REVIEW: SMALLVILLE: ABOSOLUTE JUSTICE

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MAIN CAST

Tom Welling (The Fog)
Allison Mack (American Odyssey)
Erica Durance (The Butterfly Effect 2)
Cassidy Freeman (The Vampire Diaries)
Justin Hartley (This Is Us)

RECURRING / NOTABLE GUEST CAST

Pam Grier (Jackie brown)
Phil Morris (Star Trek III)
Alessandra Juliani (Man of Steel)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (The Phantoms)

As Chloe Sullivan tries to get in touch with Clark Kent, she finds herself cornered in an alleyway by a man named Sylvester Pemberton, who is wielding a staff that has the ability to control light. As Sylvester attempts to inform Chloe that he is a friend, an assassin known as Icicle attacks and Sylvester is ultimately killed. Chloe and Clark go to the hospital to investigate the truth behind Sylvester, which ultimately leads them to the Daily Planet archive room. There, Clark and Chloe discover documents and an old 16 mm film that identifies Sylvester as part of a team of “criminals”, which includes: Carter Hall, Kent Nelson, Jay Garrick, Alan Scott, Ted Grant, Abigail Hunkel, Wesley Dodds, and Al Pratt. In the documentary footage, Sylvester and the rest of his team are systematically arrested, but because of allegations of jury tampering, falsified evidence, and lack of connection all of the individuals are released.

While Clark and Chloe are looking into the criminal group, Icicle tracks down and kills Wesley Dodds. Following Dodds’ death, Clark tracks down Carter Hall, believing him to be Icicle’s next target. Clark finds Hall at a museum; he also finds Kent Nelson, who is mumbling incoherently to himself and clutching onto a small bag. Using his X-ray vision, Clark sees a helmet inside the bag, which turns on its own and looks back at Clark. Having enough of Clark’s questions, Carter sends Clark on his way. Meanwhile, Chloe sends Oliver Queen after Sylvester’s staff. Unfortunately, high school sophomore Courtney Whitmore has already taken the staff. Before Oliver can get the staff from her, Kent shows up and uses the staff to teleport both him and Courtney back to the museum. Here, it is revealed that Sylvester’s team was actually a group of superheroes led by Carter Hall, who went by the codename “Hawkman”. The group called themselves the “Justice Society of America”. Courtney, who was Sylvester’s protégé, Kent and Carter band together to find Sylvester’s killer. As such, Kent places the Helmet of Nabu back on and transforms into “Doctor Fate”.

After investigating Dodds and Pemberton’s deaths, Clark and Chloe believe they have located the killer at the psychiatric ward of Metropolis General Hospital. When they arrive, they find the individual, Joar Mahkent, in a vegetative state and Doctor Fate reading his mind. Doctor Fate then sees Clark’s fate and teleports Clark and himself to the museum. Meanwhile, the real assassin is revealed to be Joar’s son, who is killing the Justice Society members for putting his father in that vegetative state decades earlier. Hired by an organization known as Checkmate, and instructed by Agent Amanda Waller, Icicle sets his sights on Courtney. Oliver tracks down Courtney—who calls herself “Stargirl”—and realizes that she is setting herself up as bait to lure Icicle out. Icicle arrives, but Oliver interrupts Courtney’s plan. As a result, Hawkman grabs Oliver, throws him through the Watchtower window, and then threatens to do worse if Oliver interferes again.

Meanwhile, Checkmate sends Lois Lane an anonymous package that provides her with the truth about the Justice Society. Clark awakens at the museum, where Doctor Fate informs Clark that his fate is to lead a new generation of superheroes, and that he will one day conquer his greatest enemy, Lex Luthor. Oliver and John Jones show up at the museum to rescue Clark, unaware that Hawkman, Doctor Fate, and Stargirl are actually heroes. Banding together, the group splits up into pairs to locate Icicle. While on patrol, Doctor Fate and John Jones are attacked by Icicle. Before Doctor Fate is killed, he uses his abilities to restore John’s Martian powers. While John lies unconscious, Icicle steals Doctor Fate’s helmet and acquires the powers that go with it.

Clark and the others regroup at Watchtower, where Icicle arrives to kill the rest of the Justice Society and avenge his father. At first, Clark, Hawkman, Stargirl, and Green Arrow have trouble taking down Icicle and his new abilities. When John arrives, the group is finally able to defeat Icicle. Afterward, Carter tells Clark that he and Courtney have located the surviving members of the Justice Society, their children, and their protégés in order to build a new team of superheroes for today’s generation. Back at the Daily Planet, Lois publishes her article on the Justice Society, revealing them to be a team of superheroes who were lambasted by the government, and falsely imprisoned. Icicle is transported back to Checkmate, where Agent Waller subsequently kills him after informing Icicle that he was a part of the new Suicide Squad. Afterward, Tess Mercer is revealed to be an agent of Checkmate.

To sum things up the people involved in this episode’s creation did a great job, the performers included. The cold blooded killer was scary. Some dialogs were smart, others hilarious, specially Green Arrow’s ones, and I’m sure the references for comics fans were numerous. There were also plenty of intriguing developments.

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REVIEW: YELLOWBRICKROAD

CAST

Cassidy Freeman (Smallville)
Anessa Ramsey (The Signal)
Lee Wilkof (School For Love)
Clark Freeman (21 and a Wake-Up)
Laura Heisler (We Go On)
Alex Draper (The Good Wife)
Tara Giordano (Ex-Girlfriends)

A film crew has traveled to the town of Friar, New Hampshire, to finally travel a trail known only via the horrific stories that surround it. In 1940 the entire town of Friar, 572 people, abandoned their town and walked into the wilderness with only the clothes on their back after a viewing of The Wizard of Oz, a film that the entire town was obsessed with. No one has ever been able to explain why they did this, especially since only 300 of the townspeople’s bodies were recovered. Of those 300, some had frozen to death in the elements while others were killed in horrific and bloody ways. The remaining 272 citizens were never found and the government classified the trail that the townspeople took. Despite this, the town was eventually repopulated, although the townspeople are cautious of the town’s history.

When the trail’s coordinates are declassified, crew leader Teddy gains access to the coveted information via Friar’s cinema. His goal is to finally answer the questions surrounding the disappearances and deaths, as well as what lies at the end of the trail. The crew befriends Liv, a townsperson who works at the local cinema, and she agrees to accompany them on their trip. Initially the journey appears to go well, but soon the crew is terrorized by loud and jarring music that appears to come out of nowhere. Things are made even worse after one of them, Daryl, brutally murders his sister Erin and flees in the only vehicle, which also contains their food supply.

Driven to desperation, the crew begins to argue and turn on one another. Several of the group’s members kill themselves, either out of despair caused by abandonment or because they have been driven mad by the music and associated events. Daryl also murders one more crew member, Teddy’s wife Melissa, before he is killed by Liv. A weary and visibly shaken Teddy crawls to the final portion of the trail, where the music finally stops. He finds himself at what appears to be the cinema from the beginning of the film. There, he meets a sinister Usher, who forces him to sit in a theater empty except for a brief glimpse of smiling theatergoers implied to be the spirits of the dead townspeople. On the screen is footage of his wife, who has been transported by the Usher into a hellish landscape. Horrified, Teddy begins to scream but is cut off.The ending to the film appears to have caused some controversy, as it suddenly breaks from the more linear horror plot-line and introduces some old-school surrealism. And even though the mystery itself is never solved (as I suppose most good supernatural mysteries never are), personally I liked it

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: THE VAMPIRE DIARIES -SEASON 1-6

Image result for the vampire diaries logo

MAIN CAST

Nina Dobrev (Never Cry Werewolf)
Paul Wesley (Killer Movie)
Ian Somerhalder (Pulse)
Steven R. McQueen (Piranha 3d)
Sara Canning (Primeval: New World)
Kat Graham (Honey 2)
Candice King (Juno)
Zach Roerig (Rings)
Kayla Ewell (Impact Point)
Michael Trevino (The Riches)
Matthew Davis (Cult)
Joseph Morgan (Hex)
Michael Malarkey (The Selection)

RECURRING / NOTABLE GUEST CAST

Chris William Martin (Dollhouse)
Benjamin Ayres (Saving Hope)
Chris J. Johnson (Betrayal)
Marguerite MacIntyre (Red Dragon)
Robert Pralgo (Fast & Furious 7)
Susan Walters (The Flash)
Jasmine Guy (Dead Like Me)
Arielle Kebbel (Ballers)
Bianca Lawson (Beauty and The Beast)
Mia Kirshner (30 Days of Night: Dark Days)
Malese Jow (The Flash)
Gina Torres (Firefly)
Sean Faris (Never Back Down)
James Remar (The Shannara Chronicles)
Kelly Hu (Arrow)
Melinda Clarke (Spawn)
David Anders (Izombie)
Spencer Locke (Resident Evil: Afterlife)
Taylor Kinney (Zero Dark Thirty)
B.J. Britt (Agents of SHIELD)
Tiya Sircar (The Internship)
Maiara Walsh (The Starving Games)
Natashia Williams (Smiley Face)
Lauren Cohan (Chuck)
Trent Ford (Smallville)
Daniel Gillies (Young Hercules)
Dawn Olivieri (American Hustle)
Stephen Amell (Arrow)
Michaela McManus (Law & Order: SVU)
David Gallagher (Super 8)
Jack Coleman (Heroes)
Sebastian Roche (Odyssey 5)
Claire Holt (Mean Girls 2)
Anna Enger (Anchorman 2)
Alice Evans (Lost)
Torrey DeVitto (The Rite)
Robert Ri’chard (Veronica Mars)
Perisa White (Blood Dolls)
Nathaniel Buzolic (Out of The Blue)
Cassidy Freeman (Smallville)
Casper Zafer (Coffe Sex You)
Michael Reilly Burke (Mars Attacks)
Todd Williams (San Andreas)
Grace Phipps (Scream Queens)
Phoebe Tonkin (The Secret Circle)
David Alpay (Ararat)
Alyssa Diaz (Red Dawn)
Madeline Zima (Californication)
Rick Worthy (Collateral Damage)
Cynthia Addai-Robinson (Arrow)
Charles Michael Davis (Battle Scars)
Daniella Pineda (American Odyssey)
Leah Pipes (Fingerprints)
Callrd Harris (The Real St.Nick)
Eka Darvill (Spartacus)
Olga Fonda (Real Steel)
Hayley Kiyoko (Scooby-Doo 3 & 4)
Rick Cosnett (The Flash)
Janina Gavankar (The L Word)
Kendrick Sampson (Gracepoint)
Shaun Sipos (Texas Chainsaw 3d)
Caitlin McHugh (I Am Legdn)
Penelope Mitchell (Curve)
Chris Brochu (Soul Surfer)
Raffi Barsoumian (NCIS)
Colin Ferguson (Eureka)
Jodi Lyn O’Keefe (Halloween: H20)
Emily Chang (Total Recall)
Gabrielle Walsh  (The Hive)
Marco James Marquez  (The CLient List)
Chris Wood (Supergirl)
Tristin Mays (The Wedding Ringer)
Annie Wersching (Bosch)
Christopher Cousins (Wicker Park)

 


There are vampires, and there are indeed diaries. One of these diaries is being kept by Elena Gilbert (Nina Dobrev). Elena’s been writing down her thoughts for quite some time now, but in these dark days, her diary is her only outlet for the way she really feels. She’s still reeling from the deaths of both of her parents just a few short months ago, and while she tries to present a smiling face to the world at large, she’s emotionally ravaged inside. Elena has been keeping almost everyone around her at arm’s length, dumping one of her oldest friends who she’d only recently started to date and tearing just about every last page out of her social calendar. She’s dead inside.

Stefan Salvatore (Paul Wesley), meanwhile, is dead, period. He too keeps a journal, although having been alive…well, undead…for around 150 years, Stefan has had quite a bit more to write about than Elena. One of the first things Stefan did upon his return to his ancestral home of Mystic Falls, Virginia is re-enroll in high school. As an eternal 17 year old, he doesn’t run into any trouble looking the part. It certainly doesn’t hurt that as one of the few surviving vampires who doesn’t sizzle and smolder under the light of day, there’s little reason for anyone to suspect that Stefan is one of the undead. Stefan and Elena are inexorably drawn to one another, and the two of them are almost immediately established as a couple. Epic romance. Moony eyes. You know the drill.

Stefan can’t escape his blood. You can take that in the most literal sense: there’s the blood he must ingest in order to survive, although he’s long since sworn off feeding from humans, living instead off of small animals in the woods around his palatial family estate. This makes it easier to for Stefan to more seamlessly blend into mainstream society rather than feasting off it from the fringes, but it leaves him weaker than most other vampires as a result. It’s just not as potent as what’s coursing through our veins. There’s that sort of blood — the crimson, sticky kind — and then there’s the blood of his family. Stefan’s brother Damon (Ian Somerhalder) is also a creature of the night, and he long ago swore to make every last second of Stefan’s existence an eternal hell. Damon kills without hesitation…not only to feed, and not only to hide the existence of vampires from the world at large, but simply because he likes it. There’s more to Damon’s return to Mystic Falls than revenge, though. There’s a much greater — a much darker — motivation behind it all. At the same time, Mystic Falls isn’t being caught as unaware as Damon might like to think.

The Vampire Diaries finds its footing startlingly quickly. Take Buffy the Vampire Slayer and Angel, for instance: as universally adored as those two series are, neither of them were really any good at all until the tail-end of their first seasons. Even with as strong as Supernatural quickly became in its first year, it got off to somewhat of a shaky start, and a fair number of the episodes from its first season are hit-or-miss. The Vampire Diaries, on the other hand, is just about perfect by the time the third episode rolls around. There really aren’t any weak episodes after that. There’s no filler dumped in just to pad out the rest of the season, and it doesn’t spin its wheels the way a lot of shows do when leading up to the big finale. It’s impressive enough that The Vampire Diaries hits such dizzying heights in its very first season, but to maintain that sort of consistency across virtually every episode…that’s exceptionally rare.


Admittedly, its pilot is kind of slow moving and sputters a bit, but the second episode is quite a bit stronger, and you’ll know from the end of “Friday Night Bites” if you’re in it for the long haul. Even with all of its genre underpinnings, at its core, The Vampire Diaries is a soap opera, complete with dead parents, drug abuse, adoption drama, alcoholism, and lots and lots of relationships. Don’t go in expecting it to be a Buffy clone or a Supernatural knockoff. The elements that make those series so brilliant are showcased here as well, but action, horror, and a snarky sense of humor don’t dominate. The great thing about The Vampire Diaries — and I write this from the perspective of someone who’s not the usual target demographic for this kind of show — is that the soapier elements are never overwhelming either. For instance, as the series opens, Elena’s younger brother Jeremy (Steven R. McQueen) has turned to drugs in a failed attempt at trying to cope with the sudden deaths of his parents. In any other show, there’d be some sort of big, overwrought intervention…drenched in syrupy strings, a heartfelt monologue, and saucer-plate weepy eyes. That, or he’d bottom out in some sort of cartoonishly over-the-top way. Because The Vampire Diaries is so respectful to its characters and its audience, it doesn’t trot down either of those paths. People try to reach Jeremy and fail. He has to arrive at the decision to improve his lot in life himself, and he quickly does. Though Jeremy is certainly given a helpful nudge, his maturation is handled quietly and convincingly. The Vampire Diaries doesn’t have all that much interest in settling for the obvious, and it resists wringing out drama from the same plot points episode after episode.

Every episode has some sort of intensely action or horror driven sequence to unleash, and some sort of shock or surprise is always lurking around the next corner. I seriously found myself shouting at my TV — the good kind of shouting! — with the way The Vampire Diaries so deviously caught me off-guard over and over again. The twists are also well-thought-out and wholly earned, not just lazily yanking out the rug. Very few people here are safe, and characters I assumed would be a fixture for the entire run of the show are suddenly slaughtered after a few episodes. The cinematography can be impressively cinematic as well, and quite a few moments of “You’re Undead to Me” and “Haunted” in particular look as if they could’ve been culled from a big-budget Hollywood horror flick. Especially once the pilot has come and gone, the pace screams along at a very steady clip. There are never really any threads in the storyline that are left dangling for long. Plot points that look like they’d be dragged out over the course of the first season or two are instead revealed a third of the way through. Key moments that feel like they belong in the season finale swoop in closer to the halfway mark. I mean that as the highest compliment too. Nothing ever feels rushed or underplayed. It’s all presented quickly enough to keep The Vampire Diaries from stagnating but is still given enough time to have a meaningful impact…it’s a perfect balance. Also, every episode offers some sort of payoff to something established earlier, and there’s generally some kind of reveal as well. So much happens that part of me honestly wonders how they can keep up this manic pace in season two, although the writers have very much earned the benefit of the doubt after this exceptionally strong first outing. I’m having a hard time thinking of the last show I watched with cliffhangers this consistently addictive too. Especially now that it’s out on Blu-ray, The Vampire Diaries kind of demands to be devoured in marathon viewings.

The cast and characterization straight across the board are particularly great. There’s something magnetic about every last member of The Vampire Diaries’ ensemble, and no weak links leap out at me. There’s certainly an effort to keep them even-keeled. There’s something likeable or sympathetic about most everyone. Each character has some sort of glaring flaw as well, and that includes Elena and Stefan. Elena isn’t some sort of impossibly perfect Mary Sue character. She has her shortcomings, and her friends and family aren’t afraid to call her on them and take her down a peg either. In most any other show, everyone in the supporting cast would be boiled down to a three or four word description: “horny best friend” or “hyperaggressive jock”…that sort of thing. They’d be defined less by who they are and more by what the plot requires them to do that week. In The Vampire Diaries, just about everyone is infused with quite a bit more thought and dimension. This may not be at all apparent at first glance. Some of the folks who at first seem destined to be dead air are soon given some additional depth. Well, that, or they’re quickly mauled.

The body count this season is kinda stratospheric, and it doesn’t hurt that the werewolves hinted at last year have started snarling their way into the series. Season two is teeming with all sorts of unrepentant killers, and the standout early on is Katherine. Nina Dobrev pulls double duty as the wholesome, responsible Elena and as the centuries-old scheming murderess Katherine (several very different incarnations of her, actually), and she’s more than a little bit awesome in both roles. The series milks a few really great jolts from the uncertainty of who you’re looking at, exactly — if it’s Elena or if it’s Katherine playing dress-up — and Katherine’s sinister smirk after she’s had her fun never fails to make me cackle. Katherine also subscribes to the theory that people don’t amount to much more than Happy Meals on legs, and the swiftness, ferocity, and complete lack of remorse as she cripples and murders one random girl just to prove a point winds up being one of the season’s standout moments. I do have to admit that later in the season, The Vampire Diaries’ writers seem to run out of really compelling things for Katherine to do, and her appearances start to pack less and less of a wallop. There’s a point to it, exploring a facet of the character that she’d just as soon refuse to acknowledge even exists, but it does seem anticlimatic with as much of a sultry, destructive force of nature as Katherine is early on. The Vampire Diaries more than makes up for Katherine’s descent into shrugworthiness by introducing a couple of truly ancient vampires — Klaus and Elijah — who are charismatic, startlingly compelling, and also regal and adult…an appreciated change of pace from a show where the monsters are generally played by witty early-twentysomethings.

Ian Somerhalder still stands strong overall as the best thing about The Vampire Diaries, scoring all the snarkiest lines and clearly having a hell of a lot more fun than anyone else in front of the camera. Still, despite being so manipulative, exploitative, hot-tempered, and occasionally murderous, the show still finds a way to keep him completely likeable and sympathetic. Some of the shades of gray with Damon are erased this season, and he’s much more overtly a dependable hero-type. I chalk that up as character development, natch, and the fact that he frequently does seem to approach becoming the man Elena wants him to be makes his slips back into monster-dom that much more tragic.

The Vampire Diaries season 2  is just a hell of a lot of fun to watch, screaming ahead at a manic pace and never settling into any sort of comfortable routine. It’s shockingly well-acted, there’s hardly any filler or unnecessary distractions, and The Vampire Diaries probably gets the nod as the most infectious and consistently entertaining drama I’m watching these days. Even the soapier stuff and the over-the-top melodrama winds up being more engrossing than I ever would’ve thought possible.

 

he third season of The Vampire Diaries is about family…or, rather, trying to hold onto one. Elena’s is all but gone, limited to just her increasingly distant brother Jeremy. The two of them have a surrogate father in Alaric, but even he’s content to set up shop on the couch rather than settle into one of the house’s depressingly vacant rooms. A fractitious family at best seems as if it could collapse at any moment. Elena and Damon both are desperately hunting for Stefan. The previous season closed with Stefan unleashing the monster within, swearing allegiance to the millenium-old original vampire Klaus. ‘The Ripper’ has resurfaced. Though he obeys Klaus’ every command to murder and maim, Stefan isn’t some mindless, manipulated slave; he relishes in the kill.

 

In any other series, Stefan would be back to his righteous old self within two or three episodes, but…well, this is The Vampire Diaries. Things will never be the same again. Klaus has much of his true family within arm’s reach, though he prefers to keep the bulk of them skewered and subdued. His aim is to raise a new family, one that’s both more loyal and more like him: a hybrid of vampire and werewolf. The birthing of this army proves to be far more difficult than Klaus could ever have dreamt, and his torment grows that much greater when he finds the family tree of his birth to be more expansive and more vengeful than once believed. The dominance of family this season doesn’t stop there. Hell, we learn that the existence of vampires at all is predicated on the idea of protecting one’s own. No one in Mystic Falls escapes unscathed from all this, with the sorceress Bonnie, undead Caroline, and lycanthropic Tyler all struggling with parents who’ve either turned their backs on them or can’t accept their children for who they now are.

The Vampire Diaries does so much right, and approaching the top of that list is its disinterest in convention. Stefan and Elena form the core of the series in so many ways, and yet it’s quite a while before the two ever share the same frame this year. They’re kept physically apart for far more of the season than I would ever have thought possible, and even after that point, they’re hardly ‘together’. Stefan has changed profoundly. He may never return to the unwaveringly good guy he once was, and the journey back proves to be a whole hell of a lot more grueling As the third season of The Vampire Diaries came to a close, Elena died. This year follows her rebirth as a vampire, although if Stefan and Damon have their way, Elena will be re-reborn soon enough.You see, there’s a cure for vampirism, entombed for two thousand years with an immortal creature known only as Silas. Even with the crypt on the other end of the continent and before embarking on one epic quest after another to unlock it, they all start fantasizing about what they’ll do if they ever get their hands on the cure.

They could shove it down Klaus’ throat and at long last end his reign of terror, although who knows what kind of collateral damage would result from slaying an Original. Perhaps it’s the shot at redemption that Rebekah has been waiting for. Maybe it’s a chance for Stefan and Elena to enjoy a long but less than eternal life together as humans. It ought to go without saying that not everyone will be able to get what they want, especially since they’re not the only ones in search of the cure. Supernaturally-fueled vampire hunters have started to make their presence known for the first time in ages, and they aim to strip Silas of his immortality and end him once and for all. Anyone who gets in their way is expendable, and it kind of follows that Elena’s vampiric bodyguards don’t pose much of a threat to seasoned killers engineered to butcher the undead.

Season four is largely shaped by those three plot threads: Elena coming to grips with her vampirism, the search for the cure, and the resurrection of Silas. Most everything else that happens this year is fallout from one or more of the above. One of the people closest to Elena is saddled with the mantle of a Hunter, and the path to Silas’ tomb can only be unearthed by having him slaughter as many vampires as possible…a compulsion he’s all too eager to indulge. Cut off from the source of her mystical gifts, Bonnie begins to embrace darker magic. They imbue her with the power needed to unlock Silas’ tomb, but this raw, boundless energy may consume Bonnie before she’s given the opportunity.

Season 5 the doppelganger of Stefan or “shadow self” in the form of Silas certainly keeps things interesting. Silas is one of the more intense bad guys of the show and while Silas appears as if Stefan (as is performed by the same actor), the differences between characters is huge. The same can be said for the continuing story-line of the other double, the seemingly identical look-alike Katherine (who continues to look the same as Elena, but also is nothing like her). In Season 5, Katherine turns from a vampire to a human (as the sole recipient of the long-sought vampire cure), and things are complicated because of it. Seeing the way that actors Nina Dobrev and Paul Wesley handle these scenes is part of the fun, and it’s an amazingly procifient example of the benefits of quality film editing to see the scenes where characters have interactions with one another as played by the same actor.

The production values of The Vampire Diaries are surprisingly strong for such a modest budget television production. The special effects are always minimally utilized so that when there are effects on the show they can count as something extra special. The efforts from the team that works on this show really impresses. The cinematography remains a constant things; always showcasing both the bright and dark elements of the storylines. The costumes fit with these performers well. The make-up department has their work cut out for them at times, and are capably bringing forth the supernatural elements to the show.

Considering relatively lower production costs compared to other network television series, it’s a very well produced creation that continues to impress with what the creator and producers have to work with.

In season six we get to find out what happened to Bonnie (Graham) and Damon (Somerhalder) after last season’s cliff-hanger, and what has become of the other side. There is also the introduction of a new coven of witches who have ties to some pre-existing characters. Last season’s new addition Enzo (Malarkey) also gets a much more beefed up role as well as back-story.

Amongst all of the new additions there are of course some exits, the most notable being that of leading lady. Audiences have spent the last six years investing in the life of Elena Gilbert, but now has come the time to say goodbye, and it isn’t easy. It’s not just Elena though as this year the show lost a total of four of its more long-standing cast members, and there isn’t going to be a dry eye in the house by the end of the season.

'The Vampire Diaries' Recap: Damon and Elena Return to 1994

What makes this box-set really special this season  is the extras. Thought has clearly been put into what to include, and it isn’t your standard deleted scenes and commentaries. Both of those elements are included, but the featurettes have been crafted with the true die-hard fans at the fore-front of their minds. Good Bit and Good Luck is an emotional documentary that gives the cast and crew a public forum to say goodbye to their co-stars. The second is a much more upbeat affair as the cast read out some of their favorite fan Twitter reactions to plot developments over the series. There’s never a dull moment in Mystic Falls and somehow, despite being over a hundred episodes old, the show manages to constantly reinvent itself and feel fresh. the cliffhanger leads into what is already starting to be an intriguing season 7.

 

 

 

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

RECURRING / NOTABLE GUEST CAST

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Jimmi Simpson (Date Night)
Daisy McCrackin (Halloween: Resurrection)
Lacey Beeman (Power Rangers Time Force)
Summer Glau (Firefly)
Vincent Ventresca (Dollhouse)
Brandon Routh (Legends of Tomorrow)
Barbara Tarbuck (American Horror Story)
Laura Regan (Minorty Report TV)
Christina Cox (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Fredric Lehne (Lost)
Jeffrey Nording (Flight 93)
Josh Hopkins (The Perfect Storm)
Robert LaSardo (Nip/Tuck)
Blake Shields (Heroes)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Geoffrey Lewis (The Devil’s Rejects)
Leslie Silva (Odyssey 5)
Garrett M. Brown (Kick-Ass)
Molly Cheek (American Pie)
Autumn Reeser (The OC)
Amanda Wyss (Highlander: The Series)
Robin Riker (Big Love)
Nichole Hiltz (Bones)
Amber Benson (Buffy)
Maggie Grace (Lost)
Katee Sackhoff (Battlestar Galactica)
Marisol Nichols (Felon)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Flashforward)
Michael Pare (Bloodrayne 3)
T.J. Thyne (Bones)
John Kassir (Pete’s Dragon)
Patty McCormack (The Bad Seed)
Barbara Niven (The Rat Pack)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
Sam Witwer (Smallville)
Mae Whitman (The Duff)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Hercules: TLJ)
Jenna Fischer (The Office)
Chadwick Boseman (Captain America: Civil War)
Rance Howard (A Beautiful Mind)
Nicholas D’Agasto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (Teh Fast and The Furious)
Daveigh Chase (S. Darko)
Virginia Williams (Fairly Legal)
Chad Donella (Smallville)
Nicki Aycox (Roadkill 2)
Bob Papenbrook (Jeepers Creepers 2)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Free Enterprise)
Johnny Whitwroth (Empire Records)
Danielle Harris (Halloween 2007)
Michael O’Neil (Roswell)
Amy Sloan (The Aviator)
Brigid Brannagh (Angel)
Andrea Savage (Izombie)
Meredith Salenger (Lake Placid)
Clare Carey (Hercules: TLJ)
Dana Davis (Heroes)
Dee Wallace (ET)
Jay Acovone (Stargate SG.1)
Bradley Stryker (The Lizzie Borden Chronicles)
Piper Laurie (Carrie)
Tessa Thompson (Veronica Mars)
Karina Logue (Bates Motel)
Sarah Brown (VR Troopers)
Brooke Anne Smith (Misschief Night)
Kristin Richardson (Lost)
Lindsay Hollister (Bluberella)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Christina Hendricks (Mad Men)
Thomas Kopache (Stigmata)
April Grace (Lost)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Deborah Van Valkenburgh (Mean Guns)
Robin Weigert (Deadwood)
James Handy (Alias)
Megan Follows (Reign)
Zachary Ty Bryan (Fast and Furious 3)
Alona Tal (Cult)
Meagen Fay (The Big Banng Theory)
Priscilla Pointer (The Flash 90s)
Tina Holmes (Taken)
Jeremy Davidson (Roswell)
Brennan Elliott (Paul Blart: Mall Cop)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Red Riding Hood)
George Coe (Smallville)
Laura Bell Bundy (Scream Queens)
John Rubenstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & CLark)
Michelle Harrison (The Flash)
Peter Graves (Airplane 2)
Stacy Haiduk (Superboy)
Dale Dickey (Iron Man 3)
Mageina Tovah (Spider-Man 2 & 3)
Kenny Johnson (Bates Motel)
Kyle Gallner (Veronica Mars)
Nestor Carbonell (The Dark Knight)
L. Scott Caldwell (Lost)
Neil Jackson (Alexander)
Greg Cipes (Teen Titans)
Rutanya Alda (Amityville 2)
George Newbern (Justice League)
Annie Wersching (The Vampire Diaries)
Eugene Robert Glazer (La Femme Nikita)
John Aylward (Alias)
Bobby Hosea (Xena)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (The Originals)
Thomas Ian Girffiths (XXX)
Polly Shannon (Lie With Me)
Michael Trevino (The Vampire Diaries)
Jake McDorman (Limitless TV)
Robert Picardo (Stargate: Atlantis)
Ernie Hudson (Ghostbusters)
Lucinda Jenney (Rain Man)
Jamie Bamber (Battlestar Galactica)
Bruce Boxleitner (Babylon 5)
Greg Finley (Izombie)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Jennifer Lawrence (The Hunger Games)
Mitch Pileggi (The X-Files)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Erin Cahill (Power Rangers Time Force)
Carolyn McCormick (Enemy Mine)
Michael Massee (Flashforward)
Helena Mattsson (Iron Man 2)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Thirteen)
Bonnie Root (Home Invasion)
Melissa Leo (The Fighter)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Blow)
Justin Bruening (Knight Rider 2008)
Daphne Ashbrook (The Love Letter)
Rodney Rowland (Veronica Mars)
James Black (Anger Management)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Jamil Walker Smith (Stargate Universe)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creeprs 2)
Nikki Deloach (The Net 2.0)
Deirdre Lovejoy (Bones)
Keone Young (Crank)
Kim Coates (The Amityville Curse)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Kathleen Munroe (Stargate Universe)
John Pyper-Ferguson (Caprica)
Paul Wesley (The Vampire Diaries)
Brea Grant (Heroes)
Ronny Cox (Robocop)
Nichole Tom (Gotham)
M.C. Gainey (LosT)
James Karen (Hercules In New York)
Justin Leak (Powers)
Sean O’ Bryan (The Princess Diaries)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Jenna Leigh Green (Sabrina: TTW)
Vernee Watson (The Big Bang Theory)
Carl Lumbly (Alias)
Charles Napier (The Silence of The Lambs)
Joel Murray (Two and a Half Men)
Elena Satine (Revenge)
Nicole Bilderback (Buffy)
Erin Cummings (Spartacus)
Tania Raymonde (Lost)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Lee Majors (Ash vs Evil Dead)
Lindy Booth (Cry Wolf)
Adrienne Barbeau (Swamp Thing)
Raymond J. Barry (Lost)
Ttaylor Cole (Heroes)
Jeff Kober (New Girl)
Courtney Ford (True Blood)
David Starzyk (Veronica mars)
Bailey Chase (Buffy)
Wynn Everett (Agent Carter)
Brad Greenquist (Heroes)
Katherine LaNasa (Lie To Me)
Jeff Fahey (Planet Terror)
Clayne Crawford (Roswell)
Brit Morgan (Supergirl)
Jonathan Banks (The Lizzie Borden Chronciles)
Victoria Pratt (Mutant X)
Ryan Wynott (The Cape)
Jonathan Schaech (Legends of Tomorrow)
Valerie Azlynn (Julia X)
Muse Watson (I Know What You did Last Summer)
Michael Ironside (Total Recall)
Daniel Baldwin (Vampires)
Ashley Johsnon (Dollhouse)
Erin Chambers (Finding Carter)
Tracey Walter (Batman)
Loren Lester (Batman: TAS)
Chris Browning (Supergirl)
Dawn Olivieri (The Vampire Diaries)
Steven Culp (Jason Goes To Hell)
Meagan Good (D.E.B.S)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Yara Shahidi (Ugly Betty)
Nelson Lee (Blade: The Series)
Steven Krueger (The Originals)
Lolita Davidovich (Santa Fe)
Alan Blumenfeld (Heroes)
Chandra West (White Noise)
Carel Struycken (The Addams Family)
Justina Vail (Highlander: The Series)
Rachel Miner (the Butterfly Effect )
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (They Live)
Susanna Thompson (Arrow)
John D’Aquino (Seaquest)
Azura Skype (28 Days)
Johnny Messner (Anacondas)
Rob Benedict (Birds of Prey)
JR Bourne (Stargate SG.1)

I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.The fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.The cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.

The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.