REVIEW: AGENT CODY BANKS

CAST

Frankie Muniz (Malcolm in the Middle)
Hilary Duff (Cheaper By The Dozen)
Angie Harmon (Law & Order)
Keith David (Pitch Black)
Ian McShane (Hercules)
Arnold Vosloo (The Mummy)
Martin Donovan (Ant-Man)
Daniel Roebuck (Lost)
Cynthia Stevenson (Dead Like Me)
Connor Widdows (Battle Galactica)
Darrell Hammond (Scary Movie 3)
Peter New (Antitrust)
Noel Fisher (Teenage Mutant Ninja Turtles)
Chris Gauthier (Watchmen)

Cody Banks (Frankie Muniz), a 15-year-old high school junior, applies for a junior field ops position at the Central Intelligence Agency’s SAD (Special Activities Division) after completing a training summer camp. Answering to his handler Agent Ronica Miles, Cody is called upon a mission to find information about a scientist named Dr. Albert Connors. Connors is employed by a SPECTRE type organization named ERIS led by Dr. Brinkman, and his henchman François Molay. As all CIA agents are known to Brinkman’s organization, the CIA uses the unknown Banks, who is placed into the prep school of Dr. Connors’ daughter Natalie (Hilary Duff), the William Donovan Institute.
Cody soon finds he has no social skill with girls and has no time to do this while balancing his chores and homework. The CIA decides to help by doing his chores and homework, trying to build his status, and going into the school to set him up with Natalie. The CIA also assemble a varying team of “experts” to train Cody into how to talk to girls, and issue him with a variety of gadgets with various functions. Eventually, Cody befriends and falls in love with Natalie after saving her from falling off a ladder while putting up a banner, and he is invited to her 16th birthday party, where he goes undercover to her father’s lab. Cody finds that Dr. Brinkman is planning to use nanobots — which can destroy any carbon or silicon-based substance — to destroy the world’s defense systems so he can threaten anyone who opposes him. Since the nanobots are inactive in the cold, he plans to use ice cubes to distribute them. After Connors, Dr. Brinkman, and François leave the lab, Cody tries to take one of the ice cubes, only for it to melt when in his possession.
Shortly after this, Cody gets into a fight with a number of bullies, at the party. The fight makes the school newspaper, and the CIA suspends Cody from the mission. Meanwhile, with Connors refusing to aid him in his plans, Dr. Brinkman sends François and some men to catch Natalie and bring her into his base in the Cascade Mountains. Meanwhile, disobeying orders to leave her out of it, Cody and Natalie eat ice cream at a restaurant. Cody attempts to explain things to Natalie but François and a group of men come over to their table and fight with Cody, knocking him unconscious and taking Natalie. Cody is removed from the mission, and his parents ground him for staying out past his curfew.
Cody gets his brother Alex to make sure his parents do not find out that he is gone by giving him the $5,000 the CIA gave him. Knowing Natalie’s location via a tracking device in a necklace he gave her as a birthday present, Cody breaks into the CIA weapons hold and steals a rocket powered snowboard and other devices to rescue Natalie. Cody gets a ride to the top of the mountain and snowboards to the factory where Natalie is held. On the way, he gets caught in a grove of trees as Ronica finds him using a SoloTrek XFV. After convincing her that they need to rescue Natalie, the pair infiltrate the laboratory and Cody rescues Natalie, also explaining the truth about why he went out with her.
However, the trio are captured by Brinkman’s men, although Cody quickly manages to escape. Natalie is held hostage by Dr. Brinkman, who puts an ice cube with a nanobot inside on her forehead to make her father program the system. Cody sets off a series of explosive charges he and Ronica planted throughout the base, and in the ensuing battle, Ronica fights off several of Dr. Brinkman’s men and Natalie kills Dr. Brinkman by placing the ice cube with the nanobots into his mouth, causing it to melt, and the nanobots to devour him from the inside out. Cody later defeats François and sends him to the CIA using the SoloTrek XFV, before fleeing the facility with Ronica, Natalie and Dr. Connors before it explodes. Back at headquarters, the CIA welcomes Cody back to the team and congratulates him for completing the mission. The CIA Director asks Cody if there is anything else he needs and Cody asks them if they could help Natalie get her driver’s license, which she receives. Cody and Natalie are now a couple and the film ends with them sharing their first kiss.Agent Cody banks was absolutley great. Both Frankie Muniz and Hilary Duff were excellent and the rest of the cast supported them very well. A great overall movie.

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REVIEW: IZOMBIE – SEASON 1

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MAIN CAST

Rose McIver (Power Rangers RPM)
Malcolm Goodwin (The Bellman)
Rahul Kohli (Happy Anniversary)
Robert Buckley (Killer Movie)
David Anders (Alias)

RECURRING / NOTABLE GUEST CAST

Aly Michalka (Two and a Half Men)
Molly Hagan (Sully)
Bradley James (Merlin)
Steven Weber (2 Broke Girls)
Ty Olsson (Battlestar Galactica)
Daran Norris (Veronica Mars)
Hiro Kanagawa (Caprica)
Elysia Rotaru (Arrow)
Sarah-Jane Redmond (Smallville)
Devon Gummersall (Roswell)
Elise Gatien (Fifty Shades of Grey)
Aleks Paunovic (Van Helsing)
Ryan Hansen (Veronica Mars)
Chris Gauthier (Watchmen)
Fulvio Cecere (Valentine)
Chad Rock (Timeless)
Sunita Prasad (Unreal)
Teryl Rothery (Stargate SG.1)
Jillian Bach (Two Guys and a Girl)
Erica Cerra (Power Rangers)
Britt Irvin (Smallville)
Erica Luttrell (Lost Girl)
Percy Daggs III (Veromnica Mars)
Bryce Hodgson (Falling Skies)
Bex Taylor-Klaus (Scream: The Series)
Nick Purcha (Angels In The Snow)
Leanne Lapp (No Clue)
Brian Markinson (Arrow)

I’ve been impressed with Rob Thomas (Veronica Mars’ creator) and Diane Ruggiero’s adaptation of iZombie. The comic of the same name by Chris Roberson and Michael Allred inspired the world on The CW show, but the series used the existing story as a launching pad. Thomas and Ruggiero developed the plot and world in new directions and executed one of the best first seasons of a television series in recent memory.One aspect that contributed to the success was how the stakes kept moving. When we first met Liv, life as a functioning zombie didn’t seem like the worst thing ever. The overall tone was more humorous, Liv was more introspective. She learned more about living and embracing existence by being undead. But then, things shifted. Different types of zombies were introduced, character paths started converging, and the stakes grew higher and higher — and much bigger than Liv and her self-actualization.The show followed a case of the week formula, which a tricky thing to manage, but it often worked to the benefit of the series. The new cases added consistency and allowed the relationships between Liv and Clive and Liv and Ravi to breathe. Though some of the cases didn’t particularly resonate, they occasionally tied into the larger story arc. When those tie-ins happened, they didn’t feel forced; they were a natural extension that helped grow the mystery or pushed characters into new territory. And oh boy, were the characters pushed. Liv went through a slew of personalities, sure, but additionally, she dealt with mortality, gaining and losing someone she loved, seeing her friends in danger, and the list goes on. Rose McIver rose to the challenge of portraying not only Liv, but Liv as several people. She did fantastic work keeping a thread of Liv present through all of the character’s various meals.McIver also communicated the weight and struggles of Liv’s problems in a way that was human. Liv put brains in all her food regularly (and I so appreciate how Liv changes up her methods of brain consumption), but she rarely came across as a monster. The entire cast played well together. Each relationship was the right amount of comfortable at the right time. Example: Liv took a little while to warm up to Lowell — as she should have — and then they were in the new couple phase where they were extremely adorable. Ravi and Liv is one of my favorite friendships on television, but then again, so is the Ravi and Major pairing. Clive’s more serious, get the job done personality is a wonderful complement to the group, and Blaine is the ideal villain.When you create a world where zombies are real, telling people the news and seeing how they react to it is a big part of the story. iZombie surprised me in this regard. I expected Clive to find out long before Peyton — and I do think Clive should know by now because he’s too smart and observant to not realize something’s off with Liv — and I didn’t think Major would be the person to react violently to the news. They showed varying responses, which is how it should be. It wouldn’t have been believable if everyone was as accepting as Ravi. Back to Major briefly, he went on the most unexpected journey. Transforming the nicest guy into a gun-toting zombie killer seems like an impossible task, but they accomplished it and made it believable. They found just the right hook to make the turn work.Seattle has a zombie problem, and the first season made us understand the extent of the issue without dumping it into our lap like a memo. We learned slowly as Liv learned, and the reveal of each puzzle piece made the severity of the situation hit home. With Blaine’s enterprising business presumably closed down and Max Rager employees potentially on the hunt for zombies, the pieces are lined up for a second season full of possibilities.iZombie had an incredibly strong first season. It was intricate and smooth in a way most series don’t come close to achieving in their initial episodes. Though a lighthearted tone was consistent throughout, they regularly upped the stakes and delivered emotional moments. The performances were top notch, and I look forward to seeing what this cast can do together in the years to come.

REVIEW: FREDDY VS JASON

CAST

Robert Englund (A Nightmare On Elm Street)
Ken Kirzinger (Stan Helsing)
Kelly Rowland (Empire)
Monica Keena (The Devil’s Advocate)
Jason Ritter (Girls)
Chris Marquette (Fanboys)
Brendan Fletcher (News Movie)
Katharine Isabelle (American Mary)
Lochlyn Munro (Little Man)
Kyle Labine (Grand Star)
Tom Butler (Blade: The Series)
David Kopp (Romeo Must Die)
Zack Ward (Transformers)
Garry Chalk (Arrow)
Evangeline Lilly (Lost)
Chris Gauthier (Earthsea)

Freddy Krueger is trapped in Hell, it’s 2003 and 4 years after the events and time of the sixth film and due to the fact the teenage residents of his town of Springwood, Ohio have forgotten about him, rendering him powerless, he can no longer return to Springwood, because there’s no fear of him left in the entire town. He “can’t come back if nobody’s afraid”, so, under the guise of Jason Voorhees’ mother, Freddy manipulates Jason, who he’d been looking for over a period of time to do so, into killing the teenage residents of Springwood, hoping the mass fear will restore his powers. Since the residents of Springwood were terrorized by him and not Jason, Freddy reasons, the fear will be directed towards him, giving him more power than ever hoped for. His plan succeeds and Freddy is allowed to return.

Lori Campbell now lives with her widowed father at 1428 Elm Street. Her friends Kia, Gibb, Trey, and Blake, spend the night, and Jason kills Trey by stabbing him in the back, before folding him in half with the mattress. The gruesomeness of the murder and the fact it happened in bed cause police to speculate Freddy was responsible. Later, Blake has a nightmare about Freddy, and awakens to find his beheaded father sitting beside him before Jason appears and kills Blake as well. The next day, the police blame the murders on Blake, who they say committed suicide.
Lori’s ex-boyfriend Will Rollins and his friend Mark Davis, are patients at Westin Hills Psychiatric Hospital, forced to take Hypnocil to suppress their dreams. After seeing a news report on the murders, Mark devises a plan, and the two escape. He and Will return to Springwood, where Mark informs Lori and the others about Freddy. Mark later learns of the city’s plan to erase Freddy by making the population forget about him and realizes he may have ruined their plan. That night, Lori and the others attend a rave at a cornfield. A drunken Gibb believes she sees Trey and follows him to a silo, which turns out to be a dream trap set by Freddy. As Freddy is about to kill Gibb, Jason, who has arrived at the rave to slaughter partygoers, kills her in the real world. An enraged Freddy realizes Jason will not stop stealing his potential victims.

Linderman, a classmate who has a crush on Lori, and stoner Freeburg escape the rave unharmed along with Lori, and Kia. Lori confronts her father about her mother’s death and traps him in a lie. She and Will go to Mark’s house, only to find him being attacked by Freddy, who slashes his face with his bladed gloves. Deputy Stubbs suspects there is a copycat of Jason murderer, but his suspicions fall on deaf ears. He approaches Lori and her friends, who piece together Freddy’s plan. Learning of the Hypnocil, they decide to steal some from Westin Hills, but Freddy possesses Freeburg and disposes of the drugs. After electrocuting Stubbs, Jason is tranquilized by the Freddy-possessed Freeburg, whom Jason cuts in half before succumbing to the drugs.

The teens devise a plan to pull Freddy from the dream world and force the two killers to battle each other. They take the unconscious Jason to Crystal Lake; and should he defeat Freddy there, he’ll already be back home and will not come after the teens. Meanwhile, Freddy battles Jason in the dream world, and upon discovering Jason’s fear of water uses it to pull him into a nightmare of his drowning as a child. Lori enters the dream world to retrieve Freddy, saving Jason in the process. Enraged, Freddy attacks Lori, and reveals he was the one who killed her mother. In the real world, Jason awakens and chases the others into a cabin. Jason pushes Linderman into a shelf bracket and he is mortally wounded. The cabin catches fire, and Lori’s hand is dragged through flames, causing her to wake up and pull Freddy from her dream into the real world. Jason begins to fight Freddy while the others escape, and throws Freddy through the roof of another cabin.

Linderman dies, and Lori, Will and Kia encounter Freddy. Kia taunts him, but Jason kills her by slamming her into a tree with his machete. As Lori and Will escape, the two begin their final battle. An attempt to ram a mine cart into Jason goes wrong and both of them are hit and land on the boardwalk. Lori and Will igniting propane tanks that blow Freddy and Jason into the lake. Freddy makes one final attempt to kill Lori and Will; however, Jason saves them by using Freddy’s own arm to impale him through the chest, before falling back into the lake. Lori decapitates Freddy while Jason sinks below the water. Finally at peace with their past, Lori and Will leave Crystal Lake together. Later, Jason emerges from the lake holding Freddy’s severed head, which winks and laughs.

This is a brilliant film especially if you grew up watching these two maniacs before they both fought on the big screen in the same film. It does not disappoint and leaves you wondering who will win the fight between two of the cinemas most notorious killers.

REVIEW: INSOMNIA (2002)

CAST

Al Pacino (The Devil’s Advocate)
Robin Williams (One Hour Photo)
Hilary Swank (The Reaping)
Maura Tierney (Liar Liar)
Martin Donovan (Legends of Tomorrow)
Nicky Katt (School of Rock)
Paul Dooley (The Player)
Crystal Lowe (Final Destination 3)
Jay Brazeau (Bates Motel)
Katharine Isabelle (Ginger Snaps)
Chris Gauthier (Watchmen)
Ian Tracey (Man of Steel)

In the small fishing town of Nightmute, Alaska, 17-year-old Kay Connell (Crystal Lowe) is found murdered. LAPD detectives Will Dormer (Al Pacino) and Hap Eckhart (Martin Donovan) are sent to assist the local police with their investigation, at the request of police chief Nyback (Paul Dooley), an old colleague of Will’s. Also, an intense Internal Affairs investigation in Los Angeles is about to put Dormer under the microscope. Eckhart reveals that Internal Affairs has offered him an immunity deal in exchange for his testimony regarding one of Dormer’s past cases. Eckhart says that he has no choice but to accept the deal, to Dormer’s frustration.

Dormer comes up with a plan to lure the murderer back to the scene of the crime. The attempt fails, however, and the suspect flees into the fog. The police chase, and the suspect shoots one through the leg. Dormer soon fires at a figure in the fog. On his way to the fallen figure, he picks up a .38 pistol the suspect has dropped. He then discovers that he has shot Eckhart. As he dies, Eckhart accuses Dormer of murdering him. Because of Eckhart’s pending testimony against Dormer, Dormer knows that Internal Affairs will never believe the shooting was an accident. He tells his colleagues Eckhart was shot by the suspect. He doesn’t mention he has the .38 pistol. Ellie Burr (Hilary Swank), a young police officer, is put in charge of the investigation of Eckhart’s shooting. Police find the bullet that sliced the first officer’s leg, a .38 caliber. That night, Dormer walks to an alley and fires the .38 pistol into an animal carcass. He retrieves the bullet and cleans it, then visits the morgue. The staffer hands him the bagged bullet retrieved from Eckhart’s body. She is unfamiliar with its type. He leaves and switches the bullet with one from the .38.

Over the next few days, Dormer is plagued by insomnia, brought on by his guilt over killing Eckhart and further exacerbated by the perpetual daylight. He then starts receiving anonymous phone calls from the suspect, who claims to have witnessed Dormer kill his partner. After looking through her belongings, the police learn that Kay was a fan of a local crime writer named Walter Finch (Robin Williams). Dormer looks up his address and breaks into his apartment. Finch soon comes home, realizes the police have arrived, and evades Dormer after a chase.

Dormer returns to Finch’s apartment. While there, he plants the .38 to frame Finch. Finch later contacts him and arranges a meeting on a ferry. Finch wants help in shifting suspicion to Kay’s abusive boyfriend Randy Stetz (Jonathan Jackson) and will stay silent about Dormer’s role in the Eckhart shooting in return. Dormer gives advice on handling police questioning. After Finch leaves Dormer on the ferry, he shows the detective a tape recorder he used to record the conversation.

Finch calls Dormer and tells him that Kay’s death was “an accident” — he beat her to death in a fit of rage after she rejected his advances. The next day, Finch gives false testimony at the police station. When Finch claims Randy had a gun, Dormer realizes Finch has discovered his plant, and has hidden it at Randy’s home. He races to Randy’s house to find the gun before other officers, but is unsuccessful, and Randy is arrested. Finch offers to give Burr letters indicating that Randy abused Kay, and asks her to come and collect evidence from his summer home the next day.
Burr finds a 9mm shell casing at the scene, which conflicts with the bullet type found in Eckhart’s body. She reads old case files from investigations Dormer was involved in and learns he has carried a 9mm, suspecting he has been lying about who shot Eckhart. Dormer confides in the hotel owner, Rachel Clement (Maura Tierney) about the Internal Affairs investigation: He fabricated evidence to help convict a pedophile he was certain was guilty of murdering a child.
Dormer searches Finch’s apartment for an address for his lake house, and realizes Finch intends to kill Burr after finding Kay’s letters in the apartment. As Burr and Finch move through his house, Finch knocks Burr unconscious. Dormer reaches the cabin, but is too disoriented from lack of sleep to fight off Finch. Burr revives and saves Dormer, while Finch escapes. Burr reveals she knows Dormer shot Eckhart. He admits it, but says he is no longer certain if it was an accident. From his shed, Finch shoots at them, and Burr returns fire, allowing Dormer to sneak around to Finch’s location. Finch and Dormer shoot each other, killing Finch and fatally wounding Dormer. Burr rushes to Dormer’s aid and comforts him by affirming that Eckhart’s shooting was accidental, then moves to throw away the shell casing to preserve Dormer’s secret. Before he dies, he stops Burr, telling her not to lose her way.With three Oscar winners in the cast Nolan had some serious quality to direct, that Pacino, Williams and Swank deliver excellence is high praise for the British director. Pacino actually gives one of his finest late career performances, utterly compelling as Dormer, his haggard face tells of a thousand sorrows, his sleep deprived gait befits a man staring into the abyss. Wally Pfister’s photography is on the money, the blend of snow whites and green tinges sparkle from the vistas and the soft brown hues inside the hotel provide the rare moments of tranquillity available to Will Dormer. Across the board Insomnia is a cracker of a movie, a film that goes into the murky depths of the genre to reveal one of the best movies of 2002.

REVIEW: SCOOBY-DOO 2: MONSTERS UNLEASHED

 

CAST

Freddie Prinze Jr. (She’s All That)
Sarah Michelle Gellar (Ringer)
Matthew Lillard (Scream)
Linda Cardellini (New Girl)
Seth Green (Family Guy)
Peter Boyle (Lois & Clark)
Tim Blake Nelson (Fantastic Four)
Alica Silverstone (Batman & Robin)
Zahf Paroo (Firewall)
Chris Gauthier (Watchmen)
Brandon Jay McLaren (Power Rangers SPD)
Callum Worthy (Smallville)
Emily Tennant (Juno)
Kevin Durand (Dark Angel)
Dee Bradley Baker (American Dad)
J.P. Manoux (Birds of Prey)
Jackson Rathbone (Twilight)
Michael Sorich (VR Troopers)
Bob Papenbrook (Jeepers Creepers 2)

Mystery Inc. (Fred, Daphne, Velma, Shaggy and Scooby-Doo) attend the opening of an exhibition at the Coolsonian Criminology Museum commemorating their past solved cases with monster costumes on display. However, the celebrations are interrupted by a masked man known as the Evil Masked Figure who steals two costumes using the reanimated Pterodactyl Ghost. The gang are ridiculed by journalist Heather Jasper Howe, who starts a smear campaign against them. Concluding an old enemy is the mastermind, the gang revisit old cases, dismissing the former Pterodactyl Ghost, Jonathan Jacobo, due to his death during a failed prison escape, they guess Jeremiah Wickles, the Black Knight Ghost’s portrayer, is the culprit.

Going to Wickles’ mansion, the gang find a book that serves as an instruction manual on how to create monsters. Shaggy and Scooby-Doo find a note inviting Wickles’ to visit the Faux Ghost nightclub. They are attacked by the Black Knight Ghost, but escape when Daphne holds him off. Shaggy and Scooby sneak into the Faux Ghost, speaking to Wickles, but learn he has resolved his ways. The rest of the gang discover the key ingredient to create the monsters is a substance called “randomonium” which can be found at the old silver mining town. They go to the museum, accompanied by the curator and Velma’s love interest Patrick Wisely, but discover the rest of the costumes have been stolen. Heather Jasper Howe ridicules the gang further by turning the city against them. The gang go to the mines, finding Wickles’s plans to turn it into an amusement park. As they confront Wickles, he states that he and Jacobo were cell-mates who hated each other and that he has no connection to the museum robberies.

The gang then find the Monster Hive where the costumes are brought to life as real monsters. Shaggy and Scooby play around with the machine’s control panel, bringing several costumes to life, and the gang flee the city with the panel as the Evil Masked Figure terrorizes the city. Escaping to their old high school clubhouse, the gang realize they can reverse the control panel’s power by altering its wiring. Captain Cutler’s Ghost emerges from the bayou, forcing the gang to head back to the mines, encountering the various monsters along the way. Velma encounters Patrick in the mines, finding a shrine dedicated to Jacobo, but Patrick proves his own innocence by rescuing Velma from falling through a catwalk.

The gang confront the Evil Masked Figure, but the Tar Monster captures all of them but Scooby, who uses a fire extinguisher to freeze the Tar Monster’s body. He reactivates the control panel, transforming the costumes back to normal. The gang take the Evil Masked Figure to the authorities, unmasking him as Heather, but in turn reveal she is actually Jacobo in disguise, having escaped death and tried to get revenge on Mystery, Inc. by discrediting them. Jacobo’s cameraman Ned is also arrested as an accomplice. Mystery, Inc. are praised as heroes once again in Coolsville. In the Faux Ghost, the gang celebrates their victory with the now reformed criminals whom they unmasked in the past (including Wickles).

i originally went to see this movie because Sarah Michelle Gellar stars in it as Daphne. But I discovered that overall this is a fun, comic, family film that I think the majority of people can appreciate. It’s well worth a look and in all honestly is immensely enjoyable.

REVIEW: LITTLE MAN

 

CAST

Marlon Wayans (The Heat)
Shawn Maylons (White Chicks)
Kerry Washington (Django Unchained)
John Witherspoon (Friday)
Tracy Morgan (Cop Out)
Lochlyn Munro (Scary Movie)
Chazz Palminteri (Analyze This)
Molly Shannon (Bad Teacher)
David Alan Grier (Jumanji)
Dave Sheridan (Ghost World)
Fred Stoller (The Change-Up)
Brittany Daniel (Sweet Valley High)
Alex Borstein (Family Guy)
Chris Gauthier (Watchmen)
Rob Schneider (The Hot Chick)

Calvin “Babyface” Simms (Marlon Wayans) is a very short convict. With the help of his goofball cohort Percy (Tracy Morgan), Calvin plots a jewellery shop robbery to steal one of the world’s largest diamonds. After the successful robbery, the duo are almost arrested, but not before Calvin manages to stash the diamond in a nearby woman’s purse. The thieves follow the handbag’s owner to her home where they discover a couple, Darryl (Shawn Wayans) and Vanessa Edwards (Kerry Washington), who are eager to have a child.

Calvin and Percy hatch a plot to pass Calvin off as a baby left on the couple’s doorstep. Darryl and Vanessa, wanting a child, immediately adopt the baby as their own. However, Vanessa’s dad Francis “Pops” (John Witherspoon) has a bad feeling about Calvin. Friends of the couple find Calvin odd as well. A local goon named Walken (Chazz Palminteri), discovers the deception and demands the diamond from Percy. Percy sells out Darryl and now Calvin, in a series of comedic maneuvers, manages to rescue Darryl and have Walken arrested. Darryl is given a substantial reward for the recovery of the diamond, and since Calvin saved his life, he doesn’t turn him over to the police.

Before he leaves, Calvin thanks Darryl for taking care of him even though he wasn’t really a baby and admits that he thinks Darryl would make a great father for a real child someday. Calvin is about to be out of Darryl’s life for good, as Darryl watches him leave. Calvin is crying hysterically, so Darryl decides to let Calvin stay and from that point on, the two men become the best of friends. The film ends at some point in the future with Calvin and Pops playing with Darryl and Vanessa’s real baby, who looks exactly like Darryl (Shawn Wayans’s face superimposed on that of the baby).

This movie is thoroughly enjoyable. The premise is understandable for all ages and it is just a great romp. Not to be taken seriously its just a funny film.

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
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Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
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Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
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Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
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Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!