REVIEW: DEMOLITION MAN

CAST

Sylvester Stallone (Rocky)
Welsey Snipes (Blade)
Sandra Bullock (The Heat)
Nigel Hawthorne (Spiderweb)
Benjamin Bratt (Catwoman)
Denis Leary (The Amazing Spider-Man)
Rob Schneider (The Hot Chick)
Bill Cobbs (New Jack City)
Bob Gunton (Daredevil)
Glenn Shadix (Beetlejuice)
Jack Black (Goosebumps)
Jesse Ventura (The Running Man)
Brandy Ledford (Andromeda)

In 1996, psychopathic career criminal Simon Phoenix kidnaps a number of hostages and takes refuge with his gang in an abandoned building. LAPD Sgt. John Spartan uses a thermal scan of the building and finds no trace of the hostages, and leads an unauthorized assault to capture Phoenix. When he is captured, Phoenix sets off a series of explosives that bring down the building, and when the police search the wreckage, they find the corpses of the hostages. Spartan is charged with 30 counts of manslaughter, and he is incarcerated along with Phoenix in the city’s new “California Cryo-Penitentiary”, where they will be cryogenically frozen (the former being sentenced to 70 years, with parole eligibility in 50). During their time “in deep freeze”, they are to be rehabilitated through subconscious conditioning.

During their incarceration, the “Great Earthquake” of 2010 leads the cities of Los Angeles, San Diego, and Santa Barbara to merge into a single metropolis under the name San Angeles. The city becomes a utopia run under the pseudo-pacifist guidance and control of the evangelistic Dr. Raymond Cocteau, where human behavior is tightly controlled. In 2032, Phoenix is woken for a parole hearing, but he finds he somehow knows the access codes to the security systems, and is able to escape the prison and begins wreaking havoc on the city. The police, having not dealt with violent crime for many years, are unable to handle Phoenix and opt to wake Spartan and enlist his help. Spartan is assigned to Lieutenant Lenina Huxley to help with acclimation to the future, which he finds depressing. Others on the police force find his behavior brutish and uncivilized, though Huxley, who is fascinated by the lifestyles of the late 20th century, helps Spartan to overcome this, and the two grow close, despite the limitations on displays of public affection.

They attempt to stop Phoenix from stealing 20th century weapons from a museum display, but Phoenix manages to escape. Phoenix encounters Dr. Cocteau during his escape, and though he tries to shoot him, finds himself unable to do so. Dr. Cocteau calmly asks Phoenix to assassinate Edgar Friendly, the leader of the resistance group called the Scraps that fight against Cocteau’s rule, and allows Phoenix to bring other criminals out of cryo-sleep to help at his request. Meanwhile, Spartan and Huxley review the cryo-prison records and find that instead of the normal rehabilitation program, Phoenix had been given the information necessary for his escape by Cocteau directly. They also discover information directing Phoenix towards Friendly, and go off to warn him.  At the Scraps’ underground base, Friendly is initially distrustful but Spartan is able to convince him of the threat and takes sympathy in their cause given what he has seen above ground. When Phoenix and his gang attack, Spartan and the Scraps ward off the attack, leading to a car chase between Spartan and Phoenix. During the chase, Phoenix taunts Spartan by revealing that he had killed the hostages before Spartan had arrived in 1996. Phoenix escapes while Spartan comes to terms that he had been wrongly charged with the crime. Meanwhile, Friendly and the Scraps work with the police to try to help stop Phoenix and his gang of cryo-cons.

Phoenix returns to Dr. Cocteau with his gang, and as the rehabilitation programming prevents him from killing Cocteau, orders one of his gang to do so. Spartan and Huxley arrive soon after, finding that Phoenix has already left to release more prisoners. Spartan enters the prison alone to fight Phoenix, engages in a violent fight that ravages the facility, and eventually uses the cryogenic chemical to freeze Phoenix before shattering him. Spartan escapes the prison before it explodes and regroups with the police and the Scraps. The police fear the loss of Cocteau will send their society into a downward spiral, but Spartan suggests that they and the Scraps work together to recreate a society that returns some of the personal freedoms that were lost. He then kisses Huxley and the two go off together.Demolition Man is brilliant action packed movie, just what you would expect from a Stallone, or even a Wesley Snipes movie. A treat for fans of both stars or just action and/or sci-fi fans in general and with just the right mixture of comedy and action i highly recommend it to all!

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REVIEW: RAT RACE

CAST

John Cleese (3rd Rock From The Sun)
Breckin Meyer (Road Trip)
Cuba Gooding Jr. Jerry Maguire)
Seth Green (Family Guy)
Amy Smart (The Butterfly Effect)
Rowan Atkinson (Johnny English0
Whoopi Goldberg (Star Trek: TNG)
Lanei Chapman (Space: Above and Beyond)
Jon Lovitz (Southland Tales)
Dave Thomas (Grace Under Fire)
Dean Cain (Lois & Clark)
Wayne Knight (Jurassic Park)
Brandy Ledford (Andromeda)
Silas Weir Mitchell (My Name Is Earl)
Kathy Bates (Misery)

Donald Sinclair (John Cleese), the eccentric owner of The Venetian Resort Hotel Casino in Las Vegas, devises a new game to entertain the high rollers who visit his hotel. Six special tokens are placed in the casino’s slot machines, and the winners are gathered together and told that $2 million in cash is hidden in a duffel bag in a train station locker in Silver City, New Mexico, 563 miles southeast of Las Vegas. Each team is given a key to the locker and told to race across the desert to the train station and claim the money. Unbeknownst to the competitors, Sinclair’s wealthy patrons are placing bets on who will win.

Among the racers are scheming siblings Duane (Seth Green) and Blaine Cody (Vince Vieluf), businesswoman Merrill Jennings (Lanai Chapman) and her estranged mother Vera (Whoopi Goldberg), disgraced American football referee Owen Templeton (Cuba Gooding, Jr.), the Pear family led by opportunistic father Randy (Jon Lovitz), eccentric Italian tourist Enrico Pollini (Rowan Atkinson), and no-nonsense Nick Schaffer (Breckin Meyer).

Unable to get on the earliest flight, Duane and Blaine manage to destroy the radar with their Ford Bronco, grounding everybody else. However their car is wrecked in the sabotage, so they steal another before deciding to split up to double their chances of winning by creating a replica key. The locksmith (Silas Weir Mitchell) overhears their plan, and makes off with the key, trying to escape in a hot air balloon. Duane and Blaine catch up to him, leaving the locksmith and a stray dairy cow hanging from the balloon’s anchor rope. The brothers later accidentally swerve their vehicle into a monster truck rally, where it is destroyed. They therefore steal a monster truck and continue on to Silver City.

Merrill and Vera crash their car thanks to malicious road directions given by a crazed squirrel saleswoman (Kathy Bates). They steal a rocket car, which races across the desert until it runs out of fuel. The women dizzily stumble onto a bus full of mental patients which eventually drives toward Silver City.

Owen is left stranded in the desert by a vengeful cab driver (Paul Rodriguez) who lost $20,000 on his bad call in a football game. He comes across a coach bus filled with Lucille Ball impersonators going to an I Love Lucy convention and disguises himself as the driver. Just outside Silver City, the bus hits the cow dangling from the hot air balloon, swerving off the road and suffering a puncture (and eventually rolling over). Owen breaks down, reveals he is not a coach driver, and is forced to flee from the women on foot. After hiding, he steals some clothes from a scarecrow and rides a stolen horse the rest of the way.  Randy Pear deceives his family into accompanying him in the race, but they mistakenly visit a museum dedicated to the Nazi Klaus Barbie. After the Cody brothers vandalize their car, the Pears steal Adolf Hitler’s staff car to continue. Randy accidentally insults a biker gang and they attack, causing the Pears to crash into a meeting for World War II veterans who believe the family to be Nazis after seeing Randy exiting Hitler’s car while unknowingly resembling Hitler. After being chased away, the family tell Randy they want to stop the race, but he drugs them with sleeping pills, and bundles them into a semi-truck to reach Silver City.

Nick chooses not to participate in the race until he meets pilot Tracy Faucet (Amy Smart), one of the few still able to fly using her non-fixed-wing helicopter; he realizes she gives him a large advantage, then persuades her to give him a lift. They pass over Tracy’s boyfriend’s (Dean Cain) house but spot him with his ex-girlfriend, enraging Tracy to the point that she attacks and chases him in the helicopter. It stalls out, causing her and Nick to steal her boyfriend’s truck. Now without a job and on the run, Tracey accompanies Nick to Silver City.

Narcoleptic Enrico falls asleep at the start of the race but awakens hours later. He rushes out of the casino to be run down by ambulance driver Zack (Wayne Knight), who is delivering a transplant heart to El Paso. Wishing to avoid trouble, Zack agrees to take Enrico to Silver City. When Zack shows off the heart, it bounces out the window and a stray dog picks it up; Enrico plays fetch with it, until the dog gets killed by an electric fence. Zack considers removing Enrico’s heart to replace the first, before Enrico flees onto a passing train. In despair Zack touches the electric fence, which brings the retrieved heart back to life. All the racers reunite in Silver City, most running side-by-side on foot toward the station. Enrico arrives first by train, only to fall asleep with his key in the locker. The others show up and tackle each other to open the locker, only to find it is empty. They all run outside and find Sinclair’s assistant Grisham (Dave Thomas) and a call girl he hired making off with the money bag. They lose it when the locksmith ties it to the balloon, only for the three to crash their car.

The racers follow the balloon until it lands at an outdoor charity concert hosted by Smash Mouth. All are persuaded to give the money to charity. Nick then surprises a horrified Sinclair and his patrons by declaring that they will match the amount raised (which is shown increasing at an alarming rate on the display board). The film ends with the racers dancing to “All Star” and crowd surfing in the exuberant audience as Sinclair bawls hysterically.Rat Race is one of the funniest movies of 2001. It’s energetic, irrelevant, and entertaining. You are sure to have a decent time.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: ANDROMEDA – SEASON 1-5

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MAIN CAST

Kevin Sorbo (Hercules: TLJ)
Lisa Ryder (Jason X)
Keith Hamilton Cobb (Noah’s Arc)
Laura Bertram (50/50)
Brent Stait (Blade: The Series)
Gordon MIchael Woolvett (Bride of Chucky)
Lexa Doig (Continuum)
Steve Bacic (Flash Gordon 2007)
Brandy Ledford (Baywatch)

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RECURRING / NOTABLE GUEST CAST

John Tench (Shooter)
Emy Aneke (Star Trek Beyond)
Elizabeth THai (Saved)
Amber Rothwell (Battlestar Galactica)
Paul Johansson (Highlander:The Raven)
Dylan Bierk (Beastmaster)
Marion Eisman (Hit ‘n Strum)
Cameron Daddo (Packed To The Rafters)
Brian George (The Big Bang Theory)
Sam Sorbo (Hercules: TLJ)
Claudette Mink (Children of The Corn 7)
Kimberley Warnat (Freddy vs Jason)
Malcolm Stewart (Jumanji)
John de Lancie (Star Trek: TNG)
Ty Olsson (Izombie)
Monika Schnarre (Dead Fire)
Douglas O’Keeffe (Sanctuary)
Nathaniel DeVeaux (Antitrust)
Noel Fisher (Teenage Mutant Ninja Turtles)
Ralf Moeller (Conan The Adventurer)
Mackenzie Gray (Man of Steel)
Chapelle Jaffe (The Dead Zone)
Rachel Hayward (Jingle All The Way 2)
David Palffy (Stargate SG.1)
Kimberly Huie (G-Spot)
Michael Shanks (Stargate SG.1)
Gerard Plunkett (Sucker Punch)
Anthony Lemke (Robocop: Primce Directives)
William B. Davis (The X-Files)
Anna Marie Deluise (Smallville)
Enuka Okuma (House of The Dead)
Roger Cross (Arrow)
Kendall Cross (Caprica)
Francois Yip (Smallville)
James Marsters (Buffy)
Jud Tyler (That 70s Show)
Steven Grayhm (White Chicks)
Timothy Webber (Cypher)
Kevin McNulty (Elektra)
Mark Hildreth (V)
Kristin Lehman (Hemoglobin)
Costas Mandylor (Saw V)
Heather Hanson (The Hosue Next Door)
Dean Wray (Horns)
Ingrid Torrance (Flight 93)
Brendan Beiser (The X-FIles)
Cynthia Preston (Carrie 2013)
Meredith McGeachie (Punch)
Sonya Salomaa (Watchmen)
Michael Hurst (Hercules: TLJ)
Andee Frizzell (Stargate Atlantis)
Christopher Judge (Stargate SG.1)
Ellie Harvie (The New Addams Family)
Winston Rekert (The Blue Man)
Lawrence Bayne (Dog Pound)
Krista Rae (Dawn Anna)
Kristen Robek (Cats & Dogs)
Tony Todd (The Flash)
Venus Terzo (Arrow)
Sara Deakins (Tru Calling)
Michael Hogan (Battlestar Galactica)
William Katt (Carrie)
Geordie Johnson (Reign)
leila Johnson (School of Life)
Jayne Heitmeyer (Earth: Final Conflict)
Peter Shinkoda (Daredevil)
Adam Harrington (The Secret Circle)
Peter Bryant (Dark Angel)
Chris Potter (Heartland)
Jody Thompson (Flash Gordon 2007)
Helene Joy (Desolation Sound)
Aleks Paunovic (Mortal Kombat Legacy)
Christopher Heyerdahl (Sanctuary)
Krista Allen (Mutant X)
Michael Ironside (Total Recall)
JR Bourne (Stargate SG.1)
Sarah-Jane Redmond (V)
Nigel Bennett (Cypher)
John Reardon (Tru Calling)
Maury Chaykin (Entrapment)
Chelah Horsdal (Hell on Wheels)
Carmen Moore (Artic Air)
Michelle Harrison (The Flash)
Nicholas Lea (Arrow)
Colin cunningham (Elektra)
Andrew Jackson (Earth: FInal Conflict)
Ona Grauer (V)
Ivar Brogger (Bones)
Sebastian Spence (First Wave)
Grace Park (Battlestar Galactica)
Martin Cummins (Bates Motel)
Jim Byrnes (Highlander: The Series)
Christina Cox (Arrow)
Apollonia Vanova (Watchmen)
Nia Peeples (Half Past Dead)
Peter Wingfield (Caprica)
Kandyse McClure (Battlestar Galactica)
Gary Jones (Stargate SG.1)
Emily Holmes (Dark Angel)
Peter Delusie (21 Jump Street)
Erica Durance (Smallville)
Aaron Douglas (Battlestar Galactica)
Missy Peregrym (Heroes)
Marjorie Monaghan (Babylon 5)
Blu Mankuma (Tin Man)
Alan Scarfe (Seven Days)
Kyle Cassie (Deadpool)
Ken Tremblett (Caitlin’s Way)
Don S. Davis (Stargate SG.1)
Natassia Malthe (DOA)
Matthew Bennett (Battlestar Galactica)
Lochlyn Munro (Scary Movie)
Kevin Durand (Dark Angel)
Hiro Kanagawa (Heroes Reborn)
Francoise Yip (Smallville)
Emmanuelle Vaugier (Two and a Half Men)
Cobie Smulders (How I Met Your Mother)

The first season begins with a two-part story “Under the Night” and “An Affirming Flame” about the formation of Dylan and his new crew. Gerentex, a nightsider, hires the crew of the Eureka Maru: Beka, Harper, Trance, and Rev. Gerentex wants them to do a salvage operation and find the fabled Andromeda Ascendant. The ship is worth a lot of money. After a long effort by the crew, they find the Andromeda and tow it from the black hole singularity.When Beka, Harper, Trace, and Rev board the ship, they find Dylan on board. Gerentex sends a secret assault team, led by Tyr, to kill Dylan. Suddenly, the mission changes and Beka’s crew have a change of heart. They want to leave the ship to Dylan, because it is his ship after all. Gerentex does not react happy to the news and he only leaves the ship when it is sucked back into the singularity. Of course, he leaves Beka’s crew and the assault team to perish. Dylan inspires the crew to work together to get out of the situation. He saves them, and later reveals to them his desire to rebuild the Commonwealth. Reluctantly, everyone joins him. Not because they believe in his cause, but because it is better than smuggling.The two-part story is a pretty exciting introduction to the series. Some of the characters’ performances are a bit over-the-top and their ability to instantaneously adapt to using the Andromeda’s advanced computer systems and having security codes to launch the massive nova bombs (think nukes in space) is little on the unreasonable side. But, if you do not take the show too seriously, the introductory two-part story is quite fun. Another part I enjoyed about it was the mysterious hints about Trance. She was shot and killed, but miraculously recovered without any medical attention. While she seems like an innocent character with a small part, the writers have some big plans for her as the series progresses.

The  grander plot happening with the Andromeda crew tends to be a lot better than the standalone episodes. There are episodes that tie in a super duper bad guy called the Abyss. In “Harper 2.0”, the Abyss sends an assassin into the known world to erase its existence. In the season finale “It’s Hour Come ‘Round at Last”, the crew run into a huge ship filled with millions of Magogs. It becomes a very interesting story.

There are also some interesting stories with detailed background into the characters like “Angel Dark, Demon Bright”, where the Andromeda accidentally travels back in time to a major turning point in the battle against the Commonwealth and Nietzscheans. Dylan is in a position to change the future forever, but decides against toying with fate. Then there is “The Banks of the Lethe”, which puts Dylan back his fiance Sara (Sam Jenkins). Episodes like theses offer insight to the characters, their backgrounds and personalities, and the relationships they have with each other. These developments become a fairly intriguing part of season one . For instance, Tyr is a Nietzschean and cares more about his wellbeing than those he serves with. In several instances, his loyalty and duty to the crew is questionable. Like in the episode “Double Helix”.

Overall, the first season of Andromeda offers viewers a decent science-fiction series filled with action, some corny dialogue, over-the-top performances, decent stories, and a cast of likeable characters.

In season two, Dylan’s quest becomes more of a reality. The Renewed Systems Commonwealth represents more than just the unity and peace Dylan envisions; it is, as Dylan hunt says, a necessity. In the season one finale “It’s Hour Come ‘Round at Last”, Harper took a look around inside Andromeda’s code and found a backup copy of Andromeda’s core. He accidentally restored the backup. Andromeda went out of control and took the crew on a top secret mission. To make matters worse, the mission takes the crew deep into Magog territory, where the Andromeda runs into a Magog Worldship. The Worldship is a transportable solar system, with multiple planets and an artificial sun. The Worldship houses trillions of Magog and gives them the power to destroy stars. The Magog are traveling towards the known worlds with plans of conquest and destruction. In the close of the episode, the Magog have overrun the Andromeda and the crew’s fate is desperate: Trance, Beka, and Dylan are unconscious and near death, Tyr and Harper are being held by the Magog, Rommie had a pike shoved in her stomach, Rev Bem is being converted to the Magog cause, and the Andromeda Ascendant is in critical condition.

The second season premiere episode “The Widening Gyre” continues where season one left off. Despite the direness of the situation, they overcome their individual situations and manage to free themselves of capture. The real excitement introduced in this story is the notion of the Magog and the Worldship. The Spirit of the Abyss, a being that acts as the Magog’s God, is leading the Magog on a quest of utter destruction. This threat becomes a staple for the Andromeda crew to fight off. A Renewed Systems Commonwealth is a necessity. Fortunately for the crew, they have some time until the Worldship reaches space of the known world–two or three years. In the fourth and fifth seasons, the Spirit of the Abyss and the Magog are a major port of the season story arcs. The Magog still are at the front of the stories and a key reason for the new Commonwealth. And Dylan works feverishly to recruit planets to his cause. In the episode “Home Fires”, Dylan receives a message from his long dead fiance. After the initial fall of the Commonwealth, a group sought refuge on a planet called Tarazed and for three hundred years, they have survived as the last remnants of the old way of life. Dylan learns that the people of Tarazed and goes to the planet to get them to join the new Commonwealth. They, however, do not. When he arrives at the planet, he finds a familiar face, that of his former first officer Gaheris. But it is a genetic clone named Telemachus Rhade. Dylan and Rhade are hesitant to trust each other. The story takes an interesting turn in the development of the relationship Dylan had with Gaheris, as well as introduces Rhade, who joins the cast in season four.

The episodes “Into the Labyrinth”, “Bunker Hill”, and “The Prince” are more episodes focused on the restoration of the Commonwealth with the cast in diplomatic missions, facing with spies, political corruption, and other such things. “Into the Labyrinth” sees a Nietzschean clan Saber-Jaguar joining the Commonwealth. In “Bunker Hill” the Saber-Jaguar clan invokes the Mutual Defense Pact, which requires the Andromeda join their side in combat against the Dragan clan. At the same time, Dylan sends Harper and Rommie to Earth to join the resistance movement to free human slaves under Dragan control. In “The Prince”, the crew travel to Ne’Holland to save what is left the royal family from being slaughtered. Dylan wants the planet to join the Commonwealth because it is in a key position to defend against the upcoming Magog onslaught. However, in order to get them to join, he has to save its leaders from its own people. But what Dylan did not know was that the royal family’s actions have not always been just.“Ouroboros” is a major episode in the series. It is the first major cast and crew changes. Rev Bem leaves the series as a regular cast member. He apparently went away to find himself. Stait, who plays Rev Bem, talks about the reason he left in his interview featurette. Another change deals with Trance. Harper builds a machine he hopes will help rid him of the Magog larvae that was implanted in him in the season premiere. The machine works, but it also does a little more and bends space and time. The crew is able to glimpse into future versions of themselves. Trance, in particular, meets her future self, who proclaims the future unfolded very badly. The present and future Trance’s switch places in hope future Trance can set the timeline in the right direction. The new Trance is physically different, without a tail and has golden skin. The other major change is in the crew. Robert Hewitt Wolfe was released because the direction he envisioned for the series was much different than wanted. In “Knight, Death, and the Devil”, the crew are on the verge of completing the first stage in restoring the Commonwealth. Beka and Harper negotiate with the fiftieth planetary world to join the cause. Dylan, Tyr, and Rommie also find a decommissioned high guard ship. When they interact with the ship’s AI Ryan (Michael Hurst), they find out there is a solar system with over fifty other relic ships in hiding. Dylan goes to the solar to convince the ships to rejoin the Commonwealth (remember some AI’s have emotions and they were abandoned long ago). Christopher Judge guest stars as one of the AI’s.

 

The season finale “Tunnel at the End of the Light” is a literally explosive episode. Representatives from fifty worlds come to the Andromeda to sign the Commonwealth charter. It is an exciting time to see the Commonwealth officially come back into power. Unfortunately, there are forces that would rather not see the chartered signed. Sabotage hits the Andromeda and the charter signing goes up in flames. It is up to the crew to make necessary sacrifices to see it through.

Overall, I was pretty happy with the second season of Andromeda. Like the first season.  In addition, the story arcs that span the episodes offer intriguing aspects with the formation of the Commonwealth, the Magog, and the Spirit of the Abyss. In the end, I think season two makes for a good watch if you enjoy science-fiction/fantasy oriented shows.

In the close of season two, the signing of the Commonwealth charter was under attack by mysterious alien forces. The disruption caused chaos and the crew had to make sacrifices to deal with the matter. In the third season premiere episode “If the Wheel is Fixed”, the story is concluded. Tyr and Beka were left trapped in another dimension. Dylan frets and considers a way to get them back. He takes the Eureka Maru to reconstruct the events that led to the crew members being sucked into the alternate dimension. He is successful and Tyr and Beka return. Unfortunately, the two are not who they seem to be. Many problems happen on the Andromeda and it eventually turns into a mysterious plot to kill them all–Tyr and Beka are being controlled by a force in the other dimension.

The unfortunate thing about this episode is the direction the story takes. In the end of season two, the story had a lot of promise with aliens from another dimension attacking. However, in the concluding half of the episode, the story gets pretty hokey. I suppose the aliens from another dimension were not the strongest approach itself, but I liked it in the first part. The subsequent episodes also fail to be as strong as they could. This is not to say they are terrible or anything, but rather that they could have been better. The story arcs that ran through the first two seasons start become less significant. The content is more episodic with the Andromeda crew out on missions that are wrapped up in an episode.

“The Unconquerable Man” is a pretty solid episode, but one you do not want to think too much about. The storyline is based on time travel and alternate realities. The episode begins with Harper moving Gaheris Rhade’s body and Dylan notices a mark on his hand he had never seen. Then the episode jumps into a point in time when a future Rhade had the opportunity to destroy the time machine Harper built in the season two episode “Ouroboros”. Trance is with Rhade and tries to convince him not to do so. Rhade reflects on his life (an alternate reality of the events thus far). In this reality, Rhade killed Dylan and survived for three hundred years in the black hole. He teamed up with Beka, Rev Bem, Trance, Harper, and Tyr to rebuild the Commonwealth. As the episode unfolds, Rhade comes to realize it is Dylan’s fate and not his. He sacrifices himself so that the original timeline is restored and Dylan is once again put in charge of the Andromeda.

“The Dark Backward” is an exciting episode because it explores Trance’s reality. There is a deadly intruder aboard the ship trying to kill the crew. The episode focuses on Trance and one her of mysterious talents. In past episodes, she has offered advice that could only be explained by foresight of some kind. She has the ability to play out situations in many different scenarios in mere seconds. Trance explores different ways to maximize the crew’s life and stopping the intruder. It is an interesting episode because it details more about how mysterious and special Trance is as a character.

Another strong episode this season is “What Happens to a Rev Deferred?”, where Rev Bem returns. While monitoring the evacuation of Empyrium, a world that is on the brink of destruction, the crew receives a communication from Rev Bem asking to be rescued. To complicate matters, a group of renegades are after Rev. Dylan and crew go to the planet’s surface to rescue Rev and witness a miracle. Rev under goes some spiritual phenomena when an unknown entity confronts Rev and he professes his sorrow for all his ill-natured acts as a savage Magog. He is given redemption and physical changed into a new being. Rev Bem has been an interesting character, with his struggles to be “civilized” over “savage”, and his ties into the Spirit of the Abyss make him an even more interesting character. It is too bad he is not investigated further. In the season finale “Shadows Cast by a Final Salute”, things take a turn for the worst for the Andromeda crew and the Commonwealth. The assistant minister of war informs Dylan that there is something afoot with the Nietzschean clans in the Commonwealth. There have been rumors going around that they are considering leaving the allied forces and forming their own united front. They are rumors no longer, but fact. Afterwards, Andromeda is put on high alert when an elite strike force of Dragans takes hostages and demands their lives for the bones of Drago Musevini. As the situation unfolds, it becomes evident Tyr’s hand had play in the situation. With his son, the genetic clone of Drago Musevini, he plans to unite his people and save the universe. At the end, Dylan and Tyr bid a final farewell to each other with no promise their next meeting will be peaceful. But the situation was more than just Dylan and Tyr, as a plot to stand against the Commonwealth became an important issue. The Nietzscheans and several other forces joined in a battle against the Commonwealth fleet, which ended with the fall of the Restored Systems Commonwealth.

Overall, I was not nearly as impressed with this season as I was with seasons one or two. The episodes were more episodic with Dylan and his crew going on this or that adventure. The overall story arc with the Commonwealth, the Spirit of the Abyss, the Magog, Trance’s past, and others were not addressed as they were in the past seasons. The focus was a lot different. While this is not an awful move, it just was not as good. The fortunate news is that the pace picks up again with the season three finale and it puts the entire universe of Andromeda in upheaval.

Life is not looking pretty for the Andromeda. In the season three finale, the Andromeda and the Commonwealth fleet were manipulated into a situation that resulted in the apparent downfall of the newly formed federation of planets. Dylan was betrayed by his friend Tyr for a cause that Tyr believes to be more righteous and important than anything else. In the season four premiere episode “Answers Given To Questions”, the story is revisited. With the destruction of the fleet, the Andromeda crew decides what to do next. While trying to figure out their situation, they take on an injured pilot who brings Dylan a communication. The message is from a man named Paroo. He tells Dylan that the Commonwealth is no more and that he is holding one of its leaders and will kill her in due time. Dylan responds by chasing after Paroo, who he finds out is the head of Commonwealth security and the real cause behind the massive battle. But Paroo has manipulated the situation so that everyone thinks Dylan is the bad guy. Dylan kills Paroo and shows he was an agent of the Abyss. He then becomes a hero. More good news follows as enough leaders survived that the Commonwealth continues on.

In the remainder of the season, the series story arc dealing with the Magog threat is revisited in full. The majority of the episodes deal with the Andromeda crew caught up in one situation or another that ties into the Magog, the Abyss, and the Nietzscheans. A new addition to the Abyss story arc in this season begins to define Dylan’s role in the overall scheme of things. Yes, he is the captain of the Andromeda and leading the cause, but there is more to it than just that. The truth about who and what Dylan is revealed and his role in stopping the Abyss is more important than any of the lives of his crew.

“Waking the Tyrant’s Device” is an episode that takes a look at the creator of the Magog Worldship. Nicholas Lea (The X-Files) guest stars as Tri-Lorn, who gives the Andromeda orders to visit a planet. When they arrive, they are attacked. Dylan questions Tri-Lorn why they were sent to such a dangerous place without being told. Tri-Lorn reveals the importance of the mission. They are to stop Kroton, a half man, half robot. Kroton is building a massive army of androids and it is up to Dylan and crew to stop him. The episode itself is not the strongest, but it is still interesting to focus on the creator of the Worldship.

“Soon the Nearing Vortex” and “The World Turns All Around Her” is the two part episode where Telemachus Rhade joins the Andromeda crew on a permanent basis. In the first part, the Andromeda comes to the aid of a Commonwealth transport ship that is under attack from Nietzchean. On the transport is Rhade, who is holding Tyr as a prisoner. The Andromeda fends off the attacking ships and save Rhade’s life, but not before Tyr escapes. When Dylan reports back to the Commonwealth headquarters, Tri-lorn demands Rhade be returned to Tarazed so he can be dealt with. Dylan decides not to take him back because he fears Tri-lorn is corrupt. The story continues with the crew facing corrupt politicians, a scheming Tyr, and the Route of Ages, a mystical slipstream that goes to the original Vedran home world.

In the second part of the story, Dylan is ready to take on the Route of Ages. Tyr appears in a ship, with Beka in custody, demanding that Dylan give up the map for Beka’s life. Dylan comprises and allows Tyr to follow him on the journey. The Route of Ages is important because it is the key to stopping the Abyss. As the story unfolds, more intricate aspects of the plotline are uncovered, which include Trance revealing who and what she really is to Dylan, an avatar of the Vedran sun. The Abyss also makes a frightful appearance that puts the crew in a race for survival. This episode marks Tyr’s final appearance.

Other strong episodes in the season include “The Torment, the Release”, where the corrupt Tri-lorn demands Dylan hand over Rhade for prosecution, “The Warmth of an Invisible Light”, where Harper’s latest invention sends Dylan into an alternate reality, “Fear Burns Down to Ashes”, Rev Bem returns with a weapon to stop the Magog, “Lost in a Space that Isn’t There”, where Beka becomes an agent of the Abyss, and other episodes. For the most part, they all tie into the larger plot and tend to add to the excitement. The two-part season finale “The Dissonant Interval” is also an episode worthy of noting. The Andromeda goes to a space station called the Arkology when they learn the Magog Worldship is headed right for them. When the crew arrives at the station, they inform its leaders about the upcoming threat. The unfortunate part is that they are unwilling to listen. The people in the Arkology are of a peaceful nature and they believe they will be able to make peace with the Magog. But the Magog are not a peaceful people and they intend to kill everyone. The two-part story puts the crew in a battle with death-defying odds. And despite the odds, they put 110% into stopping the Magog. Unfortunately, as the episode ends, the situation is hopeless with death not far off from the horizon. Dylan is forced to abandon everyone and escape through the Route of Ages.

 

Overall, I enjoyed season four. The plotlines in the episodes tended to tie the material into a larger plot and it made for a much more intriguing watch. There were also several reoccurring characters like the devilish Nicholas Lea, the guy you love to hate, playing a questionable Commonwealth politician. The storylines touched upon the Abyss and the Magog, the Collectors, turncoat Tyr, and other exciting bad guys. Like seasons one and two, season four produces some exciting stories that are engaging and easy to get lost in.

In season five, the series takes a much different turn in events. At the end of the season four, there was some skepticism as to whether or not the show would continue into a fifth season. Well, the series was picked up for a fifth season, but with a smaller budget.The storylines lose the grandeur it once had with the epic space battles and massive story arcs. The series, stories, and character becomes more confined and lose a lot of the appeal found in previous seasons. In a nutshell, watching season five was more of a chore than fun. While there was some decent content, it does not compare to the quality of the past seasons.

In the close of season four, the Andromeda came to the space station Arkology to warn the inhabitants about their impending doom. The Magog Worldship was headed right for them and they need to get out of there. The inhabitants were a peaceful people and believed that they could make peace with the Magog. Dylan and the rest tried to tell them peace is not an option. Of course, they did not listen. When the Magog came, the Andromeda and its crew tried its best to stop the onslaught, but they failed miserably. In the close of the two-part season four finale, Dylan took the Route of Ages in a slipstream fighter and found himself transported into an alternative universe.

The two-part episode “The Weight” kicks off season five. In it, Dylan gets accustomed to his new life in the alternate universe on a planet called Seefra-1, which is one of nine barren wastelands. When Dylan tries to learn more about where he is, he finds little help. But when he meets a mysterious man named Flavin, he begins to get more clues about his situation. He is trapped in an isolated cluster of planets in another universe. Dylan explores Seefra-1 and later runs into a very disgruntled Rhade. Rhade and the others crew members (who Dylan runs into in later episodes) are unhappy with him for leaving them to die. It was through the efforts of Trance that the Andromeda (badly damaged) and her crew were brought into this alternate reality and not left to die at the hands of the Magog. They also blame him for being stuck on Seefra-1. Dylan returns to Flavin to get more information from him. Dylan learns his place is on Seefra-1; he must help the people in the coming days. Flavin also reveals the true nature of the Route of Ages.

After the not-so-exciting season premiere, “Phear Phactor Phenom” has the majority of the season four cast back together in some form or another, Dylan, Harper, Beka, Trance, and Rhade. We learn that Rommie was destroyed and Harper had been on Seefra-1 for over three years while the rest of the crew had only just recently arrived. During Harper’s time on the Seefra-1, he was able to rebuild a new android with portions of Rommie’s damaged core. The new character is Doyle, a blonde robot who was initially made to think she is human. The season five episodes proceed with the cast getting reacquainted with each other and Dylan trying to get the Andromeda up and running again. Some have changed with their new situation, most notably Trance who lost portions of her memory.

In the episode “Moonlight Becomes You”, Trance starts to remember who she is and the season starts to focus on the storyline hinted at in “The Weight”. The Seefra system is in jeopardy and the crew must work together to save the inhabitants of the nine wastelands over the next several episodes. But the story really ties into the power that is Trance. Trance is an avatar of the Vedran sun and the actual sun is approaching Seefra-1. When it arrives, the planets in the system (except for Seefra-1) will explode. The episodes “Past is Prolix”, “The Opposites of Attraction”, “Saving Light from a Black Sun”, “Quantum Tractate Delirium”, “One More Day’s Light”, and “Chaos and the Stillness of It” continue to focus on this storyline (uncovering more about Trance, the council of avatars she is a senior member of, and the crew trying to save the inhabitants), which is much more entertaining than the first portion of the season, but it still lacks the same punch the early seasons had.

In the two-part series finale “The Heart of the Journey”, the series come to a close by wrapping up the series story arc with the Abyss. While on Seefra-1, Harper receives a message transmission for Dylan. It is from Flavin, who had been killed by the Abyss, telling Dylan he is the last hope for the survival of the known worlds. The Council intends to destroy the galaxies of the known world in order to snuff out the Abyss. They, however, give Dylan and his crew the opportunity to return before their utter demise. Once back in their universe, they find only four days have passed since the Magog Worldship attacked. The Andromeda has to face the Nietzchseans and the Abyss. The situation that appeared dire ends with a happy ending and the destruction of the Abyss in a battle that is far from epic.

Overall, I really did not care for this season. The level of grandeur in the storylines was significantly diminished. The big flashy effects were part of what made the sci-fi series so much fun were gone. The show tended to have very isolated stories with limited character development. In the end, I did not see much in this season that made it worthwhile. Sure, there are some decent episodes, but they fail to compare to the past seasons. Despite my lack of enthusiasm, I give it a rent it recommendation on the pure basis that it concludes the series and there are a few decent episodes to follow.

REVIEW: STARGATE: ATLANTIS – SEASON 1-5

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MAIN CAST

Joe Flanigan (Thoughtcrimes)
Torri Higginson (Highlander: THe Raven)
Rachel Luttrell (Arrow)
Rainbow Sun Francks (Defiance0
David Hewlett (Rise of The Planet of The Apes)
Jason Momoa (Game of Thrones)
Paul McGillion (V)
Amanda Tapping (Sanctuary)
Jewel Staite (Firefly)
Robert Picardo (Star Trek: Voyager)

RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (Macgyver)
Michael Shanks (Smallville)
Garwin Sanford (The Fly 2)
Andee Frizzell (Andromeda)
Craig Veroni (Dark Angel)
Christopher Heyerdahl (Sanctuary)
Robert Patrick (Terminator 2)
Ben Cotton (30 Days of Night: Dark Days)
David Nykl (Arrow)
Agam Darshi (Sanctuary)
Courtenay J. Stevens (Ripper)
Dominic Zamprogna (Odyssey 5)
Callum Worthy (Samllville)
Alan Scarfe (Andromeda)
Dean Marshall (2012)
Colm Meaney (Star Trek:DS9)
Erin Chambers (Standoff)
Ryan Robbins (Arrow)
Corey Monteith (Glee)
Leonor Varela (Blade 2)
Matthew Walker (Highlander: The Series)
Chuck Campbell (Jason X)
David Orth (The Lost World)
Clayton Landey (Scary Movie 5)
Ellie Harvie (The New Addams Family)
Mitch Pileggi (The X-Files)
Kavan Smith (Sanctuary)
Jaime Ray Newman (Bates Motel)
Claire Rankin (Rogue)
Brenda James (Slither)
Chris Gauthier (Watchmen)
Pascale Hutton (Sanctuary)
Anne Openshaw (Narc)
Aaron Abrams (Hannibal)
Chad Morgan (The Purge 2)
Peter Flemming (Replicant)
William MacDonald (Slither)
Chelan Simmons (Final Destination 3)
Peter Woodward (Crusade)
Sonja Bennett (Blade: The Series)
Connor Trinneer (Star Trek: Enterprise)
Brandy Ledford (Andromeda)
Tamlyn Tomita (Heroes)
Brent Stait (Andromeda)
Richard Kind (Gotham)
John O’Callaghan (Clutch)
David Ogden Stier (Two Gusy and a Girl)
Alan Ruck (Speed)
Kate Hewlett (A Dog’s Breakfast)
Patrick Sabongui (The Flash)
Megan Leitch (IT)
Panou (Flash Gordon)
Bill Dow (Legends of The Fall)
Robert Davi (The Bad Pack)
Leela Savasta (Black Xmas)
Laura Harris (Dead Like me)
Michael Beach (The Abyss)
Beau Bridges (My Name Is Earl)
Sharon Taylor (Legends of Tomorrow)
Christopher Judge (The Dark Knight Rises)
Aleks Paunovic (Mortal Kombat Legacy)
Mark Dacascos (Kamen Rider Dragon Knight)
Jill Wagner (Blade: The Series)
Danny Trejo (Machete)
Gary Jones (Highlander: The Series)
Steven Culp (Jason Goes To Hell)
Jodelle Ferland (Kingdom Hospital)
Crystal Lowe (Poison Ivy 4)
David Richmond-Peck (V)
Emma Lahana (Power Rangers Dino Thunder)
Dylan Neal (Arrow)
Michelle Morgan (Heartland)
Nicole de Boer (Star Trek: DS9)
Janina Gavankar (The Vampire Diaries)
Christina Cox (Arrow)
Mike Dopud (Man of Steel)
Jonathan Young (Sanctuary)
Daniella Alonso (Wrong Turn 2)
Sarah Deakins (Andromeda)
Alan Blumenfeld (Heroes)
Anna Galvin (Caprica)
Dawn Olivieri (The Vampire Diaries)
Neil Jackson (Sleepy Hollow)
Ona Grauer (Arrow)

Stargate : Atlantis is far more than just a spin-off from the successful Stargate SG1 series. It stands on its own two feet as a clever, dramatic, funny, entertaining, well-crafted show. In some ways it even surpasses the original, benefiting as it does from the producers’ and crew’s 8+ years of experience in writing and producing the SG1 series. Continuing the mythology of the original show, but with the added twist of a whole new galaxy to explore, this show has something for everyone.

The mix of characters is great and the core cast – and also the regular recurring cast – boasts some excellent actors. Production values are consistently high and, while some episodes are always stronger than others, the writing in season 1 has also been excellent. The first season got things off to a great start, introducing the new team, new allies.. and a new enemy.5195S6CTB0LThere is a great mix of humour and drama in this series and stand-out episodes for me include 38 Minutes, Brotherhood, The Defiant One and the excellent mid-season 2 parter, The Storm and The Eye.

Season one not only established this show as a unique rival to its fellow series `Stargate: SG-1′, but also set the bar very high for a second season with this new breed of adventurers continuing to battle Wraith and other foe in the far-removed Pegasus Galaxy.

Just as with its sister series, `Atlantis’ is adept at balancing a large season story-arc while at the same time providing its audience with inventive one-off stories that act both to attract new viewers to the show and also give the loyal fan-base a break from the on-going threat of the Wraith. This second season is no exception.

The Siege Part III – As last season closed, the cliffhanger had Atlantis under siege by the Wraiths and things were not going well. Atlantis was ready to self destruct and Maj. Shephard was on the way to a suicide mission. As is customary in such situations, the cavalry arrives just in the nick of time in the form of the Earth Ship Daedelus. It has some advanced Asgard technology on board which saves Shepherd and helps to destroy the hive ships attacking Atlantis. Some manage to get away and they are heading back with reinforcements. While the cleanup is going on, a lieutenant is rescued but he has been severely damaged by the wraith. He is irrational and jumpy about the others who do not fully trust him. As the enlarged wraith fleet arrives, Atlantis decides to gamble on deceiving them that a self destruct has really taken place. This occurs just as the damaged lieutenant steals a puddle jumper and flees through the gate.


Runner – A team from Atlantis is investigating a planet with extremely high solar radiation. While there, they find a dead Wraith. There is evidence that he was killed by Lt. Ford, the guy who fled in the first episode of the season. The team heads back to try and get him to come back. They find a surprise. There is another human on the planet who has had a transmitter mounted in his back so that he can be the guest of honor in a sort of trophy hunt. He has managed to elude the Wraith for 7 years before being captured. He is set free by Lt. Ford who is deranged. Now it is a 3 way manhunt with nobody trusting anyone else.

Instinct – While investigating a new planet, the Atlantis team comes across a village that is intermittently plagued by a Wraith. The team agrees to hunt it down but finds something unexpected. They find a local scientist who has been raising a juvenile female Wraith as his daughter. He swears that it is not her who is terrorizing the village. He also maintains that there is another Wraith out there. The science types at Atlantis think they might be able to use the girl to develop a vaccine to fight the virus that causes humans to become Wraiths. It might even turn Wraiths back into humans. The research is promising until the young Wraith girl jumps the gun causing no end of problems.

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Conversion – At the close of the previous episode, LTC Shepherd was injured by the Wraith girl who had tried the experimental virus. Some of their blood mingled. Now he is infected with the parasitic virus that produces Wraiths. Now the race is one to capture an alien bug, get some stem cells and find a cure. The col. is going stir crazy while this happens and is getting more and more volatile. The Lost Boys – The team is following up on a tip and is captured. They are quickly taken to another planet where they find that they have been captured by a force led by the AWOL Lt. Ford. He has been on a rampage and has been taking Wraith “enzyme” from all of his victims. He feeds the enzyme to his followers to give them super strength. He thinks that is the way for humanity to defeat the Wraith. The enzyme prevents him from thinking straight. And, by the way, this one is a cliffhanger.

The Hive – Lt. Ford’s plan to prove the worth of the enzyme is simple. They use a stolen dart and use it to blow up a hive ship. That’s what they were doing at the end of the last episode when they got captured. Remember, Ford doesn’t think all that well under the influence of the enzyme. After the capture, all grow through withdrawal from the enzyme. The longer it has been used, the worse the withdrawal. Help comes from an unexpected source from the least likely hero. Critical Mass – Stargate Command on Earth and Atlantis are plunged into chaos when it is revealed that a Goa’uld operative is hidden in Atlantis. The operative has orders to set a bomb to blow up Atlantis when the Stargate is used to dial Earth. They apparently want to destroy Atlantis to keep the Wraith from getting anywhere near them. The mole is very highly placed.


Michael – Something is not quite right. The episode begins with a man in sick bay. As he is awoken, all of the command staff is notified to be there. He has amnesia and cannot remember anything. He is told that he was a member of a team captured by the Wraith and recaptured by Atlantis. That is not quite the truth which is quite a bit uglier. He was a Wraith upon whom an experimental retrovirus had been tried. The experiment threatens the existence of Atlantis itself.

Allies – A Wraith hive ship arrives. Instead of opening fire, the Wraith ship opens communication. It is being led by Michael, the Wraith upon whom experiments were conducted. He is offering all sorts of Wraith military secrets…for a price. They want the retrovirus used to create Michael. They believe that will give them supremacy over other Wraith. They are a slimy group though and hidden agendas are not beyond the realm of possibility. The alliance is not what it seems. Earth is in trouble in this season ending cliffhanger.


I’ve watched Stargate Atlantis  from the beginning and have more or less enjoyed it from the start.  I really like Joe Flannigan as Sheppard and David Hewlett as Rodney. This season Some help is on the way. We know that Amanda Tapping and her character Samantha Carter will be moving over from the Stargate – SG.1 to become the new head of the Atlantis project. I think she will bring more strength to the role.

Atlantis has emerged as the name not of a location that cannot be moved, but of a truly mobile city that can relocate .  well, to anywhere. The season ends with the city blasting off into space. Season  Three had some great moments. The season finale . was splendid. And the season featured what may be my favorite episode of the entire series so far in “Common Ground,” in which the Genii kidnap Sheppard and enclose him with a wraith who is allowed to feed on no one else.

Christopher Heyerdahl has played the wraitht in this episode he was allowed to give this particular wraith a dignity and complexity not allowed any other wraith with the exception of Michael. He gradually drains the life out of Sheppard out of sheer necessity before the two of them, cooperating as human and wraith never have before, manage to escape from the Genii. Then, in a moment that could lead to interesting plot developments in the future, we discover that the wraiths cannot only drain another creature of life, they can also imbue them with it, and as a sign of comradeship he heals Sheppard.

Season 3 sets up many changes that carry over into the fourth season, with becketts death in Sunday and Wier leaving the show, and Amanda Tapping taking over, its a great season leaving leaving things on a cliffhanger to be resolved in season 4.

Stargate Atlantis ups its game with season four. But it’s not with particularly clever or imaginative stories that the shows writers and producers manage to bring about this change; it’s actually in the areas of character development and action that this season really excels. With the (implied) deaths of inarguably my favourite two characters in season three, I wasn’t expecting their replacements to integrate perfectly, or right away into the Atlantis team, but both actors are given such great material to work with that it’s impossible not to be engaged with their individual story-arcs.

Sam carter is (of course) as brilliant as always, but unlike Doctor Weir, doesn’t appear in nearly as many episodes, or seem to be involved as deeply in the decision-making processes on the base. She just feels like any other member of the team and fits right in almost immediately. Doctor Keller is initially unconvincing in her role as chief medic, but before long she too blossoms into a really intriguing and multi-layered character.


While there are more than a handful of solid Replicator and Wraith-based episodes to enjoy in this twenty-episode season, it’s the character-based stories that stand-out for me as the best examples of this season. Episode 7- `Missing’ , episode 13- `Quarantine’  and episode 16- `Trio’  are each so gripping. The final stand-out story for me would be the concluding episode- `The Last Man’, which  breaks out of the mould of the finale’s of previous seasons and doesn’t involve an unprovoked attack on the city, or a multi-episode build-up. It’s pretty self-contained on the whole and mixes well themes of time-travel, action and season four’s despicable mystery nemesis.

Carson Beckett is back for no less than five episodes, and despite heavy use of the Wraith ship set, the stories are good and justify it. The characters are as well written as ever, I really felt the writers stepped it up a notch this season.


Robert Picardo is back as Richard Woolsey and promoting him to the role of Commander was a stroke of genus. No disrespect to Commander Weir and Colonel Carter, but in Richard Woolsey, Stargate Atlantis had finally cast its ideal leader. There are also a couple of deadpan in-jokes about his holographic Doctor character hidden in the dialogue, which are extremely funny when you spot them.

Despite the technology getting more and more advanced, there is less of a reliance on the technology itself selling the story. There is more focus on the characters than before and all the characters get at least one episode where they take centre stage in the story – for example, David Hewlett puts in an incredibly moving performance in The Shrine where McKay is struck down with a fast acting Pegasus equivalent of Alzheimer’s. Very good use is made of the popular Wraith characters Michael and Todd, and the budding relationship between McKay and Keller is a refreshing antidote.

REVIEW: STARGATE – SG.1 – SEASON 1-10

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MAIN CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Amanda Tapping (Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Andromeda)
Corin Nemec (Parker Lewis Can’t Loose)
Ben Browder (Farscape)
Beau Bridges (My Name Is Earl)
Claudia Black (The Originals)

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RECURRING / NOTABLE GUEST CAST

Jay Avocone (Beauty and The Beast 1989)
Vaitiare Bandera (Out of The Blue)
Peter Williams (Catwoman)
Brent Stait (Blade: The Series)
Gary Jones (Highlander: The Series)
Alexis Cruz (Dark Wolf)
Rachel Hayward (Jingle All The Way 2)
Colin Lawrence (X-Men 2)
Adam Harrington (The Secret Circle)
Kevin McNulty (Elektra)
Alan Rachins (Batman: TAS)
Jorge Vargas (Power Rangers Ninja Storm)
Soon-Tek Oh (Death Wish 4)
Cary-Hiroyuki Tagawa (Mortal Kombat Legacy)
Crystal Lowe (Poison Ivy 4)
Teryl Rothery (Arrow)
Steve Makaj (IT)
Roger Cross (First Wave)
William Russ (American History X)
Harley Jane Kozak (Santa Barbara)
Gabrielle Miller (Highlander: The Series)
Bobbie Phillips (Two Guys and a Girl)
Galyn Gorg (Robocop 2)
Tamsin Kelsey (Needful Things)
James Earl Jones (Star Wars)
Keene Curtis (Lois & Clark)
Elizabeth Hoffman (Sisters)
Paul McGillion (Stargate: Atlantis)
Tony Amendola (The Mask of Zorro)
Katie Stuart (She’s The Man)
Tobin Bell (Boogeyman 2)
Ronny Cox (Robocop)
Douglas Arthurs (Act of War)
Bonnie Bartlett (Firefly)
Dwight Schultz (The A-Team)
Tobias Mehler (Wishmaster 3)
Peter Bryant (Dark Angel)
Chris Owens (Red)
Erick Avari (Heroes)
Tom McBeath (Bates Motel)
Sarah Douglas (Superman 2)
JR Bourne (Arrow)
Christina Cox (Earth: Final Conflict)
Matthew Walker (Highlander: The Series)
Eric Breker (X-Men Origins)
Marshall R. Teague (Armageddon)
Colin Cunningham (Elektra)
Carmen Argenziano (Identity)
Amber Rothwell (Andromeda)
Tom Butler (Blade: The Series)
Samantha Ferris (Along Came a Spider)
Mitchell Kosterman (Smallville)
Andrew Airlie (Final Destination 2)
Britt Irvin (V)
Ty Olsson (Izombie)
Sam J. Jones (Flash Gordon)
Dion Johnstone (The Core)
Megan Leitch (IT)
Jason Gray-Stanford (Bones)
William deVry (Earth: Final Conflict)
David Palffy (Blade: The Series)
Garwin Sanford (The Fly 2)
Kevin Durand (Dark Angel)
Terry Chen (Bates Motel)
Steve Bacic (Andromeda)
Anne Marie DeLuise (Smallville)
Rene Auberjonois (Star Trek: DS9)
Musetta Vander (Buffy)
Vanessa Angel (Puppet Master vs Demonic Toys)
Marina Sirtis (Star Trek: TNG)
Alessandro Juliani (Smallville)
Brian Markinson (Arrow)
Peter Wingfield (Highlander: The Series)
Willie Garson (White Collar)
Matthew Bennett (Battlestar Galactica)
Steven Williams (Jason Goes To Hell)
Anna-Louise Plowman (Shanghai Knights)
Paul Koslo (The Flash 90s)
Dion Luther (The Net: The Series)
Christopher Cousins (The Vampire Diaries)
Michelle Harrison (The Flash)
Elisabeth Rosen (House of The Dead)
Hrothgar Mathews (Deception)
Bill Dow (Legends of The Fall)
Sean Patrick Flanery (Raging Angels)
John de Lancie (Star Trek: TNG)
John Prosky (The Devil Inside)
Colleen Rennison (The Story of Us)
Jacqueline Samuda (The L Word)
Larry Drake (Firefly)
Garry Chalk (Dark Angel)
Bill Marchant (Chappie)
Michael Deluise (Lost)
Jill Teed (Arrow)
Courtenay J. Stevens (Beach)
Grace Park (Battlestar Galactica)
David Kopp (Blade: The Series)
Cliff Simon (Days of Our Lives)
Jennifer Calvert (Earthsea)
Obi Ndefo (Angel)
Rick Worthy (The Vampire Diaries)
Danielle Nicolet (3rd Rock From The Sun)
David Hewlett (Splice)
Aleks Paunovic (Mortal Kombat Legacy)
Aaron Douglas (Battlestar Galactica)
Dorian Harewood (Termiantor: TSCC)
Ona Grauer (V)
Blu Mankuma (Tin Man)
Michael Eklund (Arrow)
Dean Stockell (Quantum Leap)
Patrick Mckenna (Robocop: The Series)
John Billingsley (Cold Case)
Michael Adamthwaite (Tru Calling)
Peter Stebbings (Bates Motel)
Gwynyth Walsh (Taken)
George Wyner (Spaceballs)
Kendall Cross (X-Men 2)
Ian Buchanan (Justice League Unlimited)
Tahmoh Penikett (Dollhouse)
G. Patrick Currie (Smallville)
Francois Chau (Lost)
Sarah Deakins (Andromeda)
David Paetkau (Flashpoint)
John Novak (Wishmaster 3 & 4)
Thomas Kopache (Catch Me If You Can)
Michael Welch (All The Boys Love Mandy Lane)
David Richmond-Peck (V)
Christopher Heyerdahl (Sanctuary)
James Parks (Kill Bill)
Michael Rooker (Guardians of The Galaxy)
Kavan Smith (Sanctuary)
Jolene Blalock (Star Trek: Enterprise)
Christine Adams (Agents of SHIELD)
Emily Holmes (Dark Angel)
David Deluise (Vampires Suck)
Sebastian Spence (First Wave)
Saul Rubinek (Memory Run)
Adam Baldwin (Chuck)
Peter Flemming (Love Sick)
James McDaniel (Sleepy Hollow)
Jessica Steen (Armageddon)
William Devane (The Dark Knight Rises)
Torri Higginson (Highlander: The Raven)
Kira Clavell (Ninja Turtles: Next Mutation)
Alisen Down (Smallville)
David Kaufman (Superman: TAS)
Amy Sloan (The Aviator)
James Kidnie (Arrow)
Erica Durance (Smallville)
Derek Hamilton (Out Cold)
Charles Shaughnessy (Sabrina: TTW)
Barclay Hope (Paycheck)
Dan Castellaneta (The Simpsons)
Isaac Hayes (South Park)
Mel Harris (Thirtysomething)
Clare Carey (Hercules: TLJ)
Lexa Doig (Andromeda)
April Telek (Supernatural)
Julian Sands (Gotham)
Louis Gossett Jr (The Punisher 80s)
Maury Chaykin (Andromeda)
Sonya Salomaa (Watchmen)
William B. Davis (The X-Files)
Robert Picardo (Star Trek: Voyager)
Cameron Bright (Running Scared)
Tony Todd (The Flash)
Anna Galvin (Caprica)
William Atherton (Die Hard)
Reed Diamond (Dollhouse)
Ernie Hudson (Ghostbusters)
John Aylward (Alias)
Peter Shinkoda (Masked Rider)
Tamlyn Tomita (Highlander: The Series)
Tim Guinee (Iron Man)
Daniella Evangelista (Edgemont)
Michael Ironside (Total Recall)
John Noble (Sleepy Hollow)
Katharine Isabelle (Ginger Snaps)
Eric Steinberg (Terminator: TSCC)
Noah Danby (Bitten)
Jodelle Ferland (Kingdom Hospital)
Joe Flanigan (Thoughtcrimes)
Sarah Strange (Dark Angel)
David Nykl (Arrow)
Chuck Campbell (Jason X)
Keegan Connor Tracy (Bates Motel)
Corey Monteith (Glee)
Morena Baccarin (Gotham)
Rudolf Martin (Buffy)
Scott McNeil (Beast Wars)
Aisha Hinds (Cult)
Mike Dopud (X-Men: Days of Future Past)
Ron Canada (Wedding Crashers)
Craig Fairbrass (Termiantor: TSCC)
John Tench (Andromeda)
Fred Willard (Anchorman)
Jonathan Walker (Flash Gordon)

Most TV shows spun off from movies are uninvolving and uninteresting, and hopefully die and are forgotten.

That wasn’t the case with the spinoff of the 1995 movie “Stargate,” a science fiction movie that spawned an excellent television series, “Stargate SG-1.” The first season is not nearly as brilliant as the ones that followed it, but it’s a welcome change from distant space operas — excellent writing, acting, and a sense of humor about itself and its characters.

The Stargate has been inactive for a year — until it is activated, and a bunch of Egyptian-styled warriors come through and kidnap a young officer. General Hammond (Don S. Davis) pulls Jack O’Neill (Richard Dean Anderson) out of retirement to learn what really happened on the planet of Abydos, and where these mysterious aliens have come from. O’Neill and a small team go to Abydos and find Daniel Jackson (Michael Shanks) who has been learning about a vast network of Stargates over the past year. But when Daniel’s wife Sha’re and brother-in-law Skaara are abducted by the same warriors, O’Neill, Jackson and Air Force scientist Sam Carter (Amanda Tapping) use the Stargate to venture to where they’re being kept. What they find is an alien race who inhabits human hosts, the Goa’uld, and their ruthless slave warriors, the Jaffa. Carter, O’Neill and Jackson are captured by the powerful Apophis — but to escape, they must have the help of an unlikely ally: Teal’c (Christopher Judge), Apophis’ First Prime. Since Earth has now annoyed the Goa’uld, several exploration teams are formed to go through the Stargate and find weapons and allies.
And SG-1 — Carter, O’Neill, Jackson and Teal’c — encounters some very strange problems: a plague that turns people into savages, a people who live only a hundred days, a Viking planet, a Stargate explorer stranded since 1945, a little girl turned into a bomb, the seductive Goa’uld queen Hathor, and coming back as robots. And when the military shuts down the SG program, Daniel reveals that the Earth is about to be destroyed by Apophis’ armies. The first season of “Stargate SG-1” isn’t the most impressive, though the last three episodes hint at the series’ future greatness. And thankfully, it drops the usual space opera stuff — instead we get Stargates, real military, and a very plausible reason why everybody in the galaxy (more or less) looks just like us. It’s graced with kitschy Egyptian-styled sets, lots of shoot-em-up action from Marines and Air Force, and plenty of planets influenced by Earth cultures, like the Minoans and the Vikings. Best of all is the snappy dialogue, mostly from the tart-tongued O’Neill.

When we last left Our Heroes, they were on Apophis’ ship, facing the impending destruction and/or enslavement of everyone on Earth.
So unsurprisingly, the second season of “Stargate SG-1” can only get better from there on. In fact, this is when the clever, innovative sci-fi series really started to gel together, with more intriguing storylines, character arcs, and some new alien allies — basically, it all blooms.
Intending to blow up Apophis’ ship, our heroes get captured by the Jaffa and thrown in a cell — only to be unexpectedly rescued by Bra’tac (Tony Amendola), Teal’c’s old teacher. As Earth mounts a pitiful defense against the Goa’uld, SG-1 joins with a small band of rebel Jaffa to stop Apophis’ invasion — but they may have to leave one of their number behind.
Obviously the Goa’uld make things awkward throughout the season, with the second episode featuring Sam (Amanda Tapping) being possessed by a Goa’uld during a rescue mission — but it seems that it’s part of a rebel Goa’uld faction called the Tok’ra. Teal’c’s (Christopher Judge) son is kidnapped and brainwashed, and Daniel (Michael Shanks) finds that his beloved wife is pregnant with Apophis’ child.
And of course, SG-1 has to deal with lots of other stuff — insectile transformations, black holes, prison planets, Native American “spirits,” invisible bugs, hostile alien orbs, reliving their most traumatic memories in a VR world, and time traveling to 1969. And O’Neill (Richard Dean Anderson) gets an ancient repository of knowledge downloaded into his head — and he’ll die if they can’t reverse it.
“Stargate SG-1” really got into its stride in the second season — the basic Air-Force-versus-evil-headsnakes story gets expanded out into a bunch of arcs. We get new villains, some surprising new allies, hints about the true origins of the Stargates and the human race, and corrupt factions on Earth who use the spare Stargate for evil ends.

The writing gets even steadier and the alien worlds more interesting — even stuff that sounds goofy, like the planet of singing mushroom-people, somehow works. The drama is stronger, and the sci-fi usage of the Stargate ever more creative, such as when a black hole’s gravity well keeps the gate open, and is slowly sucking Earth through the wormhole.  Of course, all the action and sci-fi is heavily tempered with comedy. Even in grim situations, there’s usually at least a few funny moments, such as Daniel’s tour of the custodial closet. And of course, the dialogue is priceless — most of the good stuff comes from O’Neill, but Teal’c and the others usually get some good ones as well. Of the main cast, Amanda Tapping gets the juiciest role in this season — Sam deals with the impending death of her father, becoming a Goa’uld host, and trying to deal with the feelings it left behind. Including a Tok’ra boyfriend. Yet when we see Sam’s vulnerable sides, Tapping never lets her character be anything but a strong, capable military woman.

But the other actors aren’t neglected — Shanks’ Daniel grapples with the news that his wife is pregnant with Apophis’ baby, while Teal’c faces losing his entire family. Anderson is brilliant as the quirky, capable O’Neill, but he really gets brilliant when Jack’s brain is being overwritten — he has to emote and communicate without a comprehensible word. The second season of “Stargate SG-1” is where the story began to really get great, building up a series of strong story arcs, funny dialogue, and strong characters.

Many people believe that subsequent seasons of Stargate: SG1 get progressively better. So far, no arguement from me. Season 1 was good, 2 was better, and  season 3 is even better. Col. Jack O’Neill (Richard Dean Anderson), and his SG1 team of the now Maj. Samantha Carter (Amanda Tapping), Dr. Daniel Jackson (Michael Shanks), and Teal’c (Christopher Judge) continued their adventures through the Stargate to various old and new planets. The team, as well as the SGC in general, were tested in many more ways than ever thought possible. The team went to “Hell” in order to save Sam’s dad, who is still a member of the Tok’Ra resistance, Daniel suffered a major loss, and O’Neill was blended, albeit briefly, with a Goa’uld. One of the reasons that I personally liked this year was that many of last year’s conflicts were resolved (Lenea, Destroyer of Worlds), which made room for new plotlines (the Replicators), as well as continuing old ones (the search for the Harsesis child).

This is also the season when SG1 truly realizes that they truly have allies in their fight against the Goa’uld; the Asgard helped form a treaty between Earth and the Goa’uld, the Tok’Ra continue to offer their assistance and wisdom, the Nox have begun to reestablish contact with the SGC, and the Tollan.


Other good episodes include “Into the Fire”, “Fair Game”, “Legacy”, “Learning Curve”, “Point of View”, “Past and Present”, “Jolinar’s Memories”, “The Devil You Know”, “Foothold”, “Urgo”, “Shades of Grey”, “New Ground”, and “Nemesis”. Judging by the increase in quality each season.

he Replicators. The Russians. The Aschen. These are only a few of the new enemies presented this year, in Stargate: SG-1 (okay, so technically, the Replicators were introduced last year). These new baddies made a lot of trouble this year for the SGC in what is definitely the best season yet. We learn more about the Replicators this year when Sam (Amanda Tapping) is brought to an Asgard-controlled planet to help defend the O’Neill, the Asgard’s newest and most advanced ship ever. Also, the Russians retrieve the Giza gate from the bottom of the ocean from when Thor’s ship, the Beliskner, crashed, while the SGC is now using the Antarctica gate. And, 10 years in the future, an advanced race, known as the Aschen, are quietly wiping out the human race by making humans infertile.


These are just a handful of the amazing new stories that occurred this year. It seems that Col. O’Neill (Richard Dean Anderson), Maj. Carter, Dr. Jackson (Michael Shanks), and Teal’c (Christopher Judge) can never catch a break. This year, not only have their alien enemies become more powerful than ever, especially Apophis (Peter Williams), their enemies on Earth have truly become a threat. Senator Kinsey (Ronny Cox), the man who tried to shut down the SGC in Season 1, has been linked to the rogue sector of the NID, the civillian organization responsible for the theft of numerous alien technologies over the last few years.


The stories this year are better than ever, especially with an increasing number of arcs occurring. Episodes like “Crossroads” and “The Serpent’s Venom” were expertly executed, and had immense emotional effects on our heroes. However, I have to praise the stand-alones this year, especially “Window of Opportunity” and “The Other Side”, which have never been better.

Some other great episodes are: “Small Victories”, “Upgrades”, “Watergate”, “Point of No Return”, “Tangent”, “The Curse”, “Chain Reaction”, “2010”, “Absolute Power”, “Double Jeopardy”, and “Exodus”.

The year began with a cool premiere, “Enemies”,  There were some amazing story developments this year, beginning with the final demise of Apophis (Peter Williams), the Goa’uld System Lord who has been making life difficult for the SGC ever since the first season. Next, the Tollan, an extremely advanced race of humans who are allied with Earth, begin acting suspiciously, the SGC begins recruiting new officers, the motives of the Aschen from last season are revealed, the Tok’Ra are nearly destroyed, and the Jaffa rebellion begins to truly become a problem for the System Lords.

And then, Daniel is brought to a System Lord summit where he has the chance to wipe out the Goa’uld threat forever, that is until he learns of the return of Anubis, an ancient System Lord who was banished for his horrific crimes. Also, we finally learn the origins of the Replicators. Finally, SG-1 must endure a change that they never thought would happen in the episode “Meridian”, and then, Anubis and Osirus (Anna-Louise Plowman) reveal plans to attack the Asgard.


This is a very important season, good episodes include: “Enemies”, “Threshold”, “Between Two Fires”, “2001”, “Wormhole X-Treme”, “Proving Ground”, “Summit”, “Last Stand”, “The Warrior”, “Menace”, “Meridian”, and “Revelations”.

The season begins with SG-1 still trying to find a fourth man. Ever since the death/ascension of Daniel Jackson (Michael Shanks), they have been unable to find a suitable replacement. Refugee Jonas Quinn (Corinn Nemec) has expressed a desire to join, but Col. O’Neill (Richard Dean Anderson) never seemed to warm up to the idea. Also, Anubis (David Paffly) has found a machine created by the Ancients that uses one stargate to destroy another, and he used it to attempt to destroy Earth.

Using the new X-302, a craft capable of aerial combat and intersellar travel, O’Neill successfully avoids disaster, but the Antarctica gate is destroyed. After that, we don’t see Anubis for a while, but the threat of his powers is always hanging over the heads of the SGC.


With Jonas as the new member of SG-1, the team embarks on another year of amazing missions. This year, we see the end of the exiled System Lord Niirti, known for her attempts to create a superior human host through genetic experimentation, we are introduced to some technology of the Furlings, one of the members of the intergalactic UN group who rallied against the goa’uld, Earth’s first interstellar capital ship, Prometheus is unvailed, the Replicator threat is ended, and, in one of my favorite episodes, Gen. Hammond (Don S. Davis) discloses the existence of the SGC to representitives of the UK, France, and China.


Some great episodes include “Redemption Pts. 1 and 2”, “Descent”, “Nightwalkers”, “Abyss”, “Shadow Play”, “Allegiance”, “Prometheus”, “Unnatural Selection”, “Smoke and Mirrors”, “Disclosure”, “The Changeling”, and “Full Circle”, the best episode of the season.

That is the season when Daniel Jackson (Michael Shanks) returns from being an ascended being, albeit on an alien world without his memory (“Fallen”). This required getting rid of Jonas Quinn (Corin Nemec) to get the old gang back together again, which happens when Anubis download Jonas’ memory and the Goa’uld attack Kelowna (“Homecoming”). Wisely, this is not the last appearance of Jonas for the season (“Fallout”) as he becomes another one of recurring guest characters that are a major strength of the series.

There are several Daniel Jackson stories that make a point of giving the actor interesting things to do, such as “Lifeboat,” where his mind becomes a resting place for a bunch of alien minds, “Enemy Mine,” which requires Jackson to show diplomatic skills, and big time flashbacks in “Chimera,” to before Daniel first saw the Stargate.

Overall, Season 7 is really Samantha Carter’s season and Amanda Tapping has several episodes where she pretty much goes it alone. “Space Race” has her joining an alien pilot for a little intergalactic competition, while “Death Knell” finds Carter being hunted by the supers soldiers of Anubis after an attack on Earth’s secret off-world base. In “Grace” Carter literally ends up alone when the Prometheus is attacked and she wakes up to find herself the only one on a ship drifting in deep space. The other characters show up as the angels of her better nature, which is the only way that Sam and Jack are ever going to have an honest conversation.

The whole Anubis/Lost City bit ends up being equal parts time to beat another bigger and badder system lord and find a fitting end point for the series that can also work as a transition to the spinoff.

Stargate has retained a massive level of consistency over the years, staying at the same level of quality, if not getting even a little bit better: it has always retained the humor, the characterization and the excitement and the action that has made it so loved.

Since season seven, there has been more of a focus on characterization and a tad bit more humor: and i for one welcome this, as the characters have always been the best aspect of the show: season eight continues this trend, and also the trend of even better quality than ever before!
Highlights include the opening two parter: New order Parts one and Two which is very exciting with plenty of plot twists. Affinity is another highlight for me as it is an episode with very little action, it is a mystery with a huge focus on characterization and intrigue, and manages to be very intriguing, with, again, some brilliant little character moments. Prometheus unbound is a highlight.

Reckoning parts one and two are possibly the best episodes of stargate ever made; they wrap up most of the major storylines, bringing the end to both the main enemies in the show, and are impossibly epic: there is so much going on, so much peril and a sense of doom, that you are kept on the edge of your seat the whole time, with some humour thrown in for good measure.

Avalon, Part 1 is a great season opener, introduces  new kid on the block Ben Browder,  as the season progresses the character is definitely fleshed out more and he soon fits in nicely with the tightly-knit S.G.1 team.

However, the bottom line is that this is still a character who bares a striking similarity in disposition to Browder’s other well-known TV personality- Farscape’s John Crichton- with that same irreverent humor and easy-going attitude, but it’s a style that clearly works for Browder and it’s difficult not to find that likable. Beau Bridges’ introduction is made with equally good fanfare, his character is one who I found myself liking more readily- he approaches the role of the General of the base differently to Don S. Davis, with more of an every man approach, although he never hesitates to exert the full force of his office against unfriendly aliens, or humans when required.

Largely thanks to the development of this season’s main story-arc with the introduction of God-wannabes the Ori and their powerful minions known as Priors, this ninth season becomes surprisingly mesmerising in very short order. Beginning with the concluding part and then into episode 3- `Origin’, this season soon establishes itself as one of the best `Stargate: S.G.1′ offerings in years. The use of Arthurian legend in this season is spread pretty thickly in the beginning and had me worried that this fantasy element might not work in a predominantly science-fiction-oriented series, but very soon the parallels the writers draw between the Arthurian myth and the familiar Stargate set-up, become very inventive and come to work surprisingly well at contrasting against the new and growing force of evil spreading through the galaxy. In the first five episodes that other recognizable `Farscape’ regular Claudia Black and her seductively disobedient alter-ego Vala are another reason to be enchanted by this season. Vala brings such humor and life to the series that I was really disappointed when she parted company with S.G.1, despite the welcome return of Sam Carter following her brief career change. Thankfully Vala returns towards the end of the season and here’s hoping it’s not the last we see of her.

This season’s other major success is in its stand-alone stories that continue to present unique, punchy and creative sci-fi ideas to its audience. In particular episode 9- `Prototype’ and episode 13- `Ripple Effect’ are a couple of my favourites, the first of which concerns the discovery of a prodigy of Anubis frozen on a distant planet and the second has multiple S.G.1 teams pouring through the Stargate from diverse alternate realities , both of which had me glued to my seat.

Largely thanks to Vala (Claudia Black) who’s as charming as she is side-splittingly, ingeniously, flirtatiously funny and who now becomes a credited member of the main cast, season ten gets off to a brilliant start  as the action picks up right where the previous season left-off with episode 1- Flesh and Blood and doesn’t decrease in pace.

It explores the continued threat of the Ori and their ever-increasing capture and control of worlds unable to mount any effective resistance against such a seemingly omnipotent foe. Episode 3- The Pegasus Project  is also very gripping with a finale that’s both surprising and tantalizing.

episodes 10- The Quest, Part I and 11- The Quest, Part II both of which work well in continuing SG-1’s discovery & unravelling of Arthurian-inspired mysteries surrounding their search for a weapon capable of destroying their enemy. Episode 14- The Shroud  sees Daniel in a unique position to deal a crippling blow to the Ori, which is also solid.

while episode 20- Unending is a wonderful episode- with a story that’s not just dramatic, but explores sides to the main characters never seen before, it ends the season with so much unresolved that it’s difficult to appreciate this tenth season as it should be appreciated as the final outing of SG-1. Obviously a great deal has been withheld to be used in the TV movie The Ark of Truth.