REVIEW: MADNESS IN THE METHOD

Danny Trejo, Kevin Smith, Vinnie Jones, Jaime Camil, and Jason Mewes in Madness in the Method (2019)

Starring

Jason Mewes (Bottoms Up)
Kevin Smith (Chasing Amy)
Teri Hatcher (Lois & Clark)
Matt Willis (Allies)
Jaime Camil (Jane The Virgin)
Vinnie Jones (The Cape)
Gina Carano (Deadpool)
Danny Trejo (Machete)
Stan Lee (Mallrats)
Matthew Sterling Nye (Iron Man 3)
David Dastmalchian (Reprisal)
Mickey Gooch Jr. (How To Be Single)
Brian O’Halloran (Clerks)
Esther Anderson (Home and Away)
Blake Harrison (Dad’s Army)
Dean Cain (Supergirl)
Judd Nelson (New Jack City)
Harley Quinn Smith (One Upon A Time In Hollywood)
Zach Galligan (Gremlins)
Casper Van Dien (Starship Troopers)
Evanna Lynch (Harry Potter)

Jason Mewes in Madness in the Method (2019)I’ve enjoyed Jason Mewes’ body work since I first saw him in Clerks; I’ve laughed at his antics, his catchphrases and his overall screen persona. I firmly believe that Jay and Silent Bob Strike Back would have been nothing without him, he is one of the main reasons it’s one of my favourite comedies of all time. Naturally, I’m impressed at how much he has grown through the ups and downs in his life, and how his friendship with Kevin Smith and being part of his cinematic universe has shaped him up into this person now ready to break through with own art in order to make a name for himself. Of course, he had help to be able to craft his creation, which instinctively deals with his own persona, a mixture of his artistic and real self, trying to be taken serious as an actor in Hollywood. His film deals heavily with aspects of his very own life, like his addiction to drugs, his silly catchphrases and his long-time friendship with Kevin Smith, whom as expected, performs in this film as himself, having two or three scenes, one of which has an apparently enormous closeness to reality when he and Jason find themselves arguing over hidden bitter resentments.Following advice from Fernando (Jaime Camil), whom lends him a book on method acting, Jason decides to pursue this business so that he can be believable as a serious actor, but in ends up driving him insane. Acting-wise, Jason is quite solid in his rendition; it’s obvious he’s dealing with a fictionalized version of himself, but is a good one, considering he is not a professional actor. His debut as a director, however, is not met without flaws, but as someone without any filmic experience it’s not a bad production, it’s quite decent as a resulting product.When it comes to the plot, there’s some sillyness to it, but it’s a sillyness I can understand, it’s not even goofiness related to Jason’s character in Kevin Smith movies, but one that it’s fitting with the comedy/crime tone that Mewes tried to conduct. So overall, if you’re a Jason fan, and understand where he’s coming from, you’ll sure get a kick out of this.

HALLOWEEN OF HORROR REVIEW: THE PACT

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CAST

Caity Lotz (Legends of Tomorrow)
Casper Van Dien (Starship troopers)
Kathleen Rose Perkins (Gone Girl)
Haley Hudson (Freaky Friday)
Sam Ball (13 Going on 30)
Mark Steger (I Am Legend)
Agnes Bruckner (The Woods)

Nicole Barlow is finalizing preparations for her mother’s funeral at her childhood home in San Pedro, California. Her sister, Annie does not want to attend, reminding Nicole of the way their mother used to treat them. Nicole tries to contact her cousin, Liz and her daughter Eva via video call. After losing the connection, Nicole sees an open door, leading into a dark room and walks inside. Annie arrives, having been informed that Nicole is missing, and finds Nicole’s phone along with a photo. That night, she awakens from a bad dream and finds a photo of two pregnant women—her mother and a woman in a floral dress. The next day, Annie attends her mother’s funeral, and it is shown that Annie has one blue eye and one green eye, but her mother didn’t.After the funeral, Annie meets Liz and Eva, and the three return to Annie’s mother’s house. Later, Annie dreams of a shirtless man crying, and, while she sleeps, her phone shows a map, pinpointing an address. When Annie awakens and sees a figure in the hall, she enters Liz’s room and finds her bed empty. An unseen force tries to attack Annie, but she is able to escape the house with Eva. The police don’t believe Annie’s story, with one officer, Bill Creek, implying her guilt in the disappearances. In a motel, Annie notices the address on her phone, finding a blurred picture of a figure in a floral dress. That night, she dreams of the crying man again, as well as a decapitated woman in a floral dress; still in the dream, Annie tries to flee from the room but the door slams shut.In the morning she wakes up, extremely agitated. Annie, accompanied by Bill Creek, return to her mother’s house where they discover a hidden room, one which Annie has absolutely no recollection of. When nobody else will take her seriously, she recruits her psychic friend, Stevie. Stevie, Annie, and Stevie’s protective brother Giles go to the house. In the hidden room, Stevie has a hysterical fit, repeating the name “Judas”. They then see the corpse of a woman in a floral dress floating above them, and Annie realizes that it is not her mother haunting the house. Outside, Giles blasts Annie for putting his sister Stevie in harm’s way. They have a brief altercation, and Giles angrily drives away with Stevie, leaving Annie all by herself. Researching Judas online, Annie finds a serial killer, dubbed the “Judas Killer”, who decapitated a woman in a floral dress, Jennifer Glick. Annie also discovers that her mother has a brother, and that both had connections with Glick.Creek investigates the house after finding a mysterious photo pointing to a cupboard, where there is a secret door leading into the hidden room. Creek is then murdered by an unknown assailant. Desperate for answers, Annie uses a makeshift Ouija board to contact Glick, who confirms her suspicions that Glick was murdered by her uncle, the Judas killer. Annie sees Judas come up from a secret hatch, and hides, discovering the bodies of Creek and Nicole. While Judas cries, Annie takes Creek’s gun but is overpowered by Judas and knocked unconscious. She awakens to find herself tied up and imprisoned in the closet, but manages to escape, stabbing Judas with a coat hanger. Before Judas can kill her, Glick’s spirit pulls her away, to Creek’s gun. Annie shoots Judas, killing him, noting that he has heterochromia as well. In the aftermath, Annie is awarded custody of Nicole’s daughter, Eva. With Liz and Nicole dead, the house has been sold and is under renovations. In the final scene, which may or may not be a part of Annie’s dream, Judas’ eye opens, and he looks around.Most horror movies either insult the audience a little by over-explaining, or they leave many elements simply unexplained (which can be a plus too.) This one actually gives you all the clues you need to put it together and get the answers. Really, it’s all there – if you are observant, you don’t need the characters to spell it out for you. I found the characters and dialog very believable (for a horror film, of course.). A decent Horror and a must see for fans of Caity Lotz.

 

 

 

REVIEW: SLEEPY HOLLOW (1999)

CAST

Johnny Depp (From Hell)
Christina Ricci (Monster)
Miranda Richardson (The Hours)
Michael Gambon (Harry Potter)
Casper Van Dien (Starship Troopers)
Jeffrey Jones (Howard The Duck)
Richard Griffiths (Venus)
Ian McDiarmid (Star wars)
Michael Gough (Batman)
Christopher Walken (The Prophecy)
Lisa Marie (Ed Wood)
Christopher Lee (The Hobbit)
Peter Guinness (Alien 3)
Martin Landau (9)

In 1799, New York City police constable Ichabod Crane (Johnny Depp) is facing imprisonment for going against traditional methods and favoring forensic investigation techniques, such as autopsies, considered unorthodox and unimportant at the time. Ichabod submits to deployment with his bag of tools to the Westchester County hamlet of Sleepy Hollow, New York, which has been plagued by a series of brutal slayings in which the victims have been found decapitated: Peter Van Garrett (Martin Landau), a wealthy farmer and landowner; his son Dirk; and the widow Emily Winship. Arriving in Sleepy Hollow, Crane is informed by the town’s elders that the killer is not of flesh and blood, but rather an undead headless Hessian mercenary from the American Revolutionary War who rides at night on a massive black steed in search of his missing head.

Crane begins his investigation, remaining highly skeptical about the supernatural elements in the case until he actually encounters the Headless Horseman himself, who kills the town magistrate, Samuel Phillipse (Richard Griffiths), on sight. Boarding in a room at the home of the town’s richest family and the Van Garretts’ next of kin, the Van Tassels, Crane develops an attraction to their daughter Katrina (Christina Ricci), while he is plagued by nightmares of his mother’s horrific torture when he was a child. This attraction is deeply resented by Brom van Brunt (Casper Van Dien), a suitor to Katrina, who scares Crane in a prank by posing as the Headless Horseman. Riding into the Western Woods with the orphaned Young Masbath, son of the Horseman’s fifth victim Johnathan Masbath(before Magistrate Phillipse), Crane and Young Masbath come across the cave dwelling of a reclusive sorceress. She reveals the location of the gnarled Tree of the Dead, which marks the Horseman’s grave, as well as his portal into the natural world from the supernatural.
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Crane discovers that the ground is freshly disturbed and, digging through, discovers the Horseman’s skeleton and that the skull is missing. He realizes that whoever dug up and stole the skull is the person controlling the Horseman. Just then, the Horseman’s ghost bursts out of the tree and gallops towards Sleepy Hollow. Crane attempts to follow but winds up lost. The Killian family are taken by the Horseman and Brom is killed — cut in half — when trying to stop the Horseman.

Crane starts to believe that a conspiracy links all the deaths together, so he goes to the town notary James Hardenbrook (Michael Gough) to look into Van Garrett’s Last Will. Hardenbrook confesses Van Garrett had made a new will just before he died, leaving all his possessions to his new bride, Emily Winship, who Crane had learned from the late Magistrate Phillipse was pregnant at the time of her death (and thought that initially the father of the child might have killed Emily to keep the secret hidden). Crane deduces that all who knew about the new will were the victims of Horseman and that Katrina’s father Baltus Van Tassel (Michael Gambon), who would have inherited the fortune, is the person holding the skull. Katrina, finding out that Crane suspects her father, burns the evidence that Crane has accumulated and tells him that she doesn’t love him anymore.
In fear of the Horseman, Hardenbrook hangs himself and a town council is held in the town church. The Horseman seemingly kills Katrina’s stepmother, Lady Van Tassel, and heads off to the church to get Baltus, with the townspeople filing in just as the he arrives. With the men firing muskets as he circles the church, Crane realizes the Horseman can’t enter the church grounds due to it being consecrated and therefore holy. A massive fight breaks out in the church when Dr. Thomas Lancaster (Ian McDiarmid) suggests confessing for forgiveness, and is killed by Reverend Steenwyck (Jeffrey Jones), who is in turn shot by a frightened Baltus. The chaos ends only when the Horseman harpoons Baltus through a church window using a pointed church fence post attached to a rope, dragging him out and acquiring his head. The next day, Crane believes Katrina to be one who controls the Headless Horsemen and left while she was still unconscious.
As Crane is leaving Sleepy Hollow, he becomes suspicious when the hand of the corpse of Lady Van Tassel has a wound which shows signs of having been caused post-mortem. His suspicions are confirmed to be right when the real Lady Van Tassel (Miranda Richardson) emerges, alive, from the dark and shocks her step-daughter Katrina into a faint. Katrina awakens and eventually uncovers a plot revolving around revenge on the Van Garretts and land rights with the Horseman controlled by Lady Van Tassel, who sends the supernatural killer after Katrina now to solidify her hold on what she considers her property, a piece of land unjustly claimed by Baltus. She explains that the body believed to be her corpse actually belonged to the family’s servant, Sarah, whom she had murdered. She also reveals that she had just murdered the mysterious witch in the Western Woods, her own sister, for her role in helping Crane and Young Masbath.

Following a fight in the local windmill and a stagecoach chase through the woods, Crane eventually thwarts Lady Van Tassel by throwing the skull to the Horseman, breaking the curse. The Horseman, no longer under Lady Van Tassel’s control, simultaneously kisses and bites her, and he hoists her up on his horse, then rides to Hell taking her with him, fulfilling her end of the deal with the Devil. With the Headless Horseman menace eradicated, Crane returns home to New York with Katrina and Young Masbath, just in time for the new century.A triumph of design; sets that are spooky down to the last detail, and a cast of well-written characters to populate this creepy little town. There’s a few little things about “Sleepy Hollow” that didn’t work, but for the most part, I found this to be a great film

REVIEW: ALITA: BATTLE ANGEL

Starring

Rosa Salazar (Bird Box)
Christoph Waltz (The Legend of Tarzan)
Keean Johnson (Midway)
Mahershala Ali (Moonlight)
Jennifer Connelly (Noah)
Ed Skrein (Deadpool)
Jorge Lendeborg Jr. (Spider-Man: Homecoming)
Jackie Earle Haley (Watchmen)
Lana Condor (X-Men: Apocalypse)
Idara Victor (Starved)
Eiza González (Baby Driver)
Jeff Fahey (Planet Terror)
Rick Yune (The Fast and The Furious)
Derek Mears (Swamp Thing)
Marko Zaror (Machete Kills)
Casper Van Dien (Starship troopers)
Jai Courtney (Suicide Squad)
Edward Norton (Fight Club)
Michelle Rodriguez (Avatar)

Rosa Salazar in Alita: Battle Angel (2019)In 2563, 300 years after Earth is devastated by a catastrophic interplanetary war known as “The Fall” or “The Great War”, scientist Dr. Dyson Ido discovers a disembodied female cyborg with an intact human like brain. Ido attaches a new cyborg body to the brain and names her “Alita” after his deceased daughter. Alita awakens with no memory of her past, meets Dr. Chiren, Ido’s estranged ex-wife, and befriends Hugo, who dreams of moving to the wealthy sky city of Zalem. Hugo introduces Alita to Motorball, a battle royale racing sport played by cyborg gladiators. Secretly, Hugo robs cyborgs of their parts for Vector, owner of the Motorball tournament.Rosa Salazar in Alita: Battle Angel (2019)One night, Alita follows Ido; they are ambushed by cyborg serial killers led by Grewishka. Ido is injured, and Alita instinctively fights using “Panzer Kunst” (a German expression, meaning “the art of the armor” literally “armor art”), a lost combat art for machine bodies, kills two of the cyborgs and damages Grewishka, who retreats underground. Ido reveals that he is a Hunter-Warrior. Grewishka goes to Dr. Chiren for help, who is working for Vector. Despite Alita believing that fighting will help her rediscover her past, Ido discourages her from becoming a Hunter-Warrior. Alita finds a highly advanced cyborg body in a crashed spaceship outside the city. Recognizing that the body is a Berserker — deadly shock troops of the enemy nation United Republics of Mars (URM) from the Great War — Ido refuses to install Alita in it.Rosa Salazar and Keean Johnson in Alita: Battle Angel (2019)Frustrated with Ido, Alita goes off by herself and registers as a Hunter-Warrior. At the Kansas Bar, she and Hugo are unable to recruit other Hunter-Warriors to her cause of taking down Grewishka. Zapan, a Hunter-Warrior, provokes Alita, and she severely beats him in a fight, triggering a chaotic bar brawl until Ido intervenes. An upgraded Grewishka arrives and challenges Alita to a duel, revealing that he has been sent by Zalem’s technocrat overlord, Nova, to destroy her. Despite her courage and combat skills, Alita’s body is sliced up by Grewishka’s chain-bladed fingers, but Ido, Hugo and Hunter-Warrior McTeague arrive and force Grewishka to retreat. Ido apologizes and transplants Alita into the Berserker body.Rosa Salazar in Alita: Battle Angel (2019)Having fallen in love with Hugo, Alita enters a Motorball tryout race for the prize money to send Hugo to Zalem. Hugo’s relationship with Alita leads him to decide to quit his secret job. He confronts Tanji, but Zapan appears, murdering Tanji and the cyborg and framing Hugo, though he escapes and calls Alita for help; she abandons the race and finds him just as Zapan does. Zapan mortally wounds Hugo. Dr. Chiren offers to save Hugo by attaching his severed head to Alita’s life support system. When Zapan sees through the trick and attempts to stop Alita, the guard mech stops Zapan from stealing her claim on Hugo’s bounty, and Alita seizes his prized Damascus blade and slices most of his face off.Rosa Salazar in Alita: Battle Angel (2019)Ido transplants Hugo’s head onto a cyborg body and tells Alita that Vector’s offer to help Hugo reach Zalem was a lie; as an exiled citizen of Zalem, Ido is certain that citizens of Iron City cannot enter Zalem unless becoming a motorball champion. Alita storms the factory and confronts Vector, who reveals that Chiren has been harvested for her organs. Vector summons Grewishka, but Alita’s new nanotechnological body allows her to easily destroy him. She forces Nova to speak to her through Vector. When Nova threatens to harm her friends, Alita fatally stabs Vector. Ido tells Alita that Hugo has fled to climb a cargo tube towards Zalem. Alita catches up to him and pleads with him to return with her. He agrees, but a serrated defense ring dropped by Nova shreds his body and throws him off the tube. Alita catches him but cannot pull him up, as his arm is breaking off. Hugo thanks Alita for saving him before falling to his death.Rosa Salazar in Alita: Battle Angel (2019)Months later, Alita is the star of the Motorball tournament. Cheered on by the crowd, she pledges vengeance by pointing her sword toward Zalem, where Nova watches from above, smirking.Rosa Salazar in Alita: Battle Angel (2019)Marvelous effect with some great actions make this movie not to be missed seeing it in the big screen. But the thing I love the most is Alita herself. There were a few times I had a smile on myself watching Alita as she was so loveable and badass. Really really hope it will goes beyond just this one movie as the world building in Alita was so fascinating and of course, need to see more Alita.