REVIEW: HOW TO MAKE A MONSTER (2001)

 

CAST

Clea Duvall (The Lizzie Borden Chronicles)
Steven Culp (Arrow)
Tyler Mane (X-Men)
Jason Marsden (Full House)
Karim Prince (Mighty Morphin Alien Rangers)
Julie Strain (Blood Thirsty)

Image result for how to make a monster (2001)When a test group says the company’s latest video game, Evilution, is too boring, the game’s development team is fired. Businessman Peter Drummond hires three new programmers: A weapons expert named Hardcore, a game artificial intelligence designer named Sol, and a sound effects creator named Bug. Faye Clayton promises $1 million to the programmer who makes the game the “scariest”, igniting a fierce rivalry between the trio. During a storm three weeks later, lightning strikes the building and causes all of the computers and electronic equipment to go offline. After a meeting with Drummond, the three programmers decide to try out the game with the help of Clayton Software intern Laura Wheeler. The game involves a motion capture suit that is connected to the computer network and used to program the game’s movements. Peter places a backup CD into the external drive while the others set up. Bug, Hardcore, and Sol soon lose the game, and are surprised to see Laura get all the way to the final boss.Pranksta_Rap_27Sol inserts his new AI chip into the mainframe and begins to play the game. As he advances to the game’s third level, the motion capture suit connected to the computer network comes alive. Simultaneously, the suit attacks Sol in real life while an in-game monster drags Sol’s video game character away. The following morning, Bug and Hardcore discover that Sol has been killed and the backup CD has been stolen. Hardcore attempts to review the security camera tapes with his PDA, but accidentally touches the motion capture suit, which has merged itself with Sol’s dead body. The suit attacks Hardcore; although he initially manages to fight it off, he is later killed. The suit then merges itself with Hardcore’s muscular body and takes all of his weapons, giving it a striking resemblance to the monster in the game. Bug theorizes that the lighting strike combined with Sol’s powerful AI chip has caused the suit to believe the real world is part of the video game. Bug, Laura and Drummond decide to pull the computer’s plug, although doing so will likely erase all of the game’s data.Image result for how to make a monster (2001)While Bug tries to figure out which set of wires to pull, Drummond is attacked by the monster in Hardcore’s body. With Bug’s help, Drummond manages to escape, but the security system malfunctions, seals all exits, and leaves Laura, Bug, and Drummond in near darkness. Bug travels through ceiling shafts and falls into the kitchen area, where he is attacked by the monster. As the monster draws closer, Bug exposes a gas line and lights his lighter, killing both himself and the monster. The monster returns to the motion-capture suit and attacks Drummond, but Laura saves him by virtually fighting the in-game monster. Laura later tries to beat the game but becomes frustrated and hysterical. Drummond suggests that she try a virtual reality headset, promising to stay with her while she fights. However, in the midst of the game, Laura realizes Drummond has left her. Lady_KongThe monster appears and, in the real world, Laura escapes to the kitchen. There she finds a PDA displaying a video of Drummond stealing the game’s backup CD the night of Sol’s death; had Drummond not stolen it, the CD would have allowed the programmers to reverse compile the game and shut down the monster. Laura finds and confronts Drummond at gun point, forcing him to drop the CD. Drummond makes a speech stating that everyone is ultimately a monster. Laura shoots him in the knee and allows the monster to kill him. Laura then dons the VR headset and gloves, acquires a sword, and simultaneously battles the monster in both the real and virtual world. In the real world, she lures the suit toward a fish tank and electrocutes it with the water inside. She then stabs the monster with her sword, finally killing the monster.With everyone else who made the game dead, Laura turns in the final version of the game and demands the million dollar bonus for herself. The whole event has changed her, making her more jaded and world weary. The video game finally impresses the game testers. Laura uses the game’s success to become the new ruthless CEO of the company, which is renamed Wheeler Software.Image result for how to make a monster (2001)It’s a clichéd, cheesy creature feature yet that doesn’t mean that it won’t entertain. Give it a shot if you’re in for some harmless fun or have a particular love for these kinds are encouraged to give it a shot.

 

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31 DAYS OF HORROR REVIEW: THE GRUDGE

CAST

Sarah Michelle Gellar (Ringer)
Jason Behr (Roswell)
William Mapother (Powers)
Clea DuVall (The Lizzie Borden Chronicles)
KaDee Strickland (American Gangster)
Grace Zabriskie (Armageddon)
Bill Pullman (Independence Day)
Ted Raimi (Ash vs Evil Dead)
Ryo Ishibashi (Blue Tiger)

The Grudge describes a curse that is born when someone dies in the grip of a powerful rage or extreme sorrow. The curse is an entity created where the person died. Those who encounter this evil supernatural force die; and the curse is reborn repeatedly, passed from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order; the original film is presented in a non-linear narrative.

The Saeki family lived happily in suburban Tokyo, but housewife Kayako Saeki fell in love with her college professor, Peter Kirk, obsessively writing about him in her diary. However, her husband Takeo discovered the diary. Believing Kayako was having an affair, he became mentally disturbed and murdered his wife by pushing her off the stairs, snapping her neck to a 90 degree angle and crushing her throat. He then drowned his young son Toshio – who witnessed the act – in the bathtub to cover his tracks, along with the pet cat, Mar. Takeo hid the bodies in the attic and closet, before Kayako’s ghost murdered him by hanging him with her hair in Toshio’s bedroom. Peter came to the Saeki house to speak to Kayako after receiving a letter from her, only to find her corpse. Shocked, he fled the house, killing himself the next day by falling over the balcony of his building complex in front of his wife. The Saeki family rose again as ghosts due to their rage and sorrow, notably Kayako, who appears as an onryō ghost, leaving the curse on the house.

The present timeline starts a few years later with the Williams family moving in from America. While husband Matt is thrilled with the house, his wife Jennifer and dementia-ridden mother Emma feel uncomfortable. Jennifer is quickly consumed by the curse. Matt returns home to find the house trashed, Emma upset, and his wife dying. Matt and Jennifer are killed by Toshio. Yoko, a careworker, arrives at the house the next day to find Emma alone, and encounters Kayako, who attacks her. Concerned about Yoko’s disappearance, her employer Alex sends another careworker, Karen Davis, to take over the care for Emma. At the house, Karen is shocked when she finds a seemingly alive Toshio and Mar in the closet, contacting Alex for help.

Alex finds Emma dead in the house and Karen in a state of shock after her first encounter with Kayako, and summons the police, including Detective Nakagawa. Nakagawa and his partner Igarashi explore the house, finding the bodies of Matt and Jennifer in the attic along with a human’s lower jaw. Matt’s sister Susan disappears after being followed and attacked by Kayako, and Alex is killed when visited by a Kayako-possessed Yoko missing her lower jaw. Karen begins to be haunted by Kayako herself, informing her boyfriend Doug of the situation. She researches the origins of the house, eventually confronting Nakagawa, who explains three of his colleagues investigating the Saeki deaths all were consumed by the curse. That night, Nakagawa goes to the house and tries to burn it down, but is killed by Takeo.

Karen races to the house upon learning Doug has ventured there to look for her, experiencing a vision in which she sees Peter visiting the house and finding Kayako’s corpse. Karen finds Doug paralyzed by fear, and attempts to flee the house with him, only to witness Kayako as she drags herself down the stairs and crawls on Doug, causing him to die of fright. Karen spots the petrol and manages to ignite it with Doug’s lighter just as Kayako is about to kill her. Karen is whisked to a hospital, but learns the house survived the fire. Visiting Doug’s body, Karen realizes she is still haunted by Kayako, who appears behind her as the camera circles to reveal her wide staring eye.

Ju-On already ranks as one of the scariest movies ever made, and The Grudge is a worthy attempt which has some pluses and minuses over the original. The story is certainly easier to follow and more is explained, although it refuses to be told in a linear fashion. This adds to the uneasiness we feel while watching it, but is less confusing than the previous version.

REVIEW: IDENTITY

CAST
John Cusack (2012)
Ray Liotta (Hannibal)
Amanda Peet (The Ex)
John Hawkes (Winters Bone)
Alfred Molina (Spider-Man 2)
Clea DuVall (The Lizzie Broden Chronicles)
John C. McGinley (Highlander 2)
Jake Busey (Fast Sofa)
Pruitt Taylor Vince (Heroes Reborn)
Rebecca De Mornay (Jessica Jones)
Carmen Argenziano (Stargate SG.1)
A convict introduced as “Malcolm Rivers”—who was abandoned as a child at a motel by his prostitute mother—awaits execution for several vicious murders that took place at an apartment building. Malcolm’s psychiatrist, Dr. Mallick, has discovered his journal that may explain why he committed the murders. With this late evidence brought forth, a new hearing takes place.
Meanwhile, ten strangers find themselves stranded in the middle of a torrential rainstorm at a remote Nevada motel, run by Larry Washington. The group consists of an ex-cop, now limousine driver, Ed Dakota; Caroline Suzanne, an actress popular in the 1980s; Officer Rhodes, who is transporting serial killer Robert Maine; Paris Nevada, a prostitute; newlyweds Lou and Ginny Isiana; and the York family, George and Alice, and mute 9-year-old son Timmy. The Yorks are in crisis because Alice has been struck by Ed’s car. With both ends of the road completely flooded, the group prepares to spend the night. However, they quickly find there is an unknown murderer present, killing off each of the guests. Caroline is the first to be killed. Ed, finding her severed head in a clothes dryer, thinks Maine killed her. When they check the convict, they discover he has escaped.
All the others become worried, and Ginny flees in terror to her room. Her husband Lou chases after her but is also murdered. Maine runs through the hills, only to be dumbfounded when he finds himself back at the motel. He enters the diner, where Ed and Rhodes jump and beat him into unconsciousness, putting Larry on guard duty. However, Maine is later found dead. Paris discovers a dead body in Larry’s freezer, which is revealed to be the real hotel manager. Larry attempts to escape in his truck, claiming he did not kill anybody; he accidentally runs over George, killing him.
Each body is accompanied by a numbered room key, the order of which suggests a countdown. The survivors tie Larry up, and as he tells them his story the others start to believe he really did not kill anyone. Subsequently, Alice is discovered to have died from her injuries. Ginny and Timmy die when their car blows up, but their bodies are nowhere to be found. The remaining four discover that all the bodies have disappeared and that all ten share the same birthday; Ed realizes that all ten names are linked to US states (Caroline being the Carolinas, Lou Isiana being Louisiana, etc.). Paris discovers that Rhodes is actually a convict as well; he killed the corrections officer transporting him and Maine cross state and assumed the cop’s identity. Rhodes attempts to kill Paris, but she is saved by Larry, who hits Rhodes with a fire extinguisher, only to be shot and killed by him.
Back at the hearing, the contents of Malcolm’s journal are revealed, indicating Malcolm suffers from an extreme case of dissociative identity disorder, harboring ten distinct personalities. Mallick is able to bring forth one of Malcolm’s personalities: Ed – all of the events happening at the motel are concurrently occurring inside Malcolm’s mind, and each one of Malcolm’s personalities is represented by one person at the motel. Mallick explains to “Ed” that the events at the motel are a result of treatment Malcolm is receiving: the killings at the motel are Malcolm’s mental attempts to eliminate his nine excess personalities. Mallick further gives “Ed” the mission of making sure that the hostile personality (i.e., the one responsible for Malcolm’s committing the crimes for which he is being tried) is eliminated to prevent Malcolm from being executed.
Back in the motel setting, Ed believes Rhodes is the murderer, and the two shoot each other to death, leaving only Paris alive. When Mallick demonstrates that the homicidal personality is dead, the Judge decides to place Malcolm in a mental institution under Mallick’s care. In the final scene, Malcolm is driven in a van, along with Mallick to the institution. In Malcolm’s mind, Paris has driven away from the motel to her hometown in Frostproof, Florida. As she tends an orange grove, she discovers the room 1 motel key, and finds Timmy behind her. Timmy, the true homicidal personality, had orchestrated all the deaths at the motel, and made it appear that he had been killed as well; he finishes his task by killing Paris. Now driven only by Timmy, Malcolm strangles Mallick and then attacks the orderlies and the van driver, forcing the van off the side of the road.
The plot is designed to keep you guessing, as each plot twist throws up another series of questions and seemingly inexplicable situations. What is the relevance of the court case? How come keys are found by each body as the death toll mounts? Who is innocent and who is guilty? Here is a thriller that not only buckles the formula, but almost completely demolishes it. Each actor does a superb job of maintaining the suspense.

REVIEW: HEROES: THE COMPLETE COLLECTION (BLU-RAY)

CAST
Milo Ventimiglia (Gotham)
Hayden Panettiere (Bring it on 3)
Jack Coleman (Kingdom Hospital)
Tawny Cypress (Supergirl)
Leonard Roberts (Buffy: The Vampire Slayer)
Santiago Cabrera (Merlin)
Masi Oka (Get Smart)
Greg Grunberg (Alias)
Adrian Pasdar (Agents of S.H.I.E.L.D)
Noah Gray-Cabey (My Wife and Kids)
Ali Larter (Final Destination 1 & 2)
Sendhil Ramamurthy (Beauty and the Beast)
NOTABLE / RECURRING GUEST CAST
James Kyson Lee (Hawaii Five-O)
Zachary Quinto (Hitman: Agent 47)
Ashley Crow (The Secret Circle)
Jimmy Jean-Louis (Arrow)
Cristine Rose (How I Met Your Mother)
Thomas Dekker (Terminator: TSCC)
Lisa Lackey (Bones)
Matthew John Armstrong (American Dreams)
Christopher Eccleston (Doctor Who)
Nora Zehetner (Brick)
Clea DuVall (The Lizzie Borden Chronicles)
Randall Bentley (Upside)
Missy Peregrym (Smallville)
Danielle Savre (Boogeyman 2)
Eric Roberts (The Dark Knight)
Adair Tishler (Dollhouse)
Rena Sofer (Traffic)
Malcolm McDowell (Halloween 1 & 2)
George Takei (Star Trek)
Jayma Mays (Ugly Betty)

Heroes Season 1 is an ensemble cast show that became a very large success based on how well it translated the comic book world to the small screen. Set on present day Earth, the show details how a growing number of people are developing special abilities outside of government control with a variety of consequences to them and the population at large. Unlike the truncated second season, the first had a full 23 episodes to explore the concept, resulting in a number of smaller, multi-episode arcs that all built toward a bigger picture as the season progressed. Unlike the old style of comic books though, the cast is made up of all sorts of regular people that start to notice they are”special, some of whom learn to increase their abilities with concentration or training, stumbling at times but honing said powers in numerous ways.

In overall terms, the story uses the Human Genome Project as something of a starting point, using scientist Mohinder Suresh (Sendhil Ramamurthy) as a focal point for identifying gifted people as he follows a trail set forth by his father, a formerly distinguished geneticist that chased what were considered crazy ideas about human evolution until he was killed. Mohinder discovers that certain trace markers in human DNA predict people with abilities and having observed firsthand exactly how gifted some of these people are, he ends up trying to warn them of a serial killer named Sylar (Zachary Quinto) and what appears to be secret agents out to capture them. Needless to say, his efforts are not universally appreciated and he himself is cast into the mix as a pawn, forced to face both powered and mundane humans out to stop him. The show also uses a dozen or so other main characters that either have powers or interact heavily with them, many seemingly patterned after specific comic book characters in terms of abilities, though not so much in terms of their personalities.

Take Hiro Nakamura (Masi Oka) for example, he can bend the space time continuum if he concentrates hard enough, the Japanese office worker slaving away at his father’s corporation while dreaming of his special destiny. The guy is a stereotypical science fiction/comic book nerd too, wanting more than anything to become a hero rather than follow the path laid out for him by his father Kaito (George Takei of Star Trek fame). His hit or miss attempts to control his powers provide some of the comic relief of the show but he also serves as someone genre fans can identify with as he tries to uncover his own future with the help of his best friend, the mundane Ando Masahashi (James Kyson Lee). Then there was Claire Bennet (hotty Hayden Panettiere), a gal with Wolverine-like healing powers who figures out she will regenerate no matter what happens to her, the gal finding out her adopted father Noah (Jack Coleman) is working for an agency with special plans for anyone with her kind of talents. The Texas high school cheerleader becomes an integral part of the main picture as she is stalked by Sylar, a man with the ability to take special powers by decapitating those he encounters, their showdown predicted long before by Isacc Mendez (Santiago Cabrera), a precognitive that draws the future while under the influence of heroin.

The cast also included internet stripper Niki Sanders (hotty Ali Larter) whose multiple personality disorder grants her alias Jessica super strength, Nathan Petrelli (Adrian Pasdar) a district attorney running for Congress that can fly, his brother Peter (Milo Ventimiglia) that finds out his ability is especially powerful as time moves forward, Matt Parkman (Greg Grunberg) a street cop that can read minds, and DL Hawkins (Leonard Roberts) who can become intangible at will. Some of them try to keep their secret, like Nathan since he is running for office, while others are on the run from the agency searching such folks out (their point man being Noah with the aid of a Haitian that can negate powers and erase minds played by Jimmy Jean Louis), the conspiracy something straight out of shows like The X-Files, Jericho, or Angel. The interactions of the cast make the show quite special too, capturing the spirit of modern comic books better than anything else I have seen to date.Particularly appealing is the manner in which most of the powers are not overly flashy, the dramatic elements allowed to keep the science fiction elements present but downplayed so that a larger audience won’t be alienated.

CAST
Milo Ventimiglia (Gotham)
Jack Coleman (Kingdom Hospital)
Masi Oka (Get Smart)
Greg Grunberg (Alias)
Adrian Pasdar (Agents of S.H.I.E.L.D)
Hayden Panettiere (Bring it on 3)
Noah Gray-Cabey (My Wife and Kids)
Ali Larter (Final Destination 1 & 2)
Sendhil Ramamurthy (Beauty and the Beast)
David Anders (Izombie)
Kristen Bell (Veronica Mars)
Dania Ramirez (American Pie: Reunion)
Dana Davis (Prom Night)
James Kyson Lee (Hawaii Five-O)
Zachary Quinto (Hitman: Agent 47)
NOTABLE / RECURRING GUEST CAST
Jimmy Jean-Louis (Arrow)
Adair Tishler (Dollhouse)
Stephen Tobolowsky (Groundhog Day)
Shalim Ortiz (Silver Case)
Nicholas D’Agosto (Gotham)
Katie Carr (Dinotopia)
Eriko (Dragon Evolution)
Ashley Crow (The Secret Circle)
Randall Bentley (Upside)
Cristine Rose (How I Met Your Mother)
Dianna Agron (I Am Number Four)
Mark Christopher Lawrence (Chuck)

Heroes Season 2 picked up four months after the events of Season One with the characters having moved on from the explosive finish. The prophecy thwarted at great cost and Sylar stopped, the clock was reset in many ways for those that survived. Peter is missing, Nathan has become a recluse, Hiro is stuck in Medieval Japan, and the Bennett family is on the run from the Company. Some characters die off-screen or are greatly downplayed and new people are introduced, the major players added in being Maya and Alejandro from Central America. Maya has an uncontrollable ability to infect people with some form of fast acting disease and only her brother seems able to calm her down to reverse the effects. They are on the run for murder (the authorities are not really particular about “how” the deaths occurred so much as “who” was responsible) and head to New York City to meet Dr. Suresh in hopes of finding a cure, not knowing he was murdered. Along the way, they pick up a helpful hitchhiker named Gabriel (guess who) and trouble ensues but that is only one thread of many the show goes back to.Image result for heroes season 2Of much greater interest to me was the Bennett family, particularly Noah in his efforts to destroy the Company, and Claire, as she struggles with her powers, puberty, and origins. Hiro’s trip to Japan circa the Seventeenth century where he meets his childhood hero, Takezo Sensei, proves to be a disaster when he screws up the timeline and must repair it lest the fate of the world be irreparably altered. Sadly, the quirky journey he goes through was arguably the most impacted part of the WGA writer strike that shortened the season to a mere eleven episodes  Takezo finding out that he is special too, though no explanation given. How he deals with his father upon his return and his own shame at his betrayal of his hero provided some relief from the admittedly weak storyline but not nearly enough to compensate for some of the worst writing seen on the show that has just started season three.

Another new chapter in the saga revolved around a relative of Micah named Monica, the Katrina refugee with an uncanny ability to mimic anything she watches on television. This was a thread that had a bit of potential, largely because it contained Micah and Niki, but felt the sting of the shortened season as well, the gal trying to become a heroine and falling short of the mark out of stupidity. Parkman has lost his wife and identity only to start over again in New York, having learned to keep quiet about his abilities and use them serendipitously to advance himself to detective. He and Suresh take in Molly but soon have to face a powerful telepath that is hurting her, the piece of the puzzle unveiled to the bigger picture of a long time conspiracy by the founders of the Company that include the parents of most of the players currently focused on in the series. Suresh ends up working directly for the company too, racing to uncover the secrets of the genetic component that gives the cast their powers but also an engineered virus (the Shanti Virus) that threatens not only the metahumans but the rest of the populace as well.

Perhaps most curious in the season for me, aside from the arcs starring Peter and Sylar of course, are those leading to Bob (the current head of the organization) and his daughter Elle, a gal with electrifying powers that shows what Claire would have become had Noah truly been unattached to her as he was supposed to have been. A psychopathic killer on a short leash, Elle does the dirty work to seek her father’s approval, the contrast between her and Claire referred to time and again by those around them. The introduction of “Adam”, the first person with powers and a founding member of the Company with a huge grudge against humanity, was also kind of abrupt and his use of Peter to try and destroy the world (“resetting the clock on humanity”) had a lot of untapped potential too.

To me, the writers should have pared down the new characters and tied up things like the Hiro saga much sooner given the strike and shortened season. They should have also kept in mind the show has a devoted following so making the characters act outside of their established norms or contrary to what they would have done given the way they acted in the first season weakened it as well. That the major threads employed cheap plot devices used in the past certainly did not help either  but this was indicative of the major problem of the season for me, the pacing. Every book, television show, and movie has an internal rhythm and pace that fans get used to. The WGA strike forced the slowly escalating pace of the show to be accelerated well beyond normal and leave off all the suspense of Season One behind it.

CAST
Milo Ventimiglia (Gotham)
Adrian Pasdar (Agents of S.H.I.E.L.D)
Jack Coleman (Kingdom Hospital)
Sendhil Ramamurthy (Beauty and the Beast)
Cristine Rose (How I Met Your Mother)
Zachary Quinto (Hitman: Agent 47)
Hayden Panettiere (Bring it on 3)
James Kyson Lee (Hawaii Five-O)
Masi Oka (Get Smart)
Greg Grunberg (Alias)
Ali Larter (Final Destination 1 & 2)
NOTABLE / RECURRING GUEST CAST
Brea Grant (Battle Planet)
Ashley Crow (The Secret Circle)
Zeljko Ivanek (The Bourne Legacy)
Jamie Hector (Lie To Me)
Ntare Mwine (Blood Diamond)
Blake Shields (Carnivale)
Robert Forster (Jackie Brown)
David H. Lawrence XVII (Lost)
Kristen Bell (Veronica Mars)
Randall Bentley (Upside)
Jessalyn Gilsig (Nip/Tuck)
Jimmy Jean-Louis (Arrow)
Malcolm McDowell (Halloween I & II)
David Anders (Children of the Corn)
Alan Blumenfeld (In Her Shoes)
George Takei (Star Trek)
Dan Byrd (Firestarter 2)
Francis Capra (Veronica Mars)
Noah Gray-Cabey (My Wife and Kids)
Lisa Lackey (Bones)
Eric Roberts (The Dark Knight)
Adair Tishler (Dollhouse)
Stephen Tobolowsky (Groundhog Day)

The first volume of the third season, Villains, brought back what made the show so good in its first season, with shadowy bad guys and intricate conspiracies, in a storyline that explored what the line is between a hero and a villain. The return of the Petrelli patriarch Arthur (played with quiet badass-ness by Robert Forster) created an us-or-them scenario where characters had to choose sides and decide how far they would go to get what they want

The other key storyline surrounds Mohinder (Sendhil Ramamurthy) and his efforts to understand where the Heroes’ powers come from. The race to discover how to give and take away powers, which involves a hidden formula and an element known as the catalyst, which is key to the granting of special powers. Mohinder grants himself powers, which creates what could be gently described as an homage to The Fly and the distribution of powers becomes sctattershot, as powers change and mutate with each episode, creating characters who suffered from the Superman syndrome, as they were simply too powerful to be defeated in a realistic way.

The newcomers from season 2 have mostly disappeared, with only Elle and Maya sticking around, with Maya in  a somewhat minor role. The additions this time around are much better, including the ultra-creepy Puppet Master; Daphne, the morally-ambivalent Flash of the Heroes universe, and Utusu, an African version of Isaac Mendez, capable of painting the future on big rocks. Though they are, in some ways, repetitions of other characters, they bring enough to the show to be interesting, especially Brea Grant’s speedster, who has a memorable conflict with Hiro (Masi Oka) and a starcrossed relationship with Matt (Greg Grunberg.) There are a handful of other newcomers, including some thuggish bad guys and yet another  role for Ali Larter.


The first arc ended with a bit of a thud, as is probably the only way a battle with a ruthless, all-powerful villain can end, but it was followed up with the Fugitives arc, which tried a bit too hard to have real-world relevance. Guided by a questionably-motivated Nathan (Adrian Pasdar), the government has begun to round-up super-powered people for Guantanamo Bay-style imprisonment, including all our favorite heroes. It puts all the big-names wither in shackles or on the run, a situation that could have been promising, but instead just peters out, as the motivation for each character’s actions is no wildly different from what we know of them that it makes sense. Nathan is all over the ballfield in how he conducts his hunt for his fellow kind, while Sylar has more personality changes than could be explained by the supposed psychotic break he’s experiencing.

The show consistently is one of the finest-looking series on TV, with gorgeous photography and special effects, and from time to time, there are bits of inspired creativity, like the origin story in “1961,” which makes a terrific call-back all the way to a small-bit of dialogue in the pilot, Larter’s character’s powerful outburst in “Cold Snap” and the realistic rage the otherwise moral Matt Parkman (Greg Grunberg) experiences in “Trust and Blood.” And maybe I’m a bit blind, but I didn’t see foresee the identity of the anonymous underground agent helping the heroes in Fugitive and found it a smart re-use of characters.

CAST
Hayden Panettiere (Bring it on 3)
Robert Knepper (Cult)
Jack Coleman (Kingdom Hospital)
Zachary Quinto (Hitman: Agent 47)
Milo Ventimiglia (Gotham)
Masi Oka (Get Smart)
Greg Grunberg (Alias)
Adrian Pasdar (Agents of S.H.I.E.L.D)
James Kyson Lee (Hawaii Five-O)
Sendhil Ramamurthy (Beauty and the Beast)
Ali Larter (Final Destination 1 & 2)
NOTABLE / RECURRING GUEST CAST
Dawn Olivieri (The Vampire Diaries)
Madeline Zima (The Hand That Rocks The Cradle)
Ray Park (Star Wars – Episode I)
Deanne Bray (2 broke Girls)
Elisabeth Röhm (American Hustle)
Jimmy Jean-Louis (Arrow)
Lisa Lackey (Bones)
Todd Stashwick (The Originals)
David H. Lawrence XVII (Lost)
Ashley Crow (The Secret Circle)
Sasha Pieterse (X-Men: First Class)
Saemi Nakamura (Jury Duty)
Jayma Mays (Ugly Betty)
Tessa Thompson (Veronica Mars)
Rick Worthy (Collateral Damage)
Kate Vernon (Battlestar Galactica)
Louise Fletcher (Star Trek: DS9)
Ernie Hudson (Ghostbusters)
Željko Ivanek (Hannibal)
Swoosie Kurtz (Mike & Molly)
Richard Roundtree (Shaft)
George Takei (Star Trek)
Tamlyn Tomita (Highlander: The Series)

The big storyline this time out centers around Samuel Sullivan and his family of superpowered carnies. Samuel is busy building the group, recruiting various super-powered individuals to join them, in an effort to form a homeland of their own  As is usually the case with any story on Heroes, thanks to the need to add twists and turns to pad out episodes, it’s not that simple, and, of course, all of the show’s main characters will be drawn into the tale. It seems that the Heroes have the best contact system known to man, as no one misses an e-mail or call to get together. At some point, coincidence and contrived are very similar. Either way, the show tries to have it both ways with Samuel, attempting to make him both pure evil and a sympathetic soul, like they did with Sylar. While the inexplicably coincidental familial concerns of the Petrelli clan keep going for yet another run of episodes, adding in a new super-powered love interest for Peter, the relationship between Claire and her father Noah is the show’s secondary focus, as Claire goes off to college in an attempt to live a normal life, and ends up in a lesbian couple, while displaying her trademark poor judgment and weakly-motivated rebelliousness. Meanwhile, Dad’s whole world is falling apart in a super-midlife crisis.

The rest of the old crew are still around as well, including erstwhile samurai Hiro, who’s battling a terminal illness and trying his hand at being a hero-for-hire, and Matt Parkman and Sylar, who get closer than they’d really like to be in the aftermath of Season Three. Though the conflict between them is one of the better tales told, and Sylar  remains one of the most interesting characters in recent TV history.

The worst part of the season though has to be the ending. After you’ve sat through 18 episodes, Claire outs herself to the world on camera demonstrating her powers for all the world to see, then the iconic words to be continued appear….. The show was cancelled.

Perhaps the upcoming Heroes Reborn mini series will qive answers to what the aftermath will be.

REVIEW: BONES – SEASON 1-10

Image result for bones tv logo

MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: ARGO

 CAST

Ben Affleck (Batman V Superman)
Bryan Cranston (Godzilla)
Alan Arkin (Get Smart)
John Goodman (10 Cloverfield lane)
Victor Garber (Legends of Tomorrow)
Tate Donovan (Shooter)
Clea DuVall (The Lizzie Borden Chronicles)
Scoot McNairy (Monsters)
Kerry Bishe (Red State)
Kyle Chandler (Super 8)
Zeljko Ivanek (Heroes)
Titus Welliver (Lost)
Keith Szarabajka (The Dark Knight)
Bob Gunton (Dardevil TV)
Richard Kind (Gotham)
Karina Logue (Bates Motel)
John Boyd (Bones)
Michael Parks (Django Unchained)
Adrienne Barbeau (Swamp Thing)
Tom Lenk (Buffy)
Nelson Franklin (New Girl)
Lindsey Ginter (S.W.A.T.)

After Iranian militants stormed and took control of the U.S. Embassy in Tehran in November 1979 taking 56 Americans as hostages, six Americans managed to get away and took refuge in the home of the Canadian Ambassador. After two months of the Canadians putting their lives on the line everyday, the CIA and the US State Department try to come up with a plan to get their people out.Tony Mendez is a specialist who proposes that they pose as a Canadian film crew scouting locations for a science fiction movie called Argo. Using Hollywood connections, Mendez creates a back story for the movie – ads in Variety, casting calls, inviting he media to a production launch – and then heads off to Iran to lead the six Americans out. When I first heard this film was being made, I had no education on the history of the movie, all I knew is that is was a true story based on something political in the middle east, with a really strange title.Affleck once again proves just how good of an actor her is in Hollywood and the way he mixes comedy with intense drama is wonderful. Some scenes are just genius, like the scene where there is a rehearsal, and the captives are treated to a pseudo execution, and then Affleck showing us that both sides can put on a show.Arkin And Goodman are the brilliant comic relief, and whenever they are on screen, the tension is ever so slightly lifted and relief sets in, apart from one scene involving a phone. Affleck, considering he is the director, is really restraint in this movie, and plays it down, whilst the rest of the cast go for it, and it’s to his credit, as it shows that his character has a lot riding on this. It never lets up on tension, even when the six are enjoying their final meal, there is a sense that the door could be broken down at any second.The final third is genuinely edge of your seat stuff. All in all, it’s a wonderful movie, a perfect antidote to some of the dross movies that get dumped on us around the time of year, and really worthy of your attention

REVIEW: BUFFY: THE VAMPIRE SLAYER – SEASON 1-7

Buffy the Vampire Slayer Logo 3840x2160 wallpaper

CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brendon (Children of The Corn III)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
Anthony Stewart Head (The Iron Lady)
Davis Boreanaz (Bones)
Seth Green (Austin Powers)
James Marsters (Caprica)
Marc Blucas (Red State)
Emma Caulfield (Supergirl)
Michelle Tractenberg (17 Again)
Amber Benson (The Killing Jar)

RECURRING / NOTABLE GUEST STARS

Mark Metcalf (Drive me Crazy)
Brian Thompson (Hired To Kill)
Ken Lerner (The Running Man)
Kristine Sutherland (One Life To Live)
Julie Benz (No Ordinary Family)
Eric Balfour (Skylive)
Persia White (The Vampire Diaries)
Mercedes McNab (The Addams Family)
Elizabeth Anne Allen (Bull)
Robin Riker (The Bold and The Beautiful)
Musetta Vander (Stargate SG.1)
Christopher Wiehl (Cold Hearts)
Geoff Meed (Little Miss Sunshine)
Andrew J. Ferchland (The Last Leprechaun)
Jennifer Sky (Cleopatra 2525)
Chad Lindberg (The Fast and The Furious)
Armin Shimerman (Star Trek: DS9)
Dean Butler (Little House on The Prairie)
Clea DuVall (The Lizzie Borden Chronicles)
Robia LaMorte (Spawn)
Michael Bacall (Django Unchained)
Juliet Landau (Ed Wood)
Ara Celi (American Beauty)
Clayne Crawford (Roswell)
Danny Strong (The Prophecy II)
Kavan Smith (Stargate SG.1)
Robin Sachs (Jurassic Park 2)
Larry Bagby (Walk The Line)
Jason Behr (Roswell)
Will Rothhaar (Kingpin)
Julia Lee (A Man Apart)
Bianca Lawson (The Vampire Diaries)
Saverio Guerra (Becker)
John Ritter (8 Simple Rules)
Jeremy Ratchford (Cold Case)
James Parks (Kill Bill)
Vincent Schiavelli (Batman Returns)
Jack Conley (Fast & Furious)
Willie Garson (Stargate SG.1)
Christopher Gorham (Ugly Betty)
John Hawkes (Winter’s Bone)
Meredith Salenger (Lake Placid)
Charles Cyphers (Halloween)
Wentworth Miller (Legends of Tomorrow)
Shane West (Nikita)
Max Perlich (Blow)
Richard Riehle (Office Space)
Carlos Jacott (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
Jason Hall (American Sniper)
K. todd Freeman (The Dark Knight)
Fab Filippo (Guidestones)
Jeremy Roberts (The Mask)
Eliza Dushku (Tru Calling)
Ian Abercrombie (Army of Darkness)
Harry Groener (About Schmidt)
Jack Plotnick (Rubber)
Nicole Bilderback (Dark Angel)
Jeff Kober (New Girl)
Harris Yulin (Training Day)
Dominic Keating (Star Trek: Enterprise)
Michael Cudlitz (The Walking Dead)
Alexis Denisof (Dollhouse)
Christian Clemenson (Lois & Clark)
Ron Rogge (Power Rangers Lightspeed Rescue)
Ethan Erickson (Jawbreaker)
Andy Umberger (Deja Vu)
Katharine Towne (Evolution)
Lindsay Crouse (The Insider)
Phina Oruche (The Forsaken)
Adam Kaufman (Taken)
Walter Jones (Mighty Morphin Power Rangers)
Kal Penn (Van Wilder)
Bailey Chase (Longmire)
Leonard Roberts (Heroes)
Andy Hallett (Chance)
Doug Jones (Hellboy)
George Hertzberg (Too Much Magic)
Alastair Duncan (The Batman)
Rob Benedict (Birds of Prey)
Erica Luttrell (Lost Girl)
Kathryn Joosten (desperate Housewives)
Connor O’Farrell (Lie To Me)
Rudolf Martin (Swordfish)
Tom Lenk (The Cabin In The Woods)
Charlie Weber (Gacy)
Clare Kramer (Bring it On)
Ravil Isyanov (Alias)
Amy Adams (Man of Steel)
Brian Tee (Jurassic World)
Kali Rocha (Buried)
Kevin Weisman (Alias)
Abraham Benrubi (Open Range)
Cynthia LaMontagne (That 70s Show)
Oliver Muirhead (The Social Network)
Shonda Farr (Crossroads)
Adam Busch (Sugar & Spice)
Joel Grey (Cabaret)
Karim Prince (Mighty Morphin Alien Rangers)
Wade Williams (Gangster Squad)
Todd Stashwick (The Originals)
Amber Tamblyn (Two and a Half Men)
Jordan Belfi (Surrogates)
Mageina Tovah (Spider-Man 2 & 3)
Ivana Milicevic (Casino Royale)
Lee Garlington (Flashforward)
Jan Hoag (Scream Queens)
Nicole hiltz (Smallville)
Alexandra Breckenridge (The Walking Dead)
D.B. Woodside (24)
Zachery Ty Bryan (The Fast and the Furious 3)
Sarah Hagan (Freaks and Geeks)
Jonathan M. Woodward (Firefly)
Stacey Scowley (The Brotherhood 2)
Felicia Day (The Guild)
Megalyn Echikunwoke (Arrow)
Ashanti (Resident Evil: Extinction)
Indigo (Broken City)
Nathan Fillion (Firefly)
Dania Ramirez (Heroes)
Julia Ling (Chuck)

Buffy The Vampire Slayer is one of the wittiest, most well developed, and consistent cult fantasy shows on television. Unlike other shows in the genre, it has been able to showcase a wide balance between fantastic character development, humor, topical plotlines, heart wrenching drama, science fiction, and horror- a horn a plenty of styles all in one 44 min episode. While entertaining, everyone probably can’t relate to the technobabble machinations of a Star Trek episode, or the convoluted paranoia of and X-Files episode, but we all went through high school and whether you were average, popular, or an outcast, we know, we remember, all too well, the emotional highs and lows of growing up. Its something everyone can relate to, and its the central fire that keeps Buffy grounded.


But, Buffy began as a humble mid season replacement on a non entity network, and its early days when it was gaining its footing, starting its mythology, seeing how far they could tweek the drama and the horror with a minuscule budget… well, its not nearly the powerhouse it would quickly become in its second season. There are of course, subtle signs of the drama and humor to come, little hints that it was more than a teen show with vampires. And, honestly, if you were going to try and impress someone who had never seen The X-Flies, you certainly wouldn’t show them the first season without saying, “It gets much better.”

KEY EPISODES ARE –


Episode 1: Welcome to the Hellmouth- Buffy Summers, a high school sophomore, transfers to Sunnydale High. There she meets her “Watcher” and learns she cannot escape her true destiny.— Like most pilots, its all about introductions- Buffy the reluctant Slayer, her pals and soon to be Scoobies, spazz with a heart of gold Xander, shy brain Willow, her stuffy Watcher Giles, the mysterious Angel, and the snobbish beauty queen Cordelia. Also, of course, establishes the first main villain, The Master, and the Hellmouth, the demonic portal that would provide the show with its main mythological device keeping the town of Sunnydale infested with all manner of creatures for Buffy to slay

Episode 2: The Harvest:- A Stranger named Angel tells Buffy that if she does not stop the Harvest, the Hellmouth will open and the Master roam free.— Whereas the first episode was focused on introducing the characters and didn’t have much room for tension or action, The Harvest provides a look at Buffy having to accept her role as Slayer as she realizes the deadly consequences if she abandons her destiny.

Episode 5 : Never Kill a Boy on the First Date:

While awaiting the arrival of a warrior vampire called the Anointed One, Buffy’s big date at the Bronze ends with an assault on a funeral home. — Once again, showing Buffy’s attempts to balance a normal life with her secret life as the Slayer. While a little weak and cornball, it also manages to show the villain thread well, how most main Buffy villains will have some sort of evolution, twists and turns to keep the viewer guessing.

Episode 7: Angel: A moment of passion turns to terror as Buffy discovers Angel’s true identity and learns about the Gypsy curse that has haunted him for almost 100 years.— Probably the most weak, ill-defined character early on, this episode finally showcased more about Angel and gave his character some considerable fleshing out. Taking into account the large part his character would play in the Buffyverse, and the leaps and bounds of change he would undergo, his affect on all the characters, particularly Buffy, in one way or another, it makes this one of the seasons better episodes.

Episode 11: Out of Mind, Out of Sight: As Cordelia prepares for Sunnydale High’s May Queen competition, an invisible force starts attacking her closest friends.— Another of the seasons better episodes, and a clever look an always pertinent issue, showing yet another sympathetic foe, those fringe kids who are always ignored, sometimes until it is too late.

Episode 12: Prophecy Girl:

As the Spring Fling dance approaches, Giles discovers an ancient book foretelling the Slayers death at the hands of The Master.— While a tad abrupt, this finale serves up everything one wants, tension, conflict, and turns you don’t quite see coming. Pivotal in the series for all players, but mainly Buffy, showing that she isn’t just an invulnerable buttkicker able to save the day alone, but through banding together her and the Scoobies will take on many a Big Bad to come.

Season 2 of Buffy the Vampire Slayer is quite possibly the best season of the bunch. Season 2 is by definition, where things get darker and more complex, this was the season that really made Buffy an unpredictably smart series.

The season opens with ‘When She Was Bad’ which deals with the fallout of Buffy’s momentary death in the previous year one finale; this episode is appropriately handled and sees Buffy acting rather out of character after returning from her summer away from Sunnydale. The preceding episodes are a fun affair and help the viewer to settle back into the rhythm of the series with various episodes focusing upon certain characters.

The ‘Big Bads’ of the season appear early on and come in the form of Drusilla and Spike, the former being a rather off-her-rocker vampire and the latter a bleached, leather wearing, cocky undead Englishman! As villains they are a lot of fun and help to shape season 2 as something unique and well constructed. However, come the end of the year things are considerably shaken up in terms of ‘the Big Bads’, with the appearance of Angelus.

Willow, Xander and Giles all find themselves venturing into new territory: dating! Cordelia continues to redeem herself and becomes a fully fledged scoobygang member, whilst Buffy and Angel undergo many changes to their relationship which is mostly the driving force of the season. By the middle of the season the episodes gradually become darker and a more coherent storyarc begins to emerge, starting with the events of ‘Surprise (Part 1)’ which culminate in the emotional and incredibly shocking ‘Innocence’ (Part 2). Said episodes are some of the best in the history of the series and set in motion events that help to lead to the end of the season. The circumstances surrounding this two parter does literally change everything once established between Buffy and Angel; and brings into question their future. The continuity, witty one liners, oblique use of language does continue into this season and helps to boost the chemistry between the actors as they discuss, for example the oddness of some TV movies and sore thumbs. These subtle touches give the season a vibrancy and kooky edge; what makes Buffy such an enjoyable show is the warmth and heart it retains, mostly provided by the actors but also by the wonderfully consistent writing.

The two part finale ‘Becoming’ is well set up as a consequence of the episode ‘I Only Have Eyes For You’, which happens to be beautifully moving and tragic respectively. The complexity of the Angelus arc presented here really sets up and supports the actions that lead to the occurrences of the finale. ‘Becoming’ part 1 & 2 with all it’s flashback goodness brings about tumultuous change and throws one through the emotional wringer all the while its still surprising, sad and gut wrenching upon each rewatch. The issues dealt with this season are far more adult and dark than is the usual, and in turn it delivers a wonderfully realized arc which never fails to amaze.


This third season of Buffy the Vampire Slayer contains some of my favourite episodes from the entire run of the show and also has the fewest offbeat episodes. This year Buffy and the gang are in their final year of high school but living on the Hellmouth is never easy and in addition to the usual demons and vampires they must deal with the schemes of the Watchers Council, a new slayer and a politician after even more power.

Buffy has really found its feet with this season and I would say that it is this year that the show reaches its peak. All the regular cast members give their usual brilliant performances but the season is really stolen by the new cast members, specifically Eliza Dushku as Faith the new Slayer and Harry Groener as the eccentrically evil Mayor Wilkins, who is probably my favourite of all the Buffy villains.

It is difficult to choose favorite episodes from this season as it includes so many great ones. `Bad Candy’, `Amends’, `Earshot’ and the two part season finally `Graduation’ are all excellent episodes being both funny and enthralling but my favorite episode has to be `Lover’s Walk’ where a lovesick Spike returns to Sunnydale after breaking up with Drusilla in order to find a way to get her back. James Marsters is truly excellent in this episode and livens up the series brilliantly. Another couple of episodes of note are `The Wish’ and `Doppelgangland’ both of which involve a parallel universe where vampires have taken over and feature a vamped up Willow, brilliantly portrayed by Alyson Hannigan who seems to enjoy the role immensely. Although none of the episodes could truly be considered awful, `Gingerbread’ and `The Zeppo’ are the weakest episodes of this season and are slightly painful to watch in places.

Overall this season is truly great, with brilliant writing and a plot that never ceases to be in turns exciting, funny and touching.

With the loss of David Boreanaz and Charisma Carpenter to the spin-off show, “Angel”, there were voids to be filled in this, the first season out of high school, and Marc Blucas and Emma Caulfield suitably obliged. The fragmentation of the Scooby Gang was for many the core reason why Season Four didn’t match the heights of the previous three: nobody seemed to care enough about each other any more. With Giles out of work, Xander flitting from one deadbeat job to another, and Buffy and Willow settling in to life on campus, there was concern that the old gang would never get back together.


A big risk was taken in introducing a more sci-fi element with the arrival of a secret government demon-hunting operation. But there’s a big difference from other genre shows: the Initiative was never in control of its actions. And that’s the gist of the season: that Buffy and her traditional methods will always be superior, and that it’s through her skills and her friends that evil is defeated, not bureaucracy. Which is why there’s no big finish in episode 22 (the grand climax happens in episode 21), because the most important storyline is about the reaffirmation of friendships, demonstrated in the most bizarre way imaginable in an episode composed almost entirely of dream sequences.


There are some classics (the Emmy-nominated “Hush” was possibly the boldest piece of television attempted before “The Body” the following year). And in the final scene of the season, we get a great setting-up of what’s to come, without knowing any specific details. All in all, a season that left a few minor gripes, but which in the overall scheme of things, has continued the journey of life into adulthood. Now they’re all supposed to be grown up, but the future still holds a great deal of uncertainty, and that can only be good for the show.

Although Season 5  still has comedic moments, it also has many more serious moments. Not to spoil it for those who have not seen the series yet, two major deaths rock the Sunnydale Slayage Crew. These are excellently handled, and in no way seem like they are tying off loose ends.

The episodes are excellent. From fighting Dracula, to multiple Xanders. From a new sister, to an old foe swapping sides. This season is excellent. the first disc houses such gems as the introduction of Dawn, without any back story or any clues into why she is there. These facts are revealed slowly through the next disc, with amusing storylines for Spike, clearly an excellent addition to the principal cast. Anya also comes into her own, and becomes revels in the joys of capitalism.

Through the next disc a departure of a relatively new character, Riley, hurts Buffy tremendously, whilst the appearance of a troll lightens the mood considerably. The fourth disc includes the fun episode where the Watcher’s Council return to Sunnydale, and reveal a shocking secret about the main enemy of this series. Spike also has a choice to make, whether to fall back into the arms of his old flame, Drusilla, or to move on and persue his newest conquest, a source of exasperation for Buffy.

The fifth disc is a solemn affair, with the death of a principal cast member, who had been with Buffy from the beginning. As Buffy and her ‘Scoobies’ attempt to cope, the attacks on them by the villain of the series grow more violent and frequent, leaving a dissuaded Buffy sure that she cannot beat the villain. When his new enemy learns of an importance in the Scooby gang, and this member of the gang get captured, Buffy goes into meltdown. With the help of Willow, Buffy recovers and faces the most terrifying villain ever in the history of Buffy The Vampire Slayer, with a conclusion that is heart wrenching.


“The Gift”, the season five finale, ended with Buffy dead and buried after battling deranged fallen goddess Glory. Dying is kind of old hat for Buffy, and I don’t think I’m giving too much away by revealing that the show’s title character quickly gets over the whole death thing. Although the ensuing gang of biker demons is corny, I thought her return from the grave in the feature-length “Bargaining” hit all the right notes. Her reappearance is heartbreaking and almost horrifying, and it avoids undermining the events that concluded the previous season.

Rather than just toss her back in this mortal coil as if she’d never left, Buffy is distant and depressed, not quite the elated response her friends were expecting to see. The opening of the season offers an evenhanded blend of humor and drama, particularly the early escapades of the Troika. The all-nerd supersquad — robotics whiz Warren (Adam Busch), clumsy sorceror-lite Jonathan (Danny Strong), and summoner Andrew (Tom Lenk). They added a well-needed dose of geeky comedy to the season, which made the bitter pill of the agony Buffy and friends endure later on easier to swallow.

The darker spin the three of them eventually take also resonates more having seen several episodes worth of their giddiness at being supervillains. I also thought the aftermath of Buffy’s return, seen in “After Life”, “Flooded”, and “Life Serial”, worked well as she tried to find her place in the world (and her friend’s worlds) after being plucked from the afterlife. These episodes also manage to strike that perfect balance between humor and drama.

Another early highlight is “Tabula Rasa”, where a spell gone awry robs the Scoobies of their memories.  Of special mention from this chunk of the season, of course, is the musical episode “Once More with Feeling”. The version presented here is the original broadcast, a few minutes lengthier than your average Buffy installment. Although the concept of characters in an established drama singing and dancing for an hour screams ‘gimmick’, it’s not a standalone episode, tying in heavily to the previous episodes of the season and setting up some of what would soon follow. The songs are surprisingly good, particularly impressive considering that they were written by someone without much of a musical background.Image result for buffy once more with feeling

The season closes out with a series of strong episodes. “Hell’s Bells” features the chaos of a wedding between a human raised in a dysfunctional family and his millennia-old former vengeance demon fiancee, the aftermath of which is explored in “Entropy”.

One of the season’s best is “Normal Again”, which questions the reality of what we’ve seen for the past six seasons, and Buffy’s assault on her possibly-delusional friends and family is as chilling as anything seen up to that point on the series. The darkness pervasive throughout much of the season culminates in “Seeing Red”, which has two monstrous turning points. Its fatal closing events lead into the three-episode arc that rounds out the season. Similar to Angelus’ appearances on both Buffy and Angel, the immeasurably powerful antagonist in these final episodes tear down the main characters.

In its final season, Buffy the Vampire Slayer issued a mission statement you might not expect from a series that’s been on the air for seven years: go back to the beginning. After a foray at college and a year spent toiling away in the working world, Buffy’s going back to high school. Several years after its destruction at the hands…or giant coiled tail, whatever…of the ascended Mayor Wilkins, Sunnydale High has been rebuilt from the ground up. The Hellmouth beneath the school happens to lurk directly below the office of Principal Robin Wood (D.B. Woodside), who’s harboring some sort of dark secret that may or may not work to Buffy’s favor. Anyway, Wood continually stumbles upon Buffy as she spirits Dawn off to her first day of school as a freshman and ensuring both Summers girls make the most of the lovingly-crafted Sunnydale High set, Wood offers Buffy a job as a part-time counselor. Holed up in the bowels of Sunnydale High is Spike, who’s been driven mad by a combination of his newly-acquired soul and an entity that’s been haunting him, one that’s soon going to expand its grasp to the rest of the Scooby Gang and the world at large.

These early episodes really do capture the feel of the first few seasons of the series, a very welcome change after the grim year that came before it. This is one of the stronger opening salvos of Buffy. “Him” is played pretty much for laughs, revolving around a football player whose letter jacket makes him irresistible to the fairer sex, compelling Dawn, Buffy, Willow, and Anya to take drastic and wholly over-the-top measures to win his complete adoration.

 

Three of the season’s best episodes run back-to-back. “Same Time, Same Place” follows Willow’s return to the group, still reeling from the near-apocalyptic events of the previous year and further disheartened when she’s apparently abandoned by her friends. Buffy and company really are there for Willow, but the problem is that there are kind of two separate and distinct “there”s. The cannibalistic Gnarl is one of the most effectively creepy creatures of the show’s entire run, and his confrontation with Willow is unsettling and horrifying…and I mean that in the best possible way. “Help” quickly follows, chronicling Buffy’s quest to save the life of an awkward, introverted poet who foretells her own death.

Although I really like all of the first batch of episodes, this season has two particularly strong stand-outs. Following the excellent “Same Time, Same Place” and “Help” is “Selfless”, which features Anya returning to form as a mass-murdering vengeance demon, a decision that awes her demonic coworkers and conflicts her former friends as Buffy must make a difficult decision. The episode makes use of flashbacks from several vastly different time periods and juggles drastically different tones. We see what led young Aud to become the vengeful Anyanka in a hysterical glimpse back at her life with her wench-drenched, troll-hating brute of a husband, Olaf. There’s also a flashback to “Once More, With Feeling”, complete with a new musical number, followed by a brutal, brilliant cut to the present.

The other standout is “Conversations with Dead People”, an inventively structured episode penned by four different writers. The title is a decent enough synopsis, as a number of characters communicate in varying forms with the dearly departed. Buffy allows herself to be psychoanalyzed by a recently-risen Psych major, Dawn is haunted by a poltergeist that takes on a shockingly familiar image, Willow is delivered a message from a lost love one, Spike goes out on the town, and the remnants of last year’s nerdy Troika return to Sunnydale.

In general, season seven feels like Joss Whedon and company had a clear beginning and a clear ending. The Finale does give the show a nice ending, but is left open should the show ever return in any format.