael Adamthwaite (Horns)
Camille Mitchell (Izombie)
Zachery Ty Bryan (Fast and Furious: Tokyo Drift)
Neil Flynn (Scrubs)
Jodelle Ferland (Case 39)
Ingrid Torrance (Scooby Doo 2)
David Lewis (Man of Steel)
Terence Stamp (Superman II)

 

Sam Jones III and Tom Welling in Smallville (2001)The first season of Smallville got off to a bit of a rocky start, as the program didn’t really find its footing until midway through the season. The show suffered from what fans called “Freak of the Week” syndrome, in which a new Kryptonite-mutated supervillain would emerge in every episode with some pretty weak storylines. The “Bug Boy” and “Coach Firestarter” episodes come to mind pretty quickly, and it makes me shudder just thinking about them. However, the show gradually shifted into telling more stories that advanced Clark Kent’s overall storyline, with multipart episodes that focused on slowly revealing Clark’s origin as Kal-El and his “immigration” to Earth, as well as the ongoing storylines of the supporting cast. Not to say that the show still doesn’t have an occasional “Freak of the Week”, but when they do they are either (1) fewer in frequency or (2) somehow related to the overall show’s story arc.Sam Jones III and Tom Welling in Smallville (2001)With that out of the way, let’s talk about the cast. Tom Welling is pitch-perfect as the teenage Clark Kent. With his tall stature and ripped physique, he certainly looks the part, but he also captures the insecurity and awkwardness of youth while portraying an inner nobility and morality for which his character will eventually become renown. As Lana Lang, Clark’s childhood crush and current on-again, off-again love interest, Kristin Kreuk is about as superhumanly lovely as one could imagine. She’s the “girl next door” multiplied by about three million, not only because of her phenomenal physical beauty but also due to her bright-eyed, compassionate, down-to-earth demeanor. It doesn’t take a rocket scientist to see why Clark loves her, or why it rips him apart when he has to push her away in order to keep his powers a secret and keep her from being harmed (people who tend to learn about Clark’s powers generally end up dead or insane.)Kristin Kreuk and Tom Welling in Smallville (2001)Michael Rosenbaum brings young Lex Luthor to life in what has become my favorite character of the show. Making Lex Luthor and Clark Kent childhood friends is a novel (and daring) conceit by the show’s creators, and it pays off handsomely. Lex adds a darker, more cynical dynamic to Clark’s teenage development that was missing in previous iterations of the character. Rosenbaum, who rather ironically provides the voice for the DC superhero “The Flash” on the Justice League animated series, makes Luthor a dark, sympathetic, and conflicted figure. He’s charismatic enough to make one want to like him, Machiavellian enough to make one worry if they can trust him, and – since we know his eventual fate – an overall tragic figure. We know he’s going to “go bad”; his slow transition from Clark’s trusted friend to worst enemy makes for some truly compelling material.Annette O'Toole and John Schneider in Smallville (2001)The cast is rounded out by John Schneider as Jonathan Kent, Academy Award-nominated songwriter Annette O’Toole (and a former Lana Lang herself from Superman III) as Martha Kent, John Glover as Lionel Luthor, Sam Jones III as Clark’s childhood friend Pete Ross, and Allison Mack as Chloe Sullivan, whose unrequited love for Clark has emerged as a critical subplot in the development of the series. The group makes for an attractive ensemble, and there’s not a bad apple in the bunch. My only real complaint about the cast could be the little screen time Pete Ross gets (which gets worse in Season Three). As Clark’s best friend since childhood, his relationship with Clark gets laid by the wayside in favor of the Clark/Lex dynamic. Every now and then he turns up to provide some expository dialogue, and while he is featured prominently in a few episodes (especially “Duplicity”), his role in the show has slowly diminished over time.John Glover and John Schneider in Smallville (2001)Smallville: The Complete Second Season picks up from the cliffhanger ending that ended Season One, and slowly grows into a stronger and more self-assured show. Over the course of the season we get introduced to heat vision, red Kryptonite, a trip to Metropolis (with a cameo by The Daily Planet), and, in the episode “Rosetta”, an appearance by the former Man of Steel Christopher Reeve which stands out as one of the series’ best episodes. When I heard bits of John Williams’s amazing film orchestrations woven into the show’s score, I had goose bumps everywhere.Tom Welling and Amara Zaragoza in Smallville (2001)While still a little bumpy at times, Smallville’s second season is a huge step above the first, and remains one of the most entertaining shows on television.

 

REVIEW: HALLOWEEN: RESURRECTION

CAST

Jamie Lee Curtis (Scream Queens)
Busta Rhymes (Narc)
Bianca Kajlich (Rules of Engagement)
Thomas Ian Nicholas (American Pie)
Ryan Merriman (Final Destination 3)
Daisy McCrackin (Angel)
Katee Sackhoff (Battlestar Galactica)
Luke Kirby (Fury)
Sean Patrick Thomas (Save The Last Dnace)
Tyra Banks (Coyote Ugly)
Brad Loree (Smallville)
Lorena Gale (The Butterfly Effect)
Natassia Malthe (Bloodrayne 2)
Kyle Labine (Freddy vs Jason)
David Lewis (Man of Steel)

 

Three years after the events of the previous film, Laurie Strode (Jamie Lee Curtis) had been sent to a psychiatric hospital after it is revealed that she had beheaded a paramedic instead of her brother Michael Myers (Brad Loree); the paramedic had located the body of Myers in the dining hall of Laurie’s school, Hillcrest Academy, after the paramedic tried to grab his mask, Myers attacked him, and crushed his larynx so he wouldn’t cry out and forcefully switched clothing and his mask. As Laurie drives the coroner’s van out of the school, Myers in the paramedic’s clothing walks out of the school grounds and goes into hiding for the next three years.
On October 31, 2001, still in captivity, Laurie, pretending to be heavily medicated, prepares herself for the inevitable confrontation with Michael. Michael appears at the hospital and kills two security guards by decapitating one and slitting the throat of the other before going after Laurie. Laurie lures Michael into a trap, but as she attempts to kill him, she second guesses herself and goes to remove his mask to make sure that it is really her brother this time. Myers takes advantage, and stabs her in the back before sending her off the roof to her death. His mission is complete after more than twenty years of searching and tracking Laurie down.
The following year, college students Bill Woodlake (Thomas Ian Nicholas), Donna Chang (Daisy McCrackin), Jen Danzig (Katee Sackhoff), Jim Morgan (Luke Kirby), Rudy Grimes (Sean Patrick Thomas), and Sara Moyer (Bianca Kajlich) win a competition to appear on an Internet reality show directed by Freddie Harris (Busta Rhymes) and his friend, Nora Winston (Tyra Banks), in which they have to spend a night in Michael’s childhood home in order to figure out what led him to kill. On Halloween, each equipped with head-cameras as well as the cameras laid throughout the house, they start the show, searching the entire house for something that can provide a clue to Michael’s past, and decide to separate into three groups to cover more areas. Sara’s messaging friend Deckard (Ryan Merriman) watches the broadcast during a Halloween party. As the group searches the house, Donna and Jim begin getting intimate in the basement.Before anything can happen, a wall filled with corpses falls on them. Initially freaked out, upon closer inspection, Jim realizes the corpses are fake; the whole show is a setup. Jim leaves, but Donna notices a tunnel behind the fallen wall. After following it for a ways, she discovers she is being followed by Myers. Myers chases her through the tunnels before impaling her on a spike on the wall. At the party, Deckard and other partygoers witness the murder. Deckard realizes that the murder was real, but the others believe it is an act. Meanwhile, Freddie goes through the house dressed as Myers, but is secretly followed by the real Myers. Freddie, mistaking Michael for Charlie (a cameraman who had been killed earlier with a camera tripod leg through his throat), tells him to go to the garage and help Nora out. When Rudy, Sara, and Jim find Freddie in the Myers costume, he reveals the scheme to them and begs them to cooperate, telling them that he’s set up a nice payday for all of them when it is done.When he leaves, the trio decides to gather up the other three and leave. But before they can, Jen discovers the body of Bill (who was stabbed in the head and vanished earlier) and is decapitated by the real Myers right in front of Rudy, Sara, and Jim. Rudy and Sara flee, but Jim stays to fend off Myers only to have his head crushed. Myers then kills Rudy by pinning him to the door with kitchen knives before chasing Sara upstairs.

Locking herself in a bedroom, Sara begs for Deckard to help her. The other partiers begin realizing that the deaths have not been staged, and that everyone is, in fact, dead. With Deckard messaging her Myers’ location, Sara manages to escape and is found by Freddie. Before they can leave, Myers finds and attacks them. Freddie is injured and Sara makes her way to the tunnels. She finds an exit near Donna’s body and emerges in the garage, where she finds Nora dead. As Myers finds her, Freddie returns and begins fighting Myers hand-to-hand. Freddie electrocutes Myers, tangling him up in electrical wiring before carrying Sara out of the burning garage. Myers’ body and the bodies of his victims taken to the morgue. As the medical examiner begins to examine the body, Myers’ eyes open, and the scene cuts to black.

Absolutely Awful continuation of the Saga that Jamie Lee Curtis should be thoroughly ashamed to have appeared in.A group of kids spend the night in the Old MyersHouse where cameras are set up in every room to capture the goings on for the internet public.Thingsgo Cliched and Crap when Michael (still not Dead) returns home and starts Killing.Rubbish

REVIEW: THE DAY THE EARTH STOOD STILL (2008)

CAST

Keanu Reeves (Speed)
Jennifer Connelly (Hulk)
Kathy Bates (Misery)
Jaden Smith (The Karate Kid)
John Cleese (Rat Race)
Jon Hamm (Mad Men)
Robert Knepper (Heroes)
James Hong (Blade Runner)
Sunita Prasad (Hardwired)
J.C. MacKenzie (Dark Angel)
Lorena Gale (Smallville)
Patrick Sabongui (The Flash)
Roger Cross (First Wave)
Hiro Kanagawa (Heroes Reborn)
David Richmond-Peck (V)
Ty Olsson (Izombie)
Kyle Chandler (Argo)
Rukiya Bernard (Van Helsing)
Alisen Down (Smallville)
David Lewis (Man of Steel)
Bill Mondy (Blade: The Series)
Brandon T. Jackson (Tropic Thunder)
Michael Hogan (Battlestar Galactica)
Ben Cotton (Stargate: Atlantis)

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The movie’s first act shows the most potential. Dr. Helen Benson (Jennifer Connelly) is swept away from her with a police escort, by flustered agents who inform her that even they don’t know why she’s being picked up. She’s rushed into a room crowded with other scientists and engineers and told that not only is something from outer space going to impact Earth in the middle of Manhattan, but it’s going to happen in less than 80 minutes. I always question the way government officials act in movies, but there’s a palpable sense of tension and paranoia, and even a few good character touches (. A better movie would have played out closer to real time; the concept that Earth might be destroyed with such little forewarning is a really great idea (although there’s a shade too much 9/11 imagery here). Sadly, it barely makes up the first twenty minutes. At the end of it, a giant swirling orb touches down in the middle of Central Park, and an alien creature steps out, only to be shot by an overzealous soldier.The creature is taken to a hospital, where its’ strange, placenta-like shell melts away to reveal what appears to be a human being. Instead it turns out to be Keanu Reeves, playing an alien creature named Klaatu who somberly informs the President’s first-hand aide (Kathy Bates) that he’d like to address the United Nations. Bates’ character is problematic. She plays it as reasonably as she can, but as written, she’s yet another trigger-happy, kill-all-the-aliens caricature straight out of endless alien invasion movies that prevents logical characters from doing logical things. She refuses his request, and they tell Helen to drug him so they can interrogate him. She fakes it instead, injecting him with saline instead of sedative, and Klaatu makes his escape.During the escape sequence, Scott Derrickson’s direction goes into hyperdrive, using flashy editing and CGI to amp up the excitement, but it feels forced and unnatural. It happens several times, all in isolated bursts (Robert Knepper’s thankless and stereotypical military commander is the worst offender, popping up occasionally to yell in a Texas accent). Only part of the spectacle, like the swarms of tiny bugs that eat up everything in their path (as seen in the misleading trailer), feel integrated with the story. The effects themselves are hit-and-miss. The giant orbs, shown on the movie poster, are stunning to look at, and those swarms of bugs are eye-poppingly cool, but most of the effects that integrate real actors look weak.I’ve always thought of Keanu Reeves as a more physical actor than an emotional one , and it’s almost endearing the way he doesn’t seem to “get” the joke in regards to his flat acting style, which the producers of Day 2008 have ably exploited in having him play an emotionless alien. I liked him in the movie, but those who already dislike him as an actor aren’t going to have their minds changed. Jennifer Connelly does a fairly good job during the first half of the film, but as the bits of characterization from the first act peter out, it’s like she’s acting into a vaccuum; she puts plenty of emotion out but none of it registers. Will Smith’s son Jaden plays her step-son, and his primary mode is “whiny”.The Day the Earth Stood Still (2008)Klaatu’s goal in Day 2009 is to save the Earth, which is bad news for its inhabitants. “If the Earth dies, you die. If you die, the Earth survives,” he tells Helen. Yet the film doesn’t want to be a “message” movie, so no obvious examples are shown lest the audience get upset. I felt The Day the Earth Stood Still was better than expected but the commercial aspect of its existence overpowers its low-key successes. Derrickson’s version misses ample opportunities to explore the nature of meeting a creature from another planet, and the times it does breach the topic it doesn’t have anything to say.Keanu Reeves in The Day the Earth Stood Still (2008)The 1951 original is a social landmark, and even won a Golden Globe for promoting International Understanding. The new version is entertaining, but the fact that it can’t emotionally connect to its audience, much less connect other people, is going to leave many fans rightfully disappointed.

REVIEW: MAN OF STEEL

CAST

Henry Cavill (The Immortals)
Amy Adams (American Hustle)
Michael Shannon (Boardwalk Empire)
Diane Lane (Unfaithful)
Russell Crowe (Gladiator)
Antje Traue (Seventh Son)
Harry Lennix (Dollhouse)
Richard Schiff (Seven)
Christopher Meloni (Underground)
Kevin Costner (Waterworld)
Ayelet Zurer (Daredevil TV)
Laurence Fishburne (Hannibal)
Mackenzie Gray (Smallville)
Ian Tracey (Bates Motel)
Carla Gugino (Watchmen)
Julian Richings (Doom Patrol)
Tahmoh Penikett (Dollhouse)
David Lewis (Unspeakable)
David Paetkau (Flashpoint)
Mike Dopud (Arrow)
Chad Krowchuk (RV)
Aaron Pearl (Stargate SG.1)
Jacqueline Scislowski (Power Rangers Beast Morphers)
Alessandro Juliani (Smallville)
Rebecca Buller (Sirens)

film_supermanreturns_featureimage_desktop_1600x900The planet Krypton, unstable from years of industrial mining, faces impending destruction. Jor-El, chief advisor to Krypton’s supreme council, recommends a full-scale evacuation of the planet’s inhabitants. Before any action can be taken, soldiers led by General Zod, an old friend of Jor-El’s, launch an uprising and arrest the councilors. Realizing that Krypton is doomed, Jor-El steals genetic codes sought by Zod and infuses them into the DNA of his infant son, Kal-El – the first naturally born Kryptonian child in centuries. Donning his old armor, Jor-El sacrifices his life to allow his son to escape on a preprogrammed spacecraft. Zod orders the rocket’s destruction, only to learn that forces loyal to the council have suppressed the rebellion. In a brief trial, Zod and several of the surviving rebels are convicted of treason and sentenced to the Phantom Zone seconds before Krypton explodes.
8610986058_9dfa00c53c_bFollowing Jor-El’s coordinates, the ship crash lands on Earth in Smallville, Kansas. A childless couple, Jonathan and Martha Kent, find Kal-El and raise him as their own, naming him Clark. As he grows up, Clark becomes an isolated young man as a result of developing superhuman powers. He then learns his true origins from Jonathan, who urges him to keep his powers hidden. Several years later, Jonathan dies in a tornado while refusing to let Clark save him. Burdened by guilt, Clark leaves to travel the world under several aliases, seeking a new purpose.
man-of-steel-was-pretty-boringLois Lane, a reporter at the Daily Planet in Metropolis, receives an assignment to investigate the discovery of a Kryptonian scout ship in the Canadian Arctic. Disguised as a worker, Clark enters the ship and activates its central computer using a key left by Jor-El, allowing him to communicate with an artificial intelligence modeled after his father. The AI explains that Clark was sent to Earth to guide its people, and presents him with a Kryptonian uniform bearing his family’s symbol. While following Clark, Lois inadvertently triggers the ship’s security system. Clark uses his powers to rescue Lois before donning the uniform and testing his ability to fly. Lois attempts to have her supervisor Perry White publish an article on the incident, but he refuses to do so without proof. After tracking down Clark, Lois eventually agrees to keep his secret safe.
MAN OF STEELEscaping the Phantom Zone, Zod and his crew travel to Earth after intercepting a transmission from the scout vessel. Deducing that Kal-El is nearby, they broadcast a global address demanding that he surrender or risk war. Clark meets with the U.S. Army and agrees to comply, with Lois joining him as a hostage. Zod reveals that he possesses advanced terraforming equipment salvaged from Kryptonian outposts, which he intends to use to transform Earth into a new Krypton. His science officer, Jax-Ur, extracts Clark’s genes to create Kryptonian colonists who will exterminate humanity and build a society based on Zod’s ideals of genetic purity. With help from Jor-El, Clark and Lois escape and warn the Army, just as Zod orders an invasion.
superman_man_of_steelGiven the codename “Superman”, Clark destroys the terraforming platform, while his human allies launch a suicide attack, killing Zod’s troops. Vowing to eradicate humanity himself, Zod battles with Superman, and the two eventually crash into a train station. Zod turns his own heat vision on a group of passengers, but Superman kills him. Now the last surviving Kryptonian, Superman persuades the Army to let him act independently, so long as he does not turn against humanity. To allow access to dangerous situations without attracting attention, Superman is hired as a freelance reporter for the Daily Planet.man_of_steel_hero1The most striking thing about Man of Steel is how grim it is compared to the previous Superman entries. Christopher Reeve’s Superman was confident and heroic, but here Henry Cavill’s rendition doesn’t seem so sure of himself. He can take off flying much faster though, and isn’t afraid to throw a few punches. The tights that Christopher Reeve wore have been replaced here by a more menacing chain-mail suit. The movie’s general atmosphere is pretty dark, with a blue tint given to the entire movie and a score by Hans Zimmer that is quite a contrast to that of John Williams in the earlier movies. However, it seems like the Superman comic books have recently taken a dark turn as well.  Keeping an open mind while watching Man of Steel, I accepted most of the liberties being taken and enjoyed it for what it was.

REVIEW: THE NEW ADDAMS FAMILY (1998-1999)

MAIN CAST

Glenn Taranto (Crash 2004)
Ellie Harvie (The Cabin In The Woods)
Brody Smith (Rat Race)
Nicole Fugere (Cosas Que Nunca Te Dije)
Betty Phillips (2012)
Michael Roberds (Elf)
John DeSantis (Little Man)

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RECURRING / NOTABLE GUEST STARS

Monika Schnarre (Andromeda)
Gabrielle Miller (Highlander: The Series)
David Lewis (Man of Steel)
John Astin (The Frighteners)
Jennifer Copping (Slither)
Samantha Ferris (Along Came A Spider)
Jessica Harmon (Izombie)
Diane Delano (Jeepers Creepers 2)
Keegan Connor Tracy (Bates Motel)
David Palffy (Stargate SG.1)
Richard Ian Cox (Ghost Rider)
April Telek (Walking Tall)
Brendan Fehr (Roswell)
Morgan Fairchild (Chuck)
Mike Dopud (Stargate Universe)
Courtnay J. Stevens (Ripper)
Christopher Shyer (V)

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The 1991 film The Addams Family had distinguished performers Angelica Huston and Raul Julia, and took over $100,000,000 at the box office. Both this film and its 1993 sequel, Addams Family Values, were based heavily on Addams’ original cartoons, and introduced a whole new generation of fans to the Addamses. A script for another sequel had already been prepared before the sudden 1994 death of Raul Julia ended plans for a third movie. Despite the apparent end of the film franchise, rumours of a return to the small screen persisted. In the meantime, original Gomez John Astin loaned his vocal talents to an Emmy award winning 1992 animated series, which lasted for two seasons. In 1998, the Fox empire negotiated the acquisition of the US Family Channel, which wud be re-launched in the fall under the Fox banner, with a large number of new original programmes and specials, produced in partnership with Saban International. Saban had established themselves as leaders in the field of economical children’s television throughout the 1990s. A number of original TV movies were to be produced for airing on the channel, with prior releases on the sell-through home video market. Among the initial raft of titles announced was Addams Family Reunion, which would star Tim Curry and Daryl Hannah. Produced hastily in California in the early months of 1999, it debuted on Home Video in the fall to almost unanimous derision.

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However, before production on the new film wrapped, Saban and Fox Family Channel announced that a 65-episode series of The New Addams Family would debut as part of the new line-up. The new series was to be a joint effort between Saban and Shavick Entertainment. The series, which would “mix characters from both the classic series and recent films”, was to be produced in Vancouver at a cost of $35 million and represented a near unprecedented advance commitment. Filming in British Columbia, with its generous tax incentives, not to mention a cast of relative unknowns, it was hoped that the series could be produced economically to a high standard. As a further budgetary measure, many of the specialist props, costumes and settings from Reunion were put to use in the new episodes.

With budget and the Vancouver location immediately precluding the participation of much of the Addams Family Reunion troupe, it would be a largely new cast which would front the new series. The new cast was assembled mostly from Canadian talent, with the exceptions of Nicole Fugere, who would reprise her role of Wednesday from Reunion and Glenn Taranto, a last-minute placement in the role of Gomez, cast after the initial choice proved unsuitable.

Originally, the producers had envisaged a Gomez more in line with the Hispanic silhouette Raul Julia embodied on the big screen. With this in mind, Frank Roman was initially cast in the role, beating out Glenn Taranto, who had offered an audition performance based on John Astin’s interpretation. However, once rehearsals were underway, it became clear that the tone of the episodes owed more to the series of old than the films, convincing the producers to reconsider their decision, awarding the role to Taranto. The actor had kept a signed photograph of the original Gomez, John Astin, in his possession for a number of years, and felt a special affinity for the role; over the years, a number of people had commented on his physical and vocal similarity to Astin.

Award-winning comedienne Ellie Harvie would play Morticia, along with Michael Roberds as Uncle Fester. Veteran performer Betty Phillips would play the wizened Grandmama Addams, whilst newcomers John DeSantis, Brody Smith and Steven Fox would essay the roles of Lurch, Pugsley and Thing, respectively. Production on the new episodes began in earnest in the Spring of 1998.

As it emerged, the new series owed much of its style and tone to the Addamses of the small-screen, and a large number of the original television scripts were adapted and revised as the basis for new episodes. This task fell largely to the show’s Executive Consultant, Peggy Nicol and her successors Arnold Rudnik and Rich Hosek. The remade episodes were generally heavily restructured and rewritten, often with only the barest bones of the originals retained.  The Fox Family Channel intended to use the established Addams format as the ballast for its re-launch, with stripped broadcasts throughout weekday evenings. With a mammoth episode count required in time for the October launch-date, the new cast would shoot at a frantic pace, with an average of only three filming days devoted to each episode.

A number of large regular sets were built in the studio to represent the Addams abode. Budgets and time precluded the building of an exterior to the mansion, which was instead realised with computer animation. A small exterior backlot set housed the gateway to the mansion, allowing for rare outside excursions. Like the original series, location shoots would be few and far between. With rapid production imperative, the crew often worked 14-hour days. Make-up alone could last as long as 90-minutes at a time. However, despite the highly demanding working conditions, the cast members generally relished their roles. Harvie, Taranto and Roberds based their performances heavily on their sixties counterparts, having watched the original show as children. Between them, they gradually brought their own broader interpretations to their roles, adding their own comic style.

An early seal of approval was found in the form of an inspired guest appearance by original Gomez, John Astin, in the role of Great Grandpapa Addams. Both Astin and the regular cast enjoyed the experience immensely, as Ellie Harvie recalled: “There was one scene where I was speaking French and he runs in and says, ‘Tish, that’s French!’ and starts kissing my arm and then Gomez walks in and says, ‘Grandpapa, what are you doing?’ There was a second there when he was kissing my arm and I thought, ‘This is too weird. I’m Morticia’!” Astin reprised Great Grandpapa for a further two episodes of the series. The New Addams Family premiered on the Fox Family Channel on October 19th 1998, following a huge publicity drive. Fox Family used the series as the cornerstone for their 13 Days of Halloween special, and followed soon after with The Addams Family Scareathon, a day of stripped repeats linked with specially filmed promotional spots by the characters.

In print, posters advertising the show appeared throughout the New York Subway system whilst TV-Guide magazine featured prominent advertisements for the show. A number of items were produced purely for promotional purposes. These included engraved cigar boxes, complete with a preview videotape, New Addams Family picture frames (filled with plastic bugs and bones) along with t-shirts, rucksacks and other sundries.

Concurrently, Cool-Whip dessert topping was showcasing a major promotion for Addams Family Reunion. The network aired huge numbers of specially shot promotional spots, whilst the characters themselves were featured as part of the Macy’s Thanksgiving parade. Critical reaction was conservative, but generally positive.

Fox Family’s massive publicity drive paid off. In a press release issued shortly after the premiere, the network reported that: “Highlighting the prime time line-up was the debut episode of The New Addams Family, the highest-rated first-run series in Fox Family Channel history. Addams proved a particularly strong attraction to Kids 6-11, with the debut delivering a Fox Family Channel prime time series record 2.04 rating in that demographic. Having excelled as part of the Fox Family Channel’s re-launch, The New Addams Family was to prove a surprisingly short-lived revival, producing only one episode more than its television parent.

Sadly, the promising viewing figures and audience reaction were not enough to ensure a second number of episodes, and with its 65th episode, Death Visits the Addams Family, the new series bade farewell to its new-found fan base. Reportedly, during the final weeks of production an abortive proposal was made for a straight-to-video movie sequel. Ultimately, the motivations behind the cancellation are numerous, and neither Shavick nor Fox Family Channel have ever issued an official statement regarding it. However, certain facts and comments from production alumni do go some way to explaining the decision. For the network, it would seem that any interest in continuing beyond their contracted quota was minimal, as their huge order of episodes gave them a sufficient number of shows to exploit the series with its existing library. With large numbers of shows readily available, there was no immediate incentive for them to produce further episodes. The cast and crew had been engaged on fixed-rate contracts, which expired at the end of production. Having forfeited their rights to valuable residual payments for the series, it was inconceivable that they would agree to such frugal terms for a second run. While the news was disappointing to viewers, in fairness, the show’s production team had completed a quota of episodes far in excess of the annual 25 of most modern sitcom productions.

The disappointment of the cast and crew at the premature and abrupt nature of the cancellation was seemingly vindicated during the 2000 Leo Awards, where The New Addams Family retrospectively won eight awards out of a nominated nine