CHRISTMAS 2017 REVIEW: A CHRISTMAS CAROL (2009)

CAST

Jim Carrey (How The Grinch Stole Christmas)
Gary Oldman (The Dark KNight)
Colin Firth (The King’s Speech)
Bob Hoskins (Hollywoodland)
Robin Wright (Wonder Woman)
Cary Elwes (Saw)
Fionnula Flanagan (Transamerica)
Steve Valentine (Mars Attacks)
Daryl Sabara (Spy Kids)
Molly Quinn (Castle)
Paul Blackthorne (Arrow)
Callum Blue (Smallville)

In 1843, on Christmas Eve, Ebenezer Scrooge, a miserly old moneylender at a London counting house, does not share the merriment of Christmas. He declines his cheerful nephew Fred Holywell’s invitation to a Christmas dinner party, and rejects two gentlemen’s offer to collect money for charity. His loyal employee Bob Cratchit asks Scrooge to allow him to have a day off on Christmas Day to spend time with his family, to which Scrooge reluctantly agrees before leaving. In his house, Scrooge is visited by the ghost of his deceased business partner Jacob Marley, who warns him to repent his wicked ways or he will be condemned in the afterlife like he was, carrying heavy chains forged from his own greediness. Jacob informs Scrooge that three spirits will visit to guide him out of his misery.Scrooge is visited by the candle-like Ghost of Christmas Past, who takes him back in time to his early life. They visit Scrooge’s boarding school and Scrooge sees his sister Fanie, who died after giving birth to Fred. Scrooge later begins a successful career in business and money lending as an employee under Fezziwig, and he becomes engaged to a woman named Belle. However, the Ghost shows Scrooge how Belle left him when he became obsessed with wealth. A devastated Scrooge extinguishes the spirit with its candle snuffer cap but Scrooge is rocketed thousands of feet into the air while clinging onto the snuffer, only to have it disappear, resulting in Scrooge falling down to earth, back into his bedroom for the next visitation.Scrooge meets the merry Ghost of Christmas Present, which shows him the joys and wonder of Christmas Day. Scrooge and the Ghost visit Bob’s house, learning his family is content with their small dinner, Scrooge taking pity on Bob’s ill son Tiny Tim. The Ghost abruptly ages, commenting that Tiny Tim will likely not survive until next Christmas. The Ghost warns Scrooge about the evils of “Ignorance” and “Want”; Big Ben begins tolling midnight as “Ignorance” and “Want” manifest themselves before Scrooge as two wretched children who grow into violent, insane individuals, leaving the spirit withering away, dying at length when midnight strikes (to the point of dissolving into a skeleton before the twelfth strike).The Ghost of Christmas Yet to Come arrives, appearing as a dark shadow, and takes Scrooge into the future. He witnesses a group of businessmen discussing the death of an unnamed man where they would only attend the funeral if lunch is provided; Scrooge is then chased across London by the Ghost and later discovers that his possessions are stolen and sold by his maid Mrs. Dilber. Shortly afterwards, Scrooge sees a covered corpse on a bed, followed by a family that is relieved he is dead, as they have more time to pay off their debt. The spirit transports Scrooge to Bob’s residence, discovering that Tiny Tim has died. Scrooge is then taken to a cemetery, where the Ghost points out his own grave, confirming Scrooge was the man who died. Scrooge promises to change his ways just as the Ghost forces him to fall into his empty coffin lying in a deep grave that sits above the fires of Hell.Waking up in his own room on Christmas Day, with love and happiness in his heart, a gleeful Scrooge decides to surprise Bob’s family with a turkey dinner, and ventures out with the charity workers and the citizens of London to spread happiness in the city, and later attends his nephew’s annual Christmas dinner, where he is warmly welcomed. The following day, he gives Cratchit a raise and becomes like “a second father” to Tiny Tim, who escapes death. A changed man, Scrooge now treats everyone with kindness, generosity, and compassion; he now embodies the spirit of Christmas.Jim Carrey is full of surprises and the entire movie is a theatrical outburst of his talent, under the brilliant direction of Robert Zemeckis. Brilliant because it manages to take the Dickens story and walk us through all its dimensions.  It’s an enchanting story and I encourage you all to see it.

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CHRISTMAS 2017 REVIEW: DEAD LIKE ME – GHOST STORY

MAIN CAST
Ellen Muth (Hannibal)
Callum Blue (Smallville)
Jasmine Guy (The Vampire Diaries)
Cynthia Stevenson (Agent Cody Banks)
Mandy Patinkin (The Princess Bride)
Britt McKillip (Trick ‘r Treat)
Chtistine Willes (Kingdom Hospital)
Laura Harris (The Faculty)
GUEST CAST
Teryl Rothery (Stargate SG.1)
Lochlyn Munro (Scary Movie)

 

Feeling like she does not fit in, George decides to shirk her reaping duties and go on Happy Time’s annual camping retreat. However, even there she can’t escape from her duties as Rube follows with an assignment. Back on the job in Seattle, Daisy and Mason must scramble to find the Post-it note he lost before tragedy occurs because of his ineptitude. Joy does her best to sell her house, but Reggie scares the potential buyers away by saying that George, her late sister, still keeps in touch with her from beyond the grave.

Dead Like Me was always a fun series, this isn’t much of a Christmas episode as there’s only one scene set as Christmas, but it’s still a great episode and any excuse to watch a classic show like is a good excuse.

REVIEW: COLOMBIANA

CAST

Zoe Saldana (Star Trek Beyond)
Cynthia Addai-Robinson (Arrow)
Cliff Curtis (Jubilee)
Michael Vartan (Alias)
Jesse Borrego (Con Air)
Ofelia Medina (Apolinar)
Lennie James (The Walking Dead)
Callum Blue (Smallville)
Jordi Mollà (Segunda Piel)
Graham McTavish (The Hobbit)
Sam Douglas (Eyes Wide Shut)

In 1992, in Bogota, Colombia, a drug lord’s assassin named Fabio Restrepo (Jesse Borrego) tells his boss, Don Luis Sandoval (Beto Benites), that he wants to leave crime behind. Even though Restrepo gives Don Luis a group of computer disks that he claims contains information about Don Luis’ business, Don Luis is incensed that Restrepo thinks he can leave. Don Luis sends his henchman Marco (Jordi Mollà) and a group of killers to kill Restrepo and his family. Fabio gives his nine-year-old daughter Cataleya (Amandla Stenberg) a SmartMedia[i] computer memory card with the information Don Luis wants and tells her it’s her “passport”; he also gives her the address of her uncle Emilio (Cliff Curtis), a criminal in Chicago, who will take care of her. The last thing he gives her is something that he says will keep her safe: his mother’s cattleya orchid necklace. After saying their goodbyes, Fabio and his wife Alicia (Cynthia Addai-Robinson) leave to battle Marco and his men but both are gunned down as Cataleya watches. Marco tries to manipulate her into giving the information, but when he asks what she wants, she stabs him in the hand with a knife and replies “To kill Don Luis”, and escapes. She makes it to the U.S. Embassy and gives the information in exchange for a passport and passage to the United States. She escapes from the airport through a bathroom window and takes a bus to Chicago. Once she finds Emilio, Cataleya asks him to train her as a killer.

Fifteen years later, a 24-year-old Cataleya (Zoe Saldana) has become an accomplished assassin. Her uncle serves as her broker, providing her with contracts. She is assigned to kill the notorious gangster Genarro Rizzo (Affif Ben Badra), who is currently in police custody. Implementing an elaborate plan, she gets herself arrested while dressed in a disguise. She manages to escape from her cell with tools she hid in her disguise, travel through the ventilation system, kill Rizzo, and return to her cell. The next morning she is released. As with her previous murders, she leaves her signature, the Cattleya flower, which is a message to her ultimate target, Don Luis. After learning about this Colombian orchid, FBI Special Agent James Ross (Lennie James) can now link this case to more than twenty other cases. As a last resort, the FBI decides to inform the public about Cataleya’s calling card. Don Luis, who is currently in a witness protection program overseen by CIA Agent Steve Richard (Callum Blue), realizes that Fabio’s daughter is in the U.S. and orders Marco (whose hand still hurts) and his operatives to find her.
Emilio is furious when he learns Cataleya has been killing with a “signature” since she has thereby put her relatives in grave danger. Cataleya’s newest target is William “Willy” Woogard (Sam Douglas), a millionaire who fled to the Caribbean with $50 million from his Ponzi scheme. She sneaks into his house and shoots him, and he falls inside his shark tank, where the sharks maul him to death. Under the name “Jennifer”, Cataleya later visits her lover, Danny Delaney (Michael Vartan), and spends the night with him. Danny snaps a picture of her while she sleeps. That morning she meets with her uncle, Emilio, who furiously tells her that eight people were slaughtered in Miami, one of them being his friend. Emilio then retires his niece from her work.

Danny shows her picture to his friend Ryan, but when Danny leaves to stop his car from being ticketed, Ryan forwards the photo to his sister-in-law, a police clerk, to find out who she is. Now in the police computers, the photo is recognized by the body/morph recognition software as that of the woman who was in the same prison as Genarro Rizzo the night he was killed. Detective Ross is notified, and the FBI quickly trace her location and they are supported by a SWAT team as they leave for her apartment. After Cataleya says goodbye, she goes home, but gets a call from Danny, who confesses that he took a picture of her. Upon seeing the SWAT team enter the apartment, she manages to escape through the garage and goes to Emilio’s home, only to discover that Mama, Pepe (Angel Garnica), and Emilio have been tortured and killed by Don Luis’s men, leaving her devastated.

Cataleya ambushes FBI detective Ross in his home in order to find out where Don Luis is. She threatens to kill Ross’s family members one by one if he doesn’t try harder to help her. Fearing for the safety of his family, Ross meets with CIA agent Steve Richard, who is unhelpful at first, but after Cataleya fires a warning shot through his “bulletproof” office window with a large-calibre sniper rifle, Richard gives up Don Luis’s current location. Cataleya then goes to a Louisiana land surveyor and threatens him for the floor plans of Don Luis’ mansion. Cataleya assaults Don Luis’s premises with heavy weaponry and wipes out all the guards, then confronts Marco and, after a violent hand-to-hand battle, stabs him in the neck. Don Luis escapes in a van, but is stopped by a garbage truck. Cataleya calls him on Marco’s cell phone, but Don Luis laughs and says that he will kill her and she will never find him because he is never where Cataleya wants him to be. Cataleya responds that he is exactly where she wants him to be. Pepe’s two attack dogs are right behind Luis’ seat and on her command they violently maul Luis to death. Danny is interrogated by the FBI, but when Ross leaves, Danny gets a cellphone call from Cataleya, who gives him her real name, and he tells her he loves her. Ross’ technical team alerts him that Danny is on the phone, but Ross realizes that Danny cannot be charged with any crime, so he is released. Cataleya boards an interstate bus headed for an unknown destination.I approached this film apprehensively, especially considering the clichés which abound in most revenge type films. Fortunately, the film is a masterpiece and Cataleya (Zoe Saldana) brings a vulnerability that we can all relate to, as well as awesome badassery. There is plenty of action, but it is done tastefully and always propels the story further. In terms of romance, there is a sweet storyline where we come to understand who Cataleya is as a woman. It is done tastefully and avoids the cringe factor. Family is also a major theme, and this is where the emotional roller-coaster stems from. Put simply, Colombiana is a fantastic film which you’ll be happy to watch over again. Give it a chance and you might just be surprised.

REVIEW: THE PRINCESS DIARIES 2: ROYAL ENGAGEMENT

CAST

Julie Andrews (The Sound of Music)
Anne Hathaweay (The Dark Knight Rises)
Hector Elizondo (Cane)
Heather Matarazzo (Hostel – Part 2)
John Rhys-Davies (Lord of The Rings)
Chris Pine (Star Trek)
Callum Blue (Smallville)
Raven-Symone (Dr. Dolittle)
Caroline Goodall (Hook)
Sean O’Bryan (Yes Man)
Spencer Breslin (The Happening)
Brian Klugman (Bones)
Rajia Baroudi (Mighty Morphin Alien Rangers)
Abigail Breslin (Scream queens)
Stan Lee (Deadpool)

Five years after the first film, Crown Princess of Genovia Amelia “Mia” Thermopolis (Anne Hathaway) has just graduated from Princeton University’s Woodrow Wilson School and is returning to Genovia with her bodyguard Joe (Héctor Elizondo). There, she will await her reign once her grandmother, Queen Clarisse (Julie Andrews), steps down as Queen. During Mia’s 21st birthday party, she dances with all the eligible bachelors in hope of finding a husband. She becomes attracted to a handsome gentleman named Nicholas (Chris Pine). During the course of the night, Mia’s tiara falls off and is caught by Parliament member Viscount Mabrey (John Rhys-Davies) who secretly plans to steal Mia’s crown. While the Parliament is in-session the next morning, Mia stumbles upon a hidden room that allows her to secretly listen in. Viscount Mabrey reveals his nephew, Lord Devereaux, is another heir to the Genovian throne. Despite Queen Clarisse’s objection, the only way Mia can assume her duties as Queen is if she marries within the month. Clarisse invites Lord Devereaux to stay at the palace, while Mia is shocked to discover Lord Devereaux is Nicholas. Mia’s best friend Lilly Moscovitz (Heather Matarazzo) surprises her by visiting. Together, they pick through potential husbands. Mia eventually chooses Andrew Jacoby (Callum Blue), Duke of Kenilworth and days later they are engaged. Mabrey plans to have Nicholas woo Mia and dissolve the engagement.

For a ceremony, Mia is to ride sidesaddle but does not know how. Queen Clarisse provides an ancestral wooden leg decoy to make it look like she’s riding sidesaddle. Mabrey spooks Mia’s horse with a rubber snake and Joe rushes to Mia’s aide, but accidentally tears off the wooden leg. Humiliated, Mia flees to the stables, where Nicholas fails to comfort her. At a garden party, Mia and Nicholas quarrel about Mia’s relationship with Andrew; Nicholas tricks Mia into admitting she doesn’t love him. Angered, she argues but instead gets bombarded by a kiss. At first, she kisses him back but then backs away. Nicholas pursues her even more, which causes both of them to fall into a fountain. Queen Clarisse finally tells Mia that her behavior with Nicholas needs to stop.

During the Genovian Independence Day parade, Mia sees some boys picking on a little girl (Abigail Breslin), and abruptly halts the parade to comfort the girl. Learning the children are orphans, Mia has a vendor give them all tiaras and lets them walk with her in the parade. Everyone is impressed by her act of generosity, while Mabrey sees it as a political maneuver. Mia later decides to convert one of the royal palaces into a temporary children’s center. That night, Mia has her bachelorette/sleepover party, where Queen Clarisse surfs on a mattress and sings a duet with Princess Asana (Raven-Symoné), one of Mia’s good friends. In the meantime, Mabrey realizes Nicholas has fallen for Mia, but Nicholas says that Mia will never love him. Nicholas comes upon Mia as she is practising her archery as part of her coronation rites. He helps her succeed in getting the arrow to hit the bullseye, something she had been struggling with. Nicholas then informs Mia that he is leaving, but asks to see her just one more time before he goes. She declines, saying she is under close guard.

That night, Nicholas appears outside Mia’s window and asks her to come out. Lilly encourages her to go, and Mia sneaks out. They ride out to a lake where they share secrets, dance and eventually fall asleep. They awaken to find a man in a boat videotaping them. Mia thinks Nicholas set her up, while he insists had no idea. By the time Mia gets back to the palace, the scandalous footage is already being broadcast. Andrew is disappointed and kisses Mia to see if there is a romantic spark between them. They realize they do not love each other, but do not call off the wedding for the good of Genovia. The wedding is to take place the following day, and Mia’s mother Helen (Caroline Goodall) comes with her new husband Patrick (Sean O’Bryan) and their newborn son Trevor. Nicholas decides against attending, but his surly housekeeper Gretchen informs him that Mabrey engineered their televised scandal.

Right before the wedding, Joe informs Mia that Nicholas is innocent. Queen Clarisse encourages Mia to follow her heart, something she has never done and has now cost her Joe, the only man she truly loved. Mia reenters the church, and asks the members of the Parliament to consider the women in their families and questions if they would force them what they’re forcing her to do (marrying people they don’t love). Mabrey cites the law again, suggesting that Nicholas be named King, only for Nicholas to arrive and refuse the crown as well as disown his uncle. Mia proposes the law on royal marriages be abolished, and Parliament unanimously gives its assent. Encouraged by Mia to have her own happy ending, Clarisse proposes to Joe and they are promptly married.

About a week later, Mia is preparing for her coronation when Nicholas shows up. He professes his love for Mia on bended knee, and they share a romantic kiss. The next day, Mia is crowned “Her Majesty Amelia Mignonette Thermopolis Renaldi, Queen of Genovia”, with all in attendance in the royal palace. An epilogue shows that Genovian Parliament now allows female members, one of whom is Charlotte. And Queen Mia officially opens the children’s home. This film is exactly what you expect it to be, lightly amusing, easy to watch and enjoyable – lovely way to while away a little time.

 

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: RED SANDS

CAST

Shane West (Nikita)
Leonard Roberts (Heroes)
Aldis Hodge (Leverage)
Callum Blue (Smallville)
Brendan Miller (Project X)
Theo Rossi (Luke Cage)
Noel Gugliemi (Training Day)
Mercedes Mason (The Finder)
J.K. Simmons (Spider-Man)

In 2002, Jeff Keller, who mysteriously survived the slaughter of his troops during a mission, is debriefed by an officer. The facts gathered indicate that he and his soldiers had been ambushed by al-Qaeda fighters who killed them all, leaving Keller for dead. Two weeks before, in September 2002, Keller’s crew gets a mission assignment and is set out to an isolated farmhouse where a family had been slaughtered days before. Their mission is to monitor a road as a sting to catch militants using it to transfer supplies. However, after an unintended stop at a mysterious shrine, a bored member of their group, Chard Davies, fires a few rounds at a stone idol, causing it to shatter. The squad’s interpreter Wilcox believes that it was a shrine to a Djinn, a powerful deity made from a smokeless flame, which in mythology matched the legend of a genie.
They return to their convoy and go to the farmhouse. While there, a series of bizarre events unfold. A sandstorm comes up and the group catches an unnamed Afghan woman running in, seeking shelter. Unable to speak her language they are unable to understand what she is saying, though dubious to her arrival, they keep her in case there are more. During the following days, tension begins to mount in the group. Staff Sergeant Howston is unable to reach any of their allies by radio; when Wilcox attempts to, he hears a strange distress call stating that their sergeant has gone AWOL which Howston cannot hear. Paranoia begins to get the better of them when Howston receives word that they missed a car on the road which they cannot see, and their truck’s ignition system is destroyed one night. Meanwhile, Howston and Wilcox are being haunted by gruesome images of people they had killed in the past.
Wilcox goes missing, and the only witness seems to be team member Tino Hull, who sees another member, Jorge Wardell, giving off a terrifying roar before him. That night, Wilcox’s dead body is found with his eyes removed and his face in a frozen expression of terror, and after a series of vivid and bizarre dreams Hull grabs another member Trevor Anderson and holds him at gunpoint as he accuses Wardell of killing Wilcox. Hull opens fire on Wardell and Davies is forced to retaliate, killing Hull. Howston orders them to take the bodies outside, and the next morning, the group is shocked to find that they are missing. Howston, slowly losing his grip on his sanity, orders Keller and Anderson to keep guard outside while he himself watches to make sure nothing else goes missing. While they are gone, Davies attempts to rape the Afghan girl, and in a heated moment calls Howston a “fucking nigger”, prompting Howston to hit him. In anger, Davies attempts to attack Howston, and Howston finally cracks, killing Davies and ordering Anderson and Keller to stash his body outside.
Afterwards, Howston goes missing, as does the girl as the remaining two attempt to make radio contact, Keller realizes that the voice he heard on the radio was that of Anderson when he makes the same radio call he had heard days prior. The pair plan to make a break for the rest of their group, but the girl appears briefly in the house and Keller goes to find her. Meanwhile, Anderson is confronted by the dead Wilcox who reveals himself to be a hideous creature. Before Anderson can react, however, he is killed by a shot to the head from the stalking Howston. Howston prowls the farm looking for Keller and is shocked when he comes across the same creature that Anderson had seen. His defenses lowered after running, Keller manages to gain the upper hand and slits the Sergeant’s throat. Keller then encounters the Afghan girl, who turns out to be the Djinn, and manages to escape by throwing a grenade into the ammo-filled farmhouse. The following morning, Keller is grabbed by something from underneath the sand and pulled down, disappearing under the desert. The first scene then recaps, and after the commanding officer tells him that he will be returned to the United States, he leaves. Keller then looks toward the camera, his eyes turning black revealing he is in fact the Djinn. As the screen pans out to the desert again it is revealed to the audience that Keller is dead, half buried in the sand, his eyes removed and his mouth open wide in terror. The screen then goes dark, and the credits roll.
Red Sands is a claustrophobic and tense psychological horror movie, with a great surrealistic story that can be interpreted as a madness process of a group of soldiers stranded in a place that they do not understand the culture and the language. Worth Watching for Smallvile’s Callum Blue.

REVIEW: SANCTUARY – SEASON 1-4

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)

RECURRING / NOTABLE GUEST CAST

Ryan Robbins (Arrow)
Kavan Smith (Stargate: Atlantis)
Kandyse McClure (Battlestar Galactica)
Peter Shinkoda (Masked Rider)
Chuck Campbell (Jason X)
Michael Adathwaite (Tru Calling)
Ellie Harvie (The New Addams Family)
Panou (Flash Gordon 2007)
Leah Cairns (Interstellar)
Laura Mennell (Thirteen Ghosts)
Peter Bryant (Dark Angel)
Peter Outerbridge (Earth: Final Conflict)
Alex Zahara (The Stickup)
Mackenzie Gray (The Net: The Series)
Matthew Walker (Highlander: The Series)
Sarah Strange (White Noise)
David Nykl (Arrow)
Kirsten Robek (Cats & Dogs)
Katharine Isabelle (Hannibal)
Jonathon Young (Antitrust)
Gabrielle Rose (Jennifer’s Body)
Jim Byrnes (Highlander: The Series)
Lynda Boyd (Power Rangers In Space)
Rekha Sharma (The Core)
Peter Wingfield (Caprica)
Christine Chatelain (40 Days and 40 Nights)
Alex Diakun (Androemda)

Being a big fan of Stargate SG-1 in general and Amanda Tapping in particular, I was quite excited to hear that the actress had signed up to play the lead in (and was executive producer of) a web-based series entitled Sanctuary.  I had meant to download the 8 15-minute webisodes but with one thing and another, never got around to it.  Based on the strength of those shorts, the series was picked up by the horribly named cable network Syfy, had a successful first season, and was renewed for a second (that is scheduled to begin in October.)  E1 Entertainment has now released Sanctuary Season One on DVD in a nice four disc set that fans of SF should consider picking up, especially if you gave up on the series while it was airing after a few episodes.

Dr. Will Zimmerman (Robin Dunne) is a profiler for a local police force in an unnamed metropolitan city.  Being very observant in a Monk-like way, he puts together clues that others often miss and follows them to their logical conclusions, even if those conclusions sound crazy.  He was kicked out of the FBI for his hair-brained hypotheses, and is pretty much shunned by the policemen he works with for the same reason.

While investigating the dead of a civilian and two police officers Zimmerman crosses paths with Dr. Helen Magnus (Amanda Tapping).  She runs the Sanctuary, a privately funded large gothic building in the middle of town that is host to, Will eventually discovers, a wide assortment of bizarre creatures called ‘abnormals’.  Basically all of Zimmerman’s theories have been correct, there are odd being roaming the world in secret and Magnus’ group helps those that they can and hunts down the ones that are dangerous to humanity.Will signs up and joins the Sanctuary team that includes Magnus, who turns out to be much, much older than she looks, Helen’s kick-ass daughter Ashley (Emilie Ullerup), tech geek Henry Foss (Ryan Robbins) and butler and extra muscle when needed Bigfoot (Christopher Heyerdahl).  Searching the globe for abnormals the group discovers mermaids, ancient witches, a human-like race that can compact their bodies to squeeze through the smallest spaces, a vampire, people who can shoot heat rays from their eyes, and even the basis for Sherlock Holmes and the real Jack the Ripper (who just happens to be Magnus’ ex-lover.) Every great team needs a suitable enemy too, and Sanctuary has one in the form of the Cabal, a super-secret, well funded, organization that also investigates abnormal sightings, but they have sinister motive behind what they’re doing and consider the Sanctuary their sworn enemies.
In the second half we’re introduced to Nikola Tesla  who used to be a friend of Magnus’ way back when and who is a vampire.  An intriguing character and easily my favorite in the show, viewers are never sure if he’s lying or telling the truth and whose side he’s really on.  The show picks up for there, no longer being a ‘monster of the week’ program; it starts telling a larger story and is more careful how the plots unravel.  The faux witty banter is toned down considerably and small incidental details actually make sense at this point.  They also go back and correct some of their earlier mistakes such as Magnus’ education.  In the first episode they stated that she attended Oxford in the mid 1800’s, a time when women weren’t allowed to enroll, but in episode 12 a character reveals that she only audited classes at that time, something that makes much more sense. The acting in the program is generally good with Amanda Tapping stealing the show.  She’s playing a character similar to Dr. Samantha Carter, the person she portrayed on Stargate SG-1, but Tapping went out of her way to create a totally different personality for this new character.  Physically she dyed her hair and she also sports a British accent (that sounds pretty good actually.  She was born in England, I guess that helps more than a bit.)  Magnus is also more careful than Dr. Carter and has a totally different demeanor.  I was always enamored of Tapping’s role in SG-1 (she reminded a lot of my wife,) but while watching her here I never thought of her as “that gal from SG-1,” a testament to how well she did in crafting a new individual.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Jonathon Young (Antitrust)
Christine Chatelain (Riese)
Lynda Boyd (Final Destination 2)
Hiro Kanagawa (Heroes Reborn)
Jason Schombing (Mutant X)
Chuck Campbell (Jason X)
Chris Gauthier (Watchmen)
Robert Lawrenson (Underworld: Awakening)
Nicole Munoz (Pathfinder)
Anne Marie Deluise (Highlander: The Raven)
Colin Cunningham (Elektra)
Erica Cerra (Blade: Trinity)
Colin Lawrence (X-Men 2)
Michael Shanks (Stargate SG.1)
Aleks Paunovic (I Spy)
Jason Bryden (Marmaduke)
Ryan Kennedy (Poison Ivy 4)
Chad Rock (The Flash)
Meghan Ory (Once Upon A Time)
Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)

Season 2 carried on from where season 1 left off. Dr Helen Magnus and team Sanctuary are trying to discover what happened to Ashley Magnus (Emilie Ullerup) and why she would betray her family and friends and join the Cabal, all while trying to save and protect “abnormals” from those who would do them harm. The main cast of Amanda Tapping (Dr Helen Magnus), Dr Will Zimmerman (Robin Dunne), John Druitt (Christopher Heyerdahl), Henry Foss (Ryan Robbins) and Bigfoot (Christopher Heyerdahl, again) all return for the second season.

There is also new girl Kate Freelander (Agam Darshi).  Who was created to replace Ashley (who is killed in the opening two epiosdes), Although Ashley was a popular characterKate does grow on you more and more with each episode, by seasons end shes is more rounded out character.


I Enjoyed this season even more than season 1 . In this case the stories seem much stronger and have more depth to them than those in the first season. Instead of a season long battle with the Cabal, that story line gets wrapped up in two episodes. Which lets season two create new stories that enrich the characters more.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)
Agam Darshi (Bates Motel)

RECURRING / NOTABLE GUEST CAST

Callum Blue (Smallville)
Shaker Paleja (The Day The Earth Stood Still)
Paul McGillion (Stargate: Atlantis)
Sahar Biniaz (Smallville)
Terry Chen (The Chronicles of Riddick)
Balinder Johal (Killer Punjabi)
Robert Lawrenson (Underworld: Awakening)
Jim Byrnes (Highlander: The Seroes)
Chasty Ballesteros (Final Destination 5)
Raquel Riskin (Killer Bash)
Gary Jones (Stargate SG.1)
Peter Flemming (Replicant)
Jonathon Young (Antitrust)
Michael Rogers (Duets)
Jorge Vargas (Power Rangers Ninja Storm)
Martin Christopher (Stargate: Atlantis)
Chris Gauthier (Watchmen)
Pauline Egan (Elysium)
Allison Hossack (Kingdom Hospital)
Adrian Hough (Underworld: Evolution)
Ian Tracey (Bates Motel)
Peter Wingfield (Highlander: The Series)
Vincet Gale (Big Eyes)
Pascale Hutton (Ginger Snaps 2)
Polly Walker (Caprica)
Jody Thompson (Flash Gordon 2007)
Francoise Yip (Andromeda)
Tinsel Korey (The Lookout)
Peter Deluise (21 Jump Street)
Aliyah O’Brien (Smallville)
Sean Rogerson (Bitten)
Douglas O’Keeffe (Dark Angel)
Richard De Klerk (Reign)
Jordana Largy (Flashpoint)
Barclay Hope (Final Destination 5)
Adam Copeland (Highlander: Endgame)
Tom McBeath (Stargate SG.1)
Greyston Holt (Bitten)
David Milchard (The Eye)

Season three sees Sanctuary taking a big step forward,and for the most part being very successful. instead of the previous two seasons 13 episode runs,this has 20 episodes,something which allows the writers to expand storylines and explore things further,bringing more depth to this seasons story arc. As always the acting from the entire cast is first rate .There is also plenty of Jonathan Young as Nikola Tesla,whos presence always lifts any episode he appears in,and guarantees some sharp dialogue.This series looks better as well,and steps out of,whenever possible,the confines of a cgi generated world,something which I always believed limited it far too much.Season three sees Sanctuary setting itself up as a major league player,and staking a claim as a show to be taken seriously,and it does it very well.Giving you more than it has before,while leaving you with the impression that there is much more to come,and the desire to find out what.The Sanctuary team deal with the aftermath of the gigantic tidal wave released by Big Bertha while Will’s life remains in balance but soon the errand comes to an end once Will leads one final plea to “Kali” A.K.A. Big Bertha in his near death experience to stop the destruction. Following Will’s return to life two abnormals appear to him to rekindle his memory and in doing so Will remembers an important message that Gregory sent for Helen to find an underground city with great technology and secrets.Later Nikola sends an SOS call and after his rescue continues to help Helen in discovering the secrets of the city which eventually leads them to a Hollow Earth atlas. Soon Adam Worth, a former acquaintance, tricks Helen and causes radiation poisoning (that should kill both Helen and Adam in a few weeks) so that she may show Adam the Hollow Earth. Upon Adam’s interference Helen, Will, Henry and Kate enter the city to save Gregory and find a cure for the poisoning but only to be executed immediately when caught while Adam imprisons John, leaving Tesla and Big-Guy alone in the mysteries. Magnus is then revived by Ranna for answering and Magnus finds out that she needs her to help an abnormal from the events of ‘KALI’, thereby Magnus and the gang is revived and she given the cure and is reunited with her father, together Gregory and Helen save the abnormal and reach the surface back again while John kills Adam. The show returned to its original format, featuring a new short story for every episode until Tesla and Magnus discover a Praxian Stronghold. This is revealed to have been taken by Vampires and as such was a Vampire Stronghold where a whole army of Vampires and their queen were buried to be awakened someday. Magnus views this as a threat and destroys the stronghold, but not before restoring Tesla to a Vampire again.

MAIN CAST

Amanda Tapping (Stargate SG.1)
Robin Dunne(Dead Like Me)
Emilie Ullerup (Leprechaun: Origins)
Christopher Heyerdahl (Twilight: Breaking Dawn)
Ryan Robbins (Arrow)

RECURRING / NOTABLE GUEST CAST

Agam Darshi (Bates Motel)
Peter Wingfield (Highlander: The Series)
Ian Tracey (Man of Steel)
Pascale Hutton (Flash Gordon 2007)
Francoise Yip (Robocop: Prime Directives)
Tom McBeath (Stargate SG.1)
Robert Lawrenson (Human Target)
David Milchard (The Eye)
Greyston Holt (Bitten)
Adam Copeland (Highlander: Endgame)
Pauline Egan (Ambrosia)
Brian Markinson (Izombie)
Lara Gilchrist (Battlestar Galactica)
Mig Macario (Once Upon A Time)
Sandrine Holt (Terminator Genisys)
Carlo Rota (Stargate Universe)
John Novak (Wishmaster 3 & 4)
Martin Cummins (Dark Angel)
Tora Hylands (Primeval: New World)
Charlie Carrrick (Reign)
Jonathon Young (Antitrust)
Zak Santiago (Caprica)
Adam Greydon Reid (Cult)
Caroline Cave (Saw VI)
Al Sapienza (Margin Call)
Brent Stait (Blade: The Series)
Jodi Balfour (Final Destination 5)
Jim Byrnes (Highlander: The Series)
Kurt Evans (Watchnmen)
Brenda Campbell (Orphan)
Gil Bellows (Flashforward)
Gerard Plunkett (Andromeda)

At the end of the last season things were getting pretty hairy on a couple of different fronts. The subterranean abnormals who live inside the Earth have decided that they want their chance in the sun and three armies march out of caves in different parts of the planet. If that wasn’t bad enough, Magnus is battling an old companion, Adam Worth, who manages to open up a hole in time and slip back to the 1800’s with the aim of curing his terminally ill daughter. This will change the time stream irrevocably, so Magnus follows him on his one-way journey into the past in order to stop him.

This season opens with Magnus in 19th Century London, following Worth. He manages to wound her and escape, so she turns to one person she knows she can trust, he husband at the time, James Watson  Together they have to stop Worth, but even if they do, how will Magnus manage to return to the 21stCentury? She does manage it, but it takes a very long time. Meanwhile Will has been put in charge of the New York Sanctuary by the Sanctuary Network, that mysterious body that runs the various abnormal shelters around the world. He’s having a rough time, as the US military wants to actually  attack the invading army, especially after there’s a revolt in the refugee compound that’s housing several Hollow Earth abnormals in which the subterranean creatures take hostages and threaten to kill them. No one in authority will take Will’s calls, and with Magnus MIA he’s clearly out of his depth.

After that crisis, and Magnus’ return, things are different. The government is very leery of abnormals and they create a department, SCUI, to hunt down the Hollow Earth creatures that are still on the surface. Either imprisoning the abnormals that they capture or using them for experiments it’s a race between the bad military and the saintly Sanctuary to see who can locate and capture the renegade abnormals first.There are some very good episodes in this season. Monsoon, where Magnus is held hostage by some abnormal crooks while in an airport in Africa was a high point. Seeing the unarmed Magnus take out a group of ex-military super-humans was delightful.

The series does wrap up (though there is room for more adventures)  It was nice that the show did get a coda. All in al lSanctuary was an excellent show that lasted four seasons and left room for more stories to be told shold Syfy every decide to bring it back.