25 DAYS OF CHRISTMAS REVIEW: DAREDEVIL – A COLD DAY IN HELL’S KICTHEN

 

MAIN CAST

Charlie Cox (Stardust)
Deborah Ann Woll (Ruby Sparks)
Elden Henson (The Buttefly Effect)
Jon Bernthal (World Trade Center)
Élodie Yung (Gods of Egypt)

GUEST CAST

Scott Glenn (The Silence of The Lambs)
Rob Morgan (Pariah)
Carrie-Anne Moss (Jessica Jones)
Peter Shinkoda (Masked Rider)
Royce Johnson (Jessica Jones)

MV5BY2QwY2U3ZmMtNTYxNy00MjVlLTkxYjgtNTU4Zjc3YjZlNDM5XkEyXkFqcGdeQXVyNjUzODAxMTA@._V1_

Nobu Yoshioka plans to lure Daredevil into a trap by abducting twenty people Daredevil has either brought to justice or saved from harm. Tyler hands him a list which was taken from Detective Sergeant Brett Mahoney. The Hand then abducts all twenty people, including Turk Barrett, Karen Page, and the veteran Jerry. While being transported, Page discovers that Barrett is under house arrest, and wearing a device which transmits his location. He has tampered with him so that it won’t work. However, after Tyler shoots and kills Jerry, Barrett turns the device back on. Meanwhile, Matt Murdock restraints Stick in a chair, telling him that he and Elektra Natchios will take on the Hand alone. Murdock admits that he doesn’t have a plan yet. On the roof, he and Natchios decide that the best plan is to take Yoshioka down, leaving him alive so that his followers can see that he’s just a man.At a restaurant, Jeri Hogarth offers Foggy Nelson a job, suggesting that should he play his cards right, he could be made partner. He is stunned by the starting salary, and intrigued when Hogarth says there is a future in defending vigilantes. At Melvin Potter’s Workshop, Potter fits Natchios for body armor and presents Daredevil with a billy club of his own design. Murdock is touched and admits that he doesn’t know what to say to thank him enough, but Potter brushes this off, saying that there are those in Hell’s Kitchen who know who is really looking out for them. At the same time, Frank Castle returns to his home, which he has not been in since his family’s deaths. He sadly walks through the house before sitting at the dining room table and looking at a newspaper article about his supposed death, with the X-ray of his skull on front page. Inspired, he takes his body armor to the garage, where he listens to a police radio while he spray paints the image of his skull on the armor.Back at Murdock’s apartment, Natchios and Murdock prepare to look for Yoshioka when Murdock’s phone rings. It’s Nelson, calling from the police department. He reports that Mahoney has been roughed up by people looking for information on Daredevil. Murdock appears at the fire escape at the 15th precinct in his Daredevil armor, prompting Mahoney to comment that the masked vigilante is the only person he can trust. He admits that he gave the files on Daredevil’s actions to the people who had roughed him up because they threatened to kill his mother. When Mahoney tells him the file included all the people he had ever helped, Murdock rushes to Page’s apartment, only to find it disheveled, and her gone.MV5BNjE1MDQ5OGUtMGZhZi00ODJhLThmN2EtYjVlODhjZDcyYTM1XkEyXkFqcGdeQXVyNzc0MjU3NDE@._V1_On his rooftop, Murdock desperately tries to listen to clues as to where the Hand has taken their prisoners, but he is frustrated. Panicking, he tells Natchios that he can’t block out the extraneous noise. Natchios talks him through blocking out every sound that isn’t relevant so that he can find the prisoners, especially Page. Murdock is finally able to hear the sounds of the bus that is transporting them.The Hand has transported the prisoners to an unknown location, but the police, alerted that Barrett had broken house arrest, arrive. Tyler tells her subordinates to take care of the police while she alerts Yoshioka to the news. Hand archers kill the police officers, but not before one is able to radio for help. Murdock and Natchios arrive at the Hand’s location, and Murdock descends from the rooftop to save the hostages, although Natchios stays behind, convinced that it is a trap. She suggests that the people inside, although innocent, are a much smaller group than the people who would suffer if the Hand got their hands on the Black Sky. Inside, the Hand discover Barrett’s location device and begin to take a knife to his ankle to remove it, when Daredevil crashes into the room and stops them. He is able to free all the hostages, taking a moment to ask Page if she is all right before hurrying her out of the room. More Hand ninjas arrive and he fights them, assisted by Natchios, who cooly tells him that she got bored waiting for him. They realize that the only way out of the building is up on the roof, so they head upstairs. Near the rooftop, he reports that there is an army of Hand ninjas waiting for them, and they both accept that they might not make it out alive.Natchios is ready to meet her fate, but Murdock stops her before they go up to the rooftop, removing his mask and telling her that if they make it out alive, he wants to go with her, leaving New York City behind. She tries to convince him that he belongs in New York but he responds by saying there was only thing that made him feel more alive than New York, and it was her. Meanwhile, Page and the other hostages emerge from the building to find Mahoney and a squadron of police waiting for them. Page tells Mahoney that the abduction was just a trap to lure out Daredevil. Mahoney orders lights to be shone on the building. Nelson arrives, and is shocked when Page tells him about the trap set for Daredevil. On the rooftop, Natchios and Murdock battle with Hand ninjas led by Yoshioka. They are able to defeat many of the ninjas but Yoshioka proves to be a formidable opponent, hitting Murdock so hard that he knocks his mask off. Just as Yoshioka is about to kill Murdock, Natchios attacks him, and Yoshioka inadvertently stabs her. She dies in Murdock’s arms, after telling him that this was not the end.MV5BNTljZjFjZmYtYmU1YS00Zjc1LWI5NDUtNDAxOWY3ZWY0OTViXkEyXkFqcGdeQXVyNjkzNjQzODI@._V1_Yoshioka, upset about losing the Black Sky, orders the ninjas to kill Murdock. Murdock, enraged, fights then, and is surprised when gunfire takes some of the ninjas down. He turns to see Frank Castle on a nearby rooftop, using his sniper skills to dispatch some of Daredevil’s opponents. Page looks up at the sound of the gunfire and sees Castle, wearing his Punisher body armor. Murdock does battle with Yoshioka and is victorious, using his billy club to fling him off the roof. Yoshioka, however, survives the fall, only to be killed by Stick, who decapitates him and declares that this time he will stay dead. A month later, at a cemetery, Stick and Murdock stand before Natchios’s gravesite. Murdock wants to say a few words but doesn’t have any. Stick asks Murdock if it was worth it to love her, and Murdock says that despite Stick’s warning to cut himself off from humanity, it was worth it.At Josie’s Bar, Page and Nelson have drinks together. She remarks on how sad it feels with Murdock not with them, but then congratulates Nelson on his new job. He promises her they will always be friends before settling Nelson and Murdock’s tab with Josie. At the New York Bulletin office, Mitchell Ellison is surprised to find Page there, since it’s Christmas Eve. She still has writer’s block. He convinces her to write a story only she can, from her point of view. He gives her a bottle of Scotch and then leaves. Page writes a story about heroes, suggesting that her readers look in the mirror, because all New Yorkers are heroes. Meanwhile, Castle returns to his house one last time, retrieving a CD with the word “Micro” written on it before setting the house on fire. Murdock asks Page to meet him at the Nelson and Murdock offices. She is reluctant, but is waiting for him when he arrives there. He tells her he has something to show her and pulls out his Daredevil helmet. As she watches in shock, he finally reveals to her that he is Daredevil. Meanwhile, Nachios’s grave is dug up, and her body is placed in the stone sarcophagus that Yoshioka had been preparing. As Hand ninjas respectfully lower the lid over it, a heartbeat is faintly heard.If you were as enthusiastic about the first season of Marvel’s Daredevil, I hope you’re as pleased as I am with the new episodes. There’s an intensity and toughness in the storytelling that gets at the heart of the character and provides further proof why Daredevil is the one of the best heroes in comics. Ending season 2 at Christmas was a surprise but all in all the final was excellent leaves us wanting more.

HALLOWEEN OF HORROR REVIEW: THE BYE BYE MAN

CAST

Douglas Smith (Terminator Genisys)
Lucien Laviscount (Scream Queens)
Cressida Bonas (Doctor Throne)
Doug Jones (Star Trek: Discovery)
Faye Dunaway (Blind Horizon)
Carrie-Anne Moss (Jessica Jones)
Michael Trucco (Battlestar Galactica)
Cleo King (Mike & Molly)

Douglas Smith, Lucien Laviscount, Jenna Kanell, and Cressida Bonas in The Bye Bye Man (2017)In 1969, a mass murder occurs in which a man kills people on his block. As he shoots the neighbors, he continuously asks if anyone spoke about “the name” which cannot be said. He also repeats the same thing over and over: “Don’t say it, don’t think it; don’t think it, don’t say it.”Doug Jones in The Bye Bye Man (2017)In present day, Elliot, his girlfriend Sasha, and best friend John move into an off-campus house not far from their college. Soon, mysterious things start to happen, such as Sasha developing a strange cough and Elliot finding coins in a nightstand that continually reappear. Elliot also finds writing consisting of “don’t think it, don’t say it”, and a name: the Bye Bye Man. During a seance involving their friend Kim, the name is mentioned.Doug Jones and Douglas Smith in The Bye Bye Man (2017)Sasha continues to become sick as Elliot and John start experiencing hallucinations and stranger activity. Elliot begins to suspect that Sasha is cheating on him with John. Elliot’s brother Virgil also becomes suspicious. Kim is killed after she is struck by a train. Elliot is taken in for questioning by Detective Shaw, and is released when Kim’s suicide note reveals she killed her roommate and was planning on killing Elliot, Sasha, and John.Douglas Smith in The Bye Bye Man (2017)The librarian shows Elliot a dossier about the Bye Bye Man; a teenager killed his family and told a reporter that the Bye Bye Man made him do it. The same reporter later became the mass shooter during the ’60s, who killed himself after realizing people knew about the Bye Bye Man. Elliot also visits the widow of the reporter, who reveals that the curse causes insanity, hallucinations, and eventually death. Signs of his coming are coins mysteriously appearing, sounds of a train, and a large, skinless hound. The only way to prevent it is to not think of his name or speak of him. If someone already knows, they must be killed. The librarian is hit by Elliot’s car by accident, after she killed everyone in her home, coming for Elliot next.Jenna Kanell in The Bye Bye Man (2017)Sasha and John are also suffering from the hallucinations. Elliot finds John stabbing Sasha. He shoots John, but after he picks up the corpse, it is revealed to have been Sasha that was stabbing John; therefore, Elliot killed Sasha. The Bye Bye Man appears and gives Elliot a hallucination. Elliot keeps Virgil and his daughter Alice away long enough for him to shoot himself with a gun. Virgil and Alice get away before the entire house goes up in flames.Carrie-Anne Moss in The Bye Bye Man (2017)While riding home, Alice reveals she found the coins from the nightstand near the trash, along with the writing. However, she could not read it due to her poor night vision. Detective Shaw arrives at the scene, where John is found to be alive but wounded. He struggles to whisper “Bye… Bye…” but the screen cuts to black before the sentence is finished.Doug Jones in The Bye Bye Man (2017)Overall If you are looking for an amazing horror film then this probably isn’t for you. If you want something fairly enjoyable for 90 minutes i can think of worse films to watch.

 

REVIEW: JESSICA JONES – SEASON 3

Krysten Ritter in Jessica Jones (2015)

Starring

Krysten Ritter (Breaking Bad)
Rachael Taylor (transformers)
Eka Darville (Power Rangers)
Carrie-Anne Moss (The Matrix)
Jeremy Bobb (The Knick)
Benjamin Walker (Abraham Lincoln: Vampire Hunter)
Sarita Choudhury (A Hologram For A
Tiffany Mack (Hap and Leonard)

Krysten Ritter in Jessica Jones (2015)

Recurring / Notable Guest Cast

Rebecca De Mornay (Mother’s Day)
Aneesh Sheth (New Amsterdam)
Mike Colter (Luke Cage)
J. R. Ramirez (Arrow)
David Tennant (Mary Queen of Scots)

The Netflix Marvel Universe, starting last year with yellow-belt step-child Iron Fist and continuing on to the cancellations of Luke Cage, Daredevil, and The Punisher. Unfortunately, the bummer that comes with an ending does hang over Jessica Jones‘ third chapter, but in an oddly fortuitous way that dour tone actually works. This season—which was set to be showrunner Melissa Rosenberg‘s final season anyway—is a dark story, probably the least comic book-y of Netflix’s already grounded and gritty pocket of the MCU. It doesn’t always work and does suffer from the same pacing issues that have plagued, well, pretty much all of these shows. But when it hits, it hits just like its main heroine; violent, flawed, and willing to go where her more moral superhuman peers wouldn’t dare.Rachael Taylor in Jessica Jones (2015)Season 3 opens with its two leading ladies at a crossroads. Jessica is doing her darndest to get her act together and, overall, just be less of an asshole and more of a functioning private investigation. But Trish Walker (Rachael Taylor) has dived into the life of a fledgling vigilante after Dr. Karl Malus’ season 2 experiments gave her special abilities. (She’s not quite rocking her Hellcat get-up from the comics, but there are some very clever touches of yellow and purple along with some cats-eye sunglasses courtesy of costume designer Elisabeth Vastola). Jessica and Trish are estranged, but a chance encounter turned violent with a superpowered man named Erik (Benjamin Walker) leads Jessica to the case of serial killer Gregory Salinger (Jeremy Bobb). Salinger, who is absolutely bananagrams out of his goddamn mind, soon makes things very, very personal with Jessica, Erik, and Trish.Benjamin Walker and Krysten Ritter in Jessica Jones (2015)Ritter is still pretty much pitch-perfect in the title role, one of the best casting jobs in the current comic book era. But the nature of Jessica Jones as a character so reluctant to get in on the action means the quality of her stories is almost defined by the strength of her villain. Season 1 was sensational in large part thanks to David Tennant‘s Kilgrave, with the actor’s charisma drawing you to the character—much like everyone was supernaturally drawn to the character—even as the script revealed him as an irredeemable monster. In comparison, season 2 developed into a bit of a slog Jessica’s team-up with her mass murderer mother Alisa (Janet McTeer) turned the back-half of the story into a largely antagonist-less road trip to nowhere.Jessica Jones (2015)Luckily, season 3’s serial killer Salinger flips the switch by completely stripping away the pretense of a supervillain. He might by Jessica’s most dynamic villain because of how terrifyingly un-dynamic he is. In the comics, Salinger is the second person to take on the title of Foolkiller, a brilliant murderer with a penchant for killing anyone he deems, well, a fool. But Rosenberg and the writing staff have tweaked that background into an extremely recognizable 2019 threat; here, Salinger is basically an internet troll, a man with an inflated sense of ego and rage built from the fact that he’s painfully ordinary. He’s Hannibal Lecter chewing on redpills instead of fava beans. He’s Ted Bundy with a Reddit account and egg-avatar Twitter page. He’s an incel but for having superpowers instead of sex—I guess that would make him an “inhuman”—who hates vigilantes for gaining abilities they didn’t “earn.” At one point, he points the spotlight back on to Jessica by playing the victim. “Perhaps I’m an easy target,” he tells news cameras, “a single white male, and she’s this feminist vindicator.”Krysten Ritter in Jessica Jones (2015)It all gets borderline on-the-nose, but honestly “on the nose” works when you’re dealing with a character who deserves to get whacked in the fucking face this hard. Bobb—who also impressed earlier this year in another Netflix series, Russian Doll—makes a chilling meal of the role. He does great psychopath, with an ability to say menacing lines with absolutely nothing going on behind the eyes. This story isn’t exactly adding anything new to the serial killer genre—we’re talking chopped up body parts, creepy photo sessions, even a very Red Dragon-esque “Do you see?“—but it is playing with the tropes at a high-quality level.Krysten Ritter in Jessica Jones (2015)It’s an intensely satisfying story when it’s laser-focused on that simple premise, a cat-and-mouse noir tale peppered with the personal dynamic between Jessica and Trish. (A world-weary Jessica trying to rein in an increasingly-enthusiastic Trish results in some of the best quiet work between Ritter and Taylor over all three seasons.) Unfortunately—and this has been the bugaboo for pretty much every Netflix MCU show, other than perhaps the near-perfect Daredevil season 3—it’s such a tight story that it can’t pad out the episode count. I’ve seen eight episodes and the story doesn’t quite click into place until episode 3 or 4. There’s a lot of gear-spinning in those first few episodes; a slew of legal subplots do come into play later, but early on they feel like they’re just giving massive talents like Carrie-Ann Moss and Eka Darville something to do while everyone gets into place. And even then, there are a few wonky leaps that seem a bit first draft-y; a sequence later on that more or less amounts to Jessica and Salinger sending threatening Snapchats back and forth definitely played more menacing on the page than it does on-screen.Benjamin Walker and Krysten Ritter in Jessica Jones (2015)But still, as an ending, not only to a series but an entire universe, Jessica Jones season 3 feels right in its low-keyness. A significant part of that is down to the fact it doesn’t feel like an ending at all. (Not surprising, considering the fact production was well underway before Netflix started canceling these shows.) It’s not an epic culmination on the level of, say, Avengers: Endgame, but these street-level heroes were never about the bombast, anyway. Jessica Jones season 3 isn’t exactly going out with a bang, but it is bright enough to illuminate the darkest corners of the MCU just one more time.

REVIEW: JESSICA JONES – SEASON 2

JessicaJonesS2_Horizontal-KeyArt_US-1-600x256

MAIN CAST

Krysten Ritter (Veronica Mars)
Rachael Taylor (Transformers)
Eka Darville (Power Rangers RPM)
J.R. Ramirez (Arrow)
Terry Chen (Bates Motel)
Leah Gibson (Rise of The Planet of The Apes)
Carrie-Anne Moss (The Matrix)
Janet McTeer (The White Queen)
Callum Keith Rennie (Battlestar Galactica)

Krysten Ritter in Jessica Jones (2015)

RECURRING / NOTABLE GUEST CAST

Hal Ozsan (Redline)
Maury Ginsberg (Two Guys and a Girl)
Angel Desai (Black Knight)
Rebecca De Mornay (Risky Business)
Elden Henson (Daredevil)
Wil Traval (Once Upon a Time)
David Tennant (Doctor Who)
John Ventimiglia (The Sopranos)
Lisa Tharps (Law & Order: SUV)
Rob Morgan (Daredevil)

The first season of Marvel’s Jessica Jones was a kind of miracle, combining a taut and entertaining superhero narrative with one of the most nuanced explorations of domestic abuse and sexual violence ever put on screen. Krysten Ritter’s prickly, guarded, hard-drinking Jessica is a female superhero with unique significance. Her very existence—a woman with literal super-strength who still fell prey to a male predator—skewers accepted narratives about victimhood, while her determined independence cuts through expectations of how women are “supposed” to act after assault.Krysten Ritter in Jessica Jones (2015)Ritter’s performance in the second season is a few degrees more emotional, as Jessica—prompted by her best friend Trish (Rachael Taylor)—finally begins to set in the trauma of her past. That trauma encapsulates not only Kilgrave’s abuse, but the car accident that killed her family and landed her in a hospital where mysterious, horrific, superpower-inducing experiments were conducted on her. And she’s not sad or scared about what was done to her; she’s furious. In an anger management support group she reluctantly attends, participants bounce a ball against the wall to relieve stress while they share their stories. Jessica bounces it so hard she smashes a hole in the wall, before confirming: “Still angry.” Female anger is often stigmatized; women put on a calm face for fear of being labelled crazy or hysterical or a bitch. To see it expressed so openly and so often in a Netflix comic-book adaptation feels faintly revolutionary.Rachael Taylor and Eka Darville in Jessica Jones (2015)That’s also true of the new season’s handling of Jessica’s sex life. When a midtown douche notices Jessica in a bar and leers—“Nice ass”—she wheels around and snaps, “What did you say?” Surely she’s about to kick his ass, you think. Smash-cut to: Jessica having joyless sex with this loser in a bathroom stall, her face a mask, her detachment painfully clear. It’s a stark contrast to her passionate clinches last season with Luke Cage (Mike Colter), which served to show that being raped did not define her. Then, sex was a way in which she reclaimed her body and her selfhood; now, it’s a way for her to dissociate. This coping mechanism is explored in greater depth following the introduction of her new love interest Oscar (JR Ramirez), a big-hearted family man who’s bewildered by Jessica’s resistance to intimacy.Krysten Ritter in Jessica Jones (2015)The plot thread driving the new season is Jessica and Trish trying to uncover the truth about 20 missing days from Jessica’s past: 20 days during which she went into hospital almost dead, and emerged with superpowers. Though she has total amnesia about this time, it gradually becomes clear that her origin story is similar to that of this season’s Big Bad (played by Janet McTeer), a mysterious, preternaturally strong young woman who was subjected to the same experiments as Jessica, and came out a “monster.” The presence of a super-powered villain terrorizing New York yet again only heightens the public backlash against “supers,” although the bigotry faced by Jessica and others like her is the one place where the show’s allegories feel clumsy, particularly in a scene where someone pointedly refers to “you people.”While the new season—at least for its first five episodes—lacks a threat as propulsive and engaging as Kilgrave, its ensemble also feels better served. Carrie Anne Moss’s steely, high-powered lawyer Jeri Hogarth, by now a mainstay of the Marvel TV universe, is propelled in a rich, moving new direction by some unexpectedly brutal news. And Trish’s history as a child star takes on new complexity when she’s forced by necessity to seek out a producer who assaulted her when she was a teenager. The moment in which Jessica confronts this particular creep, and denounces “pricks like you who think you can take whatever, or whoever, you want” would have been a thrill no matter the context, but in this Time’s Up moment in Hollywood it’s a particularly cathartic standout. As a female superhero whose anger makes her powerful, and whose trauma has no impact on her strength, Jessica Jones has never felt more essential.

REVIEW: MEMENTO

CAST

Guy Pearce (Prometheus)
Carrie-Anne Moss (Jessica Jones)
Joe Pantoliano (The Matrix)
Mark Boone Junior (Batman Begins)
Stephen Tobolowsky (Groundhog Day)
Thomas Lennon (Santa Clarita Diet)
Callum Keith Rennie (Californication)
Jorja Fox (CSI)

The film starts with the Polaroid photograph of a dead man. As the sequence plays backwards the photo reverts to its undeveloped state, entering the camera before the man is shot in the head. The film then continues, alternating between black and white and color sequences.The black and white sequences begin with Leonard Shelby, an insurance investigator, in a motel room speaking to an unseen and unknown caller. Leonard has anterograde amnesia and is unable to store recent memories, the result of an attack by two men. Leonard explains that he killed the attacker who raped and strangled his wife, but a second clubbed him and escaped. The police did not accept that there was a second attacker, but Leonard believes the attacker’s name is John or James, with a last name starting with G. Leonard conducts his own investigation using a system of notes, Polaroids, and tattoos. From his occupation, Leonard recalls a fellow anterograde amnesiac: Sammy Jankis. Sammy’s diabetic wife, who wasn’t sure if his condition was genuine, repeatedly requested insulin; she hoped that he would remember having given her an injection and stop himself from giving another before she died of an overdose. However, Sammy continues to administer the injections, and his wife falls into a fatal coma.The color sequences are shown reverse-chronologically. In the story’s chronology, Leonard self-directively gets a tattoo of John G’s license plate. Finding a note in his clothes, he meets Natalie, a bartender who resents Leonard as he wears the clothes and drives the car of her boyfriend, Jimmy Grantz. After understanding his condition, she uses it to get Leonard to drive a man named Dodd out of town and offers to run the license plate as a favor. Meanwhile, Leonard meets with a contact, Teddy, who helps with Dodd, but warns about Natalie. However, a photograph instigates Leonard not to trust him. Natalie provides Leonard the driver’s license for a John Edward Gammell, Teddy’s full name. Confirming Leonard’s information on “John G” and his warnings, Leonard drives Teddy to an abandoned building, leading to the opening, where he shoots him.In the final black-and-white sequence, prompted by the caller, Leonard meets with Teddy, an undercover officer, who has found Leonard’s “John G,” Jimmy, and directs Leonard to the abandoned building. When Jimmy arrives, Leonard strangles him and takes a photo of the body. As it develops, the black-and-white transitions to the final color sequence. Leonard swaps clothes with Jimmy, hearing him whisper “Sammy.” As Leonard has only told Sammy’s story to those met, he suddenly doubts Jimmy’s role. Teddy arrives and asserts that Jimmy was John G, but when Leonard is undeterred, Teddy reveals that he helped him kill the real attacker a year ago, and he has been using Leonard ever since. Teddy points out that since “John G” is common, he will cyclically forget and begin again and that even Teddy himself has a “John G” name. Further, Teddy claims that Sammy’s story is Leonard’s himself, repressing the memory to escape guilt.After hearing Teddy’s exposition, Leonard consciously burns Jimmy’s photograph, writes a message to himself on Teddy’s photograph not to trust Teddy, and drives off in Jimmy’s car. He has Teddy’s license plate number tattooed as the second attacker, leading to his eventual death.This film will leave its own memento on your mind, and you’ll have a hard time forgetting how much you enjoyed it.

 

REVIEW: THE DEFENDERS

CAST

Charlie Cox (Stardust)
Krysten Ritter (Veronica Mars)
Mike Colter (Zero Dark thirty)
Finn Jones (Game of Thrones)
Élodie Yung (Gods of Egypt)
Sigourney Weaver (Avatar)
Rachael Taylor (The Loft)
Eka Darville (Power Rangers RPM)
Elden Henson (The Hunger Games: Mockingjay)
Deborah Ann Woll (Ruby Sparks)
Jessica Henwick (Game of Thrones)
Ramón Rodríguez (The Taking of Pelham 123)
Rosario Dawson (Sin City)
Scott Glenn (The Silence of The Lambs)
Simone Missick (K-Town)

RECURRING / NOTABLE GUEST CAST

Wai Ching Ho (Cadillac Man)
Carrie-Anne Moss (Chuck)
Peter McRobbie (16 Blocks)
Rob Morgan (Stranger Things)
Marko Zaror (Machete Kills)
Amy Rutberg (NCIS: New Orleans)

 

The Defenders is Marvel’s best Netflix show, hands down.  While the crossover between Daredevil, Jessica Jones, Iron Fist, and Luke Cage can occasionally veer into a fragmented set of mini-episodes early on, the awesome foursome eventually unites to form a show greater than the sum of its parts. The street-level superheroes provide a fantastic eight-episode run with high stakes, a frenzied pace and, most importantly, effortless chemistry.Things don’t start off that way, though. The opening pair of episodes read almost as a greatest hits collection of each hero’s respective shows before the narrative eventually relents and shoehorns the plot in a comically convenient way for the four to come together. The lack of instant gratification can be grating, but this is easily relieved by the fun interaction between fan-favourites that leads up to the team-up. Misty Knight and Jessica Jones’ brief scenes are worth the price of admission alone and there are a few, shall we say interesting, crossovers you won’t see coming. Without giving too much away, a cataclysmic event is unleashed upon New York and The Defenders, each following their own leads, stumble into each other’s paths in the same building. And then things get good. Really, really good. Unsurprisingly, The Hand are the villains of the season and are led by Sigourney Weaver’s Alexandra. Her performance is tempered by an unidentified terminal illness which spurs her character on and at least drives her away from the realms of cartoonish MCU villain as  she has an actual character arc rather than the bland go there, be evil trope of prior bad guys. When the show does focus on The Defenders (and, in fairness, that’s 90% of the time) the show is a rollercoaster of wisecracks, quips and, yup, Jessica Jones’ side-eye. It’s glorious fun and, for my money, feels like a much bigger event than The Avengers ever was. There’s a spine-tingling moment, complete with an inspirational score bubbling up in the background, where the four heroes unite to take on a foe at the midway point which ranks as an all-time great Marvel moment.Yes, The Defenders run is short, but those thinking a mere eight episodes won’t cut it can have their fears put to rest. Coupled with Game of Thrones season 7’s clipped seven-episode run, it feels like we’re reaching a watershed point in television where shows don’t need to be chained to a long episode run anymore. Barely a second is wasted in The Defenders: Every quiet character moment is poignant and fleshes out something or someone; every action sequence leads to something bigger, better, and more shocking; and every one-liner and on-the-nose dig at Iron Fist will make you laugh. Nothing outstays its welcome.

 

 

 

 

 

REVIEW: IRON FIST – SEASON 1

MAIN CAST

Finn Jones (Game of Thrones)
Jessica Henwick (Star Wars: The Force Awakens)
Tom Pelphrey (Banshee)
Jessica Stroup (The Hills have Eyes 2)
Ramón Rodríguez (The Taking of Pelham 123)
Sacha Dhawan (The Last Train)
Rosario Dawson (Daredevil)
David Wenham (Lord of The Rings)

RECURRING / NOTABLE GUEST CAST

Wai Ching (Daredevil)
Carrie-Anne Moss (Jessica Jones)
Michael Maize (Power Rangers In Space)
Lewis Tan (The Hangover – Part III)
Hoon Lee (Teenage Mutant Ninja Turtles 2012)
Barrett Doss (The Pioneers)

Danny Rand returns to New York City after being missing for years, trying to reconnect with his past and his family legacy. He fights against the criminal element corrupting his world around him with his incredible kung-fu mastery and ability to summon the awesome power of the fiery Iron FistIron Fist was one of my most anticipated Netflix shows. After hearing the bad reviews, I got scared a little, and couldn’t wait to see the show for myself. And now, I dare to say that the critics are wrong, and most of the critics’ opinion aren’t justified. First of all, Danny Rand has always been a white character, who feels like an outcast after his parents’ death. He is trying to find his place, while trying to figure out who he is.He’s suffering from both a trauma and an identity crisis, not sure whether he should be Danny Rand or Iron Fist. He is trying to embrace his real self, while struggling a lot. The fact that a white man, an outsider has earned the title of Iron Fist is unprecedented both in the comics and in the show. This is why Danny is white, to show that he is different, he’s not your regular Asian guy, who does kung fu. Saying that Danny should have been Asian is foolish and racist. Not only Asians can learn kung fu, and everyone is able to harness their chi. It shows that several people can share the same beliefs and ideas, regardless of race, sex or ethnicity.Finn Jones does a wonderful job portraying the character, he is like the Danny Rand, I’ve been reading about for so many years. Sure, the story is slow paced sometimes, and Finn can go a little over the top, but is nothing bothering. With his boyish charm, dedication and skills, he makes you overlook the minor issues. But claiming that this show is a failure is ridiculous. It’s nicely built up, gets you hooked on, and shows you what it’s really like to handle a trauma. It doesn’t disappear miraculously, it’s always there, and Danny has to fight it all the time. Fight it and embrace it.https://images-na.ssl-images-amazon.com/images/M/MV5BNTJjNjJiMzAtNjBlYS00MmViLWFiMjktMmQ0ZTQwNTZjMWI4L2ltYWdlXkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_SY1000_CR0,0,1499,1000_AL_.jpgThis is why the show gets slow sometimes. After all, a guy, who was presumed dead for 15 years suddenly comes back and claims to have fought a dragon. Of course the issues won’t be solved within an hour. Besides Danny, you also care for the other characters, and their development is astonishing. Iron Fist is up there for me with Daredevil, even though, I enjoyed Daredevil somewhat more. All the critics, who jumped to conclusions after 6 episodes are fools.