REVIEW: INDEPENDENCE DAY: RESURGENCE

CAST

Liam Hemsworth (The Hunger Games)
Jeff Goldblum (Jurassic Park)
Jessie Usher (Almost Christmas)
Bill Pullman (The Grudge)
Maika Monroe (The 5th Wave)
Sela Ward (Gone Girl)
William Fichtner (The Dark Knight)
Judd Hirsch (Tower Heist)
Corin Nemec (Stargate SG.1)
Brent Spiner (Star Trek: TNG)
Vivica A. Fox (Idle Hands)
Angelababy (Hitman: Agent 47)
Robert Loggia (Psycho II)
Joey King (The Dark Knight Rises)
Chin Han (Arrow)
Ryan Cartwright (Bones)

Twenty years after a devastating alien invasion, the United Nations has set up the Earth Space Defense (ESD), a global defense and research program to reverse-engineer alien technology and serve as Earth’s early warning system against extraterrestrial threats. The main defense force utilizes equipment salvaged from the remains of the alien forces and operates military bases built on the Moon, Mars, and Rhea. The Area 51 base in Nevada has become the ESD Headquarters.The world is preparing to celebrate the twentieth anniversary of their survival after the invasion. In the provincial African state Republique Nationale d’Umbutu, ESD Director David Levinson meets with Dr. Catherine Marceaux and warlord Dikembe Umbutu, who lead him to an intact alien destroyer. Aboard the ship, they discover that the alien occupants sent a distress call to their home planet before being defeated. Furthermore, Umbutu, former U.S. President Thomas Whitmore, and Dr. Brackish Okun (who awakens at Area 51 after a twenty-year coma)—all of them once telepathically linked with the aliens ever since their personal encounters with them—have of late been receiving strange visions of an unidentifiable spherical object.An unidentified spherical ship, with design and technology different from that of the aliens who attacked 20 years earlier, emerges from a wormhole near the ESD’s Moon defense headquarters. Levinson believes that it belongs to another extraterrestrial race that might be benevolent and urges the world’s Security Council not to attack, but they vote to shoot it down regardless. Against the Council’s orders, pilots Jake Morrison and Charlie Miller pick up Levinson, Marceaux, Umbutu, and U.S. federal controller Floyd Rosenberg on a space tug, and they head for the wreckage near the Van de Graaff crater, where they recover a container. An alien mothership 3,000 miles (4,800 km) in diameter suddenly emerges and destroys Earth’s planetary defenses before approaching the planet. The space tug is caught in the mothership’s gravitational pull, which lifts objects from across Asia, causing massive damage on its path. The debris falls all over Europe, where the tug manages to escape before heading on to Area 51. The mothership lands over the north of the Atlantic Ocean, destroying cities on the Eastern Seaboard, and begins drilling a hole through the bottom of the ocean floor to harvest the Earth’s core for fuel, which will destroy both its magnetic field and atmosphere in the process, killing all life.Whitmore’s group interrogates one of the aliens held in captivity from the war, who has recently awoken from a 20-year catatonic state. The ESD learns that the aliens exist in eusociality and that one of their colossal Queens is commanding the invasion. Levinson hypothesizes that, if they kill the supervising Queen, her forces will cease drilling and retreat. An ESD aerial fleet, led by Captain Dylan Dubrow-Hiller, stages a counterattack on the Queen’s chamber, but they are caught in a trap within the mothership, which nearly wipes out the entire unit. In Area 51, Okun opens the container and releases a giant white sphere of virtual intelligence; indeed benevolent and more advanced than the attacking aliens. It reveals that its mission is to evacuate survivors from worlds targeted by the aliens, whom it calls “Harvesters”, and that it has gathered a viable resistance force against the Harvesters, hidden in a refugee planet at a location unknown to the Harvesters. Despite being the last of its kind, the sphere implores the humans to destroy it in order to prevent the Harvesters from discovering the location of the planet where it has hidden the survivors. In the mothership, Dylan, Jake, and other survivors manage to escape by hijacking enemy attack craft, and pursue the Queen’s personal ship, which is heading to Area 51 with its convoy.Knowing the Queen has become aware of the sphere’s presence, the ESD forces hide it in an isolation chamber and use a decoy to lure the Queen’s ship to a trap filled with fusion weapons. Against his daughter Patricia’s wishes, Whitmore volunteers to pilot the space tug on the suicide mission, leading the warship to the trap and detonating the bombs, thus sacrificing himself and destroying the ship. However, the Queen survives by using an energy shield on her biomechanical suit. Several fighters fire at the Queen, but the shield protects her.However, Patricia manages to fire through a gap in the shield when the Queen prepares to fire her own gun, thereby disabling the Queen’s shield, allowing Dylan’s arriving party to kill the Queen before she can take the sphere. With the Queen dead, all the remaining alien fighters are rendered inactive, while the mothership stops drilling and retreats to space. Okun reveals that the sphere has asked humanity to lead its resistance and has offered the humans new technology in preparation for a counterattack to assault the Harvesters’ home world and take the fight to the aliens.The action is decent. The jeopardy level is good. What it can’t quite offer is the shock of the new that the original gave us. But for fun science fiction action blockbuster escapism, it’s not bad. So it’s an entertaining watch.

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REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: STARGATE – SG.1 – SEASON 1-10

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MAIN CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Amanda Tapping (Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Andromeda)
Corin Nemec (Parker Lewis Can’t Loose)
Ben Browder (Farscape)
Beau Bridges (My Name Is Earl)
Claudia Black (The Originals)

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RECURRING / NOTABLE GUEST CAST

Jay Avocone (Beauty and The Beast 1989)
Vaitiare Bandera (Out of The Blue)
Peter Williams (Catwoman)
Brent Stait (Blade: The Series)
Gary Jones (Highlander: The Series)
Alexis Cruz (Dark Wolf)
Rachel Hayward (Jingle All The Way 2)
Colin Lawrence (X-Men 2)
Adam Harrington (The Secret Circle)
Kevin McNulty (Elektra)
Alan Rachins (Batman: TAS)
Jorge Vargas (Power Rangers Ninja Storm)
Soon-Tek Oh (Death Wish 4)
Cary-Hiroyuki Tagawa (Mortal Kombat Legacy)
Crystal Lowe (Poison Ivy 4)
Teryl Rothery (Arrow)
Steve Makaj (IT)
Roger Cross (First Wave)
William Russ (American History X)
Harley Jane Kozak (Santa Barbara)
Gabrielle Miller (Highlander: The Series)
Bobbie Phillips (Two Guys and a Girl)
Galyn Gorg (Robocop 2)
Tamsin Kelsey (Needful Things)
James Earl Jones (Star Wars)
Keene Curtis (Lois & Clark)
Elizabeth Hoffman (Sisters)
Paul McGillion (Stargate: Atlantis)
Tony Amendola (The Mask of Zorro)
Katie Stuart (She’s The Man)
Tobin Bell (Boogeyman 2)
Ronny Cox (Robocop)
Douglas Arthurs (Act of War)
Bonnie Bartlett (Firefly)
Dwight Schultz (The A-Team)
Tobias Mehler (Wishmaster 3)
Peter Bryant (Dark Angel)
Chris Owens (Red)
Erick Avari (Heroes)
Tom McBeath (Bates Motel)
Sarah Douglas (Superman 2)
JR Bourne (Arrow)
Christina Cox (Earth: Final Conflict)
Matthew Walker (Highlander: The Series)
Eric Breker (X-Men Origins)
Marshall R. Teague (Armageddon)
Colin Cunningham (Elektra)
Carmen Argenziano (Identity)
Amber Rothwell (Andromeda)
Tom Butler (Blade: The Series)
Samantha Ferris (Along Came a Spider)
Mitchell Kosterman (Smallville)
Andrew Airlie (Final Destination 2)
Britt Irvin (V)
Ty Olsson (Izombie)
Sam J. Jones (Flash Gordon)
Dion Johnstone (The Core)
Megan Leitch (IT)
Jason Gray-Stanford (Bones)
William deVry (Earth: Final Conflict)
David Palffy (Blade: The Series)
Garwin Sanford (The Fly 2)
Kevin Durand (Dark Angel)
Terry Chen (Bates Motel)
Steve Bacic (Andromeda)
Anne Marie DeLuise (Smallville)
Rene Auberjonois (Star Trek: DS9)
Musetta Vander (Buffy)
Vanessa Angel (Puppet Master vs Demonic Toys)
Marina Sirtis (Star Trek: TNG)
Alessandro Juliani (Smallville)
Brian Markinson (Arrow)
Peter Wingfield (Highlander: The Series)
Willie Garson (White Collar)
Matthew Bennett (Battlestar Galactica)
Steven Williams (Jason Goes To Hell)
Anna-Louise Plowman (Shanghai Knights)
Paul Koslo (The Flash 90s)
Dion Luther (The Net: The Series)
Christopher Cousins (The Vampire Diaries)
Michelle Harrison (The Flash)
Elisabeth Rosen (House of The Dead)
Hrothgar Mathews (Deception)
Bill Dow (Legends of The Fall)
Sean Patrick Flanery (Raging Angels)
John de Lancie (Star Trek: TNG)
John Prosky (The Devil Inside)
Colleen Rennison (The Story of Us)
Jacqueline Samuda (The L Word)
Larry Drake (Firefly)
Garry Chalk (Dark Angel)
Bill Marchant (Chappie)
Michael Deluise (Lost)
Jill Teed (Arrow)
Courtenay J. Stevens (Beach)
Grace Park (Battlestar Galactica)
David Kopp (Blade: The Series)
Cliff Simon (Days of Our Lives)
Jennifer Calvert (Earthsea)
Obi Ndefo (Angel)
Rick Worthy (The Vampire Diaries)
Danielle Nicolet (3rd Rock From The Sun)
David Hewlett (Splice)
Aleks Paunovic (Mortal Kombat Legacy)
Aaron Douglas (Battlestar Galactica)
Dorian Harewood (Termiantor: TSCC)
Ona Grauer (V)
Blu Mankuma (Tin Man)
Michael Eklund (Arrow)
Dean Stockell (Quantum Leap)
Patrick Mckenna (Robocop: The Series)
John Billingsley (Cold Case)
Michael Adamthwaite (Tru Calling)
Peter Stebbings (Bates Motel)
Gwynyth Walsh (Taken)
George Wyner (Spaceballs)
Kendall Cross (X-Men 2)
Ian Buchanan (Justice League Unlimited)
Tahmoh Penikett (Dollhouse)
G. Patrick Currie (Smallville)
Francois Chau (Lost)
Sarah Deakins (Andromeda)
David Paetkau (Flashpoint)
John Novak (Wishmaster 3 & 4)
Thomas Kopache (Catch Me If You Can)
Michael Welch (All The Boys Love Mandy Lane)
David Richmond-Peck (V)
Christopher Heyerdahl (Sanctuary)
James Parks (Kill Bill)
Michael Rooker (Guardians of The Galaxy)
Kavan Smith (Sanctuary)
Jolene Blalock (Star Trek: Enterprise)
Christine Adams (Agents of SHIELD)
Emily Holmes (Dark Angel)
David Deluise (Vampires Suck)
Sebastian Spence (First Wave)
Saul Rubinek (Memory Run)
Adam Baldwin (Chuck)
Peter Flemming (Love Sick)
James McDaniel (Sleepy Hollow)
Jessica Steen (Armageddon)
William Devane (The Dark Knight Rises)
Torri Higginson (Highlander: The Raven)
Kira Clavell (Ninja Turtles: Next Mutation)
Alisen Down (Smallville)
David Kaufman (Superman: TAS)
Amy Sloan (The Aviator)
James Kidnie (Arrow)
Erica Durance (Smallville)
Derek Hamilton (Out Cold)
Charles Shaughnessy (Sabrina: TTW)
Barclay Hope (Paycheck)
Dan Castellaneta (The Simpsons)
Isaac Hayes (South Park)
Mel Harris (Thirtysomething)
Clare Carey (Hercules: TLJ)
Lexa Doig (Andromeda)
April Telek (Supernatural)
Julian Sands (Gotham)
Louis Gossett Jr (The Punisher 80s)
Maury Chaykin (Andromeda)
Sonya Salomaa (Watchmen)
William B. Davis (The X-Files)
Robert Picardo (Star Trek: Voyager)
Cameron Bright (Running Scared)
Tony Todd (The Flash)
Anna Galvin (Caprica)
William Atherton (Die Hard)
Reed Diamond (Dollhouse)
Ernie Hudson (Ghostbusters)
John Aylward (Alias)
Peter Shinkoda (Masked Rider)
Tamlyn Tomita (Highlander: The Series)
Tim Guinee (Iron Man)
Daniella Evangelista (Edgemont)
Michael Ironside (Total Recall)
John Noble (Sleepy Hollow)
Katharine Isabelle (Ginger Snaps)
Eric Steinberg (Terminator: TSCC)
Noah Danby (Bitten)
Jodelle Ferland (Kingdom Hospital)
Joe Flanigan (Thoughtcrimes)
Sarah Strange (Dark Angel)
David Nykl (Arrow)
Chuck Campbell (Jason X)
Keegan Connor Tracy (Bates Motel)
Corey Monteith (Glee)
Morena Baccarin (Gotham)
Rudolf Martin (Buffy)
Scott McNeil (Beast Wars)
Aisha Hinds (Cult)
Mike Dopud (X-Men: Days of Future Past)
Ron Canada (Wedding Crashers)
Craig Fairbrass (Termiantor: TSCC)
John Tench (Andromeda)
Fred Willard (Anchorman)
Jonathan Walker (Flash Gordon)

Most TV shows spun off from movies are uninvolving and uninteresting, and hopefully die and are forgotten.

That wasn’t the case with the spinoff of the 1995 movie “Stargate,” a science fiction movie that spawned an excellent television series, “Stargate SG-1.” The first season is not nearly as brilliant as the ones that followed it, but it’s a welcome change from distant space operas — excellent writing, acting, and a sense of humor about itself and its characters.

The Stargate has been inactive for a year — until it is activated, and a bunch of Egyptian-styled warriors come through and kidnap a young officer. General Hammond (Don S. Davis) pulls Jack O’Neill (Richard Dean Anderson) out of retirement to learn what really happened on the planet of Abydos, and where these mysterious aliens have come from. O’Neill and a small team go to Abydos and find Daniel Jackson (Michael Shanks) who has been learning about a vast network of Stargates over the past year. But when Daniel’s wife Sha’re and brother-in-law Skaara are abducted by the same warriors, O’Neill, Jackson and Air Force scientist Sam Carter (Amanda Tapping) use the Stargate to venture to where they’re being kept. What they find is an alien race who inhabits human hosts, the Goa’uld, and their ruthless slave warriors, the Jaffa. Carter, O’Neill and Jackson are captured by the powerful Apophis — but to escape, they must have the help of an unlikely ally: Teal’c (Christopher Judge), Apophis’ First Prime. Since Earth has now annoyed the Goa’uld, several exploration teams are formed to go through the Stargate and find weapons and allies.
And SG-1 — Carter, O’Neill, Jackson and Teal’c — encounters some very strange problems: a plague that turns people into savages, a people who live only a hundred days, a Viking planet, a Stargate explorer stranded since 1945, a little girl turned into a bomb, the seductive Goa’uld queen Hathor, and coming back as robots. And when the military shuts down the SG program, Daniel reveals that the Earth is about to be destroyed by Apophis’ armies. The first season of “Stargate SG-1” isn’t the most impressive, though the last three episodes hint at the series’ future greatness. And thankfully, it drops the usual space opera stuff — instead we get Stargates, real military, and a very plausible reason why everybody in the galaxy (more or less) looks just like us. It’s graced with kitschy Egyptian-styled sets, lots of shoot-em-up action from Marines and Air Force, and plenty of planets influenced by Earth cultures, like the Minoans and the Vikings. Best of all is the snappy dialogue, mostly from the tart-tongued O’Neill.

When we last left Our Heroes, they were on Apophis’ ship, facing the impending destruction and/or enslavement of everyone on Earth.
So unsurprisingly, the second season of “Stargate SG-1” can only get better from there on. In fact, this is when the clever, innovative sci-fi series really started to gel together, with more intriguing storylines, character arcs, and some new alien allies — basically, it all blooms.
Intending to blow up Apophis’ ship, our heroes get captured by the Jaffa and thrown in a cell — only to be unexpectedly rescued by Bra’tac (Tony Amendola), Teal’c’s old teacher. As Earth mounts a pitiful defense against the Goa’uld, SG-1 joins with a small band of rebel Jaffa to stop Apophis’ invasion — but they may have to leave one of their number behind.
Obviously the Goa’uld make things awkward throughout the season, with the second episode featuring Sam (Amanda Tapping) being possessed by a Goa’uld during a rescue mission — but it seems that it’s part of a rebel Goa’uld faction called the Tok’ra. Teal’c’s (Christopher Judge) son is kidnapped and brainwashed, and Daniel (Michael Shanks) finds that his beloved wife is pregnant with Apophis’ child.
And of course, SG-1 has to deal with lots of other stuff — insectile transformations, black holes, prison planets, Native American “spirits,” invisible bugs, hostile alien orbs, reliving their most traumatic memories in a VR world, and time traveling to 1969. And O’Neill (Richard Dean Anderson) gets an ancient repository of knowledge downloaded into his head — and he’ll die if they can’t reverse it.
“Stargate SG-1” really got into its stride in the second season — the basic Air-Force-versus-evil-headsnakes story gets expanded out into a bunch of arcs. We get new villains, some surprising new allies, hints about the true origins of the Stargates and the human race, and corrupt factions on Earth who use the spare Stargate for evil ends.

The writing gets even steadier and the alien worlds more interesting — even stuff that sounds goofy, like the planet of singing mushroom-people, somehow works. The drama is stronger, and the sci-fi usage of the Stargate ever more creative, such as when a black hole’s gravity well keeps the gate open, and is slowly sucking Earth through the wormhole.  Of course, all the action and sci-fi is heavily tempered with comedy. Even in grim situations, there’s usually at least a few funny moments, such as Daniel’s tour of the custodial closet. And of course, the dialogue is priceless — most of the good stuff comes from O’Neill, but Teal’c and the others usually get some good ones as well. Of the main cast, Amanda Tapping gets the juiciest role in this season — Sam deals with the impending death of her father, becoming a Goa’uld host, and trying to deal with the feelings it left behind. Including a Tok’ra boyfriend. Yet when we see Sam’s vulnerable sides, Tapping never lets her character be anything but a strong, capable military woman.

But the other actors aren’t neglected — Shanks’ Daniel grapples with the news that his wife is pregnant with Apophis’ baby, while Teal’c faces losing his entire family. Anderson is brilliant as the quirky, capable O’Neill, but he really gets brilliant when Jack’s brain is being overwritten — he has to emote and communicate without a comprehensible word. The second season of “Stargate SG-1” is where the story began to really get great, building up a series of strong story arcs, funny dialogue, and strong characters.

Many people believe that subsequent seasons of Stargate: SG1 get progressively better. So far, no arguement from me. Season 1 was good, 2 was better, and  season 3 is even better. Col. Jack O’Neill (Richard Dean Anderson), and his SG1 team of the now Maj. Samantha Carter (Amanda Tapping), Dr. Daniel Jackson (Michael Shanks), and Teal’c (Christopher Judge) continued their adventures through the Stargate to various old and new planets. The team, as well as the SGC in general, were tested in many more ways than ever thought possible. The team went to “Hell” in order to save Sam’s dad, who is still a member of the Tok’Ra resistance, Daniel suffered a major loss, and O’Neill was blended, albeit briefly, with a Goa’uld. One of the reasons that I personally liked this year was that many of last year’s conflicts were resolved (Lenea, Destroyer of Worlds), which made room for new plotlines (the Replicators), as well as continuing old ones (the search for the Harsesis child).

This is also the season when SG1 truly realizes that they truly have allies in their fight against the Goa’uld; the Asgard helped form a treaty between Earth and the Goa’uld, the Tok’Ra continue to offer their assistance and wisdom, the Nox have begun to reestablish contact with the SGC, and the Tollan.


Other good episodes include “Into the Fire”, “Fair Game”, “Legacy”, “Learning Curve”, “Point of View”, “Past and Present”, “Jolinar’s Memories”, “The Devil You Know”, “Foothold”, “Urgo”, “Shades of Grey”, “New Ground”, and “Nemesis”. Judging by the increase in quality each season.

he Replicators. The Russians. The Aschen. These are only a few of the new enemies presented this year, in Stargate: SG-1 (okay, so technically, the Replicators were introduced last year). These new baddies made a lot of trouble this year for the SGC in what is definitely the best season yet. We learn more about the Replicators this year when Sam (Amanda Tapping) is brought to an Asgard-controlled planet to help defend the O’Neill, the Asgard’s newest and most advanced ship ever. Also, the Russians retrieve the Giza gate from the bottom of the ocean from when Thor’s ship, the Beliskner, crashed, while the SGC is now using the Antarctica gate. And, 10 years in the future, an advanced race, known as the Aschen, are quietly wiping out the human race by making humans infertile.


These are just a handful of the amazing new stories that occurred this year. It seems that Col. O’Neill (Richard Dean Anderson), Maj. Carter, Dr. Jackson (Michael Shanks), and Teal’c (Christopher Judge) can never catch a break. This year, not only have their alien enemies become more powerful than ever, especially Apophis (Peter Williams), their enemies on Earth have truly become a threat. Senator Kinsey (Ronny Cox), the man who tried to shut down the SGC in Season 1, has been linked to the rogue sector of the NID, the civillian organization responsible for the theft of numerous alien technologies over the last few years.


The stories this year are better than ever, especially with an increasing number of arcs occurring. Episodes like “Crossroads” and “The Serpent’s Venom” were expertly executed, and had immense emotional effects on our heroes. However, I have to praise the stand-alones this year, especially “Window of Opportunity” and “The Other Side”, which have never been better.

Some other great episodes are: “Small Victories”, “Upgrades”, “Watergate”, “Point of No Return”, “Tangent”, “The Curse”, “Chain Reaction”, “2010”, “Absolute Power”, “Double Jeopardy”, and “Exodus”.

The year began with a cool premiere, “Enemies”,  There were some amazing story developments this year, beginning with the final demise of Apophis (Peter Williams), the Goa’uld System Lord who has been making life difficult for the SGC ever since the first season. Next, the Tollan, an extremely advanced race of humans who are allied with Earth, begin acting suspiciously, the SGC begins recruiting new officers, the motives of the Aschen from last season are revealed, the Tok’Ra are nearly destroyed, and the Jaffa rebellion begins to truly become a problem for the System Lords.

And then, Daniel is brought to a System Lord summit where he has the chance to wipe out the Goa’uld threat forever, that is until he learns of the return of Anubis, an ancient System Lord who was banished for his horrific crimes. Also, we finally learn the origins of the Replicators. Finally, SG-1 must endure a change that they never thought would happen in the episode “Meridian”, and then, Anubis and Osirus (Anna-Louise Plowman) reveal plans to attack the Asgard.


This is a very important season, good episodes include: “Enemies”, “Threshold”, “Between Two Fires”, “2001”, “Wormhole X-Treme”, “Proving Ground”, “Summit”, “Last Stand”, “The Warrior”, “Menace”, “Meridian”, and “Revelations”.

The season begins with SG-1 still trying to find a fourth man. Ever since the death/ascension of Daniel Jackson (Michael Shanks), they have been unable to find a suitable replacement. Refugee Jonas Quinn (Corinn Nemec) has expressed a desire to join, but Col. O’Neill (Richard Dean Anderson) never seemed to warm up to the idea. Also, Anubis (David Paffly) has found a machine created by the Ancients that uses one stargate to destroy another, and he used it to attempt to destroy Earth.

Using the new X-302, a craft capable of aerial combat and intersellar travel, O’Neill successfully avoids disaster, but the Antarctica gate is destroyed. After that, we don’t see Anubis for a while, but the threat of his powers is always hanging over the heads of the SGC.


With Jonas as the new member of SG-1, the team embarks on another year of amazing missions. This year, we see the end of the exiled System Lord Niirti, known for her attempts to create a superior human host through genetic experimentation, we are introduced to some technology of the Furlings, one of the members of the intergalactic UN group who rallied against the goa’uld, Earth’s first interstellar capital ship, Prometheus is unvailed, the Replicator threat is ended, and, in one of my favorite episodes, Gen. Hammond (Don S. Davis) discloses the existence of the SGC to representitives of the UK, France, and China.


Some great episodes include “Redemption Pts. 1 and 2”, “Descent”, “Nightwalkers”, “Abyss”, “Shadow Play”, “Allegiance”, “Prometheus”, “Unnatural Selection”, “Smoke and Mirrors”, “Disclosure”, “The Changeling”, and “Full Circle”, the best episode of the season.

That is the season when Daniel Jackson (Michael Shanks) returns from being an ascended being, albeit on an alien world without his memory (“Fallen”). This required getting rid of Jonas Quinn (Corin Nemec) to get the old gang back together again, which happens when Anubis download Jonas’ memory and the Goa’uld attack Kelowna (“Homecoming”). Wisely, this is not the last appearance of Jonas for the season (“Fallout”) as he becomes another one of recurring guest characters that are a major strength of the series.

There are several Daniel Jackson stories that make a point of giving the actor interesting things to do, such as “Lifeboat,” where his mind becomes a resting place for a bunch of alien minds, “Enemy Mine,” which requires Jackson to show diplomatic skills, and big time flashbacks in “Chimera,” to before Daniel first saw the Stargate.

Overall, Season 7 is really Samantha Carter’s season and Amanda Tapping has several episodes where she pretty much goes it alone. “Space Race” has her joining an alien pilot for a little intergalactic competition, while “Death Knell” finds Carter being hunted by the supers soldiers of Anubis after an attack on Earth’s secret off-world base. In “Grace” Carter literally ends up alone when the Prometheus is attacked and she wakes up to find herself the only one on a ship drifting in deep space. The other characters show up as the angels of her better nature, which is the only way that Sam and Jack are ever going to have an honest conversation.

The whole Anubis/Lost City bit ends up being equal parts time to beat another bigger and badder system lord and find a fitting end point for the series that can also work as a transition to the spinoff.

Stargate has retained a massive level of consistency over the years, staying at the same level of quality, if not getting even a little bit better: it has always retained the humor, the characterization and the excitement and the action that has made it so loved.

Since season seven, there has been more of a focus on characterization and a tad bit more humor: and i for one welcome this, as the characters have always been the best aspect of the show: season eight continues this trend, and also the trend of even better quality than ever before!
Highlights include the opening two parter: New order Parts one and Two which is very exciting with plenty of plot twists. Affinity is another highlight for me as it is an episode with very little action, it is a mystery with a huge focus on characterization and intrigue, and manages to be very intriguing, with, again, some brilliant little character moments. Prometheus unbound is a highlight.

Reckoning parts one and two are possibly the best episodes of stargate ever made; they wrap up most of the major storylines, bringing the end to both the main enemies in the show, and are impossibly epic: there is so much going on, so much peril and a sense of doom, that you are kept on the edge of your seat the whole time, with some humour thrown in for good measure.

Avalon, Part 1 is a great season opener, introduces  new kid on the block Ben Browder,  as the season progresses the character is definitely fleshed out more and he soon fits in nicely with the tightly-knit S.G.1 team.

However, the bottom line is that this is still a character who bares a striking similarity in disposition to Browder’s other well-known TV personality- Farscape’s John Crichton- with that same irreverent humor and easy-going attitude, but it’s a style that clearly works for Browder and it’s difficult not to find that likable. Beau Bridges’ introduction is made with equally good fanfare, his character is one who I found myself liking more readily- he approaches the role of the General of the base differently to Don S. Davis, with more of an every man approach, although he never hesitates to exert the full force of his office against unfriendly aliens, or humans when required.

Largely thanks to the development of this season’s main story-arc with the introduction of God-wannabes the Ori and their powerful minions known as Priors, this ninth season becomes surprisingly mesmerising in very short order. Beginning with the concluding part and then into episode 3- `Origin’, this season soon establishes itself as one of the best `Stargate: S.G.1′ offerings in years. The use of Arthurian legend in this season is spread pretty thickly in the beginning and had me worried that this fantasy element might not work in a predominantly science-fiction-oriented series, but very soon the parallels the writers draw between the Arthurian myth and the familiar Stargate set-up, become very inventive and come to work surprisingly well at contrasting against the new and growing force of evil spreading through the galaxy. In the first five episodes that other recognizable `Farscape’ regular Claudia Black and her seductively disobedient alter-ego Vala are another reason to be enchanted by this season. Vala brings such humor and life to the series that I was really disappointed when she parted company with S.G.1, despite the welcome return of Sam Carter following her brief career change. Thankfully Vala returns towards the end of the season and here’s hoping it’s not the last we see of her.

This season’s other major success is in its stand-alone stories that continue to present unique, punchy and creative sci-fi ideas to its audience. In particular episode 9- `Prototype’ and episode 13- `Ripple Effect’ are a couple of my favourites, the first of which concerns the discovery of a prodigy of Anubis frozen on a distant planet and the second has multiple S.G.1 teams pouring through the Stargate from diverse alternate realities , both of which had me glued to my seat.

Largely thanks to Vala (Claudia Black) who’s as charming as she is side-splittingly, ingeniously, flirtatiously funny and who now becomes a credited member of the main cast, season ten gets off to a brilliant start  as the action picks up right where the previous season left-off with episode 1- Flesh and Blood and doesn’t decrease in pace.

It explores the continued threat of the Ori and their ever-increasing capture and control of worlds unable to mount any effective resistance against such a seemingly omnipotent foe. Episode 3- The Pegasus Project  is also very gripping with a finale that’s both surprising and tantalizing.

episodes 10- The Quest, Part I and 11- The Quest, Part II both of which work well in continuing SG-1’s discovery & unravelling of Arthurian-inspired mysteries surrounding their search for a weapon capable of destroying their enemy. Episode 14- The Shroud  sees Daniel in a unique position to deal a crippling blow to the Ori, which is also solid.

while episode 20- Unending is a wonderful episode- with a story that’s not just dramatic, but explores sides to the main characters never seen before, it ends the season with so much unresolved that it’s difficult to appreciate this tenth season as it should be appreciated as the final outing of SG-1. Obviously a great deal has been withheld to be used in the TV movie The Ark of Truth.