REVIEW: THE WOMEN (2008)

 

CAST

Meg Ryan (You’ve Got mail)
Annette Bening (American Beauty)
Eva Mendes (2 Fast 2 Furious)
Debra Messing (The Wedding Date)
Jada Pinket Smith (Bad Moms)
Bette Midler (Hocus Pocus)
Candice Bergen (Miss Congeniality)
Carrie Fisher (Star Wars)
Cloris Leachman (The Iron Giant)
Debi Mazar (Batman Forever)
India Ennenga (The Returned)
Jill Flint (The Night Shift)
Ana Gasteyer (What Women Want)
Keegan Connor Tracy (Bates Motel)

Clothing designer Mary Haines lives in a beautiful suburban Connecticut home with her wealthy financier husband Steven and their 11-year-old daughter Molly. Her best friend since college, Sylvie Fowler, is the editor of a prominent fashion magazine that dictates the latest in taste and style for New York City fashionistas. When Sylvie learns Steven is involved with Crystal Allen, a perfume salesgirl in Saks Fifth Avenue, from chatty manicurist Tanya, she confides in the ever-pregnant Edie Cohen but hesitates to tell Mary, who discovers the news from the same woman after getting a manicure herself. Despite her mother Catherine’s exhortation to keep quiet about what she knows, Mary confronts Crystal first, in a lingerie store, and then Steven, before asking for a divorce.Sylvie, Edie, and writer Alex Fisher join forces to support their spurned friend, but complications arise when Sylvie, facing the loss of her job, conspires with local gossip columnist Bailey Smith by confirming Mary’s marital woes in exchange for Bailey contributing a celebrity profile to the magazine. Mary is stunned by Sylvie’s betrayal and ends their friendship. Mary’s daughter begins to ditch school and confides in Sylvie because her mother, distracted by the upheavals in her once idyllic life, becomes more distant. ary is fired from her job by her father, has a makeover, and decides to open her own clothing design firm with some financial assistance from Catherine. As she begins to get her life in order, she makes an effort to bond with Molly, who reveals her father’s relationship with Crystal is unraveling, and reunites with Sylvie, who has quit her job. With this knowledge in hand, Mary sets out to repair her fractured marriage as she prepares to unveil her new line of womenswear in a fashion show attended not only by boutique owners but the buyer from Saks, as well.Sylvie tells Mary that she has met a guy and is thinking of giving him her real phone number. Edie’s water breaks and she has a baby boy. Mary receives a call from her husband and is encouraged by the others to answer it; she then arranges a date with him. In the end, we see that a magazine titled Sylvie is published with the four friends on the cover and Alex’s book is out. A hint is given about Crystal’s possibly going out with Alex’s ex-girlfriend Natasha. The women talk about the magazine, the book and the joys, heartaches and uniquely special triumphs of being a woman.This film did not fair well at the box office, but look for it to strike a cord and become popular on television. The message of this movie being that one does not need to be in a relationship to feel complete. You can be complete on your own, whether you’re a man or a woman.

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REVIEW: BRIGHT LIGHTS: STARRING CARRIE FISHER AND DEBBIE REYNOLDS

CAST

Carrie FIsher (Star Wars)
Debbie Reynolds (Singin’ in The Rain)
Todd Fisher (These Old Broads)
Catherine Hickland (Loving)
Griffin Dunne  (After Hours)
Billie Lourd (Scream Queens)

When Carrie Fisher passed away unexpectedly late last year, at that time knowing nothing about the health of her mother, Debbie Reynolds, only her age – 84 – I thought to myself, this kind of a shock could do a person in at that age. And the next day it did. This documentary shows these two as much more than just mother and daughter, but fast friends. It is a great tribute to both ladies. It talks a little bit about Debbie’s past problems – being abandoned by her husband with two small children, then marrying a guy she thought would bring her family some stability and security, but it didn’t – he in fact bankrupted them with his compulsive gambling. And she faced all of this with dignity and was a fighter.ranking-the-spider-man-animated-series_cgbjDebbie doesn’t do that much talking for or about herself. In fact through most of the documentary it is mentioned how she is feeling just awful, but you’d never guess it. She is always dressed to the nines and smiling – something Carrie said she learned as a recruit in the old studio system at MGM. And then, feeling awful, Debbie books a Las Vegas show and brings her children into the act because she simply can’t do the whole show. She just couldn’t retire outright because she loved entertaining and loved the audiences. Carrie does most of the talking. Like mom, she is a fighter, and also has quite a sense of humor. She fought her way back from a childhood in which she was abandoned by her dad, Eddie Fisher, in every way possible. It’s like he just left them behind like they were part of a past life – until Carrie had some success and he came back asking for money. She fought her way back from drug addiction and her failed marriage to Paul Simon, who was much older than she, and during the documentary she is quite open about her battle with her weight as she tries to get the pounds off with the help of a trainer in preparation for the Star Wars film, “Episode 7”. The trainer keeps trying to take her sodas away from her – which she keeps replenishing.fe109-spiderman-animatedCarrie has a visit from old childhood chum Griffin Dunne, and they easily talk about their youth. After all of the awful stuff you have just learned about her dad, Eddie Fisher, and his parental negligence, Carrie goes to visit him, and he does look like death warmed over at this point, and Carrie tells him that she loves him and she seems to really mean it. It is revealed during the documentary that Eddie Fisher was a drug addict too, and I think having that common experience with her dad has made it easier for her to forgive him. What a classy lady. Eddie Fisher passed away in 2010, so obviously this part of the documentary was shot much earlier.Todd, Carrie’s younger brother, is in the documentary too, but he doesn’t have much to say. The documentary is not in “this is your life” style. It is more just following Debbie and Carrie around and showing the deep relationship and love they had for one another.

REVIEW: FAMILY GUY – DVD SEASON 16

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MAIN CAST (VOICES)

Seth MacFarlane (Flashforward)
Alex Borstein (Power Rangers Zeo)
Seth Green (IT)
Mila Kunis (Black Swan)
Mike Henry (Ted)
Jennifer Tilly (Curse of Chucky)
Patrick Warburton (Scream 3)
Adam West (60s Batman)

RECURRING / NOTABLE GUEST CAST (VOICES)

Rachael MacFarlane (The Batman)
Sanaa Lathan (Blade)
Fred Tatasciore (Hulk vs)
Kevin Michael Richardson (The Cleveland Show)
Cary Elwes (The Princess Bride)
Ed O’Neill (The Bone Collector)
Lucas Grabeel (Smallville)
Dee Bradley Baker (American Dad)
Kate McKinnon (Ghostbusters)
Gary Cole (Chuck)
Carrie Fisher (Star Wars)
Margaret Cho (Hurricane Bianca)
C.S. Lee (Dexter)
Chad L. Coleman (Arrow)
Christina Milian (Bring It On 5)
Martha MacIsaac (Superbad)
Ashton Kutcher (Two and a Half Men)

This season is really season 14. The episodes this season are as follows.

Pilling Them Softly:


So this episode tries to tackle the issue of ADHD medication and whether or not it should be used on students who haven’t been paying attention in school. It’s pretty ambitious for the show to try and do this. On the Positive side  the episode handles the subject well and t demonstrates that some doctors would prescribe medication to the kid, even if he doesn’t need it. This can be done through not testing it and going off of what people see while the kid is at school. The sad truth is that there are parents out there that don’t ask their kid questions about what they learned in school, and it’s nice for this episode to show it


Papa Has a Rollin’ Son:


The main plot has Joe’s father coming to visit, but Joe doesn’t want that because he never told his dad that he was handicapped and his dad makes fun of handicapped people. It’s one of those situations where you can replace Joe’s father’s prejudice with anything and you can see how well this episode tackles the issue. It’s just as hard in real life as it sounds, and how this episode portrays the emotions realistically is damn impressive. The ending where Joe confesses to his father and reunites with him is very satisfying given how realistically portrayed it’s handled.

Guy, Robot:

The main plot has Stewie making a robot as a friend after Brian stole all of his jokes from Twitter for a stand up routine. While Brian did act like a dick stealing Stewie’s jokes, it’s actually neat of him to try and make it up to him by helping him stop the robots later on. The robots getting smarter leads to a joke about Asperger’s Syndrome, which I’m not really sure I get. Stewie says that the robots have Asperger’s because they are doing math on glass and invading each other’s personal space The majority of the main plot focuses on Stewie slowly being alienated by Lyle and the other robots, but I don’t like the implication that if you grow more intelligent, you see less intelligent people as beneath you. I don’t think the writers were intending to make it come off that way, but it’s still something I can’t ignore.

Peternormal Activity:


This episode is one that has a really good main plot,  I really like the idea here, being that Peter and his friends try to write their own horror movie after seeing a terrible one. So they go to a spooky asylum to write the movie, and lots of craziness happens from there. The ideas they come up with at the beginning of this plot are references to classic horror tropes, like the couple getting killed at Make Out Point, a person waking up in an empty hospital, and something that wouldn’t normally be scary being made scary. In this case, that ends up being a bar of soap, and it’s just as hilarious as it sounds.

Peter, Chris & Brian:

The episode begins with Peter being worried about his porn collection possibly being found by someone after his mother sold everything. I will admit, however, that it’s kind of dickish of him to only focus on his porn collection instead of his mother. Thankfully, that aspect isn’t focused on too much, so it doesn’t really become distracting. I love the little build up to Peter wanting to watch all his porno movies nonstop, and then through “11 minutes later”, he says that he will never watch another one of these movies ever again. That’s a pretty funny joke.


Peter’s Sister:

Peter’s sister Karen comes over for Thanksgiving, while Stewie goes a little too far as he and Brian go on a cleanse to avoid overeating.A fumy thanksgiving episode the highlight is the wrestling match at the end.

Hot Pocket-Dial:

Now this is a concept I can get behind: Quagmire’s feelings for Lois being brought to the forefront, and everybody having to deal with the consequences that can come from it. I never thought it would happen in this show, but I’m glad that the writers are finally doing something with this other than jokes. For the most part, the episode handles the concept fairly well. Everybody reacts like they really would in a situation like this, and there are some decent jokes that come from this. My favorite is the one where Peter accidentally lets everyone hear a message he said about an idea called “Fop Cop.” It’s so strange and out of nowhere that it’s damn funny.

Brokeback Swanson:


Joe becomes a quadriplegic while Brian has an affair with a married woman.  Despite some cringe-worthy jokes during this plot, it’s decently told, the characters act realistically, and the ending reveal of how Joe ended up being paralyzed is a funny twist.

A Shot in the Dark:

So this episode deals with the subject of hate crimes that have been going on in recent years. Peter ends up shooting Cleveland Jr while trying to protect the neighborhood, and he gets blamed for doing it from racism. In terms of that….it surprisingly does a good job of it!

Candy, Quahog Marshmallow:

This episode is a pretty good dramatic episode in regards to Quagmire’s story. I like the idea of him wanting to live a life in Korea with his old flame. It definitely leads to some good dramatic moments when he suggests that he’s going to stay there with her.

The Peanut Butter Kid:


After the Griffin family’s bank account begins to run dry, Peter and Lois have Stewie star in a peanut butter commercial. Peter and Lois soon start getting hooked on making Stewie a child star, which causes Brian to be concerned about their motives. A Good episode that  showcases those parents who push there kids to be famous so they can live off them.

Scammed Yankees:

Peter and Carter go to Africa to return Carter’s money he lost to a Nigerian scammer. Meanwhile, Brian tries to hook up with one of Meg’s friends after he finds out that she has a great body. Another great Brian episode.

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An App A Day:


Peter learns about phone apps and overloads his phone with them. He buys a new phone with more memory and gives his old phone to Chris, which causes a series of horrible events. Meanwhile, Stewie joins a tennis club and invites Brian to be his tennis partner.  A great episode that shows us just how addicted we all are to our apps and phones.

Underage Peter:


Thanks to dog years, Brian is the only one old enough to drink when Mayor West raises the drinking age to 50 following Peter’s latest drunken rampage, so Peter makes Brian buy his beer. There were several things that I genuinely enjoyed. Some of the jokes managed to get a chuckle out of me(aside from the confusing ones, like Thomas Edison’s cutaway), and when Peter isn’t taking advantage of Brian and coming across as unlikable, the episode does fine with the story and the moral it tries to teach.

A Lot Going On Upstairs:

The main plot of the episode reminds me somewhat of MLP’s Do Princesses Dream of Magic Sheep. This isn’t quite like that episode, since that dealt with a character’s depression(whether or not you think it worked depends on who you are), but the way the episode uses the dream sequences is just so incredible. Not only do the scary visuals actually have a point unlike in Seahorse Seashell Party, but it leads to some of the best and most creative animation the show has ever put out. It even manages to get some hilarious jokes, like Stewie’s perception of what the news is like. Watch that moment yourself if you want a good laugh. The main plot ends with Brian being revealed as the reason for Stewie’s nightmares, and it’s not from him being an asshole like you would think nowadays. It’s actually from Stewie not wanting Brian to be disappointed in him. That’s a feeling I think all of us can sympathize with, whether it relates to a parent, friend, or anyone, really. It’s a mature moment that is worth watching the episode alone.

The Heartbreak Dog:
Brian kisses Bonnie during her 46th birthday party and she (briefly) leaves Joe. Meanwhile, Meg starts stealing from a retirement home after the residents she volunteered to help mistreat her. The ending leaves me split down the middle. On the one hand, it’s nice that Joe is willing to listen to his wife and help her achieve her dreams that she never got to since his accident. That’s a nice, mature moment from him that bumps his likability up at least a little bit after the rest of the episode. On the other hand, it kind of feels like the episode is okay with someone’s wife cheating on them because of her lost dreams. That’s just how it came across to me.

Take a Letter:

The main plot has Lois find an old letter from Peter telling an old girlfriend that he was having doubts a week before his marrying Lois. While this plot is good for the most part, it does feel a little unfocused. The first two thirds of it focuses on Lois being worried about whether or not Gretchen and Peter were seeing each other. The last third has Gretchen go all yandere on Peter and trying to kill Lois so they can be together. The story does have many good moments.


The New Adventures of Old Tom:

This is actually a pretty good story for the show, even though it kind of feels like And It’s Joyce Kinney, except focusing on Tom Tucker. It does a decent job telling it, and even the climax where Peter gets Tom his job back is pretty satisfying. The only real problem I have with the main plot is Lois. She shows that she cares much more about how hot the new news anchor is than she is for her husband’s safety. When she does that, on top of leaving Peter at the mall to fend for himself, it kind of sours the moments when we’re supposed to care about her.

Run Chris Run:


Chris gets elected homecoming king, but Meg discovers that the cool kids only voted for him in order to prank him. Meanwhile, Peter and the gang get jealous when Cleveland starts hanging out with Jerome, so they try to get him back. A Good epiosde as the main plaot relates to me when I was at school the same thing happened to me.

Road to India:

Brian and Stewie go to India to find a tech support worker with whom Brian has fallen in love. Meanwhile, Peter becomes the center of attention when Joe invites him to bingo night. A great episode made me think of all the times I pranked the fake tech supporters.

Another great season and a must have for all Family Guy fans.

REVIEW: SMALLVILLE – THIRST

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MAIN CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Allison Mack (The Ant Bully)
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GUEST

Carrie Fisher (Star Wars)
James Marsters (Buffy)
Brooke Nevin (Infestation)

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Chloe is at the Daily Planet headquarters in Metropolis interviewing for a job with the new editor-in-chief, Pauline Kahn. Ms. Kahn is unimpressed with the column Chloe wrote in high school and tells her that Lionel’s arm-twisting is the only reason she ever got the opportunity. She dismisses Chloe, but Chloe tells her that she doesn’t expect special treatment and is willing to work her way up to the top. Pauline Kahn tells her that she will consider hiring her if she produces a good story. Switch to Chloe’s narration as she continues to work on her report on the Tri-Psi sorority. At their sorority house, a pizza boy arrives and the girls invite him into the hot tub. During the make-out session, the girls suddenly start biting him, he begins to scream and the water turns blood red.
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Clark goes to visit Lana at her theater and then steps into her apartment to find her packing. She tells him that she’s applied for late acceptance to Met U, but there is no longer any housing available, so she is considering a sorority. Clark is disappointed and suggests her go to CKU with him, but she assures him that nothing will change between them. Clark is in Professor Milton Fine’s history course. After the lecture, Professor Fine is approached by Lex Luthor. Lex accuses him of researching certain LuthorCorp projects that have yet to gain public knowledge. He asks him if Clark Kent is providing the information, but Fine denies Clark’s involvement. Lex reminds Fine that he has great influence in the CKU review board.
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The Tri-Psi sorority head, Buffy Sanders introduces her group as the prettiest and most exclusive sorority. Lana is one of the pledges and is surprised to find out that she is the only one that has been picked to join. They tell her that there is one more initiation ritual, and it is revealed that the entire sorority are vampires. They bite Lana and she becomes part of the sisterhood. Fine goes to the Mansion and tells Lex that he doesn’t have to investigate his past, because he will provide him with anything he wants to know. He gives Lex a file on himself and tells Lex that he knows he is using funding from the University to conduct LuthorCorp experiments. Lex seems to back off, but when Fine leaves, Lex sends a guard to follow him.
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Chloe’s roommate Karen is dismantling her mini version of the Wall of Weird when she arrives home. She is angry about the wall, and even angrier that Lana Lang is asleep in Chloe’s bed. Karen storms away and Chloe tries to revive Lana. She is groggy and lethargic, and Chloe thinks she is hungover from the pledge party. Clark arrives and Chloe leaves her in his care. He asks if she’s feeling ok and she says she’s fine and starts making out with him. Clark is surprised and confused by her aggressive advances and she gets annoyed by his reluctance and leaves. The guard finds Professor Fine at Warehouse 15. When he approaches and says he shouldn’t be touching what isn’t his, but Fine claims otherwise. He extends a metal projectile from his hand, kills the guard, and goes back to examining the Black Ship.
Image result for smallville thirst.Chloe’s investigation continues and she reports that Lana and her new friends have fun throwing each other off the house’s balcony and getting drunk. Clark is worried about Lana’s strange behavior and Chloe tells him that she’s been investigating the sorority and has uncovered some strange details. None of the sisters ever leave the sorority, and it is the most exclusive one on campus. She makes a plan to infiltrate their Halloween party and brings Clark along. They split up to locate Lana. Clark ducks into a bedroom where Buffy catches him rummaging. She orders him to leave, but she is distracted by someone at her door. When she turns back to Clark, he is gone. Chloe finds Lana dancing and making out with other boys and pulls her to the side. She asks her about how she’s been acting and Lana bites her. Chloe calls Clark for help and he uses his super-hearing to find her. He arrives to catch Chloe just as she passes out, astonished to see Lana standing over her with a mouth full of bloody, pointed teeth. Clark takes Chloe to the hospital where the doctor reports that she has a rare strain of the rabies virus which is preventing her red blood cells from regenerating. They can treat her but they don’t know the cure. Professor Fine arrives at the hospital, claiming to be visiting a sick colleague. He asks about Chloe’s condition and Clark admits that he thinks she was attacked by a vampire. Fine looks at Chloe’s chart and tells him to ask Lex about Project 1138.
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Back at the Tri-Psi sorority, the other girls are mad at Lana for leaving a victim alive. They tell her that Clark was snooping around and she has to clean up her mess by bringing him back so they can finish him off, or Lana will be the one they feed off instead. Clark goes to the Luthor Mansion and demands that Lex tell him about the Project. Lex leads Clark into the library carrying a metal briefcase. He explains that six years ago, Buffy Sanders was trapped outside Smallville in a cave but was rescued by LuthorCorp. The cave was found to contain meteor rock-infected stalactites that had mutated the vampire bats living there. A LuthorCorp worker was also bitten and developed vampire-like symptoms like strength, fangs, and light sensitivity, but they were able to cure him. He opens the case to reveal vials of the serum, kept active by a large fragment of meteor rock. Clark starts to feel ill and backs away just as an overhead window breaks. Lana appears and jumps to the floor. She knocks Lex out and attacks Clark. Clark is weakened by the kryptonite and Lana bites him. After sucking his blood, she is able to shoot heat from her eyes. Clark is able to grab one of the syringes with the antidote in it before Lana takes him back to the sorority house.
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The girls lay him on the hearth of the fireplace and prepare to feed on him. Lana doesn’t want to kill him and suggests they just turn him into a vampire as well. The girls explain there is no room for him in a sorority. Buffy doesn’t care what Lana wants and when Lana stands in her way, she knocks her to the floor. Buffy then tries to kill Lana, but she uses her heat vision to vaporize Buffy and the other vampires run away in fear. Lana prepares to turn Clark into a vampire but he is able to stab her heart with the antidote and restore her to normal. Clark and Lana are walking along campus when he tentatively asks how much she remembered. She admits that it’s all a little fuzzy, but she remembers biting him and says she felt his love for her and his strength. She says she misses being with him. Clark goes to the Luthor Mansion to thank Lex for saving the girls’ lives. Lex gets Clark to admit that Professor Fine is the one who told him about Project 1138 and tells him that Fine is obtaining highly classified documents. He warns Clark to stay away from Fine.
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Chloe’s report concludes with the knowledge that all the girls were cured, including herself. Her roommate transferred, so Lana was able to move in with her. She gives the article to Pauline Kahn, but Kahn claims that they don’t print tabloid stories. Chloe counters with the research she did for the article including interviews, CDC reports, and eyewitness accounts. Kahn changes her mind, says that Chloe has potential, and agrees to hire her. Chloe is thrilled to start her dream career in the basement of the Daily Planet.Image result for smallville thirst

A strange episode for Smallville, it is probably the weakest episode out of all 10 seasons, but it is still intriguing. Carrie Fisher is the highlight of the episode , thou many believe she should of got a bigger part. James Marsters shines as he all does in the part of Brainiac. Kristin Kreuk sexing it up as vampire was fun to see. all in all an okay episode and worth watching over Halloween.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: WONDERLAND

CAST
Val Kilmer (Batman Forever)
Lisa Kudrow (Bad Neighbours)
Kate Bosworth (Superman Returns)
Dylan McDermott (The Practice)
Michael Pitt (The Dreamers)
Josh Lucas (Hulk)
Ted Levine (The Silence of The Lambs)
Tim Blake Nelson (Fantastic Four)
Janeane Garofalo (Wet Hot American Summer)
Natasha Gregson Wagner (Urban Legend)
Scoot McNairy (Argo)
Christina Appelgate (The Sweetest Thing)
M.C. Gainey (Lost)
Paris Hilton (Bottoms Up)
Carrie Fisher (Star Wars)
John Holmes and Dawn Schiller
The underage girlfriend of John Holmes, Dawn Schiller, is on the streets and picked up by a holy roller after Holmes leaves Schiller in a hotel room. Schiller eventually calls Holmes to come and get her. Holmes arrives at the apartment, and they have sex and snort cocaine in the bathroom. The next morning, while in a motel room, Dawn sees a newscast that states four people were murdered at a rowhouse on Wonderland Avenue, the same one she had earlier been at with Holmes. The story eventually moves on to two city detectives investigating the crime, Sam Nico and Louis Cruz, and their contact with Holmes. Another officer, Billy Ward, intervenes in the investigation.
David Lind’s story
The next major character introduced is David Lind. He hears of his friends’ murders at Wonderland and soon discovers his girlfriend was there. While at the crime scene, he is picked up by Nico and Cruz. Through Lind’s story (told in flashbacks), we are introduced to some of the people who partied at Wonderland. These people, known as the Wonderland Gang, included Ron Launius and his wife Susan, Billy Deverell, Lind’s 22-year-old girlfriend Barbara Richardson, and Joy Miller. Ron has a fondness for antique guns and frequently shows them off. When he learns that Holmes knows notorious gangster Eddie Nash, he gives Holmes a pair of stolen antique guns to take to Nash, so that Nash can fence them and the Wonderland Gang can split the loot. (Nash had befriended Holmes because of Holmes’ notoriety as the porn film phenomenon Johnny Wadd.) Holmes takes the guns to Nash, but Nash says the guns are too rare to be sold, as they would be recognized right away and everyone involved would be apprehended. Rather than return the guns to Holmes, Nash keeps them for himself. Attempting to get back in the gang’s good graces, Holmes suggests robbing Nash’s home. Ron Launius is reluctant to go along with the robbery at first, but after Holmes gives him a rundown of what’s there, he is eager to participate. Holmes volunteers to draw them a map to plan the robbery, since he has visited Nash’s house frequently. Holmes then visits Nash to buy drugs, and on the way out leaves the kitchen door unlocked to give the Wonderland gang easy access.

The Robbery of Eddie Nash
The next morning, Ron Launius, Lind, and Deverell carry out the robbery, while wheel-man Tracy McCourt waits outside in a car, serving as lookout. Neither Holmes nor any of the women is present when the robbery occurs. The Wonderland Gang gains access through the unlocked kitchen door and robs Nash at gunpoint. Lind accidentally fires his gun, wounding Nash’s bodyguard, Greg Diles. The gang hurls racial epithets at Nash and Diles and walks away with over one million dollars in cash, jewels, and drugs. They bring their loot back to the Wonderland apartment to divide everything up. Holmes is unhappy with the cut he is given, even though he did not take part in the robbery and he’s in debt to the gang.
Nash discovers Holmes was involved in the robbery, he has Holmes beaten and finds Holmes’ little black book. He tells Holmes he will kill every person listed in the book, starting with Holmes’ mother, if Holmes does not give up the men who robbed Nash.

July 1, 1981
The retaliation for the robbery is swift and fatal. On July 1, 1981, a group of Nash’s henchmen (including Holmes), led by Diles, gains access to the apartment at Wonderland Avenue. Ron Launius, Deverell, Richardson, and Miller are all brutally beaten to death with striated lead pipes. Diles compels Holmes to deliver blows to Launius. Susan Launius is beaten but survives, and is questioned by Nico and Cruz in her hospital bed. She tells them (in a near comatose state) that she does not remember anything, only shadows. Lind is not present during the attacks
The film is skillfully directed and paced and captures the frenetic world of the drug fiends in their element. The fact that Holmes is a porn star is almost irrelevant. That story was told in “Boogie Nights”. This is a story of a transitional and forgettable era.

REVIEW: HEARTBREAKERS

CAST
Sigourney Weaver (Avatar)
Jennifer Love Hewitt (I Know What You Did Last Summer)
Gene Hackman (Superman 1,2 & 4)
Ray Liotta (Hannibal)
Jason Lee (My Name Is Earl)
Anne Bancroft (The Graduate)
Jeffrey Jones (Howard The Duck)
Nora Dunn (Bruce Almighty)
Sarah Silverman (School for Scoundrels)
Zach Galifianakis (The Hangover)
Carrie Fisher (Star Wars)
Alan Blumenfeld (Heroes)
Patricia Belcher (Bones)
Max and Page Conners (Sigourney Weaver and Jennifer Love Hewitt) are a mother-daughter con artist team. When the film opens, the Conners are finishing a con on Dean Cumanno (Ray Liotta), an auto-body shop owner and small-time crook. The con, which the Conners have played many times before on other men, involves Max marrying Dean, passing out on their wedding night to avoid consummating the marriage, and then Page (posing as Dean’s secretary) luring Dean into a compromising position to justify Max’s immediate divorce and hefty settlement. The con is a success.
Page declares that she wants to go solo. Max initially relents, but when they go to the bank to split their earnings, they’re confronted by an IRS agent (Anne Bancroft) who declares that they owe the government a considerable sum on top of the rest of their savings, which have already been seized. Page reluctantly agrees to work one last con with Max in Palm Beach, so to get enough money to pay off the IRS and set Page up to work on her own. For their target, they choose widower William B. Tensy (Gene Hackman), a tobacco baron who is addicted to his own product.
While working the main con with Tensy, Page attempts a side con without her mother’s knowledge. Page targets beachfront bartender Jack (Jason Lee), who is worth $3 million, but develops genuine feelings for him. Max learns of the side con and tells Page to break the relationship off, which Page does reluctantly.
Tensy proposes to Max ahead of schedule, but before they can get married, he accidentally chokes and dies while trying to initiate sex with Max. While Max and Page are deciding what to do with the body, Dean arrives, having tracked Max down to apologize and propose to her again. Dean figures out that Max and Page conned him, and threatens to call the authorities. Max offers to return Dean’s divorce settlement money if he’ll help them make Tensy’s death look like an accident. Max tells Page that their money wasn’t really taken by the IRS; the agent was Max’s mentor, Barbara, who agreed to help prevent Page from leaving. However, when Max, Page and Dean go to the bank, the money really has gone, having been liquidated in an act of betrayal by Barbara.
In order to help Max, Page returns to Jack and accepts his proposal, planning to work it as a regular con. Page insists that Jack will not cheat on her, but is heartbroken when, on their wedding night, she breaks into her mother’s room and finds him in a compromising position with Max. After the divorce settlement is paid, Dean confronts Max about the ethics of their con, pointing out that even a “goody-goody” like Jack is only human. Max reveals that Jack actually turned her down and that she had to drug him, but she defends her actions by saying that Jack would hurt Page eventually. Dean counters that Max has no right to keep Page from the man she loves because of what “might” happen.
Chastened, Max tells Page the truth, admitting that her efforts to protect her daughter have only hurt her in other ways. Page returns to Jack, giving him back the bar he’d had to sell to pay the settlement, and tells him her real name. Max and Dean also get together, Dean having admitted that he still loves Max despite what she put him through. The final shot of the film is of Dean — using the name ‘Stanley’ — romancing Barbara, with Max watching them via binoculars, implying that Max and Dean are now working together to get Max’s money back from Barbara.
Jennifer Love Hewitt escapes her tormented ‘I Know What You Did Last Summer’ role to shine as an assistant professional con artist the Weaver whereas Sigourney Weaver really shows off her incredible acting ability as Hewitts Con artist Mother, a far cry from her famous ‘Alien’ role. The assisting performances really boost the films comedy including Gene Hackman and a cameo from Carrie Fisher. The comedy is hilarious, the acting top notch.