REVIEW: MELISSA & JOEY – SEASON 1-4

 

MAIN CAST

Melissa Joan Hart (Sabrina: TTW)
Joey Lawrence (Blossom)
Taylor Spreitler (Amityville: The Awakening)
Nick Robinson (Jurassic World)

RECURRING / NOTABLE GUEST CAST

Lucy DeVito (Girls)
Elizabeth Ho (Fifty Shades of Black)
Megan Hilty (Shrek The Third)
Rachel G. Fox (Dream House)
Scott Michael Foster (The Pact 2)
Chris Brochu (The Vampire Diaries)
Christopher Rich (Boston Legal)
Anya Monzikova Iron Man 2)
Joel McKinnon Miller (Super 8)
Christine Lakin (Hollywood Darlings)
Gregg Sulkin (Runaways)
Cody Linley (Sharknado 5)
Rita Rudner (The Wrong Guys)
Trevor Donovan (Savages)
Justin Hartley (Smallville)
Sterling Knight (17 Again)
Sadie Calvano (Mom)
Jada Facer (Henry Danger)
Brooke Burke (The Wraith)
Matthew Lawrence (Superhuman Samurai Syber-Squad)
Kevin Fonteyne (Sun Records)
Hayley Erin (General Hospital)
Greer Grammer (The Middle)
Tara Strong (Batman: The Killing Joke)
Doris Roberts (Everybody Loves ryamond)
Ian Reed Kesler (Birds of Prey)
George Wyner (Spaceballs)
Beth Broderick (Sabrina: TTW)
Andrew Lawrence (Bean)]
Meaghan Martin (Mean Girls 2)
Vivia A. Fox (Independence Day)
Lesliee Grossman (The Neighbours)
John Ratzenberger (Cheers)
Debi Mazar (Batman Forever)
Jaime Pressly (Mom)
John Ross Bowie (The Big Bang Theory)
David Lascher (Sabrina: TTW)
Don Stark (That 70s Show)
John Ducey (Bones)
Alimi Ballard (Dark Angel)
Shannon Elizabeth (American Pie)
Marla Sokoloff (Fuller House)
Elizabeth Berkley (Saved By The Bell)
Yvette Nicole Brown (Community)
Mo Gaffney (That 70s Show)
Sean O’Bryan (London Has Fallen)
Krista Allen (The Final Destination)
Elisa Donovan (Sabrina: TTW)
David Starzuk (Veronica Mars)
Danny Woodburn (Bones)
Jessica Barth (Ted)
Nakia Burrise (Power Rangers Zeo)

Mel Burke is having trouble with her niece, Lennox. As she tries to juggle being a councillor and a guardian, she gets a little overwhelmed. Her assistant, Rhonda, suggests she get a nanny. Mel is hesitant to do so until she finds out Lennox wrote a poem about her principal, Miss Lunt (Vernee Watson), that wasn’t so nice. Mel relents and decides to hire a nanny. Before leaving for a meeting, Joseph “Joe” Longo knocks on her door. He apologizes for an outburst and asks if she can get him a job. Mel realizes he was the head of her brother-in-law’s company. (It is mentioned that her brother-in-law ran off leaving the company in disarray and it is implied that he ran off with the millions Joe made for him and left his wife to take the blame. The result is her being in federal prison and the reason for the children having to stay with Mel.) She explains that there is a hiring freeze downtown so she can’t get him a job. Joe then offers to be her new nanny. Joe takes Ryder to school so Mel won’t miss her meeting. Mel comes home later to take Lennox to school so she can apologize to Miss Lunt. If she doesn’t apologize, Lennox cannot go back to school. Mel finds that Ryder is still at home and Lennox is gone. After leaving, Joe sees an online posting from Lennox and realizes she is on the roof. He convinces her to go eat her “big bowl of stink” instead of letting Mel eat it for her. Mel comes back impressed until she finds out Joe paid Lennox fifty dollars to go to the school and apologize to the principal. They later decide to give him a try being the nanny.This show has a bit if everything. Witty humour. Not so witty humour. Moments of nostalgia for those of us who loved Melissa Joan hart in Sabrina and Clarissa explains it all. But this show also has moments of real emotion that stop you in your tracks for a second and keep you gripped to the underlying story lines. Each character has their own quirks and as you get to know them you really begin to appreciate the level of detail the writers have gone to in order to keep the characters alive and interesting.

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REVIEW: EMPLOYEE OF THE MONTH

CAST

Dane Cook (Good Luck Chuck)
Jessica Simpson (The Dukes of Hazzard)
Dax Shepard (Zathura)
Tim Bagley (The Mask)
Andy Dick (2 Broke Girls)
Brian George (The Big Bang Theory)
Harland Williams (Wag The Dog)
Efren Ramirez (Gamer)
Danny Woodburn (Bones)

For years, Zack Bradley (Dane Cook) has been working at the local “Super Club” as a box-boy. He lives with his grandmother and spends his free time with co-workers Lon Neilson (Andy Dick), Iqbal Raji (Brian George), and Russell Porpis-Gunders (Harland Williams). Despite his “slacker” like ways he is kind-hearted, popular and supportive. His coworker Vince Downey (Dax Shepard) earns the Employee of the Month title for the 17th time in a row. Vince is egotistical and rude towards his co-workers, mainly his box boy Jorge Mecico (Efren Ramirez), who he berates constantly. His co-workers dislike him, but he is oblivious to this. When new cashier Amy Renfro (Jessica Simpson) is hired, Zack and Vince fall for her and compete for her affection. Zack is told that Amy slept with the “Employee of the Month” at her last job, so he decides to win the title. Amy has dinner with Vince, but is repulsed when he puts the move on her. Vince doesn’t realize how Amy feels, thinking they had a good kiss and continues pursuing her. Zack steps up his act and becomes a harder worker, giving Vince competition for the title. He also goes on a date with Amy, which takes place entirely in Super Club.Within a few days, with Vince still winning the daily star, Zack realizes that getting “Employee of the Month” is not as easy as he thought. With Iqbal’s encouragement, Zack finds his groove and to Vince’s horror, wins the star the next day. A war of attrition begins, as Vince tries everything he can think of to derail Zack’s string of stars, even breaking into his house to reset the clocks and cause him to be late. Zack barely arrives on time and Vince’s attempt to sabotage him is unsuccessful. Zack takes Iqbal’s shift on the day of a championship slow-pitch game against rival chain Maxi-Mart. However, he leaves to play in the game and Iqbal is fired. Frustrated at Zack’s new attitude, his friends tell him he is turning into Vince and feel his attempt at getting the title is a result of trying to have sex with Amy. Amy overhears the conversation and is disgusted at Zack for his true intentions. Amy tells Zack her last boyfriend, who was Employee of the Month, was conniving, conceited and impolite which was why she requested a transfer because she could not stand being with him.157_4At month’s end, Zack and Vince are tied. On the day of the tie-breaking competition, Zack quits, gets Iqbal his job back and tells him he took responsibility for what happened, making a heartfelt apology to Lon, Iqbal, and Russell. Zack tells them he plans to win the competition, not for recognition or to make an impression, but for pride. When the store manager is about to announce Zack’s resignation, Zack, Lon, Iqbal, and Russell show up claiming Zack never filed the resignation papers. It is revealed Russell bribed the human resources manager with a broken Butterfinger. Zack tries to reconcile with Amy, giving a heart-felt apology and telling her that no matter what, he is a better man because of her. Despite Vince’s protests, the competition, for the fastest checkout, is held. The Employee of the Month Award will be granted to the person who finishes the task first.Employee-of-the-Month-dax-shepard-31245685-2249-1500Vince beats Zack by seconds, but during the award ceremony, Semi (Marcello Thedford), the security guard, brings a surveillance video of the competition that shows Vince throwing items behind his back and onto the belt without scanning them. Vince denies the allegations of under-ringing. The store’s assistant manager, who had just completed an audit of the tills used in the competition, proved the surveillance video was right about Vince giving customers free things and has been doing this for 18 months, costing the store thousands of dollars. When security tape footage is shown and his register receipt totals proved he cost the store money, Vince is fired and required to wear a police tracking device in lieu of jail time. Zack ends up winning the competition having the second most points and Amy’s love. Six weeks after Vince is terminated from Super Club, he is on probation and working at Maxi-Mart, a rival store. Jorge finally learns to assert himself and treats Vince the same as he was treated by Vince. He is still willing to give Vince a ride to the bus stop, knowing that this would put Vince outside the range of his probation leg-tracker.290449-16583-clp-950Great movie, good laughs! I’d watch it again. There are some little twists to some parts of the movies and the end is alright, could be better though. Over all a very funny movie.

REVIEW: TEENAGE MUTANT NINJA TURTLES (2014)

CAST

Megan Fox (New Girl)
Will Arnett (Blades of Glory)
William Fichtner (The Dark Knight)
Tohoru Masamune (Inception)
Whoopi Goldberg (The Muppets)
Minae Noji (BItch Slap)
Abby Elliott (How I Met Your Mother)
Taran Killam (Ted 2)
K. Todd Freeman (Buffy)
Derek Mears (Friday the 13th)
Johnny Knoxville (Men In Black 2)
Alan Ritchson (Smallville)
Noel Fisher (Agent COdy Banks)
Jeremy Howard (The Haunted Mansion)
Tony Shalhoub (Addams Family Values)
Danny Woodburn (Watchmen)
Malina Weissman (Supergirl)

Image result for teenage mutant ninja turtles 2014April O’Neil, a reporter for Channel 6 Eyewitness News in New York City, investigates a crime wave by a group of criminals called the Foot Clan. At a dock at night, she sees the Foot raiding cargo containers. After an unseen vigilante attacks the thieves, April notices a symbol left behind. April’s supervisor Bernadette Thompson (Whoopi Goldberg) and her coworkers are oblivious to her story. Later while covering a charity event thrown by Sacks Industries, April expresses gratitude to the company’s CEO Eric Sacks, who was her late father’s lab partner. Frustrated by the vigilante, the Foot Clan’s leader Shredder has the Foot Soldiers take hostages at a subway station in order to draw him out. April, at the scene, becomes a hostage herself. Four mysterious figures arrive, take out the Clan, and free the hostages. April follows them to a rooftop and is confronted by four anthropomorphic mutant turtles, causing her to pass out. When she regains consciousness, they advise her not to tell anyone of them. As they leave, April hears Raphael and Leonardo’s names.  April returns to her apartment and remembers “Project Renaissance”, her father’s science experiment, which involved four turtles named Leonardo, Donatello, Michelangelo, Raphael, and a mutated rat called Splinter. Unable to convince Bernadette of the Turtles’ existence, April is dismissed. Her coworker Vern Fenwick drives her to Sacks’ estate where she confides in him about her discovery. Sacks believes her and reveals that he and April’s father had been experimenting on a mutagen created to cure disease, which was thought lost in the fire that killed her dad.
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At Splinter’s behest, the Turtles bring April to their sewer lair. Splinter explains April had saved them all from the fire and freed them into the sewers. The mutagen caused the five of them to grow and develop humanoid attributes. Splinter took on the role of their father, using April’s father as an example. After finding a book on Ninjitsu in a storm drain, he proceeded to teach himself, then the Turtles, in the fighting style. When April reveals she told Sacks about her discovery of the Turtles, Splinter informs her that Sacks turned on her father and killed him.
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Then, Shredder and the Foot Soldiers attack the lair, defeating Splinter and incapacitating Raphael while the other Turtles are captured. April comes out of hiding and she and Raphael plan to save the others. At Sacks’ estate, he has the Turtles’ blood drained in order to create an antidote to a deadly virus that Sacks hopes to flood New York with, believing he will become rich from people seeking his cure. Raphael, April, and Vern storm the estate and free the other Turtles. The group then escapes the compound in pursuit of Sacks.
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On a radio tower in the city, Sacks and Shredder plant a device that will flood the city with the virus while Sacks is preparing to convert the mutagen to healing factor. April and Vern subdue Sacks in the lab, while the Turtles battling Shredder on the roof. During the fight, the tower’s support beams collapse. As the turtles try to keep it from falling and infecting the city, April confronts Shredder with the mutagen. In the struggle, the tower collapses and the Turtles pull April onto it with them, while Shredder falls to the street and is confronted by police. Believing they are about to die, the Turtles confess their secrets, while Raphael gives an impassioned speech of his love for his brothers before they land harmlessly on the street. They vanish before the humans find them and return to the sewers, where they give Splinter the mutagen and he begins to recover. Sometime later, April meets with Vern, who tries and fails to ask her on a date. The Turtles appear in a special modified “Turtle Van”, and Michelangelo accidentally blows up Vern’s new car with a rocket. As police respond to the explosion, the Turtles leave, but not before Mikey tries to serenade April with “Happy Together”, much to his brothers’ annoyance and April’s joy.
movie-teenage-mutant-ninja-turtles-thumb3Having been a fan of the Transformers franchise, when I heard Michael Bay was having a hand in dealing with the new film I thought it should be a pretty solid offering that would be fun for all.  I was pretty sold within the first few minutes. I liked the way that they poked fun at other hero franchises, loved the way that April O’Neal came across as the still sassy reporter and when added to the over villainy of William Fichtner really worked well for me. All round a film that whilst not an Oscar winner, was something that not only entertained me but also gave me a good laugh, definitely worth watching .

REVIEW: 8 SIMPLE RULES – SEASON 1-3

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MAIN CAST

John Ritter (Bad Santa)
Katey Sagal (Futurama)
Kaley Cuoco (The Big bang Theory)
Amy Davidson (Goyband)
Martin Spanjers (Good Luck Charlie)
James Garner (The Notebook)
David Spade (Rules of Engagement)

 

RECURRING / NOTABLE GUEST STARS

Larry Miller (10 Things I Hate About You)
Mo Gaffney (That 7os Show)
Billy Aaron Brown (Jeepers Creepers 2)
Brian Sites (Gigli)
Patrick Warburton (Ted)
Rachel Bilson (Chuck)
Cole Williams (North Country)
Jason Priestley (Tru Calling)
Shelley Long (Cheers)
John Ratzberger (Up)
Cybil Shepherd (Moonlighting)
Cindy Williams (American Graffiti)
Paul Wesley (The Vampire Diaries)
Suzanne Pleshette (The Birds)
Amanda MacDonald (The Naked Ape)
Lisa Rinna (Veronica mars)
Ethan Philips (Star Trek: Voyager)
Jonathan Taylor Thomas (Smallville)
Tatum O’Neal (Paper Moon)
Keir O’Donnell (Wedding Crashers)
Lee Garlington (Flashforward)
Adam Arkin (Hitch)
Jan Hoag (Scream Queens)
Eric Jungmann (Sabrina: TTW)
Raquel Welch (Fantastic Voyage)
Pamela Anderson (Scooby-Doo)
Ed O’Neill (Married With Children)
Beth Grant (Wonderfalls)
Danny Woodburn (Watchmen)
Leighton Meester (The Judge)
Matt Lanter (Heroes)
Rachael Harris (Lucifer)
Nicole Richie (Chuck)
Kenneth Kimmins (Lois & Clark)

8 Simple Rules for Dating My Teenage Daughter (Later Shortened to 8 Simple Rules)  had an auspicious start. The supremely-talented Tom Shadyac was involved in the project. This meant that the comedy would be nothing less of spectacular, and that’s exactly what happened: the show remains one of the freshest, funniest, wittiest shows made in a very long time. Every line, facial expression, casting choice, scene, all wreaked of perfection. There was not one episode after which I thought, “Man that wasn’t as good as the rest”. Each one was a standout. Again, this is the kind of perfectionism that we’ve come to expect from Tom. For those who don’t know, Tom Shadyac is the director of Ace Ventura (first movie), The Nutty Professor (first one) and Liar Liar. Quite a résumé. He’s a producer here not a director, but his magic touch is felt in every episode.The family consists of:

The Father: Paul Hennessy (John Ritter): nice, slightly neurotic, can be a pushover from time to time, works as a sports writer. John unfortunately passed away in 2003 leaving a fond memory and near-sure cancellation contemplations by the suits.

The Mother: Cate (Katey Sagal): come on, who didn’t fall in love with Katey when she played Peg on Married With Children? Al Bundy was our hero. We viewers gave him the respect and love he never had. But without Peg’s nonchalant, parasitic, lazy lifestyle, Al would’ve probably been just another Chicago dad instead of the mess that Peg (life, actually) caused him to be. Katey was a MILF back then and still is: a brune now (instead of a redhead) and just as buxom as ever. Cate is the conservative mom and loving wife. I know it sounds boring, but comedically, she fits perfectly.

The Ditzy Blonde Daughter: Bridget (played to perfection by Kaley Cuoco): almost never has an idiot been played so well. Aside of Gob on Arrested Development, Bridget may well be a shoe-in for any awards given to this archetype. Bridget is shallow, self-centered, not very bright and a tad slutty in his look. She plays the dumb blonde role better than absolutely anyone IMO. Perfection. One of the high-points of the show.

The Overlooked Geeky Daughter: Kerry (Amy Davidson): a brune and a geek, she gets no love from life or circumstances. Feels overlooked, under-appreciated and neglected most of the time. She’s Bridget’s younger sister (in reality she’s older than her) and the two’s extremely opposite personalities and brains cause endless clashes, to much of our amusement.

The Son: Rory (Martin Spanjers): was the second funniest character IMO before the passing of Ritter, then John passes, new characters come and Rory is not the wise-cracking verbal-trouble-maker that he used to: that went mostly to David Spade’s character.


Those characters were the main ones at the time of John Ritter. Unfortunately enough, the insanely hilarious Larry Miller (one of my favorites) did not get lots of screen time. He played Paul’s co-worker/competitor. After an aortic dissection cost Ritter his life in 2003 (September 11th), the show was on hiatus for a while. No one thought it could come back, but it did later on, with a couple of new additions. This began the second phase of the show, and the new characters were:  The strict, confident school principal: Ed (Adam Arkin): I saw Adam here and there on talk shows. This was the first time that I saw him do anything. Impressed, is the word I use. His performance was very impressive. Sad he wasn’t brought in earlier. He also plays Cate’s potential love interest after Paul passes. The gradual progress towards this point (which would’ve sounded crazy at the beginning) earns the creators lots of praise. It was done slowly, carefully and excellently, with constant respect paid to the Paul (Ritter).

The Attitude Grandpa: Jim Egan (James Garner): a surprisingly welcome addition to the series, he was cannon fodder for endless ‘old’ jokes, mainly by… The 35-year-old unemployed wise-cracking half-brother of the mom: CJ (played to insanely funny heights by David Spade): I knew Spade was funny, I just didn’t know he was THIS funny. Somehow, Spade’s very familiar presence is sensed inside his character (as opposed to a separable character), which is understandable, since he’s a comic and he’s on a comedy show. This eerie feeling is kinda like seeing someone borrow lots of material from David Spade’s appearances in movies, talk shows and functions (award shows, etc.) and delivering a superb impersonation of Spade’s voice and comedy style, except, that it IS Spade. By that I mean you realize he’s not trying to play someone else, or a whole new character: he’s being the goofy, funny Spade we’ve come to know, and he takes this pleasantly humorous formula to the absolute top. Every line he uttered, every sarcasm he begot, all classics, literally. Spade was CRAZY-funny; so, SO funny.

The show’s humor and drama were both upped after the show was back, but audiences thought, “John passed, it ain’t gonna be the same anymore”. This is understandable, considering we are talking about a group of people (American viewers) who gave ‘Yes Dear’ a free ride but caused Andy Richter Controls the Universe to be cancelled in no time. As the show’s quality increased, its ratings declined. Soon it was no more, sadly.

REVIEW: LOIS & CLARK – SEASON 1,2,3 & 4

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CAST

Dean Cain (Supergirl)
Teri Hatcher (Desperate Housewives)
Lane Smith (V: The Series)
Michael Landes (Final Destination 2)
Justin Whalin (Child’s Play 3)
Tracy Scoggins (Babylon 5)
K Callan (Heroes)
Eddie Jones (C.H.U.D.)
John Shea (Mutant X)
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RECURRING / NOTABLE GUEST CAST

Elizabeth Barondes (Oscar)
Kim Johnston Ulrich (Passions)
Mel Winkler (Coach Carter)
Shaun Toub (Iron Man)
Clyde Kusatsu (Paradise Road)
Persis Khambatta (Star Trek: TMP)
Joseph Campanella (Guding Light)
George Murdock (Star Trek V)
Terence Knox (Children of the Corn II)
Tony Jay (Beauty and The Beast)
Leslie Jordan (Jason Goes To Hell)
Jim Beaver (3rd Rock From The Sun)
Miguel Sandoval (Alias)
Jessica Tuck (Super 8)
Alexander Enberg (Gia)
David Deluise (Vampires Suck)
Courtney Peldon (Say It isn’t So)
L. Scott Caldwell (Lost)
Morgan Fairchild (That 70s Show)
Charles Cyphers (Halloween)
Fred Stoller (Little Man)
Richard Belzer (The Flash)
Brian George (The Big Bang Theory)
Elliott Gould (Ocean’s Eleven)
Eve Plumb (The Brady Bunch)
Penn Jillette (Sabrina: TTW)
Richard Gant (Godzilla)
Chris Demetral (Dolly Dearest)
Robert Costanzo (Batman: TAS)
David Warner (Teenage Mutant Ninja Turtles II)
Dean Stockwell (Quantum Leap)
Michael McKean (This Is Spinal Tap)
Beverly Johnson (Crossroads)
James Earl Jones (Star wars)
Phyllis Coates (Adventures of Superman)
Robert Beltran (Star Trek: Voyager0
Denise Crosby (Star TRek: TNG)
Earl Boen (The Terminator)
Traylor Howard (Two Guys and a Girl)
Michael Des Barres (Poison Ivy 3)
Barry Livingston (Argo)
William Schallert (Innerspace)
Peter Scolari (Gotham)
Rick Overton (Cloverfield)
Bronson Pinchot (True Romance)
Bruce Weitz (Deep Impact)
Dick Miller (Gremlins)
Farrah Forke (Wings)
Peter Boyle (Taxi Driver)
Melora Hardin (17 Again)
John Pleshette (Rocky II)
William Devane (Interstellar)
Isobel Sanford (Love at First Bite)
Dick Van Patten (Spaceballs)
Denise Richards (Valentine)
Sherman Hemsley (Amen)
John Rubinstein (Legends of Tomorrow)
Scott Valentine (My Demon Lover)
Christian Clemenson (Apollo 13)
Brian Doyle-Murray (Groudnhog Day)
Gerrit Graham (Child’s Play 2)
Raquel Welch (Fantastic Voyage)
Cliff De Young (Glory)
Jim Pirri (Alias)
Curtis Armstrong (American Dad)
Danny Woodburn (Watchmen)
Terry Kiser (Friday The 13th – Part VII)
Lane Davies (3rd Rock From The Sun)
Meredith Scott Lynn (Legally Blonde)
Charles Napier (The Silence of The Lambs)
Erick Avari (Stargate)
Frank Gorshin (Batman 60s)
Bruce Campbell (Ash vs Evil Dead)
Jason Carter (Babylon 5)
Michele Abrams (Buffy: The Vampire Slayer)
Martin Mull (Sabrina: TTW)
Adam West (Batman 60s)
Maurice Godin (Working)
Jessica Collins (Tru Calling)
Carlos Lacamara (Heroes Reborn)
Olivia Brown (48 Hours)
Rob LaBelle (Jack Frost)
Jonathan Frakes (Star Trek: TNG)
Genie Francis (Roseell)
Kenneth Kimmins (Beauty and The Beast)
Shelley Long (Cheers)
Mary Gross (Sabrina: TTW)
Sandra Hess (Gargoyle)
Sean Whalen (Twister)
Andrew Bryniarski (Batman Returns)
Robert Carradine (Django Unchained)
Harve Presnell (Star trek: Voyager)
Beverly Garland (Decoy)
Gary Dourdan (CSI)
Emily Procter (CSI: Miami)
Hamilton Camp (The Little Mermaid)
Fred Willard (Anchorman)
Brad Garrett (The Crazy Ones)
Tony Curtis (The Great Race)
Larry Poindexter (Blade: The Series)
Daniel Roebuck (Lost)
Kyla Pratt (Dr. Dolittle)
Justine Bateman (Family Ties)
Roger Daltrey (Highlander: The Series)
Jon Tenney (Green Lantern)
Nark Lindsay Chapman (Swamp Thing: The Series)
J.G. Hertzler (Star Trek: DS9)
Eric Allan Kramer (The Incredible Hulk Returns)
Simon Templeman (Angel)
Jack Larson (Adventures of Superman)
John D’Aquino (3rd Rock From The Sun)
Alan Rachins (L.A. Law)
Jasmine Guy (The Vampire Diaries)
Sydney Walsh (Point Break)
Antonio Sabato Jr. (The Big Hit)
Steve Hytner (Roswell)
Drew Carey (Fuck)
Kathy Kinney (Arachnophobia)
Howie Mandel (Bobby’s World)
Keene Curtis (Stargate SG.1)
Tony Amendola (Annabelle)
Kristanna Loken (Painkiller Jane)
Vito D’Ambrosio (The Flash_
Dwight Schultz (The A-Team)
Patrick Cassidy (Smallville)
Keith Brunsmann (Tweek City)
Lori Fetrick (CIA II)
Tim Thomerson (Transcers)
Stacey Travis (Highlander: The Series)
Grant Shaud (Antz)

Die-hard Superman fans are torn on this one. Some think of L&C as the black sheep of Superman history. Others see it as one of their favorite adaptations. And how could they not, really? Dean Cain and Teri Hatcher as Clark and Lois had some serious chemistry going on. The late Lane Smith as Perry White is still my favorite version of the character, though Michael McKean did a darn good job himself. Michael Landes as Jimmy, Tracy Scoggins as Cat, Eddie Jones and K Callan as Jonathan and Martha… it all really gelled. And John Shea as Lex – how was he missed as a regular in the later years. Because of personnel changes throughout the series’ run, unfortunately, there were very little references or flashbacks to the first year because the show was now guided by a new regime.
 But the first year really is where it’s at. Teri Hatcher, before she was a desperate housewife, looked real and spectacular as Lois Lane. They dressed Lois in retro outfits that looked like they came from another decade, which gave the show a timeless quality. Dean Cain as Clark offered a “cool” but alien take to the role. Both Dean and Teri look really fashionable even to this day in the first season of the show.
The special effects are hit-or-miss; in some scenes, the effects work, but in others, you cringe. We’ve really gotten spoiled by the top-notch effects work in programs like Smallville. Guest stars in that first season include model Beverly Johnson, James Earl Jones, Michael McKean, Law & Order’s Richard Belzer, Morgan Fairchild, Dean Stockwell, and many others. But it’s the show’s recurring cast that makes it the most, well, super.
The DVD set includes commentary on the pilot episode by actor Dean Cain, director Robert Butler, and show creator Deborah Joy LeVine. It’s a lot of fun, especially hearing stories about the show’s casting and production of that pilot episode. I really wish Deborah Joy LeVine had stayed on the series as an executive producer, because she had such an amazing vision for the show that I think is a big reason of why that first season was so good. There’s also a documentary on the effects, but the real treat is a bonus documentary where almost all of the L&C cast and many members of the crew are interviewed about the show, except for Michael Landes (Jimmy #1) and Lane Smith (Perry White). How cool is it, ten years later, to see Big TV Superstar Teri Hatcher talking about her days of Lois Lane, all while speaking on Housewives’ Wisteria Lane set. Even K Callan, Eddie Jones, Tracy Scoggins, and John Shea participated in the action. I applaud Warner Home Video for going to the effort of including these people.
 The second season of L&C holds a special place to me because it is the year that taught me how to be a fan. Series creator Deborah Joy LeVine exited after the thrilling first season finale, and departing at the same time were Tracy Scoggins (Cat Grant), Chris Demetral (Jack), and – the most painful loss at the time – Michael Landes, who I referred to back in the day as “the real Jimmy.” He was replaced by Justin Whalin in the role, and I admit, I didn’t take to him very easily. The show went for more of an action-oriented tone, but luckily, Lois & Clark had some very good writers who still managed to find a way to keep the romantic elements of the series. Teri Hatcher and Dean Cain had a chemistry, as did their characters of Lois and Clark, and you can’t help but feel for them as they go along.
Season Two was also the season where Lois & Clark finally became a hit – no “sophomore slump” here. From the time Clark finally asked Lois on a date in “The Phoenix” things were looking up. No Mayson Drakes or Dan Scardinos could get in the way of finally getting these two characters together.
Upon watching the DVD, my first stop after the special features was “Whine Whine Whine.” In it, Superman fights a foe more dastardly than Kryptonite – greed. The episode featured guests like Ben Stein, Adam West, Frank Gorshin, Martin Mull, and others… it’s just great. Long-time Lois & Clark fans will also remember it for bringing in a scene that we’ve waited for for a while. “
Like Season 1, the producers of the L&C DVDs went all out in providing an assortment of special material, and for the most part they were very successful. Dean Cain provides interviews again (no Teri this time), and other interviewees included K Callan (Martha Kent), Eddie Jones (Jonathan Kent), Denise Crosby (Dr. Gretchen Kelly), and Justin Whalin (Jimmy Olsen). The show’s Season 2 writers and some crew are also featured, including John McNamara, who is awesome not only for his great L&C contributions, but because he co-created Profit, which is the best show you probably have never seen.
In the interviews Justin Whalin talks about the initial fan reaction to his recasting, which makes me feel a bit bad for the way I felt and posted years ago after he was cast. I later met Justin and thought he was a really nice guy. I’ve also noticed on the DVD interviews that Justin has apparently not aged at all in the past 10 years – he looks almost exactly the same.
Another bonus feature takes a look at the fandom for the show, again featuring some actors and creators and some visits to some fans at a recent “FoLCFest” (Fans of Lois & Clark) gathering. I was glad to see an assortment of people interviewed for the featurette, but I was a bit disappointed that no one from the Krypton Club was represented – after all, its subscriber list WAS bigger than the listserv or the IRC channel for most of its existence – but that fact seems to have been forgotten in the passing of time.
Finally, Dean Cain provides commentary for “Season’s Greedings,” where you hear – about 2 dozen times – about how foamy material rather than real snow were used to provide the “snow” for the episode. It’s very cool to hear Dean talking about his writing debut, which conveniently also happened to be one of the most popular episodes of the series. Dean’s a great sport and I really love the fact that he’s even doing DVD commentary. .
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 The third season was probably the most memorable time for me to be a part of the Lois & Clark fandom, as the show started hitting high gear. Unfortunately, some of the situations that I found to be “funny” back as a kid are just kind of annoying and childish now. If I ever see Olivia Brown’s Star anytime soon, it’ll be too soon. Jonathan Frakes and Genie Francis also camp it up way too much as collectors Tim and Amber Lake. And they’re not the only ones who bring bad camp to the season.
Luckily, some episodes have a good mix of camp and story. “We Have A Lot To Talk About,” the season’s premiere, is an episode that will always be close to my heart and has some of the best quotations in Superman history. (“That is so unfair! You know I can’t fly!”) There’s camp in the form of the Churches in that said episode, but when it’s Peter Boyle, Bruce Campbell, and Jessica Collins, you really don’t seem to mind.
“Ultra Woman” gives Lois super-powers, and again, a very campy costume, but makes for a good story anyway. The episode also features the Metropolis Park Wishing Well, which now can be paused so you can actually see this author’s name inscribed on the well! Another highlight of the season – and one of the series’ best all around – is “Tempus Anyone,” a return appearance for the Tempus character from Season 2’s “Tempus Fugitive.” Season Three rushed right into a wedding, and “I Now Pronounce You” promises the “wedding of the century” – a wedding that ABC touted as being “bigger than Burt and Loni, Michael and Lisa Marie…” You see where they’re going with that. I don’t want to spoil the episode, but the episodes following it may become increasingly frustrating, even though “Double Jeopardy” and “Seconds” are also two of the season’s best shows.
The season finale introduces some aliens fom a New Krypton. This is the spot where the producers chose to ignore the whole “Last Son of Krypton” aspect of Superman.
 Season 4 does have some gems. Some I liked the first time around, like the “Meet John Doe/Lois and Clarks” two-parter… and some were surprisingly better than what I remembered, like the Leslie Luckabee trilogy. One advantage of watching this season on DVD ten years later, besides the feeling of nostalgia, is that many of these episodes were ones I had only seen once back in the day… compared to the dozens of times I re-watched the early episodes. So, in effect, this is kind of new, and I like that.
 Season 4 is still enjoyable but as you get closer to the last episode you know the end is coming, plus the final episode is a cliffhanger that will never be resolved.

REVIEW: CONAN THE ADVENTURER (1997)

MAIN CAST

Ralf Moeller (The Scorpion King)
Danny Woodburn (Watchmen)
Robert McRay (Legend of The Phantom)
Jeremy Kemp (A Bridge To Far)
T.J. Storm (VR Troopers)
Andrew Craig (The Toxic Avenger)

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RECURRING / NOTABLE GUEST CAST

Ally Dunne (V.I.P.)
Andrew Divoff (Wishmaster)
Edward Albert (Power Rangers Time Force)
Arthur Burghardt (Transformers)
Mickey Rooney (Nationel Velvet)
Vernon Wells (Mad Max 2)
Brad Greenquist (Alias)
Andrew Bryniarski (Batman Returns)
Paul Le Mat (PUppet Master)
Matthias Hues (Star Trek VI)
Ali Landry (Eve)
Brooke Burns (Baywatch)
Lou Ferrigno (The Incredible Hulk)
Eric Steinberg (Stargate SG.1)
Anthony De Longis (Masters of The Universe)
Angelica Bridges (Mystery Men)
Scott MacDonald (Jack Frost)
Claudette Mink (Children of The Corn 7)
Justina Vail (Seven Days)

Image result for conan 1997Syndicated television is often called the last bastion of poor writers in this modern age, much like the pulp fiction writers of years gone by were back in their day. This is not to say that syndicated television is always bad, just that the odds greatly favor such a global statement. The first example that comes to mind would be Black Scorpion but I’m sure you’re familiar with other shows like Sinbad, Robin Hood, and Lost World (an admittedly guilty pleasure). The 1990’s were the best years for fantasy shows in syndication due in large part to the success of Hercules and Xena; both of which proved profitable beyond the imagination of their creators. Is it any wonder that other producers sought to cash in as well? Such was the case with a single season show by the name of Conan The Adventurer, based on the writings of famed 1930’s pulp fiction writer, Robert E. Howard, a young man from the desolate plains of Texas.

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Mr. Howard created the mythic hero Conan as a character that could help free him from the shackles of poverty.His character of Conan evolved from another, King Kull, set in the same age of Atlantis era of 10,000 years ago, in epoch known as the Hyborian Age. Conan was a thief, a liar, and a barbarian in every sense of the word. His code of conduct was generally considered less than chivalrous with a “me first” attitude befitting the wild imagination of his writer, a man caught in the trappings of his time. Howard’s own description of the character was: “Some mechanism in my subconsciousness took the dominant characteristics of various prizefighters, gunmen, bootleggers, oil field bullies, gamblers, and honest workmen I had come in contact with, and combining them all, produced the amalgamation I call Conan the Cimmerian.” The world-view of such a man can only be placed in the proper context by understanding the effects of where he lived and the conditions the entire country were in, making more understandable the type of anti-hero that later was popularized in the Marvel comic books and art of Frank Frazetta. I think the rise of the anti-hero in the 1960’s attributed much to reviving such characters as Conan, a being thought up in 1931 by Howard, who only wrote 22 short stories in his later years (before he killed himself). With this in mind, let me turn to the television series this review is about:

Keeping in mind that the original character was a thief, cutthroat, mercenary that did anything asked of him for a price and ignored all social conventions that didn’t suit him (similar to the original Hercules being a power mad rapist drunkard), the show started off on the wrong foot with me by suggesting his “destiny was to free the oppressed” in the opening monologue since there’s nothing further from the truth in the original stories or in the previous movies starring famed bodybuilder-turned-Governor of California, Arnold Schwarzenegger. Given that a kinder and gentler version of the character would probably be the only way to get the series made, I started off watching the episodes a bit disgruntled but content that a watered down Conan might be better than no Conan at all, I figured how bad could it be considering all the other shows I enjoyed (even as guilty pleasures).
The show focused on Conan’s quest to find, and kill, a wizard, Hissah Zul (that was responsible for the death of his sweetheart and the guy responsible for all the ills in the world. Each week would find Conan and a mish mash of odd companions  fighting the minions of evil and cheap CGI effects as they continued on a path to dethrone the wizard. I watched the generic exploits of the cast as they went through the motions and about midway through the series; I actually started enjoying it way too much.
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So, after watching the episodes as presented in the set (which were out of order from the air dates) and then as they were originally shown, I found the plot to make at least a little more sense in the DVD order they were aired in syndication. Keeping in mind that most, if not all, of the episodes borrowed heavily from the Marvel Comics versions as opposed to the pulp works of Howard. The show tried to be in line with a modern sensibility imposed on the age old character, an uneasy fit at times. While the humor was often as dry as Dilbert in its own way, I think this was what was lacking compared to the movies. Regardless, it was nice to see a show long lost into the archives of some vault given new life for fans of the genre, if not the actual character himself, and I doubt Robert E. Howard would’ve lost any sleep over the way his characters were evolved.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.