REVIEW: WHAT A GIRL WANTS

CAST

Amanda Bynes (Easy A)
Colin Firth (Devils Knott)
Kelly Preston (Jerry Maguire)
Eileen Atkins (Robin Hood)
Anna Chancellor (The Dreamers)
Jonathan Pryce (Brazil)
Christina Cole (Hex)
Oliver James (Raise Your Voice)

Daphne Reynolds (Amanda Bynes) lives a comfortable but unsatisfying life as a young American girl with a bright future. She has never met her father. She lives with her single mother, Libby (Kelly Preston) above a Chinese Restaurant in Chinatown, New York. Believing it is in his best interest, her mother left Daphne’s father seventeen years ago because of his family’s disapproval of their relationship; ultimately, his father’s secretary threw her out of the house, without Libby having a chance to tell him that she was pregnant with their daughter.Daphne flies to London to get to know her father, Lord Henry Dashwood (Colin Firth), who recently inherited an Earldom but has disclaimed his seat in the House of Lords to run for election to the House of Commons to eventually become Prime Minister with Alistair Payne (Jonathan Pryce) backing him up. At a hotel, she meets Ian Wallace (Oliver James), a local boy. She notices her father on the television during a news broadcast, and tells Ian that the politician is her father.When Henry is informed of the existence of the daughter he didn’t know existed, he embraces the opportunity to connect with her at the urging of his mother Jocelyn (Eileen Atkins). Her appearance causes a controversy that endangers his political ambitions. Daphne tries to win the acceptance of her father’s social circle but is repeatedly thwarted by his snobby, gold-digging fiancée, Glynnis Payne (Anna Chancellor) and equally snobby step-daughter-to-be, Clarissa Payne (Christina Cole). Daphne has to ward off the advances of Armistead Stewart (Ben Scholfield), a sleazy upper-class boy whom Clarissa fancies. In the end, Daphne ends up throwing him into the Thames at the Henley Regatta when he tries to kiss her. To please her father and his social circle, she abandons her old style and dons the upper-class sophisticated look. She is noted in the British newspapers because of this.Due to her changing herself, Ian is disappointed and leaves when they were supposed to go to a concert which Daphne forgot about. During her coming-out party hosted by her father, she overhears Alastair[further explanation needed] talking to Glynnis about having “gotten rid of” Daphne’s mother 17 years ago when he says how he thought he would have to do the same thing to Daphne. After Daphne tries to confront him about it, Glynnis grabs Daphne and locks her up. Glynnis then asks the band’s lead singer, Ian, to announce the father-daughter dance. Glynnis, knowing that Daphne is locked up, uses this as a ploy to get Henry to dance with Clarissa. Libby rescues Daphne, but it is too late; Daphne witnesses Henry dancing with Clarissa. Daphne rejects her new self because it is not who she is. She returns to America, and restarts her work as a waitress. Henry announces in a ceremony he is no longer going to pursue his political career. On the steps on his way out, he discovers that Alastair knew about Libby’s pregnancy. Henry punches Alastair in the face for concealing Daphne’s existence. He then breaks off his engagement to Glynnis as it is implied that she also knew about Henry having a child.Daphne is serving at a wedding, and the father-daughter dance begins. She thinks of Henry and what she left behind, and just then, Henry shows up by boat after a long flight from London. After asking him what he’s doing there, Henry informs Daphne that, while on the plane, he wrote down something that he had to tell her at least two hundred times, but is unable to find the papers. He then says that he loves her for who she is and “wouldn’t change one hair on her head”. Daphne, overjoyed, accepts his love and instead of calling him Henry, refers to him as “Dad”. She finally gets the father-daughter dance she has been longing for her whole life, while Libby watches. Realizing that he still loves Libby, Henry informs Daphne that he has “a rather large present” for her. Ian shows up and cuts in. As he and Daphne dance, Henry goes to see Libby. He apologizes to her, Libby accepts his apology, and they kiss.

In the epilogue, Glynnis gets married to a wealthy nobleman and Clarissa marries Armistead Stuart (who still has a wandering eye). Alastair becomes a tour guide in London. Libby and Henry are married in a Bedouin ceremony. This time they make sure it is legal. Daphne gets into Oxford. As the credits start to role, Daphne, Ian, Henry, Libby, and Jocelyn have a family meal outside the Dashwood manor.

This was a cute, clean movie that you can sit down and watch with your family.

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REVIEW: JUPITER ASCENDING

CAST

Channing Tatum (21 Jump Street)
Mila Kunis (Ted)
Eddie Redmayne (Fantastic Beasts)
Sean Bean (Game of Thrones)
Douglas Booth (Noah)
Tuppence Middleton (Trance)
Christina Cole (Hex)
James D’Arcy (Agent Carter)
Vanessa Kirby (About Time)

At the beginning of the story, Earth’s residents are unaware that the human species on Earth and countless other planets were established[17] by families of transhuman and alien royalty[18] for the purpose of later “harvesting” the resulting organisms to produce a type of youth serum for the elites on still other planets.[19] After the death of the matriarch of the House of Abrasax, the most powerful of the alien dynasties,[9] her children, Balem (Eddie Redmayne), Kalique (Tuppence Middleton), and Titus (Douglas Booth), quarrel over the inheritance, with Balem inheriting an enormous refinery on Jupiter and Titus spending his inheritance on a lavish spaceship, declaring his intention to dismantle the youth serum trade, of which Earth is the next intended source.Protagonist Jupiter Jones (Mila Kunis) narrates that her father, Maximilian Jones (James D’Arcy), met her mother, Aleksa (Maria Doyle Kennedy), in Saint Petersburg. After Maximilian is killed in a robbery, Aleksa names their daughter Jupiter, after his favorite planet, and they move to Chicago to live with Aleksa’s family. Many years later, Jupiter works with Aleksa and her Aunt Nino (Frog Stone) to clean the homes of wealthy neighbors. To buy a telescope, Jupiter agrees to sell her egg cells with the help of her cousin Vladie (Kick Gurry), under the name of her friend Katharine Dunlevy (Vanessa Kirby). At Katharine’s house, Jupiter and Katharine are attacked by extraterrestrial ‘Keepers’; and when Jupiter photographs these, they erase both of their memories of the incident. Jupiter stumbles upon the strange photograph on her phone while waiting at an egg donation clinic, but could not recall anything about it. During the procedure, the doctors and nurses are revealed to be Keepers, sent to kill her, and she is saved by Caine Wise (Channing Tatum), a former soldier sent by Titus to bring her to him.While Caine and Jupiter ascend to a ship, it is destroyed by a squad of Keepers who then attack them. Caine fends off the attack and manages to kill the Keepers and hijack one of their vehicles while protecting Jupiter. Afterwards, Caine realizes that Jupiter must be of great significance to both Titus and Balem, who is revealed to have sent the Keepers to Earth to capture her. He takes Jupiter to the hideout of Stinger Apini (Sean Bean), another former soldier living in exile on Earth. As Jupiter discovers that she can control the bees in Stinger’s residence, she is revealed to be a galactic royalty. Stinger agrees to help Jupiter, but a group of hunters who initially were hired by Balem but bribed by Kalique capture her and take her to Kalique’s palace on a distant planet, where Kalique explains that Jupiter is genetically identical to the dead matriarch, and therefore the Earth’s rightful owner. Supported by Captain Diomika Tsing (Nikki Amuka-Bird) of the Aegis (an intergalactic police force), Caine retrieves her from Kalique, and brings her to the planet Ores (the intergalactic capital planet) to claim her inheritance.In another attempt to lure Jupiter to him, Balem sends Greeghan (Ariyon Bakare) to kidnap Jupiter’s family. On the way back to Earth, Titus’s henchmen capture Jupiter and detains Caine, as punishment for not bringing Jupiter to him as promised. Titus reveals to Caine his plan to marry and kill Jupiter and claim Earth. He then throws Caine into the void; but Caine survives and returns with Stinger to save Jupiter at the altar before she signs her life away to Titus. Jupiter asks to return home, but learns that her family has been taken hostage by Balem. In his refinery in the Great Red Spot, Balem demands Earth in exchange for Jupiter’s family. Realizing that Balem can “harvest” Earth only with her permission, Jupiter refuses. Caine infiltrates the refinery and damages its gravity hull, causing the refinery to begin collapsing. While the occupants evacuate the refinery, Tsing’s ship moves in and rescues Jupiter’s family.Jupiter survives the collapsing structures, only to land at the feet of Balem who tries to kill her; but she fights him off, and is rescued by Caine while Balem falls to his death. As the refinery is in its final stages of collapse, Tsing opens a portal to Earth and prepares to evacuate, potentially leaving Caine and Jupiter behind. However, she is relieved to find that they have survived and crossed the portal along with Tsing’s ship. Jupiter’s family is returned home with no memory of their disappearance, while Jupiter secretly retains ownership of the Earth. Caine’s rank with the Aegis is restored, and he and Jupiter begin a relationship.A surprisingly good sci-fi, if you are into that sort of thing. If you aren’t an SF geek, then it probably won’t appeal, as it didn’t to the critics. A tricky plot but not bad once you got into it. Think watching it thru again is advisable.

REVIEW: HUMAN TARGET – SEASON 1 & 2

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MAIN CAST

Mark Valley (Zeo Dark Thirty)
Chi McBride (Pushing Daisies)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montogomery (Black Swan)

RECURRING / NOTABLE GUEST CAST

Tricia Helfer (Powers)
Donnelly Rhodes (Battlestar Galactica)
Adrian Hough (Underworld: Evolution)
Danny Glover (Lethal Weapon)
Ali Liebert (Legends of Tomorrow)
Courtney Ford (The Big Bang Theory)
Alessandro juliani (Smallville)
David Nykl (Arrow)
Aleks Paunovic (Mortal Kombat: Legacy)
Sean Maher (Firefly)
William Mapother (Powers)
Peter Bryant (Dark Angel)
Emmanuelle Vaugier (Two and a Half Men)
Sam Huntington (Superman Returns)
Kristin Lehman (Andromeda)
William B. Davis (The X-Files)
Chris Mulkey (Whiplash)
Dylan Neal (Arrow)
Brandon Jay McLaren (Power Rangers SPD)
Ted Whittall (Beauty and The Beast)
Mitch Pileggi (Stargate: Atlantis)
Leonor Varela (Blade II)
Kim Coates (Silent Hill)
Autumn Reeser (Sully)
Samantha Ferris (Along Came A Spider)
Lennie James (The Walking Dead)
Grace Park (Battlestar Galactica)
Peter Wingfield (Caprica)
Moon Bloodgood (Terminator Salvation)
Kavan Smith (Stargate: Atlantis)
Christopher Heyerdahl (Sanctuary)
Mackernzie Gray (Man of Steel)
Armand Assante (The Odyssey)
Christina Cole (Hex)
Robert Lawrenson (Underworld: Awakening)
Amy Acker (Angel)
Timothy Omundson (Xena)
Lee Majors (Ash vs Evil Dead)
Tahmoh Penikett (Dollhouse)
M.C. Gainey (Lost)
Cameron Daddo (Andromeda)
Tracie Thoms (Cold Case)
John Michael Higgins (Still Waiting)
David Orth (The Lost World)
Marie Avgeropoulos (The 100)
Tony Hale (Chuck)
Carlo Rota (Stargate Universe)
James Remar (Flashforward)
Nicole Bilderback (Buffy)
Steven Brand (The Scorpion King)

Christopher Chance (Mark Valley, Boston Legal), is a bodyguard for hire. His clients come to him as a last resort because their lives are in serious danger and they have no other alternatives. Chance’s mysterious past is only partially revealed as the season progresses–much of it in the season finale. What is known about him is that he’s probably a genius, he can hold his own in a fight, he’s a super-thief, he’s a crackshot with a gun, and the ladies love him.

In each episode, Chance typically assumes a cover to stay close and protect the client. He uses the client as bait to uncover the killer’s identity. In these episodes, Chance assumes a multitude of identities ranging from a prize fighter to a monk. Beyond Batman-like fighting skills, Chance’s best tools are his intelligence and charismatic personality; he holds his own in a conversation on any topic and masterfully fits in with any group of people. Joining Chance are Winston (Chi McBride, Boston Public, Pushing Daisies), his straight-laced handler, and Guerrero (Jackie Earle Haley, Watchmen), a computer hacker with questionable methods, but indisputable loyalty.Human Target is a throwback to the action series of the 80’s. While an intriguing backstory develops across the entire show, each episode is self-contained and follows a specific case from beginning to end. Viewers can practically jump in on any episode and not miss a beat. This is due in part to the swashbuckling, tongue-in-cheek script that never takes itself too seriously. It is also partly due to the brilliant performances by the main actors, Mark Valley, Chi McBride, and Jackie Earle Haley. The three play off each other extremely well. You can’t help but watch this show with a smile on your face as straight-man and former detective, Winston cringes at yet another action by Christopher Chance or Guerrero that gets the job accomplished, but is probably not entirely legal. Guerrero, especially, has morally ambiguous moments that cause those around him to be hysterically uncomfortable. When he makes his appearance on-screen, you know that hilarity and awesomeness are about to ensue. It’s similar to the height of Kramer’s heyday in Seinfeld where the studio audience would erupt when he appeared and he’d completely steal the scene. Laughs are guaranteed with Guerrero and his antics are accentuated into priceless gems by Winston’s reactions.The over-the-top action in each episode is wonderfully shot and rivals the quality of some Hollywood films. The outlandishness of the action is offset by the fact that the actors revel in the absurdity and take all the events in stride. No matter how desperate the situation, Christopher Chance always flashes a wry grin. His antics and expressions are reminiscent of Harrison Ford’s performances as Han Solo or Indiana Jones. The action is intense, but Christopher Chance can handle it and make you laugh while he does.Another testament to the excellent writing is that not a single episode is wasted. Obviously, some episodes are better than others, but all are highly watchable and re-watchable, action-packed, mysteries. Even the product placements are great and fit in with the spirit of the show. In the Tanarak episode, one of the most blatant product placements of all time occurs with a Camaro. It’s done with such blithe satire, instead of feeling the need to bathe after watching more advertisers nauseatingly snake their way into television, you just laugh at the silliness.In every episode, without requiring any background information, you are brought into the characters’ circle and get an immediate feel for their relationships. However, more information could have been provided earlier about Christopher Chance and his cohorts’ origins. Some of the information that was dumped in the final episode of this set could have been dispersed throughout the previous episodes. Instead you are left to fill in massive blanks with assumptions about the characters’ pasts. This is not a huge misstep by the writers because the characters’ mysterious origins are a large part of what makes the show so accessible.  This show is just pure fun to watch unfold and will appeal to practically anyone. Pop a bag of microwave popcorn, kick back, relax, and enjoy the ride.In season 2, with Matt Miller (Chuck) taking on executive producer-writer-show runner duties, he promised to flesh things out a bit without changing much of the original allure, which was good news. Mostly, he brought in Indira Varma  (Luther, Rome) as Ilsa Pucci, a widowed billionaire who takes a liking to the boys. And Janet Montgomery (Entourage) as a thief who also gets reluctantly entangled with the trio. So you can see the note Fox put on the show: Let’s leaven the testosterone a bit.And yet, nothing’s really changed. The escapism is sky high. Valley remains as charismatic as ever, with McBride’s disdainful asides and Haley’s chilly creepiness intact. It would be unfortunate if Human Target somehow got soapy or dumber, because good popcorn is rare.

 

REVIEW: HEX – SEASON 1 & 2

MAIN CAST

Christina Cole (Jupiter Ascenmding)
Jemima Rooper (Urban Gothic)
Michael Fassbender (300)
Jamie Davis (Casulty)
Amber Sainsbury (Young Hercules)
Anna Wilson-Jones (Hotel Babylon)
Colin Salmon (Limitless TV)
Joseph Morgan (The Originals)
Zoe Tapper (Mr. Selfridge)
Laura Pyper (Reign of Fire)
Joseph Beattie (Brideshead Revisited)
Samuel Collings (Doctors)

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RECURRING / NOTABLE GUEST CAST

Geraldine James (The Girl With The Dragon Tattoo)
Jessica Oyelowo (Sleepy Hollow)
Stephen Wright (Highlander: The Source)
Sam Troughton (Robin Hood)
Ronan Vibert (The Panist)
Laura Donnelly (Sugar Rush)
Leon Ford (East West 101)
Anatole Taubman (Band of Brothers)
Jemuna Avey (Eastenders)
Katrine De Candole (X-Men: First Class)
Jemma Powell (The Hole)

Hex is set at a remote English school, Medenham Hall, which occupies the former manor house and grounds of the McBain estate. It was the site of an 18th-century witchcraft scandal in which the female members of the line, the Medenham Witches, were tried and executed. Cassie, who raised herself in a single-parent household caring for her mentally unstable mother, has latent telekinetic, pyrokinetic and clairvoyant abilities that are awakened when she touches an antique vase that had been used in Voodoo rituals by the Medenham Witches. Her roommate, Thelma (who harbors an ill-concealed crush on Cassie), discovers that Cassie is a descendant of the Medenham Witches. Cassie has startling visions and dreams that she strives to interpret, and also struggles with controlling her growing telekinetic and pyrokinetic powers, which she is only able to summon in times of stress.

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Cassie is stalked by a “dangerous looking” stranger who calls himself Azazeal. Initially glimpsed fleetingly, he becomes increasingly bold, even entering into the student’s rooms later in the series without warning or permission. Azazeal is revealed to be the leader of the biblical Nephilim, fallen angels, and he claims to be in love with Cassie. He has had previous relationships with schoolmistress Jo Watkins and Cassie’s own mother, which may have contributed to her mental illness.

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Frustrated by his inability to convince Cassie that his claims are sincere, Azazeal kills Thelma before Cassie’s eyes as a sacrifice to increase his power and prove that he is truly who he says he is. This act has two unintentional consequences: his power over Cassie is initially weakened by the shock, and Thelma thereafter continues to share Cassie’s room as a ghost that only Cassie, Azazeal and other ghosts can see. Thelma never forgives Azazeal for her own death, and is a strong voice against him to Cassie, who has grown to have feelings for him. Thelma is unable to touch the living, but she can touch other ghosts and presumably manipulate inanimate objects (including clothing, artifacts, books, doors, window sashes, and vending machines) and eat, which she does constantly (since ghosts cannot gain weight). Thelma works behind the scenes to spy on Azazeal and gather evidence from places where Cassie cannot enter. Cassie, while horrified by some of Azazeal’s behaviour, ultimately finds herself drawn into his power. Azazeal possesses Cassie, and while under his power, she gives herself to him and they conceive a child.

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Thelma learns from Peggy, the ghost of a woman who died in the 1918 influenza pandemic, that the gestation of Azazeal’s child is weakening the veil between worlds, allowing more ghosts to appear to the living. If the child is born, the veil will be torn, allowing the rest of the Nephilim to enter our world. If the pregnancy is terminated, the veil will heal, preventing the Nephilim from returning and leaving Azazeal the only one of his kind in our world. But there is a side effect: ghosts will also vanish from this world. Cassie, after much convincing from Thelma decides that her fetus must be aborted, although it is growing at an alarming rate. A week after conception, the doctors believe she is nearing the end of her second trimester. Thelma assists Cassie, without telling her that success means that she may never see Cassie again. Azazeal tries to interfere and save his son, but Cassie goes through with the abortion…or so she thinks. When Thelma realizes that Cassie can still see her, Thelma knows that something has not gone right. Cassie discovers weeks later that the doctor who performed her procedure has been influenced by Azazeal, and that the baby is alive and in Azazeal’s care.

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Hex is sometimes compared to Joss Whedon’s classic Buffy the Vampire Slayer, and it’s easy to see why a surface connection can be made. Both shows focus on pretty young women with supernatural powers, who face all sorts of strange demons and creatures. There’s even some scenes set at a local club, where Cassie encounters some foes, that will evoke memories of The Bronze for Buffy fans.

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However, the shows aren’t truly identical. Hex is a much more somber affair, playing almost everything very straight and without the knowing comic edge Buffy had. This isn’t a bad thing in and of itself, but it does lead to the show sometimes straining to not become too campy, as some of the plot points are pretty out there, and more of an acknowledgement of that within the show would be nice. Also, in the early episodes, there are some redundant moments that nearly become comical – note how many times we cut to Fassbender ominously standing and watching from afar. Thankfully Rooper is present, as her character, who goes through some rather huge changes early on, adds some much needed sarcasm and humor, and the actress is a very quirky and appealing presence.

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Hex is a very attractive show, and not just because its stars are easy on the eyes – There’s a good deal of sex going on throughout the series, which never quote pins down just how old these kids are. The show is very well shot and cinematic, with the beautiful grounds of the school looking ominous and impressive. The soundtrack is also very cool.

Thelma discovers that Azazeal is raising the child, who is walking already, in an abandoned nearby church. She and Cassie decide that they must somehow get the child, whom Azazeal has named “Malachi”, but are clueless as to how to accomplish this. Azazeal becomes aware that they are watching him and tries to convince Cassie that he only wants her to join them so that they can be a “real family”. Cassie, still partially under his spell, is obviously attracted by the prospect but retains enough of herself to know that this is something she should not want.

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While Cassie and Thelma strategize, new characters are introduced at the school while old ones depart. Troy, convinced that Cassie’s child is his, left the school at the end of the first series. Jo Watkins, having “really let herself go,” is seldom seen at school as she has become Azazeal’s live-in nurse and nanny. The school gains a new chaplain, Jez Heriot, who doesn’t “wear the uniform” except when conducting services and also teaches Ethics. When Jo effectively disappears, David Tyrel asks Jez to take her classes as well. The students don’t initially realize that he is a priest, and Roxanne is quite taken with him, so much so that she can’t help but seduce him even after the truth is known. A new student arrives at Medenham: Ella Dee. Her wardrobe instantly wins her points with the boys, evokes jealousy in the girls, and makes the faculty uncomfortable. Thelma is mildly attracted until she realizes that Ella can see her. There are other anomalies: Ella’s tuition is paid by a corporation and her family background is unknown. She also seems to know entirely too much about Cassie… and Azazeal.

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Ella (Laura Pyper) drawing a magical Hexagram in order to protect Cassie (Christina Cole) in the episode “Death Takes the Mother.”  It is quickly revealed that Ella is definitely not what she seems. She is 445 years old and the daughter of John Dee. Ella is also a witch and has been hunting Azazeal for centuries. So far, she has been very successful in preventing Azazeal from begetting a son by a mortal witch. This time, however, Ella was too late. Her mission: kill Malachi.

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Ella instantly takes charge of both Cassie and Thelma, and formulates a plan to kidnap Malachi and sacrifice him in the school chapel. They are successful in grabbing the child, but Azazeal follows them and a series of alternately foolish and selfish decisions leads the girls inexorably to tragedy. With Azazeal present, Cassie loses her resolve and throws her body between Ella and Malachi. She dies instantly when Ella can’t stop her killing blow, and Azazeal regains Malachi and retreats.

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Ella tries to devise a new strategy while Thelma tries to deal with her deep sense of loss, but Ella loses her edge as she feels herself falling for Leon. Azazeal appeals to Thelma’s own selfish desires and convinces her to steal and give him the Stone of Belial, one of Ella’s objects of power, in exchange for a last meeting with Cassie. Jez is revealed to be Ramiel, another Nephilim and Azazeal’s “right-hand entity”. With the Stone in their possession, Azazeal and Ramiel conspire to drive Ella insane by forcing her to relive the 17th century witch trial in which she was found guilty and nearly executed. Azazeal uses the Stone of Belial on Thelma, who travels back to Ella’s witch trial and rescues her from execution in the past. Ramiel’s scheming and manipulation leads to Ella’s commitment in an insane asylum, where a triumphant Azazeal seemingly abandons her.
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Ella rapidly ages as she is stripped of her powers, but after Leon is brought in on her secret and is granted the power to see Thelma, he helps to revive her using the Volta. A friend of Leon’s who helped him get Ella out of the hospital (where she was cared for by Azazeal’s lover Perie the Faerie) is tortured by Azazeal and the now teenaged Malachi, who kills him out of pity. Azazeal is asked to leave by “higher powers” and enlists Malachi at Medenham Hall. He and Ella say their goodbyes; with Malachi born, Ella has no desire to kill him, and Azazeal leaves the Stone of Belial in Malachi’s possession. Ella kills Jez and makes it look like suicide, precipitated by the revelation that he was having an affair with a student, which deeply affects Roxanne, who felt responsible because she had seduced him.
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Ella and Malachi romance one another magically and otherwise, and their respective mentors, the Archangel Raphael and the demon Mephistopheles, both use psychological tactics to get them to do as they wish. Ella and Malachi eventually have sex, as the evil side had wanted, and by fulfilling Ella’s true desire (to be normal), she is made a slave to Malachi – his succubus. Malachi kills a lesbian girl named Maya so that her ghost can consort with Thelma and give him leverage. Ella’s enslavement to Malachi is ended by Thelma, who invaded her dreams and invoked her greatest fear: fire. Leon attempts to kill Malachi, but is betrayed by Thelma (in hopes of keeping her and Maya together in the living world) and saved by Ella after Malachi sends a fallen Archangel, Sariel, to attack him. Mephistopheles betrays the cause of evil by helping Ella save Leon, who he feels did not need to die, and is subsequently punished and has his eyes removed. Raphael falls from grace by trying to rape Ella, who announces at this point that she no longer works for Raphael’s master, God, and is a freelance agent at last.

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Ella loses all her feelings for Malachi, who quickly moves on to romancing Alex and other girls in the school. He eventually seduces the entire student body, creating an army of succubi and incubi that makes him too powerful for Ella to kill. The only students who are not converted are Roxanne (who becomes a “pure soul” in her quest for forgiveness from God for seducing Jez and causing his apparent suicide), Tom (who is secretly gay, in love with Leon, and impossible to convert because Malachi cannot make Leon love him back), Thelma (because after Ella later kills Maya, he has no hold over her), and Ella herself, who had already been freed from Malachi’s spell. Ella digs up Maya’s corpse and beheads it, which destroys Maya’s lingering presence on Earth. Leon tries to kill Alex but cannot go through with it, leaving him feeling inferior to Ella. Jo Watkins, Cassie’s former teacher and Azazeal’s former lover, returns as Malachi’s new emissary from the “higher powers” and restores her position as headmistress by framing David Tyrel for embezzlement of school funds. Malachi cannot convert Tom, so he fakes the “mark of Malachi” on his neck and ensures that Leon will see it. Fooled by the false mark, Leon kills Tom, but by doing so, he achieves his greatest desire (not being inferior to Ella) and becomes an incubus of Malachi’s.

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Leon almost kills Ella with knowledge gained from the Book of Orokiah, but Thelma helps to save her. He is locked in a cage and sedated, at which point Thelma saves him from Malachi by invoking his greatest fear (having his penis amputated). Returned to normal, he still ends his relationship with Ella and leaves the school. Roxanne is given the ability to see ghosts, and Thelma pretends to be an angel to get her to steal the Stone of Belial back from Malachi. Ella uses the Stone to travel back in time and attempts to kill Malachi while he is still a baby (at the end of Series 1), but she is attacked by Perie the Faerie and receives a mortal wound to the chest. Ella returns to Medenham Hall where she confesses her love for Leon as she lies dying under the watchful eyes of Thelma. Rejected by Hell, Mephistopheles convinces Leon to return, where he saves Ella by cauterizing her wound. Malachi sacrifices the pure-of-heart Roxanne to “enrage God” by killing one of “His creatures.” The school is set ablaze and Thelma, Ella, and Leon escape from it to a field somewhere. As Malachi has started the “End of Days,” described by Mephistopheles as the final battle between good and evil, the series ends with blood pouring from a rock bearing the mark of Azazeal, similar to Malachi’s.

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The pacing of these episodes are much quicker compared with the first season, New character  Ella is dark, interesting, unpredictable and can fight like the best of them! Leon is also brought to the forefront and undergoes a great deal of character development; which was nice to see. Thelma is as always a joy to watch, and manages to get herself into some considerably grey moral areas. Over the course of the season a lot changes and we see these characters attempt to deal with the events that take place with varying degrees of success. This leads to a lot of character growth and dark subject matter. Hex as a show is very dark, not just in the way its lit, but in its tone and ambiance. Which is partly what I enjoy the most, that while its a very dark almost adult show, it retains a great deal of realism at the same time.