REVIEW: I’LL ALWAYS KNOW WHAT YOU DID LAST SUMMER

CAST

Brooke Nevin (Scorpion)
David Paetkau (Flashpoint)
Torrey DeVito (The Vampire Diaries)
Ben Easter (Pearl Harbor)
Seth Packard (Fire Creek)
K.C. Clyde (Do No Harm)
Don Shanks (Urban Legends: Bloody Mary)

There was talk a long time ago, after “I Still Know What You Did Last Summer” had come and gone, that the “I Know…” movies were to be made into a trilogy, following suit of such franchises as “Scream”. I remember reading on the net of a possible “I’ll Always Know…” (perhaps the only remaining way to re-phrase the title of the original). But nothing happened – Jennifer Love Hewitt and Freddie Prinze Jr. went on to different things and the fans made peace with it. Then in 2006 this came out. When a film entitled “I’ll Always Know What You Did Last Summer” follows on from previous ones called “I Know” and “I Still Know” you expect it to be a continuation, but it isn’t.t.A  group of kids on a fairground ride on July 4th discussing the “legend” of the hook-wielding fisherman. This then saunters into said kids acting out a full-on prank involving the fisherman, in order to scare their peers. Unfortunately, the prank goes hideously wrong and results in the actual death of someone. This is when the story begins to take an identical path to “I Know…”, with similar scripting, similar scenes and a similar overall route. It begins when the four leads sit around a fire and vow to take the fact that they were behind the prank-gone-wrong to their graves – just like the original. We then witness scenes that are mirror-images to “I Know…”: the aggressive male accusing a peer of sending them threats; the two female leads sitting in a car questioning what happened to their friendship; a death at a small-town talent show. The only attempt at difference and separation is that the characters receive “I Know What You Did Last Summer” notes in the form of text message and written out in water by a swimming pool.45 minutes in, the movie starts to become its own. Amber – the heroine – begins to do her homework and discovers that the “legend” derives from what happened to a group of teens a few years ago in a fishing town and then on a remote island in The Bahamas. This is where the “I’ll Always Know” part of it begins to come into play and actually starts to relate back to the story of the original two films.It’s pleasing in that the killer actually has something to do with the previous films, but odd because, unlike “I Know…” and “I Still Know…”, it takes on a supernatural element that is not in keeping with the theme and feel of this franchise. “I’ll Always Know…” justifies itself by linking its story back to the original killer and scenario, but at the end of the day this series should not have been completed without the characters of Julie and Ray. With “I Still Know…” having been left open at the end (Julie’s being dragged under her bed at the last-minute by Ben Willis), if there was ever to be an “I’ll Always Know…” it should have contained the original survivors and no air of the paranormal.

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REVIEW: SMALLVILLE – THIRST

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MAIN CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Allison Mack (The Ant Bully)
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GUEST

Carrie Fisher (Star Wars)
James Marsters (Buffy)
Brooke Nevin (Infestation)

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Chloe is at the Daily Planet headquarters in Metropolis interviewing for a job with the new editor-in-chief, Pauline Kahn. Ms. Kahn is unimpressed with the column Chloe wrote in high school and tells her that Lionel’s arm-twisting is the only reason she ever got the opportunity. She dismisses Chloe, but Chloe tells her that she doesn’t expect special treatment and is willing to work her way up to the top. Pauline Kahn tells her that she will consider hiring her if she produces a good story. Switch to Chloe’s narration as she continues to work on her report on the Tri-Psi sorority. At their sorority house, a pizza boy arrives and the girls invite him into the hot tub. During the make-out session, the girls suddenly start biting him, he begins to scream and the water turns blood red.
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Clark goes to visit Lana at her theater and then steps into her apartment to find her packing. She tells him that she’s applied for late acceptance to Met U, but there is no longer any housing available, so she is considering a sorority. Clark is disappointed and suggests her go to CKU with him, but she assures him that nothing will change between them. Clark is in Professor Milton Fine’s history course. After the lecture, Professor Fine is approached by Lex Luthor. Lex accuses him of researching certain LuthorCorp projects that have yet to gain public knowledge. He asks him if Clark Kent is providing the information, but Fine denies Clark’s involvement. Lex reminds Fine that he has great influence in the CKU review board.
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The Tri-Psi sorority head, Buffy Sanders introduces her group as the prettiest and most exclusive sorority. Lana is one of the pledges and is surprised to find out that she is the only one that has been picked to join. They tell her that there is one more initiation ritual, and it is revealed that the entire sorority are vampires. They bite Lana and she becomes part of the sisterhood. Fine goes to the Mansion and tells Lex that he doesn’t have to investigate his past, because he will provide him with anything he wants to know. He gives Lex a file on himself and tells Lex that he knows he is using funding from the University to conduct LuthorCorp experiments. Lex seems to back off, but when Fine leaves, Lex sends a guard to follow him.
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Chloe’s roommate Karen is dismantling her mini version of the Wall of Weird when she arrives home. She is angry about the wall, and even angrier that Lana Lang is asleep in Chloe’s bed. Karen storms away and Chloe tries to revive Lana. She is groggy and lethargic, and Chloe thinks she is hungover from the pledge party. Clark arrives and Chloe leaves her in his care. He asks if she’s feeling ok and she says she’s fine and starts making out with him. Clark is surprised and confused by her aggressive advances and she gets annoyed by his reluctance and leaves. The guard finds Professor Fine at Warehouse 15. When he approaches and says he shouldn’t be touching what isn’t his, but Fine claims otherwise. He extends a metal projectile from his hand, kills the guard, and goes back to examining the Black Ship.
Image result for smallville thirst.Chloe’s investigation continues and she reports that Lana and her new friends have fun throwing each other off the house’s balcony and getting drunk. Clark is worried about Lana’s strange behavior and Chloe tells him that she’s been investigating the sorority and has uncovered some strange details. None of the sisters ever leave the sorority, and it is the most exclusive one on campus. She makes a plan to infiltrate their Halloween party and brings Clark along. They split up to locate Lana. Clark ducks into a bedroom where Buffy catches him rummaging. She orders him to leave, but she is distracted by someone at her door. When she turns back to Clark, he is gone. Chloe finds Lana dancing and making out with other boys and pulls her to the side. She asks her about how she’s been acting and Lana bites her. Chloe calls Clark for help and he uses his super-hearing to find her. He arrives to catch Chloe just as she passes out, astonished to see Lana standing over her with a mouth full of bloody, pointed teeth. Clark takes Chloe to the hospital where the doctor reports that she has a rare strain of the rabies virus which is preventing her red blood cells from regenerating. They can treat her but they don’t know the cure. Professor Fine arrives at the hospital, claiming to be visiting a sick colleague. He asks about Chloe’s condition and Clark admits that he thinks she was attacked by a vampire. Fine looks at Chloe’s chart and tells him to ask Lex about Project 1138.
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Back at the Tri-Psi sorority, the other girls are mad at Lana for leaving a victim alive. They tell her that Clark was snooping around and she has to clean up her mess by bringing him back so they can finish him off, or Lana will be the one they feed off instead. Clark goes to the Luthor Mansion and demands that Lex tell him about the Project. Lex leads Clark into the library carrying a metal briefcase. He explains that six years ago, Buffy Sanders was trapped outside Smallville in a cave but was rescued by LuthorCorp. The cave was found to contain meteor rock-infected stalactites that had mutated the vampire bats living there. A LuthorCorp worker was also bitten and developed vampire-like symptoms like strength, fangs, and light sensitivity, but they were able to cure him. He opens the case to reveal vials of the serum, kept active by a large fragment of meteor rock. Clark starts to feel ill and backs away just as an overhead window breaks. Lana appears and jumps to the floor. She knocks Lex out and attacks Clark. Clark is weakened by the kryptonite and Lana bites him. After sucking his blood, she is able to shoot heat from her eyes. Clark is able to grab one of the syringes with the antidote in it before Lana takes him back to the sorority house.
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The girls lay him on the hearth of the fireplace and prepare to feed on him. Lana doesn’t want to kill him and suggests they just turn him into a vampire as well. The girls explain there is no room for him in a sorority. Buffy doesn’t care what Lana wants and when Lana stands in her way, she knocks her to the floor. Buffy then tries to kill Lana, but she uses her heat vision to vaporize Buffy and the other vampires run away in fear. Lana prepares to turn Clark into a vampire but he is able to stab her heart with the antidote and restore her to normal. Clark and Lana are walking along campus when he tentatively asks how much she remembered. She admits that it’s all a little fuzzy, but she remembers biting him and says she felt his love for her and his strength. She says she misses being with him. Clark goes to the Luthor Mansion to thank Lex for saving the girls’ lives. Lex gets Clark to admit that Professor Fine is the one who told him about Project 1138 and tells him that Fine is obtaining highly classified documents. He warns Clark to stay away from Fine.
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Chloe’s report concludes with the knowledge that all the girls were cured, including herself. Her roommate transferred, so Lana was able to move in with her. She gives the article to Pauline Kahn, but Kahn claims that they don’t print tabloid stories. Chloe counters with the research she did for the article including interviews, CDC reports, and eyewitness accounts. Kahn changes her mind, says that Chloe has potential, and agrees to hire her. Chloe is thrilled to start her dream career in the basement of the Daily Planet.Image result for smallville thirst

A strange episode for Smallville, it is probably the weakest episode out of all 10 seasons, but it is still intriguing. Carrie Fisher is the highlight of the episode , thou many believe she should of got a bigger part. James Marsters shines as he all does in the part of Brainiac. Kristin Kreuk sexing it up as vampire was fun to see. all in all an okay episode and worth watching over Halloween.

REVIEW: GOOSEBUMPS: THE COMPLETE COLLECTION

 

 

 

 

 

NOTABLE CAST MEMBERS

R.L. Stine
Kathryn Long (Crossing The Line)
Colin Fox (Scanners III)
Anne Marie Deluise (Smallville)
John White (American Pie: Beta House)
Kristine Boone (Mean Girls)
Eugene Lipinski (Arrow)
Chris Benson (Resident Evil: Apocalypse)
Michèle Duquet (The Virgin Suicides)
Boyd Banks (Dawn of The Dead)
Erica Luttrell (Stargate: Atlantis)
Daniel DeSanto (Totally Spies)
Maggie Castle (The Time Traveller’s Wife)
Blake McGrath (Chicago)
Barclay Hope (Stargate SG.1)
Suzanne Cyr (Cake)
Katharine Isabelle (American Mary)
Amanda Tapping (Sanctuary)
Ryan Gosling (Young Hercules)
Scott Speedman (Underworld)
Corey Sevier (Immortals)
Brendan Fletcher (Bloodrayne 3)
Don Francks (La Femme Nikita)
Maria Ricossa (American Pie: The NAked Mile)
Melody Johnson (Jason X)
Maurice Godin (Boat Trip)
Adam West (Batman 60S)
Tabitha Lupien (Ready or Not)
Charlotte Sullivan (Rookie Blue)
Kevin Zegers (Wrong Turn)
Michael Copeman (The Fly)
Kris Lemche (Final Destination 3)
Kyle Labine (Freddy vs Jason)
Joy Tanner (Mutant X)
Lori Alter (House at The End of The Street)
Desmond Campbell (The Bone COllector)
Amy Stewart (Ice Princess)
A.J. Cook (Ripper)
Hayden Christensen (Star Wars – Episode 2 & 3)
Jordan Prentice (Mirror, Mirror)
Brooke Nevin (I’ll Always Know What You Did Last Summer)
Anthony De Longis (Masters of The Universe)
Lauara Vandervoort (Bitten)
Shawn Roberts (X-Men)
Victor A. Young (Earth: Final Conflict)
Terra Vnesa (Wrong Turn 4)
Janet-Laine Green (Cowboys Don’t Cry)
Caterina Scorsone (Alice)
Philip Akin (Highlander: The Series)
Nicole Underhay (Saving Hope)
Fiona Highet (Saint Ralph)
Yani Gellman (Izombie)

Goosebumps Complete Collection is a box-set that contains all four seasons of the old 1990’s television show, Goosebumps. Goosebumps is a family horror show that tells tales in an episodic format much like the shows The Twilight Zone (1959 – 1964) and Tales From the Crypt (1989 – 1996). The episodes themselves are all based on the Goosebumps books and some episodes are even hosted by the author of the books, R.L. Stine. Some of the tales of terror you can expect in this show includes: A girls unfortunate experience with a haunted Halloween mask.  An evil dummy trying to get people in trouble.  A story of an evil comic book villain coming to life.  A young boy’s adventure in the jungle with a shrunken head.  Several episodes about werewolves.  A bunch of ghost tales.  Plus way too many more to even mention as it’s the complete collection.
I really enjoyed watching this again after so many years. I remember watching it on  Fox Kids way back in the day and was very excited when I heard it was finally getting a DVD release. for the first season Each episode has a different story about different characters, except for the 2 parters, and it’s always a whole lot of fun to watch. It’s sometimes scary and sometimes funny and all around really nostalgic and awesome.
The writing improves greatly in season two onwards and it becomes a much more entertaining show with stories that you can really get into.  The characters become more interesting, the acting becomes much better, and the show becomes more scary.  There will still be a bad plot twist here and there and they are just as painful to watch.  Season three is a season that I have some weird feelings towards as it likes to use references to prior episodes.  Some references I have no problem with but there are a lot that feel grossly out of place to where it feels very weird and awkward.

Season four is the smallest of all of the seasons as it only ran for eight episodes but that doesn’t mean that it is lacking everywhere else.  The last season is made up of four two-part episodes and the writing was really good as the two-part format really helped to make the stories more fleshed out and more in-depth.  The season four episodes are also much tighter and also push the boundaries a bit more to where it looked like that they were aiming it towards teenagers.  Season four was very entertaining and you will be drawn into it.  Season four was so well done, it became my favorite season out of the lot and is really worth checking out.
8 ways Goosebumps will stay with you forever
Classic episodes include “Welcome to Dead House”, it is about a family that moves into a house in a town that is ran by ghouls.  This episode is much more scary than what I make it out to be, the reason why was because the atmosphere is brilliant and the way the story progresses will leave you on the edge of your seat.  There are two other episodes that still spooks people out but not as spooky as the episode that I mentioned before.  Those two episodes are, “The Werewolf of Fever Swamp” and “Ghost Beach” and I am very surprised that all the episodes I mentioned above got away with what they did as those episodes certainly push the boundaries to what kids shows can get away with.  Those episodes are probably the reason why this show is now released with an M15+ rating, opposed to the G and PG rating it got back in the day.

The standard episodes and movie length episodes do have a difference in looks to them.  The standard episodes look like that they were made on the cheap, while the movie length episodes were made on a much higher budget and have a better look to them.  Actually, that’s not fully true as all of the season four episodes look much nicer in budget than seasons one – three, but not as good quality as the movie length episodes.  This show doesn’t simply cover horror as there are some episodes that cover other genres like: Science-fiction (“Say Cheese and Die”, “Say Cheese and Die… Again”), adventure (“How I Got My Shrunken Head”), drama (“The Ghost Next Door”), and even comic book styled action (“Attack of the Mutant”).  I must admit that it is weird seeing other genres other than horror in this show but it was all done well and adds variety and freshness to the show.

The green screen and computer effects have aged poorly to where you can’t take them seriously and will laugh every time you see them.  Some of them are too painful to even witness but most of them are just so bad that it is fun to watch.  The prop effects look so much better and those are things you will mostly take seriously.  The props are mostly very spooky looking and will send chills down your spine but there is also a good chunk where the props aren’t very frightening at all and just end up looking stupid, not as stupid as the green screen and computer effects though.  The music in this series has a lot of tracks that sounded terrible and goofy but they all go with the show very well and help build up an atmosphere.  The most classic tune of them all just has to be the Goosebumps theme as it puts you in the mood and is also very memorable.Overall, this show has aged (as you’d expect) but it is still full of some really good stuff that is worth watching all these years later.  Classic show.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: MY NAME IS EARL – SEASON 1-4

MAIN CAST

Jason Lee (Dogma)
Ethan Suplee (Mallrats)
Jaime Pressly (Mom)
Nadine Velazquez (War)
Eddie Steeples (Raising Hope)

RECURRING / NOTABLE GUEST STARS

Leo Fitzpatrick (Bully)
Gregg Binkley (Galaxy Quest)
Dale Dickey (Iron Man 3)
Carson Daly (Josie and The Pussycats)
Trace Adkins (The Virginian)
Silas Weir Mitchell (Birds of Prey)
Kathryn Joosten (Desperate Housewives)
Tracy Ashton (Stuck on You)
Jesse Heiman (ChucK)
Dax Shepard (Zathura)
Montel Williams (Golden Shoes)
Giovanni Ribisi (Avatar)
Abdoulaye NGom (VR Troopers)
Missi Pyle (Dodgeball)
Timothy Stack (Cast Away)
Chloe Grace Moretz (The Fifth Wave)
Johnny Galecki (The Big Bang Theory)
Kristina Hayes (Expelled)
Beau Bridges (Stargate SG.1)
Niecy Nash (The Soul Man)
Blake Clark (50 First Dates)
Brett Butler (Anger Management)
John Ducey (Sabrina: TTW)
Jon Favreau (Iron Man)
Jeremy Howard (Accepted)
Lindsay Hollister (Bluberella)
Jessica Cauffiel (White Chicks)
Mark Christopher Lawrence (Chuck)
Patricia Belcher (Bones)
Adam Goldberg (Deja Vu)
Christine Taylor (Zoolander)
Samm Levine (Veronica Mars)
Ben Falcone (New Girl)
Timothy Olyphant (Go)
Malcolm David Kelley (Lost)
Juliette Lewis (Some Girl)
Clint Howard (Apollo 13)
Max Perlich (Blow)
Geoffrey Lewis (The Devil’s Rejects)
Miriam Shor (Bedazzled)
Shailene Woodley (Divergent)
John DiMaggio (Futurama)
Burt Reynolds (Boogie Nights)
Judy Greer (Jurassic World)
Marlee Matlin (Reasonable Doubts)
Jonathan Slavin (Free Enterprise)
Beth Grant (Wonderfalls)
Jenny McCarthy (Two and a Half Men)
Johnny Sneed (The Heartbreak Kid)
Christian Slater (True Romance)
John Leguizamo (Kick-Ass 2)
Jimmi Simpson (Date Night)
Ray Santiago (Ash vs Evil Dead)
DJ Qualls (Road Trip)
Bob Clendenin (That 70s Show)
Norm MacDonald (Dr. Dolittle)
Kurt Fuller (Ghostbusters 2)
Sean Astin (The Goonies)
Ben Foster (The Punisher)
Craig T. Nelson (The Incredibles)
Dee Wallace (E.T.)
Raymond Cruz (Training Day)
Alyssa Milano (Charmed)
Billy Gardell (Mike & Molly)
Mike O’ Malley (R.I.P.D.)
Tamala Jones (Castle)
Shawn Hatosy (Alpha Dog)
Jane Lynch (Glee)
Paris Hilton (Bottoms Up)
Kevin Sussman (The Big Bang Theory)
Michael Pena (American Hustle)
Jon Heder (Blades of Glory)
Bonita Friedericy (Chuck)
Deborah Ann Woll (Daredevil)
Nancy Lenehan (Sex Tape)
Mindy Sterling (Austin Powers)
Seth Green (Family Guy)
Suzy Nakamura (8mm)
Brandon Soo Hoo (Tropic Thunder)
David Arquette (Scream)
Katy Mixon (Mike & Molly)
Jenna Elfman (EdTV)
Brooke Nevin (The Comebacks)
Scoot McNairy (Argo)
Michael Pena (American Hustle)
Joel David Moore (Julia X)
Courtney Gains (Children of The Corn)
Jane Seymour (Smallville)
Jason Priestley (Tru Calling)
Eric Lange (Lost)
Neil Hopkins (The Net 2.0)
Eric Allan Kramer (The Incredible Hulk Returns)
Morgan Fairchild (Chuck)
Danny Glover (Earthsea)
Curtis Armstrong (New Girl)

 

When I heard that Jason Lee has going to be starring in a new TV series, I was psyched. Ever since his star-making turn in Mallrats,  Earl (Lee), a 250-time loser and minor criminal, won $100,000 on a scratch-off ticket, and was promptly hit by a car. While healing in the hospital, he learns about karma from Carson Daly (on TV) and decides to change his life by making a list of all the people he’s wronged and making it up to them. It’s a simple concept.Earl’s family and friends, including his brother Randy (Ethan Suplee), his ex-wife Joy (Jamie Pressly), her husband Darnell the Crabman (Eddie Steeples) and his friend Catalina (Nadine Velazquez), are alternately positive and negative influences as he tries to fulfill his debt to karma. Randy, a dopey man-child, helps his brother as much as he can, but because he’s not too bright, he tends to screw things up. That’s ok though, as he may have the purest intentions of anyone in the show, since he’s unable to truly be underhanded. The only person purer than Randy is Darnell, otherwise known as Crabman. Even more innocent than Randy, he lives a simple life and is a simple man. That he’s married to Joy, a woman to whom no level of evil is out of reach, shows what he can put up with in life and remain good-natured. She’s also incredibly funny, as Pressly does the best work of her career, playing this trailer bitch to the max. She’s balanced by Earl and Randy’s pal Catalina, the highly sexy maid at their hotel. Though she’s good at heart, there’s an inherent darkness in her that shines through with solid comic timing.Though there’s not a lot of story that progresses from episode to episode, the theme of the list ties everything together nicely. Whether he’s helping a suicidal man find a reason to live or giving his mom the Mother’s Day she deserved, Earl spreads his “golden rule” message, making the show one of the few TV comedies today where there’s a positive message but not a ton of cheese. There are episodes that have as much heartfelt sentiment as any “very special effort” just without the melodrama. Instead, the series is very real in the way it depicts people. They are neither all good or all bad. They just are, and they do what they need to to get by. Darnell isn’t ruled by a strict code of ethics. He just does what feels right. Earl has a thread of bad-guy in him, but he believes in the concept of good. The writers have managed to create some of the most complete sitcom characters in recent history, as one can see in “Dad’s Car,” when Joy’s love for her kids is revealed.There’s something special in this show that you only see in truly great ensemble casts, and that’s memorable supporting characters that aren’t your average “wacky neighbors.” It’s almost guaranteed that a laugh is coming when Crabman or Catalina are on screen. Even one-time characters, like Earl’s clingy ex-girlfriend or the many fantastic guest stars, make the most of their screentime by integrating seamlessly with the regulars, creativing a cohesive universe, giving you more reason to come back and visit with your friends in Camden County.It’s not just the writing and acting that’s top-notch though. The choice of music is often inspired, with pop and rock songs helping the show reach new emotional and comedic heights, including a beautiful use of “I’ve Got a Golden Ticket” in the season finale. Today, you expect soundtracks with such popular, well-known songs to end up replaced on DVD, but it seems that these shows are presented with  the music intact. Just as creative are the inventive visuals, which help tell bigger stories in the small amount of time the show has. It’s the small details like this that show the kind of effort that goes into the series.

The second season of the show didn’t mess with success, maintaining the things that worked so well for the series, including a very funny cast, a well-developed dynamic and a style that’s unique and energetic. What did change was part of a natural evolution, as the show’s smaller stories, which make up Earl’s karmic quest, are joined by a larger, season-long arc surrounding his ex-wife Joy (Jaime Pressly) and her effort to get revenge on a local store for refusing her return without a receipt. Not exactly the brightest bulb, she decides that the scales will be balanced if she steals one of the store’s trucks. Unfortunately for her, worst-laid plans are especially susceptible to failure and things spiral well out of her control, as, when she’s inevitably caught, it’s her third strike, which would mean a prison term, thus setting up Earl and his friends’ attempt to keep Joy out of the big house. Of course, this isn’t exactly a crackerjack squad of schemers, so things certainly don’t go smoothly, which makes for a hilarious running subplot.Despite the overarching Joy in Jail plot, the show doesn’t lose sight of its core concept: Earl and his list. As he knocks off item after item on the record of bad things he’s done, we get to meet more of the residents of Camden County, including the members of a circus freak show, a French exchange student Earl ran out of the country and an aging rocker. There are also a few familiar faces to help, including his gay friend Kenny, the lovably laid-back Crabman (Eddie Steeples, one of the TV’s most underrated actors) and Earl Hickey. Yep, after realizing he wrecked his own life, Earl adds himself to the list and spends a few episodes taking care of his own business.Earl’s not the only Hickey in the spotlight though this season, as his adorably simple brother Randy (played wonderfully by Suplee) is increasingly a focus on the show, even getting a few love interests, including the gorgeous and hilarious Catalina (Nadine Velazquez.) A huge part of what’s so beautifully and positively human about the series emanates from the good-hearted Randy, who, in many ways lives to be loved, especially by Earl. It’s that personality that makes an episode like “South of the Border,” in which Randy feels wronged by Earl, and the hurt overwhelms him. In Suplee’s capable hands, a character that might otherwise be a cartoon, is fully realized and truly real, as “Larceny of a Kitty Cat” shows, in exploring how Randy reacts to heartbreak, with the help of “Strangers with Candy” star Amy Sedaris.Sedaris is one of many guest stars who are seamlessly integrated into Earl’s world, including Christian Slater, Roseanne Barr, Judy Greer, Jenny McCarthy, John Leguizamo, Kathy Kinney, Mike O’Malley, DJ Qualls, Dog the Bounty Hunter, Charles S. Dutton, Sean Astin and John Waters. Each one works great in the context of the series, especially returning guests like Beau Bridges (as Earl’s dad,) Giovanni Ribisi (Earl’s insane friend Ralph) and Tim Stack (portraying TV’s Tim Stack in a great meta joke) and repeated guest star Marlee Matlin, who’s fantastic as Joy’s deaf lawyer (along with her interpreter Jonathan Slavin.) But none of them were as fantastic or as inspired as the addition of Chubby, the owner of the local strip club, dry cleaner and rib restaurant. Considering Lee’s use of the phrase “Reynolds style” in films and Earl’s glorious ‘stache, getting Burt Reynolds to play the utterly mental Chubby was brilliant, as was his performance in “Jump for Joy,” the Catalina-centered episode that will make any hetero man a fan of “Jump Around.” But even better than that, was the appearance of Chubby’s son in “Two Balls, Two Strikes.” If Reynolds’ casting was inspired, there is no phrase to describe the choice of Norm MacDonald to play his son, considering MacDonald’s famously bad “SNL” impersonation.It’s this kind of decision-making that makes the series so original and fun, and its seen frequently throughout the season. “Buried Treasure” takes the old “Rashomon” concept and recasts it into a series of mini episodes of “Earl,” using the show’s style (and iconic opening) to great result, while “Our ‘Cops’ is On” takes the popular police show and brings it to Earl’s neighborhood. Though the concept is pretty consistent from episode to episode, there’s no such thing as your average installment of “Earl,” as each is a 20-minute masterpiece of comedy and creativity, starring one of the finest comedic casts working today.

By putting Earl behind bars for almost half the season, the series proved it was bigger than its concept, as the situation let him be the man he’s been for two seasons, while changing him organically, as he adapts to prison life. Admittedly, his time in jail isn’t too different for him, with the warden (a marvelously inept Craig T. Nelson) taking Karma’s place, as Earl helps him out in exchange for an early release. But the warden isn’t quite as generous as his cosmic benefactor, so life isn’t quite as rewarding, which pushes Earl back toward the dark side. Not to spoil anything, but Karma’s not a big fan of Bad Earl, and let’s him know so, quite forcibly.

Things aren’t all bad for Earl though, as his pals, including his dense brother Randy and Joy’s husband Crabman, help him out when he really needs it, which this season is for an extended period of time that sets up one of the show’s more unique conceits, as Earl finds himself in a fantasy sitcom world that’s genuinely amusing to enjoy. Earl also meets a special new lady in his life, when he falls for Billie (Alyssa Milano) the girlfriend of his prison pal Frank (Michael Rappaport.) Though we’ve seen Earl on the short end of the relationship stick, this new girl tests Earl’s patience, as well as what he believes he is all about. To say that Billie is a bit on the confusing side, is a massive understatement, as her mood swings and mindset change with the breeze. That said, we have rarely seen Earl under these conditions, it makes for some genuine comedy. The two-part season finale, which pits Billie against Earl’s list brings everything back to center.

One of the best parts about the show is the world in which these characters live, which has been enhanced by repeat guest stars and unique episode concepts. In addition to Nelson as the warden, new arrivals to Camden County include Vincent Pastore, Jane Lynch, Paris Hilton, Jon Hader, John Henson and Shawn Hatosy, some of whom fit in better than others.  Meanwhile, returning this season as guests are Giovanni Ribisi, Tim Stack, Beau Bridges and DJ Qualls, who help make Camden County feel real. Thus, when the show goes back to the well for a two-part “Cops” episode, this time titled “Our Other ‘Cops’ Is On,” it just makes sense that this town could be captured twice by the cameras of the popular police show, and feel no shame about it.Though the unique situations in this season make for some great episodes, the best would have to be “Creative Writing,” which finds Earl taking part in a creative writing class in prison. Though Earl struggles with the inspiration to write, it quickly spreads to his friends and family, which results in ridiculous fantasy scenes, including an animated sequence, Randy’s spy fantasy, a telenovela starring Catalina and, best of all, a smooth R&B jam from Crabman. It’s the show’s ability to bounce between the more realistic adventures of Earl and pals and sequences like these that makes it such a treat to watch a show on a regular basis, because you never know what you’re going to see next.

The season continues to see Earl visiting others he’s wronged from his past, including one episode that involves his own parents (“Monkeys Take a Bath”). In the episode, Earl and Randy decide they want to apologize to their sensitive childhood neighbor (played by David Paymer). While the two thought the neighbor moved because of their teasing, he actually moved because of an affair with Randy and Earl’s mom. When Joy finds out, she approaches Earl’s mom, first calling her a hypocrite, then wondering why they couldn’t have gotten along if they were both so similar. Of course, Joy gets a negative – and, not surprisingly, familiar – response.
Later in the season, “Nature’s Game Show” offers up another darkly amusing gag as a twister (and the show’s attempt at showing a twister coming through is about the most hilariously cheap portrayal of a twister I’ve seen in ages) passes by the town, resulting in a “commonly accepted rule” coming into play: the rule of “finders keepers”, as townsfolk scatter to pick up whatever they can from the items that have been blown around by the twister.However, one of the biggest highlights of the season comes in the second half, with “Darnell Outed”, a 2-parter that starts with Earl trying to help Joy get on the new reality show, “Estrada or Nada”, starring the former “C.H.I.P.S.” actor. Upon seeing the ad for the show, Earl proclaims to Randy, “We truly live in the golden age of television.” Shortly after, Earl introduces Joy’s audition tape for “Fear Factor”. While Pressley has offered up some very funny performances during the four seasons of this series, this is certainly one of the best, even offering up a few genuinely touching moments. The episode sees Joy getting humiliated, which also results in Darnell’s witness protection program cover being blown. The second half has Joy (who renames herself Goldie) and Darnell finding themselves in a new life in the ‘burbs. Upset that he couldn’t make Joy’s dream of being famous come true, he sets off to find her – by mailing himself and Randy to Joy’s new forwarding address. A few episodes later, Earl and Randy have to explain to Mr. Turtle (who has had a long journey) what happened.
My Name is Earl remains a great series and the series certainly goes out on a high note with this terrific fourth and final season – there’s not a bad episode in the bunch, and a few are particularly funny. It does end on a cliffhanger so be warned.