REVIEW: PIRATES OF THE CARIBBEAN: TALES OF THE CODE: WEDLOCKED

TotCWedlocked

CAST

Vanessa Branch (American Satan)
Lauren Mahe (Coherence)
David Ballie (Gladiator)
William Williamson (Mr. Deeds)
Dale Dickey (My Name Is earl)
John Vickery (Murder By Numbers)

maxresdefaultIn this short prequel to the first Pirates of the Caribbean movie, two feisty brides-to-be discover that they have something in common – the absent groom. Still, there are plenty of pirates who’d love to trade their goats for ’em. Wedlocked, a prequel to Pirates 1(The Curse of the Black Pearl), was a great spin-off to the Pirates series. The references from the Disneyland ride and films definitely fit together perfectly. The Auction scene in the short film was pure funniness, the references to Pirates 1 at the end of the short was most intriguing, and Scarlett and Giselle were…well of course Scarlett and Giselle.
Girls at MirrorOverall, Wedlocked was enjoyable and worth the 10 minutes I had to watch it. I honestly hope this short film brings up something bigger in the future; mostly because of the title “Tales of the Code”. Highly recommended for any fan who enjoys watching the Pirates films.

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REVIEW: THE CHANGELING (2008)

CAST

Angelina Jolie (Mr and Mrs Smith)
John Malkovich (Red)
Jeffrey Donovan (Blair Witch 2)
Michael Kelly  (Man of Steel)
Colm Feore (Gotham)
Jason Butler Harner (Next)
Amy Ryan (Birdman)
Geoff Pierson (That 80s Show)
Riki Lindhome (Million Dollar Baby)
Dale Dickey (My Name Is Earl)
Gregg Binkley (Raising Hope)

In Los Angeles in 1928, single mother Christine Collins (Jolie) returns home to discover her nine-year-old son, Walter (Gattlin Griffith), is missing. Reverend Gustav Briegleb (Malkovich) publicizes Christine’s plight and rails against the Los Angeles Police Department (LAPD) for its incompetence, corruption and the extrajudicial punishment meted out by its “Gun Squad” led by Chief James E. Davis (Feore). Several months after Walter’s disappearance, the LAPD tells Christine that he has been found alive. Believing the positive publicity will negate recent criticism of the department, the LAPD organizes a public reunion. Although “Walter” (Devon Conti) claims he is Christine’s son, she says he is not. Captain J. J. Jones (Donovan), the head of the LAPD’s Juvenile Division, insists the boy is Walter and pressures Christine into taking him home “on a trial basis”.

After Christine confronts Jones with physical discrepancies between “Walter” and her son, Jones arranges for a medical doctor to visit her. He tells Christine that “Walter” is three inches shorter than before his disappearance because trauma has shrunk his spine, and that the man who took Walter had him circumcised. A newspaper prints a story that implies Christine is an unfit mother; Briegleb tells Christine it was planted by police to discredit her. Walter’s teacher and dentist give Christine signed letters confirming “Walter” is an impostor. Christine tells her story to the press; as a result, Jones sends her to Los Angeles County Hospital’s “psychopathic ward”. She befriends inmate Carol Dexter (Ryan), who tells Christine she is one of several women who were sent there for challenging police authority. Dr. Steele (O’Hare) deems Christine delusional and forces her to take mood-regulating pills. Steele says he will release Christine if she admits she was mistaken about “Walter”; she refuses.

Detective Ybarra (Kelly) travels to a ranch in Wineville, Riverside County, to arrange the deportation of 15-year-old Sanford Clark (Eddie Alderson) to Canada. The boy’s uncle, Gordon Northcott (Harner), has fled after a chance encounter with Ybarra, who mentions his business there being a juvenile matter. Clark tells Ybarra that Northcott forced him to help kidnap and murder around twenty children, and identifies Walter as one of them. Jones tells Briegleb that Christine is in protective custody following a mental breakdown. Jones orders Clark’s deportation, but Ybarra takes Clark to the murder site and tells him to dig where the bodies are buried. Clark hesitates, but soon uncovers body parts. Briegleb secures Christine’s release by showing Steele a newspaper story about the Wineville killings that names Walter as a possible victim. Under interrogation by Ybarra, Walter’s impostor reveals his motive was to secure transport to Los Angeles to see his favorite actor, Tom Mix, and says the police told him to lie about being Christine’s son. The police capture Northcott in Vancouver, Canada. Christine’s attorney (Pierson) secures a court order for the release of other unjustly imprisoned women who the police wanted to silence.

On the day of the city council’s hearing into the case, Christine and Briegleb arrive at Los Angeles City Hall, where they encounter thousands of protesters who are demanding answers from the city. The hearing is intercut with scenes from Northcott’s trial. The council concludes that Jones and Davis should be removed from duty, and that extrajudicial internments by police must be stopped. Northcott’s jury finds him guilty of murder and the judge sentences him to death by hanging. Two years later, Christine has not given up her search for Walter. Northcott sends her a message saying he is willing to admit to killing Walter on condition that Christine meets him before his execution. She visits Northcott, but he refuses to tell her if he killed her son. Northcott is executed the next day.

In 1935, David Clay, one of the boys assumed to have been killed, is found alive in Hesperia, California. He reveals that one of the boys with whom he was imprisoned was Walter. David, Walter, and another boy escaped, but were separated. David does not know whether Walter was recaptured, but he says Walter helped him escape, giving Christine hope he is alive.

In the epilogue, it states that after the hearing, Captain Jones was suspended, Chief Davis was demoted, and Los Angeles Mayor George Cryer chose not to run for reelection. California’s state legislature made it illegal to forcibly commit people to psychiatric facilities by mere words alone of authorities, and Rev. Briegleb continued to use his radio show to expose police misconduct and political corruption. Wineville is said to have changed its name to Mira Loma, and Christine Collins reportedly never stopped searching for her son.

This movie was based on a true story and directed by Clint Eastwood in a gritty, no-frills style. There isn’t a lot of action, but it definitely holds your interest until the very end. Jolie gives a strong performance as the mother who wouldn’t stop looking for her son, even when she battled the corrupt police chief. Jolie is on-screen just about every minute and is a formidable screen presence. She and the rest of the cast, including John Malkovich, are all good in this very somber and intense piece

REVIEW: SUPER 8

CAST
Elle Fanning (Maleficent)
AJ Michalka (The Lovely Bones)
Kyle Chandler (Zero Dark Thirty)
Joel Courtney (The Messengers)
Jessica Tuck (Flashforward)
Joel McKinnon Miller (Men In Black II)
Ryan Lee (Goosbumps)
Zach Mills (Changeling)
Ron Eldard (Sleepers)
Richard T. Jones (Terminator: TSCC)
Amanda Foreman (Alias)
Bruce Greenwood (Star Trek)
Dale Dickey (My Name Is Earl)
Dan Castellaneta (The Simpsons)
Greg Grunberg (Heroes)
In 1979, Deputy Sheriff Jack Lamb (Kyle Chandler) of Lillian, Ohio, and his 14-year-old son Joe (Joel Courtney), mourn the death of his mother Elizabeth (Caitriona Balfe) in a steel mill accident. Jack blames her co-worker, Louis Dainard (Ron Eldard), as she was covering his shift while he recovered from a hangover. Four months later, Joe’s best friend Charles Kaznyk (Riley Griffiths) decides to make a low-budget zombie movie for an international film competition. Charles enlists the help of Preston Scott (Zach Mills), Martin Read (Gabriel Basso), and Cary McCarthy (Ryan Lee), as well as Dainard’s daughter, Alice (Elle Fanning). Though their fathers would be furious, Joe and Alice become infatuated with each other.
Charles wants to film a scene at a train depot using a passing train to add authenticity. While filming, Joe witnesses a pickup truck drive onto the tracks and ram the train, causing a massive derailment that just about destroys the whole train and the friends barely escape. The children investigate the wreck and find crates full of strange white cubes, then discover the truck’s driver is Dr. Woodward (Glynn Turman), their biology teacher. Woodward, barely alive, warns them at gunpoint to forget what they saw that night, or else they and their parents will be killed. The children flee the scene just as a convoy from the local U.S. Air Force base, led by Col. Nelec (Noah Emmerich), arrive at the scene. Nelec discovers an empty box of Super 8mm film, and assumes the event was captured on camera.
While Joe and Charles wait for their film to be developed, the town experiences strange events: All the dogs run away, several townspeople go missing, and electronics from all over are stolen. Overhearing military communications, Jack approaches Nelec to address the rising panic in town, but Nelec instead orders him arrested. Nelec orders the use of flamethrowers to start wildfires outside of town, as an excuse to evacuate people to the base. Suddenly, soldiers sweep into town to begin the evacuation. Meanwhile, Joe and Charles watch the derailment footage and discover that a large creature escaped from the train.
At the base, Joe learns from Alice’s father that she is missing, abducted by the creature. Joe, Charles, Martin, and Cary convince Jen, Charles older sister to pretend to hit on Donny (worker at the camera shop) in order to get into town to rescue Alice. They break into Dr. Woodward’s storage trailer and discover films and documents from his time as a government researcher.
They play the film, which reveals that an alien crash-landed in 1958. The Air Force captured the alien and was running experiments on it while keeping it from its ship. Woodward was one of the scientists experimenting on the ship, composed of the white cubes. At one point, the alien grabs Woodward, apparently establishing a psychic connection with him. Now understanding the alien, he was compelled to rescue it and help it escape from Earth. He finds out about the train, years later, and sought the opportunity to help the creature. The boys are caught by Nelec, but as they are taken back to base, the alien attacks their bus. The airmen are killed and the boys escape. Meanwhile, Jack escapes from the base’s brig and makes his way to the shelter housing the townsfolk. He learns from Preston about Joe’s plan to rescue Alice. Jack and Dainard then agree to put aside their differences to save their kids.
In town, their hardware malfunctions as the military attempts to kill the alien. Martin is injured in an explosion, so Charles stays behind with him while Joe and Cary head to the cemetery, where Joe had earlier seen something there that made him suspicious. Inside the cemetery’s garage, they find a massive tunnel leading to a warren of underground caverns. In a chamber beneath the town’s water tower, they find the alien has created a device from the town’s stolen electronics, attached to the base of the tower. The alien also has several people, including Alice, hanging from the ceiling and unconscious. Using Cary’s firecrackers as a distraction, Joe frees Alice and the others, but they end up trapped in a dead end cavern after the alien chases them down. Alice and Cary scream and cower against the tunnel wall, but Joe steps forward and tries to talk to the alien. The alien grabs Joe, who quietly speaks to the alien, telling him over and over that “bad things happen” but that the alien “can still live”. After studying Joe for a moment, the alien releases him and departs, allowing the three to return to the surface.
As Joe and Alice reunite with their fathers, everyone watches as metal objects from all over town are magnetically pulled to the top of the water tower. The white cubes are also pulled in to assemble into a spaceship around the water tank. The locket that used to belong to Joe’s mom is also drawn towards the tower and Joe, after a brief moment, decides to let it go, completing the ship. The alien enters the completed spaceship; the water tower implodes and the ship rockets into space. Joe takes Alice’s hand as they watch the ship depart into the night sky. During the credits, the kids’ completed film, entitled The Case, is shown.
Super 8 is a homage to classic 70’s & 80’s style kids adventure movies, touching on those teen/adult growing pains. It’s well filmed, well acted, and albeit a little long winded in places, it manages to come together to create a film that kids today can get a taste of what their parents grew up watching, while the mums & dads get a nostalgia trip. Make sure to stick around as the final credits roll, to watch the guys finished zombie movie, it’s just as good as the whole film.

 

 

 

REVIEW: WINTER’S BONE

 CAST

Jennifer Lawrence (The Hunger Games)
John Hawkes (Identity)
Kevin Breznahan (Superbad)
Dale Dickey (My Name is Earl)
Garret Dillahunt (Terminator: TSCC)
Sheryl Lee (Vampires)
Tate Taylor (Pretty Ugly People)

Seventeen-year-old Ree Dolly (Jennifer Lawrence) looks after her mentally ill mother, her twelve-year-old brother Sonny (Isaiah Stone), and her six-year-old sister Ashlee (Ashlee Thompson). Every day, Ree makes sure her siblings eat, while teaching them basic survival skills like hunting and cooking. The family is destitute. Ree’s father, Jessup, has not been home for a long time; and his whereabouts are unknown. He is out on bail following an arrest for manufacturing methamphetamine.

Sheriff Baskin (Garret Dillahunt) tells Ree that, if her father does not show up for his court date, they will lose the house because it was put up as part of his bond. Ree sets out to find her father, following his trail into the world where meth use is common, violence is frequent, and people are bound by codes of loyalty and secrecy. She starts with her meth-addicted uncle Teardrop (John Hawkes) and continues on to more distant kin, eventually trying to talk to the local crime boss, Thump Milton (Ronnie Hall). Milton refuses to see her; the only information Ree comes up with are warnings to leave the situation alone and stories that Jessup died in a meth lab fire or skipped town to avoid the trial.

When Jessup fails to appear for the trial, the bondsman comes looking for him and tells Ree that she will have about a week before the house, and land are seized. Ree tells him that Jessup must be dead, because “Dollys don’t run”. He tells her that she will need to provide proof that her father is dead to avoid the bond being forfeited.

Ree tries to go to see Milton again and is severely beaten by the women of his family. Teardrop shows up and rescues Ree, promising her attackers that she will not say anything or cause any more trouble. Teardrop tells Ree that her father was killed because he was going to inform on other meth cookers, but he does not know who killed him; he warns her that if she ever finds out who did, she must not tell him because he would kill that person.

A few nights later, the same three Milton women who beat Ree come to her house. They offer to take her to “her daddy’s bones”. The women place a burlap sack on her head and drive her to a pond, where they get into a rowboat and row to the shallow area where her father’s submerged body lies. They tell Ree to reach into the freezing water and grasp her father’s hands so they can cut them off with a chainsaw; the severed, decaying arms will serve as proof of death for the authorities. Ree takes the hands to the sheriff, telling him that someone flung them onto the porch of her house.

The bondsman comes back to the house and gives Ree the cash portion of the bond, which was put up by an anonymous associate of Jessup. Ree tries to give Jessup’s banjo to Teardrop, but he tells her to keep it at the house for him. As he is leaving, he tells her that he now knows who killed her father. Ree reassures Sonny and Ashlee that she will not ever leave them, regardless of the money she just received.

The heroine of the movie inspires admiration and affection, and even raises a few laughs despite her perilous predicament. Although the film portrays a landscape of desperation and desolation, it is ultimately satisfying and uplifting.

 

 

REVIEW: 2 BROKE GIRLS – SEASON 1-4

 Image result for 2 broke girlsMAIN CAST

Kat Dennings (Thor)
Beth Behrs (American Pie: The Book of Love)
Garrett Morris (Ant-Man)
Jonathan Kite (Pirates of The Caribbean)
Matthew Moy (No Strings Attached)
Jennifer Coolidge (American Pie)

Image result for 2 broke girls

RECURRING / NOTABLE GUEST CAST

Brooke Lyons (Izombie)
Noah Mills (Sex and The City 2)
Dana Delorenzo (Ash vs Evil Dead)
Nick Zano (Legends of Tomorrow)
Travis Van Winkle (Friday the 13th)
Carla Gallo (Bones)
Marsha Thomason (Lost)
Dale Dickey (Iron Man 3)
Laura Spencer (The Big Bang Theory)
Martha Stewart (3rd Rock From The Sun)
Steven weber (Izombie)
Ajay Mehta (Anger Management)
Cedric The Entertainer (Ice Age)
Ryan Hansen (Veronica Mars)
Jack DePew (The Fosters)
Brandon W. Jones (Pretty Little Liars)
Jessica Chaffin (The Heat)
Abby Elliott (How I Met Your Mother)
James Hong (Blade Runner)
Bianca Lawson (Buffy)
Barret Swatek (Power Rangers Turbo)
Andy Dick (Dude, Where’s My Car?)
Missi Pyle (Two and a Half Men)
Deanne Bray (Heroes)
Beth Lacke (Mr. 3000)
Piers Morgan (The Campaign)
Mary Lynn Rajskub (24)
Gilles Marini (Devious Maids)
Eric Andre (The Internship)
Patrick Cox (Veronica Mars)
Rachel Cannon (Two and a Half Men)
Andrea Gabriel (Lost)
Brian Doyle-Murray (Waynes World)
Sheryl Lee Ralph (Moesha)
Lindsay Lohan (Mean Girls)
Ben Lawson (No Strings Attached)
Carlos Jacott (Angel)
Natalie Dreyfuss (The Originals)
Jesse Metcalfe (Dallas)
Valerie Harper (Rhoda)
Ian Reed Kesler (Birds of Prey)
Sandra Bernhard (The King of Comedy)
Austin Falk (Devlish Charm)
Ilia Volok (Power Rangers Wild Force)
Caroline Rhea (Sabrina: TTW)

The titular characters in 2 Broke Girls are played by Kat Dennings and newcomer Beth Behrs (a genuine find), who portray waitresses in a down-and-dumpy diner in Williamsburg, a suburb of New York. Their boss is an obsequious, pint-sized Korean immigrant (Matthew Moy), the cook an over-sexed sleazeball (Jonathan Kite), the cashier a wise and hep older black dude (Garrett Morris). Although the “Alice for the Twitter Generation” setup provides the bulk of the show’s humor, there are a few sub-plots early on involving the Dennings character baby sitting for a ditsy socialite (the dryly hilarious Brooke Lyons) and carrying on a hot-and-cold relationship with a street artist (Nick Zano). Halfway through the season, another regular is introduced in the form of a bawdy Polish-American cleaning business proprietress who shares a place in the girls’ apartment building, done with a detached hilarity by Jennifer Coolidge.

Dennings’ character, Max, is the smart-mouthed, tough-living young woman who takes under her wing the down-and-out ex-heiress Caroline (Behrs) who lost everything when her father was caught swindling billions of dollars from investors. They become roommates, then co-workers and then partners in a struggling cupcake business. It might all sound familiar, but the writers and directors pump so much heart and soul into the characters and situations they make me actually care whether Martha Stewart loves their cupcakes (which, in the hysterical first-season finale, she did). It is to the writers’ credit that they have Max and Caroline become more than shallow stereotypes, while Dennings and Behrs make the women they play believable as best friends, despite their differing backgrounds.possible laugh. It was a fascinating experience seeing how differently a scene played with a slight inflection here or a different word there. All that hard work comes out in the episodes on these DVDs (some of the scenes cut from the final episode versions are included as welcomed extras).

When we last saw lead besties Max Black and Caroline Channing, they were over the moon about their unorthodox meeting with style maven Martha Stewart – who not only sampled one of their premium cupcakes (the Beer-Batter Maple-Bacon Spring-Break cupcake), but also said she liked it and admired them. What more sustenance would two struggling waitresses-turned-entrepreneurs need? A lot, it turns out, as season two of 2 Broke Girls gives us a taste of success &  failure.

Whereas season one of the hit CBS show was all about meeting cute, sharing dreams, and attempting to live down the fact that one of the fathers bilked investors out of millions of dollars, the second season is more about character and relationships: Max (Kat Dennings) and Caroline (Beth Behrs) step closer and closer to their ever-elusive dream of a cupcake store; while diner-cook Oleg (Jonathan Kite) and entrepreneur Sophie (Jennifer Coolidge) begin sharing more than just sex. It is, like life, filled with ups and downs, steps forward and many more steps backward, never once letting the characters lose sight of their final destination. Max is overjoyed when they find the perfect space to open their cupcake store, insisting that it has a certain cache seeing how it was the site of a mass murder (complete with blood still on the walls). Where one sees disaster, Max sees opportunity: “If we go with red, it’s half painted.” This devil-may-care attitude balances nicely with Caroline’s Wharton-School pedigree of sense and sensibility, preventing either from going too far off the deep end. They establish such a mutual ground, in fact, that they both willingly don giant cupcake suits in an attempt to drum up business.

Elsewhere in Williamsburg, the relationship between Oleg and Sophie begins to deepen. Where it was once an excuse for crude comments about orgasms, it has developed into a touching pairing between two oddballs who are perfectly matched.  Sophie, the owner of a house-cleaning service who has a heart of gold, continues in her role of fairy godmother to the two girls. In season one, she made sure they had killer outfits to wear to the gala event where they hoped to meet Ms. Stewart. Here, she gives them the seed money to rent their prime space, stock up and begin selling cupcakes. She is a silent partner; but one who eats a lot of the profits – literally.

Although much of the season takes place in settings outside the Williamsburg Diner, there is still plenty going on there. Put-upon diner-owner Han (Matthew Moy) has become a little more feisty, giving to the girls as good as he gets from them – and standing up to a robber who mistakenly thinks there are quick profits to be made. Stalwart Garrett Morris, as cashier Earl, continues to be the brightest star in the Williamsburg firmament, delivering caustic barbs and witty asides like the seasoned pro he is. Season two is filled with lots of characters who stop by for an episode or three, including Steven Weber as the notorious swindler who is father to Caroline, Ryan Hansen as the boyish proprietor of the candy shop across from the cupcake store who starts to fall for a certain Wharton graduate, and rapper 2 Chains appearing as himself in a surprisingly appealing episode.

The end of the second season provided the perfect set up for season three: while cleaning out the diner, they stumble onto a secret back room that has (surprise!) a set of doors that open onto the sidewalk. Can they create a walk-up cupcake business and make a success of it?.

The third season  continues to follow the two girls with their attempt to run their cupcake business, which has been “off and on” in a way that any sitcom relationship would be. This season, the girls have found the secret back room of the diner (which was the focus of the last episode of the second season) and have opened for business. “And the Soft Opening” and “And the Cronuts” are highlights, as the two find themselves with crowds after a British rock star croaks in front of the shop and the girls make an attempt to capitalize on the Cronut craze.


However, around the halfway point of the season, Max and Caroline head to pastry school and things get even more intresting. Max starts to have feelings for Deke (Eric Andre), while Caroline falls for a head baker (Gilles Marini), who has a secret. Meanwhile, Mary Lynn Rajskub  is thrown into the mix playing an oddball working at the front desk. Rajskub is extremely funny.

Alot of these threads conlude towards the end of the season. The last episode of the season, which sees Max heading back to her old high school to get her diploma, is a great example of the series – it’s genuinely funny, sweet and really shows the chemistry well between the two leads.

In Season Four Kim Kardashian pays the cupcake shop a visit, Caroline starts using an abandoned bike to make deliveries, but Max is unable to do her share because she cannot ride a bicycle, Max and Caroline rent their apartment via Airbnb to some models in town for the annual Victoria’s Secret Fashion Show, the girls find out two rich high school girls are selling knock-offs of their cupcake T-shirts.

Other Highlights are –

And the Zero Tolerance

When Caroline notices the girls’ bank balance is less than zero, she and Max desperately look for ways to make enough money for the payments on their T-shirt loan. Soon after, John (“Big Mary”) from Max’s pastry school comes by to say he’s working as a pastry chef at “The High”, a new upscale restaurant in Manhattan. He encourages Max to apply for the other pastry chef position that needs to be filled, and Caroline tags along to apply for a waitress job.

And the High Hook-Up

Joedth finds a hot, young Irish man named Nashit (Austin Falk) on a bench outside The High, and hires him, asking Caroline to train him as a waiter. Max is smitten and vows to get Nashit into bed, but doing so would violate Joedth’s strict “no hook ups among employees” policy. After the two are caught, Han hires Nashit to work as a dishwasher at the diner.

And the Grate Expectations

At Oleg’s bachelor party, Han inadvertently discloses a secret that leads Sophie to cancel the wedding. The girls and Big Mary open up a new branch of The High that, much to their dismay, is located in an airport.

And the Disappointing Unit

Sophie and Oleg get married, despite some challenges on their wedding day. Disappointing sales at the airport branch of The High put the girls’ future there in doubt. The Girls then end up going to Paris using the tickets they got to get into the airport to kidnap Nash. The episode ends with Max and Caroline drinking champagne from their cabin crew friends.

Another great season, with some great laughs, the show gets better and better every season and am looking forward to season 5.

REVIEW: BONES – SEASON 1-10

Image result for bones tv logo

MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
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Karina Logue (Bates Motel)
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Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
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Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
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Andrew Leeds (Cult)
Jessica Tuck (Super 8)
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Scott Lowell (Queer as Folk)
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Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
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Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
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Dave Thomas (Rat Race)
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Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
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John Ratzenberger (Cheers)
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Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
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Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: UGLY BETTY – SEASON 1-4

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MAIN CAST

America Ferrera (Real Women Have Curves)
Eric Mabius (Resident Evil)
Vanessa Williams (666 Park Avenue)
Michael Urie (Uptown Girls)
Tony Plana (Alpha House)
Ana Ortiz (Devious Maids)
Becki Newton (How I Met Your Mother)
Mark Indelicato (Dead of Summer)
Judith Light (Transparent)
Ashley Jensen (Extras)
Christopher Gorham (Jake 2.0)
Alan Dale (Lost)
Rebecca Romijn (X-Men)

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RECURRING / NOTABLE GUEST STARS

Kevin Sussman (The Big Bang Theory)
Gina Gershon (Bound)
Ava Gaudet (Hurt)
Kristen Schaal (Bob’s Burgers)
Salma Hayek (Dogma)
Sarah Jones (Alcatraz)
Rhys Coiro (Straw Dogs)
Ron Canada (Wedding Crashers)
Cleo King (Mike & Molly)
Nicholas Gonzalez (Sleepy Hollow)
Patrick Fabian (Veronica Mars)
Jowharah Jones (The Client List)
Debi Mazar (Goodfellas)
Brett Cullen (Ghost Rider)
Kevin Alejandro (Arrow)
Martha Stewart (2 Broke Girls)
Teddy Sears (The Flash)
Mini Anden (Chuck)
Courtney Ford (Dexter)
Kathleen Munroe (Stargate Universe)
Lucy Davis (Shaun of The Dead)
Octavia Spencer (Mom)
Kathy Griffin (Pulp Fiction)
Bailey Chase (Buffy)
Lucy Liu (Kill Bill)
Jayma Mays (Heroes)
Jerry O’Connell (Sliders)
Max Greenfield (New Girl)
Ivana Milicevic (Casino Royale)
Leslie Jordan (The Help)
AnnaLynne McCord (Excision)
Cristián de la Fuente (Valiant Love)
Rachel Roberts (Simone)
Jonathan Slavin (Free Enterprise)
Dale Dickey (My Name Is Earl)
Kristin Chenoweth (Pushing Daisies)
Illeana Douglas (Ghost World)
Alec Mapa (Marley & Me)
Freddy Rodriguez (Planet Terror)
James Van Der Beek (Dawsons Creek)
John Cho (Flashforward)
Victor Garber (Legends of Tomorrow)
David Blue (Stargate Universe)
Megan Hilty (The Pirate Fairy)
Victoria Beckham (Spiceworld)
Mo’Nique (Precious)
Eliza Dushku (Tru Calling)
Candace Kita (Masked Rider)
Annie Potts (Ghostbusters)
Derek Riddell (Micro Man)
Carol Ann Susi (The Big Bang Theory)
Barry Bostwick (Rocky Horror Picture Show)
Gabrielle Union (Bring It On)
Kari Matchett (Cube 2)
Eddie Cibrian (Sunset Beach)
Julian de la Celle (The Fosters)
Lindsay Lohan (Mean Girls)
Val Emmich (30 Rock)
Ralph Macchio (The Karate Kid)
Grant Bowler (Lost)
Sarah LaFleur (Earth: Final Conflict)
Nikki Blonsky (Hairspray)
Kevin Kilner (Dollhouse)
Daniel Eric Gold (Charlie Wilson’s War)
Brennan Brown (Beauty and The Beast)
David Rasche (Burn After Readiing)
Christine Baranski (The Big Bang Theory)
Dreama Walker (Compliance)
Lynn Redgrave (Gods and Monsters)
Yaya DaCosta (In Time)
Kristen Johnston (3rd Rock From The Sun)
Jamie-Lynn Sigler (The Sopranos)
Hamish Linklater (The Crazy Ones)
Adam Ferrara (Rescue Me)
Dylan Baker (Spider-Man 2)
Brooklyn Decker (Battleship)
Lisa Howard (Earth: Final Conflict)
Adam Rodriguez (Roswell)
Christie Brinkley (Parks and Recreation)
Fisher Stevens (Short Circuit)
Patricia Velasquez (The Mummy Returns)
Carol Kane (Gotham)
Dana Ivey (Two Weeks Notice)
Donna Murphy (Spider-Man 2)
Matt Newton (Face To Face)
Ryan McGinnis (Hard Sell)
Bryan Batt (Scream: The Series)

Ugly Betty is a television comedy/drama that airs on ABC. It was produced by Salma Hayek, Silvio Horta, Ben Silverman, Jose Tamez, James Hayman, and Marco Pennette. The show was adapted from the Colombian mini-series “Yo Soy Betty La Fea”. The series is about a plain-old girl who is thrust into the glamorous fashion world and the drama that trails her life and co-workers. It was highly successful during its freshmen season (2006-2007) and nominated eleven times in the 59th Primetime Emmy Awards.

The primary character is Betty Saurez (America Ferrera). Betty is a normal girl from Queens who aspires to be in the fashion business. In the beginning of the series, she is trying to get a job at a fashion magazine. The problem is that no one will even consider her for a job, which is mostly due to the fact she doesn’t physically fit in with the beautiful people. Her life is changed when Bradford Meade (Alan Dale) makes his playboy son Daniel (Eric Mabius) hire her as his assistant. Daniel was recently inducted as editor-in-chief of “Mode” magazine, Meade Publications’ flagship. Bradford hopes that Daniel’s work at Mode will prepare him to take over the company. Unfortunately Daniel’s frat-boy behavior prevents him from focusing on the job. Betty is hired as his assistant, because she is the one girl in New York City he won’t jump in the sack with.Image result for ugly betty fake plastic snowWhen Betty first comes to Mode, Daniel does everything in his power to get rid of her by embarrassing and demeaning her. He soon learns that despite Betty’s looks, she is very capable, intelligent, determined, and an invaluable asset to the company. She plays a vital role in Daniel succeeding as editor-in-chief. Her unique and real outlook on life saves the day on more than one occasion. Challenging Daniel and Betty is Wilhelmina Slater (Vanessa Williams). Wilhelmina is the creative director, who believes should have been given the position of editor-in-chief. She works with a mysterious woman to dethrone Bradford and Daniel and take over the company.

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Others in the office include Amanda Tanen (Becki Newton), the Mode receptionist who has an eye of Betty’s job and Daniel’s pants, Marc St. James (Michael Urie), Wilhelmina’s assistant who does all of her dirty work, and Christina McKinney (Ashley Jensen), the Scottish seamstress who is Betty’s one friend in the company. These characters are not as developed as the other main characters, but they still bring quite a lot to the table in drama and comedy.

Outside of the office, there are several key characters from Betty’s home life. They include Ignacio (Tony Plana), Betty’s father who has a shady past and several secrets he hopes are never revealed, Hilda (Ana Ortiz), Betty’s older protective sister who sells weight-loss supplements, and Justin (Mark Indelicato), Hilda’s son who is very “different” than other boys and loves fashion just as much as his aunt Betty.

The show’s supporting characters include Walter (Kevin Sussman), Betty’s boyfriend and serious love interest who cheated on her, Henry Grubstick (Christopher Gorham), a Mode accountant who develops strong chemistry with Betty, Sofia Reyes (Salma Hayek), a new editor-in-chief at Meade Publications who is a love interest for Daniel, and Claire Meade (Judith Light), Daniel’s mother who is a drunk and a key to the season’s biggest story arc.

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In Ugly Betty’s first season, there are several storylines that drive it. Even the slightest developments are key and play into a soap opera-worthy story. The writing is done very well and manages to intertwine the storylines to focus on the big picture and character development. This comment is especially worth noting because of the large ensemble cast and the different directions it takes the show. In other words, there is a lot going on, but it is handled and presented in an engaging and entertaining manner that is easy to follow.

Yet for all of Ugly Betty’s strengths, what really keeps the show afloat is Betty. While this character is an imperfect match to the world of high fashion, she is a great fit for this television show. Most of the people working at Mode are overly superficial and fake. Betty, on the other hand, is sincere and real. She is a strong heroine, despite the fact she is constantly tormented and teased by her attractive peers. Her outlandish personality brings something special to everyone at Mode. She is the real strength that drives this show.Image result for ugly betty icing on the cakeAs an overall series, Ugly Betty does very well with its first season. It offers a very fun show with likable characters, engaging over-the-top drama that feels mature, intricate storylines.

In season two, the characters of Ugly Betty go through a whirlwind of drama and comedy. The whirlwind comes from a variety of new developments that include Betty’s complex romance with Henry and a new character Gio, Alexis losing her memory and rekindling friendship with the family, Daniel struggling to keep control of Mode, Mrs. Meade on the run, Hilda dealing with the loss of Santos, and more. It is a very dramatic season with several tidbits of comedy throughout. Overall, it is enjoyable like the season one.

“How Betty Got Her Grieve Back” is the season two premiere episode. In it, a lot of things happen. The biggest development involves Betty’s love life, or rather lack of. She comes to terms with Henry leaving for Tucsan to take care of the mother of his unborn baby. Later in the season, Harry returns to Mode to finish working. Betty and Henry have a complicated romance, as they try to figure out how they can be together with the unborn baby baggage. Also in the premiere, Amanda finds out her mother is Fey Sommers! Throughout the season, she tries to find answers about her parents. And Marc helps her. Wilhelmina also uses the events from the season one finale to her advantage. With Claire behind bars, she moves on Bradford. Daniel struggles with his personal demons about Alexis’ condition.

 

Image result for ugly betty how betty got her grieve backIn the Saurez household, there are two key subplots introduced. The first is about Hilda, Justin, and Santos. Both Hilda and Justin come to terms with Santos death. Hilda goes through a couple phases, which include being boarded in her room and hanging out with aged widows. Justin goes through a rebellious phase, where he tries to take on qualities of his dad (sports and woman). The other development is about Ignacio still stuck in Mexico. Betty goes against her principles to help him acquire US citizenship.As the season continues, there are a lot of new developments — many of which grow from the seeds planted in the season opener. Betty’s love life with Henry gets more complex in “Betty’s Wait Problem”. A new character and love interest named Gio is introduced. Alexis comes out of the coma without memory of the last two years. Daniel, Bradford, and Wilhelmina take advantage of the situation. Daniel and Alexis also struggle with Wilhelmina, who is still trying to take over Mode. Claire resurfaces after escaping from prison, which complicates Wilhelmina’s diabolical plans. The season developments continue with even more wild escapades.Overall, Ugly Betty’s second season is fun and entertaining. It has a similar light-hearted humorous tone with over the top, soap opera plotlines to season one. The major difference is that Betty is no longer trying to prove herself.

The Third Season of the amazing show “Ugly Betty” shows even further strengthening of the programme- from the very good Season One, the show improved to be excellent in Season Two and this season returns to be truly amazing. There’s brilliant character development this season and the plotlines and ongoing storylines in this season are excellent; with some truly outstanding drama and comedy moments.

Following on from the first two seasons, “Ugly Betty” continues the story of New York underdog Betty who dreams of being an editor for a magazine. The show centres around her adventures as the “ugly” and “fat” girl at America’s top fashion magazine ‘Mode’, working with shallow, stick-thin, martini sipping socialites and arrogant, womanizing men. The characterisation remains to be great, and there is some outstanding character developments during this season- especially Mark, Amanda and Justin who are audience favourites- the former infact finally gets a more front-seat role in this season- Mark has been an excellent character since the first episode and this season it feels like he finally gets the screentime and storylines he deserves.Image result for ugly betty the manhattan project

With better comedy, improved writing and great storylines, fans of the show are sure to adore this season- and for those who are tempted to mingle with the show, this certainly satisfy those appetites. An excellent season; a brilliant show; and I highly recommend this boxset.

After four years and 85 episodes, the braces came off and Ugly Betty, the fish-out-of-water PA from Queens, finally became Betty Suarez, publisher of her own magazine in the UK.

The first nine episodes focussed mainly on self-contained storylines. Betty’s struggles to establish herself in her new role as a junior editor as ex-boyfriend Matt, now her boss, is petty and mean to her. An emotionally vulnerable Daniel Meade is drawn into a cult as he tries to deal with Molly‘s death. A ludicrous murder side-plot involving Nico Slater, which triggers Wilhelmina leaving Mode.

A few ongoing plots are also teed up. Amanda starts to think about her future. Claire Meade sets off in search of the son, Tyler, she had with Cal Hartley but was forced to give away. Hilda hooks up with Bobby Talercio, an old high school flame. Each of these becomes significant down the stretch, but are only touched upon initially.


London Calling, starts to set up the finale, as well as giving us a sentimental excuse to welcome back Christina and ex-boyfriends Gio and Henry.

The final episode gives us the closure we had all been waiting for, and does so with style. Hello Goodbye is as much about discovery as it is about departure, with every character getting their turn to take a final bow. Hilda, married and no longer tied to the Suarez house by her salon, gets her dream move to Manhattan. Justin finds contentment with Austin. Amanda finds her father. Daniel steps down as co-editor-in-chief to pursue the opportunity to find himself. Wilhelmina finds redemption, her lost love Connor and then, suddenly, without the need for scheming, she finally achieves her heart’s desire: Mode – a direct result of her altruistic act of saving Claire. Marc is shown the path to becoming creative director by Wilhelmina, and finds love and the possibility of a real relationship with Troy, after a lovely reversal where Justin returns the favour by turning into his mentor.


There is one touching moment at the farewell party where we linger on Betty, Marc and Amanda – the triumvirate who have always been the beating heart of the show – dancing joyfully together, all previous bitchiness put aside as their friendship is finally affirmed.


It was a fitting end, and one which suited the series better than the ending of its Colombian parent, Betty la Fea, would have done, where Betty marries Daniel’s equivalent, Armando. Betty has come a long way since she first walked through the door at Mode