REVIEW: BATMAN VS. TWO-FACE

CAST (VOICES)

Adam West (Family Guy)
Burt Ward (Futurama)
William Shatner (Star Trek: TOS)
Julie Newmar (Return To The Batcave)
Steven Weber (2 Broke Girls)
Jim Ward (Ultimate Avengers)
Thomas Lennon (17 Again)
Lynne Marie Stewart (Pee-Wee’s Big Adventure)
Jeff Bergman (The Cleveland Show)
Wally Wingert (The Ant Bully)
William Salyers (Pandora’s Clock)
Sirena Irwin (Justice League: Throne of Atlantis)
Maurice LaMarche (Futurama)
Lee Meriwether (The Munsters Today)

Batman and Robin are invited to a top-secret demonstration hosted by Professor Hugo Strange and his assistant Dr. Harleen Quinzel, that may eventually change the future of Gotham forever. Along the way, Batman takes a stop at Gotham State Penitentiary to visit Catwoman (whose suicide attempt from the first movie somehow failed) to give her a book on poetry by Elizabeth Barret Browning; something to keep her occupied for the next 36 months of her life until she is let out of prison for good. At the laboratory, they meet district attorney and Bruce Wayne’s ally in the war against crime, Harvey Dent, who is famous for having stopped a coin counterfeit, keeping a two faced quarter as a souvenir from the case.Batman-vs-Two-Face-previewHugo Strange believes that good and evil are all but one-sided and has created an “Evil Extractor” to which the volunteering criminals, Joker, Penguin, Riddler, Egghead and Mr. Freeze, will be purified of their corruption. Batman bluffs it off, saying that there are no easy fixes to the straight and narrow path, but Strange conducts his experiment anyway, despite the fact that it will make the jobs of Batman, Robin and Harvey obsolete. All goes well until the Joker entices his compadres to overload the machine. Noticing this, Professor Strange orders Dr. Quinzel to shut it down…but is too late, and Harvey (as opposed to acid from the comic book mythos) is horribly scarred by the explosion of the containment vat, with Batman being successful in saving the right side of his face.2Harvey, now re-christened Two Face, goes on a crime spree as seen in the opening credits, all of which his attempts are foiled by the Dynamic Duo. He is eventually whisked to a hospital where his face has been given reconstructive surgery. His sanity has apparently been restored as well. Now returning to his old job (as the assistant to the assistant district attorney), Harvey spends the next six months in charge of his own fate, but at the same time, King Tut and his henchmen have been robbing an biplane while at Wayne Manor, Aunt Harriet is getting ready for a soiree in Bruce and Dick’s place while they investigate the crime as Batman and Robin. After implying comparisons between King Tut and Two Face, Batman and Robin return to the Batcave where they realize that a double decker bus company are planning to hold the millionaires, including Alfred and Aunt Harriet, hostage. They arrive on the bus via Batmobile and fight Tut and the Tutlings while Alfred escorts the patrons to safety. Unfortunately, the Dynamic Duo are subdued by a pair of twin snakes with knockout venom.4In an urn trap as seen in King Tut’s debut episode, Batman and Robin are to be entombed in the foundations of the Pyramid Towers that are soon to be erected above the digging spot where they are trapped. Cement pours over them and when it appears as though they are doomed, they press the back of their soles against the sides of the jars, triggering the Batjets. They fly to confront King Tut in one final battle and a brick restores his memory. As they take him away, a pair of twins seize the jewels that were stolen by the Tutlings. Batman, Robin, Commissioner Gordon and Chief O’Hara interrogate King Tut as Harvey waits in the shadows, with O’Hara constantly hitting Tut on the head with his baton. Lucille Diamond, the king’s defendant, intervenes and ushers them out of the room so that she can speak to him. At Tut’s trial, she implicates that the concussion is nothing more than a threat to a mild-mannered man. Chief O’Hara tearfully confesses to hitting Tut and Harvey calls Batman as his next witness, but Professor Mackel Roy himself admits his guilt, ready to suffer the minimum penalty of being rehabilitated in prison. After the sentencing, Harvey shares a highball with Bruce Wayne, much to Dick’s annoyance at bearing the hardships of a third wheel.3Harvey is then due to a attend a charity for underprivileged twins at the Winning Pair casino just as Bruce and Dick resume their identities as Batman and Robin once more. A package has arrived at Commissioner Gordon’s office, a World Atlas book marked for Batman…with its pages eaten away in three holes. Robin surmises the culprit to be Bookworm and the duo race off in the Batmobile to find him at the Gotham City Library where a fight ensues and the three priceless books that Bookworm had his eyes on have disappeared. Batman and Robin deduce that the stolen books were all about duality, but Two Face has already been reformed and try to find another way behind it. Regardless, they head to an abandoned sign factory with Two Face and the twins waiting for them. After defeating the twins, Two Face pins them with a large number two and the flip of his coin landing on the right side spares their lives. Once they have left, Batman believes that Harvey has made a lot of enemies in his career and they are all out to destroy it. Harvey, meanwhile is having some problems of his own after he makes a phone call to… Two Face, who kidnaps Professor Strange as part of their scheme.004a2326Robin is punished to his room by Batman after nearly getting into a row about Harvey’s involvement in Two Face’s plans and Catwoman, who by now has been stood up, escapes the pen by switching places with Lucilee Diamond. Following Harvey to the laboratory, Robin is ambushed by Two Face and Professor Strange corrupts him with the same gas of the extractor that mutates the left side of his body. Batman is forced to fight his beloved sidekick and cures him back at the Batcave, following Two Face to the casino where he is in fact revealed to be Dent, having suppressed his bad side (á la Dr Jekyll and Mr. Hyde). Once the Dynamic Duo are strapped to a large silver dollar, he unmasks Batman and deduces Robin’s true identity, then Two Face invites the Joker, Penguin, Riddler, Mr. Freeze, Egghead, Shame, Clock King and Catwoman to an auction for the highest bidder of Batman’s true identity. With Catwoman’s help, Batman and Robin defeat the villains, but Two Face gets away on the biplane stolen by King Tut, intending to use the evil gas to remake Gotham City in his image. The Dynamic Duo manage to shoot him down towards a flaming factory where Batman goes one on one with Two Face having completely taking over Harvey’s body. In a battle of wits, Batman urges Harvey to regain self control and he does, defeating Two Face for good as they escape the factory.batman-vs-two-face-trailerThe next morning, Batman and Robin use the Batwing to cure the infected Gothamites and return that night to Wayne Manor where Harvey holds an auction for a bachelor party. Batman appears before everyone, and to his delight, ends up having the first person to bid for him being none other than Catwoman. In the post credits there is a memoriam for Adam West, who portrayed Batman. It also stated “Rest Well, Bright Knight”.1In the hearts of some, maybe even all, Batman fans, Adam West will always hold a cherished place. Batman Vs. Two-Face doesn’t satirize like its predecessor, but fully embraces the original series’ campiness, with one concession: the inclusion of a villain considered too dark and gritty for the series at the time. According to legend, Clint Eastwood was all set to take on the role of Two-Face before studio execs thought he’d scare off young viewers and put the kibosh on it. Always leave ’em wanting more. It’s sad for me to think of what might have been. If only someone had the brilliant idea of bringing Adam West and Burt Ward in to revisit the classic series in animated form earlier, we may have been able to witness the two squaring off against Poison Ivy or Scarecrow or Harley Quinn. But, as it is, this is as good of a send off as our Bright Knight could ever have asked for.

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REVIEW: BATMAN: RETURN OF THE CAPED CRUSADERS

CAST (VOICES)

Adam West (Family Guy)
Burt Ward (Return To The Batcave)
Julie Newmar (Star Trek)
Jeff Bergman (Gremlins 2)
Wally Wingert (American Dad)
William Salyers (Judging Amy)
Steven Weber (2 Broke Girls)
Jim Ward (Ben 10)
Thomas Lennon (balls of Fury)

The official plot synopsis reads as follows, “It’s back to the 1960s as Batman and Robin spring into action when Gotham City is threatened by a quartet of Batman’s most fiendish foes – Penguin, The Joker, Riddler and Catwoman. This time, the four super-villains have combined their wicked talents to hatch a plot so nefarious that the Dynamic Duo will need to go to outer space (and back) to foil their arch enemies and restore order in Gotham City.

What a dose of Nostalgia. The opening credits incorporated many classic comic book covers with some fantastic animation. I could not stop watching. Fascinating, funny, festive, friendly, and very alliterative, the actors, writers, and animators knocked this out of the park.

I was thoroughly amused throughout. None of the dozens of punchlines are particularly surprising, but they are all fun, and many of them require the set-up, animation, and acting to be meaningful.

The movie does get a bit dark. In one particular scene, Robin is horrified by a punch that doesn’t follow Marquess of Queensberry rules. Robin’s reaction to that punch and subsequent actions keep the movie grounded and friendly. I have to give special acclaim for Burt Ward, here — his exuberance and delivery hasn’t changed an iota.

Does the movie get some things wrong? Like the Joker’s hidden mustache? Yes and perhaps. There are dozens of things that are not quite like the 60’s show, and hundreds of things that are spot-on perfect. I don’t recall hearing the Riddler’s music cue, but the Batman theme is incorporated well in many places. The producers have already mention that some of the “mistakes” are intentional, such as the colors of Robin’s logo being flipped in a throwaway shot, an homage to mistakes in previous animations. I will be watching this many times.

The sequel has already been announced, with William Shatner as Two- Face.This is the most enjoyable movie I’ve seen in years. Highly recommended.

REVIEW: THE LEGO BATMAN MOVIE

CAST

Will Arnett (Teenage Mutant Ninja Turtles)
Zach Galifanakis (The Hangover)
Michael Cera (Juno)
Rosario Dawson (Sin City)
Ralph Fiennes (Harry Potter)
Jenny Slate (The Lorax)
Hector Elizondo (The Princess Diaries)
Billy Dee Williams (BAtman)
Mariah Carey (Glitter)
Eddie Izzard (Hannibal)
Seth Green (Family Guy)
Jemaine Clement (Men In Black 3)
Ellie Kemper (21 Jump Street)
Jason Mantzoukas (Bad Neigbours)
Doug Benson (Super High Me)
Zoe Kravitz (Divergent)
Kate Micucci (The Big Bang Theory)
Riki Lindhome (Much Ado About Nothing)
Channing Tatum (Dear John)
Jonah Hill (Cyrus)
Laura Kightlinger (Lucky Louie)
Ralph Garman (Ted)
Chris Hardwick (Terminator 3)

Three years after saving the Lego Universe with Emmet and Wyldstyle, Batman continues fighting crime in Gotham City. During a mission to prevent The Joker from destroying the city, Batman hurts his arch-rival’s feelings by telling him he is not as important in his life as he thinks he is, leading to the Joker to desire seeking the ultimate revenge on him.
The following day, Batman attends the city’s winter gala as his alter ego, Bruce Wayne, to celebrate the retirement of Commissioner Gordon and the ascension of his daughter Barbara as Gotham’s new police commissioner, but is infuriated when she announces her plans to restructure the city’s police to function without the need of Batman. The Joker crashes the party with the rest of Gotham City’s villains, but has all of them surrender to the police. Despite realizing that this makes him no longer relevant to the city’s safety, Batman suspects his arch-rival is up to something and decides to stop him by banishing him into the Phantom Zone, a prison for some of the most dangerous villains in the Lego Universe.
Before he can make plans to acquire the Phantom Zone Projector that Superman uses, Alfred intervenes and advises him to take charge of Dick Grayson, whom Bruce had unwittingly adopted as his ward during the gala to which he eventually agrees and fosters Dick as Robin. The pair manage to recover the Projector from the Fortress of Solitude, before breaking into Arkham Asylum and using it on the Joker. Annoyed at his reckless actions and suspecting that the Joker wanted this to happen, Barbara locks up Batman and Robin. While the Projector is being seized as evidence, Harley Quinn steals it back and uses it to free the Joker, who unleashes the villains trapped within the Phantom Zone to cause havoc upon Gotham, including Lord Voldemort, King Kong, Sauron, the Wicked Witch of the West, Medusa, Agent Smith and his clones, the Daleks, and the Kraken.
Realizing that the city does still need him, Barbara releases Batman and Robin and reluctantly teams up with them as “Batgirl” to stop the Joker, with the team joined by Alfred. Batman soon finds himself able to trust and rely on the others, allowing them to defeat Sauron, but upon reaching Wayne Island, he ditches the team out of fear of losing them like his parents, before confronting Joker alone. Upon seeing that the Batman will never change, Joker zaps him to the Phantom Zone, before stealing the Batcave’s stash of confiscated bombs and heading for the city’s Energy Facility. Arriving in the Phantom Zone, Batman witnesses the harm he has caused to everyone because of his selfishness and slowly accepts his greatest fear when Robin, Barbara and Alfred decide to come to his aid. Making a deal with the Phantom Zone’s gatekeeper, Phyllis, to bring back all the villains in exchange for returning to Gotham City, Batman arrives to save the trio and admits to them his mistakes, requesting their help to save the day.
Seeking to stop Joker from setting off the bombs beneath the Energy Facility, thus causing the plates beneath Gotham to come apart and send the city into the infinite abyss, Batman and his allies team up with the city’s regular list of villains, after they had felt neglected by Joker, with the group successfully sending back the escaped villains to the Phantom Zone. However, Batman fails to reach the bombs in time, the detonation causing the city to split apart. Realizing how to stop the city from being destroyed, Batman reluctantly convinces Joker that he is the reason for being the hero he is, and working together alongside Batman’s friends, the villains, and the city’s inhabitants, chain link themselves together, reconnecting the city’s plates and saving Gotham City.
With the city saved, Batman prepares to be taken back into the Phantom Zone to fulfill his bargain with Phyllis, only to be rejected by the gatekeeper who chooses to let him remain after she saw how much he had changed in order to save everyone. Batman allows the Joker and the rest of his rogues gallery to escape with the confidence that whenever they return, then they’ll be no match for the combined team of himself, Robin, Batgirl, and Alfred.Overall, this is a very enjoyable movie with a gripping story, fantastic animation that tops its predecessor and clever humor. I definitely recommend giving this a watch if you’re a fan of The Lego Movie.

REVIEW: JUSTICE LEAGUE UNLIMITED – TASK FORCE X

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MAIN CAST

Phil LaMarr (Free Enterprise)
Carl Lumbly (Alias)
Michael Rosenbaum (Smallville)

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GUEST CAST

Adam Baldwin (Chuck)
Juliet Landau (Buffy: The Vampire Slayer)
Donal Gibson (Braveheart)
Alan Rachins (Showgirls)
Chris Cox (Family Guy)
CCH Pounder (Avatar)

mv5bnjk3mti1nzk2of5bml5banbnxkftztywodqzndez-_v1_uy317_cr820214317_al_At Belle Reve Correctional, Floyd Lawton, aka the hitman Deadshot, is being led to execution, displaying defiance for his fate, even towards the priest. Upon entering the execution chamber, however, it is to find another man who hands some official papers over to the warden. After reading them, the warden orders Deadshot to be released and handed over to the newcomer. On the drive away from the prison, Lawton’s savior introduces himself as U.S. Colonel Rick Flagg who wants Deadshot to assist in a top-secret mission. Flagg also reveals that miniature devices have been infiltrated into Deadshot’s body and will kill him if he does not cooperate. The mission is a simple break-in and theft – from the Justice League’s Watchtower HQ.
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They arrive at a warehouse formerly used by Lex Luthor and thus very secure against super-hero surveillance. Lawton is introduced to the rest of “Task Force X”: explosives expert Bette Sans-Souci, a.k.a. “Plastique”; inventor George Harkness, a.k.a. “Captain Boomerang”; and planning expert Temple Fugate, a.k.a. “The Clock King”. With the exception of Flagg, they are all criminals being offered amnesty in exchange for their services. The plan is to infiltrate the Watchtower disguised as members of its support staff, at a time when only three major obstacles are aboard: Green Lantern John Stewart, Captain Atom, and J’onn J’onzz. Flagg warns the other members of Task Force X that there is to be no unnecessary killing. While the others go to the tower, Fugate will stay at base coordinating their progress.
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The first phase goes off perfectly: The squad ambushes a group of four Watchtower staff members before they are teleported up. Once there, Flagg uses a device in a pair of prop glasses in order to cause a computer to break down thus enabling them to proceed without a security check. Deadshot and Plastique then head to the lower levels and into the generator room, while Flagg and Boomerang make their way to the high-security storage area. Plastique sets off a bomb on the reactor to cause a diversion from Boomerang’s breakthrough into the vault. There, Flagg takes control of the “package”: a powerful combat robot called the Annihilator. The damage to the reactor causes a radiation leak and an evacuation is ordered. Captain Atom flies down to contain the reactor explosion and reports to J’onn that it was done intentionally.
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Deadshot and Plastique sprint up to join Flagg and Boomerang and together they and the Annihilator make their way to the bridge. Along the way, they are stopped by Shining Knight, Vigilante, and Atom-Smasher, but manage to defeat them with the Annihilator’s help. Reaching the bridge, they are confronted by J’onn, who easily defeats them until the Annihilator literally tears him in half, disabling him long enough for the team to reach the transporter. J’onn recovers and defeats the Annihilator, but Plastique gets him to stand back by holding a bomb above the throat of an unconscious Atom-Smasher, and he is forced to allow the others to mount the transporter platform. Just as Plastique is about to join them, Captain Atom arrives and tackles her and one of her bombs goes flying. Deadshot detonates it with a shot from his pistol and, in the confusion, three of Task Force X and the Annihilator transport away. Plastique is left behind, severely wounded. J’onn checks the transporter console, which has been sabotaged and blows up before he can trace the coordinates.
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Flagg turns the Annihilator over to Amanda Waller and Tala of Project Cadmus. Before leaving, Waller commends Flagg, telling him his father would be proud of him. Deadshot bids everyone a cheerful goodbye, but Flagg decks him with a punch and informs him that he is to serve in Task Force X for five years before he can go free, otherwise he can go back to prison for execution. Deadshot snidely asks Flagg how Waller is blackmailing him, to which Flagg gives a sneer of contempt and states that he isn’t being blackmailed at all: He is a patriot who serves his country loyally. Aboard the Watchtower, J’onn has discovered that Vance, a member of the bridge crew, passed inside information to Cadmus, using an anti-telepathy device to mask his thoughts. J’onn is tempted to wipe Vance’s mind, but Stewart tells him it would be pointless since Vance has already leaked everything he knows, and they can’t trust any of their staff now.mv5bnjk3mti1nzk2of5bml5banbnxkftztywodqzndez-_v1_uy317_cr820214317_al_Task Force X really does stand as one of the best examples of what Justice League Unlimited had to offer – a show starring a bunch of random characters that found time to tell an engaging story and humanize each of them a bit. Sure, it plays into a grand over-arching plot, but – on its own terms – Task Force X is really just an example of what the DC animated universe did really well. A fun story well told featuring an interesting cast.

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1-2

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CAST (VOICES)

Kevin Conroy (Batman: The Killing Joke)
George Newbern (Superman/Shazam)
Susan Eisenberg (Justice League: Doom)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals Barrera (Camp Rock)

Image result for justice league unlimitedRECURRING / NOTABLE GUEST CAST

Kin Shriner (Manhunter)
Nicholle Tom (Gotham)
Dana Delaney (Desperate Housewives)
Mike Farrell (Vanishing Act)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Fanboys)
Dakota Fanning (Taken)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Edward Asner (Elf)
Patrick Bauchau (Panic Room)
Michael York (Logans Run)
Charles Napier (The Silence of The Lambs)
Robert Foxworth (Syriana)
Cree Summer (Batman Beyond)
Billy West (Futurama)
Jeremy Piven (Mr. Selfridge)
Lori Loughlin (Full House)
Robert Picardo (Stargate: Atlantis)
Clancy Brown (Highlander)
John C. McGinley (Highlander II)
Will Friedle (Batman Beyond)
Oded Fehr (The Mummy)
CCH Pounder (Avatar)
Grey DeLisle (The Replacements)
J.K. Simmons (Whiplash)
Michael Beach (The Abyss)
Gina Torres (Firefly)
Ben Browder (Farscape)
Peter MacNicol (Ghostbusters 2)
Adam Baldwin (Chuck)
Nestor Carbonell (The Dark Knight)
Melissa Joan Hart (Sabrina: TTW)
Denis Farina (Get Shorty)
Virginia Maden (Sideways)
Morena Baccarin (Gotham)
Ioan Grufford (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: DS9)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Star Trek: DS9)
Juliet Landau (Buffy)
Alan Rachins (Showgirls)
Robert Englund (A Nightmare On Elm Street)
Jason Bateman (The Ex)
Glenn Shadix (Beetlejuice)
Jerry O’Connell (Sliders)
Nathan Fillion (Slither)
Elizabeth Pena (The Incredibles)
Hector Elizondo (The Princess Diaries)
Jeffrey Combs (Gotham)
Amy Acker (The Cabin In The Woods)
Robert Forster (Dragon Wars)
Lauren Tom (Futurama)
Powers Boothe (Agents of SHIELD)
Seymour Cassel (Rushmore)
James Remar (Flashforward)
John DiMaggio (Futurama)
Malcolm McDowell (Heroes)
Ron Perlman (Hellboy)
Alexis Denisof (Dollhouse)
Mark Hamill (Star Wars)
David Ogden Stiers (Two Guys and a Girl)
Sab Shimono (Teenage Mutant Ninja Turtles 3)
Ted Levine (The Silence of The Lambs)
Michael Ironside (Total Recall)
Daniel Dae Kim (Lost)

The first two seasons of Justice League were fantastic. Packed with action, humor and great storytelling the world of DC’s heroes came to life thanks to the collaborative efforts of the folks behind the rest of Warner Brothers’ successful cartoons. The show focused on the adventures of Superman, Batman, Green Lantern, Wonder Woman, Flash, Hawkgirl and J’onn (the Martian Manhunter). They spent most of their time fighting established villains and trying to save the world from impending doom as you’d expect. When Justice League Unlimited (the show’s sequel series) was released it shook up the formula a bit and quite frankly, really felt like a new show.


The reason behind this different atmosphere was the change in the cast. The main seven characters were still kicking around but their ranks had swelled since the end of the original series. The basic premise was that the Justice League felt they could do better with more members. Many hands make light work and all that. Therefore anyone with superpowers that could do some good was offered a spot on the team.

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Not every character gets their chance in the spotlight but it certainly fleshed out the show with some of DC’s more obscure characters. Most of these episodes focus on the original characters though many of the rookies become involved in the storytelling. Being a longtime comic book fan, seeing more of these characters was definitely a thrill. Getting Green Arrow added to the ranks was probably the best addition to the show in my opinion, but Supergirl, Booster Gold, Captain Atom, Black Canary and The Question definitely helped round things out. In all more characters were added to the series than the show actually featured so you can imagine the insanity that ensues. Many of these characters do get washed out thanks to the lack of coverage, but it’s not handled to the point that they become obscure or disrupt the quality of the show.

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There  are several episodes that made an impression on me. “Fearful Symmetry” was a very solid story that told a tale about Supergirl and really fleshed out her character. In it she is basically cloned and begins to have dreams that mirror the actions of her sinister clone. Green Arrow and Question get involved in order to help her out and we got to see some interesting facets of the DC Universe.


For my money “The Greatest Story Never Told” was probably my favorite episode. It doesn’t have a lot to do with anything and it’s a fairly weak story but it features Booster Gold as its main character. In case you are unfamiliar with Booster he’s basically a smartass guy from the 25th century who travels back in time for fame and fortune. He’s accompanied by a wisecracking robot named Skeets and finds himself not feeling the love from his other JLU teammates. In this episode he’s given the noble duty of crowd control while the League fights to save the world. There’s nothing particularly great about the story it’s just that I love Booster’s character and quite honestly, this episode was hilarious all around.
“Kid Stuff” was another fun episode that featured Morgan la Fey’s son getting his prissy little hands on a powerful amulet. The item makes him more powerful than his mother and he casts a spell that sends all adults to another dimension. In order to set things right Morgan turns Batman, Superman, Wonder Woman and Green Lantern into kids so they can once again enter the world. As their younger selves the heroes start to let their juvenile side out and it’s funny to see Batman and Wonder Woman banter as if they were childhood sweethearts.

Overall Justice League Unlimited was a great show.  Any comic book fan, or viewer who enjoyed Timm’s other series, definitely owes it to themselves to check this set out. This release offers 26 episodes.


Unfortunately, as with all good things, Justice League Unlimited came to end. The show was cancelled before its time but luckily the crew was able to eek out another thirteen episodes before it went off the air. This season’s collection of superhero antics follows an episodic pattern but keeps an ongoing plot bubbling beneath the surface. The two-part adventures from the earlier sessions of Justice League went away with this season but the fact that characters reference previous episodes helps to keep everything connected.

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In the first episode of the final season of Unlimited Lex Luthor is on the run from the law after breaking out of jail. The affects of being joined with Brainiac are still being felt by him and throughout the episode you’ll often see Luthor talk to himself because he sees Brainiac standing next to him. When Gorilla Grodd offers Luthor a piece of Brainiac old baldy finds it hard to resist. He agrees to join Grodd’s Legion of Doom and work together with fellow supervillains to take down the Justice League. This set up continues throughout the season and you’ll find bits and pieces of it in each of the thirteen episodes.

In the second episode of this season the shadow of the Thanagarian conflict lingers as an archaeologist discovers something an Egypt. Shayera (Hawkgirl) is lured there by Carter Hall who tries to convince her that he is Hawkman. This was a nice throwback to the prior season and early Hawkman comic books but was certainly not the best episode in the set.

One of my favorite episodes from his collection easily has to be “Flash and Substance”. Four villains from Flash’s past team up to take down the red blur and they plan on doing it on the opening night of his new museum. Batman and Orion tag along with Flash in order to ensure that he’s ok. The writing in this particular episode was easily the funniest that Justice League ever produced. I particularly enjoyed the villains all sitting around the table at a dive bar talking about making their mortgage payments and whatnot.


Anyone who has ever considered themselves to be a comic book fan at some point in their lives will find something to love about Justice League Unlimited. From the very first season through the last of Unlimited the series offered quality unlike any other. This is a definitive comic book cartoon and stands shoulder to shoulder with WB’s Superman and Batman animated adventures. If you have been collecting the show to date then you’ll be pleased to know that the thirteen episodes featured here are as good, if not better in some cases, as what came before it.

REVIEW: BATMAN: THE BRAVE AND THE BOLD – SEASON 1-3

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MAIN CAST

Diedrich Bader (Vampires Suck)

RECURRING / NOTABLE GUEST STARS

Dee Bradley Baker (American Dad)
Will Friedle (Batman Beyond)
Jason Marsden (Full House)
James Arnold Taylor (Star Wars: The Clone Wars)
Marc Worden (Ultimate Avengers)
Grey DeLisle (The Replacements)
John Dimaggio (Futurama)
Tom Kenny (Super hero Squad)
Kevin Michael Richardson (The Cleveland Show)
Corey Burton (Critters)
R. Lee Ermey (Full Metal Jacket)
Scott Menville (Teen Titans)
Vyvan Pham (Generator Rex)
Bumper Robinson (Sabrina: TTW)
Mikey Kelley (TMNT)
Michael Rosenbaum (Smallville)
Will Wheaton (Powers)
Xander Berkeley (Kick-Ass)
Loren Lester (Batman: TAS)
Phil Morris (Smallville)
Jeff Bennett (James Bond Jr.)
Oded Fehr (The Mummy)
Ellen Greene (Pushing Daisies)
Armin Shimmerman (Star Trek: DS9)
Tara Strong (Batman: The Killing Joke)
Tom Everett Scott (Scream: The Series)
Billy West (Futurama)
Jeffrey Tambor (The Hangover)
Paul Reubens (Gotham)
Diane Delano (Jeepers Creepers II)
Peter Woodward (Crusade)
Neil Patrick Harris (How I Met Your Mother)
James Remar (Flashforward)
Jeffrey Combs (Gothman)
Ioan Grufford (Ringer)
J.K. Simmons (Whiplash)
William Katt (Carrie)
Clancy Brown (Highlander)
Tress MacNeille (Futurama)
Hynden Walch (The Batman)
Kevin Conroy (Batman: TAS)
Mark Hamill (Batman: The Killing Joke)
Adam West (BAtman 60s)
Julie Newmar (Batman 60s)
Dana Delany (Body of Proof)
Tony Todd (Chuck)
Peter Scolari (Gotham)
Cree Summer (Batman Beyond)
Steve Blum (Wolverine and Thje X-Men)
John Wesley Shipp (The Flash)
Alan Tudyk (Firefly)
Olivia D’Abo (Conan The Destroyer)
Mae Whitman (Independence Day)
Fred Tatasciore (Hulk Vs)
Vanessa Marshall (Star Wars: Revels)
John Michael Higgins (Still Waiting)
Michael Jai White (Arrow)
Morena Baccarin (Gotham)
Tippi Hedren (The Birds)
Gary Owens (That 70s Show)
Ted McGinley (Highlander 2)
Henry Winkler (Happy Days)

There’s a gloriously meta moment in the back half of this season of Batman: The Brave and the Bold where the show’s producers are raked over the coals at Comic-Con. One of the twentysomethings in the crowd grouses and groans about how the Caped Crusader in the cartoon isn’t his Batman, and…well, he’s not wrong. DC’s comics anymore are joylessly grim and gritty…22 monthly pages of misery and scowling and torture and dismemberment and death and high collars and way too much crosshatching. Batman: The Brave and the Bold, meanwhile, is defined by its vivid colors and clean, thick linework. It’s a series whose boundless imagination and thirst for high adventure make you feel like a six year old again, all wide-eyed and grinning ear to ear.


You know all about The Dark Knight’s war on crime, and in The Brave and the Bold , he’ll duke it out against any badnik, anywhere. He doesn’t go it alone, either, with every episode pairing Batman up with at least one other DC superhero. Heck, to keep it interesting, The Brave and the Bold shies away from the obvious choices like Superman and Wonder Woman. Instead, you get more interesting team-ups like Blue Beetle (more than one, even!), Elongated Man, Wildcat, Mister Miracle, Kamandi, and B’wana Beast.
Other animated incarnations of Batman have been rooted in something close enough to reality. Sure, you might have androids and the occasional Man-Bat, but they tried to veer away from anything too fantastic. The Brave and tbe Bold has free reign to do just about whatever it wants. One week, maybe you’ll get an adventure in the far-flung reaches of space with a bunch of blobby alien amoebas who mistake Batman for Blue Beetle’s sidekick. The next might offer up Tolkien-esque high fantasy with dragons and dark sorcery. Later on, Aquaman and The Atom could play Fantastic Voyage inside Batman’s bloodstream, all while the Caped Crusader is swimming around in a thirty-story walking pile of toxic waste. He could be in a Western or a post-apocalyptic wasteland or a capes-and-cowls musical or even investigate a series of grisly something-or-anothers alongside Sherlock Holmes in Victorian England.

Batman has markedly different relationships with every one of those masked heroes. There’s the gadget geekery with an earlier incarnation of the Blue Beetle. With the younger, greener-but-still-blue Beetle, Batman takes on more of a mentor role.

More of a stern paternal figure for Plastic Man, and a rival for Green Arrow. Sometime it might not even be the most pleasant dynamic, such as a decidedly adult Robin who doesn’t feel like he can fully step outside the long shadow that Batman casts.

There are some really unique takes on iconic (and not so iconic!) DC superheroes here, and far and away the standout is Aquaman. This barrel-chested, adventure-loving braggart is my favorite incarnation of the king of the seven seas, and if Aquaman ever scores a cartoon of his own, I hope he looks and acts a lot like this. Oh, and The Brave and the Bold does a spectacular job mining DC’s longboxes for villains too, and along with some of the familiar favorites, you get a chance to boo and hiss at the likes of Kanjar Ro, The Sportsmaster, Kite Man, Gentleman Ghost, Chemo, Calendar ManKing, Crazy Quilt, and Shrapnel. The Brave and the Bold delivers its own versions of Toyman, Vandal Savage, and Libra while it’s at it, the latter of whom has the closest thing to a season arc that the series inches towards.

Batman: The Brave and the Bold is every bit as fun and thrilling as you’d expect from a series where every episode’s title ends with an exclamation point. Each installment is fat-packed with action, and the series has a knack for piling it on in ways I never saw coming. Even with as imaginative and off-the-walls as The Brave and the Bold can get, it still sticks to its own internal logic, so the numerous twists, turns, and surprises are all very much earned.

The majority of the episodes have a cold open not related to the remainder of the episode. Despite its episodic nature, if you’re expecting a big storyline in these 26 episodes, you’re going to be pretty disappointed as the extent of an overarching story in the season is the occasional villain that appears more than once, like Starro, but that’s really the only connecting bridge between episodes.

Season 2 contains one of my favorite episodes of not only this particular season, but probably in the entire series, “Chill of the Night!”, which goes back to Batman’s origins as Bruce Wayne learns more about the man who murdered his parents, turning him into the crime-fighter he would become, it’s one of the most well known origin stories in media, ever, but it’s done so well here. Another reason I love this episode is my blinding nostalgia for the voice cast.

The original 1960’s Batman, Adam West, guest stars as Batman’s father, Thomas Wayne, while Julie Newmar, who starred opposite of West as Catwoman from the original Batman TV show, plays Batman’s mother, Martha Wayne. My favorite Batman of all time, theatrical or not, Kevin Conroy, the voice of Batman from Batman: The Animated Series and various other series/movies/games, voices the Phantom Stranger. Lastly, the baddie of the episode, The Spectre, is voiced by none other than Mark Hamill, the definitive voice of the Joker.

The Episodes in season 3 are wildly imaginative; so much so that purists will probably be put off, at least initially. They range from “Night of the Batmen”, where batman is incapacitated and it is up to Aquaman, Green Arrow, Captain Marvel, and Plastic Man to don the cowl, and keep gotham safe. As weird as that may sound, this episode is pure fun, and a joy to watch. Other stand outs are the never before seen in the states “The Mask of Matches Malone”, “Shadow of the Bat”, “Scorn of the Star Sapphire”, and “Powerless”.

Special mention has to be made of the final episode of the series however, “Mitefall”. In this meta episode, Batmite does a fantastic job breaking down why the series is ending, and the disconnect of the so-called “purists”, whose baseless, closed minded, ignorance eventually doomed this excellent series.

When all is said and done, we received three outstanding, and criminally underrated, seasons and it is a joy to see.

REVIEW: BATMAN: THE ANIMATED SERIES – VOLUME 1-4

Image result for batman the animated series logoMAIN CAST (VOICES)

Kevin Conroy (Batman: The Killing Joke)
Loren Lester (Flashforward)
Efrem Zimbalist, Jr. (Hot Shots)
Bob Hastings (General Hospital)
Robert Costanzo (Dick Tracy)
Melissa Gilbert (Zoya)
Tara Strong (Sabrina Goes To Rome)
Mathew Valencia (Lawnmower Man 2)Image result for batman the animatedRECURRING / NOTABLE GUEST CAST

Adrienne Barbeau (Swamp Thing)
Kate Mulgrew (Star Trek: Voyager)
Neil Ross (Centurions)
Frank Welker (The Simpsons)
Richard Moll (Scary Movie 2)
Lloyd Bochner (Point Blank)
Marc Singer (V)
Rene Auberjonois (Star Trek:DS9)
Meredith MacRae (Petticoat Junction)
Michael Ansara (The Message)
Mark Hamill (Star Wars)
Mari Devon (Howl’s Moving Castle)
Brock Peters (To Kill A Mockingbird)
Ed Begley Jr. (Veronica Mars)
Ron Perlman (Hellboy)
Edward Asner (Up)
Josh Keaton (Green Lantern: TAS)
Arleen Sorkin (Days of Our Lives)
Diane Pershing (Centourions)
Ingrid Oliu (Real Women Have Curves)
Henry Polic II (Webster)
Tim Curry (IT)
Diana Muldaur (Star Trek: TNG)
Alan Rachins (LA Law)
Linda Gary (He-Man)
John Vernon (Dirty Harry)
Lindsay Crouse (Buffy)
Paul Williams (Adventure Time)
Aron Kincaid (Freakazoid!)
Heather Locklear (Return of Swamp Thing)
Roddy McDowall (Planet of The Apes)
John Rhys-Davies (Lord of The Rings)
Adam West (Batman 60s)
Treat Williams (The Phantom)
Seth Green (Family Guy)
Brian George (The Big Bang Theory)
Harry Hamlin Clash of The Titans)
Peter Scolari (Gotham)
William Sanderson (Blade Runner)
Leslie Easterbrook (The Devil’s Rejects)
John Glover (Smallville)
Ernie Hudson (Ghostbusters)
David Warner (Teenage Mutant Ninja Turtles)
Helen Slater (Supergirl)
Michael York (Logans Run)
George Dzunda (Crimson Tide)
John De Lancie (Star Trek: TNG)
Matt Frewer (Watchmen)
Robert Picardo (Stargate: Atlantis)
Maurice LaMarche (Futurama)
Julie Brown (Earth Girls Are Easy)
Vincent Schiavelli (Batman Returns)
Michael Gross (Familt Ties)
Elisabeth Moss (Mad men)
Jean Smart (Designing Women)
Earl Boen (The Terminator)
Vernee Watson (The Big Bang Theory)
Marica Wallace (The Simpsons)
Marilu henner (Two and A Half Men)
LeVar Burton (Star Trek: TNG)
Nichelle Nichols (Star Trek)
Stephanie Zimbalist (The Story Lady)
Dick Miller (Gremlins)
Henry Silva (Ocean’s Eleven)
Jason Marsden (Full House)
Tress MacNeille (Futurama)
Andrea Martin (Anastasia)
Grant Shaud (Murphy Brown)
Bruce Weitz (Hill Street Blues)
Hector Elizondo (The Princess Diaries)
Jeffrey Jones (Howard The Duck)
Roy Dotrice (Beauty and The Beast)
Corey Burton (Critters)
Cree Summer (Batman Beyond)
Lauren Tom (Futurama)
Jeffrey Combs (Gotham)
Billy Barty (Masters of The Universe)
Tippi Hedren (The Birds)
Bumper Robinson (Sabrina: TTW)
Billy Zane (Zoolander)
Mark Rolstan (Alias)
Michael Ironside (Total Recall)
Michael McKean (Smallville)
Nicholle Tom (Gotham)
Lori Petty (Tank Girl)
Linda Hamilton (Chuck)
Billy West (Futurama)

Debuting on Fox in 1992, Batman: The Animated Series was immensely successful, garnering immense critical praise, taking home an Emmy for Outstanding Animated Program, and continuing in various forms for several years and well over a hundred episodes.First, the series is written and produced by people with a fundamental understanding of what makes the comics work, particularly during its peak in the ’70s under Dennis O’Neal and Neal Adams. As a long-time comics fanatic, it’s always welcome to see names like Gerry Conway and Marv Wolfman flash across the screen, and in the intervening years, Paul Dini and Bruce Timm have made their own impact on the four-color world. The tone is dark but not hopelessly grim, and the scripts don’t inundate viewers with patently obvious exposition or villainous cackling. It’s intelligently written and, while appropriate for a wide range of ages, doesn’t pander to a younger audience. I started watching Batman when it first debuted on Fox in 1992, and I appreciate it every bit as much now as a 34-year-old adult. The writers don’t shackle themselves to comic continuity, and their revisions are frequently more compelling than any other form in which we’ve seen Batman’s rogue’s gallery. Third-stringers like the Clock King and Clayface are given heavily revised origins and almost unrecognizable characterizations that are far more interesting than any other take on them.Batman boasts visuals that are as strong as the writing behind them. It’s incredibly dark; despite its Saturday morning/weekday afternoon origins, this is a series that greatly benefits from being watched at night with the lights off. The character designs are angular and exaggerated, in contrast to the rounded, ’40s-inspired props and backgrounds that further establish the distinctive, timeless look of the show. The detail and fluidity of the animation vary from episode to episode, but the better installments are almost jaw-dropping.

Following the visuals of the series, the next obvious subject to tackle is how it sounds. For me, Batman’s tone is one of the elements that really sets it apart from most every other animated series, and contributing greatly to that is the orchestral score in each episode. The series also has a phenomenal roster of talent contributing its voices. The main group — Kevin Conroy as the definitive Batman, Efrem Zimbalist Jr. as Alfred, Bob Hastings as Commissioner Gordon — just nail their parts with complete perfection. Very recognizable names also contribute to villains and assorted supporting characters. A complete list would be prohibitively long, but some of the more notable actors and actresses from these episodes are Michael Ansara, Ed Asner, Adrienne Barbeau, Ed Begley Jr., Mark Hamill, David L. Lander, Heather Locklear, Kevin McCarthy, Roddy McDowall, Richard Moll, Kate Mulgrew, Ron Perlman, Alan Rachins, Marc Singer, Jeffrey Tambor, John Vernon, Adam West, and Paul Williams. The campy live action series from the ’60s also drew heavily from established Hollywood talent, but the difference here is that the actors don’t draw attention to themselves as stars.

This set has the show at the absolute top of its form. There isn’t a lame show in the bunch, and many of the episodes in this set are destine to become classics. Prechance to Dream, the second show in the set, is a wonderful look at what might have happened if Bruce Wayne’s parents hadn’t been killed. After being knock out while chasing some crooks, Bruce wakes up at home, uncertain as to how he got there. He’s surprised to find that the entrance to the Batcave is blocked, but even more astonished to discover that his mother and father are still alive. Bruce must figure out what going on, but in doing so, he knows he’ll ruin the happiness that he’s discovered.AlmostGot ‘im, probably my favorite show of the series. This story takes place during a “villain’s night out” where Batman’s main enemies aren’t committing crimes. They are all sitting around a table in a bar playing poker, relaxing. While talking, the conversation turns to Batman of corse. Like a group of fisherman swapping stories, each crook takes a turn telling the time that they were closest to killing Batman. The little vignettes were all full of action, and the framing story was very funny. A great combination, with an excellent ending line.
The Batman’s background story takes is fleshed out in a couple of episodes too. His early training plays an important part in Night of the Ninja, and I Am the Night introduces Dr. Leslie Thompkins who is an important person from when Bruce was young. Viewers get to find out just where the Batmoblie came from in The Mechanic, a great show that explains some aspects of Batman’s world that usually gets glossed over. Robin’s origin is recounted in Robin’s Reckoning, a two part story which won an Emmy. This story examines the bond between Batman and Robin, and why the Dark Knight agreed to raise a young boy.
The writing on the show is top notch. The show doesn’t dumb itself down to appeal to a young audience, the creators thought that if you have well written intelligent stories, kids would be attracted. They were right but the show also appeals to adults for the same reason.

One of the things Batman: The Animated Series does particularly well is infuse its villains with personality. They’re not a rotation of thugs with a different gimmick and costume each week — the writers go to great lengths to humanize these characters, and although they’re still unambiguously the bad guys, they still manage to be sympathetic at times. “His Silicon Soul”, following up on the two-part “Heart of Steel” from the previous collection, features a robotic duplicate of Batman unable to come to grips with the realization that he’s a machine.

The title character of “Baby-Doll” was created especially for the series. Think Webster with the race and gender reversed; Mary Louise Dahl was in her twenties but looked like a three-year-old, and she cashed in on that rare disability with a successful and hopelessly bland sitcom. An ill-advised career move derailed her as an actress, and a decade later, she’s systematically kidnapped all of her former co-stars in an attempt to reclaim those happy years. Again, as outlandish as the premise might sound, it really does work. You might smirk at reading about a teary-eyed Baby Doll attempting to fire an already-emptied doll-shaped pistol into a funhouse mirror, but the immeasurably talented writers are gifted enough to eke more pathos than I ever would have thought possible out of that.

Redemption, whether seized or tossed aside, is also frequently touched upon. “Sideshow” opens with a grueling chase between Batman and an escaped Killer Croc, who manages to stumble upon a remote farm that’s home to a group of former sideshow acts. They offer Croc a chance at an honest life, but old habits die hard. Another example is “House and Garden”. When a poisonous plant-creature starts a reign of terror in Gotham, Batman naturally turns his sights towards the recently-released Poison Ivy. She insists that she’s rehabilitated, and by all accounts, Ivy is happily married and living the mundane suburban life. The investigation continues to point back to her, and the final revelation involves some of the creepiest imagery ever seen in the series.

Harley Quinn is also featured in a couple of episodes centered around her attempts to stick with the straight ‘n narrow. She’s a fan favorite for a reason, and these appearances are some of the most memorable episodes in this collection. “Harlequinade” is a chaotic team-up with Batman in an attempt to track down The Joker, who’s managed to get his hands on a bomb that’ll turn Gotham into a smoldering mushroom cloud. “Harley’s Holiday” documents her release from Arkham Asylum, and even though she’s determined to leave that life of crime behind her, an attempt to legitimately buy a pretty pink dress at a store spirals into a bad day…a really, really bad day, culminating in being chased by Batman.

It’s particularly great to see the villains interact with one another. That’s part of the fun of “Trial”, which has a reluctant prosecutor attempting to defend Batman in an insane trial when the inmates take over the asylum. The flipside of that coin is seen in “Lock-Up”, when a cruel jailer’s overzealousness gets him fired from Arkham and compels him to hunt down the left-leaning scum he blames for the state of the world. Another stand-out is “A Bullet for Bullock”, an episode in which the slovenly detective is rattled by death threats and reluctantly teams with Batman, and the ending is just one example of how clever the show’s writers can be. “Clever” is also the first word that instantly springs to mind for “Make ‘Em Laugh”, an episode where The Joker co-opts a fellow criminal’s technology to create a small army of fumbling costumed criminals with inane gimmicks.

These episodes introduce a couple of recurring villains ripped from the pages of the comics. Most notable among them is Ra’s al Ghul, who makes his first appearance in a two-parter penned by Len Wein and Denny O’Neil, familiar names to longtime readers of Batman’s four-color incarnation. The centuries-old Ra’s has virtually unlimited resources at his disposal, equally intrigued by Batman’s boundless skills as a detective as he is frustrated by his foe’s determination to disrupt his machinations. Ra’s often lends a Saturday morning serial flavor to the show, from the globe-trotting in his first few appearances to the flared pants of “Avatar”. The charismatic character has such a presence that he’s able to carry “Showdown” largely by himself in an episode that barely features Batman or Robin in any capacity. “Showdown” is set during the westward expansion of the mid-1800’s as Ra’s’ opposition to the sprawling railroads is pitted against scarred bounty hunter Jonah Hex (one of the few DC characters not connected with the Batman mythos to appear on the show). The other noteworthy recurring villain is The Ventriloquist, a fairly timid-looking middle-aged man who seems more likely to be a CPA than a ruthless crimelord. Taken by himself, that seems to be the right impression, but when he has his puppet Scarface on the end of his arm… The Ventriloquist’s first appearance, “Read My Lips”, is one of my favorites of the season, and he returns twice after that.
Several other characters from the comics briefly appear, including Maxie Zeus, the back-breaking, Venom-fueled Bane, and the fairly obscure masked criminals of The Terrible Trio. The majority of Batman’s rogue’s gallery is present and accounted for, with The Penguin, Killer Croc, Poison Ivy, The Mad Hatter, The Joker, Harley Quinn, The Clock King, Catwoman, The Riddler, The Scarecrow, Two-Face, and Mr. Freeze all wreaking havoc throughout Gotham City at some point or another. Even with the opening titles shifting on disc three from Batman: The Animated Series to The Adventures of Batman and Robin, there’s no discernable drop in quality.

After Batman: The Animated Series wrapped up its long, successful run on Fox, a revised version of the series — with most of the same talent in tow — popped up as part of the animation block on Kids’ WB. This half of The New Batman/Superman Adventures, Although the general look of Batman: The Animated Series is still in place, many of the character designs have been revamped, making them sharper, more angular, and somewhat stripped down. Sometimes the changes worked; The Scarecrow is a much more ominous, disturbing figure now, and I like the exaggerated, deranged look of The Mad Hatter. Others didn’t fare so well, especially the much blander looking Riddler, and I have mixed feelings about the older, frailer Jim Gordon and the beady-eyed look of the Joker. One of the more distinctive changes is that the yellow moon on Batman’s chest is gone, an alteration that makes it easy to distinguish one of these episodes from the previous animated incarnation.

One aspect of Batman: The Animated Series that has always impressed me is that even though it was a weekday afternoon cartoon based on a popular comic book character, it didn’t pander to a younger audience. Rewatching the box sets Warner has issued over the past year and a half, I find myself as engaged by them now in my mid-thirties as I was when I first saw them half a lifetime ago.

The New Batman Adventures is a odd mix because even though many of the stories seem geared towards a younger audience, the censors have lightened up, so the villains can use words like ‘murder’ and ‘kill’ more freely, its female characters (especially Harley Quinn) are less subtle with the sexual innuendo, and there’s even a little blood. Over the Edge, one of my favorite episodes of any of Batman’s animated incarnations, with batman hunted by  by Commissioner Gordon as his men spray gunfire throughout the Batcave in a frantic chase against Batman and Robin. It’s a dark, unflinchingly brutal story about loss and betrayal, showing the Dark Knight at his lowest point with his identity exposed and facing greater adversity than he ever has before.

It’s not all dark and dour, though. Another favorite is “Joker’s Millions”, which opens with the Joker struggling with his finances. Robots, hyena chow, Joker venom, and overly elaborate death traps aren’t cheap, but he gets an unexpected windfall when a dead mobster leaves the flat-broke Joker a quarter-billion dollars in his will. The Joker goes on a spastic spending spree, bribing everyone in sight into wiping his criminal record clean, but…whoops. There’s a catch, of course, and the Joker’s not the one who gets the last laugh.

the Joker also take center-stage in “Mad Love”, an episode penned by Paul Dini that was later spun off by DC into a graphic novel. “Mad Love” takes a look at how ambitious, straightlaced psychiatrist Harlene Quinzel could become infatuated with a psychotic madman like the Joker. The Joker’s far more interested in cobbling together some sort of complicated trap to knock off Batsy than fooling around with his eager-to-please henchwoman, so she tries to get her puddin’s attention by rehashing one of his unused schemes and getting rid of Batman once and for all. This is the sort of character-centric episode that I thought really defined Batman: The Animated Series, and “Mad Love” ranks with the best of the series.
“Legends of the Dark Knight” is another personal favorite, paying homage to some of Batman’s different incarnations over the decades. Dick Sprang gets the first nod in a segment with Batman duking it out with the Joker in a music museum with all of the puns, oversized props, and four-color action you’d expect from a Golden Age comic, followed up by a deeply impressive segment with Frank Miller’s hulking, fifty-something Batman squaring off against an army of mutants in the future. The side story with a few kids getting tangled up in an arson-for-hire gig with Firefly doesn’t stack up to the rest of the episode, but who cares?
There are a few other episodes worth pointing out. “Girls’ Night Out” is set with both Batman and Superman out of town, leaving Batgirl and Supergirl to square off against Harley, Poison Ivy, and electrifying Supes-villain Livewire.Dick Grayson, the original Robin, has struck out on his own as Nightwing, and he’s highlighted several times — first in “You Scratch My Back”, which teams him with Catwoman, much to Batman’s chagrin, and again in “Old Wounds”, where Grayson tells Batgirl why he could no longer fight alongside the Dark Knight. The episodes on this box set also introduce The Creeper, the demon Etrigan, and Firefly to the animated series,  Villains like Two Face, The Mad Hatter, Catwoman, Clayface, Mr. Freeze, The Scarecrow, The Ventriloquist, Bane, Killer Croc, Baby Doll, and, briefly, The Riddler also return to torment Gotham again.