REVIEW: FIFTY SHADES OF GREY

CAST

Dakota Johnson (Beastly)
Jamie Dornan (Marie Antoinette)
Eloise Mumford (Drones)
Jennifer Ehle (Contagion)
Marcia Gay Harden (The Hoax)
Victor Rasuk (Stop-Loss)
Luke Grimes (American Sniper)
Rita Ora (Fast & Furious 6)
Max Martini (Sabotage)
Callum Keith Rennie (Battlestar Galactica)
Andrew Airlie (Final Destination 2)
Dylan Neal (Arrow)
Rachel Skarsten (Reign)
Emily Fonda (Big Eyes)
Bruce Dawson (Flash Gordon)
Tom Butler (Blade: The Series)
Christine Willes (Dead Like Me)
David Orth (The Lost World)

Dakota Johnson and Jamie Dornan in Fifty Shades of Grey (2015)Twenty-one-year-old Anastasia “Ana” Steele is an English literature major at Washington State University (“WSU”)’s satellite campus near Vancouver, Washington. When her roommate, Kate Kavanagh, becomes ill and is unable to interview Christian Grey, a 27-year-old billionaire entrepreneur, for the college newspaper, Ana agrees to go in her place. At Christian’s Seattle headquarters called Grey House, Ana stumbles her way through the meeting. Christian, who is that year’s WSU commencement speaker, takes an interest in her; soon after, he visits the hardware store where Ana works. He agrees to Ana’s request for a photo shoot to accompany the article for which Ana had interviewed him. Christian invites Ana for coffee, but he leaves abruptly, saying he is not the man for her. Christian later sends Ana first edition copies of two Thomas Hardy novels, including Tess of the d’Urbervilles, as a gift.Jamie Dornan in Fifty Shades of Grey (2015)Ana and her friends celebrate graduation at a local bar. After drinking too much, Ana spontaneously calls Christian, saying she is returning the books and berates his behavior towards her. Christian goes to the bar and finds Ana, who passes out. She wakes up the next morning in Christian’s hotel room, relieved that they were not intimate. Ana and Christian begin seeing each other, though he insists that she sign a non-disclosure agreement preventing her from revealing details about their dalliance. Christian explains that he only has interrelations involving bondage that is clearly defined in a signed contract. Ana reveals that she is a virgin. While considering the agreement and negotiating her own terms, and after visiting his “playroom”, a room stocked with a variety of BDSM toys, furniture, and gear, she and Christian have sex.Dakota Johnson and Jamie Dornan in Fifty Shades of Grey (2015)Christian bestows Ana with gifts and favors, such as a new car and laptop computer. After Ana and Kate move to Seattle, Ana continues seeing Christian. During dinner at Christian’s parents, Ana suddenly mentions she is leaving the next day to visit her mother in Georgia. Later, Christian becomes frustrated when Ana expresses she wants more than the one-sided relationship he proposes. She is shocked when Christian unexpectedly arrives in Georgia, they have coitus again but he leaves soon afterward, to tend to an emergency in Seattle. After returning home, Ana continues seeing Christian, who wants further sexual experimentation. Ana initially consents, but Christian keeps emotionally distant, upsetting her. While still considering the contract, and in an effort to understand Christian psychologically, Ana asks him to demonstrate how he would “punish” her for rule breaking. Christian whips Ana’s buttocks six times with a belt. Upset and disgusted, Ana breaks up with Christian after concluding that he is wrong for her and his practices border on being deviant and excessive.In an alternative ending, both Ana and Christian experience flashbacks. Christian jogs in the rain, while Ana sobs in her apartment. Christian encounters a gift Ana gave him with the note: “This reminded me of a happy time. —Ana”Dakota Johnson and Jamie Dornan in Fifty Shades of Grey (2015)A given audience member’s reaction to this movie will likely be influenced by how she or he feels about Christian’s lifestyle, but evaluating this film solely on those criteria misses the point. Yes, the nudity and sex are enticing and anyone paying to see this movie for those scenes will be more than satisfied, but you’ll get more than eroticism for your money. Much like “Boogie Nights”, director Paul Thomas Anderson’s engrossing 1997 meditation on the 70s porn industry, this film is an examination of human relationships. “Fifty Shades of Grey” is a love story, a parable of male and female emotional and sexual roles in the 21st century and an exploration of a lifestyle which many people know very little about, but very few know much. Basically, this is simply an entertaining movie. Casting little-known actors in the main roles is very effective and both show more emotional range than I expected from simply watching the movie’s theatrical trailer. Director Sam Taylor-Johnson paces the movie well and she skillfully balances the film’s salacious nature with its deeper meanings.

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CHRISTMAS 2017 REVIEW: DEAD LIKE ME – GHOST STORY

MAIN CAST
Ellen Muth (Hannibal)
Callum Blue (Smallville)
Jasmine Guy (The Vampire Diaries)
Cynthia Stevenson (Agent Cody Banks)
Mandy Patinkin (The Princess Bride)
Britt McKillip (Trick ‘r Treat)
Chtistine Willes (Kingdom Hospital)
Laura Harris (The Faculty)
GUEST CAST
Teryl Rothery (Stargate SG.1)
Lochlyn Munro (Scary Movie)

 

Feeling like she does not fit in, George decides to shirk her reaping duties and go on Happy Time’s annual camping retreat. However, even there she can’t escape from her duties as Rube follows with an assignment. Back on the job in Seattle, Daisy and Mason must scramble to find the Post-it note he lost before tragedy occurs because of his ineptitude. Joy does her best to sell her house, but Reggie scares the potential buyers away by saying that George, her late sister, still keeps in touch with her from beyond the grave.

Dead Like Me was always a fun series, this isn’t much of a Christmas episode as there’s only one scene set as Christmas, but it’s still a great episode and any excuse to watch a classic show like is a good excuse.

REVIEW: THE WICKER MAN (2006)

CAST

Nicolas Cage (Gone in 60 Seconds)
Ellen Burstyn (The Exorcist)
Kate Beehan (The Return)
Leelee Sobieski (Road Kill)
Frances Conroy (How I Met Your Mother)
Molly Parker (Sunshine)
Diane Delano (KJeepers Creepers 2)
Aaron Eckhart (The Core)
Matthew Walker (Highlander: The Series)
James Franco (Your Highness)
Jason Ritter (Goliath)
Christine Willes (Dead Like Me)
Anna Von Hooft (Flash Gordon)
Kendall Cross (Caprica)
Monique Ganderton (Smallville)

Policeman Edward Malus (Nicolas Cage) receives news from his ex-fiancée, Willow Woodward (Kate Beahan), that her daughter, Rowan (Erika Shaye Gair), is missing. He travels to the Western United States and takes a ship cruise to a coastal area where he gets a pilot (Matthew Walker) to take him to an island off the coast of Washington State where a group of neo-pagans live.

The island is led by Sister Summersisle (Ellen Burstyn), an elderly woman who supposedly represents the goddess they worship. Sister Summersisle explains to Edward that her ancestors had left England to avoid persecution, only to settle near Salem and find renewed persecution in the Salem witch trials, before arriving on the island. Sister Summersisle explains that their population is predominantly female as they choose the strongest stock—evading Edward’s concern about the birth of unwanted males. The economy of the island relies on the production of local honey, which Edward learns has declined recently. Edward asks the villagers about Rowan, but they give him evasive answers. He later sees two men carrying a large bag that appears to be dripping blood, and then he finds a fresh, unmarked grave in the churchyard. The grave turns out to only contain a burned doll, but Edward finds Rowan’s sweater in the churchyard.
At the village school, teacher Sister Rose (Molly Parker) tries to prevent Edward from seeing the class register. When he sees that Rowan’s name has been crossed out he becomes enraged at the teacher’s and Rowan’s classmates’ lies. Rose demands Edward talk outside and, after a short discussion of the island people’s view of death, Rose explains that Rowan is “letting it snow”. Edward asks how Rowan died and Sister Rose tells him first that “She’ll burn to death”. When Edward catches the tense she used, Sister Rose corrects herself quickly, saying, “She burned to death”, and rushes back to her class.
While questioning Willow about the grave, she reveals to Edward that Rowan is his daughter. As Edward searches through the island for clues and answers, he eventually grows to realise the community is a matriarchal dystopian society. On the day of the fertility rite, Edward frantically searches the village for Rowan. He attacks Sister Beech (Diane Delano), who has a bear costume for the ritual. Edward incapacitates Sister Honey (Leelee Sobieski), dons the bear suit, and joins the parade led by Sister Summersisle. The parade ends at the site of the festival. Rowan is tied to a large tree, about to be burned. Edward rescues Rowan and they run away through the woods, but Rowan leads him back to Sister Summersisle. Sister Summersisle thanks Rowan for her help, and Edward realizes that the search for Rowan was a trap. Sister Willow is Sister Summersisle’s daughter, and his fate was sealed many years ago, when Sister Willow chose him. The villagers attack Edward and overpower him, viciously breaking his legs with a mallet to prevent him from escaping. Throughout all this, he keeps asking how can he be a good sacrifice if he does not believe in their religion. The women carry him to a giant wicker man and shut him inside. Rowan sets fire to the wicker man and Edward is sacrificed amid his screams and a giant blaze. The crowd chants “The drone must die!”, believing that Edward’s sacrifice will restore their honey production.

Six months later, Sisters Willow and Honey enter a bar and start talking with two off-duty police officers (James Franco and Jason Ritter). The women invite them to go home with them, presumably in hopes of using them as they used Edward. The buzzing of bees and screaming from Edward Malus can be heard over Sister Honey as the film fades to black.I dont quite understand all the negative comments regarding this film, i looked at it in complete isolation, the original film was amazing, however this is a great film in its own right, totally different and very creepy, and the acting from Cage and the rest of the cast is amazing, sacrificing the policeman to save the bee population, while the original was to save the failing crops, the ending was very similar and predictable, however this film didnt disappoint in any way and still kept you on edge right till the end.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

Tom Welling in Smallville (2001)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become. The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.

Allison Mack and Serinda Swan in Smallville (2001)
The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: KINGDOM HOSPITAL

CAST
Andrew McCarthy (Mulholland Falls)
Bruice Davison (High Crimes)
Meagen Fay (The Big Bang Theory)
Ed Begley, Jr. (Veronica Mars)
Sherry Miller (Bitten)
Allison Hossack (Stargate SG.1)
Julian Richings (Highlander: The Raven)
Diane Ladd (Raging Angels)
Jack Coleman (Heroes)
Jodelle Ferland (Dead Like Me)
Kett turton (Blade: Trinity)
Recurring Cast / Guest Stars
Christopher Heyerdahl (Sanctuary)
Ryan Robbins (Arrow)
Alan Scarfe (Andromeda)
Callum Keith Rennie (Flashforward)
William B. Davis (The X-Files)
Christine Willes (Dead Like Me)
Like the best of Stephen King’s works, “Kingdom Hospital” draws its inspiration from a combination of another work and autobiographical details of his own life, in this case, Lars von Trier’s “Riget,” and King’s own 1999 experience being struck by a drunk driver in a hit-and-run accident. King wrote 8 of the 13 episodes himself and shares writing credit with his wife Tabitha on a 9th. The remaining 4 were scripted by his co-producer, National Book Award finalist Richard Dooling.
“Kingdom Hospital” is not “Riget” and does not pretend to be. A straightforward remake of “Riget” would not have played well to mainstream American audiences, besides being redundant and unnecessary. If you want to see “Riget,” you can rent “Riget,” but don’t look for it here. Instead, “Kingdom Hospital” uses “Riget” as the framework for a motherlode of subtext. From a modern re-telling of the Egyptian Anubis myth, to questions of Christian faith, from forays into the horrors of experimental medicine to frequent pot shots at American popular culture, from an exploration of obsessive attraction to biting commentary on the ways children have been treated historically–all of these things combine to tell a fascinating, multi-layered tale.While the villain, Dr. Stegman, is rather one-dimensional in his obsessions and hubris, he serves as a mirror to the more fascinating Dr. Hook, a man so haunted by his own internal demons and guilt that he strives to be better. Stegman’s lack of guilt serves as his downfall, while Hook’s guilt and mistakes define him. Peter Rickman serves as the mirror to Stephen King, as he realizes he has defined himself by his craft (he is an artist), and just as King revealed in his memoir “On Writing” how writing ultimately healed him, so does Rickman’s artwork (he’s so defined by it that he uses drawings to communicate while comatose) set the stage for his own healing, and, ultimately, the “healing” of Kingdom Hospital. “It’s what I do,” he says at the story’s climax. “It’s solid.”
“Kingdom Hospital” is much better suited to viewing on DVD without the endless commercial interruptions that slowed the narrative during its prime-time run. On television the story was slow to build and often seemed to take pointless, meandering side trips, but watched in a single sitting, it takes on a new life, and those side trips pay off marvelously in end. This is fascinating stuff, great character studies. A definite must-see!

REVIEW: FLASH GORDON (2007): THE COMPLETE SERIES

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CAST

Eric Johnson (Smallville)
Gina Holden (Final Destination 3)
Karen Cliche (Mutant X)
Jody Racicot (Earth: Final COnflict)
John Ralston (The LIzzie Borden Chronicles)
Jonathan Walker (V 2009)
Anna Van Hooft (Arrow)

RECURRING / NOTABLE GUEST CAST

Giles Panton (Human Target)
Panou (Horns)
Carmen Moore (Andromeda)
Jill Teed (X-men 2)
Bruce Dawson (Izombie)
Carrie Genzel (Stargate SG.1)
Andee Frizzell (Stargate: Atlantis)
Christine Willes (Dead Like Me)
Steve Bacic (Blade: The Series)
Sam J. Jones (Flash Gordon (1980)
Ona Grauer (Stargate Universe)
Don S. Davis (Stargate SG.1)
John Novak (Wishmaster 3 & 4)
Meghan Ory (Dark Angel)
Craig Stanghetta (Smallville)
Jody Thompson (Kindergarten Cop 2)

The series was loosely based on the comic strip of the same name and incorporated elements from several previous adaptations, following the adventures of Steven “Flash” Gordon (Eric Johnson), a twenty-five-year-old who lives with his mother and whose scientist father was lost in a mysterious accident when Flash was 13 years old. Flash’s ex-girlfriend, Dale Arden (Gina Holden), is a television news reporter and is engaged to police detective Joe Wylee. They introduce Gordons’ eccentric former assistant, Hans Zarkov (Jody Racicot), when rifts in space appear, allowing travel between Earth and the planet Mongo.
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Mongo is ruled by the ruthless dictator Ming (John Ralston), who controls “Source Water”, the only source of safe drinking water on Mongo. Unlike the previous adaptations, he is not normally called “the Merciless” and is instead called “Benevolent Father”, though he is still called “the Merciless” in closed circles. He also exhibits the traits of modern, media-savvy dictators, rather than the more simplistic, stereotypically evil characterization of earlier incarnations.[1] Also, unlike previous depictions, Ming resembles a blond Caucasian human, rather than a bald East Asian man. Ming has a daughter, Princess Aura (Anna van Hooft), who is disturbed by her father’s brutality. The series adds a new non-Terran character, Baylin (Karen Cliche), a bounty hunter from Mongo. She finds herself trapped on Earth and becomes a comrade of Flash, Dale and Zarkov and their guide to Mongo and its inhabitants.
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The peoples of Mongo live in “cantons”, tribal groups that echo the animal-human hybrids of the original comic strip. The cantons include the Verdan (based on Prince Barin’s forest-dwelling people from the strip), the Turin (based on the strip’s Lion Men), the Dactyls (the series’ version of the strip’s Hawkmen), the Omadrians (women who create powerful medicines), the Frigians (who live in the frozen wastelands), the Tritons (who live beneath the ocean), and the Zurn (painted blue led by Queen Azura). There is also another group known as the Deviates, mutants whose ancestors drank “Grey Water” (toxic water) to survive. The Deviates are led by Terek, their unofficial king (and Aura’s brother) and are distrusted by almost everyone.
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On April 3, 2008, it was announced that Flash Gordon was canceled

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So this wasn’t the best sci-fi series ever to come on television but for some reason I began to like it more and more as the series progressed. And yes it is cheesy, but so what, just don’t take it too seriously and I’m sure you’ll like it. It was never intended to be up there with the likes of Battlestar or Farscape but it’s still a good series with some fun characters.

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When it first started off I wasn’t to keen on the concept of a wormhole from Earth to Mongo but it worked out quite well in the end, even if it was kind of a rip off of the Sliders idea. Also, some people complained that the stories were always on Earth instead of Mongo, but as it went along, the storyline shifted more to Mongo and the story revolving around Ming and his daughter Aura. There was also a lot of great action too and gunfights. One of the best performing character’s would probably have to be the Ming, the benevolent father (played by John Ralston). He made his character seperate to the other Ming I remembered and I appreciated that.

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Anyway I overall recommend this series but don’t put it down until you’ve stayed until midway because it does improve.

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REVIEW: DEAD LIKE ME – HAUNTED

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HAUNTED

MAIN CAST

Ellen Muth (Hannibal)
Laura Harris (Severance)
Callum Blue (Smallville)
Jasmine Guy (The Vampire Diaries)
Cynthia Stevenson (Happiness)
Mandy Patinkin (The Princess Diaries)
Greg Kean (Saved)
Britt McKillip (Trick’ r Treat)
Christine Willes (Red Riding Hood)
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GUEST CAST

Emily Perkins (Ginger Snaps)

Dead Like Me: Haunted was the final episode for this science fiction series about grim reapers. It was Halloween, and it was actually one of their better episodes. I liked seeing the characters in other types of attire. Jasmine Guy, who is quite beautiful, dressed as a princess and looked the part, eventhough her Roxy character kept up her toughness without giving an inch.
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One of the other interesting things was how they had George going to the house she’d once gone trick or treating at. The guy was a mass murderer so there wasn’t any sentiment, but how they wove this story together was pretty good  With just a couple of reservations about how things were handled in the Reggie storyline, I did like that it ended nicely. She and her mother have made up some ground, and that’s deserved. I feel like the Joy persona probably evolved more than anyone else on the show, even the
Dead Like Me: Haunted was intriguing, and the last scene was really nice. There had been a big disconnect in recent episodes between George and her family, and this pieced it together a tiny degree, at least as far as Reggie was concerned