REVIEW: CAPRICA – PART 2

 

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)

Caprica (2009)

Recurring / Notable Guest Cast

Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Andrew Airlie (Fifty Shades of Grey)
Hiro Kanagawa (Izombie)
Panou (Flash Gordon)
Zak Santiago (Shooter)
Bridget Hoffman (Darkman)
Scott Porter (Speed Racer)
John Pyper-Ferguson (The Last Ship)
Anita Torrance (Smallville)
Genevieve Buechner (The Final Cut)
Ben Cotton (Stargate: Atlantis)
Teryl Rothery (Stargate SG.1)
Patton Oswalt (Veronica Mars)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Calum Worthy (American Vandal)
Tom McBeath (Stargate SG.1)
Aleks Paunovic (Van Helsing)
Elisabeth Rosen (Cult of Chucky)
Sina Najafi (Stargate SG.1)
Carmen Moore (Flash Gordon)
Mike Dopud (Arrow)

Esai Morales in Caprica (2009)Nothing would’ve made me happier than to deem Syfy’s decision to cancel Caprica a grave and unwarranted one, but that’s something which simply can’t happen. Bear with me now, because there’s a reason for saying this. As a defender of the series when it was on the brink of cancellation, there’s no joy in stating that it’s easy to see why Ron Moore and David Eick’s offshoot from Battlestar Galactica received the axe when it did. Though far from faultless, the first half of the series established a fine foundation for a world rife for exploration: the mechanics of a society that would ultimately create a sentient lifeform, robots which would rebel and eventually annihilate most of the human race. But concept’s only part of the journey, and Caprica saw tonal and storytelling issues that shaped it into a rough, erratic exploration of those ideas, reaching an especially stagnant point at the beginning of this second half. It’s a shame, then, that the writers and producers finally discover their rhythm in the last five-and-a-half episodes, as it truly becomes the series I had hoped it’d become.Paula Malcomson in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Magda Apanowicz in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Eric Stoltz and Paula Malcomson in Caprica (2009)Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break (read: they shelved the episodes), leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. Already, the series wasn’t on the strongest of legs; as mentioned before, it establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica. Yet it wasn’t all gelling together as of yet, only improving as the series went along but ultimately lacking the joie du vivre that pumped its inspiration forward.Eric Stoltz in Caprica (2009)Therefore, when Caprica’s second half starts off sluggish and overbearingly dour, it’s almost like a death toll. Let’s be perfectly honest here: the first three installments following a seven-month hiatus end up being misfired glut, something the series couldn’t withstand at that point. Starting with a jump-forward in time that echoes the end of Battlestar Galactica’s second season, it throws the story in a pit of depression, despair, and cutthroat politics surrounding Daniel that bloats beyond its boundaries. When the Ha’la’tha use killing one’s mother — someone unassociated with the crime syndicate — as a sign of loyalty, when the STO enact murderous power moves over their religious heads, or when Zoe’s avatar is bludgeoned to near-death for simply looking like the STO terrorist she’s perceived to be, the tone gets molasses-level thick and fairly objectionable. It’s as if Moore and Eick are overcompensating so their audience knows they’re not pulling any punches, while the output they produce leans toward ham-handed and hard-faced discomfort — and extremely awkward in “Things We Lock Away”, a sloppily glued-together hodgepodge of poorly-orchestrated arena brawls in New Cap City and intent Lacy/STO development.Esai Morales in Caprica (2009)None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). The faces of Caprica are what keep the series afloat, both during the well-executed and bungled stretches in the show.Still from CapricaReally, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists — which, by the way, the STO material’s fairly bland and oddly-executed during that stretch. In essence, it starts to go down a fairly generic path of aggressive human drama, leaving the intrigue behind Zoe’s presence somewhat alone for a two-hour burst. It’s pretty clear that the minds behind the show tinkered with some new (and time-weathered) ideas to try and wrangle together a new audience. And it didn’t really pan out as such.Caprica with Eric StoltzFortunately, the creative team seems to have had an inclination towards this. Starting with “False Labor”, Caprica begins to see an awakening, as if they both discover where their weaknesses lie and resurrect the spirit of Battlestar Galactica — which carries over in “Blowback”, marking the first of five episodes that Syfy shelved around the time of cancellation. In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration. In short, it gets good. Really, really good.With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming, losing its abandon in a furious, gripping rush that certainly echoes to Battlestar Galactica’s aptitude in 11th-hour intensity. It hits the accelerator and really doesn’t stop until an unquestionably finite conclusion, bringing together Daniel’s hunt for Zoe’s avatar in V-World and the unsavory connections between Graystone Industries and the Tauron mob to a very fine, robust head. Moreover, the content surrounding Lacy’s presence in the STO finally reaches a meaningful point, instead of evoking the sensation that it’s a time-killing subplot like it did at first. But, much like the conclusion of Battlestar Galactica, it also ditches some sensibility in lieu of excitement, breaking some of its own rules and established character mannerisms just to find a definite close. When it all melts together, though, it’ll be worth gritting one’s teeth through a few questionable moments.Those who’ve watched Caprica and cashed in their chips owe it to themselves to check out the tense follow-through, with the knowledge that the tone’s anything but consistent. There’s only a handful of great moments scattered within; however, there are assuredly some really great moments, ones that ensnare the type of essence I’d hoped would resonate in a depiction of the pre-Cylon world. In the middle of that, along with blatant reflection on the current climate of terrorism, it also provokes thought about the extents that some might go to preserve the memories and essence of those they love, and whether the recreation of an individual would push the boundaries of their belief structure. Caprica’s an intelligent show at its core, one with a complex network of emotion buttons that simply never properly learned how and when to push them. What’s a shame is that the show reveals a few glimmers at the end that suggest it might’ve found out how, ones that likely hadn’t even been seen by those that made the decision to power down this tale of the pre-war Cylon race.

REVIEW: STARGATE: ATLANTIS – SEASON 1

Starring

Joe Flanigan (Thoughtcrimes)
Torri Higginson (Dark Waters)
Rainbow Sun Francks (Aliens vs. Predator: Requiem)
Rachel Luttrell (A Dog’s Breakfast)
David Hewlett (Rise of TPOTA)
Paul McGillion (The Flash)

Robert Patrick, Joe Flanigan, David Hewlett, Torri Higginson, and Paul McGillion in Stargate: Atlantis (2004)

RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Garwin Sanford (Arrow)
Andee Frizzell (Flash Gordon)
Craig Veroni (Dark Angel)
Robert Patrick (Terminator 2)
Christopher Heyerdahl (Sanctuary)
Ben Cotton (30 Days of Night: Dasrk Days)
David Nykl (Arrow)
Ross Hull (Are You Afraid of The Dark)
Agam Darshi (Sanctuary)
Courtenay J. Stevens (Miss Sloane)
Dominic Zamprogna (Battlestar Galactica)
Calum Worthy (American Vandal)
Alan Scarfe (Andromeda)
Allison Hossack (Fringe)
Erin Chambers (Bones)
Ari Cohen (IT)
Colm Meaney (Star Trek: DS9)
Don S. Davis (Twin Peaks)
Gary Jones (Chilling Adventures of Sabrina)
Ryan Robbins (Sanctuary)
Robert Davi (The Goonies)
Cory Monteith (Glee)
Leonor Varela (Blade II)
Matthew Walker (Highlander: The Series)
Adrian Hough (The Fog)
Jana Mitsoula (Elektra)
Laura Mennell (Van Helsing)
Chuck Campbell (Jason X)
Amanda Tapping (Sanctuary)
Claire Rankin (Taken TV)
Clayton Landey (Sully)
David Orth (The Lost world)

David Hewlett and Torri Higginson in Stargate: Atlantis (2004)Stargate : Atlantis is far more than just a spin-off from the successful Stargate SG1 series. It stands on its own two feet as a clever, dramatic, funny, entertaining, well-crafted show. In some ways it even surpasses the original, benefiting as it does from the producers’ and crew’s 8+ years of experience in writing and producing the SG1 series. Continuing the mythology of the original show, but with the added twist of a whole new galaxy to explore, this show has something for everyone.The mix of characters is great and the core cast – and also the regular recurring cast – boasts some excellent actors. Production values are consistently high and, while some episodes are always stronger than others, the writing in season 1 has also been excellent. The first season got things off to a great start, introducing the new team, new allies.. and a new enemy.There is a great mix of humour and drama in this series and stand-out episodes for me include 38 Minutes, Brotherhood, The Defiant One and the excellent mid-season 2 parter, The Storm and The Eye.

REVIEW: SMALLVILLE – SEASON 8

Starring

Tom Welling (Lucifer)
Allison Mack (Wilfred)
Justin Hartley (This Is Us)
Erica Durance (Supergirl)
Aaron Ashmore (Veronica Mars)
Cassidy Freeman (The Vampire Diaries)
Sam Witwer (Supergirl)

Alaina Huffman, Justin Hartley, and Alan Ritchson in Smallville (2001)

Recurring / Notable Guest Cast

Phil Morris (Doom Patrol)
Alaina Huffman (Stargate Universe)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Ari Cohen (IT)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Flash)
Mike Dopud (Arrow)
Charlotte Sullivan (Mary Kills People)
Bill Mondy (Blade: The Series)
David Lewis (Childs Play)
Kyle Schmid (Six)
Laura Vandervoort (Bitten)
Terence Stamp (Superman II)
James Marsters (Runaways)
Ryan Kennedy (Caprica)
Alexz Johnson (Final Destination 3)
Calum Worthy (Ameircan Vandel)
David Paetkau (Flashpoint)
Ty Olsson (Battlestar Galactica)
Alessandro Juliani (Man of Steel)
Ted Whittall (Suicide Squad)
Chris Gauthier (Watchmen)
Teryl Rothery (Stargate SG.1)
Stephen Lobo (Continuum)
Laura Mennell (Van Helsing)
Serinda Swan (Inhumans)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Horns)
Brendan Fletcher (Arrow)
Kyle Gallner (Veronica Mars)
Monique Ganderton (American Ultra)

Tom Welling and Cassidy Freeman in Smallville (2001)Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.Justin Hartley and Cassidy Freeman in Smallville (2001)Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become. The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.Charlotte Sullivan and Tom Welling in Smallville (2001)The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.Tom Welling and Erica Durance in Smallville (2001)It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

REVIEW: FLASHPOINT: THE COMPLETE SERIES

MAIN CAST

Enrico Colantoni (Veronica Mars)
Hugh Dillon (Ginger Snaps Back)
Amy Jo Johnson (Mighty Morphin Power Rangers)
David Paetkau (Final Destination 2)
Sergio Di Zio (Reign)
Michael Cram (Arrow)
Mark Taylor (Cinderella Man)
Ruth Marshall (Casino Jack)
Olunike Adeliyi (John Q)
Clé Bennett (Harvard Man)
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Recurring / Notable Guest Cast

Gabriel Hogan (Condor)
Philip Akin (Highlander: The Series)
Lisa Marcos (Rogue)
Arnold Pinnock (Cypher)
Sarah Gadon (Dracula Untold)
Andrew Gillies (Mutant X)
Mpho Koaho (Saw III)
Jeff Seymour (Bury The Lead)
Tatiana Maslany (Orphan Black)
Peter Stebbings (Bates Motel)
Pascale Hutton (Sanctuary)
Colm Feore (The Chronicles of Riddick)
Michael Mando (Better Call Saul)
Noah Jenkins (Earth: Final Conflict)
Alisen Down (Smallville)
Tyler Stentiford (The Story of Luke)
Janaya Stephens (Death Race)
Jessica Steen (Chaos)
Peter MacNeill (Open Range)
Aaron Abrams (Hannibal)
Ona Grauer (V)
Tattiawna Jones (Robocop)
Kari Matchett (Wonderfalls)
Peter Outerbridge (Beauty and The Beast)
Genelle Williams (Bitten)
Kevin Jubinville (MIss Sloane)
Ryan Kennedy (Caprica)
Heny Czerny (Supergirl)
Matthew Bennett (Battlestar Galactica)
Chandra West (White Noise)
Kenneth Mitchell (Odyssey 5)
Nicholas Campbell (Da Vinci’s Inquest)
Shauna MacDonald (Saw VI)
Calum Worthy (Americal Vandal)
Alexia Fast (Jack Reacher)
Kathleen Munroe (Patriot)
Sherry Miller (The Virgin Suicides)
Stephen Amell (Arrow)
Brian Markinson (Caprica)
Tamara Gorski (Angel)
David Calderisi (Earth: Final Conflict)
Roger Cross (First Wave)
Greg Bryk (Bitten)
Laara Sadiq (Arrow)
Noah Danby (Riddick)
Kathleen Robertson (Bates Motel)
Alan Van Sprang (Star Trek: Discovery)
Gina Holden (The Butterfly Effect 2)
John Pyper-Ferguson (Caprica)
Brendan Fletcher (Freddy vs Jason)
Alex Carter (Out of Time)
Krista Bridges (Heroes Reborn)
Fulvio Cecere (Valentine)
Shawn Roberts (Resident Evil: The Final Chapter)
Colin Cunningham (Elektra)
Michael Eklund (Bates Motel)
Brendan Penny (The A-Team)
Tyler Johnston (The Odds)
Adrian Hough (The Fog)
Lyndie Greenwood (Sleepy Hollow)
Mike Dopud (Arrow)
Jonathan Scarfe (Van Helsing)
Ian Tracey (Sanctuary)
Jeffrey Parazzo (Power Rangers Dino Thunder)
Erin Karpluk (Ripper 2)
Natalie Alyn Lind (The Gifted)
Yannick Bisson (Year By The Sea)
Kate Hewlett (Stargate: Atlantis)
Chris Violette (Power Rangers SPD)
Patrick Sabongui (The Flash)
Rachel Blanchard (Carrie 2)
Natalie Brown (Saw V)
Richard Chevolleau (Hannibal)
Victor Garber (Legends of Tomorrow)
Rachel Skarsten (Reign)
Max Martini (The Order)
Eve Harlow (Heroes Reborn)
Rob Stewart (Painkiler Jane)
Cynthia Preston (Carrie)
Sonya Salomaa (The Collector)
Benjamin Ratner (Travelers)
Joe Dinicol (Arrow)
Lawrence Dane (Scanners)
Tammy Isbell (Bitten)
Ari Cohen (Smallville)
Cristina Rosato (Mother)
Patrick Garrow (16 Blocks)
JR Bourne (Stargate SG.1)
Anthony Lemke (Robocop: Prime Detectives)
Rossif Sutherland (Reign)
Greyston Holt (Bitten)
Aaron Douglas (Battlestar Galactica)
Benjamin Ayres (The Vampire Diaries)
Michael Shanks (Stargate SG.1)
David Alpay (Man of The Year)
Dylan Neal (Arrow)
Sandrine Holt (House of Cards)
Ty Olsson (War For The POTA)
Shawn Doyle (Don’t Say A Word)
Katharine Isabelle (The Order)
Jonathan Keltz (Reign)
Keram Malicki-Sánchez (Punisher: Warzone)
Kris Lemche (Final Destination 3)
Maria del Mar (Blue Murder)
Chad Donella (Shattered Glass)
Maurice Dean Wint (Cube)
Charlie Carrick (Reign)
Brennan Elliott (Curse of Chucky)
Dion Johnstone (The Core)
Steve Bacic (Andromeda)
Mark Lutz (Bitch Slap)
Roark Critchlow (V)
Paul Popowich (Dark Angel)
Andrew W. Walker (Sabrina: TTW)
John Ralston (Bitten)
Michelle Nolden (Red)
David Richmond-Peck (She’s The Man)
Zoie Palmer (Lost Girl)
A.J. Buckley (Walking Tall 2)

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The show is based on a real life Toronto police unit similar to SWAT but with their own integral negotiators. This is a brilliant set up because every episode can go either way with a brutal violent conclusion or the culprit talked down peacefully. The issues are dealt with in a mature and considered fashion which rather excellently means that the person with the gun is not always the baddy.

FLASHPOINT The team is rather more imaginatively put together than in most similar shows. The team leader (Enrico Colantoni) is the cuddly negotiator whilst two bullet headed middle-aged men (Hugh Dillon and Michael Cram) are his subordinates. They have similar but different home lives and chat through raising teenagers on the way to work. A black junior policeman (Mark Taylor) and an Italian junior policeman (Sergio di Zio) have minor roles but occasionally get their moment in the limelight and both rise to the challenge when they do. David Paetkau plays the ex-special forces sniper who has transfered in. His difficulties integrating and changing his focus from killing to resolving the situation are well handled and his dark back story is mercifully not as overblown as it easily could be. The last team member is Amy Jo Johnson (the only american on the cast) who is the beautiful woman who has to struggle to maintain her position on the team.FLASHPOINT Each show starts with a quick introduction to a perilous situation and then winds back a few hours to see how the problem started. We then build up to the point where police must start making life and death decisions. There are a few running storylines throughout the shot, but most episodes can be seen as standalone.The Show lasted five seasons and does bring us to a satisfied finale, only season one is available on DVD in the UK but many imports can be found on various sites.