Vin Diesel (XXX)
Radha Mitchell (Man on Fire)
Cole Hauser (2 Fast 2 Furious)
Keith David (The Cape)
Claudia Black (The Originals)
Rhiana Griffith (Home and Away)
Firass Dirani (Power Rangers Mystic Force)
The film starts off as many sci-fi films do, with a crash-landing. Rocks hit the ship and fly through, taking out some of the passengers and sending the ship spiraling towards an unknown planet. Fry(Rhada Mitchell) takes over the group, and there are others who are left, including a criminal named Riddick(Vin Diesel) who happens to be able to see in the dark.
The planet has three suns, so at one point or another, there always seems to be daylight, which comes in different colors that the film takes on(much of the early part of the film is bathed in striking blues, for example). Only there’s one problem – every so often, there’s a rare occurence where an eclipse sends the planet into total darkness. And at that time, the aliens who only come out to play in the rare darkness attack. Much of the early half of the film revolves around Riddick – tracking him down and getting him to help, but the second half of the film starts the action a little quicker.
The aliens are always seemingly circling the group, and although the special effects for the film are not terribly great, they aren’t distracting, either. The movie starts up the tension very well during the second half of the picture, and is successful in not letting go till the end.Pitch Black works simply as an entertaining low budget Sci-Fi Movie.
Christina Ricci (The Addams Family)
Clea DuVall (The Faculty)
Cole Hauser (2 Fast 2 Furiuous)
GUEST / RECURRING CAST
John Heard (Prison Break)
Andrew Howard (Agents of S.H.I.E.L.D.)
Olivia Llewellyn (Penny Dreadful)
Jeff Wincott (S.W.A.T.)
Michael Ironside (Total Recall)
John Ralston (Bitten)
Bradley Stryker (Izombie)
Jessy Schram (Veronica Mars)
Jonathan Banks (Highlander: The Series)
Rhys Coiro (30 Days of Night: Dark Days)
Stephen McHattie (300)
Ronan Vibert (Hex)
Michelle Fairley (Game of Thrones)
What happens after Lizzie Borden takes an ax to her father and stepmother? Lifetime follows up its popular television movie from 2014 about the notorious accused murderess with an eight-episode miniseries sequel that becomes a guilty pleasure
Lizzie (Christina Ricci) has been cleared of all wrongdoing in those earlier killings, though the townspeople of Fall River, Mass. suspect that she’s gotten away with murder. Lizzie delights in her new infamy, taking all the shade-throwing stares in stride and scaring the local children as opportunity permits. Trouble comes quickly, however, when her father’s former business partner, William Almy (John Heard), makes claims on the Borden estate. Suddenly, Lizzie and her sister, Emma (Clea DuVall), find themselves threatened with bankruptcy, which doesn’t please their deadbeat half brother, William (Andrew Howard), who has appeared out of the blue looking for a handout. As if that weren’t enough, there’s also the matter of the dogged Pinkerton agent Charlie Siringo (Cole Hauser), who has come to town with the express aim of proving Lizzie’s criminality. Even Better Call Saul’s Jonathan Banks shows up as a scarily temperamental gangster who does his best to intimidate Lizzie. What’s a girl to do in the face of all this threatening machismo but strengthen her resolve and sharpen ye ole hatchet? It’s not long into the first episode before Lizzie’s back to her murderous ways, bleeding men out with the well-placed stab of a hairpin or getting them drunk enough that they can more easily be pushed from high places with nooses around their necks.
The Lizzie Borden Chronicles best talent comes exclusively from Ricci and DuVall, who have a delectable rapport not too far removed from Bette Davis and Joan Crawford at their hag-horror peak in What Ever Happened to Baby Jane? Ricci’s porcelain-doll features make her seem even more alluringly alien now than she did as a child actress. There’s a winking self-consciousness to her portrayal of Lizzie that works to the character’s advantage; she’s like an out-of-time avenging angel, a feminist icon (before there were words to describe it) lashing out at patriarchy the only way she knows how. By contrast, DuVall is all plain-faced earnestness and the loving voice of reason that complements Lizzie’s lunacy, at least for now. It’s often tough to play the straight man to a more flashy companion, but DuVall does it exceptionally well.
The sisters’ relationship intrigues because it constantly seems on the point of implosion, and does come to a head by the end of the miniseries.