REVIEW: BOOGEYMAN (2005)


CAST

Barry Watson (Teaching Mrs. Tingle)
Emily Deschanel (Bones)
Skye McCole Bartusiak (Don’t Say A Word)
Tory Mussett (Peter Pan)
Charles Mesure (V)
Lucy Lawless (Ash vs Evil Dead)
Aaron Murphy (Power Rangers SPD)
Jennifer Rucker (Legend of The Seeker)
Olivia Tennet (Power Rangers RPM)

During his childhood, Tim Jensen witnesses his father be taken by the Boogeyman, an evil creature which lives in all closets worldwide. Since then, he has taken precautions to ensure that the Boogeyman cannot get to him, such as sleeping on a mattress on the floor, and removing all closets from his home, and keeping all his clothes in a dresser drawer.
After a Thanksgiving trip with Jessica (his girlfriend) to her parents’ house, Tim has a premonition in which his mother tells him to return to the family home. When he phones the hospital, he discovers his mother has died. Upon returning to the psychiatric ward where he grew up after his father died, he discovers that one of the patients, a young girl, is being threatened by the Boogeyman, which lives in the ceiling of her room.
Upon a suggestion by his psychiatrist that returning to his family home to spend the night in that house would be a good idea, Tim returns to his old Victorian style house in the open country, where he relives memories of his mother telling his father that the Boogeyman does not exist and therefore cannot possibly harm Tim. Tim is briefly attacked by the Boogeyman when he enters the downstairs closet. Tim meets a young girl in his woodshed, named Franny, who wants to know if it’s true that the Boogeyman murdered Tim’s father. Searching the woodshed he discovers a disturbing file of Missing Person lists and documents left by Franny, and upon flicking through them, he discovers a collection of missing children whom were all taken by the Boogeyman.
Tim panics and attempts to leave but Jessica abruptly shows up takes Tim out of the house for a night in a quiet motel, where she is murdered by the Boogeyman, dragging her into the bath.
Tim returns from getting ice and preparing drinks and enters the bathroom, where he finds that Jessica is missing. He realizes what has occurred, and stumbles blindly into a closet, and then walks out into his family home, just as Kate, his friend, has returned to his home and, upon hearing noises from the closets, was about to open the door herself. Tim drags Kate back to the hotel, where they find the empty bath; this time with blood on the side. Kate begins thinking that Tim might’ve harmed Jessica; but Tim angrily denies it. Frustrated at Tim’s refusal to tell her what is really wrong with him, Kate claims that the person Tim saw in her house was in fact her deaf father. Kate calls Tim’s Uncle Mike to have him check on Tim.
Image result for boogeyman 2005Tim returns to his house and meets Franny once more, who leads him to a house full of proclamations describing the Boogeyman. There is a chair in the middle of the room facing a closet. Tim remembers this room as being the home of a doctor whom everyone thought was insane. Franny then reveals herself to be one of the kids the Boogeyman murdered and disappears, telling Tim he’d best go to the place where it all started. The Boogeyman pulls Tim through various portals in time through the closet, eventually depositing him in his childhood room, where he smashes various toys the Boogeyman uses to give itself form before eventually defeating it and being returned to the present. With the Boogeyman gone, Tim hopes that his and Kate’s lives will be safer. Morning dawns and Tim already feels better, thinking he’s safe. However, a post-credits scene reveals a young girl being tormented by the monster, revealing that the Boogeyman has resurfaced out of the closet.Image result for boogeyman 2005The shocks come fast and furious; the acting is convincing; and the denouement, criticized by many reviewers, surprisingly satisfying. I thoroughly enjoyed this film.

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REVIEW: LOST – SEASON 1-6

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MAIN CAST

Matthew Fox (Alex Cross)
Evangeline Lilly (Ant-Man)
Naveen Andrews (Planet Terror)
Jorge Garcia (Alcatraz)
Emilie de Ravin (Roswell)
Maggie Grace (The Fog)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Saving Grace)
Ian Sommerhalder (The Vampire Diaries)
Terry O’Quinn (Alias)
Michelle Rodriguez (The Fast and The Furious)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Elizabeth Mitchell (V)
Henry Ian Cusick (24)
Rodrigo Santoro (Westworld)
Kiele Sanchez (30 Days of Night: Dark Days)
Jeremy Davies (Hannibal)
Michael Emerson (Saw)
Rebecca Mader (Iron Man 3)
Ken Leung (X-Men: The Last Stand)
Jeff Fahey (The Lawnmower Man)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

RECURRING / NOTABLE GUEST CAST

Fredric Lehne (Zero Dark Thirty)
L. Scott Caldwell (The Net)
Kimberley Joseph (Xena)
Greg Grunberg (Heroes)
Billy Ray Gallion (Castle)
John Terry (Zodiac)
Veronica Hamel (The Last Leprchaun)
Neil Hopkins (The Net 2.0)
Michael Deluise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (Powers)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Nick Jameson (24)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
Robert Patrick (Terminator 2)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (K-9)
Zack Ward  (Postal)
Julie Bowen (Modern Family)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Anson Mount (CDollhouse)
Saul Rubinek (Warehouse 13)
Katey Sagal (8 Simple Rules)
Sam Anderson (Angel)
Marguerite Moreau (Easy)
DJ Qualls (Road Trip)
Brett Cullen (Injustice)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Lindsey Ginter (Hercules: TLJ)
Francois Chau (Stargate SG.1)
Adetokumboh M’Cormack (Blood Diamond)
M.C. Gainey (Django Unchained)
Kim Dickens (Hallow Man)
Kevin Dunn (Samantha Who?)
Theo Rossi (Luke Cage)
Tania Raymonde (Texas Chainsaw 3D)
Evan Handler (Californication)
Gabrielle Fitzpatrick (MMPR: The Movie)
Michael Bowen (KIller x)
April Grace (A.I)
Alan Dale (Ugly Betty)
Paula Malcolmson (Caprica)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
Nathan Fillion (Firefly)
Fionnula Flanagan (The Others)
Diana Scarwid (Wonderfalls)
Cheech Marin (Machete)
Sung Hi Lee (Nurse Betty)
Shaun Toub (Iron Man)
Clancy Brown (Highlander)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Sonya Walger (Flashforward)
Marsha Thomason (White Collar)
Carrie Preston (True Blood)
Tracy Middendorf(Scream: The Series)
Lance Reddick (Fringe)
Fisher Stevens (Hackers)
Thekla Reuten (Highlander 5)
Anthony Azizi (Eagle Eye)
Graham McTavish (The Hobbit)
Andrea Roth (Ringer)
Grant Bowler (Ugly Betty)
George Cheung (Dark Angel)
Kevin Durand (X-Men Origins)
Faran Tahir (Supergirl)
Michelle Forbes (Powers)
Raymond J. Barry (Cold Case)
Said Taghmaoui (American Hustle)
Reiko Aylesworth (24)
Eric Lange (Cult)
Alice Evans (The Originals)
Mark Pellegrino (Chuck)
Titus Welliver (Agents of SHIELD)
Brad William Henke (Fury)
Hiroyuki Sanada (The Wolverine)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heroes)
Dylan Minnette (Goosebumps)
William Atherton (Ghostbusters)
Jodi Lyn O’Keefe (Halloween: H20)

Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.

With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything. The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.

Of course, there are a plethora of individual character stories that thrive over the course of the season. Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors and

Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it. I wouldn’t call him the villain of the show — for the first season I would say “the unknown” is the nemesis — but Locke definitely has his own agenda. Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.

As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.

As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.

Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband. Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.

Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.

I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.

Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.

The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale. He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others. T

The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s  flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).

Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season. Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.

If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine  it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.

At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke. Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

After a stunning conclusion to the show’s third season, the bar was raised and much was expected of the fourth season of Lost. With the final three seasons reduced to sixteen episodes each and a clear finish line. The creative team could now focus on telling their story without having to worry about how many episodes they had left to work with. Season four is the first to benefit and delivers a faster paced and leaner story that expands the Lost universe in some unexpected ways and delves into the mystery that was introduced at the end of last season.The “flash-forward” at the end of last season introduced an exciting new way in which Lost stories could be told. The use of these flash-forwards continues through the fourth season, revealing that even more Oceanic survivors made it off the island and also introduces an intriguing conspiracy of silence regarding those who weren’t so lucky. This storyline is the backbone of the fourth season as we discovered who was fortunate enough to escape the island and who was left behind. This is arguably the series’ best story arc since the mystery surrounding the hatch and is a well-developed, tightly paced narrative that actually has a satisfying conclusion at the end of the season.

The benefit of a shortened schedule is apparent and this season has far less “filler” than previous outings. Less episodes means that every minute of screen time becomes that much more precious and the outcome is a season that doesn’t have what we’d consider a bad episode in the bunch. Even this season’s Kate-centric episode is decent when compared to previous years’ outings. There are plenty of episodes that you will want to revisit here, including the pivotal “The Constant” that is a game-changer when it comes to the series’ mythology. It also features Henry Ian Cusick’s best performance as Desmond to date and one of the more memorable Michael Giacchino scores. The rest of the season is filled to the brim with moments that will have any Lost fan riveted.


Acting wise, all the great performances that you have come to expect from the series’ regulars are present. Michael Emerson and Terry O’Quinn continue to put in stellar performances as Ben Linus and John Locke respectively. As has been stated many times throughout the last couple of seasons, these two have some phenomenal chemistry on screen and they spend a great deal of time verbally sparring with each other this season. The newcomers to the show are no slouches either. Veteran actor Jeff Fahey is memorable as helicopter pilot Frank Lapidus. Ken Leung has already become a series favorite as the sharp-tongued Miles Straume and while some fans have had a negative reaction towards Rebecca Mader’s Charlotte Lewis, it is hard to deny that she puts in a respectable performance here.

Jeremy Davies deserves special recognition for his portrayal of physicist – Daniel Faraday. Simply put, Davies’ is awesome as the polite and awkward scientist whose unique viewpoint of the island’s core mysteries is a benefit to the series. If given more screen time he would have probably stolen the show and he stands alongside Ben Linus and Desmond Hume as yet another exceptional new addition to the series.

With the introduction of new characters and the already expanded Lost cast, some regulars take a step back and are not featured as prominently as you would expect. Most notable are series heavyweights Jack and Kate, who are present and accounted for, but see their roles slightly reduced as other characters are brought to the forefront. As the cast and story expand, it has obviously become a necessity to focus on a wider range of characters. The series’ writers are equal to the task and do a good job of handling a large cast without forgetting anyone in the mix.

Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.

The first half of the season is comprised of two very distinct storylines. One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.

The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island. The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.

Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character. Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season.

On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition, but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.

Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners Damon Lindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective. The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.

Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.

“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale. He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale. Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.The Man in Black tests the survivors like never before. Offering them freedom, survival and even  answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season.Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series. All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
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Alex Winter (Waynes World)
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Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
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Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
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Erin Chambers (Stargate: Atlantis)
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Jonathan LaPaglia (Seven Days)
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Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
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Josie Davis (Sonny)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: XENA: WARRIOR PRINCESS – SEASON 1-6

Logo Xena Warrior Princess by XENA-96

MAIN CAST

Lucy Lawless (Ash Vs Evil Dead)
Renee O’ Connor (Boogeyman 2)

NBC Says The XENA: WARRIOR PRINCESS Reboot is Happening

RECURRING / NOTABLE GUEST CAST

Jay Laga’ala (Home and Away)
Darien Takle (The Ugly)
Stephen Hall (Get Ace)
Willa O’Neill (The Price of Milk)
Jeffrey Thomas (The Hobbit)
Nathaniel Lees (Power Rangers Jungle Fury)
Bruce Hopkins (Power Rangers Ninja Storm)
Simon Prast (Filthy rich)
Latham Gaines (Power Rangers Dino Thunder)
Paul Norell (Power Rangers SPD)
Bobby Hosea (Independance Day)
Stephen Tozer (Young Hercules)
Iain Rea (Shortland Street)
Kevin Smith (Jubilee)
Kevin Sorbo (Julia X)
Michael Hurst (Bitch Slap)
Christopher Graham (Power Rangers Mystic Force)
Kieren Hutchison (Cleopatra 2525)
Erik Thomson (All Saints)
Danielle Cormack (Wentworth Prison)
Alison Bruce (Young Hercules)
Mark Ferguson (Power Rangers Mystic force)
Kevin J. Wilson (Pictures)
Galyn Gorg (Robocop 2)
Scott Garrison (Swamp Thing: The Series)
Cameron Rhodes (Deathgasm)
Dean O’ Gorman (The Hobbit)
David Weatherley (Power Rangers Operation Overdrive)
Peter Daube (Traffic Island)
Jeremy Roberts (The Mask)
Jason Hoyte (Power Rangers RPM)
Bruce Campbell (The Evil Dead)
Tim Thomerson (Trancers)
Karl Urban (Red)
Tom Atkins (Halloween 3)
Peter McCauley (The Locals)
Robert Trebor (Universal Soldier)
Ted Raimi (Ash Vs Evil Dead)
Hudson Leick (Tru Calling)
David Taylor (Rain)
Mark Ferguson (Power Rangers Operation Overdrive)
Paul Gittins (Power Rangers Jungle Fury)
Todd Rippon (King Kong)
Antony Starr (Outrageous Fortune)
Anthony Ray Parker (The Matrix)
Peter Vere-Jones (Bad Taste)
Simone Kessell (San andreas)
John Sumner (Power Rangers Dino Charge)
Melinda Clarke (Gotham)
Murray Keane (Power Rangers RPM)
Alison Wall (Funny Business)
Craig Parker (Reign)
Alexandra Tydings (Suncahser)
Craig Walsh-Wrightson (Spartacus)
Jeremy Callaghan (The Great Raid)
John D’Aquino (3rd rock from The Sun)
Rachel Blakely (The Lost World)
Charles mesure (V)
Tony Todd (Chuck)
George Henare (The Dead Lands)
Marton Csokas (XXX)
Meighan Desmond (When Love Comes)
Jennifer Ward-Lealand (Full Frontal)
Grant McFarland (Power Rangers Ninja Storm)
Jacquelien Kim (Star Trek: Generations)
Daniel Sing (A Soldier’s Sweetheart)
Gina Torres (Firefly)
Megan Nicol (Power Rangers Ninja Storm)
Amy Morrison (Jack of All Trades)
Shiri Appleby (Jack of All Trades)
Patrick Fabian (Veronica Mars)
Stig Eldred (Dick Tracy)
Katrina Browne (Power Rangers Ninja Storm)
Angela Marie Dotchin (Jack of All Trades)
Jodie Rimmer (Young Hercules)
Victoria Pratt (Mutant X)
Kate Elliott (Power Rangers Samurai)
Sheeri Rappaport (Little Witches)
Claire Stansfield (The Flash 90s)
Kathryn Morris (Cold Case)
Olivia Tennet (Power Rangers RPM)
Timothy Omundson (Human Target)
Mark Hadlow (The Hobbit)
David Franklin (Farscape)
Jennifer Sky (Cleopatra 2525)
John Leigh (Power Rangers Mystic Force)
David de Lautour (Power Rangers Jungle Fury)
Jay Ryan (Beauty and The Beast)
Antonio Te Maioha (Spartacus)
Jenya Lano (Mutant X)
Mfundo Morrison (Vet)
Marie Matiko (Date Movie)
Anthony Wong (Haywire)
George Cheung (Starsky & Hutch)
Rose McIver (Izombie)
James Gaylyn (Power Rangers RPM)
Geoff Dolan (Jack of All Trades)
Stephen Lovatt (Cleoaptra 2525)
Musetta Vander (Stargate SG.1)
Claudia Black (Farscape)
Morgan Reese Fairhead (Power Rangers Dino Thunder)
Peta Rutter (Young Hercules)
Selma Blair (Hellboy)
Manu Bennett (Arrow)
Miriama Smith (Filthy Rich)
Josephine Davison (Power Rangers SPD)
Paris Jefferson (The Counselor)
Jed Brophy (The Hobbit)
Adrienne Wilkinson (Renegades)
William Gregory Lee (Dark Angel)
Joel Tobeck (Ash Vs Evil Dead)
Tsianina Joelson (Bring it On)
Sela Apera (Crooked Earth)
Zeus Mendoza (Port Charles)
Tandi Wright (Black Sheep)
Michelle Langstone (Power Rangers SPD)
Gina Varela (Sione’s Wedding)
Owen Black (Maddigans Quest)
Ian Harcourt (Power Rangers Megaforce)
Brittney Powell (That Thing You Do)
Renato Bartolomei (The Cult)
Alexander Petersons (Redheads)
Luanne Gordon (King Kong)
Alexis Arquette (Pulp Fiction)
Li Ming Hu (Power Rangers RPM)
Elizabeth Hawthorne (Filthy rich)
Katrina Devine (Power Rangers Ninja Storm)
Michelle Ang (Triple 9)
Mike Edward (Filthy Rich)

Most people have some kind of guilty pleasure they watch on television. I have several. One of my past guilty pleasures was Xena: Warrior Princess (as well as the show that spawned it-Hercules). Seeing a bunch of attractive gals running around, showing ample amounts of cleavage and leg while they went through their paces seemed like such harmless fun.  The show developed quite a fanbase over the years and it all began with a few appearances on Kevin Sorbo’s old show, Hercules: The Legendary Journeys. In Hercules, Xena played a female warrior who torn through the countryside killing and pillaging as she and her armies went. Hercules stopped her and eventually showed her a different path and the Xena series started off with that premise (hey, it was a cute idea for a spin off and eventually surpassed the parent show in ratings).

Season 1 begun with Xena meeting Gabrielle whilst trying to atone for her past, the rest of the season saw several highlights such as the introduction of Ares (Kevin Smith), Autolycus (Bruce Campbell) and Callisto (Hudson Leick), with each episode the shy got better and better.

The show really kicked into overdrive with Season2, the biggest highlight was Julius Caeser (Karl Urban) who once had a relationship with Xena and betrayed her. Gabrielle became an Amazon Queen and we saw Xena’s arch nemesis Callisto return with a vengeance. It was with Season 2 where the show surpassed Hercules and became the huge it is today.

Season 3 saw the the beginning of The Dahak storyline a story that would dart backwards and forward between the two shows and eventually conclude on Hercules (Season 5). This season also saw what fans refer to as the Rift story where gabrielle and Xena relationship was tested to breaking point eventually sending them to the land illusia where they had to sing. The Xena Musicial was a huge hit and well put together, to this day i smile every time I watch it.

Season 4 saw a new villain introduced, Alti (Claire Stansfield) A sharman who killed a tribe of Amazons, but the main story of this season was about Julius Caeser, his rise to power and Xena trying to prevent the vision of her and Gabrielle’s death from coming true. The Caeser story was excellent and in the episode The Ides of March, everything comes to fruition, we even see the return of Callisto.

The fifth season was written around Lucy Lawless and her real life pregnancy. The Producers decided to write it in to the show making it easier on production. With the birth of Xena’s child brings fourth the twilight of the Gods, the moment Zeus is killed they all come after Xena with a vengeance. Athena was the main antagonist, the show also explored a possible relationship with Ares and Xena. The last four episodes saw a time jump so we get introduced to a grown up Eve/Livia (Adrienne Wilkinson),  who ended up on a similar path to her mother.

Season brought the show to an end, six years of action and adventure. Highlights in this season were the Norse trilogy showing Xena as a Valkyrie, Michael Hurst playing a reporter called Nigel, Ares living on an farm and the return of Ares and Aphrodite to godhood. It’s always sad to see a show come to an end, with the shocking finale seeming to be a hard to beat ending it does seem like the show had a satisfying ending.

Xena: Warrior Princess images Xena - A Friend in Need (Season 6) HD wallpaper and background photos

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

RECURRING / NOTABLE GUEST CAST

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Jimmi Simpson (Date Night)
Daisy McCrackin (Halloween: Resurrection)
Lacey Beeman (Power Rangers Time Force)
Summer Glau (Firefly)
Vincent Ventresca (Dollhouse)
Brandon Routh (Legends of Tomorrow)
Barbara Tarbuck (American Horror Story)
Laura Regan (Minorty Report TV)
Christina Cox (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Fredric Lehne (Lost)
Jeffrey Nording (Flight 93)
Josh Hopkins (The Perfect Storm)
Robert LaSardo (Nip/Tuck)
Blake Shields (Heroes)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Geoffrey Lewis (The Devil’s Rejects)
Leslie Silva (Odyssey 5)
Garrett M. Brown (Kick-Ass)
Molly Cheek (American Pie)
Autumn Reeser (The OC)
Amanda Wyss (Highlander: The Series)
Robin Riker (Big Love)
Nichole Hiltz (Bones)
Amber Benson (Buffy)
Maggie Grace (Lost)
Katee Sackhoff (Battlestar Galactica)
Marisol Nichols (Felon)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Flashforward)
Michael Pare (Bloodrayne 3)
T.J. Thyne (Bones)
John Kassir (Pete’s Dragon)
Patty McCormack (The Bad Seed)
Barbara Niven (The Rat Pack)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
Sam Witwer (Smallville)
Mae Whitman (The Duff)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Hercules: TLJ)
Jenna Fischer (The Office)
Chadwick Boseman (Captain America: Civil War)
Rance Howard (A Beautiful Mind)
Nicholas D’Agasto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (Teh Fast and The Furious)
Daveigh Chase (S. Darko)
Virginia Williams (Fairly Legal)
Chad Donella (Smallville)
Nicki Aycox (Roadkill 2)
Bob Papenbrook (Jeepers Creepers 2)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Free Enterprise)
Johnny Whitwroth (Empire Records)
Danielle Harris (Halloween 2007)
Michael O’Neil (Roswell)
Amy Sloan (The Aviator)
Brigid Brannagh (Angel)
Andrea Savage (Izombie)
Meredith Salenger (Lake Placid)
Clare Carey (Hercules: TLJ)
Dana Davis (Heroes)
Dee Wallace (ET)
Jay Acovone (Stargate SG.1)
Bradley Stryker (The Lizzie Borden Chronicles)
Piper Laurie (Carrie)
Tessa Thompson (Veronica Mars)
Karina Logue (Bates Motel)
Sarah Brown (VR Troopers)
Brooke Anne Smith (Misschief Night)
Kristin Richardson (Lost)
Lindsay Hollister (Bluberella)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Christina Hendricks (Mad Men)
Thomas Kopache (Stigmata)
April Grace (Lost)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Deborah Van Valkenburgh (Mean Guns)
Robin Weigert (Deadwood)
James Handy (Alias)
Megan Follows (Reign)
Zachary Ty Bryan (Fast and Furious 3)
Alona Tal (Cult)
Meagen Fay (The Big Banng Theory)
Priscilla Pointer (The Flash 90s)
Tina Holmes (Taken)
Jeremy Davidson (Roswell)
Brennan Elliott (Paul Blart: Mall Cop)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Red Riding Hood)
George Coe (Smallville)
Laura Bell Bundy (Scream Queens)
John Rubenstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & CLark)
Michelle Harrison (The Flash)
Peter Graves (Airplane 2)
Stacy Haiduk (Superboy)
Dale Dickey (Iron Man 3)
Mageina Tovah (Spider-Man 2 & 3)
Kenny Johnson (Bates Motel)
Kyle Gallner (Veronica Mars)
Nestor Carbonell (The Dark Knight)
L. Scott Caldwell (Lost)
Neil Jackson (Alexander)
Greg Cipes (Teen Titans)
Rutanya Alda (Amityville 2)
George Newbern (Justice League)
Annie Wersching (The Vampire Diaries)
Eugene Robert Glazer (La Femme Nikita)
John Aylward (Alias)
Bobby Hosea (Xena)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (The Originals)
Thomas Ian Girffiths (XXX)
Polly Shannon (Lie With Me)
Michael Trevino (The Vampire Diaries)
Jake McDorman (Limitless TV)
Robert Picardo (Stargate: Atlantis)
Ernie Hudson (Ghostbusters)
Lucinda Jenney (Rain Man)
Jamie Bamber (Battlestar Galactica)
Bruce Boxleitner (Babylon 5)
Greg Finley (Izombie)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Jennifer Lawrence (The Hunger Games)
Mitch Pileggi (The X-Files)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Erin Cahill (Power Rangers Time Force)
Carolyn McCormick (Enemy Mine)
Michael Massee (Flashforward)
Helena Mattsson (Iron Man 2)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Thirteen)
Bonnie Root (Home Invasion)
Melissa Leo (The Fighter)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Blow)
Justin Bruening (Knight Rider 2008)
Daphne Ashbrook (The Love Letter)
Rodney Rowland (Veronica Mars)
James Black (Anger Management)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Jamil Walker Smith (Stargate Universe)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creeprs 2)
Nikki Deloach (The Net 2.0)
Deirdre Lovejoy (Bones)
Keone Young (Crank)
Kim Coates (The Amityville Curse)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Kathleen Munroe (Stargate Universe)
John Pyper-Ferguson (Caprica)
Paul Wesley (The Vampire Diaries)
Brea Grant (Heroes)
Ronny Cox (Robocop)
Nichole Tom (Gotham)
M.C. Gainey (LosT)
James Karen (Hercules In New York)
Justin Leak (Powers)
Sean O’ Bryan (The Princess Diaries)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Jenna Leigh Green (Sabrina: TTW)
Vernee Watson (The Big Bang Theory)
Carl Lumbly (Alias)
Charles Napier (The Silence of The Lambs)
Joel Murray (Two and a Half Men)
Elena Satine (Revenge)
Nicole Bilderback (Buffy)
Erin Cummings (Spartacus)
Tania Raymonde (Lost)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Lee Majors (Ash vs Evil Dead)
Lindy Booth (Cry Wolf)
Adrienne Barbeau (Swamp Thing)
Raymond J. Barry (Lost)
Ttaylor Cole (Heroes)
Jeff Kober (New Girl)
Courtney Ford (True Blood)
David Starzyk (Veronica mars)
Bailey Chase (Buffy)
Wynn Everett (Agent Carter)
Brad Greenquist (Heroes)
Katherine LaNasa (Lie To Me)
Jeff Fahey (Planet Terror)
Clayne Crawford (Roswell)
Brit Morgan (Supergirl)
Jonathan Banks (The Lizzie Borden Chronciles)
Victoria Pratt (Mutant X)
Ryan Wynott (The Cape)
Jonathan Schaech (Legends of Tomorrow)
Valerie Azlynn (Julia X)
Muse Watson (I Know What You did Last Summer)
Michael Ironside (Total Recall)
Daniel Baldwin (Vampires)
Ashley Johsnon (Dollhouse)
Erin Chambers (Finding Carter)
Tracey Walter (Batman)
Loren Lester (Batman: TAS)
Chris Browning (Supergirl)
Dawn Olivieri (The Vampire Diaries)
Steven Culp (Jason Goes To Hell)
Meagan Good (D.E.B.S)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Yara Shahidi (Ugly Betty)
Nelson Lee (Blade: The Series)
Steven Krueger (The Originals)
Lolita Davidovich (Santa Fe)
Alan Blumenfeld (Heroes)
Chandra West (White Noise)
Carel Struycken (The Addams Family)
Justina Vail (Highlander: The Series)
Rachel Miner (the Butterfly Effect )
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (They Live)
Susanna Thompson (Arrow)
John D’Aquino (Seaquest)
Azura Skype (28 Days)
Johnny Messner (Anacondas)
Rob Benedict (Birds of Prey)
JR Bourne (Stargate SG.1)

I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.The fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.The cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.

The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.

REVIEW: V (2009) – SEASON 1 & 2

CAST

Elizabeth Mitchell (Lost)
Morris Chesnut (Kick-Ass 2)
Joel Gretsch (Taken)
Logan Huffman (Final Girl)
Lourdes Benedicto (Drive Me Crazy)
Laura Vandervoort (Bitten)
Morena Baccarin (Gotham)
Scott Wolf (Go)
Charles Mesure (Xena)

RECURRING / NOTABLE GUEST CAST

Alan Tudyk (Dollhouse)
Christopher Shyer (Smallville)
Dacid Richmond-Peck (Sanctuary)
Britt Irvin (The Vow)
Scott Hylands (Earthquake)
Roark Critchlow (Mr. Deeds)
Michael Flipowich (Earth: Final Conflict)
Mark Hildreth (Earthsea)
Michelle Harrison (The Flash)
Ryan Kennedy (Caprica)
Nicholas Lea (Andromeda)
Rekha Sharma (Dark Angel)
Lexa Doig (Stargate SG.1)
Jessica Parker Kennedy (The Secret Circle)
Samantha Ferris (Along Came A Spider)
Paul McGillion (Stargate: Atlantis)
Bret Harrison (That 70s Show)
Jane Badler (One Life To Live)
Keegan Connor Tracy (Bates Motel)
Oded Fehr (The Mummy)
Martin Cummins (Dark Angel)
Ona Grauer (Arrow)
Michael Trucco (How I Met Your Mother)

A City-sized alien ships have appeared over twenty-nine cities worldwide, and the aliens’ leader “Anna” (Morena Baccarin) declares that, “We are of peace.” The Visitors offer their advanced technology to better the world, and cause massive changes — social, religious, medical, and so on.

While hunting a terrorist cell FBI agent Erica Evans (Elizabeth Mitchell) stumbles across an anti-Visitor resistance — and the shocking discovery that not only are the visitors reptilian creatures in humanoid skins, but some Visitors are hiding among us. She and the skeptical priest Father Jack (Joel Gretsch) begin forming their own little resistance cell, along with the V-in-hiding Ryan Nicholas (Morris Chestnut) who is trying to reactivate an alien rebellion known as the Fifth Column. At the same time, news anchor Chad Decker (Scott Wolf) finds himself the media ambassador of the V’s, caught between ambition and his growing doubts.

But the resistance has more than Anna’s cruel, duplicitous nature to deal with — Erica’s gullible son Tyler (Logan Huffman) has become a “peace ambassador” for the V’s and is falling in love with Anna’s daughter Lisa (Laura Vandervoort). Ryan’s girlfriend is pregnant with a hybrid baby. One of their number is captured by the V’s and brutally tortured, even as Anna hatches terrifying new plots to wipe the Fifth Column from existence…

“V: The Complete First Season” is very different from the 1980s version — there are sweeping changes to the story, characters, the political commentary and the aliens’ manipulation.  the writing is good — it’s full of suspense and some amazing plot twists. The characters are painstakingly sketched out and developed, along with strong dialogue, and  yeah, there’s some creepy stuff too, such as when Erica gets her shocking first glimpse of a V face. Not so much rodent-eating, though.

Season 2’s most welcome surprise was the introduction of lizard Queen Anna’s mother, Diana, played to perfection by the original series’ Jane Badler. Though Jane played a character with the same name over 20 years ago, this Diana was not the same Diana audiences loved to hate in the 1980’s. This Diana was a Queen in exile playing cat and mouse with her own daughter. The dynamic between both actresses was electrifying and you frequently felt Anna had met her match. While the humans stumbled around trying to figure out how to save humanity from a vastly superior alien force, Diana tormented her daughter, creating doubt and sewing division with the raise of an eyebrow and a carefully planted suggestion.

 

In addition to Jane’s highly publicized return, season 2 also gave audiences a great many twists and turns, including:
– the return of Mark Singer, the original series’ Mike Donovan;
– an international resistance that finally started to do something other than debate the need to take action;
– technology versus the power of the human soul;
– Visitors without their human skin;
– critter eating in all its disgusting iconicness;
– Erica Evans finding her inner bad ass;

If season 1 was good, season 2 was excellent. Yes, it has it’s short falls like any young series, but in a remarkably short time the series found it’s feet and created a drama that was exciting and surprising. With outstanding performances from actors like Elizabeth Mitchell, Morena Baccarin, Joel Gretsch, Scott Wolf, Morris Chestnut, Laura Vandervoort, Charles Measure, Christopher Shyer, Josh Hildreth and Jane Badler, season 2 was a lot of fun and incredibly easy to watch and get lost in.

As with the original series it ends on a cliffhanger and then cancelled so we will never know what was to be.