REVIEW: SCOTT PILGRAM VS THE WORLD


SCOTT PILGRAMCAST

Michael Cera (Youth In Revolt)
Mary Elizabeth Winstead (10 Cloverfield Lane)
Chris Evans (Captain America: The First Avenger)
Alison Pill (Milk)
Ellen Wong (The Carrie Diaries)
Kieran Culkin (Igby Goes Down)
Anna Kendrick (The Voices)
Brie Larson (21 Jump Street)
Aubrey Plaza (Life After Beth)
Nelson Franklin (New Girl)
Brandon Routh (Legends of Tomorrow)
Jason Schwartzman (I Heart Huckabees)
Kristina Pesic (The Vow)
Mark Webber (13 Sins)
Mae Whitman (Independance Day)
Johnny Simmons (Jennifer’s Body)
Bill Hader (Superbad)
Clifton Collins Jr. (Pacific Rim)
Thomas Jane (The Punisher)
Joe Dinicol (Arrow)

MV5BMTgyNTUyNjQwMl5BMl5BanBnXkFtZTcwNjUxNzYyMw@@._V1_SX1777_CR0,0,1777,822_AL_In Toronto, 22-year-old Scott Pilgrim is a bass guitarist in Sex Bob-Omb, a floundering garage band. To the disapproval of his friends, he is dating Knives Chau, a high school student. Scott meets an American Amazon.ca delivery girl, Ramona Flowers, having first seen her in a dream, and loses interest in Knives. When Sex Bob-Omb plays in a battle of the bands sponsored by record executive G-Man Graves, Scott is attacked by Ramona’s ex-boyfriend Matthew Patel. Scott defeats Patel and learns that, in order to date Ramona, he must defeat the remaining six evil exes.
MV5BMjIwNDkwMzkwMF5BMl5BanBnXkFtZTcwNzQ0MTkxNw@@._V1_SX1537_CR0,0,1537,999_AL_Scott breaks up with Knives, who blames Ramona and swears to win him back. Scott defeats Ramona’s second evil ex, Hollywood actor and skateboarder Lucas Lee, by tricking him into performing a dangerous stunt. He defeats her third ex, vegan Todd Ingram, who is dating Scott’s ex-girlfriend, Envy Adams, by tricking him into drinking dairy. He defeats Ramona’s fourth ex, Roxy Richter, by prodding the spot behind her knee, which Ramona tells him is her weak point.
MV5BMTQ1MjUxNDIxOV5BMl5BanBnXkFtZTcwNjgyODYxNw@@._V1_Scott becomes upset with Ramona’s dating history and Ramona breaks up with him. At the next battle of the bands, Sex Bob-Omb defeats Ramona’s fifth and sixth evil exes, twins Kyle and Ken Katayanagi, earning Scott a 1-up. Ramona gets back with her seventh evil ex, Gideon, also known as G-Man Graves, the sponsor of the event. Sex Bob-Omb accept Gideon’s record deal, except for Scott, who leaves the band in protest. Gideon invites Scott to his venue, the Chaos Theater, where Sex Bob-Omb is playing. Resolving to win Ramona back, Scott challenges Gideon to a fight for her affections, earning the “Power of Love” and a sword. Knives fights Ramona over Scott, and Scott accidentally reveals that he dated them concurrently. After Gideon kills Scott, Ramona visits him in limbo and reveals that Gideon has implanted her with a mind control device.
MV5BMTkwNTg1MjI0NV5BMl5BanBnXkFtZTcwNTAwNTE5NQ@@._V1_SY1000_CR0,0,1503,1000_AL_Scott uses his 1-up to restore his life. He makes peace with his friends and challenges Gideon again, this time for himself. He gains the “Power of Self-Respect” and disarms Gideon with the sword it grants him. He apologizes to Ramona and Knives for cheating on them, and Scott and Knives join forces to defeat Gideon. Free from Gideon’s control, Ramona prepares to leave. Knives accepts that her relationship with Scott is over. At her encouragement, he follows Ramona.MV5BMTkwODk1NzIzNF5BMl5BanBnXkFtZTcwMzQ0MTkxNw@@._V1_SX1537_CR0,0,1537,999_AL_This movie has everything. Action, love, geek background… The plot is great, a good reflection of the comics. But the camera, special effects and music are absolutely awesome. For me, this is one of the best movies in history.

REVIEW: ARROW – SEASON 3

CAST

Stephen Amell (The Vampire Diaries)
Katie Cassidy (Black Xmas)
David Ramsey (Pay It Forward)
Willa Holland (Legion)
Paul Blackthorne (The Dresden Files)
Emily Bett Rickards (Brooklyn)
Colton Haynes (Teen Wolf)
John Barrowman (Reign)

RECURRING / NOTABLE GUEST CAST

Grant Gustin (The Flash)
Brandon Routh (Superman Returns)
Manu Bennett (Spartacus)
Colin Donnell (Chicago Med)
Caity Lotz (The Machine)
Aubrey Marie Anderson (The Unit)
Cynthia Addai-Robinson (Spartacus)
Karl Yune (Real Steel)
Rila Fukushima (The Wolverine)
Peter Stormare (American Gods)
J.R. Ramirez (Power)
Katrina Law (Chuck)
Matt Nable (Riddick)
Charlotte Ross (Drive Angry)
Christina Cox (Defying Gravity)
Nolan Gerard Funk (Glee)
Amy Gumenick (Supernatural)
Nick E. Tarabay (Spartacus)
Jill Teed (Highlander: The Series)
Carlos Valdes (The Flash)
Danielle Panabaker (Sky High)
Kelly Hu (The Scopion King)
Alex Kingston (Flashforward)
Vinnie Jones (The Cape)
Peter Bryant (Dark Angel)
Austin Butler (The Carrie Diaries)
Bex Taylor-Klaus (Scream: The Series)
Eugene Byrd (Bones)
Marc Singer (V)
Michael Rowe (Tomorrowland)
Steven Culp (Jason Goes To Hell)
Doug Jones (Hellboy)
Adrian Holmes (Smallville)
Francoise Yip (Andromeda)
Christopher Heyerdahl (Sanctuary)

Season 3 certainly started off on a strong note with the premiere episode, “The Calm.” That episode laid out the general status quo for team Arrow post-Slade uprising. Ollie had saved his city but found himself struggling to find meaning in his existence outside of putting on a costume and shooting criminals full of arrows. That struggle was complicated with the addition of a new recurring player in the form of Ray Palmer, a charismatic businessman who managed to steal both Ollie’s company and the affections of Felicity. Coupled with the debut of Peter Stormare as a much superior new version of Count Vertigo and the cliffhanger murder of Sara Lance.Ra’s al Ghul and the League of Assassins emerged as the villains of the season, when we get to episode 8 & 9 we the one-two punch of “The Brave and the Bold” and “The Climb” had great momentum . The former offered the first extended crossover between Team Arrow and Team Flash, and the results were as fun as fans of the two shows could have hoped. The latter, meanwhile, saw Ollie journey to Nanda Parbat and confront Ra’s al Ghul in the flesh. Their clifftop duel easily ranks among the best action scenes in the show’s three-year history. The choreography was solid. being a mid season cliffhanger left fans hanging over christmas.Stephen Amell and Matt Nable in Arrow (2012)Ollie’s friends believed him to be dead and found themselves defending Starling City from the seemingly invulnerable crime lord Brick (played with gusto by Vinnie Jones). The three-part Brick storyline was another highlight for the season. Ray Palmer was a great addition to the show. He brought a charm and a sense of humor. Even when Ray’s ongoing story arc seemed tenuously linked with the rest of Team Arrow, the character’s sheer entertainment value and his dynamic with Felicity justified his presence. The fact that we got to see Ray evolve from billionaire industrialist to full-fledged superhero in his own right was a bonus.  Arrow continues to serve as prime breeding ground for other DC heroes to emerge.The show also deserves credit for the overall quality of its special effects and action choreography. That’s an area where Arrow has consistently improved over time as the budget has grown and the cast and crew have grown more experienced. A number of action scenes really stood out this season, whether it was the first glimpses of the A.T.O.M. suit in action, the epic street riot in “Uprising,” or the fateful duel between Ollie and Ra’s in “The Climb.” Looking back, the one action sequence that stood out more than anything this year was the shot of Roy running through a pipe while gunfire exploded behind him in “Left Behind.” There’s a growing cinematic flair to this show that never gets old.The season led to the showdown between Arrow and Ra’s Al Ghul, the resolve brought new dimensions to the character which will lead into the upcoming 4th Season. John Barrowman was also a great return addition to this season being a full time player, changing from villain to anti-hero. Katrina Law was always great to see again, every time she shows up you know it will be a great episode.Arrow continues to become a a shining beacon of the DC Universe and with season 4 on its way, it’s here to stay for a while.

REVIEW: KARLA

CAST

Laura Prepon (That 70s Show)
Misha Collins (Supernatural)
Patrick Bauchau (Panic Room)
Emilie Jacobs (All Over Again)
Alex Boyd (Lost Signal)
Cherilyn Hayres (First Snow)
Tess Harper (The Jackal)
Brandon Routh (Legends of Tomorrow)
Jeff Doucette (Bedazzled)

MV5BNzUyNDAyMzg0MF5BMl5BanBnXkFtZTgwMDMwNjg4MDE@._V1_Karla centers around a young Canadian couple who meet and very quickly fall in love with each other: Paul Bernardo (Misha Collins) and Karla Homolka (Laura Prepon, of TV’s “That ’70s Show”). Unfortunately, Paul is mentally unstable, and finds pleasure in raping and sexually abusing women – something Karla wasn’t aware of in the beginning. It begins on Christmas Eve when Karla and Paul end up accidentally killing Karla’s younger sister while trying to make a sex video. While she is disturbed by the entire thing, she is still desperate for love (which she believes she has truly found), so Karla goes along with her husband’s insatiable hunger for sexual violence and power, and takes part in it as well, as he kidnaps young women, makes sex tapes with them, tortures them, and ultimately murders them.MV5BMTczNzU1OTUzNV5BMl5BanBnXkFtZTgwNDEwNjg4MDE@._V1_Based on the real-life murders that occurred back in the early ’90s, I found this true-crime flick a fairly disturbing film. I had read a little about the real crimes that happened before, finding that Homolka and Bernardo have been labeled Canada’s most notorious murderers. While I know the basic details of the case, I’m still not all too familiar with the real Karla’s involvement in the murders. In the film she is depicted as an abused woman, weakened by her husband’s manipulative and violent personality. In fear of him, she does as he says, even if that means participating in horrific acts. The main reason she is seen as guilty in the murders is because of her lack of empathy for the victims, and this is clearly shown throughout the film. The problem that I had here though is that I was confused as to how this film was trying to portray her – was it attempting to tell us that Karla was simply an abused, beaten-down person who was coaxed into these crimes? Or was she mentally unstable as well, and participated in the crimes by her own free will? To me it appeared the film was sympathetic towards her, but that’s how I interpreted it. Whatever the real events may have consisted of, the storyline revolving around her character is fairly well constructed, whether it is fictionalized in the real Karla’s favor or not. Good writing is present, and the story is told from Karla’s point of view as she retells the events to a parole officer in hopes of making her way out of prison into the real world.The acting in the film was surprisingly good. Laura Prepon, who gained her fame playing the friendly red-headed girl-next-door in the television sitcom “That ’70s Show”, makes a large departure from her comedy roots, in a powerhouse performance as an extremely dark, and obscure character. She plays the character surprisingly well, and anyone who is immune to seeing her as the spunky, good-hearted Donna on “That ’70s Show” will be quite surprised with this disturbing performance she delivers. The audience can sympathize with her to a certain extent. Again, I am not sure if the real Karla was as innocent as the film portrays her. In the film however, she seems relatively normal, and clearly not as mad as her husband. Her neglect for human life though (and her passive following of her husband) is a sure sign of mental illness. Misha Collins is menacing as well as her abusive and murderous husband – he’s a scary guy. The violence in the film is mostly implicated and not shown, but it’s just as equally effective – the abuse and torture endured by these innocent girls is awful, and stomach churning when projected on screen.MV5BMTc5ODAyOTg4Nl5BMl5BanBnXkFtZTgwMzEwNjg4MDE@._V1_Overall, “Karla” is a disturbing film. Regardless of the real Karla Homolka’s innocence or guilt in the actual crimes, this is still a really good crime film that holds itself up well. If you see this movie, expect a disturbing and uneasy experience. The story is fairly well told (even if the real facts may be distorted or changed for storytelling purposes), and it is an interesting film to watch, plus there are really good performances to be found.

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

cold-case-tv-series-seasons-6-episode_1_d5697e27ab4d3ea9433559a2108b4f92

Recurring Notable Guest Cast

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Christopher Shea (Star Trek: DS9)
Bree Turner (Grimm)
Isabella Hofmann (Legends of Tomorrow)
Jimmi Simpson (Westworld)
Douglas Smith (Big Little Lies)
Daisy McCrackin (Halloween 8)
Aimee Teegarden (Rings)
Cory Hardrict (Warm Bodies)
Barbara Eve Harris (The Amazing Spider-Man)
Aldis Hodge (Hidden Figures)
Vincent Ventresca (Dollhouse)
Josh Hopkins (G.I. Jane)
Lacey Beeman (Dexter)
Tim DeZarn (Cabin In The Woods)
Summer Glau (Firefly)
James DuMont (Jurassic World)
Brandon Routh (Superman Returns)
Barbara Tarbuck (Walking Tall)
Laura Regan (Mad Men)
Kathleen Gati (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Christina Cox (The Chronicles of Riddick)
Fredric Lehne (Lost)
Jeffrey Nordling (I’m Dying Up Here)
Kaitlin Doubleday (Waiting…)
Blake Shields (Heroes)
Robert LaSardo (Nip/Tuck)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Ray Campbell (Breaking Bad)
Geoffrey Lewis (Deep Impact)
Leslie Silva (Odyssey 5)
Ryan Francis (Hook)
Garrett M. Brown (Roswell)
Molly Cheek (American Pie)
Autumn Reeser (Sully)
Amanda Wyss (Highlander: The Series)
Robin Riker (General Hospital)
Nichole Hiltz (Bones)
Marisol Nichols (Riverdale)
Karen Austin (Bitch Slap)
Amber Benson (Buffy: TVS)
Maggie Grace (Taken)
Katee Sackhoff (Battlestar Galactica)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Cobra)
Laura Allen (The 4400)
Michael Paré (Gone)
T.J. Thyne (Bones)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Michael Nouri (The Proposal)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
John Mahon (Armageddon)
Sam Witwer (Supergirl)
Indigo (Weeds)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Young Hercules)
Joseph Campanella (Mannix)
Jenna Fischer (Slither)
Rance Howard (Far and Away)
Chad Morgan (The Purge: Anarchy)
Stacey Scowley (Date Night)
Nicholas D’Agosto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (The Fast and The Furious)
Bruce A. Young (Jurassic Park 3)
Joel McKinnon Miller (Big Love)
Nicholas Guest (Trading Places)
Frederick Koehler (Death Race)
Emma Bates (South Dakota)
Daveigh Chase (S.Darko)
Virginia Williams (Fuller House)
Chad Donella (Final Destination)
Nicki Aycox (Jeepers Creepers 2)
Josh Randall (Ed)
Patrick J. Adams (Legends of Tomorrow)
Bob Papenbrook (Power Rangers Zeo)
Orson Bean (Two and a Half men)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Futurama)
Johnny Whitworth (Limitless)
Paul Gleason (Van Wilder)
Robert Baker (The Originals)
Danielle Harris (Halloween 4)
Jordana Spiro (Ozark)
Michael O’Neill (Transformers)
James MacDonald (Roadkill)
Amy Sloan (Timeline)
Scout Taylor-Compton (Return to Sender)
Brigid Brannagh (runaways)
Brent Sexton (God Friended Me)
Audrey Wasilewski (Red)
Michael Shamus Wiles (Breaking Bad)
Andrea Savage (Izombie)
Meredith Salenger (Village of The Damned)
Clare Carey (Maid to Order)
Michael B. Silver (Jason Goes To Hell)
Dee Wallace (E.T.)
Jay Acovone (Stargate SG.1)
Daniel Roebuck (Lost)
Bradley Stryker (Smallville)
Barry Bostwick (Spy Hard)
Claire Coffee (Grimm)
William Morgan Sheppard (Transformers)
Piper Laurie (Carrie)
Tom Bower (Die Hard 2)
Tessa Thompson (Thor: Ragnarok)
Susan Chuang (Miss Congeniality 2)
Karina Logue (Bates Motel)
Brooke Anne Smith (Too Close To Home)
Sarah Brown (VR Troopers)
Kristin Richardson (Rock Star)
Cheryl White (Major Crimes)
Lindsay Hollister (Get Smart)
Pat Skipper (Halloween)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Hillary Tuck (Life as a House)
Christina Hendricks (Bad Santa 2)
Diane Ladd (Joy)
Natasha Gregson Wagner (Urban Legend)
April Grace (A.I.)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Dabier (Black Lightning)
Deborah Van Valkenburgh (Streets of Fire)
Lori Lively (Free Enterprise)
Robin Weigert (Deadwood)
James Handy (Alias)
Christopher Cousins (Breaking Bad)
Michael Mantell (Angel)
Michael Welch (All The Boys Love Mandy Lane)
Skyler Gisondo (Santa Clarita Diet)
William R. Moses (JAG)
Meredith Monroe (Minority Report)
Megan Follows (Reign)
Zachery Ty Bryan (Home Improvement)
Christine Elise (Cult of Chucky)
Laura Johnson (Four Christmases)
Alona Tal (Cult)
Meagen Fay (The Big Bang Theory)
Shannon Woodward (Westworld)
Priscilla Pointer (Carrie)
Tina Holmes (Shelter)
Veronica Cartwright (Alien)
Jeremy Davidson (Roswell)
Brennan Elliott (Cedar Cove)
Benjamín Benítez (Tru Calling)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Evil Dead)
Bre Blair (Narcos)
George Coe (The Stepford Wives)
Thomas F. Wilson (Legendsd of Tomorrow)
Laura Bell Bundy (Anger Management)
Eric Lange (Lost)
John Rubinstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & Clark)
Peter Graves (Airplane)
Michelle Harrison (The Flash)
Stacy Haiduk (Superboy)
Tonya Pinkins (Gotham)
Dale Dickey (Iron Man 3)
Sam Anderson (Lost)
Steven Grayhm (White Chicks)
Mageina Tovah (Spider-Man 2)
Susan Walters (The Vampire Diaries)
Kenny Johnson (Bates Motel)
Jeanette Brox (Still Life)
Kyle Gallner (Veronica Mars)
Will Rothhaar (Grimm)
Michael Trevino (Roswell, New Mexico)
Nestor Carbonell (Ringer)
Lesley Fera (24)
Kristin Bauer van Straten (True Blood)
Brian Gross (2 Broke Girls)
L. Scott Caldwell (Lost)
Jack McGee (Gangster Squad)
Neil Jackson (Push)
Enuka Okuma (Impulse)
Ryan Cutrona (Sliver)
Brian Bloom (The A-Team)
Mark Famiglietti (Terminator 3)
Jake Abel (The Host)
Greg Cipes (Teen Titans)
Julie Adams (Crooked River)
Rutanya Alda (The Dark Half)
Eric Jungmann (Not Another Teen Movie)
Robert F. Lyons (Roswell)
George Newbern (Justice Leage Vs The Fatal Five)
Robert Pine (Red Eye)
Matthew Glave (Stargate SG.1)
Annie Wersching (Runaways)
John Aylward (Alias)
David Henrie (How I Met Your Mother)
Bobby Hosea (Xena)
Bruno Campos (Nip/Tuck)
Mary-Pat Green (Mom)
Brian Hallisay (Hostel – Part III)
Shane Johnson (Power)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (Shaft)
Dorie Barton (Down With Love)
Polly Shannon (Lie With Me)
Jake McDorman (Limitless TV)
Robert Picardo (Star Trek: Voyager)
Ernie Hudson (Ghostbustes)
Lucinda Jenney (Rain Man)
Sam McMurray (Raising Arizona)
Jamie Bamber (Battlestar Galactica)
Kelly Overton (Van Hesling)
Sam Trammell (The Order)
Bruce Boxleitner (Babylon 5)
Sterling Beaumon (Lost)
Obba Babatundé (How High)
John Diehl (Stargate)
Greg Finley (Izombie)
Vanessa Williams (Candyman)
Don Swayze (Passenger)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Darcy Rose Byrnes (Desperate Housewives)
Jennifer Lawrence (The Hunger Games)
Tom McCleister (Twins)
Mitch Pileggi (The X-Files)
Sean Whalen (Superstore)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Charlyne Yi (This Is 40)
Erin Cahill (Power Rangers Time Force)
Ellen Albertini Dow (Wedding Crashers)
Carolyn McCormick (Enemy Mine)
Michael Massee (The Amazing Spider-Man)
Brad William Henke (Lost)
Helena Mattsson (Seven Psychopaths)
Vyto Ruginis (Moneyball)
Ksenia Solo (Lost Girl)
Anthony Starke (Nowhere To Run)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Frailty)
Terry Rhoads (Hitchcock)
Kirk Acevedo (Arrow)
Jack Conley (Angel)
Melissa Leo (The Fighter)
Mark Rolston (Aliens)
Raphael Sbarge (Risky Business)
Randall Park (Aquaman)
Robyn Lively (Teen Witch)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Torque)
Justin Bruening (Ringer)
Daphne Ashbrook (The O.C.)
Rodney Rowland (Legacies)
Michael B. Jordan (Black Panther)
Jonathan Scarfe (Van Helsing)
Lawrence Pressman (Dark Angel)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Wings Hauser (The Insider)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creepers 2)
Nikki Deloach (Longshot)
Michele Greene (LA Law)
Deirdre Lovejoy (Bones)
Ian Anthony Dale (The Event)
Patti Yasutake (Star Trek: Generations)
Kim Coates (Goon)
Ryan Kelley (Teen Wolf)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Johnny Lewis (Sons of Anarchy)
Brianne Davis (Six)
Lilli Birdsell (Doom Patrol)
Kevin Cooney (Roswell)
Kathleen Munroe (Patriot)
John Pyper-Ferguson (Caprica)
Joe Nieves (How I Met Your Mother)
Gigi Rice (CSI)
Maury Sterling (Coherence)
Paul Wesley (The Vampire Diaries)
Bobby Cannavale (Ant-Man)
June Squibb (The Big Bang Theory)
Brea Grant (Heroes)
Nicholle Tom (Superman:TAS)
Molly Hagan (No Good Nick)
John Prosky (Hulk)
M.C. Gainey (Lost)
James Karen (Hercules In New York)
Sean O’Bryan (Vantage Point)
Justice Leak (Supergirl)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Adetokumboh M’Cormack (Lost)
Jenna Leigh Green (Sabrina: TTW)
Jennifer Hetrick (Star Trek: DS9)
Vernee Watson (The Big Bang Theory)
Nicholas Braun (How To Be Single)
Richard Herd (Get Out)
Charles Napier (The Silence of The Lambs)
Kim Director (Blair Witch 2)
Ajay Mehta (Anger Management)
Joel Murray (Two and a Half Men)
Elena Satine (The Gifted)
Nicole Bilderback (Clueless)
Erin Cummings (Bitch Slap)
Patrick Fischler (Happy!)
Chadwick Boseman (Black Panther)
Tyrees Allen (Robocop)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Tania Raymonde (Texas Chainsaw)
Lee Majors (Ash vs Evil Dead)
Adrienne Barbeau (Argo)
Lindy Booth (Odyssey 5)
Taylor Cole (The Originals)
Mary Elizabeth Ellis (New Girl)
Jeff Kober (Sully)
Louis Mustillo (Mike & Molly)
Zack Ward (Transformers)
Courtney Ford (Legends of Tomorrow)
David Starzyk (Veronica Mars)
Bailey Chase (Buffy: TVS)
Brad Greenquist (Heroes)
Wynn Everett (Agent Carter)
Jerry Hardin (The X-Files)
Katherine LaNasa (Two and a Half Men)
Tyler Blackburn (Roswell, New Mexico)
Jeff Fahey (Lost)
Beth Broderick (Sabrina: TTW)
Clayne Crawford (Lethal Weapon)
Brit Morgan (Supergirl)
Jeremy Roberts (The Mask)
Clarence Williams III (The Butler)
Victoria Pratt (Mutant X)
Johnathon Schaech (Legends of Tomorrow)
Alexandra Holden (Dead End)
Shalim Ortiz (Heroes)
Tess Harper (Breaking Bad)
Valerie Azlynn (Julia X)
Channon Roe (Boogie Nights)
Muse Watson (I Know What Youd Did Last Summer)
Michael Ironside (Total Recall)
Jesse Plemons (Game Night)
Daniel Baldwin (Hwaaii Five-0)
Gary Hudson (Road House)
Jessica Tuck (True Blood)
Raymond J. Barry (The Gifted)
Ashley Johnson (Avengers Assemble)
Erin Chambers (Stargate: Atlantis)
Tracey Walter (Batman)
Chris Browning (Supergirl)
Steven Culp (Jason Goes To Hell)
James Earl (Scream Queens)
Cress Williams (Black Lightning)
Meagan Good (D.E.B.S.)
Jamie Hector (Heroes)
Eugene Robert Glazer (La Femme Nikita)
Yara Shahidi (Alex Cross)
Lolita Davidovich (Blaze)
Alan Blumenfeld (WarGames)
Julianna Guill (The Resident)
Sharni Vinson (Bait)
Dakin Matthews (True Grit)
Carel Struycken (The Addams Family)
Rachel Miner (The Nutterfly Effect 3)
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (The Live)
Glenn Morshower (Transformers)
Patrick Gallagher (Glee)
Johnny Messner (Spartan)
Jon Gries (Welcome To The Jungle)
Melissa Ordway (Ted)
Peter Jason (Mortal Kombat)
Azura Skye (28 Days)
Darren Criss (Glee)
Rob Benedict (Birds of Prey)
JR Bourne (Staragte SG.1)
John Kassir (Pete’s Dragon)
Mae Whitman (The Duff)
Dana Davis (Heroes)
Thomas Ian Girffiths (XXX)
Thomas Kopache (Stigmata)
James Black (Anger Management)
Keone Young (Crank)
Jonathan Banks (The Lizzie Borden Chronciles)
Ryan Wynott (The Cape)
Susanna Thompson (Arrow)
Dawn Olivieri (The Vampire Diaries)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Nelson Lee (Blade: The Series)
Chandra West (White Noise)
Justina Vail (Highlander: The Series)
John D’Aquino (Seaquest)

51751707I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.cold caseThe fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.
cold_cast_mainThe cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.cc4cc1221The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.

REVIEW: THE FLASH – SEASON 1

CAST

Grant Gustin (Glee)
Candice Patton (Heroes)
Danielle Panabaker (Sky High)
Rick Cosnett (The Vampire Diaries)
Carlos Valdes (Arrow)
Tom Cavanagh (Scrubs)
Jessie L. Martin (Injustice)

Recurring / Notable Guest Cast

Michelle Harrison (Continuum)
Chad Rook (Timeless)
Patrick Sabongui (Power Rangers)
John Wesley Shipp (Dawson’s Creek)
Stephen Amell (Arrow)
Fulvio Cecere (Valentine)
William Sadler (Iron Man 3)
Robbie Amell (The Babysitter)
Wentworth Miller (Prison Break)
Emily Bett Rickards (Arrow)
Dominic Purcell (Blade: Trinity)
Clancy Brown (Highlander)
Kelly Frye (Teachers)
Greg Finley (Izombie)
Robert Knepper (Cult)
David Ramsey (Arrow)
Anna Hopkins (Bad Blood)
Amanda Pays (Max Headroom)
Tom Butler (Shooter)
Andy Mientus (Gone)
Britne Oldford (God Friended Me)
Malese Jow (The Vampire Diaries)
Victor Garber (The Orville)
Isabella Hofmann (Burlesque)
Chase Masterson (Star Trek: DS9)
Liam McIntyre (Spartacus)
Peyton List (Gotham)
Nicholas Gonzalez (Sleepy Hollow)
Mark Hamill (Star Wars)
Matt Letscher (Her)
Bre Blair (Life Sentence)
Vito D’Ambrosio (The Untouchables)
Devon Graye (13 Sins)
Brandon Routh (Superman Returns)
Emily Kinney (The Walking Dead)
Katie Cassidy (Black Xmas)
Danielle Nicolet (3rd Rock From The Sun)
Peter Bryant (Legends of Tomorrow)
Anthony Carrigan (Gotham)
Doug Jones (Star Trek: Discovery)
Ciara Renée (Legends of Tomorrow)

The Flash was unique in its first season in the sense that it never really needed to find itself or grow into something better. It simply started strong and continually got better over the course of seven months. Much of the credit rests with the fact that the Flash was hardly starting from scratch. This show is the first spinoff of Arrow and its growing superhero universe. It features many of the same producers as Arrow and several writers responsible for Arrow’s stellar second season. Not only did The Flash not have to waste much time establishing its universe, it didn’t even have to introduce viewers to its protagonist. Grant Gustin debuted as a pre-speedster Barry Allen midway through Arrow’s second season, culminating with the accident that created the Flash. By the time this show came around, viewers already knew Barry, what made him tick and what fueled his particular quest.MV5BMTUwNTM0NjAyNV5BMl5BanBnXkFtZTgwMDA3NjM5MjE@._V1_Gustin rapidly grew into the role of Barry Allen once the spotlight was placed on him. Gustin brought a winning blend of youthful energy, latent pathos and Peter Parker-esque awkwardness to the table. He gave us a Barry Allen that’s impossible not to connect with. Barry is immensely likable. He’s less intense than Stephen Amell’s Oliver Queen. He’s driven by tragedy but anchored by a small family unit. He’s faithful to the comic book Barry Allen. One of the main reasons for The Flash’s success, though, was its supporting cast. So much of the drama and the emotional core of the show centered around Barry’s ties to his core circle of friends, family and allies. There was his adoptive father, Joe West (Jesse L. Martin). There was his adoptive sister/unrequited love, Iris (Candice Patton), a dichotomy that never came across as creepy or incest-y as it could have. There was his newfound father figure/mentor in Dr. Harrison Wells (Tom Cavanagh). There were his new friends/partners in metahuman-busting, Dr. Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes). And rounding out the core cast was Eddie Thawne (Rick Cosnett), Barry’s colleague and sometimes rival/sometimes ally.The show exploited these various relationships to great effect. Above all, the father/son relationships between Barry/Joe and Barry/Wells were the source of great drama. Martin and Cavanagh were the MVPs among the cast. Martin brought a crucial warmth to his role as a concerned father and a man simply baffled by the increasingly bizarre state of life in Central City. Cavanagh, meanwhile, helped mold Wells into the show’s most captivating figure. It quickly became apparent that Wells was far more than he seemed, eventually emerging as the primary antagonist of Season 1. But thanks to Cavanagh’s performance, it was always apparent that Wells cared for Barry even as he plotted and schemed and tormented the hero.Caitlin and Cisco became increasingly compelling characters in their own right as the season progressed. Caitlin, initially cold and a little haughty, grew as her relationship with Barry blossomed and her past relationship with Ronnie Raymond (Robbie Amell) came to light. Cisco was largely a comic relief character at first. And while he remained the show’s most reliable source of comedy, he too was fleshed out and developed a father/son connection to Wells of his own.Iris and Eddie were a little more uneven when it came to their respective roles within the show. At times it was easy to forget about Eddie given his tendency to drop out of view. However, he definitely became an integral player in the final couple months of the season. I appreciated how the writers never took a one-note approach with Eddie. He may have been Barry’s romantic rival, but he was never written as a bully or a jerk, just a guy with his own set of hopes and desires. As for Iris, there were some episodes where she filled what seemed to be a mandatory quota as far as superhero relationship drama. The Barry/Iris/Eddie love triangle definitely had its moments, but some weeks it came across as pointless filler. The big offender was “Out of Time,” which featured a terrifically epic climax but dull build-up. The premiere episode,  did a fine job of laying out the cast of characters and basic status quo for the show. The idea that the STAR Labs particle accelerator created a new wave of metahumans alongside the Flash offered an easy way to start building a roster of villains and put Barry’s growing speed powers to the test. Luckily, it wasn’t long before The Flash began moving away from the “villain of the week” approach and building larger, overarching storylines. Bigger villains like Captain Cold (Wentworth Miller) and Heat Wave (Dominic Purcell) were introduced, paving the way for the Flash Rogues.MV5BMjM1ODYwNzY1MV5BMl5BanBnXkFtZTgwMTA3NjM5MjE@._V1_The show played its part in expanding the CW’s superhero universe, introducing Firestorm and crossing paths with Arrow at several points. The mid-season finale, “The Man In the Yellow Suit,” offered the full introduction of the Reverse-Flash and set the stage for a conflict that would drive the show all the way until the season finale. As that conflict developed, the question of just who Dr. Wells was and what he had planned for Barry became paramount. Wells symbolized just how much the show was willing to play with expectations and shake up the traditional comic book mythology. I noted in my review of the premiere episode that the show was showing signs of being too predictable for seasoned comic book readers. It wasn’t long before that concern faded away.Looking back at these overarching conflicts and how they were developed over the course of the season, it’s clear that The Flash succeeded because it managed to adopt the serialized nature of superhero comics so well. Each new episode offered its fair share of twists and surprises, culminating in a dramatic cliffhanger that left viewers craving the next installment. It served as a reminder that, in many ways, TV is an inherently better medium for superheroes than film. A weekly series can do serialized storytelling in a way a couple superhero movies every year can’t. The show started out big with the premiere episode, pitting Barry against the first Weather Wizard and a massive tornado. Even that was chump change compared to later conflicts. Barry’s battle with the second Weather Wizard culminated with the hero stopping a tidal wave at supersonic speed. But the most impressive technical accomplishment was more subtle. The late-season episode “Grodd Lives” introduced viewers to Gorilla Grodd, a completely computer-animated villain who looked far more convincing than we had any right to hope.MV5BMjkwMDA1MTYyNV5BMl5BanBnXkFtZTgwMTc0OTgzMzE@._V1_Perhaps one of the strongest episode of Season 1 was “Tricksters.” That episode paid terrific homage to the short-lived 1990 Flash series as Mark Hamill reprised the part of the prank-obsessed villain the Trickster and former Flash John Wesley Shipp was given his most in-depth role as Barry’s father, Henry. Not only was “Tricksters” a fun love letter to the old show, it proved that this series can venture into full-on camp territory without losing sight of itself.Ultimately, though, it’s the finale episode that stands out as the crowning moment of Season 1. The show bucked the usual trend by getting the physical confrontation with Reverse-Flash out of the way in the penultimate episode (via a team-up between Flash, Firestorm and the Arrow, no less). “Fast Enough” wasn’t concerned with the visceral element of the Flash/Reverse-Flash rivalry so much as the psychological one. The finale was intensely emotional, forcing Barry to decide just how much he was willing to sacrifice to save his mother. Just about every actor delivered their best work of the season. It was a tremendous payoff to a year’s worth of build-up.Grant Gustin in The Flash (2014)The finale ended the season with a big question mark of a cliffhanger. The great thing about the way the season wrapped is that now the door is open for practically anything. The finale touched on the idea of the multiverse – other worlds inhabited by other Flashes like Jay Garrick. The Flash didn’t suffer from the familiar freshman growing pains most new shows experience in their first season. This show built from the framework Arrow laid out and made use of an experienced writing and production team, a great cast, and a clear, focused plan for exploring Barry Allen’s first year on the job. The show was never afraid to delve into the weird and wild elements of DC lore, but it always stayed grounded thanks to a combination of humor and strong character relationships.

REVIEW: SUPERMAN RETURNS

CAST

Brandon Routh (Legends of Tomorrow)
Kate Bosworth (Wonderland)
Kevin Spacey (House of Cards)
James Marsden(X-Men)
Parker Posey (Blade: Trinity)
Frank Langella (All Good Things)
Sam Huntington (Fanboys)
Eve Marie Saint (On The Waterfront)
Marlon Brando (The Godfather)
Kal Penn (Van Wilder)
Tristan Lake Leabu (While The Children Sleep)
Jack Larson (Adventures of Superman)
Noel Neill (Superman 1948)
Peta Wilson (La Femme Nikita)
Dan Ewing (Power Rangers RPM)

brandon-routh-in-superman-returnsSuperman Returns opens in a world without a Superman. The Man of Steel (Brandon Routh) left Earth without a word of warning, spending the past five years investigating the ruins of his home planet of Krypton. The world he left behind has suffered in his absence, prompting an embittered Lois Lane (Kate Bosworth) to pen a Pulitzer Prize winning article titled “Why the World Doesn’t Need Superman”. He’s able to return to his life in Metropolis as Clark Kent with ease, but the world he knew has changed. Lois now has a fiancé (James Marsden), the nephew of Daily Planet publisher Perry White (Frank Langella), and she’s also mother to a young, asthmatic son. Most of the world at large is thrilled to have Superman return as its savior with the exception, of course, of Lex Luthor (Kevin Spacey). Fresh out of prison and flush with cash, Luthor has discovered Superman’s Fortress of Solitude and schemes to use its advanced alien technology to wipe out most of North America and create his own continent.Bryan Singer isn’t a director shamelessly trying to cash in on a high profile franchise. This is clearly a movie by someone with boundless passion for the material, and Superman Returns is a worthy follow-up to Richard Donner’s films. Singer has done a remarkable job staying true to Donner’s vision from a quarter-century earlier while still feeling rooted in the here and now. Most of the campier elements from the earlier movies have been gutted. Ned Beatty’s Otis has been discarded, and Superman Returns’s equivalent of Miss Teschmacher has been dialed down a few notches, even if the character is still ultimately useless. Kevin Spacey’s spin on Lex Luthor is faithful to Gene Hackman’s performance while having more of a menacing edge. Spacey’s Luthor seems like a genuine threat in Superman Returns, not just a wealthy, eccentric goof, and his eventual confrontation with the Man of Steel in the finale is wincingly brutal. I’m not entirely sure why he’s convinced a barren, uninhabitable rock of an island would have any resale value, but that’s beside the point.Taking the reins from the late Christopher Reeve after his near-legendary turn as such an iconic character must have been indescribably daunting, but Brandon Routh does a tremendous job as both Clark Kent and Superman. His Kent in particular is a seamless transition from where Reeve left off and is a pitch-perfect recreation of the nervous energy and awkwardness he brought to the character. Routh does play a very different Superman, however. Superman may be a strange being from another world, but Reeve exuded the kind of warmth you’d expect from someone embodying truth, justice, and the American way. Routh’s colder, more alien Superman is in keeping with the tone of the story, where he’s been removed from humanity for five years and feels detached from the world at large, but I didn’t feel nearly as strong an attachment to him.maxresdefault

Routh is about the same age that Reeve was when cameras started rolling on the original Superman film, but he looks so much younger that it’s easy to forget occasionally that this is supposed to be Superman Returns, not Superman Begins. I have some slight misgivings about the way Superman was handled in this film, but if the rumors of an impending sequel are true, I’m looking forward to seeing what Routh brings to the character the second time.
Kevin Spacey and Kal Penn in Superman Returns (2006)
With most action movies, it seems as if a small army of writers scattered themselves across a conference table, brainstormed the most elaborate, over the top, effects-driven sequences they could imagine, and then haphazardly tossed together a story to string ’em all together. I was left with the opposite reaction to Superman Returns. Singer paints Superman as some sort of messianic figure who’s a savior, not a fighter, and he literally doesn’t throw a punch in the entire movie. There are several phenomenal effects sequences that are certain to get pulses racing — the world’s re-introduction to Superman as he rescues a plane that’s careening into the stratosphere, steadying a crumbling Metropolis as Luthor sets his megalomaniacal scheme into motion, and sparing hundreds of millions from certain death in the film’s closing moments — but those really just see Superman intervening as disaster looms. Only a bank robbery has Superman struggling against an actual opponent, although even much of what happens there is passive; Superman just stands there and lets ricocheting bullets do the work for him. I’m not trying to downplay what an adrenaline rush these sequences are, but one of the most frequent criticisms of Superman Returns has been its lack of action. I admittedly did not find the movie at all dull despite the lack of Kryptonian soldiers or twenty story robots.Lois is in love with Superman but never felt it thanks to the utter lack of chemistry between Bosworth and Routh. At least Margot Kidder managed to sell Lois as a spunky reporter, but Bosworth doesn’t even attempt to capture that sort of tenacity. Bosworth also seems much too young for the role; she looks like she may have just gotten her undergraduate degree in Journalism, but a seasoned, Pulitzer Prize winning writer? Not so much. Bosworth is passable but instantly forgettable. Giving Lois a son also strikes me as a misfire. Hollywood has been churning out action sequels for decades now, and in the history of cinema, there have been two…maybe three…cases where adding a kid into the sequel wasn’t an unmitigated disaster. For some inexplicable reason, directors are determined to keep trying, and Lois’ wheezing tyke is as ill-conceived an idea as ever. Give the audience a little credit for being able to suss out the kid’s parentage from word one too.Bryan Singer’s sequel inhabits the same world as Richard Donner’s films, but the core of the story is almost excessively faithful to the original. A spaceship crashes to Earth from the long-dead planet of Krypton. Superman makes his presence known to the world by rescuing intrepid reporter Lois Lane from a mishap involving an aircraft. He later has a rooftop interview with Lois and whisks her across the night sky. Meanwhile, Lex Luthor schemes to cash in on the creation of new beachfront real estate at the cost of untold millions of lives, and he has his ditzy but good-hearted moll feign danger as a distraction for a theft. Luthor gets his hands on some Kryptonite to bring Superman to his knees near the climax, and it all ends with the Man of Steel soaring heroically into space. Roll credits.8610986058_9dfa00c53c_bI didn’t have a problem watching Superman Returns a few months after Donner’s Superman, but sitting through the two back-to-back would undoubtedly inspire a nasty case of déjà vu. Sometimes its adoration of Donner’s original works incredibly well, though. It’s a thrill to hear John Williams’ instantly recognizable orchestral score again, and reincorporating some digitally manipulated archival footage of Marlon Brando is a clever and effective touchstone.film_supermanreturns_featureimage_desktop_1600x900The movie is littered with subtle nods to various incarnations of Superman, from the casting of Noel Neill and Jack Larson to an homage to the cover of Action Comics #1 . For months, I’d heard Superman Returns praised, assaulted, analyzed, and dissected from every conceivable angle. It’s such a polarizing movie that I wasn’t sure what my reaction would be when I got around to seeing it, but I never expected to feel so completely indifferent. Superman Returns is a movie I appreciate on a great many levels, but for something so enormously anticipated, just being okay doesn’t seem like enough.

 

REVIEW: LOOK, UP IN THE SKY! THE AMAZING STORY OF SUPERMAN

look-up-in-the-sky-the-amazing-story-of-superman-tv-movie-poster-2006-1020448079

Starring

Kevin Spacey (Superman Returns)
Mark Hamill (Star wars)
Stan Lee (Avengers Assemble)
Noel Neill (Atom Man vs Superman)
Jack Larson (Adventures of Superman)
Bill Mumy (Babylon 5)
Annette O’Toole (Smallville)
Adam West (Family Guy)
Margot Kidder (Superman)
Jackie Cooper (The People’s Choice)
Dean Cain (Lois & Clark)
Brandon Routh (Superman Returns)
Kate Bosworth (Blue Crush)
Sam Huntington (Fanboys)

Brandon Routh in Superman Returns (2006)The trick with releasing a documentary about the history of Superman a mere week before “Superman Returns” arrives in theaters: you don’t want to make it feel like one big commercial for the new movie; you need to find a healthy balance between fun and informative, being careful that you don’t wind up being fluffy or stuffy; you don’t want to make it feel like one big commercial for the new movie; you need to present enough new material so you’re not merely rehashing facts that everybody already knows and clips everybody’s already seen.George Reeves and Noel Neill in Adventures of Superman (1952)In fact, Burns goes the completely opposite route (although he does bring us Kevin Spacey, star of the New Hit Movie, for narration duties); in just under two hours, he and his crew offer up the most complete history of the character I’ve ever seen. We get it all in extreme detail, from Shuster and Siegel’s original “Super-Man” short story (the name was used to define an evil psychic) to long discussions on George Reeves and Christopher Reeve to DC Comics’ ups and downs with the character on the comics page. For the newcomer, you get a detailed examination of the Man of Steel’s many changes over the decades; for the hardcore Supes fanatic, you get ultra-rare clips of the 1950s “Superboy,” “Superpup” (in which little people wore dog costumes!), and the infamous musical comedy “It’s a Bird! It’s a Plane! It’s Superman!,” seen here in a television adaptation starring David Wilson, who could not dance, as a dancing Superman. (A word of warning: Think of the worst thing you can possibly imagine. Now think of something even worse than that. Push yourself hard to think up something even worse still. Beyond that, dear reader, you will find “It’s a Bird! It’s a Plane! It’s Superman!”)Kirk Alyn, Don C. Harvey, Jack Ingram, Noel Neill, and Lyle Talbot in Atom Man vs. Superman (1950)“Look, Up In the Sky!” works best in its first hour, when time is spent detailing the history of the comics, radio shows, cartoon shorts, serial, movie (“Superman and the Mole Men”), and TV series – perhaps because by the time we turn our attention to the 1978 film “Superman,” we’ve seen a lot of this stuff before, either in previous documentaries or as DVD bonus features, unlike the earlier projects, whose behind-the-scenes shenanigans have remained relatively unseen. When the movie spends plenty of time on the Reeve era, one gets the feeling that Burns is holding back, perhaps not wanting this portion of the timeline (with its ample archival material) to overshadow the rest of the story, perhaps not to repeat too much of what’s already been seen elsewhere, or perhaps to leave a little something for the supplemental sections of the forthcoming deluxe DVD releases.Christopher Reeve in Superman II (1980)Also, the documentary struggles in how to deal with the rest of the Reeve era. How to discuss Richard Donner being replaced on “Superman II” with Richard Lester without making either Donner or producer Ilya Salkind (who, after all, were both kind enough to be interviewed for this film) look bad? How to discuss the negative responses to “Superman III” and “IV” without delivering a drubbing so terrible that potential customers might not want the box set come autumn? Heck, how to discuss “Superman III” and “IV” without showing any of the behind-the-scenes material that made the look into the first movie so interesting? And what do you do with “Supergirl,” a movie for which Warner Bros. obviously declined any effort in obtaining rights, other than to brush it off with a couple sentences of narration and a few stock photos?Christopher Reeve in Superman II (1980)By the time we hit the late 1980s, it becomes obvious that Burns has become rushed for time yet is obligated to tow the company line – he glosses over such important information as John Byrne’s critical 1986 relaunching of the character, while giving plenty of extra attention to the late-80s syndicated series “Superboy,” a show nobody remembers that much, but hey, Warner Bros. just released the first season on DVD, so we better hype it up.Richard Pryor, Christopher Reeve, Larry Lamb, and Christopher Malcolm in Superman III (1983)We get an awkward potpourri, with Burns taking the time to discuss such important matters as the death (and, natch, rebirth) of Superman and the wedding of Clark and Lois, both which temporarily helped to boost comics sales, but then becoming very unsure as to how to handle the 1996 animated series and its follow-ups, concluding with the current “Justice League Unlimited” cartoon. (Both are mentioned, but in an ill-fitting obligatory tone.) “Lois & Clark” also gets a solid mention, but it again feels as if Burns is walking on tiptoes, trying to avoid anything that might wind up on a future DVD collection. (There’s also an extremely odd breakaway to discuss 9/11, which gets tied back to Superman in the flimsiest of manners, as if Burns is now simply grasping wildly in an attempt to retain some connection with the viewer, or show the relevance of a character that at the time wasn’t much in the pop culture forefront.)Annette O'Toole, Christopher Reeve, and Paul Kaethler in Superman III (1983)The last chunk is spent singing the praises of “Smallville” and “Superman Returns,” and it’s here that it becomes very clear that the movie should’ve stopped somewhere around the mid-90s mark. There’s not enough distance to properly analyze the impact of “Smallville,” and the facts get purposely fudged to make the series feel more important than future generations may believe. (Getting the largest ratings of all shows on the WB sounds more impressive than it really is.) Without any chance at hindsight, there’s no proper way to honestly gauge how the series fits into the history of the character, but instead of omitting anything, Burns merely turns on the hard sell.Brandon Routh in Superman Returns (2006)And then comes “Superman Returns,” and Burns is left with the unfortunate job of pushing it without sounding like he’s pushing it, showing clips without giving away too much, making this present-day release sound like part of history. (Most awkward moment: Spacey refers to himself in the third person.) On the plus side, you do get to see the crazed ramblings of producer Jon Peters, who admits to having had some very bad ideas in his decade-long trek in bringing Superman back to the big screen; one wonders if anybody slipped him a copy of “An Evening With Kevin Smith” as a wake-up call.