REVIEW: LOST – SEASON 3

Starring

Evangeline Lilly (Ant-Man and The Wasp)
Matthew Fox (Alex Cross)
Josh Holloway (Colony)
Elizabeth Mitchell (V)
Henry Ian Cusick (Hitman)
Dominic Monaghan (Flashforward)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Jorge Garcia (How I Met Your Mother)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Terry O’Quinn (The Rocketeer)
Emilie de Ravin (Operation: Endgame)
Rodrigo Santoro (300)
Kiele Sanchez (A Perfect Getaway)
Adewale Akinnuoye-Agbaje (Suicide Squad)

Josh Holloway in Lost (2004)

Recurring / Notable Guest Cast

Julie Adams (Code Red)
Brett Cullen (Ghost Rider)
M.C. Gainey (Breakdown)
William Mapother (The Mentalist)
Julie Bowen (Modern Family)
John Terry (Full Metal Jacket)
Michael Bowen (Kill Bill)
Tania Raymonde (Texas Chainsaw)
Rob McElhenney (Wonder Boys)
Paula Malcomson (The Hunger Games)
Ian Somerhalder (The Vampire Diaries)
Chris Mulkey (Whiplash)
Justin Chatwin (War of The Worlds)
Kim Dickens (Gone Girl)
Bill Duke (Black Lightning)
Adetokumboh M’Cormack (Gods & Heroes)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
François Chau (The Tick)
Nathan Fillion (Firefly)
Fredric Lehne (Men In BLack)
Zeljko Ivanek (Heores)
Nestor Carbonell (Bates Motel)
Robin Weigert (Jessica Jones)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)
Shishir Kurup (Coneheads)
Fionnula Flanagan (The Others)
Bai Ling (The Crow)
Diana Scarwid (Wonderland)
Cheech Marin (Coco)
Kimberley Joseph (Hercules: TLJ)
Sung Hi Lee (The Girl Next Door)
April Grace (A.I.)
Shaun Toub (Iron Man)
Gabrielle Fitzpatrick (MMPR: The Movie)
Kevin Tighe (My Bloody Valentine)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Andrew Connolly (Heroes)
Marsha Thomason (White Collar)
Jon Gries (Welcome To The Jungle)
Doug Hutchison (Punisher: War Zone)
Samantha Mathis (American Psycho)
Carrie Preston (True Blood)
Sterling Beaumon (The Killing)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Andrea Gabriel (2 Broke Girls)
Neil Hopkins (The Net 2.0)
Tracy Middendorf (Scream: The Series)
Lana Parrilla (Once Upon A Time)
Malcolm David Kelley (Detroit)
James Lesure (Las Vegas)
Fisher Stevens (Hackers)
Mira Furlan (Babylon 5)

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others.Evangeline Lilly in Lost (2004)The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season.Terry O'Quinn in Lost (2004)Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke.Evangeline Lilly in Lost (2004)Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

REVIEW: VICKY CISTINA BARCELONA

CAST

Javier Bardem (Motehr!)
Penélope Cruz (OPen Your Eyes)
Scarlett Johansson (Lucy)
Rebecca Hall (The Awakening)
Chris Messina (Argo)
Patricia Clarkson (Easy A)
Kevin Dunn (Transformers)
Pablo Schreiber (Fort Bliss)
Zak Orth (The Other Guys)
Carrie Preston (True Blood)

Penélope Cruz in Vicky Cristina Barcelona (2008)Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) visit Barcelona for the summer, staying with Vicky’s distant relative Judy (Patricia Clarkson) and her husband Mark (Kevin Dunn). While the two are great friends, Vicky is practical and traditional in her approach to love and commitment and is engaged to the reliable Doug (Chris Messina), whereas Cristina imagines herself to be a nonconformist, spontaneous but unsure of what she wants from life or love.Rebecca Hall and Scarlett Johansson in Vicky Cristina Barcelona (2008)At an art exhibition, Cristina is intrigued by artist Juan Antonio (Javier Bardem), who Judy says has suffered a violent relationship with his ex-wife. Later, he brazenly approaches the two women to invite them to join him right away for the weekend in the city of Oviedo, in a small plane he flies himself, for sight-seeing, fine eating and drinking, and hopefully, lovemaking. Cristina is won over by the offer almost at once, but Vicky is unimpressed and reluctant; she, however, eventually decides to accompany her friend anyway, mainly to watch over her.Penélope Cruz in Vicky Cristina Barcelona (2008)At the end of their first day, Vicky refuses to join Juan Antonio in his hotel room, citing her fidelity to Doug, but Cristina accepts his invitation immediately. Before the lovemaking starts, Cristina suddenly falls ill with digestive complaints, and is put to bed, with food poisoning. Vicky and Juan Antonio proceed to spend the weekend together alone while they wait for Cristina to recuperate. Vicky gradually changes her opinion of Juan Antonio as he tells her about his tumultuous relationship with his former wife, María Elena (Penélope Cruz). Vicky accompanies him to visit his father, an old poet, and then becomes deeply moved by a Spanish guitar performance later that evening. She finally succumbs to Juan Antonio’s advances as they walk through a grove of trees in the dark. The next day, with Cristina recovered, the three of them fly back to Barcelona.Scarlett Johansson in Vicky Cristina Barcelona (2008)Feeling guilty, Vicky does not mention the incident to Cristina, and the two begin to grow apart. Vicky starts throwing herself into her studies while Cristina and Juan Antonio take up a relationship. Cristina then moves in with Juan Antonio and begins to discover more about his past. After learning that María Elena attempted to kill herself, Juan Antonio brings her to his home, where Cristina already lives. After some defiance, the two women grow fond of each other. Cristina realizes that the ex-spouses are still in love, and María Elena suggests that Cristina may be the element that can give balance and stability to their relationship. All three become romantically involved with one another.Javier Bardem and Penélope Cruz in Vicky Cristina Barcelona (2008)In the meantime, Vicky is joined in Spain by an enthusiastic Doug and the two get married. When Cristina describes her new life with Juan Antonio to Vicky, Vicky becomes secretly jealous, and after a few other awkward moments, she realizes she is unsatisfied in her married life and is still attracted to Juan Antonio. Learning that Judy is similarly unhappy in her marriage, she confides to her, and Judy, who sees her younger self in Vicky, decides to bring Juan Antonio and Vicky together. Meanwhile, Cristina becomes restless and at some point decides to leave Juan Antonio and María Elena; without her, their relationship quickly falls apart again.As the summer winds to a close, Judy arranges for Juan Antonio and Vicky to meet at a party. Juan Antonio begs Vicky to meet him again privately before leaving Spain, which she finally accepts, lying to Doug in the process. At his home, Juan Antonio seduces and wins Vicky over again, but they are interrupted by María Elena who bursts in with a gun, firing wildly as Juan Antonio tries to calm her. Vicky gets shot in the hand in the process, and leaves, shouting they are insane and she could never live like this. She confesses the entire story to Cristina, who never realized how Vicky felt about Juan Antonio, and wishes she could have helped her. Doug, Vicky and Cristina return to the United States; Doug never learns what truly happened, Vicky goes back to her married life, and Cristina is back where she started, still unsure of what she wants from life or love.Penélope Cruz and Scarlett Johansson in Vicky Cristina Barcelona (2008)In the end, the film is an assurance that Allen still has “it” and is feeling ever more confident behind the lens. Vicky Cristina Barcelona is a highly entertaining, funny, and often heartfelt play on that little thing called love.

REVIEW: THE STEPFORD WIVES (2004)

CAST
Nicole Kidman (Australia)
Bette Midler (Hocus Pocus)
Matthew Broderick (Election)
Glenn Close (Guardians of The Galaxy)
Christopher Walken (The Prophecy)
Jon Lovitz (The Simpsons)
Carrie Preston (Doubt)
Danika Yarosh (Heores Reborn)
Joanna Eberhart (Nicole Kidman) is a successful reality television executive producer. She is fired after her latest project, a show called I Can Do Better, where spouses choose between each other or prostitutes, results in one of the jilted men going on a shooting spree and attempts to assassinate Joanna, and she has a nervous breakdown. With her husband Walter (Matthew Broderick) and their two children, they move from Manhattan to Stepford, a quiet Connecticut suburb. Joanna becomes friends with Bobbie Markowitz (Bette Midler), a writer and recovering alcoholic, and Roger Bannister (Roger Bart), a flamboyant gay man who has moved to town with his long-time partner, Jerry (David Marshall Grant). Joanna, Bobbie and Roger witness an incident in which Sarah Sunderson (Faith Hill), violently dances and then collapses. A man named Mike (Christopher Walken) arrives and directs all men to crowd around Sarah so that no one can see what’s going on, although Joanna sees Mike touch Sarah and she puts off sparks. After Sarah is carried away, Claire (Glenn Close), the town’s leading lady, announces to Joanna that Mike essentially runs Stepford and says that she’s his wife.
Joanna argues with Walter about the incident with Sarah until he loses his temper and yells at her. He tells her that her children barely know her, that their marriage is falling apart, and that she’s so domineering people literally want to kill her. Realizing how unhappy she is, Joanna apologizes and agrees to try and fit in with the other wives. The next day, as she cleans the house and tries wearing more make-up, she talks with Bobbie and Roger, and they decide to visit Sarah. Entering the house, they hear Sarah having loud, passionate sex with her husband. Roger starts tiptoeing up the stairs to have a peek, and the women follow until they hear someone suddenly walking out of the room. They quickly return downstairs to hide, and they find a remote control labeled SARAH. While playing with it, they inadvertently cause Sarah’s breasts to enlarge before she falls on the staircase behind them. Frightened, they retreat to Bobbie’s house, where Joanna suggests that they seriously try to live in Stepford. During this time, the Stepford women appear extremely vapid and shallow; in the Stepford book club, their story is a catalogue of Christmas and Chanukah collectibles and decoration tips. Meanwhile, Walter has been bonding with the Stepford Men’s Association. When he wins $20 in a game from Ted, one of the Stepford Husbands, Ted summons his wife and puts a credit card in her mouth. She spits out $20 in one-dollar bills, revealing that she is a robot like the other women.
One evening, Walter and Mr Markowitz go to the Men’s Association with Roger and Jerry, but Joanna and Bobbie hire a babysitter and follow them. Sneaking around the Men’s Association, they find a long line of family portraits. They make a noise and Roger is sent out to see what’s going on. Although he does not reveal their presence to the other men, he tells Joanna and Bobbie that nothing illegal is going on there, and Joanna and Bobbie leave. Roger is directed through a door and he finds himself on a balcony overlooking the main hall. Looking down, he sees something puzzling, turns to the camera and softly utters “Jerry?” The next day, he is completely transformed, running for State Senate as a conservative gay Republican.
Terrified, Joanna tells Walter that she wants to move. Walter apologizes, saying that if she’s so miserable, they can leave tomorrow. She thanks him. That night, she is awakened by their robotic dog bringing her a bone. She is horrified to find that it’s actually a remote control, like Sarah’s but labeled JOANNA. She goes online to research the women of Stepford and learns that the women used to be scientists, CEOs, engineers and judges. The next morning she runs to see Bobbie, only to find that she, too, has become fawning and stupid. Joanna realizes that Bobbie isn’t human any more when Bobbie fails to react to the open flame of a lit stove. Joanna tries to flee but finds that her children have been taken hostage by the men.
She storms into the Men’s Club demanding that the men return her children, but the men, who have been lying in wait for her, capture her. The men explain that when their wives were scientists and engineers, their wives reduced them to low-level support roles. Enraged, the men implanted microchips into their wives’ brains and then transplanted their minds into cloned bodies, which became the men’s patient, subservient and impossibly beautiful robot mistresses. As Mike reveals Joanna’s new body, Walter voices his frustration at being second best to her. The men corner Joanna and Walter and force them toward the transformation room, but before Joanna enters, she makes a final appeal by asking whether the new wives really mean it when they tell their husbands that they love them. Later, Joanna appears at the grocery store, calmly purchasing groceries alongside the other wives.
With Joanna and Walter as the guests of honor, Stepford hosts a formal ball. During the festivities, Joanna distracts Mike and entices him into the garden while Walter slips away. Walter returns to the transformation room where he destroys the software that makes the women obedient. This in turn burns out all the implanted microchips, causing all the Stepford Wives to revert to their original personalities. Walter returns to the ball, where the baffled husbands are cornered by their vengeful wives. Walter reveals that Joanna never received the microchip implant; her argument during the struggle had won him over, and out of his love for and loyalty to the human being he married, he joined her plan to infiltrate Stepford by pretending to be a robot. Mike threatens Walter, but before Mike can attack, Joanna hits Mike with a candlestick, decapitating him and revealing that he himself is a robot. It is revealed that his wife Claire is a real woman and not a Stepford Wife as implied earlier. Distraught over the loss of her husband, Claire explains that she created Stepford because she, too, was a bitter, career-minded woman, a tired brain surgeon. When she discovered that Mike was having an affair, she murdered him and his lover in a jealous rage. Deciding to make the world ‘more beautiful’, she created her robot husband, partly because he was someone other men would listen to. When Joanna wonders aloud why Claire didn’t simply make the men into robots, she replies that she planned to turn the whole community into robots. Claire then electrocutes herself by kissing Mike’s severed robotic head.
Six months later Larry King is interviewing Joanna, Bobbie, and Roger. After their experiences in Stepford, they have all met with success; Joanna made a documentary, Bobbie wrote a book of poetry, and Roger won his state senate seat as an Independent. Joanna also notes that while her and Walter’s relationship isn’t perfect, it is still real, and that is what is important. Before ending the interview, King asks about the men’s fate. Bobbie reveals that they are being retrained back in Connecticut. The closing scene of the film reveals that the irate wives have taken over Stepford and forced their husbands to atone for their crimes by placing them under house arrest, making them complete many of the same domestic tasks that the men had forced the women to do.
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The remake is more comedic and a more docile to a serious subject matter, its rather clumsy romance-comedy that does nothing to surpass the original. Its entertaining but it quickly fades when compared to the brilliance of the original film. It’s not an awful remake but its nothing special either.

REVIEW: WONDERFALLS

MAIN CAST

Caroline Dhavernas (Hannibal)
Katie Finneran (Bewitched)
Tyron Leitso (Being Erica)
Lee pace (The Hobbit)
William Sadler (Iron Man 3)
Diana Scarwid (Pushing Daisies)
Tracie Thoms (Cold Case)

RECURRING / NOTABLE GUEST CAST

Gabriel Hogan (Heartland)
Kari Matchett (Cube 2)
Chelan Simmons (Final Destination 3)
Neil Grayston (Eureka)
Sarah Drew (Grey’s Anatomy)
Carrie Preston (True Blood)
Audrey Wasilewski (Red)
Colin Fox (Goosebumps)
Beth Grant (Child’s Play 2)
Louise Fletcher (Heroes)
Ted Whittall (Beauty and the Beast)
Spencer Breslin (The Happening)
Jewel Staite (Firefly)

1441440402“Wonderfalls” was one of those outstanding cult shows that burn bright and briefly — it lasted only four episodes before being yanked, with nine unaired in the usa. Now fans of this cult show are rewarded with the full series, in all its witty, quirky glory. Twentysomething Jaye Tyler (Caroline Dhavernas) is an underachieving slacker. She has a philosophy degree from Brown University, but now works as a shopgirl at Niagara Falls and lives in a trailer. Needless to say, her ultra-successful family finds this galling and disturbing, even though they themselves are far from the Cleaver clan — her sister Sharon (Katie Finneran) is a lesbian, her parents are splitting, and her brother is just a weirdo.captain-america-serial-44-2-g-1Then weirder things happen to Jaye. Suddenly toys are talking to her, and prompting her to help the people around her — returning purses, dealing with ghosts, helping an old enemy from high school, and deal with a long-dead Indian girl. Following the instructions of her “muses,” Jaye begins to learn a few things about other people, and the quality of kindness. It’s an unusual idea for a TV show — an embittered young woman hears “muses” talking to her, including a stuffed lizard, lawn flamingos and a brass monkey. Most people would just check themselves into a padded cell, but that doesn’t make for scintillating TV watching. So instead, it becomes a deeply warped inspirational series.maxresdefaultWhat sets it apart from other series is the surreal touch and wicked sense of humor. It’s never made clear why Jaye hears toys and bookends talking cryptically to her — is it God? Aliens? Her own mind? Pantheistic souls in everything? Nothing is made specific, which makes it all the weirder and more intriguing — especially since the toys give her advice even when she doesn’t want it. And the humor can be beyond weird, but is always funny, such as Jaye arguing with a cow creamer (shades of P.G. Wodehouse?) that she doesn’t want a pancake. Another example is a solemn, intense moment after she scatters a deceased person’s ashes…. and promptly gets fined for littering. The dialogue is witty and well-written — not in a laugh track way, but in a smile-and-chuckle-softly way.hqdefaultCaroline Dhavernas does a phenomenal job as Jaye. She narrowly avoids the sullen teen/twentysomething cliche, making Jaye’s dissatisfaction with her family and life seem realistic. She can be nasty and incisive and angsty, but can also be sweet and even vulnerable. The supporting cast, such as nice-guy bartender Eric (Tyron Leitso) and Jaye’s bizarro overachiever family, are surprisingly well-rounded for such quirky characters. “Wonderfalls” is destined to remain a cult hit — delicate, weird and thoroughly original. It didn’t last long, but now everyone can enjoy what there was of it. Absolutely wonder-fall.